U2 12/03/1984
Set I
11 O'Clock Tick Tock
I Will Follow
Seconds
MLK
The Unforgettable Fire
Wire
Sunday Bloody Sunday
The Electric Co.
A Sort Of Homecoming
Bad
October
New Year's Day
Pride (In The Name Of Love)
Encore:
Party Girl
Gloria (Several Takes)
"40"
I Will Follow
Seconds
MLK
The Unforgettable Fire
Wire
Sunday Bloody Sunday
The Electric Co.
A Sort Of Homecoming
Bad
October
New Year's Day
Pride (In The Name Of Love)
Encore:
Party Girl
Gloria (Several Takes)
"40"
Set II
Set III
Comment
During I Will Follow. Bouncers beat up a fan and Edge has to stop before Bono yells "where the hell are we". the last time we were here this concert just began for us. we won't have it ruined now nor any mistreatment to our people. these are our people. and if anybody spoils it. we make the music. it's rock and roll not cabaret. Before Pride. Bono says that this is a charity show. in the middle of Gloria. the crowd become very violent and Bono has to calm the crowd down so that Bono can stop Gloria not once but twice. Bono asks the crowd to move back. and Gloria & 40 are both played with no problems.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| John H | flac / 1 | A- | A- | View | audience | |
| Notes: | 4th gen. cassette Maxell XLIIS > Nakamichi BX-125 > Yamaha CDR-D652 > Sony (crap) Audio CD > iTunes > Audacity > xACT > flac > you I got this cassette in a trade in the mid-80s. It says it's 4th generation, so it must be. The venue seems to be oversold, or at least the fans and security are overenthusiastic. Gloria is over eight minutes long due to the band stopping for security/fan issues. This happened at the Chicago show eight days later during the same song, as well. There is another point where the song is stopped, too. Sounds like a crazy night. The recording is very good in spite of all the hassles. | |||||
| Slick2007 | FLAC / 2 | B+ | View | |||
| chris payment | CDR / 2 | View | ||||
| Notes: | #109 | |||||
| Jack Warner | FLAC / 0 | View | MAT>?>C>FLAC | |||
| sean hite | / 0 | View | ||||
| Notes: | 4th gen. cassette Maxell XLIIS > Nakamichi BX-125 > Yamaha CDR-D652 > Sony (crap) Audio CD > iTunes > Audacity > xACT > flac | |||||
| Jeff S | cd-r / 2 | B+ | View | aud | ||
| Captain Ten Hits | flac / 1 | View | Sony Handheld Cassette Recorder | |||
| TwoTimesBlue | CDR / 2 | View | ||||
| Steve K | FLAC / 2 | B+ | View | Aud | ||
| Kevin K | / 2 | View | ||||
| zowie | cd / 1 | a- | View | Nakamichi BX-125 > Yamaha CDR-D652 | ||
| massu2 | / 0 | View | ||||
| Chris Larson | flac / 1 | B- | View | Audience>Sony Handheld Cassette Recorder>CDR>PC>FLAC | ||
| Karst de Jong | / 0 | View | ||||
| luke | CDR / 1 | View | ||||
| Stuart Ferguson | CDR / 1 | View | Audience | |||
| Notes: | DVD 2439; lineage: Audience recording. 4th gen. cassette Maxell XLIIS > Nakamichi BX-125 > Yamaha CDR-D652 > Sony (crap) Audio CD > iTunes > Audacity > xACT > flac | |||||
| Stuart Ferguson | CDR / 2 | View | Audience | |||
| Notes: | DVD 2017; lineage: From Audience>Sony Handheld Cassetter Recorder>CDR>PC>FLAC. Taping location: Approx 5th row center. | |||||
| Stuart Ferguson | CDR / 2 | View | ||||
| Notes: | DVD 2456; lineage: | |||||
| RBrands | Flac / 0 | View | AnaM > CDR > FLac Sony Handheld Cassetter Recorder>CDR>PC>FLAC | |||
| Notes: | Ana-M | |||||
| RBrands | Shn / 0 | View | Ana-3 > Flac | |||
| Notes: | Ana-3 | |||||
| Ian Hiaring | FLAC / 0 | Aud | View | Audience>Sony Handheld Cassetter Recorder>CDR>PC>FLAC | ||
| Tommy Danscuk | CD / 2 | View | Aud > Cass | |||
| Aaron Faulls | CD / 2 | A | B+ | View | ||
| Notes: | Quality of the recording isn't amazing, and there's an annoying patron who gets his two cents in every so often (probably the taper himself). However, extreme crowd control problems and the band's way of dealing with it make this a fascinating listen. | |||||
| bakersfield | / 0 | View | ||||
| bakersfield | II / 0 | View | ||||
| bakersfield | II / 0 | View | ||||
| bakersfield | II / 0 | View | ||||
| john | cd-r / 2 | View | ||||
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