Loading...

Grateful Dead 04/06/1985

SHOWID 1605

Show Reviews

Richard Markley
Rate:
My first Grateful Dead show. I've never seen anything like this at other concerts. The crowd, the parking lot, it was alot of fun.
Harry the Horse
Rate:
Attended this one (or one of these 3 nights) with my friend, Ted, from work.

Hadn't been to a GD show in 4 years - kinda lost touch with my GD fanaticism for a decade or so there in the 80s and 90s. Kinda sad to see a once great band struggling like they were.

It was always fun to see them, though, and we'll always have great tapes, CDRs, etc., etc., to remember them by. One of the all-time greats, IMHO....
william
Rate:
Root
Rate:
My first Dead show.
newgrass
Rate:
Chris Hanson
Rate:
aikox2
Rate:
David Aicher
Rate:
this was one of the worst dead shows I ever attended. the band was super wasted or sick and messed up the words in multiple songs. they totally botched uncle john's band and during not fade away they stopped and restarted because Jerry sang one verse and bobby sang another.

they played well enough but were just too out of it and blew the verses. Pretty weird but unless you listen closely it is negligible on the tapes. Something was definitely off this night...
Mydland Years
Rate:
OneGratefulDad
Rate:
Dave Hunter
Rate:

Set I

Feel Like A Stranger
They Love Each Other
New Minglewood Blues
Dupree's Diamond Blues
Mama Tried >
Big River
Big Railroad Blues
Looks Like Rain >
Don't Ease Me In

Set II

China Cat Sunflower >
I Know You Rider >
Playing In The Band >
Uncle John's Band >
Drums >
Space >
The Other One >
Throwing Stones >
Not Fade Away
One More Saturday Night

Set III


Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Jerry's voice was VERY ROUGH during Dupree's Diamond Blues and he didn't sing much (if any) after Uncle John's Band.

Sources

SHNID 8900
Unknown Audience source; Shn'ed and seeded to abgd by Chris Perkins with thanks to Michael McGinnis.
SHNID 10990
Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella
SHNID 13467
SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
SHNID 24027
Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
SHNID 28633
Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05.
SHNID 33703
Nakamichi 300 Shotguns CP4's & Sony TCD5M; Transfer: Nakamichi BX300 Master cass-> Macintosh ->Peak Bias-> JAM-> cdr-> EAC-> MKW-> shn Sector boundaries verrified via shn tools; Taped & Transfered by Brian Mandel
SHNID 73770
Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN; recorded, transfered and seeded by Charles Bandrofcheck (other3)
SHNID 78851
flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S
SHNID 87366
flac16; nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
SHNID 96803
flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> Sony D-5 Transfer: (By JAZ) Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
SHNID 124819
flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID 135801
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
SHNID 140875
flac24/96 Set 2 partial. Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96.
SHNID 141211
flac16; Set 2 partial Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2
SHNID 145479
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
SHNID 145480
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
SHNID 149317
flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID 149318
flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
SHNID 152153
flac16/44 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
SHNID 152154
flac24/48 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
SHNID 163844
flac1648 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID 163845
flac2496 Source Info: Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID 167676
flac1648 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID 167677
flac2496 Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID 169896
Final Cut Pro -> Izotope Rx Advanced -> Peak Pro -> Xact -> Flac 16 Patched And Pitch Corrected By Brian Miksis January 15, 2025 Brian.miksis@verizon.net Soundboard Source (shnid=:135801) Cassette Master -> Cassette -> Dat -> Cd -> Samplitude Professional V.1 -> Flac16 First Circulated May 19, 2016 Patch Audience Source (shnid=163844) Nakamichi 300 Mics + Cp4 Shotguns -> Sony D5m Sennheiser 441 Mics -> Sony D5m -> Cassette Master -> Nakamichi Cr-7a -> Tascam Da-3000 (dsf 1-bit Mhz) -> Dbpoweramp (24 -> Adobe Audition Cc 2023 -> Tlh Flac2496 First Circulated March 3, 2023
SHNID 169897
Sbd Aud Matrix: Final Cut Pro (16b 48k) > Izotope Rx Advanced > Peak Pro > Xact > Flac 16 Created By Brian Miksis January 15, 2025 Brian.miksis@verizon.net Soundboard Source (shnid=:135801) Cassette Master -> Cassette -> Dat -> Cd -> Samplitude Professional V.1 -> Flac16 First Circulated May 19, 2016 Audience Source (shnid=163844) Nakamichi 300 Mics + Cp4 Shotguns -> Sony D5m Sennheiser 441 Mics -> Sony D5m -> Cassette Master -> Nakamichi Cr-7a -> Tascam Da-3000 (dsf 1-bit Mhz) -> Dbpoweramp (24 -> Adobe Audition Cc 2023 -> Tlh Flac2496 First Circulated March 3, 2023
SHNID 170434
flac1648 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
SHNID 170435
flac2496 Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496