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The Slip 12/31/2001

SHOWID 84740

Set I

set 1: Dear Milena, Get Me With Fuji, My Room, new vocal tune, Yellow Medicine, Nellie Jean>Sorry

Set II

Wolof#>Just a Closer Walk With Thee#, Sometimes True to Nothing*, Johnny's Tune, Lion on a Rock@
Moral Decay@
#with all of Fully Celebrated Orchestra
*with Leslie Helpert and Timo Shanko
@Hunter added vocals

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
Brandon (5/4.7) cdr / 3 View  
Mickey (5/1.7) CDR / 3 A A View  
Amy (5/5) shn / 2 View   Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz
Brian Hite (5/5) / 3 View  
Bogie Chester (5/1) CDR / 3 A A View  
tom kunz (5/5) shn / 2 View  
Brad Foster (4/4.9) FLAC / 2 View   Earthworks TC30k (onstage) > DA-P1 @44.1 kHz + Schoeps mk21 (on stacks) > cmc6 -> Lunatec V2 >...
joanna (4/0) CDR / 3 View  
Mike (4/4) CD-R / 3 View  
Notes: Disc 3 is TAO
Mike Polis (4/3) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney
Alan (4/1) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney
Mike Polis (4/3) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney
Nick (4/0) shn / 2 View  
Notes: The Slip 2001-12-31 "The Luminary Particle Ball" NYE Rhodes-On-The-Pawtuxet, Cranston, RI digital post-production matrix Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney Compiled 2002-03-10 by James Tierney (jamestierney@attbi.com)
TDirrigl (4/5) CDR / 3 View   Schoeps 621s>V2>HHB split on the PA
Notes: SHN Available
Brian Hite (4/5) / 3 View  
James Tierney (3/0) DAT / 1 see View   ("sbd" master) Schoeps cmc64 (.5' from each stack) > Lunatec V2 > D8
Notes: Second song of the first set, and in the last couple minutes of set 2, there are a few clips... otherwise 9.9 quality.
James Tierney (3/0) CDR / 2 9.3 View   (stage lip/DFC) Earthworks TC30K > DA-P1
James Tierney (3/0) CDR / 3 see View   (MATRIX) schoeps cmc621s + earthworks
Notes: Although it's a matrix of 2 audience sources, I'd rate this a 9.8.. The Slip 2001-12-31 "The Luminary Particle Ball" NYE Rhodes-On-The-Pawtuxet, Cranston, RI digital post-production matrix Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney Compiled 2002-03-10 by James Tierney (jamestierney@attbi.com)
marc geanoules (3/5) CDR / 3 A+ View   SBD
Michael (3/1) AUDIO / 3 A View   Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz ->
Notes: set 1: Dear Milena, Get Me With Fuji, My Room, new vocal tune, Yellow Medicine, Nellie Jean>Sorry Set 2 Wolof#>Just a Closer Walk With Thee#, Sometimes True to Nothing*, Johnny's Tune, Lion on a Rock@ Moral Decay@ #with all of Fully Celebrated Orchestra *with Leslie Helpert and Timo Shanko @Hunter added vocals
Katie (3/0) CDR / 3 A A View  
Jake (3/1) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney
puddles (3/2.2) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney
nick (3/0) CDR / 3 View  
Notes: bad disc 2
Sherman Loper (2/5) cdr / 3 View   'Matrix' : Earthworks TC30k (stage lip) > DA-P1 44.1 / Schoeps mk21 (see tech notes)
Notes: Good recording, good show. Got this in Audio CDR format.
dan (2/0) cd / 3 View  
nick violi (2/0) CDR / 3 View  
Notes: Guests: members of fully celebrated orchestra
nick violi (2/0) CDR / 3 View  
Notes: Bad quality CD2. Guests: members of fully celebrated orchestra
Justin Wells (2/0) CDr / 3 A A View  
Notes: Good Show
David Meyer (1/0) SHN / 2 View   "Matrix" : Earthworks TC30k (stage lip) > DA-P1 44.1 / Schoeps mk21
Notes: 3 Audio CDs
Mike (1/0) / 3 View  
Notes: All
Chris McDermott (1/0) CDR / 3 A A View  
Bri (1/5) CDR / 3 View  
Brandon (0/0) cdr / 3 View  
David Meyer (0/0) SHN / 2 View   "Matrix" : Earthworks TC30k (stage lip) > DA-P1 44.1 / Schoeps mk21
Notes: 3 Audio CDs
K E V I N (0/4.8) / 3 A View   see below
David Mack (0/0) CDR / 3 View   Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 ->...
Alan Talbot (0/1) AUDIO / 3 A View  
Notes: Source 1: Earthworks TC30k (stage lip) -> DA-p1@44.1 kHz -> Audiophile 2496 -> Soundforge 5.0 -> CDWav -> Shorten (compression) -> Shorten 3.2 (decompression) -> WAV Source 2: "SBD": Schoeps mk21 -> cmc6 -> Lunatec V2 -> Sony D8 @48kHz -> Dio 2448 -> Samplitude 2496 -> CDWav -> WAV Sources mixed together digitally with Samplitude 2496. The Slip did not allow soundboard patches at this show. Jim Crichton ran his Schoeps against the grill of each stack (left/right stereo) in order to pick up *only* what came out of the stack itself, and therefore what came out of the soundboard. This Schoeps tape was the closest to SBD quality that would be taped that night. Clinton's Earthworks were run dead center at the stage lip.> shn > CD-R. Source 1 taped by Clinton Vadnias Source 2 taped by Jim Crichton and James Tierney