Dismemberment Plan 03/21/2002
Agora Ballroom, Cleveland, OH
Source Summary
Oktava MC012 (cards) > Shure FP24 (80Hz, 6dB/oct HPF) > D100 > D100 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave
Oktava MC012 (cards) > Shure FP24 (80Hz, 6dB/oct HPF) > D100 > D100 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave
Other Sources
Dismemberment Plan
2002-03-21
Cleveland, OH - Agora Ballroom
Taper: Brian Skalinder
Location: Center, 35' back, 9' stand
Config: XY(90?)
Source: Oktava MC012 (cards) > Shure FP24 (80Hz, 6dB/oct HPF) > D100
Conversion: D100 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave
ONE DISC
01. [ intro noise ]
02. Life of Possibilities
03. Falling Through
04. What Do You Want Me To Say?
05. Bra
06. Time Bomb
07. Gets Rich
08. You Are Invited
09. Sentimental Man
10. I Love A Magician
11. Ellen and Ben
12. The City
13. Secret Curse
14. The Ice of Boston
15. [ talking ]
16. OK, Joke's Over
NOTES:
Co-headline with Death Cab For Cutie.
Right next to the soundboard. The Agora Ballroom has low cielings,
poor acoustics, and two rows of *massive* pillars running
left-center and right-center from the front of the room to the back,
making it impossible to set up in a location with line-of-sight to
both stacks unless you're waaaaay up front (which, of course, the
venue actively discourages). Next time, I'm just going to set up in
front of one of the stacks, damn the soundstage and imaging.
2002-03-21
Cleveland, OH - Agora Ballroom
Taper: Brian Skalinder
Location: Center, 35' back, 9' stand
Config: XY(90?)
Source: Oktava MC012 (cards) > Shure FP24 (80Hz, 6dB/oct HPF) > D100
Conversion: D100 > Waveterminal 2496 > Cool Edit 2000 > CD-Wave
ONE DISC
01. [ intro noise ]
02. Life of Possibilities
03. Falling Through
04. What Do You Want Me To Say?
05. Bra
06. Time Bomb
07. Gets Rich
08. You Are Invited
09. Sentimental Man
10. I Love A Magician
11. Ellen and Ben
12. The City
13. Secret Curse
14. The Ice of Boston
15. [ talking ]
16. OK, Joke's Over
NOTES:
Co-headline with Death Cab For Cutie.
Right next to the soundboard. The Agora Ballroom has low cielings,
poor acoustics, and two rows of *massive* pillars running
left-center and right-center from the front of the room to the back,
making it impossible to set up in a location with line-of-sight to
both stacks unless you're waaaaay up front (which, of course, the
venue actively discourages). Next time, I'm just going to set up in
front of one of the stacks, damn the soundstage and imaging.
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