Grateful Dead 10/12/1983
Set I
Cold Rain & Snow
New Minglewood Blues
Ramble On Rose
My Brother Esau
It Must Have Been The Roses
Cassidy >
Cumberland Blues
Looks Like Rain >
Might As Well
New Minglewood Blues
Ramble On Rose
My Brother Esau
It Must Have Been The Roses
Cassidy >
Cumberland Blues
Looks Like Rain >
Might As Well
Set II
Help On The Way >
Slipknot! >
Franklin's Tower
Man Smart (Woman Smarter)
He's Gone >
Drums >
Space >
Truckin' >
Black Peter >
Not Fade Away
Encore:
Revolution
Slipknot! >
Franklin's Tower
Man Smart (Woman Smarter)
He's Gone >
Drums >
Space >
Truckin' >
Black Peter >
Not Fade Away
Encore:
Revolution
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
345
unknown aud (could be FOB Schoeps mk4- see pub comments); Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, F. Venezia
SHNID
8112
SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell
SHNID
30827
flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance
SHNID
33340
flac16; Sennheiser 421's > Sony TCD-5M > Sony D-6 TDK MA and SAX masters; Transfer: TDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1; Location: approx 1/2 way between stage and sbd on the left side 10-15 rows up
SHNID
91125
flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton
SHNID
92461
flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008
SHNID
99070
2 Beyer M160>Sony TCD5M Master Cassette>SHN
SHNID
101954
flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 sennheiser 441 > sony d-5 Recording Location: behind the soundboard Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
SHNID
117774
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
SHNID
122216
flac24; Updated Lineage: Sennhesier 441 fob> tcm-d-5>mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
SHNID
135251
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:08112) SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91125) Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller
SHNID
135289
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
SHNID
135290
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
137302
flac24; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
137323
flac16; Updated Recording Info: (FOB) Nakamichi 700's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
SHNID
140818
flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
141012
flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
SHNID
143608
flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
143609
flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
SHNID
163835
flac1648 Source Info:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
163836
flac2496 Source Info:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
167752
flac1648 Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
SHNID
167753
flac2496 Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
SHNID
168943
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 8112 & 99070.
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