Medeski Martin & Wood 10/23/2005
Rialto Theatre, Tucson, AZ
Source Summary
flac16: SET I: Source: at943c > SPSB-2 (Roll off @ 107Hz) > Sony PCM-M1 (Line-in @ 44.1 khz)
DAT(m) > SHN: Sony PCM-M1 > Waveterminal 2496 > Soundforge 4.5 > CD Wave 1.6 > FLAC Frontend v 1.7.1 (level 8) JAZ starts-> flac DVD-> Traders Little helper Decode flac-> Wave Lab 5.0
SET II: Source: AKG c1000s-> Shure FP-24-> PCM-M1
Transfer: (By JAZ) DAT Master-> PCM-R300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Ozone3, L2Dither 16b/44.1, Fades-> Traders Little Helper flac8;
via shnflac.net
flac16: SET I: Source: at943c > SPSB-2 (Roll off @ 107Hz) > Sony PCM-M1 (Line-in @ 44.1 khz)
DAT(m) > SHN: Sony PCM-M1 > Waveterminal 2496 > Soundforge 4.5 > CD Wave 1.6 > FLAC Frontend v 1.7.1 (level 8) JAZ starts-> flac DVD-> Traders Little helper Decode flac-> Wave Lab 5.0
SET II: Source: AKG c1000s-> Shure FP-24-> PCM-M1
Transfer: (By JAZ) DAT Master-> PCM-R300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Ozone3, L2Dither 16b/44.1, Fades-> Traders Little Helper flac8;
via shnflac.net
Medeski Martin & Wood
Rialto Theatre, Tucson, AZ
Sunday, October 23, 2005
Taper: JAZ (SET II)
Source: AKG c1000s-> Shure FP-24-> PCM-M1
Transfer: (By JAZ) DAT Master-> PCM-R300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Ozone3, L2Dither 16b/44.1, Fades-> Traders Little Helper flac8
STEVES INFO (SET I)
Taper: Steve LeFevre
Location: Mics 12' high, 6' from right house speakers.
Source: Source: at943c > SPSB-2 (Roll off @ 107Hz) > Sony PCM-M1 (Line-in @ 44.1 khz)
DAT(m) > SHN: Sony PCM-M1 > Waveterminal 2496 > Soundforge 4.5 > CD Wave 1.6 > FLAC Frontend v 1.7.1 (level 8) JAZ starts-> flac DVD-> Traders Little helper Decode flac-> Wave Lab 5.0,
Note: The circulating copy (which is the only one:-P) of this show was recorded under the balcony. In this venue that location ends up flat in sound. My mics were basically against the stage at the right, and 10' high. The first set of my recording had flat tops due to excessive bass. I met Steve that night and he was taping 6' behind me. His set one is what is seeded with my source in order to create the best possible AUD of this show. Also this must be mentioned; as the band exited to the crowd right stage playing an acoustic encore. I was within 8' of them playing! Can't tell you all how good this show sounds, The best copy out there bar none!!!
***A GEMS PRODUCTION OCTOBER 17, 2007***
***SHNFLAC.NET***
SET I
01. [15:44] - Open Improv > Improv [@3:39] > Open Improv [@13:57] >
02. [21:55] - Piano Improv > What'd I Say [@2:27] > Drums'n'Bass [@10:47] > Drum Intro [@18:57] >
03. [17:44] - Toy Dancing* > Improv [@7:54] > Improv+ [@11:58]
SET II
04. [06:19] - Shackman >
05. [15:21] - Sugar Craft > Shine It [@7:14]
06. [16:45] - Sasa > End Of The World Party [@7:25]
07. [10:35] - Nocturne > Who The Fuck? [@5:30]
08. [11:05] - Bass Intro > Queen Bee
Encore:
09. [13:34] - Olde Wyne^
* begins at end of previous track
+ perhaps a loosely-structured early version of Miles Behind(?) [note by dug]
^ w/ acoustic outro
=============================================================
ID3 TAGGED FILESET INCLUDES THESE NOTES:
=============================================================
[This fileset is an ID3 tagged version of http://db.etree.org/shn/87712]
Traders Little Helper used for creating checksums:
- FLAC ST5 & MD5 generated for original FLACs
- FLAC ID3 tagged files matched to original FLAC ST5
- FLAC MD5 generated for ID3 tagged files (t-flac.md5)
MP3Tag (current version) used for all ID3 tagging:
- The metadata ID3 tags can be read by any player that plays FLAC files.
- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP contains the same checksum values.)
t-FLAC MD5 values will change if ID3 tags are altered.
Original FLAC MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [mmwshackproject AT gmail DOT com] 2016-02-19
=============================================================
PLEASE NOTE:
flac-ffp will verify pre- and post-tagged files
flac-st5 will verify pre- and post-tagged files
flac-md5 will verify pre-tagged files
t-flac-md5 will verify post-tagged files
=============================================================
Rialto Theatre, Tucson, AZ
Sunday, October 23, 2005
Taper: JAZ (SET II)
Source: AKG c1000s-> Shure FP-24-> PCM-M1
Transfer: (By JAZ) DAT Master-> PCM-R300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Ozone3, L2Dither 16b/44.1, Fades-> Traders Little Helper flac8
STEVES INFO (SET I)
Taper: Steve LeFevre
Location: Mics 12' high, 6' from right house speakers.
Source: Source: at943c > SPSB-2 (Roll off @ 107Hz) > Sony PCM-M1 (Line-in @ 44.1 khz)
DAT(m) > SHN: Sony PCM-M1 > Waveterminal 2496 > Soundforge 4.5 > CD Wave 1.6 > FLAC Frontend v 1.7.1 (level 8) JAZ starts-> flac DVD-> Traders Little helper Decode flac-> Wave Lab 5.0,
Note: The circulating copy (which is the only one:-P) of this show was recorded under the balcony. In this venue that location ends up flat in sound. My mics were basically against the stage at the right, and 10' high. The first set of my recording had flat tops due to excessive bass. I met Steve that night and he was taping 6' behind me. His set one is what is seeded with my source in order to create the best possible AUD of this show. Also this must be mentioned; as the band exited to the crowd right stage playing an acoustic encore. I was within 8' of them playing! Can't tell you all how good this show sounds, The best copy out there bar none!!!
***A GEMS PRODUCTION OCTOBER 17, 2007***
***SHNFLAC.NET***
SET I
01. [15:44] - Open Improv > Improv [@3:39] > Open Improv [@13:57] >
02. [21:55] - Piano Improv > What'd I Say [@2:27] > Drums'n'Bass [@10:47] > Drum Intro [@18:57] >
03. [17:44] - Toy Dancing* > Improv [@7:54] > Improv+ [@11:58]
SET II
04. [06:19] - Shackman >
05. [15:21] - Sugar Craft > Shine It [@7:14]
06. [16:45] - Sasa > End Of The World Party [@7:25]
07. [10:35] - Nocturne > Who The Fuck? [@5:30]
08. [11:05] - Bass Intro > Queen Bee
Encore:
09. [13:34] - Olde Wyne^
* begins at end of previous track
+ perhaps a loosely-structured early version of Miles Behind(?) [note by dug]
^ w/ acoustic outro
=============================================================
ID3 TAGGED FILESET INCLUDES THESE NOTES:
=============================================================
[This fileset is an ID3 tagged version of http://db.etree.org/shn/87712]
Traders Little Helper used for creating checksums:
- FLAC ST5 & MD5 generated for original FLACs
- FLAC ID3 tagged files matched to original FLAC ST5
- FLAC MD5 generated for ID3 tagged files (t-flac.md5)
MP3Tag (current version) used for all ID3 tagging:
- The metadata ID3 tags can be read by any player that plays FLAC files.
- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP contains the same checksum values.)
t-FLAC MD5 values will change if ID3 tags are altered.
Original FLAC MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [mmwshackproject AT gmail DOT com] 2016-02-19
=============================================================
PLEASE NOTE:
flac-ffp will verify pre- and post-tagged files
flac-st5 will verify pre- and post-tagged files
flac-md5 will verify pre-tagged files
t-flac-md5 will verify post-tagged files
=============================================================
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