Grateful Dead 01/22/1978
McArthur Court, University Of Oregon, Eugene, OR
Source Summary
flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
Other Sources
SHNID 287 Source: DNC Close Encounters Tree; SBD> M?> C>...
SHNID 2014 Source: Audience FOB Sony TC-640 reel to reel...
SHNID 4974 d1,d3: sbd> ??> cd> eac> shn, d2 from previous...
SHNID 31940 flac16 ; SBD, 1st 4 songs in 2nd set AUD
SHNID 101436 flac16 ; Analog Audience Source: FOB Master...
SHNID 101437 flac24 ; Analog Audience Source: FOB Master...
SHNID 110632 flac16 ; Recording Info: Set 1: SBD ->...
Grateful Dead
McArthur Court, U. of Oregon
Eugene, OR
1-22-78
Sick Bits Vol. 4
Source: Matrix (discs 1 & 3):
SBD: (shn ID 4974)
sbd>??>cd>eac>shn
AUD: (shn ID 2014)
Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Disc 2: (shn ID 4974) Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
>mkw>wav>mkw appended w/seek files>shn
[complete text files for each source appended at end]
Transfer/Editing:
All sources were snh files downloaded from LMA and converted to
WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
4/01/05
Set 1:
d1t01 - Minglewood Blues
d1t02 - Dire Wolf
d1t03 - Cassidy
d1t04 - Peggy-O
d1t05 - El Paso
d1t06 - Tennessee Jed
d1t07 - Jack Straw
d1t08 - Row Jimmy
d1t09 - The Music Never Stopped
Set 2:
d2t01 - Bertha ->
d2t02 - Good Lovin'
d2t03 - Ship Of Fools
d2t04 - Samson and Delilah
d3t01 - Terrapin Station ->
d3t02 - Drums ->
d3t03 - The Other One ->
d3t04 - Jerry Solo (Close Encounters) ->
d3t05 - Saint Stephen ->
d3t06 - Not Fade Away ->
d3t07 - Around & Around
Encore:
d3t08 - U.S. Blues
Total Times:
Disc 1 [60:57]
Disc 2 [27:35]
Disc 3 [75:04]
General Notes:
Given the two sources available on the Llama, I decided to put the
effort into editing a matrix of all this incredible night in Eugene.
The FOB AUD is a decent recording for '78 and the SBD is balanced with
everyone in the mix. The two together work well as the energy in "The Pit"
is palpable in this matrix. Unfortunately, no SBD circulates for the 4
songs that comprise disc 2, but the rest is epic, especially the Jerry
mutron solo where he references the Close Encounters theme, shortly after
the movie came out.
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .06 (6 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. I did not reference A=440 as I did not
desire to pitch adjust the SBD. It is very close though to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the SBD source.
One difference was that I noticed NR had been applied to disc 1 but not to
disc 3. For Disc 1 I added about 1dB at 2.5kHz to get back some of which
was lost from the previous NR. Both Disc 1 and 3 had a small shelf
(less than 1dB) starting at about 170 Hz.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. If I had to guess the SBD/AUD
ratio would be somewhere between 3:1 and 4:1.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline.
SBD:
d1t01 (5:50 - 6:07) - missing (crowd)
d1t04 (7:10 - 7:13) - missing (crowd)
d1t05 (4:44 - 4:56) - missing (crowd)
d1t06 (2:06:00 - 2:06:08) - missing
d1t08 (10:02 - 10:10) - missing (crowd)
d3t01 (4:24 - 4:25) - splice from another show
d3t05 (6:56 - 7:27) - splice from another show
d2t06 (2:50:05 - 2:50:17) - missing
d3t07 (8:05 - 8:21) - missing (crowd)
d3t08 (5:17 - 5:42) - missing (crowd)
AUD:
d1t01 (5:26 - 5:32) - missing (crowd)
d1t02 (4:03 - 4:05) - missing (crowd)
Note that alot of the missing elements from the SBD source are just
crowd segments except for a few minor dropouts, as well as very stealth
splicing in two spots on disc 3, the most noticeable being 31 seconds
at the end of St. Stephen. I decided to leave the splices (from another
show in the same time period (probably 1-11-78) because I was able to
match them up with the AUD source without too much problem since it was
during a verse, thus maintaining a SBD source in the mix during these points.
This might seem objectionable to some, but since we are used to these
splices, I felt that the difference in content is negligable, and it was
better to have a SBD source in these parts than just the AUD.
Other than that, all of the music is intact.
Thanks to Popi for seeding the SBD. Thanks to John D'Auria for the
transfer to DAT and SHN of the AUD. Thanks to Jonathan Aizen for
uploading both sources to the Llama.
Enjoy!!!
-Chappy
McArthur Court, U. of Oregon
Eugene, OR
1-22-78
Sick Bits Vol. 4
Source: Matrix (discs 1 & 3):
SBD: (shn ID 4974)
sbd>??>cd>eac>shn
AUD: (shn ID 2014)
Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
Disc 2: (shn ID 4974) Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
>mkw>wav>mkw appended w/seek files>shn
[complete text files for each source appended at end]
Transfer/Editing:
All sources were snh files downloaded from LMA and converted to
WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
4/01/05
Set 1:
d1t01 - Minglewood Blues
d1t02 - Dire Wolf
d1t03 - Cassidy
d1t04 - Peggy-O
d1t05 - El Paso
d1t06 - Tennessee Jed
d1t07 - Jack Straw
d1t08 - Row Jimmy
d1t09 - The Music Never Stopped
Set 2:
d2t01 - Bertha ->
d2t02 - Good Lovin'
d2t03 - Ship Of Fools
d2t04 - Samson and Delilah
d3t01 - Terrapin Station ->
d3t02 - Drums ->
d3t03 - The Other One ->
d3t04 - Jerry Solo (Close Encounters) ->
d3t05 - Saint Stephen ->
d3t06 - Not Fade Away ->
d3t07 - Around & Around
Encore:
d3t08 - U.S. Blues
Total Times:
Disc 1 [60:57]
Disc 2 [27:35]
Disc 3 [75:04]
General Notes:
Given the two sources available on the Llama, I decided to put the
effort into editing a matrix of all this incredible night in Eugene.
The FOB AUD is a decent recording for '78 and the SBD is balanced with
everyone in the mix. The two together work well as the energy in "The Pit"
is palpable in this matrix. Unfortunately, no SBD circulates for the 4
songs that comprise disc 2, but the rest is epic, especially the Jerry
mutron solo where he references the Close Encounters theme, shortly after
the movie came out.
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .06 (6 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. I did not reference A=440 as I did not
desire to pitch adjust the SBD. It is very close though to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the SBD source.
One difference was that I noticed NR had been applied to disc 1 but not to
disc 3. For Disc 1 I added about 1dB at 2.5kHz to get back some of which
was lost from the previous NR. Both Disc 1 and 3 had a small shelf
(less than 1dB) starting at about 170 Hz.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. If I had to guess the SBD/AUD
ratio would be somewhere between 3:1 and 4:1.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline.
SBD:
d1t01 (5:50 - 6:07) - missing (crowd)
d1t04 (7:10 - 7:13) - missing (crowd)
d1t05 (4:44 - 4:56) - missing (crowd)
d1t06 (2:06:00 - 2:06:08) - missing
d1t08 (10:02 - 10:10) - missing (crowd)
d3t01 (4:24 - 4:25) - splice from another show
d3t05 (6:56 - 7:27) - splice from another show
d2t06 (2:50:05 - 2:50:17) - missing
d3t07 (8:05 - 8:21) - missing (crowd)
d3t08 (5:17 - 5:42) - missing (crowd)
AUD:
d1t01 (5:26 - 5:32) - missing (crowd)
d1t02 (4:03 - 4:05) - missing (crowd)
Note that alot of the missing elements from the SBD source are just
crowd segments except for a few minor dropouts, as well as very stealth
splicing in two spots on disc 3, the most noticeable being 31 seconds
at the end of St. Stephen. I decided to leave the splices (from another
show in the same time period (probably 1-11-78) because I was able to
match them up with the AUD source without too much problem since it was
during a verse, thus maintaining a SBD source in the mix during these points.
This might seem objectionable to some, but since we are used to these
splices, I felt that the difference in content is negligable, and it was
better to have a SBD source in these parts than just the AUD.
Other than that, all of the music is intact.
Thanks to Popi for seeding the SBD. Thanks to John D'Auria for the
transfer to DAT and SHN of the AUD. Thanks to Jonathan Aizen for
uploading both sources to the Llama.
Enjoy!!!
-Chappy
Comments
Other Sources (comments)
Source: DNC Close... (3)
Source: Audience FOB Sony... (6)
d1,d3: sbd> ??> cd> eac>... (1)
flac16 ; SBD, 1st 4 songs... (2)
flac16 ; Analog Audience... (0)
flac24 ; Analog Audience... (0)
flac16 ; Recording Info:... (1)
Source: DNC Close... (3)
Source: Audience FOB Sony... (6)
d1,d3: sbd> ??> cd> eac>... (1)
flac16 ; SBD, 1st 4 songs... (2)
flac16 ; Analog Audience... (0)
flac24 ; Analog Audience... (0)
flac16 ; Recording Info:... (1)
Date: 04/01/2005
User:
terrapanda
I think there must be some spyware on my computer that's telling someone what I've downloaded from BT or Tol recently and they put out a matrix or upgrade. Not a bad problem to have. (only kidding, no spyware on Macs)
Thanks Chris...can't wait to hear the Close Encounters Space Matrix-style.
Thanks Chris...can't wait to hear the Close Encounters Space Matrix-style.
Date: 04/04/2005
User:
Chris Chappell
FLAC fingerprint:
gd78-01-22d2aud01.flac:1a5fe5bcdcadbf1438d52a564bae8305
gd78-01-22d2aud02.flac:e1247455a8924a0519785497c067142b
gd78-01-22d2aud03.flac:8bef20e8b5e8130a3f3f0aade9ffc5c0
gd78-01-22d2aud04.flac:4fc04d519f5b5c91a1bdd2ae04db695c
gd78-01-22matrixd1t01.flac:681b3b25d80e6e0063d753f440037d62
gd78-01-22matrixd1t02.flac:a4c1c0678e2bb7705d3d03a365d31680
gd78-01-22matrixd1t03.flac:5c6b2893111e6070367cc35f695aaeb1
gd78-01-22matrixd1t04.flac:d2974439ca31f6086a1a01508ea74c57
gd78-01-22matrixd1t05.flac:5de49656eb158553343c266e29e3796c
gd78-01-22matrixd1t06.flac:588708f7bbc937337755311f8b958777
gd78-01-22matrixd1t07.flac:9bf6a2fab089a18b8115c7212fccc2ca
gd78-01-22matrixd1t08.flac:e8402714f8084dcb832d92840a24089b
gd78-01-22matrixd1t09.flac:5b2bdaf14eb5f3f38f0048c56bf922af
gd78-01-22matrixd3t01.flac:49c22b37d5cff601f64c5b35cbbd793d
gd78-01-22matrixd3t02.flac:53e2d140338f8747f709e58e694794f3
gd78-01-22matrixd3t03.flac:6c21872bcc614c3e4c212f13f9cd8fa5
gd78-01-22matrixd3t04.flac:efb29a179262255ca7a1c77faec9e865
gd78-01-22matrixd3t05.flac:c5c8f76bcf51eb4cfd0b06f3db5a5dd5
gd78-01-22matrixd3t06.flac:be8385e6e81744217e01abc12884c604
gd78-01-22matrixd3t07.flac:7c92a69e90e58ca4284d82226113cf66
gd78-01-22matrixd3t08.flac:a2d16e84a4cf3311cb07de00e84d2976
gd78-01-22d2aud01.flac:1a5fe5bcdcadbf1438d52a564bae8305
gd78-01-22d2aud02.flac:e1247455a8924a0519785497c067142b
gd78-01-22d2aud03.flac:8bef20e8b5e8130a3f3f0aade9ffc5c0
gd78-01-22d2aud04.flac:4fc04d519f5b5c91a1bdd2ae04db695c
gd78-01-22matrixd1t01.flac:681b3b25d80e6e0063d753f440037d62
gd78-01-22matrixd1t02.flac:a4c1c0678e2bb7705d3d03a365d31680
gd78-01-22matrixd1t03.flac:5c6b2893111e6070367cc35f695aaeb1
gd78-01-22matrixd1t04.flac:d2974439ca31f6086a1a01508ea74c57
gd78-01-22matrixd1t05.flac:5de49656eb158553343c266e29e3796c
gd78-01-22matrixd1t06.flac:588708f7bbc937337755311f8b958777
gd78-01-22matrixd1t07.flac:9bf6a2fab089a18b8115c7212fccc2ca
gd78-01-22matrixd1t08.flac:e8402714f8084dcb832d92840a24089b
gd78-01-22matrixd1t09.flac:5b2bdaf14eb5f3f38f0048c56bf922af
gd78-01-22matrixd3t01.flac:49c22b37d5cff601f64c5b35cbbd793d
gd78-01-22matrixd3t02.flac:53e2d140338f8747f709e58e694794f3
gd78-01-22matrixd3t03.flac:6c21872bcc614c3e4c212f13f9cd8fa5
gd78-01-22matrixd3t04.flac:efb29a179262255ca7a1c77faec9e865
gd78-01-22matrixd3t05.flac:c5c8f76bcf51eb4cfd0b06f3db5a5dd5
gd78-01-22matrixd3t06.flac:be8385e6e81744217e01abc12884c604
gd78-01-22matrixd3t07.flac:7c92a69e90e58ca4284d82226113cf66
gd78-01-22matrixd3t08.flac:a2d16e84a4cf3311cb07de00e84d2976
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