Loading...

Grateful Dead 05/05/1990

SHOWID 1911

Show Reviews

Ray Augustine
Rate:
105 degrees didn't seem to hinder them, as heat had at least attemped to do in the past. The greatest Queen Jane I ever saw at least the keyboard solo, One of the first, if not the first of the reemergence of Loose Lucy, my first. Most of the rest is quite up to pair as well, same with the next day. Besides the goofballs who ruined it for all so they never played there again, amonst other places which were dwindling in number by this time; it was for me, remarkable because it was the only time I could pop a hi-fi video tape to record KPFK's excellent broadcast, go the show and get back in time to still have it rolling and waiting to be stopped. I believe Healy did a local FM for the next day but being i a extremely tight metropolitan radio enviroment contributed to the FCC I think eventually putting the squeeze on him to stop that in the sometime not too much later.

Set I

Let The Good Times Roll
The Race Is On
Help On The Way >
Slipknot! >
Franklin's Tower
Queen Jane Approximately
Loser
Me & My Uncle >
Mexicali Blues
Loose Lucy
One More Saturday Night

Set II

Truckin' >
Crazy Fingers >
Playing In The Band >
Uncle John's Band >
Drums >
Space >
I Need A Miracle >
Dear Mr. Fantasy >
Goin' Down The Road Feeling Bad >
Around & Around

Encore:
Touch Of Grey

Set III


Comment

FM Broadcast on KPFK

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 4850
DSBD> Cass> DAT> CD> EAC (secure)> MKW-Act seekable SHN encoding by nick@nickspicks.com This show was broadcast over FM. I doubt this is a PRE-FM source though.
SHNID 11660
DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley
SHNID 97423
flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009.
SHNID 116818
flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
SHNID 131207
flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
SHNID 134997
flac24; Source: B&K 4011 Cardioids, ORTF, 5' Tall Stand, front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> TDK SAX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
SHNID 137021
flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
SHNID 137088
flac16; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp; flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
SHNID 138648
flac16; Bruel and Kjaer 4011 cardioids as ORTF stereo => Neumann p48v power => Sony TCD-D10 DAT => Sony TC-D5M cassette master (TC-D5M in live recording chain; this analog master is the 24.96 digital master source); From upfront, FOB-DFC; Mics at 6’03”+ being covered by Mike. Knobs and buttons twiddlin’ by Tom D.
SHNID 138649
flac16; This is an FM broadcast, recorded live in the concert venue; KPFK public radio broadcast; The lineage guessing, in part; The FM receiver was a portable “Walkman”-type portable FM rec’vr; patched to my spare deck: Sony WM-D6C; transfer to digital was without any Dolby N.R., regardless of whether or not it was on the master; That transfer was via my Sony TC-D5M -> Tascam DR70D at a 24.96 sampling
SHNID 138754
flac16/48kHz; Set I - Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB w/stand recorded by Rick Katzeff; Set II - B&K 4011 at 110 degrees ORTF > Sony D10Pro; FOB w/stand by Rich Berner; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
SHNID 141262
flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
SHNID 141275
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
SHNID 141939
flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK4 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
SHNID 143960
flac16; Tim Dalton Source: In house FM > Dat; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/44; Edited & Mastered in Audacity by Joe Noel