Grateful Dead 10/12/1984
Set I
Feel Like A Stranger
It Must Have Been The Roses
On The Road Again *
Jack-A-Roe #
It's All Over Now
Cumberland Blues
The Music Never Stopped
It Must Have Been The Roses
On The Road Again *
Jack-A-Roe #
It's All Over Now
Cumberland Blues
The Music Never Stopped
Set II
Cold Rain & Snow
Lost Sailor >
Saint Of Circumstance >
Don't Need Love >
Uncle John's Band >
Drums >
Space >
Playing In The Band Reprise >
Uncle John's Band >
Morning Dew
Encore:
Good Lovin'
Lost Sailor >
Saint Of Circumstance >
Don't Need Love >
Uncle John's Band >
Drums >
Space >
Playing In The Band Reprise >
Uncle John's Band >
Morning Dew
Encore:
Good Lovin'
Set III
Comment
Last time performed & first performance since April 19, 1983 *
First performace since April 17, 1982 #
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
First performace since April 17, 1982 #
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Sources
SHNID
356
MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes
SHNID
5585
Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details
SHNID
8795
Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation
SHNID
17412
Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation
SHNID
18436
Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k).
DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
***7.16.03***
Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original.
Patch source lineage:
MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN
digital transfer:
Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz)
> Peak 3.21 > WAV > Shorten 1.1a4 > SHN
SHNID
20022
Master Tapes by Ficca
Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca
SHNID
30192
flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix)
SHNID
77979
flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S.
SHNID
85219
flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k)
Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper
SHNID
99198
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
SHNID
101952
flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName
SHNID
106647
flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
SHNID
110040
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
SHNID
113966
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
SHNID
117573
flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
SHNID
124399
flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
SHNID
132345
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
SHNID
132346
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
SHNID
132814
flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC
SHNID
132822
flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6
SHNID
137579
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
SHNID
137580
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
SHNID
139117
flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
SHNID
139563
flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT
SHNID
143086
flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
143087
flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
SHNID
143637
flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
143638
flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
SHNID
148413
flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
SHNID
148414
flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496
SHNID
165103
flac2448 Source: (fob) Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On)
Transfer: Master Cassette > Nakamichi Cr7a (no Dolby, Azimuth Adjusted) > Korg Mr2000 (1 Bitmhz) > Audiogate > Dbx Software Decode > Dolby B Software Decode > Wav24
48
Recorded, Transferred & Mastered By Anon
Edited W
Addl Mastering (adobe Audition) By Joe Noel
October 29, 2022
Patch Info;
- Shnid (101952) Nakamichi Cm-100 Mics With Cp-4 Shotgun Caps To A Sony D-5
- S2t06;-
SHNID
168024
flac1648 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
168025
flac2496 Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
SHNID
176000
flac1648 Rob Eaton's Master FOB (center) Audience Cassettes; (3) Sennheiser 441 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
SHNID
176001
flac2496 Rob Eaton's Master FOB (center) Audience Cassettes; (3) Sennheiser 441 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
SHNID
176073
flac1648 Rob Eaton's Master FOB (center) Audience Cassettes; (3) Sennheiser 441 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
SHNID
176074
flac2496 Rob Eaton's Master FOB (center) Audience Cassettes; (3) Sennheiser 441 mic blend > Nakamichi 550
Transfer Info:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
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