Grateful Dead 06/10/1973
Robert F. Kennedy Stadium, Washington, DC
Source Summary
flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
Other Sources
SHNID 174 SBD MR (10'' reels)> DAT > CD > EAC > SHN; via...
SHNID 89640 flac16 ; Recording Info: SBD -> Master Reel ->...
SHNID 89681 flac16 ; partial Set 1 & 2: Recording Info:...
SHNID 89730 flac16 ; Recording Info: SBD -> Master Reel ->...
SHNID 90351 flac16 ; Source: Sony TC 110 cassette deck...
SHNID 90771 flac16 ; Matrix 3 Source Mix - SBD (shn id...
SHNID 90794 DTS Audio 5.1 ; SBD (shn id 89730) Recording...
SHNID 90979 flac16 ; Original SBD (shnid = 89730)...
SHNID 121030 flac16 ; taped and remastered by Monte Barry;...
SHNID 121031 flac24 ; Source: taped and remastered by Monte...
SHNID 131065 flac16 ; 2 Source Matrix by Dusborne;...
SHNID 136252 flac24 ; Partial Sets 1 & 2; source: aud...
SHNID 136253 flac16 ; Partial Sets 1 & 2; source: aud...
Grateful Dead
RFK Stadium
Washington, DC
June 10, 1973
Composite Audience
Set 1:
d1t01 - Morning Dew
d1t02 - Beat It On Down The Line
d1t03 - Ramble On Rose
d1t04 - Jack Straw
d1t05 - Wave That Flag
d1t06 - Looks Like Rain
d1t07 - Box Of Rain
d1t08 - They Love Each Other
d1t09 - The Race Is On
d1t10 - Row Jimmy
d1t11 - El Paso
d2t01 - Bird Song
d2t02 - Playing In The Band
Set 2:
d2t03 - Eyes Of The World ->
d2t04 - Stella Blue
d2t05 - Big River
d2t06 - Here Comes Sunshine
d3t01 - Around And Around
d3t02 - Dark Star ->
d3t03 - He's Gone ->
d3t04 - Wharf Rat ->
d3t05 - Truckin'
d3t06 - Sugar Magnolia
Set 3:
d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry
d4t02 - That's All Right, Mama
d4t03 - The Promised Land
d4t04 - Not Fade Away ->
d4t05 - Goin' Down The Road Feeling Bad ->
d4t06 - Drums ->
d4t07 - Not Fade Away
d4t08 - Johnny B. Goode
Audio Source Information
AUD1 (shnid = 90351)
Source:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
-- Taping, transferring, and remastering done by Monte Barry
Notes:
-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied
-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01
This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte
AUD2 (shnid = 89681)
Recording Info:
(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)
Transfer Info:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller and Neil Sturtevant
charliemiller87@earthlink.net
January 26, 2008
Notes:
-- Disc change is seamless
-- Recorded by Bill Gadsden
Patched using:
SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008
Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)
Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch
---------------------------------------------------------
Brokedown House Production
length expanded size cdr WAVE problems fmt ratio filename
11:45.53 124486700 B --- -- ----- wav 1.0000 gd1973-06-10d1t01.wav
3:31.60 37361564 B --- -- ----- wav 1.0000 gd1973-06-10d1t02.wav
7:44.68 82009580 B --- -- ----- wav 1.0000 gd1973-06-10d1t03.wav
5:00.02 52924748 B --- -- ----- wav 1.0000 gd1973-06-10d1t04.wav
6:01.54 63807452 B --- -- ----- wav 1.0000 gd1973-06-10d1t05.wav
7:39.69 81129932 B --- -- ----- wav 1.0000 gd1973-06-10d1t06.wav
5:26.35 57588764 B --- -- ----- wav 1.0000 gd1973-06-10d1t07.wav
4:55.73 52209740 B --- -- ----- wav 1.0000 gd1973-06-10d1t08.wav
3:11.64 33842972 B --- -- ----- wav 1.0000 gd1973-06-10d1t09.wav
9:17.13 98285420 B --- -- ----- wav 1.0000 gd1973-06-10d1t10.wav
4:27.66 47254076 B --- -- ----- wav 1.0000 gd1973-06-10d1t11.wav
12:02.55 127490204 B --- -- ----- wav 1.0000 gd1973-06-10d2t01.wav
17:42.14 187369772 B --- -- ----- wav 1.0000 gd1973-06-10d2t02.wav
22:09.44 234539132 B --- -- ----- wav 1.0000 gd1973-06-10d2t03.wav
8:04.24 85434092 B --- -- ----- wav 1.0000 gd1973-06-10d2t04.wav
5:10.04 54693452 B --- -- ----- wav 1.0000 gd1973-06-10d2t05.wav
11:48.24 124947692 B --- -- ----- wav 1.0000 gd1973-06-10d2t06.wav
6:11.28 65510300 B --- -- ----- wav 1.0000 gd1973-06-10d3t01.wav
26:21.64 279038972 B --- -- ----- wav 1.0000 gd1973-06-10d3t02.wav
14:28.60 153256364 B --- -- ----- wav 1.0000 gd1973-06-10d3t03.wav
8:04.06 85391756 B --- -- ----- wav 1.0000 gd1973-06-10d3t04.wav
7:41.56 81452156 B --- -- ----- wav 1.0000 gd1973-06-10d3t05.wav
9:44.14 103050572 B --- -- ----- wav 1.0000 gd1973-06-10d3t06.wav
9:03.40 95879324 B --- -- ----- wav 1.0000 gd1973-06-10d4t01.wav
13:24.49 141940892 B --- -- ----- wav 1.0000 gd1973-06-10d4t02.wav
4:44.15 50132924 B --- -- ----- wav 1.0000 gd1973-06-10d4t03.wav
11:27.03 121193900 B --- -- ----- wav 1.0000 gd1973-06-10d4t04.wav
10:40.56 113027756 B --- -- ----- wav 1.0000 gd1973-06-10d4t05.wav
6:01.51 63800396 B --- -- ----- wav 1.0000 gd1973-06-10d4t06.wav
3:33.18 37615580 B --- -- ----- wav 1.0000 gd1973-06-10d4t07.wav
3:11.66 33847676 B --- -- ----- wav 1.0000 gd1973-06-10d4t08.wav
280:39.48 2970513860 B 1.0000 (31 files)
RFK Stadium
Washington, DC
June 10, 1973
Composite Audience
Set 1:
d1t01 - Morning Dew
d1t02 - Beat It On Down The Line
d1t03 - Ramble On Rose
d1t04 - Jack Straw
d1t05 - Wave That Flag
d1t06 - Looks Like Rain
d1t07 - Box Of Rain
d1t08 - They Love Each Other
d1t09 - The Race Is On
d1t10 - Row Jimmy
d1t11 - El Paso
d2t01 - Bird Song
d2t02 - Playing In The Band
Set 2:
d2t03 - Eyes Of The World ->
d2t04 - Stella Blue
d2t05 - Big River
d2t06 - Here Comes Sunshine
d3t01 - Around And Around
d3t02 - Dark Star ->
d3t03 - He's Gone ->
d3t04 - Wharf Rat ->
d3t05 - Truckin'
d3t06 - Sugar Magnolia
Set 3:
d4t01 - It Takes A Lot To Laugh It Takes A Train To Cry
d4t02 - That's All Right, Mama
d4t03 - The Promised Land
d4t04 - Not Fade Away ->
d4t05 - Goin' Down The Road Feeling Bad ->
d4t06 - Drums ->
d4t07 - Not Fade Away
d4t08 - Johnny B. Goode
Audio Source Information
AUD1 (shnid = 90351)
Source:
-- Sony TC 110 cassette deck
-- single-point stereo mic, hand-held on mic-stand shaft
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16
-- Taping, transferring, and remastering done by Monte Barry
Notes:
-- This show is complete
-- Most track changes are seemless
-- Patches are cross-faded
-- SBD patches have "concert hall" echo/delay effects applied
-- Playing in the Band --------- tape change dropout at 5:22, Gadsden-Miller patched until 6:23
-- Eyes of the World ----------- missing content until 14:35, Gadsden-Miller AUD patched
-- It Takes A Train to To Cry -- SBD patched due to tape damage, 1:42 to 1:47, 3:03 to 3:16
-- That's Alright Mama --------- SBD patched due to tape damage, 3:35 to 3:50, 5:56 to 8:58
-- GDTRFB ---------------------- tape change dropout at 4:37, SBD patched until 5:01
This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the time. The Wall of Sound is nailed by the sound crew and the Dead for this show. Set within an outdoor Stadium, this close-up infield FOB spatially captures sound from the two Aux PA towers on the infield, behind the taper. The sound delay from the Wall of Sound to the Aux PA towers adds a touch of ear candy as it rolls around the stadium. This was by far the best sound fidelity experience I ever heard come out of a PA System, period. It was a sensational orgy of sound. -- Monte
AUD2 (shnid = 89681)
Recording Info:
(FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips)
Transfer Info:
Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller and Neil Sturtevant
charliemiller87@earthlink.net
January 26, 2008
Notes:
-- Disc change is seamless
-- Recorded by Bill Gadsden
Patched using:
SBD (shnid = 89730)
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008
Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)
Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch
---------------------------------------------------------
Brokedown House Production
length expanded size cdr WAVE problems fmt ratio filename
11:45.53 124486700 B --- -- ----- wav 1.0000 gd1973-06-10d1t01.wav
3:31.60 37361564 B --- -- ----- wav 1.0000 gd1973-06-10d1t02.wav
7:44.68 82009580 B --- -- ----- wav 1.0000 gd1973-06-10d1t03.wav
5:00.02 52924748 B --- -- ----- wav 1.0000 gd1973-06-10d1t04.wav
6:01.54 63807452 B --- -- ----- wav 1.0000 gd1973-06-10d1t05.wav
7:39.69 81129932 B --- -- ----- wav 1.0000 gd1973-06-10d1t06.wav
5:26.35 57588764 B --- -- ----- wav 1.0000 gd1973-06-10d1t07.wav
4:55.73 52209740 B --- -- ----- wav 1.0000 gd1973-06-10d1t08.wav
3:11.64 33842972 B --- -- ----- wav 1.0000 gd1973-06-10d1t09.wav
9:17.13 98285420 B --- -- ----- wav 1.0000 gd1973-06-10d1t10.wav
4:27.66 47254076 B --- -- ----- wav 1.0000 gd1973-06-10d1t11.wav
12:02.55 127490204 B --- -- ----- wav 1.0000 gd1973-06-10d2t01.wav
17:42.14 187369772 B --- -- ----- wav 1.0000 gd1973-06-10d2t02.wav
22:09.44 234539132 B --- -- ----- wav 1.0000 gd1973-06-10d2t03.wav
8:04.24 85434092 B --- -- ----- wav 1.0000 gd1973-06-10d2t04.wav
5:10.04 54693452 B --- -- ----- wav 1.0000 gd1973-06-10d2t05.wav
11:48.24 124947692 B --- -- ----- wav 1.0000 gd1973-06-10d2t06.wav
6:11.28 65510300 B --- -- ----- wav 1.0000 gd1973-06-10d3t01.wav
26:21.64 279038972 B --- -- ----- wav 1.0000 gd1973-06-10d3t02.wav
14:28.60 153256364 B --- -- ----- wav 1.0000 gd1973-06-10d3t03.wav
8:04.06 85391756 B --- -- ----- wav 1.0000 gd1973-06-10d3t04.wav
7:41.56 81452156 B --- -- ----- wav 1.0000 gd1973-06-10d3t05.wav
9:44.14 103050572 B --- -- ----- wav 1.0000 gd1973-06-10d3t06.wav
9:03.40 95879324 B --- -- ----- wav 1.0000 gd1973-06-10d4t01.wav
13:24.49 141940892 B --- -- ----- wav 1.0000 gd1973-06-10d4t02.wav
4:44.15 50132924 B --- -- ----- wav 1.0000 gd1973-06-10d4t03.wav
11:27.03 121193900 B --- -- ----- wav 1.0000 gd1973-06-10d4t04.wav
10:40.56 113027756 B --- -- ----- wav 1.0000 gd1973-06-10d4t05.wav
6:01.51 63800396 B --- -- ----- wav 1.0000 gd1973-06-10d4t06.wav
3:33.18 37615580 B --- -- ----- wav 1.0000 gd1973-06-10d4t07.wav
3:11.66 33847676 B --- -- ----- wav 1.0000 gd1973-06-10d4t08.wav
280:39.48 2970513860 B 1.0000 (31 files)
Comments
Other Sources (comments)
SBD MR (10'' reels)> DAT >... (0)
flac16 ; Recording Info:... (1)
flac16 ; partial Set 1 &... (1)
flac16 ; Recording Info:... (0)
flac16 ; Source: Sony TC... (1)
flac16 ; Matrix 3 Source... (0)
DTS Audio 5.1 ; SBD (shn... (0)
flac16 ; Original SBD... (0)
flac16 ; taped and... (0)
flac24 ; Source: taped and... (0)
flac16 ; 2 Source Matrix... (1)
flac24 ; Partial Sets 1 &... (0)
flac16 ; Partial Sets 1 &... (0)
SBD MR (10'' reels)> DAT >... (0)
flac16 ; Recording Info:... (1)
flac16 ; partial Set 1 &... (1)
flac16 ; Recording Info:... (0)
flac16 ; Source: Sony TC... (1)
flac16 ; Matrix 3 Source... (0)
DTS Audio 5.1 ; SBD (shn... (0)
flac16 ; Original SBD... (0)
flac16 ; taped and... (0)
flac24 ; Source: taped and... (0)
flac16 ; 2 Source Matrix... (1)
flac24 ; Partial Sets 1 &... (0)
flac16 ; Partial Sets 1 &... (0)
Date: 03/26/2008
User:
dead-head_Monte
I hope you enjoy my tapes. I never taped a show before this weekend. Sat, June 9 was my 1st time. I must confess. With somewhere bet 60,000 and 100,000 music-lovers at these 2 shows with the Allman Bros and the Grateful Dead, I was having second thoughts about getting out of my comfy stadium seating with my taping gear. It was muggy, hot, easily 100 degrees on Saturday.
My friend Jay D'elia picked up on my anxiety. He came over and gently pulled on my arm, prompting me to get up from my seat. He led the way and guided me along, as he parted the infield crowd of thousands of dead-heads - just like Moses did in the biblical story. Once we found our FOB sweet spot, I was good-to-go from there. Same FOB on Sunday. All I can tell you is, this weekend was all about THE SOUND SYSTEM. Everything came together for all of us. The vibes were just right. The boys and the sound crew made history. The sound fidelity was the Grateful Dead and Sound Crew's equivalent of landing on the Moon. I thought the boys played well. GD was 8 hour show on Sunday. -- Monte
My friend Jay D'elia picked up on my anxiety. He came over and gently pulled on my arm, prompting me to get up from my seat. He led the way and guided me along, as he parted the infield crowd of thousands of dead-heads - just like Moses did in the biblical story. Once we found our FOB sweet spot, I was good-to-go from there. Same FOB on Sunday. All I can tell you is, this weekend was all about THE SOUND SYSTEM. Everything came together for all of us. The vibes were just right. The boys and the sound crew made history. The sound fidelity was the Grateful Dead and Sound Crew's equivalent of landing on the Moon. I thought the boys played well. GD was 8 hour show on Sunday. -- Monte
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