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Grateful Dead 10/27/1991

SHOWID 2032

Show Reviews

tom
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Hot Show - Was really emotional since this was the first show since Bill Grahams untimely death.
Mydland Years
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OldNeumanntapr
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I remember This series of shows well. It was a very sad and emotional time. I was at work in the darkroom of the company that I worked for the night that Bill Graham died. It was one of the biggest rain storms that I can ever remember. Everyone was so somber at these shows because these were the 1st Dead shows after the infamous helicopter accident. They opened with 'Sugar Magnolia' because that was Bills favorite Grateful Dead tune. Gary Duncan from Quicksilver Messenger Service played for a part of the second set and did 'Mona'. I taped this one and Halloween in this series in '91 but the DAT boards sound so much sweeter!
OneGratefulDad
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Jeffrey Flaws
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michael rosenberg
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Set I

Sugar Magnolia >
Sugaree
Walkin' Blues
Althea
When I Paint My Masterpiece
Candyman
Cassidy
Touch Of Grey

Set II

China Cat Sunflower >
I Know You Rider >
Samson & Delilah >
Ship of Fools >
Iko Iko > *
Mona > *
Drums >
Space >
The Wheel >
I Need A Miracle >
Wharf Rat >
Good Lovin'

Encore:
Knockin' On Heaven's Door

Set III

 

Comment

First performance of Mona since March 25, 1972
Last performance of Mona

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Carlos Santana - Guitar *
Gary Duncan - Guitar *

Sources

SHNID 537
SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff
SHNID 81199
flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC
SHNID 102206
flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
SHNID 117198
flac16; source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
SHNID 120119
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
SHNID 120120
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID 137738
flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
SHNID 139272
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID 139300
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit
SHNID 168818
flac1644 OTS; Nakamichi CM 300 CP4s >Sony WM-D6C [MX-S 100s w/Dolby C] MX-S Cassette Masters Transferred Via Denon DR-M12HR Cassette Deck w/Dolby C Engaged >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Balance Channel Levels, Minor Edits [Tape Flips], Fades, Downsample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.53 [Sept. 2024] (Audience Cassette Master Recorded, Transferred, FLAC, & Tags By OldNeumanntapr)