Phish 12/08/1994
Spreckels Theatre, San Diego, CA
Source Summary
SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02
SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02
Other Sources
SHNID 2913 AKG 460 Cards > 10ft XLR's > Power Supply > 3...
SHNID 96855 AKG 460b/ck61 > custom pre-amp > Sony TCD-D7 (@...
Phish
12-08-94 MIX
Spreckels Theatre
San Diego, CA
As the 'm' indicates, this is a MIX of two sources:
-- THE DSBD --
Source:
DSBD > Master DAT > My first-generation DAT clone (Taped by
Mr. Anonymous)
Transfer:
My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA
ODL-276 >
coax cable > Waveterminal 2496, hardware downsampling to
44.1KHz on
Set I only (Set II was apparently recorded at 44.1) >
CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV
>
mkwACT 0.97b1 > SHN v3 (By Jeff Ishaq)
Scarcity:
Mr. Anonymous's DSBD DATs are widely circulated, though
because they are
unauthorized, they don't show up on etree and some traders don't
indicate
the show on their list. Some copies have noise reduction
performed on
them, I'm sure.
Notes:
* The master DAT is plagued by constant, light static throughout
the entire
show -- IMHO, it's unlistenable. Also, it is missing the first song.
I
used Cool Edit 2000 to remove 99.9% of the static clicks, and I
also
integrated Makisupa, Nellie Cane, and Sweet Adeline from the
FOB AUD. The
sound quality of the original DSBD DAT is identical to the click-
removed
version, it's not like it was compressed or lost high end or has
phase
shifting or anything nastly like that!
* I produced this mix to liberate the DSBD source into a
continuous,
listenable source for my own collection. I don't intend this to be
the
de facto "best source" for this show. In fact, the FOB AUD in wide
circulation sounds just as good as the DSBD, and it's unadultered.
I only
recommend this show for the sake of archival purposes.
-- END OF DSBD NOTES --
-- THE AUD --
Source:
FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left
{12-8})
> 10' XLR > PS > 3' XLRs > Technics SV260A > DAT (Taped by
Linda Webster)
Transfer:
Technics SV260A > COAX > Cool Edit WAV (editing done here) >
CDWAV >
mkwACT v3 > SHN (By Linda Webster)
Scarcity:
Linda's AUD source is widly available via etree.
Notes:
* This FOB AUD sounds as good as the DSBD, so if you're a purist
looking
for an unadultered show, seek these out!
* Linda used Cool Edit to make the acoustic/a capella songs
louder, and to
stifle audience noise.
-- END OF AUD NOTES --
Flaws / Mixing Notes:
* There are still some very infrequent and quiet static pops the
linger (I was
only able to remove 99.9% of them!). Also, some mild saturation
occurs in
loud passages that sounds like static.
d1t02 00:06 This is where the AUD morphs into the the start of
the SBD DAT.
d2t05 00:00 SBD becomes AUD again for these a capella songs
(inaudble on SBD)
d2t07 00:56 This is where the AUD morphs back into the SBD for the remainder
d1t08 05:43.112 -> 05:43.146 Left-channel dn zap, crosspasted away with rt chn
10:52.150 -> 10:52.184 "
Tracking:
Disc One: [71:38]
01. [06:03] Makisupa Policeman ->
02. [10:43] Maze
03. [07:53] AC/DC Bag ->
04. [09:55] Scent of a Mule
05. [07:18] Punch You in the Eye >
06. [09:23] Simple ->
07. [02:58] Catapult ->
08. [11:48] Lizards
09. [05:57] While My Guitar Gently Weeps
Disc Two: [75:40] <-- NEEDS AN 80-MINUTE CDR!
01. [16:00] Possum
02. [02:32] My Mind's Got a Mind of its Own
03. [04:22] Axilla [Part II] >
04. [19:31] Reba
05. [03:59] Nellie Cane,
06. [02:00] Sweet Adeline,
07. [13:28] David Bowie
08. [04:31] Golgi Apparatus
Encore:
09. [01:23] The Horse ->
10. [05:19] Silent in the Morning
11. [02:35] Rocky Top
Jeff Ishaq
07/15/01
Burlington, VT
12-08-94 MIX
Spreckels Theatre
San Diego, CA
As the 'm' indicates, this is a MIX of two sources:
-- THE DSBD --
Source:
DSBD > Master DAT > My first-generation DAT clone (Taped by
Mr. Anonymous)
Transfer:
My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA
ODL-276 >
coax cable > Waveterminal 2496, hardware downsampling to
44.1KHz on
Set I only (Set II was apparently recorded at 44.1) >
CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV
>
mkwACT 0.97b1 > SHN v3 (By Jeff Ishaq
Scarcity:
Mr. Anonymous's DSBD DATs are widely circulated, though
because they are
unauthorized, they don't show up on etree and some traders don't
indicate
the show on their list. Some copies have noise reduction
performed on
them, I'm sure.
Notes:
* The master DAT is plagued by constant, light static throughout
the entire
show -- IMHO, it's unlistenable. Also, it is missing the first song.
I
used Cool Edit 2000 to remove 99.9% of the static clicks, and I
also
integrated Makisupa, Nellie Cane, and Sweet Adeline from the
FOB AUD. The
sound quality of the original DSBD DAT is identical to the click-
removed
version, it's not like it was compressed or lost high end or has
phase
shifting or anything nastly like that!
* I produced this mix to liberate the DSBD source into a
continuous,
listenable source for my own collection. I don't intend this to be
the
de facto "best source" for this show. In fact, the FOB AUD in wide
circulation sounds just as good as the DSBD, and it's unadultered.
I only
recommend this show for the sake of archival purposes.
-- END OF DSBD NOTES --
-- THE AUD --
Source:
FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left
{12-8})
> 10' XLR > PS > 3' XLRs > Technics SV260A > DAT (Taped by
Linda Webster)
Transfer:
Technics SV260A > COAX > Cool Edit WAV (editing done here) >
CDWAV >
mkwACT v3 > SHN (By Linda Webster)
Scarcity:
Linda's AUD source is widly available via etree.
Notes:
* This FOB AUD sounds as good as the DSBD, so if you're a purist
looking
for an unadultered show, seek these out!
* Linda used Cool Edit to make the acoustic/a capella songs
louder, and to
stifle audience noise.
-- END OF AUD NOTES --
Flaws / Mixing Notes:
* There are still some very infrequent and quiet static pops the
linger (I was
only able to remove 99.9% of them!). Also, some mild saturation
occurs in
loud passages that sounds like static.
d1t02 00:06 This is where the AUD morphs into the the start of
the SBD DAT.
d2t05 00:00 SBD becomes AUD again for these a capella songs
(inaudble on SBD)
d2t07 00:56 This is where the AUD morphs back into the SBD for the remainder
d1t08 05:43.112 -> 05:43.146 Left-channel dn zap, crosspasted away with rt chn
10:52.150 -> 10:52.184 "
Tracking:
Disc One: [71:38]
01. [06:03] Makisupa Policeman ->
02. [10:43] Maze
03. [07:53] AC/DC Bag ->
04. [09:55] Scent of a Mule
05. [07:18] Punch You in the Eye >
06. [09:23] Simple ->
07. [02:58] Catapult ->
08. [11:48] Lizards
09. [05:57] While My Guitar Gently Weeps
Disc Two: [75:40] <-- NEEDS AN 80-MINUTE CDR!
01. [16:00] Possum
02. [02:32] My Mind's Got a Mind of its Own
03. [04:22] Axilla [Part II] >
04. [19:31] Reba
05. [03:59] Nellie Cane,
06. [02:00] Sweet Adeline,
07. [13:28] David Bowie
08. [04:31] Golgi Apparatus
Encore:
09. [01:23] The Horse ->
10. [05:19] Silent in the Morning
11. [02:35] Rocky Top
Jeff Ishaq
07/15/01
Burlington, VT
Comments
Date: 03/25/2003
User:
Paul Hofferkamp
The "morphs" are not crossfades as you might think, but straight cuts in the audio. The one in Maze sucks because the song has started and the two sources are not lined up resulting in a "skip".
Date: 06/12/2012
User:
geewiz010
FLAC fingerprints:
ph1994-12-08m_d1t01.flac:6966e52251e6c06b942c9df475910b74
ph1994-12-08m_d1t02.flac:2b68595bfc187dfd769cbfa356c42825
ph1994-12-08m_d1t03.flac:ff8bf3a7f630d1f148e216d1fe5dca98
ph1994-12-08m_d1t04.flac:f12bae4a815339485a346da76488b81f
ph1994-12-08m_d1t05.flac:9332f14721656b5e492c43b4e3903fb1
ph1994-12-08m_d1t06.flac:c11ab358c90f06c0eaba7d634f1bd689
ph1994-12-08m_d1t07.flac:1523e0465172b35773f96f7d223242bc
ph1994-12-08m_d1t08.flac:5611a6d5395d1a6fee21a0df3239ff2e
ph1994-12-08m_d1t09.flac:a3de089c06664dbab233ad14d2d1312c
ph1994-12-08m_d2t01.flac:b5771b022336b99e35fea3ab9355a04f
ph1994-12-08m_d2t02.flac:8935edb5b881bde1b398432434fa2e06
ph1994-12-08m_d2t03.flac:d3d682068f5dd2f1feb7d98195dc6cb9
ph1994-12-08m_d2t04.flac:bcfc99ebeec36858b4c2f977ad1036db
ph1994-12-08m_d2t05.flac:1d41055709ca410cb2b2bc10862b88fe
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ph1994-12-08m_d1t03.flac:ff8bf3a7f630d1f148e216d1fe5dca98
ph1994-12-08m_d1t04.flac:f12bae4a815339485a346da76488b81f
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ph1994-12-08m_d1t07.flac:1523e0465172b35773f96f7d223242bc
ph1994-12-08m_d1t08.flac:5611a6d5395d1a6fee21a0df3239ff2e
ph1994-12-08m_d1t09.flac:a3de089c06664dbab233ad14d2d1312c
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ph1994-12-08m_d2t04.flac:bcfc99ebeec36858b4c2f977ad1036db
ph1994-12-08m_d2t05.flac:1d41055709ca410cb2b2bc10862b88fe
ph1994-12-08m_d2t06.flac:1c878f8e810908ff0128ddc238c2c4ee
ph1994-12-08m_d2t07.flac:cf405994b05cd041139bacd5582c546d
ph1994-12-08m_d2t08.flac:32cdf4b676b43b92153446c3b4409be7
ph1994-12-08m_d2t09.flac:aa47f7fd42e62d64f28859f658f5c731
ph1994-12-08m_d2t10.flac:f05a411bcc41e6a539e3533428df1667
ph1994-12-08m_d2t11.flac:0ba6e1413f7c2de2f31ade22b64ff5b2
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AKG 460 Cards > 10ft XLR's...