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Grateful Dead 04/03/1970

Field House, U. of Cincinnati, Cincinnati, OH
SHNID 4283
Source Summary
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com
Entered by dr.unclear
Checksums shn-md5, st5
Disc Counts 2 / 2
Media Size
Date Circulated
Date Added
6/20/01
06/21/2001
Downloads Download Text | Download Zip
Archive Identifier gd70-04-03.sbd.cotsman.4283.sbefail.shnf ↗

Other Sources
SHNID 3862 SBD; Monitor Noise throughout show; noted at...
SHNID 114569 flac24 ; SBD MR>R>FLAC; Monitor Noise...
SHNID 114616 flac16 ; SBD MR>R>FLAC; Converted to 16 bit...
SHNID 119118 flac16 ; MR>R>FLAC (shnid: 114616) Used...
SHNID 141217 flac24 ; Source: Soundboard Master Reel > Reel...
SHNID 141224 flac16 ; Source: Soundboard Master Reel > Reel...
SHNID 141361 flac24 ; Source: Soundboard Master Reel > Reel...
SHNID 144890 flac16 ; Source: Soundboard Master Reel > Reel...
SHNID 154482 flac16/44 Source: Reel Master (7 inch Master...
Grateful Dead

4/3/70
Field House, University of Cincinnati

SBD from bootleg "Cincinnati 1970"

Disc 1

    electric set I
1. //Casey Jones
2. China Cat Sunflower-->
3. I Know You Rider
4. Hard To Handle
5. Dancing In The Streets
6. Me & My Uncle

    acoustic set II (disc 1 cont.)

7. Friend Of The Devil
8. Deep Elem Blues
9. Candyman
10. Wake Up Little Susie-->
11. Black Peter

Disc 2 (acoustic set cont.)

1. Uncle John's Band
2. Katie Mae

    electric set II (disc 2 cont.)

3. //Good Lovin'
4. Cryptical Envelopment-->
5. Drums-->
6. The Other One-->
7. Cryptical Envelopment-->
8. Cosmic Charlie
9. Not Fade Away-->
10. Lovelight%


notes: missing encore (We Bid You Goodnight).  Casey Jones fades in at
"...at trouble junction."  Good Lovin' fades in about 30 seconds
before the drum solo, during the chorus.  There is a minor splice in
Lovelight during Pigpen's rap.  This is the first known Candyman.  As
this show is from a bootleg, no source info was given, though the
sound indicates that at least one, and probably two analog generations
occurred before being transferred to digital.  The pitch was corrected
using Sound Forge as the original recording was flat. Retracking was
done with CDWave. There are occasional, very faint pops in the
recording as well as occasional oversaturation.  Lastly, and
significantly, an intermittent buzz occurs throughout the show from a
bad connection somewhere. It is most evident during the acoustic set.

thecore@core.com

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