Grateful Dead 07/15/1988
Greek Theatre, U. Of California, Berkeley, CA
Source Summary
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
Other Sources
SHNID 10079 Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may...
SHNID 10343 Sources: Primary Source: Prev Braverman...
SHNID 34751 flac16 ; Seamless fix of shn id 10343 -...
SHNID 137888 flac16 ; NAK-CM100-CP4 Shotguns(2) AT-Shotguns...
SHNID 138063 flac16 ; Fixed version Source Info: Healy-FM >...
SHNID 138064 flac24 ; Some file are 24 bit and others are...
SHNID 140749 flac16 ; Ted Mattes' Master Audience PCM...
SHNID 141922 flac24 ; Recording Info: UltraMatrix SBD >...
SHNID 141959 flac16 ; Patched and Pitch Corrected Audience...
SHNID 141960 flac16 ; Matrix 2 Source Mix - SBD (shnid =...
SHNID 141961 DTS-Audio-CD 5.1 Mix ; SBD (shnid = 141922)...
SHNID 141962 flac16/48kHz ; 5.1 LPCM Surround Sound (48k)...
SHNID 141964 flac16 ; Recording Info: UltraMatrix SBD >...
SHNID 142014 flac16/48kHz; 5.1 LPCM Surround Sound (48k)...
SHNID 143091 flac24 ; Recording Info: Pre-FM (KPFA...
SHNID 143155 flac16 ; Recording Info: Pre-FM (KPFA...
SHNID 143187 flac16 ; Sean Weber-Small recording: Schoeps...
SHNID 160871 flac1644 Source: 1st Gen AUDCA:...
SHNID 160873 flac2448 Source: 1st Gen AUDCA:...
Grateful Dead
07/15/88 Greek Theatre - Berkeley, CA
Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split -->
Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters.
Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR
Recording and Transfer: Sean Weber-small
EAC (Plex 8x, see log in individual folders) > Shn via MKW .97
by Bill Gardner, bgard@speakeasy.net
**DISC 1**
T01: Crowd/Tuning
T02: Shakedown Street
T03: Walkin' Blues
T04: Friend Of The Devil
T05: Queen Jane
T06: Dire Wolf
T07: Good Time Blues
T08: Cassidy
T09: Bertha / crowd
T10: Sounds of set break
**DISC 2**
T01: Crowd/Tuning
T02: Scarlet Begonias >
T03: Fire On The Mountain
T04: Women Are Smarter
T05: Ship of Fools
T06: Estimated Prophet >
T07: Drums >
**DISC 3**
T01: Space >
T02: I Need A Miracle
T03: The Wheel
T04: Gimme Some Lovin'
T05: Morning Dew
T06: Crowd/Tuning
T07: Turn On Your Love Light
Comment: Rex Benefit, FM Broadcast KPFA Berkeley. Quick level change at beginning of
Shakedown.
Notes: This was a great show for me opening with a scorching Shakedown Street.
From the first few minutes of the show I knew it was going to be a good Phil
show, as the Greeks usually were. The Morning Dew has a dangerous Phil note. Please
use with care!
I remember having a tough time getting set up the first night as I did not have
the real estate I wanted. After some bartering, nudgeing and kanoodling,
I was able to set one mic stand on the isle (which runs exactly through the middle
of the Greek) and clamped onto a friends stand about 13' to 14' down the row. Believe
it or not (oh that was the third day...) I would use a white piece of rope (capsule
to capsule) to try and judge if the mics were "close" to being on-axis to the speaker
arrays. The mics were essentially directly behind Dan Healy's mixing console.
From past experience I knew Dan would ride his right main fader to compensate for being
on the left hand side of the isle. Standing behind him was clearly the center.
I also intentionally chose the second row behind the soundboard due to the bands'
guests who often were chatty at the most inapropriate times!
There was nothing like a Greek Show. For anyone who saw the Dead at the Greek and for anyone
who wishes they had, this ones for you. Turn back the clock to a simpler time by dropping
disc one into your player and hearing a very good representation of what it sounded like at
the Greek this particular Friday night.
- SWS
07/15/88 Greek Theatre - Berkeley, CA
Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split -->
Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters.
Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR
Recording and Transfer: Sean Weber-small
EAC (Plex 8x, see log in individual folders) > Shn via MKW .97
by Bill Gardner, bgard@speakeasy.net
**DISC 1**
T01: Crowd/Tuning
T02: Shakedown Street
T03: Walkin' Blues
T04: Friend Of The Devil
T05: Queen Jane
T06: Dire Wolf
T07: Good Time Blues
T08: Cassidy
T09: Bertha / crowd
T10: Sounds of set break
**DISC 2**
T01: Crowd/Tuning
T02: Scarlet Begonias >
T03: Fire On The Mountain
T04: Women Are Smarter
T05: Ship of Fools
T06: Estimated Prophet >
T07: Drums >
**DISC 3**
T01: Space >
T02: I Need A Miracle
T03: The Wheel
T04: Gimme Some Lovin'
T05: Morning Dew
T06: Crowd/Tuning
T07: Turn On Your Love Light
Comment: Rex Benefit, FM Broadcast KPFA Berkeley. Quick level change at beginning of
Shakedown.
Notes: This was a great show for me opening with a scorching Shakedown Street.
From the first few minutes of the show I knew it was going to be a good Phil
show, as the Greeks usually were. The Morning Dew has a dangerous Phil note. Please
use with care!
I remember having a tough time getting set up the first night as I did not have
the real estate I wanted. After some bartering, nudgeing and kanoodling,
I was able to set one mic stand on the isle (which runs exactly through the middle
of the Greek) and clamped onto a friends stand about 13' to 14' down the row. Believe
it or not (oh that was the third day...) I would use a white piece of rope (capsule
to capsule) to try and judge if the mics were "close" to being on-axis to the speaker
arrays. The mics were essentially directly behind Dan Healy's mixing console.
From past experience I knew Dan would ride his right main fader to compensate for being
on the left hand side of the isle. Standing behind him was clearly the center.
I also intentionally chose the second row behind the soundboard due to the bands'
guests who often were chatty at the most inapropriate times!
There was nothing like a Greek Show. For anyone who saw the Dead at the Greek and for anyone
who wishes they had, this ones for you. Turn back the clock to a simpler time by dropping
disc one into your player and hearing a very good representation of what it sounded like at
the Greek this particular Friday night.
- SWS
Comments
Other Sources (comments)
Ultramatrix (SBD/AUD mix)>... (2)
Sources: Primary Source:... (0)
flac16 ; Seamless fix of... (2)
flac16 ; NAK-CM100-CP4... (0)
flac16 ; Fixed version... (1)
flac24 ; Some file are 24... (0)
flac16 ; Ted Mattes'... (0)
flac24 ; Recording Info:... (0)
flac16 ; Patched and... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; SBD... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz; 5.1 LPCM... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; Sean Weber-Small... (0)
flac1644 Source: 1st Gen... (0)
flac2448 Source: 1st Gen... (0)
Ultramatrix (SBD/AUD mix)>... (2)
Sources: Primary Source:... (0)
flac16 ; Seamless fix of... (2)
flac16 ; NAK-CM100-CP4... (0)
flac16 ; Fixed version... (1)
flac24 ; Some file are 24... (0)
flac16 ; Ted Mattes'... (0)
flac24 ; Recording Info:... (0)
flac16 ; Patched and... (0)
flac16 ; Matrix 2 Source... (0)
DTS-Audio-CD 5.1 Mix ; SBD... (0)
flac16/48kHz ; 5.1 LPCM... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz; 5.1 LPCM... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16 ; Sean Weber-Small... (0)
flac1644 Source: 1st Gen... (0)
flac2448 Source: 1st Gen... (0)
Date: 06/06/2002
User:
Chris Perkins
These sound great, but I think disc 2 was mis-tracked. Contrary to the nfo file, the tracks are:
T01: Crowd\Tuning (about 1:50) > Scarlet (total 7:25)
T02: Transition Jam (2:23)
T03: Fire (12:34)
The other tracks look all right, but you might want to realign these in a more conventional manner prior to burning.
T01: Crowd\Tuning (about 1:50) > Scarlet (total 7:25)
T02: Transition Jam (2:23)
T03: Fire (12:34)
The other tracks look all right, but you might want to realign these in a more conventional manner prior to burning.
Date: 06/07/2002
User:
Chris Perkins
Tracking issues on disc 3 as well. As tracked, this is actually: T01: Space > T02: Miracle Tuning T03: I Need A Miracle T04: The Wheel T05: Gimme Some Lovin' T06: Morning Dew > Crowd/Tuning T07: Turn On Your Love Light
Personally, I'd combine d3t01 & d3t02 and re-number
Personally, I'd combine d3t01 & d3t02 and re-number
Date: 06/11/2002
User:
Bill Gardner
yeah, this wasn't an error, just the way Sean likes to track his stuff. Sorry for messing up the .txt file.
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