Tool 04/25/1992
Set I
Part Of Me
Hush
Crawl Away
Sober
Sweat
Swamp Song
Bottom
Opiate
Jerk-Off
Hush
Crawl Away
Sober
Sweat
Swamp Song
Bottom
Opiate
Jerk-Off
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Mike Marteny | cdr / 1 | A+ | View | ECM-909>WM-D6>ANA(M)>CDR(3) | ||
| Notes: | 44:47 | |||||
| anaconda | Flac / 1 | A - | View | AUD - Sony ECM-909 > Sony WM-D6 | ||
| BLG | FLAC / 1 | View | Sony ECM-909 > Sony WM-D6 > anaX > FLAC | |||
| afterdinnermint | CDR / 1 | B+ | View | |||
| Notes: | Really nice audience recording. There is a definate analog presence, but not distracting. There is also some fluctuation at the beginning of the first song, but after that, things are pretty consistent. I think the taper may have had trouble with his gear though, because there is a quick cut during Crawl Away, and a gap after that tune. The show resumes a few seconds into Sober. Only once spot of real audience intereference: a few seconds of talking during Bottom. There is also a gap before Jerk-Off, but this is probably because of the encore change. Other than that, this show smokes. Really nice. | |||||
| ToolMobb | CD / 1 | View | ||||
| Damian | CD / 1 | View | ||||
| Notes: | 04.25.92 Source: Analog --- Sony ECM-909 > Sony WM-D6 Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Notes: There is another version of this show, the same source, which also contains the exact same performance but also has a Quicksand gig from 04.26.92 at the end of Tool's set. That disc has a total time of 80:00 mins. I am not trading that out as I have a feeling doing so would only confuse the situation with this date further down the line. Maynardism: There is no talking this night, if there is, it is cut for some reason Time: 44:53 Setlist: Part Of Me Hush Crawl Away <slight cut, tape flip> Sober <slight cut at intro> Sweat Swamp Song Bottom Opiate <slight cut before song> Jerk-Off | |||||
| hockey2112 | FLAC / 1 | View | ||||
| Notes: | Archive Disc 88 | |||||
| Michael Waters | CDR / 1 | View | ||||
| neal r | / 0 | View | ||||
| Notes: | 384 | |||||
| Ben | FLAC / 1 | B+ | View | ECM-909 > WM-D6 > CDR(2) | ||
| Notes: | Tracks don't flow smoothly. | |||||
| Ryan | AUD / 0 | View | ||||
| Travis | cdr / 1 | View | ECM-909 > WM-D6 | |||
| livemusicfan | / 0 | View | ||||
| cesaro | CDR/FLAC / 1 | A | A- | View | Sony WM-D6 > shn > flac | |
| Notes: | CU.ORG - Source A - Probably 3rd generation. Unknown. | |||||
| Lloyd H | SHN / 1 | A | View | AUD | ||
| Notes: | Analog-Sony ECM-909> Sony WM-D6 | |||||
| t4oo6l | SHN / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Aaron Eakin | CD-R / 1 | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |||
| Kevin | shn / 1 | View | ||||
| andrew | CDR / 0 | View | Analog -- Sony ECM-909 > Sony WM-D6 > Unknown Transfer > APE > CDR | |||
| Notes: | Analog - Sony ECM-909 > Sony WM-D6 | |||||
| Pete | / 0 | View | ||||
| Kevin Clark | CDR / 1 | View | AUD | |||
| Notes: | Analog-Sony ECM-909> Sony WM-D6 | |||||
| Mike Hartl | CDR / 1 | B+ | B+ | View | ||
| Pete | CDr / 1 | View | ||||
| J Lynch | SHN / 1 | A | A | View | AUD | |
| Notes: | Really outstanding early show from Tool . A couple of minor issues that are noted below. Setlist: 1.Part Of Me 2.Hush 3.Crawl Away <slight cut, tape flip> 4.Sober <slight cut at intro> 5.Sweat 6.Swamp Song 7.Bottom 8.Opiate <slight cut before song> 9.Jerk-Off | |||||
| Jake | CD-R / 1 | A+ | A | View | Analog-Sony ECM-909 > Sony WM-D6 | |
| Will | CD-R / 1 | View | ||||
| Brendan | SHN / 1 | A | View | |||
| tooljuice | CD / 1 | View | Analog/Sony ECM-909 > Sony WM-D6 | |||
| J.C. | CDR / 1 | A | View | Sony ECM-909 > Sony WM-D6C | ||
| Ryan A. | cdr / 1 | B+ | View | ECM-909 > WM-DC6 > cdr | ||
| Notes: | Furious, early renditions of many of the older songs at one of New York's most famous hard rock clubs. Bottom is just pure aggression. I like the eventual album version MUCH better, but this is interesting to say the least. It's hard to gauge what the crowd's reaction was to this music/band - completely unknown at the time. | |||||
| Ned Verbeck | flac / 1 | View | ||||
| Notes: | DAD #34 | |||||
| ingram | flac / 1 | View | Sony ECM-909 > Sony WM-D6 > unknown transfer > SHN | |||
| Blake | CD-R / 1 | View | 2G CD > EAC (Secure Mode) > .wav > .FLAC | |||
| Steven Bruce | FLAC / 9 | B | B- | View | Analog > Sony ECM-909 > Sony WM-D6 | |
| Notes: | 278MB. Sounds like there are very few people in the audience. Pretty good recording for '92. | |||||
| Keith Mageau | CDR / 1 | A+ | View | Analog --- Sony ECM-909 > Sony WM-D6 | ||
| Tipharet | flac/ape? / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Notes: | It's well known to anyone who's ever been to CBGB's that there's a rather extensive recording outfit (studio quality) setup right along with the soundboard. Almost all the bands that play there get recorded. Who knows, this could be one of those recordings! | |||||
| noreason | SHN / 1 | View | ||||
| TheRev | 1 SHN / 1 | A | A- | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |
| Notes: | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |||||
| Travis | CD-R / 1 | View | Sony ECM-909 > Sony WM-D6 > 2nd gen CDR > EAC > FLAC | |||
| To0L | APE / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Jack Daniels | CDR / 1 | B+ | View | |||
| Notes: | CBGB's New York 1992 TAO. | |||||
| frostgiant | flac / 0 | View | ||||
| Rogue Diabetic | CDR / 1 | View | ECM-909 > WM-D6 | |||
| Mike Redondo | ape / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Michael | FLAC / 0 | View | ||||
| cyberkode | APE / 1 | B+ | View | Sony ECM-909 > Sony WM-D6 | ||
| Nat | / 0 | A | A | View | Source: Analog --- Sony ECM-909 > Sony WM-D6 | |
| Notes: | Great show, great setlist and amazing sound quality for a 1992 show. | |||||
| ToriphileMaria | APE / 1 | B+ | View | Analog --- Sony ECM-909 > Sony WM-D6 >> APE? | ||
| nellekellen | CD-R / 2 | View | ||||
| Notes: | AUD | |||||
| CJ Higgs | CDR / 1 | View | ||||
| James | CDR / 1 | A- | A | View | ECM-909 > WM-D6 | |
| pippin | AUDIO / 1 | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV | |||
| clay | ape / 2 | A | View | |||
| grae | cdr / 1 | View | Sony ECM 909 > Sony WM-D6 | |||
| terabyte23 | FLAC / 1 | View | Sony ECM-909 > Sony WM-D6 > 2nd gen CDR > EAC > WAV > FLAC | |||
| Notes: | Opened for Rollins Band. | |||||
| Joe Breault | cdr / 1 | View | ||||
| chris hather | SHN / 1 | View | Sony WM-D6 | |||
| Notes: | Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Maynardism: There is no talking this night, if there is, it is cut for some reason | |||||
| Scott J | / 1 | View | ||||
| Karyn | shn / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Notes: | *awesome show* | |||||
| Dave Caimotto | CD-R/SHN / 1 | A | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | ||
| Deanna | SHN / 1 | A- | View | Analog --- Sony ECM-909 > Sony WM-D6 | ||
| Squagels | FLAC / 1 | View | Sony ECM-909 > Sony WM-D6C > CDR-2 > EAC (Secure) > .WAV > .FLAC | |||
| Notes: | [ANA-? (Master or 1st) > CDR-2] Tracks don't always flow smoothly. | |||||
| eggofsatan | CD / 1 | View | Analog --- Sony ECM-909 > Sony WM-D6 | |||
| Thomas Cantley | CDR / 1 | A | View | Sony ECM-909 > Sony WM-D6 | ||
| Notes: | Small cuts at the beginning of 3-4 songs. The cuts are no more than 4 seconds in length, most are about 2. Otherwise this is an excellent early recording. | |||||
| N/A | FLAC / 9 | View | Analog > Sony ECM-909 > Sony WM-D6 | |||
| Notes: | Source: Unknown | |||||
| Justin Guenther | / 0 | A+ | A- | View | ECM-909 > WM-D6 | |
| Ben Cruz | SHN / 1 | A | A- | View | Analog/Sony ECM-909 > Sony WM-D6 | |
| Preston Klingler | SHN / 1 | A- | View | Sony ECM-909 > Sony WM-D6 | ||
| Notes: | A bit distant and some small gaps. A little low on volume as well. Intro to Sober is cut a little bit. | |||||
| Stuart Ferguson | CDR / 1 | View | Audience | |||
| Notes: | DVD 3330; lineage: Sony ECM-909 > Sony WM-D6C. Transfer: 2G CD > EAC (Secure Mode) > .wav > .FLAC | |||||
| Andrew | SHN CDR / 1 | A | A- | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |
| Rob | CDR / 1 | A- | View | ECM-909 > WM-D6 | ||
| Charlie | / 0 | View | ||||
| Mike Ezell | .flac / 1 | View | ||||
| miky | / 0 | View | FLAC/WAV Sony ECM-909 | |||
| Notes: | Notes: Opening for Rollins Band. Tracks don't always flow smoothly. | |||||
| miky | CDR / 1 | View | FLAC/WAV Sony ECM-909 | |||
| Notes: | SEEDER'S Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Notes: There is another version of this show, the same source, which also contains the exact same performance but also has a Quicksand gig from 04.26.92 at the end of Tool's set. That disc has a total time of 80:00 mins. I am not trading that out as I have a feeling doing so would only confuse the situation with this date further down the line. Maynardism: There is no talking this night, if there is, it is cut for some reason | |||||
| cc | CDR / 1 | View | Sony ECM-909 > Sony WM-D6 | |||
| Notes: | from txt file: "This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create." | |||||
| Eric | SHN / 1 | A | A | View | Analog --- Sony ECM-909 > Sony WM-D6 | |
| Notes: | Good clear sound | |||||
| steve | / 0 | View | ||||
| Jacob Weber | CDR / 1 | View | ||||
| pearlharper | SHN / 1 | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |||
| Notes: | classic TOOL kicks ass no matter what it sounds like | |||||
| kaptnkrunch | SHN / 1 | A | View | Sony ECM-909 > Sony WM-D6 | ||
| Notes: | Very nice quality from one of the oldest tool shows. | |||||
| John | SHN / 1 | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |||
| Notes: | 293MB - 3 way seed | |||||
| HumanParadox | / 0 | B | B | View | ||
| Nick J | CDA / 1 | View | Sony ECM-909 > Sony WM-D6 | |||
| Christopher | CDR / SHN / 1 | A+ | A | View | AUD Analog | |
| Notes: | Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. Awesome show, great recording....wish I had been there! Some minor tape flip cuts, virtually no hiss. | |||||
| William | / | View | Sony ECM-909 > Sony WM-D6 > 2nd gen CDR > EAC > FLAC | |||
| Ben | FLAC / | B+ | View | |||
| Notes: | Sony ECM-909 > Sony WM-D6C | |||||
| DonSalvatore | / 0 | View | Sony ECM-909 > Sony WM-D6 | |||
| Notes: | Source: Analog --- Sony ECM-909 > Sony WM-D6 Notes: This recording is fairly new, in middle 2003, to be openly traded throughout collections. Without a doubt, at least at this point, the recording quality is by far the best known to exist from this time period of 1992. With only a faint layer of tape hiss, the listener is treated to a fantastic performance. There must have been very few people in the crowd this night and the taper was fairly close to whatever 'stacks' or PA system this club had at the time. Taking a guess, just listening to the recording, there really could not have been more than 30 people in the audience - I very well could be totally wrong but maybe I am correct as well, who knows? The guitar and bass (high & low frequencies) are disturbingly clear, especially for this time period. There are tapers, these days, who cannot match the clarity of this performance & recording; think that there is a lot to be learned from analog technology. Perhaps. Tool seemed to be simply ripping through this set & not really in a very social mood. I mean, really, they were pretty much an unknown band opening up for the Rollins Band at this point in their career. Still, even at this early stage, you can tell there is something different about this group & the music they create. Notes: There is another version of this show, the same source, which also contains the exact same performance but also has a Quicksand gig from 04.26.92 at the end of Tool's set. That disc has a total time of 80:00 mins. I am not trading that out as I have a feeling doing so would only confuse the situation with this date further down the line. Maynardism: There is no talking this night, if there is, it is cut for some reason Time: 44:53 Setlist: Part Of Me Hush Crawl Away <slight cut, tape flip> Sober <slight cut at intro> Sweat Swamp Song Bottom Opiate <slight cut before song> Jerk-Off | |||||
| Chris | FLAC / 1 | View | Sony ECM-909 > Sony WM-D6 > 2nd gen CDR > EAC > FLAC | |||
| Notes: | Tracks don't always flow smoothly. | |||||
| kevin metzger | cd-r / 1 | View | ||||
| Adam Lancaster | / 1 | A | A | View | Analog --- Sony ECM-909 > Sony WM-D6 | |
| Notes: | Time: 44:53
1. Part Of Me
2. Hush
3. Crawl Away |
|||||
| uninvited94 | CD / FLAC / 1 | View | ||||
| growpe | SHN / 1 | EX- | View | Sony ECM-909 > WM-D6 | ||
| Mike | FLAC / 1 | View | ||||
| Notes: | 278mb | |||||
| Shawn Calaway | CDR / 1 | A | A | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |
| Justito | 1 CD-R / 1 | View | Analog-Sony ECM-909> Sony WM-D6 | |||
| Kevin Gordon | / 1 | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |||
| Clayton | SHN / 1 | A | B+ | View | Sony ECM-909 > Sony WM-D6 > CDR > EAC > WAV > MKW > SHN | |
| atlasgrudge | cd-r / 1 | A | A- | View | Analog --- Sony ECM-909 > Sony WM-D6 | |
| Theatrewhore | CDR / 1 | A | View | Audience | ||
| Notes: | (A) Split second gaps between tracks | |||||
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