Grateful Dead 10/16/1974
Set I
Bertha
Jack Straw
Deal
Mexicali Blues
It Must Have Been The Roses
Beat It On Down The Line
Scarlet Begonias
Me & Bobby McGee
Tennessee Jed
Cumberland Blues
Row Jimmy
Playing In The Band
Jack Straw
Deal
Mexicali Blues
It Must Have Been The Roses
Beat It On Down The Line
Scarlet Begonias
Me & Bobby McGee
Tennessee Jed
Cumberland Blues
Row Jimmy
Playing In The Band
Set II
Phil & Ned >
Space >
Wharf Rat >
Eyes Of The World
Big River
Ship Of Fools
Truckin' >
Goin' Down The Road Feeling Bad >
Uncle John's Band
Johnny B. Goode
U.S. Blues
Space >
Wharf Rat >
Eyes Of The World
Big River
Ship Of Fools
Truckin' >
Goin' Down The Road Feeling Bad >
Uncle John's Band
Johnny B. Goode
U.S. Blues
Set III
Comment
Phil & Ned between sets
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Donna Jean Godchaux - Vocals
Jerry Garcia - Guitar
Bob Weir - Guitar
Keith Godchaux - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Donna Jean Godchaux - Vocals
Sources
SHNID
222
SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate
SHNID
12577
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
SHNID
88180
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
SHNID
88251
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
SHNID
90145
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
SHNID
107036
flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
SHNID
131539
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
SHNID
137663
flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
SHNID
137664
flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
SHNID
176618
flac1648
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
SHNID
176619
flac2496 Louis Falanga's Master Audience Cassettes; Sony ECM 250 mic > Sony TC-110 (Maxell UD C120)
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (.wav 24-bit/96k) > Adobe Audition CC2025 > TLH flac2496
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