|
Dwayne
(5/5)
|
cdr / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
SmokeDawg
(5/5)
|
SHN / 2 |
|
|
View
|
|
Unknown |
|
Aaron Eakin
(5/4.1)
|
CD-R / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
Matt (taper) says:
The tracking is definitely not right since I'm not very familiar
with these guys. Where in doubt, I've erred on the side of too
few tracks rather than too many, since I figure that'll be easier
to fix. If you're reading this and you know how the tracking
_should_ look, please send along a corrected tracklist so I can fix it.
The entire show can be seamlessly reassembled if you've got longer
media or don't like where I've put the disc break.
It's not too far off and if you listen to it straight through you won't even notice |
|
Matt Wooddy
(5/2)
|
Audio/SHN / 2 |
A |
B |
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Eric Mohl
(5/0)
|
SHN / 2 |
|
|
View
|
18022
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Ron
(5/5)
|
shn / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P |
|
Kevin McNiff
(5/0)
|
CDR, SHN / 2 |
A |
A |
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 > Beach Fiji > Cool Edit (SRC... |
|
Ryan Nyberg
(5/5)
|
shn / 2 |
|
|
View
|
18022
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
Audience; Audio=2 |
|
andy bradford
(5/5)
|
CDR / 2 |
|
|
View
|
18022
|
|
|
G_4_S
(5/3)
|
/ 0 |
|
A+ |
View
|
|
|
| Notes: |
Best sounding GAT i've heard. |
|
chris carter
(4/5)
|
shn/2 / 2 |
|
|
View
|
18022
|
aud |
|
Christopher
(4/3.7)
|
SHN / 2 |
A- |
A- |
View
|
|
|
|
Slim
(4/4.2)
|
shn / 1 |
|
|
View
|
|
Microtech Gefell 300>Graham-Patten DMIC-20>P1 |
|
dannyc
(4/0)
|
cdr / 2 |
A |
A |
View
|
|
|
|
Laika
(4/0)
|
CD / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
matt burger
(3/5)
|
flac / 2 |
|
|
View
|
|
|
|
Christopher Stewart
(3/0)
|
SHN / 2 |
A- |
A- |
View
|
|
|
|
Andrew Schultz
(3/5)
|
SHN / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Brack
(3/0)
|
CDR / 2 |
|
A |
View
|
|
*attended |
| Notes: |
Source:
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Conversion:
P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn |
|
cJ
(2/5)
|
SHN / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Matt C
(2/0)
|
/ 0 |
|
|
View
|
|
|
|
gruven42
(1/4.7)
|
CDR / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1; P1 > Turtle Beach Fiji > Cool Edit... |
|
Bret
(1/0)
|
CDR / 2 |
|
|
View
|
|
AUD |
|
Andy Cross
(1/4.8)
|
SHN / 2 |
|
|
View
|
|
Microtech Gefell M300 > Graham-Patten DMIC-20 > DA-P1 |
|
TSGarp
(1/5)
|
SHN / 2 |
|
A- |
View
|
|
|
|
Brian
(1/5)
|
CDR / 2 |
|
|
View
|
18022
|
|
|
Todd Tomlinson
(1/4.8)
|
cdr / 2 |
A |
A |
View
|
18022
|
Daud |
|
Mike Nelson
(1/5)
|
Audio / 2 |
|
A |
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
with Charlie Hunter on that 8-string guitar/bass thing he plays, Skerik on sax, Stanton Moore (from Galactic) on drums, and Mike Dillon on percussion and mallets |
|
Troy
(1/4.7)
|
CDR / 2 |
|
|
View
|
|
Microtech Gefell 300>Graham Patten DMIC-20>P1 |
|
big fish
(1/5)
|
shn / 2 |
|
|
View
|
|
|
| Notes: |
Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Chris
(1/5)
|
CDR/SHN / 2 |
|
|
View
|
18022
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Ryan Beach
(0/5)
|
CD-R / 2 |
|
A |
View
|
|
|
| Notes: |
SHN available
|
|
Ron Broman
(0/5)
|
SHN / 2 |
|
|
View
|
18022
|
|
|
Alan Dorchak
(0/0)
|
/ 0 |
|
|
View
|
18022
|
|
|
Spoogles
(0/5)
|
SHN / 2 |
|
|
View
|
18022
|
|
|
kevin barker
(0/4.9)
|
SHN / 2 |
A |
A |
View
|
18022
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
2 Audio discs |
|
Jonathan Dowdell
(0/4.7)
|
audio / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 > Turtle Beach Fiji > Cool Edit... |
|
Kevin McNiff
(0/0)
|
CDR / 2 |
|
|
View
|
|
|
|
B. Dess
(0/0)
|
SHN / 2 |
|
|
View
|
|
Microtech Gefell 300>Graham-Patten DMIC-20>P1 |
| Notes: |
Garage a Trois
8 June 2003
Park West, Chicago IL
Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn
taped & converted by matt@xsite.net
Disc 1:
1) [intro -- Skerik explains the matching Puma tracksuits]
2) [samba]
3)
4) [drums -- solos: Mike, Stanton, Charlie]
5) [twist]
6) [Skerik introduces this as a Fred Wesley tune]
Disc 2:
1)
2) Hope You're Ready For Me
3)
4) Moby Dick
5) [dub]
6)
7)
8) crowd noise
Encore:
9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums]
10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone]
Matt says:
The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break.
There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out.
And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
|
|
Jason Gladys
(0/0)
|
.shn / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
Garage a Trois
8 June 2003
Park West, Chicago IL
Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn
taped & converted by matt@xsite.net
Disc 1:
1) [intro -- Skerik explains the matching Puma tracksuits]
2) [samba]
3)
4) [drums -- solos: Mike, Stanton, Charlie]
5) [twist]
6) [Skerik introduces this as a Fred Wesley tune]
Disc 2:
1)
2) Hope You're Ready For Me
3)
4) Moby Dick
5) [dub]
6)
7)
8) crowd noise
Encore:
9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums]
10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone]
Matt says:
The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break.
There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out.
And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
|
|
Jason Gladys
(0/0)
|
.shn / 2 |
|
|
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
Garage a Trois
8 June 2003
Park West, Chicago IL
Source: Microtech Gefell 300 > Graham-Patten DMIC-20 > P1
Conversion: P1 > Turtle Beach Fiji > Cool Edit (SRC 48>44.1, max qual) > shn
taped & converted by matt@xsite.net
Disc 1:
1) [intro -- Skerik explains the matching Puma tracksuits]
2) [samba]
3)
4) [drums -- solos: Mike, Stanton, Charlie]
5) [twist]
6) [Skerik introduces this as a Fred Wesley tune]
Disc 2:
1)
2) Hope You're Ready For Me
3)
4) Moby Dick
5) [dub]
6)
7)
8) crowd noise
Encore:
9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums]
10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone]
Matt says:
The tracking is definitely not right since I'm not very familiar with these guys. Where in doubt, I've erred on the side of too few tracks rather than too many, since I figure that'll be easier to fix. If you're reading this and you know how the tracking _should_ look, please send along a corrected tracklist so I can fix it. The entire show can be seamlessly reassembled if you've got longer media or don't like where I've put the disc break.
There were at least two other rigs present (a tabletop at the frontmost drink rail center, and the house rig); if you have access to either of those tapes, I'd like to hear how they turned out.
And a warning to the headphone listeners: during (what I've tracked as) the last song of the set (d2t7), Skerik is using one of those jeep-bass emitters, and it's just unbelievably loud in the low frequencies. Even if you think you've got the volume at a reasonable level, turn down a bit; your ears will thank you.
|
|
Michael Baughan
(0/5)
|
shn / 2 |
|
|
View
|
18022
|
icrotech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
Dave_G
(0/4.9)
|
CDR / 2 |
|
NYR |
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
|
James
(0/0)
|
CDR / 2 |
|
|
View
|
|
|
|
Michael
(0/0)
|
shn / 2 |
|
|
View
|
|
|
|
Michael
(0/0)
|
shn / 2 |
|
|
View
|
|
|
|
Marty Peterson
(0/0)
|
cdr / 2 |
|
A- |
View
|
|
Microtech Gefell 300 > Graham-Patten DMIC-20 > P1 |
| Notes: |
Disc 1:
1) [intro -- Skerik explains the matching Puma tracksuits]
2) [samba]
3)
4) [drums -- solos: Mike, Stanton, Charlie]
5) [twist]
6) [Skerik introduces this as a Fred Wesley tune]
Disc 2:
1)
2) Hope You're Ready For Me
3)
4) Moby Dick
5) [dub]
6)
7)
8) crowd noise
Encore:
9) [Stanton on drum kit, Charlie/Skerik/Mike on Mike's drums]
10) [Stanton on vibes, Charlie/Skerik/Mike on xylophone]
Matt says:
The tracking is definitely not right since I'm not very familiar
with these guys. Where in doubt, I've erred on the side of too
few tracks rather than too many, since I figure that'll be easier
to fix. If you're reading this and you know how the tracking
_should_ look, please send along a corrected tracklist so I can fix it.
The entire show can be seamlessly reassembled if you've got longer
media or don't like where I've put the disc break.
There were at least two other rigs present (a tabletop at the frontmost
drink rail center, and the house rig); if you have access to either of
those tapes, I'd like to hear how they turned out.
And a warning to the headphone listeners: during (what I've tracked as)
the last song of the set (d2t7), Skerik is using one of those jeep-bass
emitters, and it's just unbelievably loud in the low frequencies. Even
if you think you've got the volume at a reasonable level, turn down a
bit; your ears will thank you. |