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Pink Floyd 05/04/1972

SHOWID 19075

Set I

Speak To Me
Breath
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Color You Like
Brain Damage >
Eclipse
One Of These Days
Careful With That Axe, Eugene
Echoes
Blues Jam

Set II

 

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
John H (5/5) flac / 2 a- a- View   audience
Notes: A JOE MALONEY MASTER KRW_CO TRANSFER LINEAGE AUDIENCE ANALOG MASTER TO WAV TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 NO EQ OR REMASTERING
wes meyette (5/0) / View  
OldNeumanntapr (5/5) FLAC / B+ View   Audience; Master Reel >DAW >SDII >WAV > SHN >mkw (V0.97 beta 1) >WAV (Some Improvements Using EAC...
Notes: ********************************************************************** SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** Taped by: Joe Maloney Transfered by: Jamie Salerno Notes: From original text file: Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480.The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. The improvements that I did: - Repairing small click at drop out (44'56") on disc 1 (this was almost certainly the result of a clumsy edit) - Splitting up disc 1 into individual tracks - Zero padding at the end of disc 2 (1 block = 588 samples) - Last but not least, I also have created some artwork The tracking on disc 2 is peculiar as well. The included cue sheets fix this problem (for those who now how to use them) and the tracks will start with Roger's announcements. Credits: Many thanks to Joe Maloney for recording this show and also to Jamie Salerno for doing the transfer.
Joe (5/5) FLAC / 0 View  
Slick2007 (5/5) FLAC / 2 B+ View  
Xavier Birtwich (5/0) FLAC / 2 AUD View   Boston 1972 Sirene Records silvers source Pink Floyd master folder Outlook account one drive
Xavier Birtwich (5/0) FLAC / 2 AUD View   xavierbirtwich10@hotmail.com (5 GB one drive) AUD Maloney master, 116 min from cassette master
Notes: xavierbirtwich10@hotmail.com (5 GB one drive) AUD Maloney master, 116 min, from master
Brian Donohue (5/5) / 0 View   LibBoot "Boston Music Hall, May 4, 1972"
rockcdr (5/5) CD / 2 View  
Notes: AUD
John (5/5) CDR/FLAC / 2 View  
Notes: Source: very good to excellent audience recording Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn -> flac Taped by: Joe Maloney (maloneyjoe68_at_aol.com) Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu) Bootleg Title: "Boston Music Hall, May 4, 1972", no label
Jon Pavuk (5/4.3) FLAC / 1 A A View   AM>WAV>FLAC>Another Joe Maloney master recording on DIME. Presented to you un-altered. No EQ.
Jordan Jacobs (5/3) SHN / 0 View   AUD
Notes: MR > DAW > SDII > WAV > shn
chooglin (5/0) / 0 View  
Sal (5/0) CDR / 2 View  
Brad Foster (4/4.9) FLAC / 1 View   AUD > Cass/M > CD > EAC > FLAC
Marinus van der Plaats (4/5) / 0 View  
Zionpower (4/0) / 0 View  
Mike (4/5) cdr / 2 B B View  
TTDaddy (3/5) shn / 2 View   AUD
Notes: Source: very good to excellent audience recording Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn (further details see below) Taped by: Joe Maloney (maloneyjoe68_at_aol.com) Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu)
Joe the Troll (3/0) / 0 View  
Joe the Troll (3/0) / 0 View  
Ryan Merkel (3/0) FLAC / 2 A View  
RM's Giant Live Music Archive (2/5) FLAC / 0 View   JOE MALONEY MASTER RECORDING (RS043 & I244)
Notes: Info file says this occurred at the Boston Music Hall, not the Aquarius Theatre in Boston. Lineage: AM>WAV>FLAC
RM's Giant Live Music Archive (2/5) FLAC / 0 View   Joe Maloney's source (CC254)
Notes: Slightly different lineage than my other version of Joe Maloney's source. Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn > flac (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 31/05/2005
My Home (2/0) Flac / View   MA Master CDR Rev
OBIE (2/5) FLAC / 2 View  
Erick (2/3) FLAC / 2 View  
ROY HAMILTON (2/4.9) CDR / 2 AUD View   AUD
Notes: BOSTON 1972 SIRENE-068
John Peters (1/0) FLAC / 1 View   AUD: MR > DAW > SDII > WAV > shn > flac (see Notes)
thegreatdivide6 (1/0) flac / 0 View  
Notes: audience
Boedi-taper (1/4.8) CDR / 2 A B+ View   Audience Recording
michael rosenberg (1/5) flac / 1 View   MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95...
Notes: Extensive text file
Matthew (1/4.8) CD / 2 View  
Stuart Ferguson (1/4.7) CDR / 2 View   Audience
Notes: DVD 2672; lineage:
Stuart Ferguson (1/4.7) CDR / 2 View   Audience master recording by Joe Maloney
Notes: DVD 603; lineage: AM>WAV>FLAC. Another Joe Maloney master recording on DIME. Presented to you un-altered. No EQ.
Stuart Ferguson (1/4.7) CDR / 2 View   Audience
Notes: DVD 2410; lineage:
MrChips (1/0) / 2 B+ View  
Notes: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn. Taped by: Joe Maloney.
Hanf (1/5) Flac / 0 View  
Notes: JOE MALONEY AUDIENCE ANALOG MASTER TO WAV TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC
Alien Rendel (1/0) / 2 View  
wharfratpat (1/4) SHN / 1 View   JOE MALONEY AUDIENCE RECORDING
LossLess Legs (1/0) CDR / 1 View   AUD > MR
Notes: 12/06/2008 - Wharfratpat
David Backus (1/5) DVD+R/FLAC / 0 View   AUD
Notes: master
bluibootleg (1/0) FLAC / 2 View   Audience
Smoke Signal (1/0) CDR / 2 View  
Miles H. (1/5) CDR / 2 View   MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements...
Notes: "Boston Music Hall, May 4, 1972", no label
Zaza (1/0) / 2 View  
Notes: 72-05-04
blackcrowes92 (1/0) FLAC / 1 View  
Notes: JOE MALONEY ANALOG MASTER ORIGNAL RECORDING NO EQ OR REMASTERING
Brian (0/0) / 0 View   aud.maloney.krw_co.flac8
jfw (0/0) / 0 View  
steve (0/0) Flac / 2 View   AM > WAV > Flac
Notes: AM > WAV > Flac Joe Maloney master unaltered.
kevin metzger (0/0) cd-r / 3 View  
hoboken (0/0) / 2 A View  
mustdye (0/5) / 0 View  
Notes: Pink Floyd 05-04-72 Boston Music Hall, Boston, MA Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 5/31/2005 Disc 1 Set I [47:57] 1. Eclipse // Disc 2 Set II [1:02:38] 1. One Of These Days 2. Careful With that Axe, Eugene 3. Echoes Encore 4. Mademoiselle Nobs Also included are Toast/Jam files & a printout for the CDs (so you can either use the Jam file to create the disc or use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Notes: Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues.
Mike (0/5) SHN / 2 View   microphone from RCA YLS 15B portable reel to reel recorder > Hitachi 290 > Master Reel >...
Notes: Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs.