Grateful Dead 12/26/1979
Set I
Cold Rain & Snow
C.C. Rider
Dire Wolf
Me & My Uncle >
Big River
Brown Eyed Women
New Minglewood Blues
Friend Of The Devil
Looks Like Rain
Alabama Getaway >
Promised Land
C.C. Rider
Dire Wolf
Me & My Uncle >
Big River
Brown Eyed Women
New Minglewood Blues
Friend Of The Devil
Looks Like Rain
Alabama Getaway >
Promised Land
Set II
Uncle John's Band >
Estimated Prophet >
He's Gone >
The Other One >
Drums >
Space >
Not Fade Away >
Brokedown Palace >
Around & Around >
Johnny B. Goode
Encore:
Shakedown Street >
Uncle John's Band
Estimated Prophet >
He's Gone >
The Other One >
Drums >
Space >
Not Fade Away >
Brokedown Palace >
Around & Around >
Johnny B. Goode
Encore:
Shakedown Street >
Uncle John's Band
Set III
Soundcheck:
Wharf Rat
Brokedown Palace
Black Throated Wind
New Minglewood Blues
Wharf Rat
Brokedown Palace
Black Throated Wind
New Minglewood Blues
Comment
SEVA Benefit
This date is featured on Dick's Picks 5.
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
This date is featured on Dick's Picks 5.
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
16092
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.
SHNID
17418
AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation
SHNID
81323
flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->
Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE
SHNID
89187
flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
SHNID
128505
flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
SHNID
144773
flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
144774
flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
SHNID
150235
flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
SHNID
154873
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505.
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