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Grateful Dead 09/30/1989

SHOWID 1869

Show Reviews

OneGratefulDad
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OldNeumanntapr
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I remember THIS weekend well. We started off recording Weir & Wasserman open for the Jefferson Airplane reunion (including a Hot Tuna set sandwiched midway through the set) at Golden Gate Park in San Francisco and then had to book it down to Shoreline to tape the Dead show that evening. Of course we were late, because of bay area traffic. The parking lots at Shoreline were nuts if you weren't there early, and we got stuck having to park in the back lot near the Christmas tree farm. We ran to the amphitheatre carying all of the recording equipment with the rest of the stragglers and my ex wife turned to me and said as we were running, 'And now for the 100 yard dash for late tapers division!' Funny. We got into the reserved section just as the house lights dropped and the band came on stage. The other tapers didn't seem too happy to let us in after they were already set up and I really didn't blame them. Luckily I had my Mini Mag light to help find our seats. We had to sit through the first set and then set up the recording equipment durning the set break. I ran Nakamichi CM-300s with CP-4 shotgun capsules->Marantz PMD-430. Shoreline was always a good venue in which to see live music, and the Dead in particular. I always got good sounding tapes there and this one was no exception.
Dave Hunter
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Set I

Bertha >
Greatest Story Ever Told
West L.A. Fadeaway
Queen Jane Approximately
Row Jimmy
Let It Grow

Set II

Iko Iko
Estimated Prophet
Truckin' >
Smokestack Lightnin' >
Drums >
Space >
I Will Take You Home >
The Wheel >
All Along The Watchtower >
Touch Of Grey

Encore:
U.S.Blues

Set III

 

Comment

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 8964
SBD>MC>DAT>CDR; Seeded to etree by Tim W
SHNID 81719
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
SHNID 97332
flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson
SHNID 142503
flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
SHNID 151398
flac 24/96kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24.
SHNID 151622
flac 16/44kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. 151398 24 -> 16 @ 44.1
SHNID 166902
flac16; Patched & Pitch Corrected Audience - (original shnid = 97332) Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson - pitch correction and patches by Kevin Tobin
SHNID 166903
flac16; Matrix 2 Source Mix - SBD (shnid = 151398) Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 166902) (original shnid = 97332) Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin
SHNID 166904
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 151398) Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 166902) (original shnid = 97332) Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin
SHNID 166905
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 151398) Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 166902) (original shnid = 97332) Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
SHNID 168517
flac1644 Set 2 only. OTS, SEC 202, Row H, Seat 13; Nakamichi CM-300's w/CP-4 Shotguns >Marantz PMD-430 XLIIS Master Transferred; Denon DR-M12HR Cassette Deck >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Remove & Repair Left-Channel Dropouts In Iko Iko, Minor Edits [Tape Flip], Fades, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, FLAC, Tags, And Front Cover Artwork By OldNeumanntapr