Cream 11/04/1968
Set I
Spoonful
Toad
Toad
Set II
Set III
Comment
Tracks 3 - 4
Cream - ReMasters Series
Goodbye and Farewell Disc 1
Cream - ReMasters Series
Goodbye and Farewell Disc 1
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Slick2007 | FLAC / 1 | B | View | |||
| Rick Martin | Flac / 1 | B | View | Aud | ||
| Notes: | 2 songs | |||||
| Rick Martin | Flac / 1 | A- | View | "Goodbye & Farewell" | ||
| Notes: | "Goodbye & Farewell" | |||||
| David Bennett | cd / 1 | A | A | View | ||
| Gary K | cdr / 1 | B | View | |||
| Notes: | With 10/11/68 Show. | |||||
| Lester's Soundroom | CDR / 1 | View | ||||
| Notes: | / FLAC - goodbye & farewell | |||||
| Steve K | FLAC / 1 | B- | View | Aud | ||
| Daniel | / | View | Recording Information :::unknown recording equipment -> master mono reel-to-reel -> 1st... | |||
| Notes: | -48kHz/24bit version - higher quality but NOT burnable to CD-R as is-- Cream's FINAL 1960's LIVE performance. Entire set. Presumed upgrade for this source tape. ----------------------- Total Time ::: 36:31 ::: Non-audiophile but high guitar mix & sure to please some Creamfreaks. Check samples for curdling factors or dollops of sweet Cream. ::: Warts: Somewhat distant, some distortion, some dropouts/dullspots not repairable but fixed a lot. ::: There was an early show at 6:30 & this late show scheduled to start at 9:30. Terry Reid opened. 'Lites' by The Road. ::: Not entirely clear what circulates but I believe this is an upgrade for this source as it is a known 1st gen & has been remastered (without EQ). "Heavy Gague" Mid Valley boot includes this set seemingly of unknown gen. My notes indicate there MIGHT be a better quality second taper source circulating but I haven't located it yet, tho' I may have it on cassette. ::: Better quality than Terry Reid set (probably MUCH louder, especially the guitar!) but vocals very low & there's some distortion, BUT there aren't many vocals as the set is mostly fairly ferocious jamming with guitar way up in the mix. | |||||
| Edgar H | / 1 | View | "Heavy Gauge" (Mid Valley) | |||
| RM's Giant Live Music Archive | FLAC / 0 | View | Coolsonics remaster, 16-bit (CC139) | |||
| Notes: | Recording Information :::unknown recording equipment -> master mono reel-to-reel -> 1st generation Maxell MX-90 cassette, Dolby B on (transfer circa 1988?). Playback 2013-11-03 ::: 1st generation Maxell MX-90 cassette on Nakamichi 680ZX cassette deck, Dolby B on, azimuth & speed adjusted (pitched!) for individual recording, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 48kHz/24bit WAV files) -> computer -> Audacity (normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch / dropout / bump / pop / click / dullspot repairs, clap reductions, volume adjustments, NO equalisation) -> CD Wave (track splits) -> 48kHz/24bit flacs (Trader's Little Helper) -> yr ears. Audacity used for additional version to dither down sampling rate to 44.10kHz/16bit for CD-R burners. First uploaded week of 2013-11-16. MORE mastering notes. Removed 3 brief complete master tape dropouts - 2.5 seconds & 1.5 secs at around 11mins & 1/2 sec around 15mins (mike shorting out?). Surely missed some dullspots but worked on most & a few I could only lower in impact. Master tape speed fluctuations last 30 seconds of "Toad" & thru audience noise to end. Occasional slight repetitive sizzle sounds at times, not really annoying - presumably mike frequency distortion or master tape deterioration. The reel varies very slightly in pitch through the set (which is normal). I devided the average I got in analog was fairly close & chose not to do progressive pitch changes as they would have been minor & been hard to change after the fact. | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Coolsonics remaster, 24-bit (CC139) | |||
| Notes: | Recording Information :::unknown recording equipment -> master mono reel-to-reel -> 1st generation Maxell MX-90 cassette, Dolby B on (transfer circa 1988?). Playback 2013-11-03 ::: 1st generation Maxell MX-90 cassette on Nakamichi 680ZX cassette deck, Dolby B on, azimuth & speed adjusted (pitched!) for individual recording, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 48kHz/24bit WAV files) -> computer -> Audacity (normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch / dropout / bump / pop / click / dullspot repairs, clap reductions, volume adjustments, NO equalisation) -> CD Wave (track splits) -> 48kHz/24bit flacs (Trader's Little Helper) -> yr ears. Audacity used for additional version for CD-R burners at 44.10kHz/16bit. First uploaded week of 2013-11-16. MORE mastering notes. Removed 3 brief complete master tape dropouts - 2.5 seconds & 1.5 secs at around 11mins & 1/2 sec around 15mins (mike shorting out?). Surely missed some dullspots but worked on most & a few I could only lower in impact. Master tape speed fluctuations last 30 seconds of "Toad" & thru audience noise to end. Occasional slight repetitive sizzle sounds at times, not really annoying - presumably mike frequency distortion or master tape deterioration. The reel varies very slightly in pitch through the set (which is normal). I devided the average I got in analog was fairly close & chose not to do progressive pitch changes as they would have been minor & been hard to change after the fact. | |||||
| OBIE | FLAC / 1 | View | ||||
| Pete | cd-r / 1 | View | ||||
| Stuart Ferguson | CDR / 1 | View | Audience | |||
| Notes: | DVD 269; lineage: Audience recording of unknown lineage. "Concert Fragments 1968" | |||||
| Stuart Ferguson | CDR / 1 | View | Audience | |||
| Notes: | lineage: Audience recording. *-* Coolsonics remaster without EQ *-* Recording Information :::unknown recording equipment -> master mono reel-to-reel -> 1st generation Maxell MX-90 cassette, Dolby B on (transfer circa 1988?). Playback 2013-11-03 ::: 1st generation Maxell MX-90 cassette on Nakamichi 680ZX cassette deck, Dolby B on, azimuth & speed adjusted (pitched!) for individual recording, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (LPCM 48kHz/24bit WAV files) -> computer -> Audacity (normalisation to remove DC offset, channel/phase alignment, fades, manual one-at-a-time glitch / dropout / bump / pop / click / dullspot repairs, clap reductions, volume adjustments, NO equalisation) -> CD Wave (track splits) -> 48kHz/24bit flacs (Trader's Little Helper) -> yr ears. Audacity used for additional version to dither down sampling rate to 44.10kHz/16bit for CD-R burners. First uploaded week of 2013-11-16. | |||||
| Hanf | Flac / 0 | View | ||||
| Notes: | unknown recording equipment -> master mono reel-to-reel -> 1st generation Maxell MX-90 cassette, Dolby B | |||||
| Shawn | CD / 1 | View | ||||
| BluesFan | CDR / 1 | A | B | View | AUD | |
| Notes: | Goodbye & Farewell from Cream ReMaster series. | |||||
| BluesFan | CD / 1 | A | B | View | AUD | |
| Notes: | Heavy Gauge bootleg on the Mid Valley label [MV 347]. | |||||
| David Shapiro | / 1 | View | ||||
| Pete Morin-Smith | Cdr / 1 | View | ||||
| Brian | / 0 | View | coolsonicremaster.flac1644 | |||
| calgarytrader | cdr / 1 | a | a | View | ||
| TCA | FLAC / 1 | View | AUD | |||
| Notes: | Tracks 3 - 4 Cream - ReMasters Series Goodbye and Farewell Disc 1 | |||||
| james barry bryson | CD / 1 | View | ||||
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