Phish 03/01/1997
Set I
Cities > The Oh Kee Pa Ceremony, Down with Disease, Weigh, Beauty of My Dreams, Wolfman's Brother -> Jesus Just Left Chicago, Reba[1], Hello My Baby, Possum[2]
Set II
Carini, Dinner and a Movie > Mike's Song -> Lawn Boy > Weekapaug Groove[3], The Mango Song > Billy Breathes, Theme From the Bottom
ENCORE: Taste, Sweet Adeline
ENCORE: Taste, Sweet Adeline
Set III
Comment
[1] No whistling.
[2] All Fall Down signal and heavy metal-style intro.
[3] Unfinished.
The week-long trend of breaking out songs continued with the show-opening Cities, which was the first since July 5, 1994 (222 shows). Trey teased Under Pressure in DWD. Wolfman’s included a Dave’s Energy Guide tease. Reba did not have the whistling ending. Possum included an All Fall Down signal and a heavy metal-style intro. The jam out of Mike’s featured teases and vocal quotes of The End (The Doors), and Careful with That Axe, Eugene as well as the Jim Morrison poem "Dawn's Highway." The End (The Doors) was subsequently quoted in Lawn Boy and Weekapaug. Weekapaug was unfinished and ended in a Can't You Hear Me Knocking jam. Portions of this show were made available via the Slip, Stitch and Pass release.
[2] All Fall Down signal and heavy metal-style intro.
[3] Unfinished.
The week-long trend of breaking out songs continued with the show-opening Cities, which was the first since July 5, 1994 (222 shows). Trey teased Under Pressure in DWD. Wolfman’s included a Dave’s Energy Guide tease. Reba did not have the whistling ending. Possum included an All Fall Down signal and a heavy metal-style intro. The jam out of Mike’s featured teases and vocal quotes of The End (The Doors), and Careful with That Axe, Eugene as well as the Jim Morrison poem "Dawn's Highway." The End (The Doors) was subsequently quoted in Lawn Boy and Weekapaug. Weekapaug was unfinished and ended in a Can't You Hear Me Knocking jam. Portions of this show were made available via the Slip, Stitch and Pass release.
Sources
SHNID
660
purported DSBD;
SHNID
3215
Schoeps CMC6/mk4ug > Oade pre-amp > Sony SBM-1 > Tascam DA-P1; Sony D8 > Montego II > SoundForge 4.0 > CDWav > WAV > SHN; Note: This show is tradeable in any format according to Kevin Shapiro (see comments)
SHNID
12175
SBD > Pre-FM feed > DAT > SHNv3; Note: FLAC ffp added 03/24/05
SHNID
95821
[soundcheck only] SBD > ? > CDR > EAC (secure)* > WAV's > Flac Frontend (level 8, verify, sector align) > FLAC16
SHNID
97688
Schoeps mk4 > Schoeps KCY > Schoeps VMSO2IB > Sony SBM1 @44.1kHz > Sony TCD-D8; Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 > CDWav > FLAC; Taped and transferred by Keith Litzenberger
SHNID
105762
SBD/AUD Matrix (SBD > Pre-FM Feed > DAT > SHN v3 + Schoeps MK4's>Schoeps KCY 250/05I Active Cable>Schoeps VMSO2IB>Sony SBM1(@44.1khz)>Sony TCD-D8)
SHNID
115938
flac16; Schoeps cmc6/mk4's > Oade M248 (w/ HPF) > Sony SBM-1 > Tascam DA-P1 (48 kHz); Sony PCM-R500 > Tascam HD-P2 > r8brain (16/48 > 16/44.1) > CD Wave > FLAC; Taped by Don Wright; Transferred by Terry Watts
SHNID
143995
flac16 44.1kHz SBD; DAT(c) @44.1kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 Live Show Tagger; Transfer & edits by Jeff Mitchell
SHNID
165484
flac16 48kHz Schoeps MK4 > Schoeps CMC6 > Oade PS > Sony SBM-1 > Tascam DA-P1; DAT @ 48kHz > Tascam DA-20 > Marantz PMD-661 MKII > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp); Transfer by Jeff Mitchell (jeffhmitchell@gmail.com); DAT provided by Charlie Miller & Arielle Phares
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