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Grateful Dead 11/04/1977

Cotterell Gym, Colgate University, Hamilton, NY
SHNID 29091
Source Summary
flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell
Entered by Matt Vernon
Checksums flac-md5, ffp
Disc Counts 2 / 3
Media Size
Date Circulated
Date Added
04/26/2005
04/26/2005
Downloads Download Text | Download Zip
Archive Identifier gd1977-11-04.mtx.chappell.SB5.29091.flac16 ↗

Other Sources
SHNID 2595 SBD:MR > DAT > CD-R; noted at gdlive (also to...
SHNID 3739 SBD:MR > DAT > CD-R; material from previous...
SHNID 15208 MAC (Taped by Jerry Moore, Sony ECM 33Ps*...
SHNID 81110 flac16 ; Recorded by Alan Zimmerman Master...
SHNID 130927 flac16 ; SBD Source ID 3739 Adjusted...
SHNID 139656 flac16 ; This source is a DAE of the GDLive...
SHNID 141004 flac24 ; Source: Audience Master Reel > Reel...
SHNID 141005 flac16 ; Source: Audience Master Reel > Reel -...
SHNID 141833 flac16 ; Recording Info: Jerry Moore's Master...
Grateful Dead
Cotterell Gym, Reid Athletic Center, Colgate University
Hamilton, NY
11-4-77
Sick Bits Vol. 5

Source:
Matrix: (SBD/AUD mix)

SBD: MR > DAT > CD-R (shn ID #2595)

AUD: MAC: Sony ECM 33Ps > Sony TC-158 > CDR (shn ID #15208)
Taped by Jerry Moore

[complete text files for each source appended at end]

Transfer/Editing:
Both sources were shn files downloaded from LMA and converted to
WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
4/23/05

Set I:
d1t01 - Bertha -> [7:52]
d1t02 - Good Lovin' [6:32]
d1t03 - Brown-Eyed Women [6:07]
d1t04 - Cassidy [5:19]
d1t05 - It Must Have Been the Roses [7:31]
d1t06 - Sunrise [4:34]
d1t07 - New Minglewood Blues [5:51]
d1t08 - Dupree's Diamond Blues [6:25]
d1t09 - Let It Grow [14:11]

Set II:
d2t01 - "Meet The Jones Gang" [2:36]
d2t02 - Samson & Delilah -> [7:22]
d2t03 - Cold Rain & Snow [8:30]
d2t04 - Playing in the Band -> [12:52]
d2t05 - Eyes of the World -> [12:50]
d2t06 - Estimated Prophet -> [11:40]
d2t07 - The Other One ->[4:57]
d3t01 - Drums -> [3:17]
d3t02 - Iko Iko -> [10:05]
d3t03 - Stella Blue ->[12:12]
d3t04 - Playing in the Band [7:04]

Encore:
d3t05 - Johnny B. Goode [5:06]

Total Times:
Disc 1 [64:26]
Disc 2 [60:50]
Disc 3 [37:47]


General Notes:

Given the two sources available on the Llama, I decided to put the effort
into editing a matrix of this weird and powerful night at Colgate U.
during their homecoming weekend.  The Jerry Moore FOB AUD is an excellent
recording, and the SBD is balanced with everyone in the mix and Keith
featured prominently throughout.  The two sources work well together even
though the venue was basically an ice rink with steel walls.

Music Notes:

This show, albeit sloppy at points, epitomizes the ability of the band to
take chances musically, knowing they can falter at any moment but also
collectively discover something around the bend never before seen or heard.
This is also reflected in the setlist which has some noteworthy aspects.
The Let It Grow to end the first set is both out there and raging,
purporting what is to come next.  Technical difficulties allow time for
Phil to introduce the band as the "Jones Gang" at the start of the second
set.  This level of hilarity is indicative of the playing to follow: loose,
strange, daring, and plain old rockin'.  Cold Rain & Snow hadn't been
played in over a year and is one of two played in '77.  The Playin' in the
Band is very exploratory building to a crescendo that segues into the gem
of the show: Eyes of the World - simply the most rockin' I have heard.  
Then, to top it off, they transition into Estimated, with Jerry sort of
happening upon the song unexpectedly.  This is the first Eyes > Estimated,
with another on 11-5-79 and then not again until the famous night at Nassau
with Branford Marsalis on 3-29-90.  A powerful one-verse only Other One
follows, and then the 4th Iko-Iko ever comes out of Drums.  The Stella Blue
is very intimate with Jerry crooning at the end similar to certain nights
in the 90's.  A very long and jammed out Playin' reprise ends the set at
a fervent level, and the Johnny B. Goode to follow doesn't let up.

Editing Notes:

- Pitch
Both sources were pitched differently, the AUD being the sharpest,
and the SBD being the flatest.  I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
down about .33 (33 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone.  I did not reference A=440 as I did not
desire to pitch adjust the SBD.  It is very close though to A=440.

- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched.  Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).

- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little bit of limiting
(Waves L2) to the SBD source. All I was trying to do here is to add some
dimension to the SBD by using the ambience of the AUD. The result is a
lively but clear recording, hopefully close to how it sounded at the show.
If I had to guess the SBD/AUD ratio would be somewhere between 3:1 and 4:1.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. Crossfades
were used throughout for smooth transitions to a single source.

SBD:
d1t01 (0:00 - 0:03) - missing (crowd)
d1t02 (6:10 - 6:30) - missing (crowd)
d1t04 (4:49 - 4:53) - missing (crowd)
d1t05 (7:23 - 7:25) - missing (crowd)
d1t06 (4:10 - 4:23) - missing (crowd)
d1t07 (5:19 - 5:30) - missing (crowd)
d1t08 (6:09 - 6:13) - missing (crowd)
d2t01 (0:30 - 1:08) - missing
d2t03 (6:10 - 8:18) - missing (crowd)
d3t01 (

Comments

Date: 04/26/2005
The rest of the text file:

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. Crossfades
were used throughout for smooth transitions to a single source.

SBD:
d1t01 (0:00 - 0:03) - missing (crowd)
d1t02 (6:10 - 6:30) - missing (crowd)
d1t04 (4:49 - 4:53) - missing (crowd)
d1t05 (7:23 - 7:25) - missing (crowd)
d1t06 (4:10 - 4:23) - missing (crowd)
d1t07 (5:19 - 5:30) - missing (crowd)
d1t08 (6:09 - 6:13) - missing (crowd)
d2t01 (0:30 - 1:08) - missing
d2t03 (6:10 - 8:18) - missing (crowd)
d3t01 (0:19 - 1:04) - missing
d3t01 (0:04 - 0:25) - missing
d3t05 (0:00 - 0:08) - missing (crowd)

AUD:
d1t03 (5:45 - 5:56) - missing (crowd)
d1t08 (6:16 - 6:25) - missing (crowd)
d2t01 (0:14 - 0:25) - missing (crowd)
d2t05 (11:49 - 11:55) - missing (tape flip)
d3t04 (0:00 - 0:03) - missing (tape flip)

Note that all of the missing elements from the SBD and AUD sources are just
crowd segments in the first set (the missing elements being covered by the
crowd segments of the other source). For the second set, the only music
missing from the SBD source is a small portion of Drums (covererd by the
AUD); and from the AUD source, a 6 second portion from the end of Eyes, and
3 seconds during the transition into Playin' Reprise (all covered by the
SBD). Thus, all of the music is intact, full coverage being achieved by
the combination of both sources.

Thanks to Jerry Moore for recording the AUD; thanks to John Steinthal for
the A/D conversion, Joe Jupille and Noah Weiner for the shn conversion.
Thanks to whoever for transfering and converting the SBD to shn. Thanks to
Jonathan Aizen for uploading both sources to the Llama.

Enjoy!!!
-Chappy

shntool length output for flac files (no sector boundary errors):

length expanded size cdr WAVE problems filename
7:52.23 83314940 --- -- ---xx gd77-11-04mtxd1t01.flac
6:32.60 69289964 --- -- ---xx gd77-11-04mtxd1t02.flac
6:07.13 64769420 --- -- ---xx gd77-11-04mtxd1t03.flac
5:19.53 56396300 --- -- ---xx gd77-11-04mtxd1t04.flac
7:31.62 79702268 --- -- ---xx gd77-11-04mtxd1t05.flac
4:34.31 48406556 --- -- ---xx gd77-11-04mtxd1t06.flac
5:51.60 62057564 --- -- ---xx gd77-11-04mtxd1t07.flac
6:25.10 67937564 --- -- ---xx gd77-11-04mtxd1t08.flac
14:11.29 150184652 --- -- ---xx gd77-11-04mtxd1t09.flac
2:36.04 27527852 --- -- ---xx gd77-11-04mtxd2t01.flac
7:22.39 78060572 --- -- ---xx gd77-11-04mtxd2t02.flac
8:30.29 90032252 --- -- ---xx gd77-11-04mtxd2t03.flac
12:52.50 136298444 --- -- ---xx gd77-11-04mtxd2t04.flac
12:50.57 135962108 --- -- ---xx gd77-11-04mtxd2t05.flac
11:40.46 123588236 --- -- ---xx gd77-11-04mtxd2t06.flac
4:57.04 52400252 --- -- ---xx gd77-11-04mtxd2t07.flac
3:17.53 34875500 --- -- ---xx gd77-11-04mtxd3t01.flac
10:05.72 106891388 --- -- ---xx gd77-11-04mtxd3t02.flac
12:12.04 129134252 --- -- ---xx gd77-11-04mtxd3t03.flac
7:04.46 74901836 --- -- ---xx gd77-11-04mtxd3t04.flac
5:06.57 54112508 --- -- ---xx gd77-11-04mtxd3t05.flac
163:03.52 1725844428 B(totals for 21 files, 0.5275 overall compression ratio)

Please see shn ID 2595 for the SBD source info
Please see shn ID 15208 for the AUD source info