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Garage A Trois 06/08/2003

SHOWID 159388

Set I

 

Set II

 

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
Dwayne (5/5) cdr / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
SmokeDawg (5/5) SHN / 2 View   Unknown
Aaron Eakin (5/4.1) CD-R / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: Matt (taper) says: The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break. It's not too far off and if you listen to it straight through you won't even notice
Matt Wooddy (5/2) Audio/SHN / 2 A B View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Eric Mohl (5/0) SHN / 2 View 18022 Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Ron (5/5) shn / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P
Kevin McNiff (5/0) CDR, SHN / 2 A A View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 > Beach Fiji > Cool Edit (SRC...
Ryan Nyberg (5/5) shn / 2 View 18022 Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: Audience; Audio=2
andy bradford (5/5) CDR / 2 View 18022
G_4_S (5/3) / 0 A+ View  
Notes: Best sounding GAT i've heard.
chris carter (4/5) shn/2 / 2 View 18022 aud
Christopher (4/3.7) SHN / 2 A- A- View  
Slim (4/4.2) shn / 1 View   Microtech Gefell 300>Graham-Patten DMIC-20>P1
dannyc (4/0) cdr / 2 A A View  
Laika (4/0) CD / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
matt burger (3/5) flac / 2 View  
Christopher Stewart (3/0) SHN / 2 A- A- View  
Andrew Schultz (3/5) SHN / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Brack (3/0) CDR / 2 A View   *attended
Notes: Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn
cJ (2/5) SHN / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Matt C (2/0) / 0 View  
gruven42 (1/4.7) CDR / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1; P1 > Turtle Beach Fiji > Cool Edit...
Bret (1/0) CDR / 2 View   AUD
Andy Cross (1/4.8) SHN / 2 View   Microtech Gefell M300 > Graham-Patten DMIC-20 > DA-P1
TSGarp (1/5) SHN / 2 A- View  
Brian (1/5) CDR / 2 View 18022
Todd Tomlinson (1/4.8) cdr / 2 A A View 18022 Daud
Mike Nelson (1/5) Audio / 2 A View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: with Charlie Hunter on that 8-string guitar/bass thing he plays, Skerik on sax, Stanton Moore (from Galactic) on drums, and Mike Dillon on percussion and mallets
Troy (1/4.7) CDR / 2 View   Microtech Gefell 300>Graham Patten DMIC-20>P1
big fish (1/5) shn / 2 View  
Notes: Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Chris (1/5) CDR/SHN / 2 View 18022 Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Ryan Beach (0/5) CD-R / 2 A View  
Notes: SHN available
Ron Broman (0/5) SHN / 2 View 18022
Alan Dorchak (0/0) / 0 View 18022
Spoogles (0/5) SHN / 2 View 18022
kevin barker (0/4.9) SHN / 2 A A View 18022 Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: 2 Audio discs
Jonathan Dowdell (0/4.7) audio / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 > Turtle Beach Fiji > Cool Edit...
Kevin McNiff (0/0) CDR / 2 View  
B. Dess (0/0) SHN / 2 View   Microtech Gefell 300>Graham-Patten DMIC-20>P1
Notes: Garage a Trois 8 June 2003 Park West, Chicago IL Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn taped & converted by matt@xsite.net Disc 1: 1) [intro -- Skerik explains the matching Puma tracksuits] 2) [samba] 3) 4) [drums -- solos: Mike, Stanton, Charlie] 5) [twist] 6) [Skerik introduces this as a Fred Wesley tune] Disc 2: 1) 2) Hope You're Ready For Me 3) 4) Moby Dick 5) [dub] 6) 7) 8) crowd noise Encore: 9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums] 10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone] Matt says: The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break. There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out. And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
Jason Gladys (0/0) .shn / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: Garage a Trois 8 June 2003 Park West, Chicago IL Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn taped & converted by matt@xsite.net Disc 1: 1) [intro -- Skerik explains the matching Puma tracksuits] 2) [samba] 3) 4) [drums -- solos: Mike, Stanton, Charlie] 5) [twist] 6) [Skerik introduces this as a Fred Wesley tune] Disc 2: 1) 2) Hope You're Ready For Me 3) 4) Moby Dick 5) [dub] 6) 7) 8) crowd noise Encore: 9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums] 10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone] Matt says: The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break. There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out. And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
Jason Gladys (0/0) .shn / 2 View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: Garage a Trois 8 June 2003 Park West, Chicago IL Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn taped & converted by matt@xsite.net Disc 1: 1) [intro -- Skerik explains the matching Puma tracksuits] 2) [samba] 3) 4) [drums -- solos: Mike, Stanton, Charlie] 5) [twist] 6) [Skerik introduces this as a Fred Wesley tune] Disc 2: 1) 2) Hope You're Ready For Me 3) 4) Moby Dick 5) [dub] 6) 7) 8) crowd noise Encore: 9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums] 10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone] Matt says: The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break. There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out. And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
Michael Baughan (0/5) shn / 2 View 18022 icrotech Gefell 300 > Graham-Patten DMIC-20 > P1
Dave_G (0/4.9) CDR / 2 NYR View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
James (0/0) CDR / 2 View  
Michael (0/0) shn / 2 View  
Michael (0/0) shn / 2 View  
Marty Peterson (0/0) cdr / 2 A- View   Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Notes: Disc 1: 1) [intro -- Skerik explains the matching Puma tracksuits] 2) [samba] 3) 4) [drums -- solos: Mike, Stanton, Charlie] 5) [twist] 6) [Skerik introduces this as a Fred Wesley tune] Disc 2: 1) 2) Hope You're Ready For Me 3) 4) Moby Dick 5) [dub] 6) 7) 8) crowd noise Encore: 9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums] 10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone] Matt says: The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break. There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out. And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.