Medeski Martin & Wood 06/18/2000
City Stages, Birmingham, AL
Source Summary
shn; AT815R shotguns > AKG B18 > SBM-1 > d8; Taper: Clay Dunbar; Transfer: M1 > philips cdr870 standalone > CD > EAC > shn; via Lee Stanley; note track marks don't coincide with songs; clicks between tracks 2/3, 5/6, 8/9- shntool shows no tracks on sector boundaries; retracked version later in circulation
shn; AT815R shotguns > AKG B18 > SBM-1 > d8; Taper: Clay Dunbar; Transfer: M1 > philips cdr870 standalone > CD > EAC > shn; via Lee Stanley; note track marks don't coincide with songs; clicks between tracks 2/3, 5/6, 8/9- shntool shows no tracks on sector boundaries; retracked version later in circulation
Other Sources
SHNID 12425 shn; AT815R shotguns > AKG B18 > SBM-1 > d8;...
SHNID 152412 flac16; Schoeps mk4 > kc5 > cmc6 > Lunatec V2 >...
SHNID 12425 shn; AT815R shotguns > AKG B18 > SBM-1 > d8;...
SHNID 152412 flac16; Schoeps mk4 > kc5 > cmc6 > Lunatec V2 >...
Medeski, Martin & Wood
June 18, 2000
City Stages
Birmingham, AL
Source: AT815R shotguns > AKG B18 > SBM-1 > d8
Taper: Clay Dunbar
Transfer: M1 > philips cdr870 > EAC > shn
1. Macha
2. end of Macha> Partido Alto
3. Partido Alto> beginning of AOR
4. Acht O'Clock Rock
5. We Are Rolling> Improv>
6. We Are Rolling return> couple drumbeats Sequel
7. Sequel, applause
8. applause, Shacklyn Knights, applause, Start/Stop>
9. Start/Stop cont'd>, couple drumbeats Blue Pepper>
10. Blue Pepper
June 18, 2000
City Stages
Birmingham, AL
Source: AT815R shotguns > AKG B18 > SBM-1 > d8
Taper: Clay Dunbar
Transfer: M1 > philips cdr870 > EAC > shn
1. Macha
2. end of Macha> Partido Alto
3. Partido Alto> beginning of AOR
4. Acht O'Clock Rock
5. We Are Rolling> Improv>
6. We Are Rolling return> couple drumbeats Sequel
7. Sequel, applause
8. applause, Shacklyn Knights, applause, Start/Stop>
9. Start/Stop cont'd>, couple drumbeats Blue Pepper>
10. Blue Pepper
Comments
Date: 08/15/2000
User:
Jakob
I was there (along side Clay) and I must add that he did an EXCEPTIONAL job considering the circumstances (good 100 feet between mics and the stacks, rain, noisy/drunk/uninterested/alabama crowd, etc...) Also, tracking MMW shows is a challenging art. I bet no two people would ever track a MMW show the same way. Not a bad recording AT ALL!
Date: 08/16/2000
User:
Diana Hamilton
I concur with Jakob about the recording quality.
I was wondering about the bass end while listening the first time on headphones-
but it turned out those headphones just weren't up to the job of covering Chris's range!
Listen to this one on *big* speakers. :)
I was wondering about the bass end while listening the first time on headphones-
but it turned out those headphones just weren't up to the job of covering Chris's range!
Listen to this one on *big* speakers. :)
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