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Tool 06/16/2007

Show Me Center, Cape Girardeau, MO
SHNID 91493
Source Summary
Taper: Ryan A (/potsy_monkey) Location: Section 106, Row L. Left of stage, directly in front of left stack Source: Danish Pro Audio 4061 mics > Danish Pro Audio MMA6000 preamp > Edirol R-09 (line in, 24bit/48kHz wav) Transfer: Edirol R-09 > USB > wav @ 24bit/48kHz > Hard drive > Mastering (see below) > CD Wave 1.95 (tracking) > Flac Frontend 1.7.1 (Level 6 Flac Compression) > Flac Mastering: Done in Wavelab 5.0 - Fades and normalizing - Hi pass filter at 65Hz using LinEQ Broadband plugin
Entered by Matt Vernon
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Disc Counts 2 / 2
Media Size
Date Circulated
Date Added
07/28/2007
04/21/2008
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Tool
Saturday June 16, 2007
Show Me Center
Cape Girardeau, Missouri
USA

Taper:     Ryan A (http://db.etree.org/potsy_monkey)
Location:  Section 106, Row L. Left of stage, directly in front of left stack
Source:    Danish Pro Audio 4061 mics > Danish Pro Audio MMA6000 preamp > Edirol R-09 (line in, 24bit/48kHz wav)
Transfer:  Edirol R-09 > USB > wav @ 24bit/48kHz > Hard drive > Mastering (see below) > CD Wave 1.95 (tracking) >
           Flac Frontend 1.7.1 (Level 6 Flac Compression) > Flac
Mastering: Done in Wavelab 5.0  
           - Fades and normalizing
           - Hi pass filter at 65Hz using LinEQ Broadband plugin
                      

Set (114:05)

01) Intro - Jambi
02) Stinkfist
03) Forty-Six & 2 intro
04) Forty-Six & 2
05) Schism intro
06) Schism
07) Lost Keys
08) Rosetta Stoned
09) Right in Two
10) Intermission
11) Wings for Marie
12) 10,000 Days
13) Lateralus
14) Vicarious intro
15) Vicarious

* DO NOT SELL THIS RECORDING UNDER ANY CIRCUMSTANCE.
** Do not compress to lossy formats (ie. mp3) and distribute.
*** When trading this around, please distribute only in original Flac format to preserve the generational integrity.


Notes:
This is a good one. Probably my best large venue recording.
The people in our section were so quiet for an American crowd - a real rarity for an arena Tool show. And my location
was in front of the left stack 12 rows up, almost parallel to the stage. These two factors combined made for a good quality
recording. It was a smaller sized arena (capacity = approx. 5,000 - 6,000), so it has a bit more of an intimate feel.  
The first half of Jambi is a little shaky: two level changes and some phasing while I was adjusting the rig and moving
around to get the best spot. Once the solo kicks in, it's smooth sailing to show's end.  

Best when listening through a good pair of headphones. Enjoy.

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