Phish 07/12/1991
Colonial Theatre, Keene, NH
Source Summary
flac16, 44kHz; [Set IIe: only]; unknown AUD > ??? > Cass(2); Cass(2) > Denon DRW-840 > Sony PCM-R500 (pass through with SBM) > Audiophile 2496 > Audacity > CDWave > FLAC; Source by unknown; Transfer by Edmund Edwards
flac16, 44kHz; [Set IIe: only]; unknown AUD > ??? > Cass(2); Cass(2) > Denon DRW-840 > Sony PCM-R500 (pass through with SBM) > Audiophile 2496 > Audacity > CDWave > FLAC; Source by unknown; Transfer by Edmund Edwards
Other Sources
SHNID 109811 flac16, 44kHz ; [Set I only}; unknown AUD >...
SHNID 137384 flac16, 48kHz SBD > Cass(m) > ??? > DAT(c);...
Phish - 7-12-91 Set II
Colonial Theater, Keene, NH
Source: Aud/2 - unknown mics (recorded in 1/95)
Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> CD Wave Editor> FLAC on 4/11/05 by EEE.
Files renamed to meet etree standards, re-flac'd and seeded to bt.etree 11/10/07 by EEE.
disc 1 (Set 2)
01. Tuning
02. Golgi Apparatus
03. The Squirming Coil
04. Moose the Mooche$*
05. Tweezer->*
06. My Sweet One*
07. Gumbo->*
08. Mike's Song->*
09. I Am Hydrogen->*
10. Weekapaug/Groove*
11. Touch Me*
12. Oh Kee Pa Ceremony->*
13. Suzy Greenberg*
Encore1:
14. Sweet Adeline
15. Frankenstein*
Encore2:
16. Fee
17. Tweezer Reprise*
-tape flip during Weekapaug (joined using Cool Edit Pro)
-*With The Giant Country Horns
-$First time played
-For one disc buring remove Adeline
Support Phish and buy Live 19:
http://www.phish.com/releases/detail.php?ID=52
Flac Fingerprint:
ph1991-07-12d1t15.flac:dde7adcdaebd0c7beef953d43860c65b
ph1991-07-12d1t16.flac:08c687c3329f3dec645af18b118d5404
ph1991-07-12d1t17.flac:96746686f6503fb01edb170ffdbdcad6
ph1991-07-12d1t01.flac:3530656725ef907ae53add42d7d9d952
ph1991-07-12d1t02.flac:39672b2bdba547ba58e025aff998a447
ph1991-07-12d1t03.flac:43db61aba6a526930abeab881c245fd3
ph1991-07-12d1t04.flac:2616400b125b29be88e4461476858db7
ph1991-07-12d1t05.flac:7ba1a22c5958e925d547944ff8f91660
ph1991-07-12d1t06.flac:a088629d0227e41ca8a9e2cab1ead1cf
ph1991-07-12d1t07.flac:e7d0e4a0ceeb89809be29bacb6d7a688
ph1991-07-12d1t08.flac:903606b813b94010fb5dae45881e867b
ph1991-07-12d1t09.flac:c5a51259b8d0923b0f591ef9f2f4dac9
ph1991-07-12d1t10.flac:c67508b44d160f221167e6691f8bb82d
ph1991-07-12d1t11.flac:4e6adbadb7d671059b03be8e0fc57f12
ph1991-07-12d1t12.flac:4313fa9c4af20e5d2c1198a93814874e
ph1991-07-12d1t13.flac:a8bdf601f261526fe337712557141536
ph1991-07-12d1t14.flac:2d795c5c6a4eda7835a13d9379f6272b
Colonial Theater, Keene, NH
Source: Aud/2 - unknown mics (recorded in 1/95)
Transfer: Dennon DRW-840> Sony PCM-r500 at 44.1> Audiophile 2496> CD Wave Editor> FLAC on 4/11/05 by EEE.
Files renamed to meet etree standards, re-flac'd and seeded to bt.etree 11/10/07 by EEE.
disc 1 (Set 2)
01. Tuning
02. Golgi Apparatus
03. The Squirming Coil
04. Moose the Mooche$*
05. Tweezer->*
06. My Sweet One*
07. Gumbo->*
08. Mike's Song->*
09. I Am Hydrogen->*
10. Weekapaug/Groove*
11. Touch Me*
12. Oh Kee Pa Ceremony->*
13. Suzy Greenberg*
Encore1:
14. Sweet Adeline
15. Frankenstein*
Encore2:
16. Fee
17. Tweezer Reprise*
-tape flip during Weekapaug (joined using Cool Edit Pro)
-*With The Giant Country Horns
-$First time played
-For one disc buring remove Adeline
Support Phish and buy Live 19:
http://www.phish.com/releases/detail.php?ID=52
Flac Fingerprint:
ph1991-07-12d1t15.flac:dde7adcdaebd0c7beef953d43860c65b
ph1991-07-12d1t16.flac:08c687c3329f3dec645af18b118d5404
ph1991-07-12d1t17.flac:96746686f6503fb01edb170ffdbdcad6
ph1991-07-12d1t01.flac:3530656725ef907ae53add42d7d9d952
ph1991-07-12d1t02.flac:39672b2bdba547ba58e025aff998a447
ph1991-07-12d1t03.flac:43db61aba6a526930abeab881c245fd3
ph1991-07-12d1t04.flac:2616400b125b29be88e4461476858db7
ph1991-07-12d1t05.flac:7ba1a22c5958e925d547944ff8f91660
ph1991-07-12d1t06.flac:a088629d0227e41ca8a9e2cab1ead1cf
ph1991-07-12d1t07.flac:e7d0e4a0ceeb89809be29bacb6d7a688
ph1991-07-12d1t08.flac:903606b813b94010fb5dae45881e867b
ph1991-07-12d1t09.flac:c5a51259b8d0923b0f591ef9f2f4dac9
ph1991-07-12d1t10.flac:c67508b44d160f221167e6691f8bb82d
ph1991-07-12d1t11.flac:4e6adbadb7d671059b03be8e0fc57f12
ph1991-07-12d1t12.flac:4313fa9c4af20e5d2c1198a93814874e
ph1991-07-12d1t13.flac:a8bdf601f261526fe337712557141536
ph1991-07-12d1t14.flac:2d795c5c6a4eda7835a13d9379f6272b
Comments
Date: 01/24/2019
User:
TWATTS
From a recent email from Edmund:
"Hey Terry. You're taking me back. Yes I just did a pass through with the r500 using it for the AD and then coaxial line in to the 2496 card into Samplitude 5.5 (i guess i forgot that part in the one you sent) which got me the WAV file to move forward with. I didn't do any editing with the files just tracked them out and flac'd them. I don't think I even knew how to use editing software or if Audacity was around back then. I put the r500 in record pause to do the pass through as you're right the r500 doesn't automatically pass through the signal like some decks. I did a bunch of transfers that way. I was leaving Seattle and moving back to VT and was concerned tapes might get damaged in the move so was trying to convert all the uncirculated phish that i had. Looking at my note the 1/95 means I got it in trade in Jan 1995. I used to swap a lot of cassette tapes with a lot of people. I think I got that one from a guy in Seattle Erik Knauer (sp) that i have known for a long time or it could also be from a guy in VT i traded with who was a cheese maker at the Grafter Cheese Company, which was weird bc i grew up in Grafton. I can't remember his name but I probably have it in my files someplace. Some of the conversions I did at that time Marmar put the files back together and did additional re-mastering or speed corrections and put out another version as I'm sure you can see. Hope that helps."
"Hey Terry. You're taking me back. Yes I just did a pass through with the r500 using it for the AD and then coaxial line in to the 2496 card into Samplitude 5.5 (i guess i forgot that part in the one you sent) which got me the WAV file to move forward with. I didn't do any editing with the files just tracked them out and flac'd them. I don't think I even knew how to use editing software or if Audacity was around back then. I put the r500 in record pause to do the pass through as you're right the r500 doesn't automatically pass through the signal like some decks. I did a bunch of transfers that way. I was leaving Seattle and moving back to VT and was concerned tapes might get damaged in the move so was trying to convert all the uncirculated phish that i had. Looking at my note the 1/95 means I got it in trade in Jan 1995. I used to swap a lot of cassette tapes with a lot of people. I think I got that one from a guy in Seattle Erik Knauer (sp) that i have known for a long time or it could also be from a guy in VT i traded with who was a cheese maker at the Grafter Cheese Company, which was weird bc i grew up in Grafton. I can't remember his name but I probably have it in my files someplace. Some of the conversions I did at that time Marmar put the files back together and did additional re-mastering or speed corrections and put out another version as I'm sure you can see. Hope that helps."
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flac16, 44kHz ; [Set I...