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Bob Dylan 11/19/1979

SHOWID 11545

Set I

Gotta Serve Somebody, I Believe In You, When You Gonna Wake Up, When He Returns, Man Gave Names To All The Animals, Precious Angel, Slow Train, Covenant Woman

Set II

Gonna Change My Way Of Thinking, Do Right To Me Baby (Do Unto Others), Solid Rock, Saving Grace, Saved, What Can I Do For You?, In The Garden, E: Blessed Be The Name, Pressing On

Set III


Comment


Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
OldNeumanntapr (5/5) FLAC / 0 A View   AKG 451E Microphones w/CK-1 Cardioid Capsules >Uher CR-240 Cassette
Notes: (Recorded By Mike Millard) JEMS 2014 Transfers: Part One: First-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Part Two: First-generation cassette copy made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC
wes meyette (5/0) / View  
John H (5/5) flac / 2 AA AA View   audience
Notes: Bob Dylan Civic Auditorium Santa Monica, CA November 19, 1979 Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Seven Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder JEMS 2014 Transfers: Part One: First-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Part Two: First-generation cassette copy made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC Reel Source 101 Gotta Serve Somebody 102 I Believe In You 103 When You Gonna Wake Up 104 When He Returns 105 Man Gave Names To All The Animals 106 Precious Angel 107 Slow Train 108 Covenant Woman 109 Put Your Hand In The Hand (Regina Havis) 110 Gonna Change My Way Of Thinking Cassette Source 201 Do Right To Me Baby (Do Unto Others) 202 Solid Rock 203 Saving Grace 204 Saved 205 What Can I Do For You? 206 In The Garden 207 Band Introduction 208 Blessed Be The Name 209 Pressing On JEMS is pleased to release the seventh (six Dylan, one Springsteen) in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS' history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680 Installment No. 7 is, sad to say, the last of the Dylan recordings made by Millard and given to SG of JEMS. It is the second of a four-night run at the Santa Monica Civic Auditorium in the midst of the vibrant Gospel Tour and a performance every bit as potent as the first show, sharing the identical set list (as did the entire tour), but with even more on-stage testifying from Bob. It is also another admirable example of great work from Millard. Based on the sound, he is in a very similar seat to night one, close to the PA with a quiet crowd around him, and the AKGs + Uher yield a mighty impressive pull. Samples provided. You’ll note that this recording comes from two different tape sources, one reel to reel the other cassette. All told, Millard sent SG a box containing four reels and ten cassettes, and the first 50 or so minutes of the 11/19 show was used to fill out side two of the reel containing the full 11/18/79 recording. But Millard also dubbed a copy of the complete 11/19 Dylan set on cassette, though on this night it seems he did not record the opening songs by the back-up singers, so the both the reel and cassette copies of the show start with “Gotta Serve Somebody”. Given its faster speed and wider tape, the reel copy is slightly richer sounding than the cassette copy, so we’ve elected to share all of the reel source and pair it with the remaining part of the show from the cassettes to form the complete set. The difference is subtle between the sources, but in the spirit of transparency we’re telling you. Lossless Bob has four entries for this show that appear to tie back to the same underlying recording (which may or may not be Millard’s tape, we haven’t confirmed, though at least one version of those recordings has the opening gospel numbers). Even if it is Millard’s, this should be a bigger upgrade to circulating sources than 11/18 was, based on the ratings given to the extant sources on Lossless Bob as it is another excellent, up-close capture. Sadly, we have reached the end of Millard’s Dylan tapes that we know of. For those of you keeping score at home, there are still two more Millard tapes to go, both Springsteen shows. We hope you’ve found Millard’s Dylan work as ear-opening as we have. It is has been our pleasure to be able to present it to you. If you'd like to learn more about Mike the MICrophone, the links below offer a glimpse of his story. Millard's Wikipedia page http://en.wikipedia.org/wiki/Mike_Millard The best article written about Millard has been deleted from the original website but is reprinted here: http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history and there have been many. Also, JEMS continues to depend on mjk5510 for his vital contributions to get these recordings into your hands. He is an essential part of the process at this point. Here's to the late, great Mike the MICrophone and to finding more lost tapes. BK for JEMS
Shearing (5/5) FLAC / 2 B+ View   The Lost and Found Mike the MICrophone Tapes Vol. Seven | AKG-451E microphones > Uher CR-240...
Notes: [LB-11870]
Xavier Birtwich (5/0) FLAC / 2 EX View   AUD / Mike Millard’s first gen via JEMS
BLG (5/0) FLAC / 1 View   AKG 451E/ck1's > Uher CR-240 > ana1 > FLAC
kirk (5/5) flac / View   Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Seven
gwendibbley (5/0) Digital / View  
Jack Warner (5/5) FLAC / 0 View   MAC>R>FLAC
cotaper (5/5) flac / 2 A- View  
Notes: 105 minutes
sean hite (5/0) / 0 View  
Notes: Audio Source: audience recording, master tape Lineage: shn --> xACT 1.64 --> FLAC 8 (tested for SBE's, tagged, verified against shn-files with st5, added new md5, ffp, m3u)
sean hite (5/0) / 0 View  
Notes: SOURCE: "off master" (aud) recording LINEAGE: CDR > EAC > WAV > MKW > SHN SOUND: very good
sean hite (5/0) / 0 View  
Notes: I've not seen this full tape in circulation, so here it is (from my collection). The defunct Gospel Project does not mention it's existance.
sean hite (5/0) / 0 View  
Notes: unknown lineage
Non-Partisan (5/3.3) CD / 2 A A- View   AUD
Notes: Complete with gospel chorus sets.
NonPartisan2 (5/3) CD / 2 A A+ View   SBD
Notes: http://www.angelfire.com/rant/gospelproject/autumn/19nov79.html
Jack Cade (5/0) dc / 0 View  
Notes: two different versions
Josh Cooperman (3/3.8) CDR / 2 A View  
jarro (3/0) / 0 View  
RM's Giant Live Music Archive (2/5) FLAC / 0 View   audience source courtesy of Les Kokay (K097)
Notes: complete show
RM's Giant Live Music Archive (2/5) FLAC / 0 View   audience source courtesy of Les Kokay (K097)
Notes: incomplete source
RM's Giant Live Music Archive (2/5) FLAC / 0 View   LB-7858 (EE168)
Notes: Info file provides no recording/source details but says, "I've not seen this full tape in circulation, so here it is (from my collection). The defunct Gospel Project does not mention it's existance."
RM's Giant Live Music Archive (2/5) FLAC / 0 View   The Lost and Found Mike the MICrophone Tapes Vol. Seven (FF185 RR059, RR079)
Notes: Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder JEMS 2014 Transfers: Part One: First-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Part Two: First-generation cassette copy made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC
OBIE (2/5) FLAC / 1 View  
Al Brown (2/5) CDR / 2 A A View  
Tony Gianelli (2/0) CDR / 2 A View   Unknown>CDR>EAC>Flac
Kaz (1/5) cdr / 2 View  
forgottenspace (1/4.5) CD / 2 View   N/A
forgottenspace (1/4.5) CD / 2 View   N/A
forgottenspace (1/4.5) CD / 2 View   N/A
Carter (1/5) CDR / 2 View  
Jerry Morgan (1/5) cd / 2 View  
Notes: LB0336
robert (1/5) CDR / 2 View  
Brian C (1/4.7) CDR / 2 A A- View   AUD
jetydo (1/5) FLAC / 1 8 View   aud
Notes: 129 min
cedremsoundlabs (1/0) / 1 View  
Randy Foley (1/5) CDR / 2 B View   AUD
Notes: (43:19)/(58:26) [minor skip on CD1 track 1 at 2:26; minor barely noticeable track transitions]
Mike Kellogg (1/5) CDR / 2 ex View   aud
Notes: off-master
Eddy (1/3.9) 2cdr / 0 B+ View  
Chris Perkins (1/5) Shn / 1 View  
Notes: 2 CDRs
Brian (0/0) / 0 View   akg451E.millard.JEMS.flac1644
CowWarD (0/5) 1 SHN / 2 NR View   ? > Master Tape > Direct transfer (Supposedly via PC) > SHN
Notes: Though i don't know the complete source, i traded this fileset as being from the Master tape...Considering the date, i'd bet it is from analog....and is nice ;o)
tunaguitar (0/0) shn / 2 View  
gopherstick (0/5) / 2 exc View  
erik (0/0) shn / 2 View  
Notes: from master tape
George (0/3) SHN / 2 View  
bill c (0/0) shn / 2 View