David Mead 03/04/2003
Tin Angel, Philadelphia, PA
Source Summary
Sony ECM-MS907 stereo mic > Sharp MD-SR60 minidisc recorder > Sony MDS-JE520 MD deck > Philips CDR760 via optical cable > CD-RW > CoolEdit > CDWAV > SHN
Sony ECM-MS907 stereo mic > Sharp MD-SR60 minidisc recorder > Sony MDS-JE520 MD deck > Philips CDR760 via optical cable > CD-RW > CoolEdit > CDWAV > SHN
Other Sources
David Mead
Tin Angel
Philadelphia, PA
March 4, 2003
Taper: craig@mineandyours.com
Source: Sony ECM-MS907 stereo mic > Sharp MD-SR60 minidisc recorder
Transfer: Sony MDS-JE520 MD deck > Philips CDR760 via optical cable > CD-RW > CoolEdit > CDWAV > SHN
File Size: 484MB (SHN) | 926MB (WAV)
Setlist:
01 Robert Bradley's Postcard - 4:54
02 Mine And Yours - 4:21
03 Only A Dream - 4:50
04 Elodie - 2:34
05 Angels Collide - 4:09
06 Touch Of Mascara - 5:17
07 Oneplusone (aborted) - 1:18
08 Echoes Of A Heart - 3:43
09 Landlocked - 5:32
10 Sweet Sunshine - 4:33
11 While The World Is Sleeping - 4:17
12 Comfort - 3:42
13 Oneplusone - 5:13
14 Telephone - 4:33
15 Standing Here In Front Of Me - 6:01
16 Nashville (includes false start) - 5:34
17 Beauty (incomplete) - 4:08
18 World Of A King - 4:00
19 Girl On The Roof - 4:16
20 Breathe You In - 4:34
21 New Mexico - 4:06
TOTAL TIME - 91:45
Show Notes: Solo show; mic and recorder on a table pointed at the left side speaker.
Tonight's highlights: some amusing Mardi Gras Tuesday chatter and anecdotes about a show in Louisville; a rare early performance of "Oneplusone" (not often played solo); I get an unexpected shoutout prior to "Telephone"; an INCREDIBLE "Standing Here In Front Of Me" with a bit of vocal effect; the bass leaking from the other side of the wall creates a "Nashville Dance Remix". This was an interesting time to see David live as he was still playing WHEREVER YOU ARE material (before its release) as well as INDIANA material (which was premiered around this time).
Unfortunately, there are two dropouts during "Standing Here In Front Of Me" during the guitar outro. The very end of "Beauty" is also missing due to a MD switch. The last four songs were performed unplugged on the floor, so I've boosted the levels heavily on those to make them audible.
Soundwise, I left the EQ alone; only performed a bit of hard limiting in CoolEdit due to low levels.
Digital transfer - November 2005.
www.davidmead.com | www.mineandyours.com
Tin Angel
Philadelphia, PA
March 4, 2003
Taper: craig@mineandyours.com
Source: Sony ECM-MS907 stereo mic > Sharp MD-SR60 minidisc recorder
Transfer: Sony MDS-JE520 MD deck > Philips CDR760 via optical cable > CD-RW > CoolEdit > CDWAV > SHN
File Size: 484MB (SHN) | 926MB (WAV)
Setlist:
01 Robert Bradley's Postcard - 4:54
02 Mine And Yours - 4:21
03 Only A Dream - 4:50
04 Elodie - 2:34
05 Angels Collide - 4:09
06 Touch Of Mascara - 5:17
07 Oneplusone (aborted) - 1:18
08 Echoes Of A Heart - 3:43
09 Landlocked - 5:32
10 Sweet Sunshine - 4:33
11 While The World Is Sleeping - 4:17
12 Comfort - 3:42
13 Oneplusone - 5:13
14 Telephone - 4:33
15 Standing Here In Front Of Me - 6:01
16 Nashville (includes false start) - 5:34
17 Beauty (incomplete) - 4:08
18 World Of A King - 4:00
19 Girl On The Roof - 4:16
20 Breathe You In - 4:34
21 New Mexico - 4:06
TOTAL TIME - 91:45
Show Notes: Solo show; mic and recorder on a table pointed at the left side speaker.
Tonight's highlights: some amusing Mardi Gras Tuesday chatter and anecdotes about a show in Louisville; a rare early performance of "Oneplusone" (not often played solo); I get an unexpected shoutout prior to "Telephone"; an INCREDIBLE "Standing Here In Front Of Me" with a bit of vocal effect; the bass leaking from the other side of the wall creates a "Nashville Dance Remix". This was an interesting time to see David live as he was still playing WHEREVER YOU ARE material (before its release) as well as INDIANA material (which was premiered around this time).
Unfortunately, there are two dropouts during "Standing Here In Front Of Me" during the guitar outro. The very end of "Beauty" is also missing due to a MD switch. The last four songs were performed unplugged on the floor, so I've boosted the levels heavily on those to make them audible.
Soundwise, I left the EQ alone; only performed a bit of hard limiting in CoolEdit due to low levels.
Digital transfer - November 2005.
www.davidmead.com | www.mineandyours.com
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