Loading...

Phish 07/23/1991

The Bayou, Washington, DC
SHNID 456
Source Summary
SBD > DAT > CDR > CDWav > SHN; md5's provided 10/2000 by Marco Walsh
Entered by Matt Vernon
Checksums shn-md5, st5, ffp
Disc Counts 2 / 2
Media Size
Date Circulated
Date Added
11/14/1998
10/24/2000
Downloads Download Text | Download Zip
Archive Identifier phish1991-07-23.000456.washington.sbd.flac1644 ↗

Other Sources
SHNID 30666 AKG 451 > D10 Pro II > CDR > EAC > FLAC
SHNID 133849 flac16 48kHz AKG451; DAT(c) @ 48kHz > Sony...
phish
washington, D.C.
The bayou
07-23-91
Source: sbd>dat>cdr>cdwav>shn
Entire show with Giant Country Horns

d1 set1

chalkdust torture
foam
squirming coil
my sweet one->
oh kee pa->
suzie greenberg
stash
flat fee
bouncing
mikes song->
im hydrogen->
weekapaug groove

d2 set2

llama
reba
cavern
lizards
landlady->
tweezer
dinner and a movie
gumbo
hyhu->
touch me

E: caravan


Comments

Date: 07/13/2000
User: John T.
Because SBD, no Sweet Adeline
Date: 10/20/2000
While there aren't MD5's here to compare the files I have, I'm pretty confident that this is not a SBD. My SHNs extract to create a very very nice sounding audience recording. It's clean enough that a novice might think it's a board, but signs (fairly full croud noise, lack of SBD crispness on the bass and drums) point to this being a great audience recording of a well-mixed band in a good sounding room.
Date: 12/03/2000
My Audience dat has 'DAUD (AKG 451>D10 pro II)'. I haven't listened to this seed myself, but its a good bet that this source is probably correct
Date: 10/10/2004
User: Brad
HFB also says that Golgi was played as a second encore. It is not included with this fileset.
Date: 10/12/2004
User: realtilli
d1t12 (Paug) has a microsecond duplication at the start of the track. Some other track boundaries also sound somewhat "suspicious". To my mind, this probably comes from a repaired TAO disc, although shntool reports no SBEs.
Date: 10/30/2006
User: gorshar
This ia absolutely not a SBD. The Bayou had pair of mains that hung from the ceiling. If you recorded from the front row of the balcony, as most folks did, your mics would be less than twenty feet from these speakers (perhaps less, it's been a decade since I've been there and the club no longer exists) and the only crowd in front of you would be standing fifteen feet below you on the floor. Most Bayou AUDs recorded from this location will have the characteristics of this source. Absolutely an AUD.