Grateful Dead 09/08/1991
Madison Square Garden, New York, NY
Source Summary
flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
Other Sources
SHNID 1069 DSBD> DAT> CD; via Jay Ashley: see flaw note in...
SHNID 34661 flac16 ; DSBD>DAT>CD>WAV>SHN>WAV>FLAC -...
SHNID 75772 DSBD > CDA > DAT; Cleaned up copy of...
SHNID 88002 flac16 ; AUD Source: Schoeps CMC3/MK4 (ORTF) >...
SHNID 88003 flac16/48 ; AUD Source: Schoeps CMC3/MK4...
SHNID 96398 flac16 ; Lineage: Master DAT Recording...
SHNID 98392 flac16 ; Sennheiser ME-80's>Technics SV-MD1...
SHNID 98960 DVD-Audio 5.1 ; DVD-Audio 5.1 Surround Sound -...
SHNID 99108 flac16 ; SBD + AUD Matrix Mix - 3 Source Mix:...
SHNID 123844 flac24 ; OTS AUD: 2x Nakamichi CM300 w/CP4...
SHNID 130711 flac16 ; Recording Info: DSBD > DAT > DAT;...
SHNID 149783 flac24 ; Recording Info: SBD > Cassette Master...
SHNID 149846 flac16 ; Recording Info: SBD > Cassette Master...
SHNID 150539 flac16/48kHz ; Source: Sennheiser ME88's >...
SHNID 167444 FLAC 1644 Source: 2x Senn ME 88s (stand,...
SHNID 167445 FLAC 2496 Source: 2x Senn ME 88s (stand,...
Grateful Dead
Madison Square Garden
New York, NY
September 8, 1991
DTS-Audio-CD 5.1 Mix - 3 Source Mix
Set 1 - Disc 1
01 [01:41] Crowd & Tuning
02 [06:38] Touch of Grey
03 [05:32] Greatest Story
04 [08:48] Loser
05 [09:24] Minglewood Blues
06 [07:23] Candyman
07 [05:25] Big River >
08 [09:25] Maggie's Farm
09 [09:27] Row Jimmy
10 [14:14] Let it Grow
TT [78:03]
Set 2 - Disc 2
01 [01:05] Crowd & Tuning
02 [07:59] Samson & Delilah
03 [14:22] Eyes of the World >
04 [07:17] Saint of Circumstance >
05 [09:02] Dark Star Jam >
06 [12:02] Drums >
TT [51:51]
Set 2 - Disc 3
01 [07:08] Space >
02 [09:38] The Other One >
03 [10:09] Wharf Rat >
04 [08:50] Good Lovin'
Encore:
05 [05:35] Attics of My Life
TT [41:24]
Full Show
TT [2hrs:51min:14.575sec]
---------------------------------------------------------
Source Info
SBD (shnID = 75772)
DSBD > DAT > CDA
Cleaned up copy of shnID=1069 by Darryl Hinko
I cut out some repeat material between d2t06 Drums and d3t01 Space,
the discs are now seamless. (Also: Removal of many, many pops.)
shnID=1069 Seeded by jashley@deadacated.com
AUD1 (shnID = 96398)
FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com
Lineage: Master DAT
Recording Equipment: B&K 4011 110 ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Recording Location: FOB
Set 1 Hand Held, Row R, Off Center
Set 2 On Stand, Row R, On Aisle
Recorded By: James Young and Clay Brennecke
Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) >
LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0
by Todd Evans (todd@bluedakota.com) November 9, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com)
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
AUD2 (shnID = 98392)
Sennheiser ME-80's > Technics SV-MD1 from OTS
DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9
(Fades, Sample Rate Conversion)>CDWAV>FLAC
Recorded & Transferred By Keith Litzenberger
---------------------------------------------------------
Special Thanks
Many thanks to James Young and Clay Brennecke for their wonderful
recording. Also thanks to Keith Litzenberger for his excellent
recoding as well. Thanks to Jay Ashley and Darryl Hinko for their
transfer and mastering/editing on the SBD source. And thanks to
both Jamie Waddell and Todd Evens for their pristine transfers and
excellent editing/mastering on the FOB.
---------------------------------------------------------
Notes on the Source Material
SBD (shnID = 75772)
This is another strange 1991 SBD. Let me explain. Quite a few
digital SBD's for the 1991 year are in circulation. I am sure
some of you have noticed a sorta strange sound quality to them.
What makes them sound they way they do is unknown to me. I'd
call them too digital. They tip-toe along the edge of blurry.
If I had to guess I would think a portable DAT deck was being fed
an analog signal into the line in. And although the levels were
set appropriately the deck was overloaded by 'too hot' a feed
from the SBD.
AUD1 (shnID = 96398)
Nice and well balanced FOB. This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit. While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.
AUD2 (shnID = 98392)
Another great sounding AUD. I love it when multiple source can be
used to make a 5.1 and a stereo matrix. This doubles the options
for the multichannel mixdown and also allows for more flexibility
in the 5.1. Not just the standard SBD front and AUD in the rear.
This also allows me to do high rez mixdown for each of the 6
channels as well as a high rez stereo mixdown of all 3 sources.
---------------------------------------------------------
Tech Notes
FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch both of the sources. SF8.0 was used for the EQ setting
for the CTR and LFE channels. SF8.0was used to perform the hard
limiting on the LFE channel. Surcode CD Pro DTS was used to
encode to DTS. This incorporates 6 channels of DTS encoded
16/44 wave files.
- Mixed by dan@am-dig.com
- ISO created 05-MAY-2009
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.
---------------------------------------------------------
DVD-Audio Info
Front
Left Channel SBD + AUD2 Matrix
Right Channel SBD + AUD2 Matrix
Center
Mono Mix -5db SBD + AUD1 Matrix DEQ'd
Surround
Left Channel AUD1 + AUD2 Matrix -3db
Right Channel AUD1 + AUD2 Matrix -3db
Sub/LFE
Mono Mix SBD + AUD1 Matrix DEQ'd + Hard Limiting -.07db
---------------------------------------------------------
Multitrack Mixdown 5.1 Surround
Front
75772_SBD -1db
98392_AUD2 -10db
CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db
CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db
Rear
96398_AUD1 -4db
98392_AUD2 -10db
---------------------------------------------------------
Notes
d2t11 Gradual volume raised on Attics to +3db
---------------------------------------------------------
Lineup
Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)
---------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD both AUD sources listed above at 16/44
2. CD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 16/44
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
4. DVD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Madison Square Garden
New York, NY
September 8, 1991
DTS-Audio-CD 5.1 Mix - 3 Source Mix
Set 1 - Disc 1
01 [01:41] Crowd & Tuning
02 [06:38] Touch of Grey
03 [05:32] Greatest Story
04 [08:48] Loser
05 [09:24] Minglewood Blues
06 [07:23] Candyman
07 [05:25] Big River >
08 [09:25] Maggie's Farm
09 [09:27] Row Jimmy
10 [14:14] Let it Grow
TT [78:03]
Set 2 - Disc 2
01 [01:05] Crowd & Tuning
02 [07:59] Samson & Delilah
03 [14:22] Eyes of the World >
04 [07:17] Saint of Circumstance >
05 [09:02] Dark Star Jam >
06 [12:02] Drums >
TT [51:51]
Set 2 - Disc 3
01 [07:08] Space >
02 [09:38] The Other One >
03 [10:09] Wharf Rat >
04 [08:50] Good Lovin'
Encore:
05 [05:35] Attics of My Life
TT [41:24]
Full Show
TT [2hrs:51min:14.575sec]
---------------------------------------------------------
Source Info
SBD (shnID = 75772)
DSBD > DAT > CDA
Cleaned up copy of shnID=1069 by Darryl Hinko
I cut out some repeat material between d2t06 Drums and d3t01 Space,
the discs are now seamless. (Also: Removal of many, many pops.)
shnID=1069 Seeded by jashley@deadacated.com
AUD1 (shnID = 96398)
FOB Digital Audience Recording
The James Young & Clay Brennecke FOB Vault - clayb@fobdfc.com
Lineage: Master DAT
Recording Equipment: B&K 4011 110 ORTF > Neumann BS 48i-2 >
Modified Sony TCD D-10 Pro
Recording Location: FOB
Set 1 Hand Held, Row R, Off Center
Set 2 On Stand, Row R, On Aisle
Recorded By: James Young and Clay Brennecke
Transfer: 16/48k DAT Master > TASCAM DA-20 (SPDIF out) >
LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0
by Todd Evans (todd@bluedakota.com) November 9, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com)
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither
Encoding by Dazed64. Tracked in CDwave, FLAC Frontend level 8
Tag & Rename for FLAC Meta-Tagging.
AUD2 (shnID = 98392)
Sennheiser ME-80's > Technics SV-MD1 from OTS
DAT Master > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9
(Fades, Sample Rate Conversion)>CDWAV>FLAC
Recorded & Transferred By Keith Litzenberger
---------------------------------------------------------
Special Thanks
Many thanks to James Young and Clay Brennecke for their wonderful
recording. Also thanks to Keith Litzenberger for his excellent
recoding as well. Thanks to Jay Ashley and Darryl Hinko for their
transfer and mastering/editing on the SBD source. And thanks to
both Jamie Waddell and Todd Evens for their pristine transfers and
excellent editing/mastering on the FOB.
---------------------------------------------------------
Notes on the Source Material
SBD (shnID = 75772)
This is another strange 1991 SBD. Let me explain. Quite a few
digital SBD's for the 1991 year are in circulation. I am sure
some of you have noticed a sorta strange sound quality to them.
What makes them sound they way they do is unknown to me. I'd
call them too digital. They tip-toe along the edge of blurry.
If I had to guess I would think a portable DAT deck was being fed
an analog signal into the line in. And although the levels were
set appropriately the deck was overloaded by 'too hot' a feed
from the SBD.
AUD1 (shnID = 96398)
Nice and well balanced FOB. This upfront FOB grabs quite a bit
of the sound but not as much atmosphere as you'd like for making
a matrix mix. However, this does help the sterile, straight SBD
out quite a bit. While it doesn't completely fix the strange
"digitally" sound of the SBD it does help quite a bit.
AUD2 (shnID = 98392)
Another great sounding AUD. I love it when multiple source can be
used to make a 5.1 and a stereo matrix. This doubles the options
for the multichannel mixdown and also allows for more flexibility
in the 5.1. Not just the standard SBD front and AUD in the rear.
This also allows me to do high rez mixdown for each of the 6
channels as well as a high rez stereo mixdown of all 3 sources.
---------------------------------------------------------
Tech Notes
FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch both of the sources. SF8.0 was used for the EQ setting
for the CTR and LFE channels. SF8.0was used to perform the hard
limiting on the LFE channel. Surcode CD Pro DTS was used to
encode to DTS. This incorporates 6 channels of DTS encoded
16/44 wave files.
- Mixed by dan@am-dig.com
- ISO created 05-MAY-2009
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear, slim, double CD case.
---------------------------------------------------------
DVD-Audio Info
Front
Left Channel SBD + AUD2 Matrix
Right Channel SBD + AUD2 Matrix
Center
Mono Mix -5db SBD + AUD1 Matrix DEQ'd
Surround
Left Channel AUD1 + AUD2 Matrix -3db
Right Channel AUD1 + AUD2 Matrix -3db
Sub/LFE
Mono Mix SBD + AUD1 Matrix DEQ'd + Hard Limiting -.07db
---------------------------------------------------------
Multitrack Mixdown 5.1 Surround
Front
75772_SBD -1db
98392_AUD2 -10db
CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db
CTR (mono mix)
75772_SBD -1db
98392_AUD2 -10db
Rear
96398_AUD1 -4db
98392_AUD2 -10db
---------------------------------------------------------
Notes
d2t11 Gradual volume raised on Attics to +3db
---------------------------------------------------------
Lineup
Jerry Garcia (guitar, vocals)
Bob Weir (guitar, vocals)
Phil Lesh (bass)
Vince Welnick (keyboards, vocals)
Bruce Hornsby (grand piano, according, vocals)
Mickey Hart (drums, percussions)
Bill Kreutzmann (drums, percussions)
---------------------------------------------------------
More On DTS
Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.
---------------------------------------------------------
Additional Formats
This show is available in the following formats:
1. The SBD both AUD sources listed above at 16/44
2. CD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 16/44
3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44
4. DVD-Audio Stereo SBD+AUD1+AUD2 Matrix Mix at 24/48
5. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)
Comments
Other Sources (comments)
DSBD> DAT> CD; via Jay... (5)
flac16 ;... (1)
DSBD > CDA > DAT; Cleaned... (1)
flac16 ; AUD Source:... (0)
flac16/48 ; AUD Source:... (0)
flac16 ; Lineage: Master... (0)
flac16 ; Sennheiser... (0)
DVD-Audio 5.1 ; DVD-Audio... (0)
flac16 ; SBD + AUD Matrix... (0)
flac24 ; OTS AUD: 2x... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz ; Source:... (0)
FLAC 1644 Source: 2x... (0)
FLAC 2496 Source: 2x... (0)
DSBD> DAT> CD; via Jay... (5)
flac16 ;... (1)
DSBD > CDA > DAT; Cleaned... (1)
flac16 ; AUD Source:... (0)
flac16/48 ; AUD Source:... (0)
flac16 ; Lineage: Master... (0)
flac16 ; Sennheiser... (0)
DVD-Audio 5.1 ; DVD-Audio... (0)
flac16 ; SBD + AUD Matrix... (0)
flac24 ; OTS AUD: 2x... (0)
flac16 ; Recording Info:... (0)
flac24 ; Recording Info:... (0)
flac16 ; Recording Info:... (0)
flac16/48kHz ; Source:... (0)
FLAC 1644 Source: 2x... (0)
FLAC 2496 Source: 2x... (0)
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