Grateful Dead 07/31/1982
Manor Downs, Austin, TX
Source Summary
flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
Other Sources
SHNID 3419 Soundboard> Master Cassette> Cassette> Dat>...
SHNID 13310 Lineage: Soundboard>Master...
SHNID 19017 MAC (Taped by Steven Martin, modified Nakamichi...
SHNID 31002 flac16 ; SBD -> Cassette Master -> Dat (44.1k)...
SHNID 112575 flac16: Exact "as is" untouched DAT transfers...
SHNID 138616 flac16 44.1khz Source Audience Recording:...
SHNID 138617 flac24 48khz Source Audience Recording: Beyer...
SHNID 141511 flac16 ; Source Info: Dan Healy's Master...
SHNID 156439 Flac24 Nakamichi CM304>Sony TCD-5M (Maxell...
SHNID 156440 Flac16 Nakamichi CM304>Sony TCD-5M (Maxell...
SHNID 158062 flac1648 Source Info: Master Audience...
SHNID 158063 flac2496 Source Info: Master Audience...
SHNID 167919 flac16; Matrix 2 Source Mix - SBD (shnid =...
SHNID 167920 DTS-Audio-CD 5.1 Mix; - SBD (shnid = 112575)...
SHNID 167921 flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
SHNID 167996 flac1644 Rodney Michael's Master FOB Audience...
SHNID 176352 Source: ?? Mics > ?? Lead Deck > Sony Tc-d5 >...
Grateful Dead
Manor Downs
Manor, TX
7-31-82
Sick Bits Vol. 11
Source: Matrix:
SBD: (shn ID 3415)
Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
(via Jeff M.)
AUD: (shn ID 19017)
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) >
Transfer: Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD >
Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) >
sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
(via: A > D by Steven Martin + EAC > SHN by Jack Warner)
[complete text files for each source appended at end]
Transfer/Editing:
All sources were snh files downloaded from the LlaMA and converted to
WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
8/01/05
Set 1:
d1t01 - Tuning
d1t02 - Alabama Getaway ->
d1t03 - Promised Land
d1t04 - Candyman
d1t05 - El Paso
d1t06 - Bird Song ->
d1t07 - Little Red Rooster
d1t08 - Ramble on Rose
d1t09 - It's All Over Now
d1t10 - Brown Eyed Women ->
d1t11 - The Music Never Stopped
d1t12 - Deal
Set 2:
d2t01 - Tuning
d2t02 - Scarlet Begonias ->
d2t03 - Fire on the Mountain ->
d2t04 - Estimated Prophet ->
d2t05 - Eyes of the World ->
d2t06 - Jam (sans Garcia+Lesh) ->
d2t07 - Drums ->
d3t01 - Space ->
d3t02 - Uncle John's Band ->
d3t03 - Truckin' ->
d3t04 - Morning Dew ->
d3t05 - One More Saturday Night
Encore:
d3t06 - Dont Ease Me In
Total Times:
Disc 1 [79:25]
Disc 2 [58:34]
Disc 3 [43:48]
_________________________________________________________________________
General Notes:
Given the two sources available on archive.org, I decided to put the
effort into editing a matrix of this incredible night at Manor Downs
(pronounced "Mayner") in Manor, TX (not Austin, Manor Downs is the racetrack
outside of Austin about 7 miles in the town of Manor).
The FOB AUD is an excellent recording for '82 and the SBD is balanced with
everyone in the mix. Aside from the fact that the SBD is compressed and the
AUD has a pretty slappy kick drum, the two sources work well together
even when Phil drops huge bombs resulting in massive overload.
This show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10
and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday,
which a few people remind him during the mellow part of the Dew. The crowd
certainly got treated to "one of those shows" this night at the racetrack.
Reviews from archive.org:
- "Jerry turns 40 as Brent wails. Download now !!!!"
- "High points in set one are Bob going crazy with the slide guitar on Little Red
Rooster and Brent burning it up on All Over Now. The second set is extremely
good, with Brent on organ for Scarlet>Fire and Phil dropping bombs left and
right, especially at the close of Truckin' and in Morning Dew. This second set,
while not flawless, will most likely end up in your top 10 for the Brent years.
Get it now!"
- "Although the next day at OKC was Jerry's Birthday show, this show went past
midnight after drums, so we were treated to an early birthday jam. The uncle
john's>truckin>dew was a perfect way to start the celebration that would last
through the next show. Very sweet."
_________________________________________________________________________
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .12 (12 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. The SBD very close to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the AUD source,
cutting 2.5k about 1 dB to minimize the attack on the kick drum; also I
applied Waves L2 (limiter) to the master 2 buss to keep things contained.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. The AUD is higher in the mix,
but the SBD is compressed so it has much more presence. If I had to guess the
SBD/AUD ratio would be somewhere between 2.5:1 and 3:1. The SBD suffers from
occasional distortion as well as a pretty wispy and present hi-hat due to
the previously employed compression, however I did nothing to the SBD.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timel
length expanded size cdr WAVE problems filename
1:36.18 16976780 --- -- ---xx gd82-07-31d1t01.flac
4:58.62 52713068 --- -- ---xx gd82-07-31d1t02.flac
5:18.33 56172860 --- -- ---xx gd82-07-31d1t03.flac
7:34.68 80245580 --- -- ---xx gd82-07-31d1t04.flac
5:07.08 54173660 --- -- ---xx gd82-07-31d1t05.flac
9:25.70 99830684 --- -- ---xx gd82-07-31d1t06.flac
8:13.44 87068732 --- -- ---xx gd82-07-31d1t07.flac
7:20.30 77686604 --- -- ---xx gd82-07-31d1t08.flac
9:42.22 102716588 --- -- ---xx gd82-07-31d1t09.flac
5:44.69 60843932 --- -- ---xx gd82-07-31d1t10.flac
7:48.22 82606988 --- -- ---xx gd82-07-31d1t11.flac
6:32.04 69158252 --- -- ---xx gd82-07-31d1t12.flac
0:46.19 8159132 --- -- ---xx gd82-07-31d2t01.flac
12:46.57 135256508 --- -- ---xx gd82-07-31d2t02.flac
10:25.38 110339420 --- -- ---xx gd82-07-31d2t03.flac
11:21.64 120278972 --- -- ---xx gd82-07-31d2t04.flac
12:06.58 128202860 --- -- ---xx gd82-07-31d2t05.flac
2:40.05 28235804 --- -- ---xx gd82-07-31d2t06.flac
8:25.47 89192588 --- -- ---xx gd82-07-31d2t07.flac
7:31.72 79725788 --- -- ---xx gd82-07-31d3t01.flac
9:54.08 104800460 --- -- ---xx gd82-07-31d3t02.flac
7:20.48 77728940 --- -- ---xx gd82-07-31d3t03.flac
10:54.74 115539692 --- -- ---xx gd82-07-31d3t04.flac
4:53.22 51736988 --- -- ---xx gd82-07-31d3t05.flac
3:11.37 33779468 --- -- ---xx gd82-07-31d3t06.flac
181:42.24 1923170304 B(totals for 24 files, 0.6287 overall compression ratio)
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .12 (12 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. The SBD very close to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the AUD source,
cutting 2.5k about 1 dB to minimize the attack on the kick drum; also I
applied Waves L2 (limiter) to the master 2 buss to keep things contained.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. The AUD is higher in the mix,
but the SBD is compressed so it has much more presence. If I had to guess the
SBD/AUD ratio would be somewhere between 2.5:1 and 3:1. The SBD suffers from
occasional distortion as well as a pretty wispy and present hi-hat due to
the previously employed compression, however I did nothing to the SBD.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline.
SBD:
d1t06 (6:36:51 - 6:36:64) - removed glitch (left channel only)
d1t07 (8:06 - 8:11) - missing (crowd)
d2t01 (0:00 - 0:06) - missing (crowd)
d2t06 (0:04 - 0:15) - missing
d3t02 (3:34 - 3:35) - minimized static (left channel only)
d3t02 (8:28 - 8:29) - missing
d3t05 (0:04 - 0:13) - missing
d3t05 (4:44 - 4:56) - missing (crowd)
AUD:
d1t01 (0:00 - 0:49) - missing (crowd)
d1t03 (4:17 - 4:45) - missing (crowd)
d1t07 (8:00 - 8:01) - missing (crowd)
d2t05 (0:02 - 0:11) - missing
d2t05 (4:32 - 4:32) - removed glitch
d3t02 (1:27 - 1:52) - removed dropout (right channel only)
d3t03 (1:03 - 1:24) - removed dropout (right channel only)
d3t04 (0:09 - 1:01) - removed dropout (right channel only)
d3t05 (0:00 - 0:02) - missing
d3t05 (4:23 - 4:31) - removed dropout (right channel only)
Note that alot of the missing elements from the SBD or the AUD source are
just crowd segments except for tape flips from both sources, fortunately
not in the same places, thus full coverage is achieved.
Thanks to Jeff M. for providing the SBD. Thanks to Steve Martin for
recording the AUD and to Jack Warner for encoding it.
Enjoy!!!
-Chappy
Manor Downs
Manor, TX
7-31-82
Sick Bits Vol. 11
Source: Matrix:
SBD: (shn ID 3415)
Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN
(via Jeff M.)
AUD: (shn ID 19017)
MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) >
Transfer: Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD >
Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) >
sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
(via: A > D by Steven Martin + EAC > SHN by Jack Warner)
[complete text files for each source appended at end]
Transfer/Editing:
All sources were snh files downloaded from the LlaMA and converted to
WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
8/01/05
Set 1:
d1t01 - Tuning
d1t02 - Alabama Getaway ->
d1t03 - Promised Land
d1t04 - Candyman
d1t05 - El Paso
d1t06 - Bird Song ->
d1t07 - Little Red Rooster
d1t08 - Ramble on Rose
d1t09 - It's All Over Now
d1t10 - Brown Eyed Women ->
d1t11 - The Music Never Stopped
d1t12 - Deal
Set 2:
d2t01 - Tuning
d2t02 - Scarlet Begonias ->
d2t03 - Fire on the Mountain ->
d2t04 - Estimated Prophet ->
d2t05 - Eyes of the World ->
d2t06 - Jam (sans Garcia+Lesh) ->
d2t07 - Drums ->
d3t01 - Space ->
d3t02 - Uncle John's Band ->
d3t03 - Truckin' ->
d3t04 - Morning Dew ->
d3t05 - One More Saturday Night
Encore:
d3t06 - Dont Ease Me In
Total Times:
Disc 1 [79:25]
Disc 2 [58:34]
Disc 3 [43:48]
_________________________________________________________________________
General Notes:
Given the two sources available on archive.org, I decided to put the
effort into editing a matrix of this incredible night at Manor Downs
(pronounced "Mayner") in Manor, TX (not Austin, Manor Downs is the racetrack
outside of Austin about 7 miles in the town of Manor).
The FOB AUD is an excellent recording for '82 and the SBD is balanced with
everyone in the mix. Aside from the fact that the SBD is compressed and the
AUD has a pretty slappy kick drum, the two sources work well together
even when Phil drops huge bombs resulting in massive overload.
This show is simply smokin', definately top 5 '82 along with 9-17, 4-6, 8-10
and 8-3. Apparently, post drums is actually after midnight, thus Jerry's birthday,
which a few people remind him during the mellow part of the Dew. The crowd
certainly got treated to "one of those shows" this night at the racetrack.
Reviews from archive.org:
- "Jerry turns 40 as Brent wails. Download now !!!!"
- "High points in set one are Bob going crazy with the slide guitar on Little Red
Rooster and Brent burning it up on All Over Now. The second set is extremely
good, with Brent on organ for Scarlet>Fire and Phil dropping bombs left and
right, especially at the close of Truckin' and in Morning Dew. This second set,
while not flawless, will most likely end up in your top 10 for the Brent years.
Get it now!"
- "Although the next day at OKC was Jerry's Birthday show, this show went past
midnight after drums, so we were treated to an early birthday jam. The uncle
john's>truckin>dew was a perfect way to start the celebration that would last
through the next show. Very sweet."
_________________________________________________________________________
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .12 (12 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. The SBD very close to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the AUD source,
cutting 2.5k about 1 dB to minimize the attack on the kick drum; also I
applied Waves L2 (limiter) to the master 2 buss to keep things contained.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. The AUD is higher in the mix,
but the SBD is compressed so it has much more presence. If I had to guess the
SBD/AUD ratio would be somewhere between 2.5:1 and 3:1. The SBD suffers from
occasional distortion as well as a pretty wispy and present hi-hat due to
the previously employed compression, however I did nothing to the SBD.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timel
length expanded size cdr WAVE problems filename
1:36.18 16976780 --- -- ---xx gd82-07-31d1t01.flac
4:58.62 52713068 --- -- ---xx gd82-07-31d1t02.flac
5:18.33 56172860 --- -- ---xx gd82-07-31d1t03.flac
7:34.68 80245580 --- -- ---xx gd82-07-31d1t04.flac
5:07.08 54173660 --- -- ---xx gd82-07-31d1t05.flac
9:25.70 99830684 --- -- ---xx gd82-07-31d1t06.flac
8:13.44 87068732 --- -- ---xx gd82-07-31d1t07.flac
7:20.30 77686604 --- -- ---xx gd82-07-31d1t08.flac
9:42.22 102716588 --- -- ---xx gd82-07-31d1t09.flac
5:44.69 60843932 --- -- ---xx gd82-07-31d1t10.flac
7:48.22 82606988 --- -- ---xx gd82-07-31d1t11.flac
6:32.04 69158252 --- -- ---xx gd82-07-31d1t12.flac
0:46.19 8159132 --- -- ---xx gd82-07-31d2t01.flac
12:46.57 135256508 --- -- ---xx gd82-07-31d2t02.flac
10:25.38 110339420 --- -- ---xx gd82-07-31d2t03.flac
11:21.64 120278972 --- -- ---xx gd82-07-31d2t04.flac
12:06.58 128202860 --- -- ---xx gd82-07-31d2t05.flac
2:40.05 28235804 --- -- ---xx gd82-07-31d2t06.flac
8:25.47 89192588 --- -- ---xx gd82-07-31d2t07.flac
7:31.72 79725788 --- -- ---xx gd82-07-31d3t01.flac
9:54.08 104800460 --- -- ---xx gd82-07-31d3t02.flac
7:20.48 77728940 --- -- ---xx gd82-07-31d3t03.flac
10:54.74 115539692 --- -- ---xx gd82-07-31d3t04.flac
4:53.22 51736988 --- -- ---xx gd82-07-31d3t05.flac
3:11.37 33779468 --- -- ---xx gd82-07-31d3t06.flac
181:42.24 1923170304 B(totals for 24 files, 0.6287 overall compression ratio)
Editing Notes:
- Pitch
Both sources were pitched differently, the SBD being the sharpest,
and the AUD being the flatest. I used the SBD as my master timeline
and pitch referenced the AUD to it. The AUD on average had to be pitched
up about .12 (12 cents) to achieve pitch correction - 1.00 being
100 cents which is a semitone. The SBD very close to A=440.
- Synch
Because of the speed fluctuation within a given source, multiple edits
were performed to keep the sources synched. Because the SBD was my
master pitch and time ref, the AUD was synched to the SBD (too many
edits to list).
- Sonic Quality/Matrix ratio
The only dynamic processing I employed was a little EQ to the AUD source,
cutting 2.5k about 1 dB to minimize the attack on the kick drum; also I
applied Waves L2 (limiter) to the master 2 buss to keep things contained.
All I was trying to do here is to add some dimension to the SBD by using
the ambience of the AUD. The result is a lively but clear recording,
hopefully close to how it sounded at the show. The AUD is higher in the mix,
but the SBD is compressed so it has much more presence. If I had to guess the
SBD/AUD ratio would be somewhere between 2.5:1 and 3:1. The SBD suffers from
occasional distortion as well as a pretty wispy and present hi-hat due to
the previously employed compression, however I did nothing to the SBD.
- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline.
SBD:
d1t06 (6:36:51 - 6:36:64) - removed glitch (left channel only)
d1t07 (8:06 - 8:11) - missing (crowd)
d2t01 (0:00 - 0:06) - missing (crowd)
d2t06 (0:04 - 0:15) - missing
d3t02 (3:34 - 3:35) - minimized static (left channel only)
d3t02 (8:28 - 8:29) - missing
d3t05 (0:04 - 0:13) - missing
d3t05 (4:44 - 4:56) - missing (crowd)
AUD:
d1t01 (0:00 - 0:49) - missing (crowd)
d1t03 (4:17 - 4:45) - missing (crowd)
d1t07 (8:00 - 8:01) - missing (crowd)
d2t05 (0:02 - 0:11) - missing
d2t05 (4:32 - 4:32) - removed glitch
d3t02 (1:27 - 1:52) - removed dropout (right channel only)
d3t03 (1:03 - 1:24) - removed dropout (right channel only)
d3t04 (0:09 - 1:01) - removed dropout (right channel only)
d3t05 (0:00 - 0:02) - missing
d3t05 (4:23 - 4:31) - removed dropout (right channel only)
Note that alot of the missing elements from the SBD or the AUD source are
just crowd segments except for tape flips from both sources, fortunately
not in the same places, thus full coverage is achieved.
Thanks to Jeff M. for providing the SBD. Thanks to Steve Martin for
recording the AUD and to Jack Warner for encoding it.
Enjoy!!!
-Chappy
Comments
Other Sources (comments)
Soundboard> Master... (1)
Lineage: Soundboard>Master... (0)
MAC (Taped by Steven... (0)
flac16 ; SBD -> Cassette... (0)
flac16: Exact "as is"... (2)
flac16 44.1khz Source... (0)
flac24 48khz Source... (0)
flac16 ; Source Info: Dan... (0)
Flac24
Nakamichi... (0)
Flac16
Nakamichi... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
flac16; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac1644 Rodney Michael's... (0)
Source: ?? Mics > ?? Lead... (0)
Soundboard> Master... (1)
Lineage: Soundboard>Master... (0)
MAC (Taped by Steven... (0)
flac16 ; SBD -> Cassette... (0)
flac16: Exact "as is"... (2)
flac16 44.1khz Source... (0)
flac24 48khz Source... (0)
flac16 ; Source Info: Dan... (0)
Flac24
Nakamichi... (0)
Flac16
Nakamichi... (0)
flac1648 Source Info:... (0)
flac2496 Source Info:... (0)
flac16; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix; -... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac1644 Rodney Michael's... (0)
Source: ?? Mics > ?? Lead... (0)
Date: 08/27/2005
User:
Charlie Miller
I have the cass master sbd to this show. I'll put it out soon..cm
Date: 07/25/2006
User:
rjhythloday
i tried to verify this for upload several times and d1 d2 fail, i noticed the shntool report says 24 files when it is really 25
my output 181:42.24 1923170348 B (totals for 25 files, 0.6286 overall compression ratio)
here 181:42.24 1923170304 B(totals for 24 files, 0.6287 overall compression ratio)
can anyone verify that the .md5 is correct here, my files match the .ffp but wont verify the .md5
my output 181:42.24 1923170348 B (totals for 25 files, 0.6286 overall compression ratio)
here 181:42.24 1923170304 B(totals for 24 files, 0.6287 overall compression ratio)
can anyone verify that the .md5 is correct here, my files match the .ffp but wont verify the .md5
Date: 07/26/2006
User:
Wharfrat73
Yes, the md5 and ffp here are correct.
Date: 07/27/2006
User:
rjhythloday
alright, thanx, don't know why .ffp passess and md5 fails, good enough for me, just can't upload it.
Date: 07/27/2006
User:
rjhythloday
alright, thanx, don't know why .ffp passess and md5 fails, good enough for me, just can't upload it.
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