Meltone 10/01/2005
Asagiri Arena, Asagiri, Shizuoka, Japan
Source Summary
AKG C483 > Sonosax SX-M2 > Oade modSBM > NJB3 > NJB3 > SONY SR27K > Wavelab 5* > CDWave 1.94 > FLAC (8)
AKG C483 > Sonosax SX-M2 > Oade modSBM > NJB3 > NJB3 > SONY SR27K > Wavelab 5* > CDWave 1.94 > FLAC (8)
Other Sources
Meltone
October 1, 2005
Asagiri Jam
Asagiri, Shizuoka
Japan
Taper: dwonk (Andy Liu)
Field: AKG C483 > Sonosax SX-M2 > Oade modSBM > NJB3
Location: DIN DFC 1.5 m back, 1.5m high
Transfer: NJB3 > SONY SR27K > Wavelab 5* > CDWave 1.94 > FLAC (8)
File Size: 380 MB
(57:04)
01.
02.
03.
04.
05.
Technical Notes: Recorded with an ENG clamp on the security barrier in front of the stage. DPA DUA089 w/s, Shure A53M shock mounts, 5m Bumblebee Silver clad MiAGi Mic cables used. ZU-Pivot 0.5m mini to RCA silver cable between Sonosax and SBM. Sonosax at high gain setting, approx +25dB; SBM gain 8 on the dial. Sonosax powered on a 10XAA sled. No DSP.
Show notes: The stage was part of a two stage set up between the PAs. Meltone played on the eight hand stage which made for location recording further back a problem. I opted to move to the stage lip and run hypercards to elminate the PA sound from the recording. As a result, there is a bit of a hole in the middle and extreme stereo seperation in the recording.
October 1, 2005
Asagiri Jam
Asagiri, Shizuoka
Japan
Taper: dwonk (Andy Liu)
Field: AKG C483 > Sonosax SX-M2 > Oade modSBM > NJB3
Location: DIN DFC 1.5 m back, 1.5m high
Transfer: NJB3 > SONY SR27K > Wavelab 5* > CDWave 1.94 > FLAC (8)
File Size: 380 MB
(57:04)
01.
02.
03.
04.
05.
Technical Notes: Recorded with an ENG clamp on the security barrier in front of the stage. DPA DUA089 w/s, Shure A53M shock mounts, 5m Bumblebee Silver clad MiAGi Mic cables used. ZU-Pivot 0.5m mini to RCA silver cable between Sonosax and SBM. Sonosax at high gain setting, approx +25dB; SBM gain 8 on the dial. Sonosax powered on a 10XAA sled. No DSP.
Show notes: The stage was part of a two stage set up between the PAs. Meltone played on the eight hand stage which made for location recording further back a problem. I opted to move to the stage lip and run hypercards to elminate the PA sound from the recording. As a result, there is a bit of a hole in the middle and extreme stereo seperation in the recording.
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