Mickey & The Hartbeats ??/??/1968
Set I
Jam
Jam
Jam
Set II
Set III
Comment
"Hartbeats 68-xx-xx Parrish Mystery Fragments"
"I asked Michael Parrish for a copy of the mystery fragment reviewed in the taping compendium.
This tape also included another fragment not reviewed in the compendium and was labeled 11 1 68,
which is most likely incorrect.
* Here?s what Parrish supplied for source / lineage info:
Both of these pieces came in a cassette that Dwork sent me near the beginning of the compendium project.
As I noted, track #2 corresponds to the first track of your "Mystery Disc" and I have never heard the other
piece anywhere other than on the Dwork tape. It rang no bells with Dick L. either.
^ The fragment I sent you as 11/1/68 is the same as the first track on your Mystery Show CD.
I wouldn't necessarily bet that either is 11/1/68 though:)
Review by Michael Parrish:
This mysterious fragment consists of another version of the jam that opens 10/30/68.
It is notable for Garcia?s inspired and frenetic soloing, which has a rather unusual Latin feel."
"I asked Michael Parrish for a copy of the mystery fragment reviewed in the taping compendium.
This tape also included another fragment not reviewed in the compendium and was labeled 11 1 68,
which is most likely incorrect.
* Here?s what Parrish supplied for source / lineage info:
Both of these pieces came in a cassette that Dwork sent me near the beginning of the compendium project.
As I noted, track #2 corresponds to the first track of your "Mystery Disc" and I have never heard the other
piece anywhere other than on the Dwork tape. It rang no bells with Dick L. either.
^ The fragment I sent you as 11/1/68 is the same as the first track on your Mystery Show CD.
I wouldn't necessarily bet that either is 11/1/68 though:)
Review by Michael Parrish:
This mysterious fragment consists of another version of the jam that opens 10/30/68.
It is notable for Garcia?s inspired and frenetic soloing, which has a rather unusual Latin feel."
Sources
SHNID
28077
Hartbeats "Mystery Fragments", via Michael Parrish.
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