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Phish 10/31/1996

SHOWID 3305

Show Reviews

Spidey
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Drove 10 hours to see this show. Phish did not disappoint!
UScr00ge
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This was my first Phish show and it's was great. Probably the best of all the Halloween shows Phish has done.
michael webster
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Alex Tamargo
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Ah yes. The show that introduced me to what has now become one of my favorite albums of all time. Oh yeah, and there were two incredible sets of Phish music too!
Eric S. Crane
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Apart from the costume (which was amazing), they sure did scream every chance they could at this show...
Ryan Grice
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Sat right behind the stage... pretty good, actually... we were right above the percussionist from Santana and could see everything he was doing... man, that dude is FASSSSST... 2nd set was great, of course... YEM was really good and the Jesus Left Chicago w/ Dave Grippo was a major highlight... All in all, great show, great time
Stuart Gerber
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First Phish Show!!!
michael
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david
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Rob
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Howie
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Set I

Sanity, Highway To Hell, Down With Disease > You Enjoy Myself > Prince Caspian, Reba, Colonel Forbin's Ascent > Fly Famous Mockingbird, Character Zero, The Star Spangled Banner*

Set II

Born Under Punches (The Heat Goes On) > Crosseyed And Painless, The Great Curve, Once In A Lifetime > Houses In Motion > Seen And Not Seen > Listening Wind > The Overload

Set III

Brother#, Also Sprach Zarathustra# > Maze#, Simple# > Swept Away > Steep# > Jesus Just Left Chicago^, Suzy Greenberg^

E: Frankenstein^

Comment

Phish Musical Costume For Set 2: Talking Heads "Remain In Light"

Entire Second Set With Dave Grippo (Saxophone), Gary Gazaway (Trombone) & Karl Perazzo (Percussion)

* - A Capella
# - w/ Karl Perazzo
^ - w/ Dave Grippo, Karl Perazzo, & Gary Gazaway

Sources

SHNID 640
(2 possible sources out there for this, about then?)
SHNID 641
no source info; reported clicks and skips/elisions between tracks, and reportedly even elisions elsewhere within the songs
SHNID 1230
intended as replacement for d3 of previously-circulating flawed version
SHNID 4694
Schoeps CMC6/mk41 > Sonosax SX-M2 > DAP1 > DAP1 @48kHz; Sony PCM-R500 > Klay Custom Coax (Canare) > RME Digi96/8 PST > Sound Forge 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3 [Dankseeds]
SHNID 5622
Set I: Schoeps CMC6/mk41 > SX-M2 > AD1000 (TS), Set II and III: FOB Neumann km140 > SX-M2 > D10 Pro II; Set I and III: D8 > Active Oade > Monster Coax > CMI8738 > SF4.5 (48>44.1kHz) > CDWav > SHNv3; Set II: D8 > Turtle Beach Fiji > Samplitude@44.1khz > CDWav > SHN
SHNID 17367
[AKG 414 + AT 4031] Matrix > Tascam DA-P1
SHNID 86813
AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC; Taped by Greg Bovell
SHNID 115847
flac16; AKG 463 > Tascam DA-P1 (oade akg mod) @ 16/48; DAT(m) > Edirol R4 16/44.1 > CD Wave > TLH > flac (Level 8); Taped by Stan McPhail; Transferred by Chris Cage
SHNID 123116
flac16, 48kHz; AKG 460b/ck61 > b18 > Sony TCD-D7; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.
SHNID 124436
flac16, 48kHz; AKG 460b/ck61 > Sonosax SX-M2 > Tascam DA-P1 @ 48k; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Taped by Dave Flaschner & Ryan Varnum; Transferred by Jeff Mitchell
SHNID 124437
flac16, 48kHz; set 2+3 only; (FOB) Neumann KM140 > Sonosax SX-M2 > Tascam DA-P1 @ 48k; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Taped by Dave Flaschner & Ryan Varnum; Transferred by Jeff Mitchell
SHNID 143851
flac16 48kHz Schoeps; DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Transfer & edits by Jeff Mitchell
SHNID 151438
flac16/48khz Source: Microtech Gefell M300 > DA-P1 @ 16/48 Trasnfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) DiGiHoArDeRs: 1/1/2021