Grateful Dead 04/03/1989
Civic Arena, Pittsburgh, PA
Source Summary
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
Other Sources
SHNID 29758 FOB(11th Row)>Beyer Dynamic M88's>Sony...
SHNID 89791 flac16 ; AUD: Nakamichi CM300/CP4's > Marantz...
SHNID 96796 flac16 ; Source: aud > Nakamichi 300 shotguns...
SHNID 100161 flac16 ; Source: (FOB) Schoeps CMC5/MK4->DAT...
SHNID 125022 flac24 ; Master Audience Recorded By Fitzy,...
SHNID 125023 flac16 ; Master Audience Recorded By Fitzy,...
SHNID 125281 flac16 ; Matrix 4 Source Mix - SBD (shn id...
SHNID 125403 DTS-Audio-CD 5.1 Mix ; SBD (shn id 7507) SBD >...
SHNID 125413 flac16 ; SBD > PCM (analog output) > D > D >...
SHNID 133939 flac16 ; Source: AKG 414-BTL (cardioid X-Y) >...
SHNID 135433 flac16/48kHz ; 5.1 LPCM Surround Sound (48k) -...
SHNID 141670 flac24 ; Recording Info: Ray Ackerman's Master...
SHNID 145689 flac16 ; Recording Info: Ray Ackerman's Master...
SHNID 147794 flac24 ; Recording Info: UltraMatrix SBD >...
SHNID 147893 flac16 ; Recording Info: UltraMatrix SBD >...
SHNID 150551 flac24 ; Recording Info: (FOB) Nakamichi 700 >...
SHNID 151402 Fresh Transfer And Remaster Of Source 141670....
SHNID 151420 flac16/44.1khz Ackerman Archives Source:...
Grateful Dead
Pittsburgh Civic Arena
Pittsburgh, PA
April 3, 1989
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
Set One:
Disc 1
1. Greatest Story Ever Told->
2. Bertha->
3. Walkin' Blues
4. Jack A Roe
5. El Paso
6. Built To Last
7. Victim Or The Crime
8. Just Like Tom Thumb's Blues
9. Don't Ease Me In
Set Two:
Disc 2
1. Blow Away
2. Estimated Prophet->
3. Crazy Fingers->
4. Uncle John's Band->
5. Drums-> Space->
Disc 3
1. Gimme Some Lovin'->
2. I Need A Miracle->
3. Stella Blue->
4. Sugar Magnolia
E1:
5. Johnny B. Goode
E2:
6. Black Muddy River
My comments:
Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed.
Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me.
Thanks.
Bob H.
Pittsburgh Civic Arena
Pittsburgh, PA
April 3, 1989
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]
Set One:
Disc 1
1. Greatest Story Ever Told->
2. Bertha->
3. Walkin' Blues
4. Jack A Roe
5. El Paso
6. Built To Last
7. Victim Or The Crime
8. Just Like Tom Thumb's Blues
9. Don't Ease Me In
Set Two:
Disc 2
1. Blow Away
2. Estimated Prophet->
3. Crazy Fingers->
4. Uncle John's Band->
5. Drums-> Space->
Disc 3
1. Gimme Some Lovin'->
2. I Need A Miracle->
3. Stella Blue->
4. Sugar Magnolia
E1:
5. Johnny B. Goode
E2:
6. Black Muddy River
My comments:
Both sets (d1t01, d2t01) start rather abruptly. Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode. There was a sync error on d1t9, bu copy completed.
Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...". Sounds reasonable to me.
Thanks.
Bob H.
Comments
Other Sources (comments)
FOB(11th Row)>Beyer Dynamic... (0)
flac16 ; AUD: Nakamichi... (0)
flac16 ; Source: aud >... (0)
flac16 ; Source: (FOB)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; Matrix 4 Source... (0)
DTS-Audio-CD 5.1 Mix ; SBD... (0)
flac16 ; SBD > PCM (analog... (0)
flac16 ; Source: AKG... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
Fresh Transfer And Remaster... (0)
flac16/44.1khz Ackerman... (0)
FOB(11th Row)>Beyer Dynamic... (0)
flac16 ; AUD: Nakamichi... (0)
flac16 ; Source: aud >... (0)
flac16 ; Source: (FOB)... (0)
flac24 ; Master Audience... (0)
flac16 ; Master Audience... (0)
flac16 ; Matrix 4 Source... (0)
DTS-Audio-CD 5.1 Mix ; SBD... (0)
flac16 ; SBD > PCM (analog... (0)
flac16 ; Source: AKG... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
Fresh Transfer And Remaster... (0)
flac16/44.1khz Ackerman... (0)
Date: 09/15/2005
User:
Robert Goetz
There was only one encore: JBGoode > BMRiver
Date: 10/23/2019
There's so much compression and EQ on this, it sounds like AM radio.
Add Show
Comments
Source Collectors
Related Artist Sources
History
Add Comment