The Dead 02/14/2003
Warfield Theatre, San Francisco, CA
Source Summary
AKG c1ooos (hypercardiod caps)->samson mixpad 4->vxpocket v2-> cooledit 2k (2352-byte boundary alignment, minor clip fixes at end of show "climax" peak, two drops patched as detailed below) ->shn via shn2k, verified w/ shntool
AKG c1ooos (hypercardiod caps)->samson mixpad 4->vxpocket v2-> cooledit 2k (2352-byte boundary alignment, minor clip fixes at end of show "climax" peak, two drops patched as detailed below) ->shn via shn2k, verified w/ shntool
Other Sources
SHNID 15373 44.1k SHN Seed: Source: B&K 4011 > Lunatec V2...
SHNID 16084 Source: Digital Audience: Recorded by Rob R 3...
SHNID 16219 Source: MultiTrack Digital Audience - 2 x U89i...
SHNID 16449 **THIS SOUNDBOARD IS FREE THANKS TO THE DEAD...
SHNID 16542 Source: DSBD > SHN (from The Dead) ; Patched...
SHNID 102768 Bertha Remaster of the fixed digital soundboard...
The Dead
02/14/2003
Warfield Theater
San Francisco, CA
AKG c1ooos (hypercardiod caps)->samson mixpad 4->vxpocket v2->
cooledit 2k (2352-byte boundary alignment, minor clip fixes
at end of show "climax" peak, two drops patched as detailed below)
->shn via shn2k,
verified w/ shntool
Disc 1 ~ Set I
Crowd/tuning/jam>
Hell In A Bucket
Iko Iko
Lazy Lightning >
Supplication
Loose Lucy +
Hard To Handle*^
Casey Jones^
Disc 2 ~ Set I (cont.)
Cumberland Blues~ >
Sugaree*
Set II
Love Supreme (jam) >
Looks Like Rain >
Sitting On Top Of The World~ >
Lucy In The Sky With Diamonds* >
Born Cross-Eyed >
Disc 3 ~ Set II (cont.)
Help On The Way >
Slipknot* >
Lovelight*^~ >
Franklin's Tower*^~
ENCORE
Goin' Down The Road Feeling Bad*
Not Fade Away*^~
Notes:
+ Sammy Hagar - vocals
* Warren Haynes - Guitar & vocals
^ Joan Osborne - vocals
~ Michael Kang - fiddle & mandolin.
Muchos kudos to Bob Clevenger (bobclevenger.com) for his assistance
in fixing some signal drops where the vxpocket cable came loose from the laptop!
The connector is fragile & easily disconnects, alas one of the downsides
to the vxpocket card. Bob had his deck (a pcm-m1) plugged into the headphone output
from the mixpad to his deck's analog input, which under careful inspection produced
a closely matching signal that was spliced into the empty locations.
The mix is rather monoaural due to the placement of the taper section.
Further, there is a lot of audience noise; low mic stand height is warfield policy.
Donate yer organs - you can't take 'em with you!
phopely@eniac.seas.upenn.edu
More notes:
As originally posted disc 1 was over 90 minutes.
I changed the tracking to fit on (3) 80 minute discs by
moving cumberland>sugaree to disc 2 and
changed all filenames to match etree convention.
The original seeder listed the first song of second
set as Eternity jam. IMO, it is just the beginning of
Love Supreme but I have left the break for those who want
to duplicate this shnset from the original without having
to download anything additional.
uploaded to tol.etree.org by Tony G on 2-17-03
02/14/2003
Warfield Theater
San Francisco, CA
AKG c1ooos (hypercardiod caps)->samson mixpad 4->vxpocket v2->
cooledit 2k (2352-byte boundary alignment, minor clip fixes
at end of show "climax" peak, two drops patched as detailed below)
->shn via shn2k,
verified w/ shntool
Disc 1 ~ Set I
Crowd/tuning/jam>
Hell In A Bucket
Iko Iko
Lazy Lightning >
Supplication
Loose Lucy +
Hard To Handle*^
Casey Jones^
Disc 2 ~ Set I (cont.)
Cumberland Blues~ >
Sugaree*
Set II
Love Supreme (jam) >
Looks Like Rain >
Sitting On Top Of The World~ >
Lucy In The Sky With Diamonds* >
Born Cross-Eyed >
Disc 3 ~ Set II (cont.)
Help On The Way >
Slipknot* >
Lovelight*^~ >
Franklin's Tower*^~
ENCORE
Goin' Down The Road Feeling Bad*
Not Fade Away*^~
Notes:
+ Sammy Hagar - vocals
* Warren Haynes - Guitar & vocals
^ Joan Osborne - vocals
~ Michael Kang - fiddle & mandolin.
Muchos kudos to Bob Clevenger (bobclevenger.com) for his assistance
in fixing some signal drops where the vxpocket cable came loose from the laptop!
The connector is fragile & easily disconnects, alas one of the downsides
to the vxpocket card. Bob had his deck (a pcm-m1) plugged into the headphone output
from the mixpad to his deck's analog input, which under careful inspection produced
a closely matching signal that was spliced into the empty locations.
The mix is rather monoaural due to the placement of the taper section.
Further, there is a lot of audience noise; low mic stand height is warfield policy.
Donate yer organs - you can't take 'em with you!
phopely@eniac.seas.upenn.edu
More notes:
As originally posted disc 1 was over 90 minutes.
I changed the tracking to fit on (3) 80 minute discs by
moving cumberland>sugaree to disc 2 and
changed all filenames to match etree convention.
The original seeder listed the first song of second
set as Eternity jam. IMO, it is just the beginning of
Love Supreme but I have left the break for those who want
to duplicate this shnset from the original without having
to download anything additional.
uploaded to tol.etree.org by Tony G on 2-17-03
Comments
Other Sources (comments)
44.1k SHN Seed: Source:... (0)
Source: Digital Audience:... (13)
Source: MultiTrack Digital... (1)
**THIS SOUNDBOARD IS FREE... (0)
Source: DSBD > SHN (from... (0)
Bertha Remaster of the... (0)
44.1k SHN Seed: Source:... (0)
Source: Digital Audience:... (13)
Source: MultiTrack Digital... (1)
**THIS SOUNDBOARD IS FREE... (0)
Source: DSBD > SHN (from... (0)
Bertha Remaster of the... (0)
Date: 02/27/2003
User:
Bill Gardner
I think the tracking is a little messed up on this one....
Date: 02/27/2003
User:
garciasan
I agree - It could definetely use a little work over - Any takers (Jay Ashley ??)
Anyone seen a Schoeps source ? I got this source to keep me sated until a better one comes along - Anyone listen to the Nak source ?
Anyone seen a Schoeps source ? I got this source to keep me sated until a better one comes along - Anyone listen to the Nak source ?
Date: 02/27/2003
User:
mcole
On my Koss headphones, amplitude of low end on the NAK source is bit too high. Amplitude of all frequencies seems a bit more even on this AKG source.
Date: 03/13/2003
User:
Ansley Johnson
I DL this shn and agree with the other posts about the tracking. Some songs are right on, but others have long sections of noodling/jams before a song begins. The track breaks are a bear when you try to burn to audio-i.e. long trakcs, and limited disc space. It is a nice sounding AUD though, maybe just done on the fly...
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