Pink Floyd 05/04/1972
Set I
Speak To Me
Breath
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Color You Like
Brain Damage >
Eclipse
One Of These Days
Careful With That Axe, Eugene
Echoes
Blues Jam
Breath
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Color You Like
Brain Damage >
Eclipse
One Of These Days
Careful With That Axe, Eugene
Echoes
Blues Jam
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John H | flac / 2 | a- | a- | View | audience | |
| Notes: | A JOE MALONEY MASTER KRW_CO TRANSFER LINEAGE AUDIENCE ANALOG MASTER TO WAV TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 NO EQ OR REMASTERING | |||||
| wes meyette | / | View | ||||
| OldNeumanntapr | FLAC / | B+ | View | Audience; Master Reel >DAW >SDII >WAV > SHN >mkw (V0.97 beta 1) >WAV (Some Improvements Using EAC... | ||
| Notes: | ********************************************************************** SHN >WAV >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************** Taped by: Joe Maloney Transfered by: Jamie Salerno Notes: From original text file: Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480.The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. The improvements that I did: - Repairing small click at drop out (44'56") on disc 1 (this was almost certainly the result of a clumsy edit) - Splitting up disc 1 into individual tracks - Zero padding at the end of disc 2 (1 block = 588 samples) - Last but not least, I also have created some artwork The tracking on disc 2 is peculiar as well. The included cue sheets fix this problem (for those who now how to use them) and the tracks will start with Roger's announcements. Credits: Many thanks to Joe Maloney for recording this show and also to Jamie Salerno for doing the transfer. | |||||
| Joe | FLAC / 0 | View | ||||
| Slick2007 | FLAC / 2 | B+ | View | |||
| Xavier Birtwich | FLAC / 2 | AUD | View | Boston 1972 Sirene Records silvers source Pink Floyd master folder Outlook account one drive | ||
| Xavier Birtwich | FLAC / 2 | AUD | View | xavierbirtwich10@hotmail.com (5 GB one drive) AUD Maloney master, 116 min from cassette master | ||
| Notes: | xavierbirtwich10@hotmail.com (5 GB one drive) AUD Maloney master, 116 min, from master | |||||
| Brian Donohue | / 0 | View | LibBoot "Boston Music Hall, May 4, 1972" | |||
| rockcdr | CD / 2 | View | ||||
| Notes: | AUD | |||||
| John | CDR/FLAC / 2 | View | ||||
| Notes: | Source: very good to excellent audience recording Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn -> flac Taped by: Joe Maloney (maloneyjoe68_at_aol.com) Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu) Bootleg Title: "Boston Music Hall, May 4, 1972", no label | |||||
| Jon Pavuk | FLAC / 1 | A | A | View | AM>WAV>FLAC>Another Joe Maloney master recording on DIME. Presented to you un-altered. No EQ. | |
| Jordan Jacobs | SHN / 0 | View | AUD | |||
| Notes: | MR > DAW > SDII > WAV > shn | |||||
| chooglin | / 0 | View | ||||
| Sal | CDR / 2 | View | ||||
| Brad Foster | FLAC / 1 | View | AUD > Cass/M > CD > EAC > FLAC | |||
| Marinus van der Plaats | / 0 | View | ||||
| Zionpower | / 0 | View | ||||
| Mike | cdr / 2 | B | B | View | ||
| TTDaddy | shn / 2 | View | AUD | |||
| Notes: | Source: very good to excellent audience recording Lineage: MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn (further details see below) Taped by: Joe Maloney (maloneyjoe68_at_aol.com) Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu) | |||||
| Joe the Troll | / 0 | View | ||||
| Joe the Troll | / 0 | View | ||||
| Ryan Merkel | FLAC / 2 | A | View | |||
| RM's Giant Live Music Archive | FLAC / 0 | View | JOE MALONEY MASTER RECORDING (RS043 & I244) | |||
| Notes: | Info file says this occurred at the Boston Music Hall, not the Aquarius Theatre in Boston. Lineage: AM>WAV>FLAC | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Joe Maloney's source (CC254) | |||
| Notes: | Slightly different lineage than my other version of Joe Maloney's source. Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn > flac (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 31/05/2005 | |||||
| My Home | Flac / | View | MA Master CDR Rev | |||
| OBIE | FLAC / 2 | View | ||||
| Erick | FLAC / 2 | View | ||||
| ROY HAMILTON | CDR / 2 | AUD | View | AUD | ||
| Notes: | BOSTON 1972 SIRENE-068 | |||||
| John Peters | FLAC / 1 | View | AUD: MR > DAW > SDII > WAV > shn > flac (see Notes) | |||
| thegreatdivide6 | flac / 0 | View | ||||
| Notes: | audience | |||||
| Boedi-taper | CDR / 2 | A | B+ | View | Audience Recording | |
| michael rosenberg | flac / 1 | View | MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95... | |||
| Notes: | Extensive text file | |||||
| Matthew | CD / 2 | View | ||||
| Stuart Ferguson | CDR / 2 | View | Audience | |||
| Notes: | DVD 2672; lineage: | |||||
| Stuart Ferguson | CDR / 2 | View | Audience master recording by Joe Maloney | |||
| Notes: | DVD 603; lineage: AM>WAV>FLAC. Another Joe Maloney master recording on DIME. Presented to you un-altered. No EQ. | |||||
| Stuart Ferguson | CDR / 2 | View | Audience | |||
| Notes: | DVD 2410; lineage: | |||||
| MrChips | / 2 | B+ | View | |||
| Notes: | MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements using EAC V0.95 prebeta 4) -> mkw -> shn. Taped by: Joe Maloney. | |||||
| Hanf | Flac / 0 | View | ||||
| Notes: | JOE MALONEY AUDIENCE ANALOG MASTER TO WAV TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS ONLY TO CDR KRW TRANSFER TO EAC TO TLH FLAC | |||||
| Alien Rendel | / 2 | View | ||||
| wharfratpat | SHN / 1 | View | JOE MALONEY AUDIENCE RECORDING | |||
| LossLess Legs | CDR / 1 | View | AUD > MR | |||
| Notes: | 12/06/2008 - Wharfratpat | |||||
| David Backus | DVD+R/FLAC / 0 | View | AUD | |||
| Notes: | master | |||||
| bluibootleg | FLAC / 2 | View | Audience | |||
| Smoke Signal | CDR / 2 | View | ||||
| Miles H. | CDR / 2 | View | MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (some improvements... | |||
| Notes: | "Boston Music Hall, May 4, 1972", no label | |||||
| Zaza | / 2 | View | ||||
| Notes: | 72-05-04 | |||||
| blackcrowes92 | FLAC / 1 | View | ||||
| Notes: | JOE MALONEY ANALOG MASTER ORIGNAL RECORDING NO EQ OR REMASTERING | |||||
| Brian | / 0 | View | aud.maloney.krw_co.flac8 | |||
| jfw | / 0 | View | ||||
| steve | Flac / 2 | View | AM > WAV > Flac | |||
| Notes: | AM > WAV > Flac Joe Maloney master unaltered. | |||||
| kevin metzger | cd-r / 3 | View | ||||
| hoboken | / 2 | A | View | |||
| mustdye | / 0 | View | ||||
| Notes: | Pink Floyd 05-04-72 Boston Music Hall, Boston, MA Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 5/31/2005 Disc 1 Set I [47:57] 1. Eclipse // Disc 2 Set II [1:02:38] 1. One Of These Days 2. Careful With that Axe, Eugene 3. Echoes Encore 4. Mademoiselle Nobs Also included are Toast/Jam files & a printout for the CDs (so you can either use the Jam file to create the disc or use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Notes: Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. | |||||
| Mike | SHN / 2 | View | microphone from RCA YLS 15B portable reel to reel recorder > Hitachi 290 > Master Reel >... | |||
| Notes: | Tape flip at the end of d01t01. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. | |||||
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