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Phish 11/02/1998

E Centre, West Valley City, UT
SHNID 95567
Source Summary
Mix of Schoeps (shnid 25019) and Newmann (shnid 85992) source
Entered by Mark Goldey
Checksums flac-md5, ffp
Disc Counts 2 / 3
Media Size Compressed: 1.05 GB (1127917262 bytes)
Date Circulated
Date Added
11/01/2008
11/01/2008
Downloads Download Text | Download Zip
Other Sources
SHNID 787 B&K 4011> Audio Magic Sorcerer Cables> Lunatec...
SHNID 788 Schoeps source; DSOTM set only?
SHNID 789 Neumann FOB source
SHNID 1972 AKG480 > Aerco preamp > SBM-1
SHNID 25019 Schoeps CMC6/mk41 > Lunatec V2 > DA-P1; Fostex...
SHNID 85992 FOB Neumann km140 > Tascam DA-P1 @44.1kHz;...
SHNID 108788 Schoeps cmc6/mk4 > Sonosax SX-M2 > DAT...
SHNID 111771 Nakamichi cm300/cp4 (shotguns) > Tascam DA-P1...
SHNID 123997 flac16 ; B&K 4011 > Lunatec V2 > Apogee...
SHNID 126946 flac16 44.1kHz B&K4011 > Lunatec V2 > Apogee...
SHNID 126947 flac16 48kHz B&K4011 > Lunatec V2 > Apogee...
SHNID 126948 flac16 48kHz Schoeps CMC6/MK4 > Sonosax SX-M2...
SHNID 127529 flac16, 44kHz Unk Source > ??? > FLAC; Source...
Phish
November 2, 1998
The E-Center
West Valley, Utah (Salt Lake City)

Edited, etc. by Tenniru
Uploaded November 1, 2008 (One day to ten years!)

Source: FOB Neumann/Schoeps Matrix

1) Schoeps (shnid 25019)
2) Neumann (shnid 85992)

Conversion:

Schoeps: Schoeps Cmc6/Mk41's > V2 > Da-P1 > Clone

Transfer:
Fostex D5 > Zoltrix > Sound Forge 6.0 9w/fades) >
48 to 44.1 @ highest setting w/anti-alias filter > Cd Wave > Flac
---
Neumann:  FOB Neumann km-140s > Tascam DA-P1 @ 44.1kHz

Transfer:
Tascam DA-20 mk II >SPDIF > Digi002 Rack > Pro Tools LE 6.4 > CD Wav > Flac
tranferred from DAT clone received 11/1998
by Dave Schall
---
Matrix:

Original FLAC > AIFF > SHNTool (joined tracks into one file per set) > Audacity (Source Two time stretched by .003%, 7 dB volume reduction) > AIFF > FLAC

Disc 1/Set 1
Tube >
Drowned >
Jesus Just Left Chicago
Dead Goat Saloon Story >
Driver
Bittersweet Motel
Limb by Limb
Wading in the Velvet Sea
Sample In A Jar

Disc 2/Set 2 (pt. 1)
Down With Disease
Mango Song
Moma Dance
You Enjoy Myself

Disc 3/Set 2 (pt. 2) + Encore
Harpua >
Speak To Me >
Breathe >
On The Run >
Time >
The Great Gig In The Sky >
Money >
Us And Them >
Any Colour You Like >
Brain Damage >
Eclipse >
Harpua

-Encore-
Smells Like Teen Spirit

------

This has always been one of my favorite Phish shows; in fact, it introduced me to the band. (I'd actually heard Fee, Sample In A Jar, Limb By Limb, and Heavy Things before and loved them; they came as filler songs in iTunes when I got my iBook - I never realized that this was the same Phish, though.) I was a huge Pink Floyd fan, massive collector of bootlegs, and this always kept popping up in other collectors' trade lists. A jam band from the 90s covering DSotM, without a saxophone, synth, or backup singers.

I'd heard the three incarnations of the album that existed; the studio version (faithfully reproduced on the post-Waters P*U*L*S*E album, Roger Waters' 2006-2008 tours, and kind of played with on the legendary 1974 Wembley BBC broadcast), the 1972 version (played live before the album's release, as just a four-piece; minus sax, synth, singers, et cetera), and the Easy Star All-Stars reggae version which doesn't actually count but it's worth mentioning.
How would a 1998 Vermont jam band tackle it? It was worth the effort of getting the tape.

Phish's take on it was, although I never realized it when I first heard it, perfectly Phishy. David Gilmour's classic rocky distortion-laced sound was perfectly translated into Trey Anastasio's thoughtful jazzy style, Rick Wright's Hammond was halfway replaced by Page McConnell's piano, Roger Waters' plunky bass was funked up by Mike Gordon, and Nick Mason's tape-delayed plodding was replaced by Jon Fishman's awesomeness. However, a few things were added that really took creativity; Dick Parry's sax was either removed or replaced with a swirly Hammond, and Claire Torry had her trademark wail replaced by Jon Fishman's OTHER trademark wail.
It was awesome, and so was the rest of the show.

I first heard the more common taper-section source. It was nice, certainly better than the kind of thing Pink Floyd collectors have to put up with (my favorite examples are the two audience recordings from early 1970 from Croydon and Birmingham; the only performances EVER of "The Violence Sequence", which didn't even show up in the studio, but it sounds AWFUL; take, say, 1986.4.1 and multiply it by ten)... but with all the sparkly-clean soundboards and Live Phish, I got spoiled and this amazing show dropped off of my hard drive. I did come across a second FOB source, which was more upfront and clear, but the bass was distorted and it was just overpowering.

Then I figured out my way around an audio editor and got into matrixes. One thing led to another, and I made this.

I know there are two other sources; one is the B&K 4011 recording, but it really didn't sound substantially different from Source One (and was a tiny bit worse). The other is an AKG480 that I have never heard and can't find anywhere.

This is my first attempt at a matrix and an eTree upload. I hope I didn't make any mistakes, and if anyone thinks they can improve on this, please do so.


Comments

Date: 02/18/2012
User: TWATTS
SBEs on all tracks... Here is the Fixed FFP I generated (I Fixed each set itself):

ph1998-11-02d1t1-fixed.flac:b3034c86d90a260a5f613a77d906820c
ph1998-11-02d1t2-fixed.flac:deba1ac34bfacc4bac7e9f9034a5acc8
ph1998-11-02d1t3-fixed.flac:9c7b204f7955228b0cafbe7c9d9f0789
ph1998-11-02d1t4-fixed.flac:421fdc286106a943c1d7effbdfe19093
ph1998-11-02d1t5-fixed.flac:8224a9793b63ce6e451b09bbb0f6d7d0
ph1998-11-02d1t6-fixed.flac:99ec5ca1860ed554441495ec843944b6
ph1998-11-02d1t7-fixed.flac:3d5bc2bb36d85ea2adbb1776e27dff31
ph1998-11-02d1t8-fixed.flac:2e61cb7ed164dd8911869a8fe5d2de5f
ph1998-11-02d2t1-fixed.flac:d453dcee62a8258257488bddf0f7f91a
ph1998-11-02d2t2-fixed.flac:74921b8d472ef306f2ce7d36db84c147
ph1998-11-02d2t3-fixed.flac:587551cf25e28da02ee1d3860341e880
ph1998-11-02d2t4-fixed.flac:efe3c2e636777a1e80f076660b9d2291
ph1998-11-02d3t1-fixed.flac:4f6285cc9a27b77c7f5095f4fffc5fc4
ph1998-11-02d3t2-fixed.flac:46ddb223d97381b11df3abab84dd4ff1
ph1998-11-02d3t3-fixed.flac:94751adbd261e9c86092d044912a17ac
ph1998-11-02d3t4-fixed.flac:d81ae123c6b287a465aab76b46b3852c
ph1998-11-02d3t5-fixed.flac:64a0ad4abdf06cae8f0890581dfc1ace
ph1998-11-02d3t6-fixed.flac:0692e2a390e93ddbe8d772fce4692ba7
ph1998-11-02d3t7-fixed.flac:76b13263b52399a0611cc225b8910881
ph1998-11-02d3t8-fixed.flac:e3747c304c0d9796dcbfa28aada20e89
ph1998-11-02d3t9-fixed.flac:a5b30597f2477ba0cf64951a3b4df9e9
ph1998-11-02d3t10-fixed.flac:b8067e2885c105743583af777c2cf21a
ph1998-11-02d3t11-fixed.flac:8305d4b39b2bae7ce51bce965038b6d6
ph1998-11-02d3t12-fixed.flac:7f4fc17e3e8328315c448b858cbadb9e
ph1998-11-02d3t13-fixed.flac:cdfac98951624ee75d9e164b6f33f004