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Grateful Dead 06/06/1992

SHOWID 2058

Show Reviews

Tim Trott
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Shawn Lucas
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I was at this one, on the floor, slightly to the left and in front of the SBD area. Not the best show ever but it had its moments. I really like the song selection in the first set and the energy level from the band seemed pretty high for set I. I do remember that Jerry just didn't look so good and he seemed pretty listless at times in set II. He looked downright ragged, sweaty, and miserable during He's Gone.

Post-space shaped up pretty nice and got back the the energy level from earlier in the show. It isn't listed but there is some definite Spanish Jam teasing before TOO. Baba->Tomorrow was a novel encore and I liked it at the time but it doesn't translate well on tape.
john
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Sugaree
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Mike
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kam
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Shawnee
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Set I

Touch Of Grey >
Greatest Story Ever Told
Althea
It's All Over Now
Friend Of The Devil
When I Paint My Masterpiece
Ramble On Rose
Let It Grow

Set II

Iko Iko
Estimated Prophet >
The Same Thing
He's Gone >
Drums >
Space >
The Other One >
The Wheel >
Throwing Stones >
One More Saturday Night
Baba O'Riley >
Tomorrow Never Knows

Set III

 

Comment

Steve Miller Band opened

Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Sources

SHNID 8242
AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder
SHNID 14042
Second Set Only SBD>DAT>WAV>CoolEdit>CDWAV>SHN; upgrade in circulation
SHNID 16815
set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner
SHNID 82444
flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
SHNID 111171
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
SHNID 119035
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
SHNID 124862
flac16; MAD Recording - FOB DFC Audience; 1st Two Songs of Set 1: B&K4011's; Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48; Recorded by Todd Evans; Edited by: Jamie Waddell; EQ and hard limiting, as well as reindexing disc 3 done by }{eywood
SHNID 134942
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID 134943
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID 137751
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
SHNID 137752
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
SHNID 140203
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID 140277
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID 164743
flac1648 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
SHNID 164744
flac2496 Michael Hessberg's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496