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Grateful Dead 12/26/1979

Oakland Auditorium Arena, Oakland, CA
SHNID 154873
Source Summary
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505.
Entered by Matt Vernon
Checksums flac-md5, ffp
Disc Counts 0 / 0
Media Size
Uncompressed: 1.09 GB (1172660732 bytes)
Date Circulated
Date Added
12/26/2021
12/26/2021
Downloads Download Text | Download Zip
Archive Identifier gd1979-12-26.154873.s2.mtx.seamons.ht138.flac16 ↗

Other Sources
SHNID 16092 Recording by Steve Rolfe: Nak 700's > d5 > DAT...
SHNID 17418 AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN...
SHNID 81323 flac16 ; Lineage: SBD Transfer: SBD -> ? ->...
SHNID 89187 flac16 ; Recording by Joani Walker (Soundcheck...
SHNID 128505 flac16 ; Set 2 Recorded By Mason Taylor on a...
SHNID 144773 flac16/48kHz ; Mark Severson's Master (FOB)...
SHNID 144774 flac24 ; Mark Severson's Master (FOB) Audience...
SHNID 150235 flac16/48kHz ; Set 2 Recording Info: SBD >...
Grateful Dead
Oakland Auditorium Arena
Oakland, CA
December 26, 1979

Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals


*Second Set Matrix*


-----------------------------------------------------------------
SBD (shnid=150235):

Recording Info:
SBD > Master Reel > DAT (48k)

Transfer Info:
DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
(2 Discs Audio / 1 Disc FLAC)

All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
June 23, 2020

Notes:
-- Reel flips covered by a cassette master > dat

-----------------------------------------------------------------
AUD (shnid=128505):

"Only surviving copy, first generation safety tape transferred on a Nakamichi CR-7A"


"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics.

Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most.

As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening.

Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"

Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck,
on chrome tapes, with Nakamichi microphones.

[5/1/14]

--------------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Mason B. Taylor and Joani Walker for recording the show,
and to Rob Bertrando for help with pitch correction.

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
December 26, 2021


Set II
-----
d2t01 - Uncle John's Band >
d2t02 - Estimated Prophet >
d2t03 - Caution Jam >
d2t04 - He's Gone >
d2t05 - The Other One >
d2t06 - Drums >
d3t01 - Space >
d3t02 - Not Fade Away >
d3t03 - Brokedown Palace >
d3t04 - Around And Around >
d3t05 - Johnny B. Goode

Encore
------
d3t06 - Shakedown Street >
d3t07 - Uncle John's Band


Notes:

The soundboard source was pitch corrected.

Joani Walker's tape (#89187) starts the matrix and patches the AUD for the first notes of Uncle John's Band, a brief cut in He's Gone, a cut at the He's Gone > Other One transition (mostly patched), a cut at the end of Not Fade Away, and a cut at the end of Brokedown Palace. These gaps were all around 5 seconds or less.

Mason's recording was preferred for the matrix because it was more immersive sounding and blended nicer with the soundboard, despite it being a first generation "safety tape."

A brief clicking noise was reduced during Drums.

Both SBD and Mason's AUD sources only had the second set.


    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    10:57.59      116033612 B   ---   --   ---xx   flac  0.5990  gd79-12-26d2t01.flac
    14:15.31      150894956 B   ---   --   ---xx   flac  0.5988  gd79-12-26d2t02.flac
     6:03.56       64164956 B   ---   --   ---xx   flac  0.6254  gd79-12-26d2t03.flac
    10:13.43      108234380 B   ---   --   ---xx   flac  0.5379  gd79-12-26d2t04.flac
     8:46.22       92838188 B   ---   --   ---xx   flac  0.6075  gd79-12-26d2t05.flac
    10:20.05      109379804 B   ---   --   ---xx   flac  0.4846  gd79-12-26d2t06.flac
     6:08.12       64943468 B   ---   --   ---xx   flac  0.5137  gd79-12-26d3t01.flac
    11:58.14      126688172 B   ---   --   ---xx   flac  0.5887  gd79-12-26d3t02.flac
     4:55.27       52101548 B   ---   --   ---xx   flac  0.5816  gd79-12-26d3t03.flac
     4:00.20       42383084 B   ---   --   ---xx   flac  0.6354  gd79-12-26d3t04.flac
     6:04.23       64263740 B   ---   --   ---xx   flac  0.6097  gd79-12-26d3t05.flac
    14:01.69      148514732 B   ---   --   ---xx   flac  0.5722  gd79-12-26d3t06.flac
     3:02.49       32220092 B   ---   --   ---xx   flac  0.6563  gd79-12-26d3t07.flac
   110:47.55     1172660732 B                            0.5782  (13 files)



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