Music List for TJ
Last Update December 13, 2010
 

 

         



These Rules Apply to my Trading Criteria:

1. if snail mail trade, please use a self addressed bubble mailer inside an ordinary manilla envelope, take to P.O. and weighed for proper Postage to and from. Do Not Write on Discs!!!; Use a Stickem Note or Write on Sleeve


2. Lossless Only, I Hate Lossy Formats with a Passion and use TLH to check outputs when i suspect lineage issues, so please dont bother if you plan on polluting the trading pool w/mp3 or ogg, thanks :-)


3. If you would like access to the FTP just drop me a line in an email & i'll see what i can do and/or arrange for ya...


4. You can always visit the Lossless Bit Torrent Tracker Found here:


http://www.terrapinstation.org







> DIFFERENCE
> WANT LIST
> VIEW COMMENTS
> ADD COMMENT
> CONTACT

>
ADD SHOW
> EDIT ALL SHOWS
>
etreedb.org

B.B. King & Friends
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

04/15/87

Los Angeles - CA
Ebony Theater 

WAV   CDR > SBD  {

Charlie Parker & Dizzy Gillespie
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

09/20/47

New York - NY
Station WOR 

FLAC   unknown  {I thought long and hard, and discussed with many people the sacred nature of a 1947 recording and what was "ethical" to do to it as a remaster. The purist's answer is: Nothing. However, This source just did not pass tests levels wise, but my oh my, what a source. And thus i did what my ears and analysises told me (and what i discussed with some knowledgable people), and that was to make a version that is in the range of acceptable levels. I chose after a long ponder to apply x-crackle, as the levels increase made the crackle almost another member of the band. There fore, 2 sources are seeded in this torrent: ++one exactly as I acquired it for you purists. Lowlevels make as is unlistenable for most stereos++. ++the second is a remaster in wavlab. Levels raised w L3mulitmaximizer; waves x-crackle applied; dithered L3type one ultra;tracked in wavlab; flac frontend level8 SBEfree A 'lil *gEM* www.shnflac.net (thank you bgreen) **__** september 2006 +++Neeeeeeever ever bootleg this and sell it on ebay. Selling free music is evil. And please keep mp3 copies for personal use only.++++

Dark Star Orchestra
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

07/31/10

Buffalo - NY
Town Ballroom 

FLAC   **16bit** DPA 4023>Sonosax SX-M2>Sound Devices 722 (24/96)  {Transfer: 722>Firewire>Macbook> Sound Studio 3(fades, normalize peak, track, bit depth conversion, resample)>xACT 1.71(align on sector boundaries, encode, tag, fingerprint)>flac16

08/12/10

Rochester - NY
Party In The Park 

FLAC   AT 4041's>UA5 (P-Mod)>iRiver (Rockboxed)   {I got a late start on setting up, the microphones were on, but the stand was not raised. All music is still heard, though. Also, some level adjustments during this track.

David Nelson Band
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

11/06/10

San Rafael - CA
Palm Ballroom 

FLAC   edirol r09hr > edirol internal mics > scandisk SDHC  {transfer: scandisk SD > raw wav > cdwav(for tracking & sampling) > TLH > You taper: richie greenbaum(fup420@gmail.com) transfer: terrapin joe(terrapinj11@gmail.com)

Ekoostik Hookah
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

03/22/02

Pittsburgh - PA

FLAC Source Detail  Giant Squid Audio Lab Omnis >Sony D-8 @44.1kh  {*w/ Cliff playing the flute Billed as "BeatleJam"; also billed: Blue Floyd, Vince Welnick Band

Eric Clapton
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

02/10/90

London - England
Royal Albert Hall 

FLAC   SBD > CDR > EAC(secure mode, c2, filled up leading & trailings) > TLH > Flac Level 8  {part of the built to last restoration projects 2008-09 terra3@triad.rr.com, enjoy :)

11/24/99

Yokohama - Japan
Kanagawa Yokohama Arena 

FLAC   SBD > CDR > EAC(secure mode, c2, filled up leading & trailings) > TLH > Flac Level 8  {artwork included. part of the built to last restoration projects 2008-09 terra3@triad.rr.com, enjoy :)

Furthur
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

11/09/10

Ames - IA
Stephens Auditorium, Iowa State University 

FLAC   Oade ACM Marantz PMD660 > CF Transfer: CF > PC > WAV > Sony Sound Forge 10 (fades & volume) > CDWAV (tracks & flac) > FLAC  {- Level adjustments made at beginning of first set. - Occasional close loud clapping on right channel. Thanks dude!

11/13/10

Chicago - IL
UIC Pavilion 

FLAC   AKG 483>V3>MT2496 (16/44.1)  {

11/17/10

Baltimore - MD
First Mariner Arena 

FLAC   Sony C-38B>PMD-660 CDwave Flacfrontend  {

11/20/10

New York - NY
Madison Square Garden 

FLAC   AETA PSP3 > Marantz PMD620 @44.1KHz  {Memory Card > PC (normalize and fades with Audacity) > Wav (via CD Wave) > FLAC Frontend (Level 8)

11/21/10

New York - NY
Madison Square Garden 

FLAC   Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)  {Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/DFC/KFC/ZFC/AARP Section 10 , Row A, Seat 9, 7' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man

Garcia
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

12/04/83

Stony Brook - NY
Gymnasium (SUNY) 

SHN Source Detail  Sony TCD5M Cassette Master  {

Gentle Giant
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

07/04/76

Hempstead - NY
Calderone Theater 

FLAC   Live FM Broadcast ->Reel Tape ->29 years storage->Oven Baking ->Recording direct into Sound Forge ->Track splitup ->FLAC level 6 sectors aligned and verified FLAC Frontend  {Tape Baking, Or How I Learned To Violate My Wife's New Oven To me, it's a wonder that some shows are able to be heard at all, by anybody. There is so much stuff floating around DaD to pick from, that the truly difficult shows get lost in the shuffle. Case in point: Between getting high every, single, freaking day in 1976 and trying to graduate NYU with two broken arms (and, if by that fact alone you know who I really am - we both are in trouble!), I also had time to tape the Bicentennial concert given by Gentle Giant at the Calderone Theatre in Hempstead, New York. It was broadcast at a time where there were no commercial interruptions as a courtesy to the listener (fancy that nowadays!), by WLIR FM. It was taped directly off the air, live as it happened. The recording was possibly accomplished partially in absentia by use of a remote turn-on on one of several reel-to-reel decks I have owned over the years. You should know that this is by far my favorite Gentle Giant show, and one of their best performances. The recording was accomplished by using Ampex Professional 456 tape on a 10,5 inch reel. At that time, it was the standard for mastering. It produces a warm, virtually noiseless recording with allowance for heavy saturation without the heavy treble distortion. The problem is that Ampex tape doesn't store well. The oxide tends to flake off. By early 1977, they had switched the format and the tape stored better, but still not perfectly. During the years, the tape had become more and more difficult to play. The reels would just stop suddenly, or wouldn't rewind. When the tape was played about a week ago, it was nearly destroyed. There was nothing but a heavy squeal and garble. I had read of people being able to bring these tapes back to life, if only for a play or two, by baking them in an oven. After doing a little research, I discovered there was a whole slew of articles on the subject. It seems the Grateful Dead had done it, CSNY had done it, and there were many different suggestions as to how to accomplish the feat. One suggestion had to do with making a cardboard box with wooden dowels suspended over a fan with heat supplied by light bulbs. Another was to use a food dehydrator, with a specific recommendation as to which model and how to prepare it. It seemed that the problem was the low, constant temperature required, and the long baking times (from five to 48 hours, depending upon whose solution you were looking at). My wife had just replaced her stove oven with a new, state-of-the-art model. The lowest temperature of all the different recommendations was 120 degrees F, or 55 degrees C, and a corresponding bake time of 24-48 hours. After some discussion about the baking process and the metal reel possibly causing oven damage, we decided to try it. The oven was set to dehydrate, and the temperature was manually lowered from 180 to 120 degrees. The tape was baked for two consecutive 12 hour shifts as the oven would not time longer than that. As per directions, the tape was allowed to cool to room temperature. Upon removal from the oven, it was noted that the tape itself had developed a sheen which wasn't there before. There was absolutely no smell during the baking process, and the oven had no damage at all to the shelf which it was placed on. With baited breath, the reel was threaded onto a freshly-cleaned AKAI reel machine, which was fed directly into the computer with Sound Forge running on record. It worked! The tape ran perfectly all the way through on both sides. The sound quality wasn't totally perfect anymore, but only in the beginning. At least I could preserve it to be able to hear it again. The wav file was processed, and two audio cds were generated. I am so happy. Please let me know what you think of the entire process. Two officially released tracks had to be removed. Here is the setlist. A * indicates the track is on an official release and had to be taken out.

Grateful Dead
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

04/04/69

San Francisco - CA
Avalon Ballroom 

SHN Source Detail  SBD>FM>MR>C1>DAT>CD  {

05/30/69

Portland - OR
Springer's Inn 

FLAC Source Detail  SBD -> Cassette Master (Ampex C-90) -> Dat (48k)  {Dat -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC (2 Discs Audio / 1 Disc FLAC)

08/04/71

San Pedro - CA
Terminal Island Correctional Fac. 

FLAC Source Detail  SBD -> Master Reel -> CD  {Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 22, 2008 Notes: -- Disc change is seamless -- Master Reel transferred to CD at the Mastering Plant in L.A.

08/05/71

Hollywood - CA
Hollywood Palladium 

FLAC Source Detail  SBD -> Master Reel - > CD  {Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net July 30, 2008 Patch Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> CD (shnid=88859) supplies: That's It For The Other One (11:53 - 12:10) Sugar Magnolia through end of show Notes: -- Master Reel transferred to CD at the Mastering Plant in L.A. -- Sugar Magnolia suffers from severe pitch issues

08/06/71

Hollywood - CA
Hollywood Palladium 

FLAC Source Detail  SBD -> Master Reel -> CDR  {Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 19, 2008 Patch Info: (FOB) Sony ECM-22P -> Master Reel supplies: The Other One (1:25 - 2:19) Notes: -- Set 2 is seamless -- WRS Prelude tease after Me And My Uncle -- Master Reel transferred to CD at the Mastering Plant in L.A.

04/17/72

Copenhagen - Denmark
Tivoli Concert Hall 

FLAC Source Detail  SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac  {PLease note that several songs are not in what was previously considered the correct order (prior to this seed). To the best of our knowledge, Mr. Charlie was not performed that night, but you never know. A GEMS production - http://www.shnflac.net - April 2006

04/21/72

Bremen - Germany
Beat Club 

SHN Source Detail  SBD>FM>MR>PCM>DAT>CDR  {The tape in circulation contains the soundcheck (Loser, BT Wind) and the show except Mr. Charlie, Sugaree and Saturday Night. There is also a fragment of Saturday Night with poor sound from the TV broadcast. One More Saturday Night is on the commercially released MTV video "Closet Classics". Notes: shntool confirms tracks on sector boundaries d1t1 - 01:52.07 brief sub-second splice from fix of gap d1t1 - 03:12:25 some warbly sound in right channel from partial loss of high frequencies d1t5 - 2:13 fixed a gap d1t7 - 2:42 fixed a gap

04/26/72

Frankfurt - Germany
Jahrhundert Halle 

FLAC Source Detail  SBD > Unknown > CE2K (minor cleanup) > mkwact > SHN - seekable  {NOT TRADEABLE!!!

04/29/72

Hamburg - Germany
Musikhalle 

SHN   AUD-SBD Matrix of the Set 2 Jam  {SBD Source: SBD>MR>??>DAT>CDR Aud Patch Source: MR>cass>SB Live!>.wav>.shn>CD-R. --believed to be Uher Reel Machine at 4.75 cm/sec-- Aud seed disks provided by eurodead.net mastered by Bernd Weiskircher SBD Seed disks from Raoul Duke Pitch correction, aud patches, matrixing and SHN Conversion by mvernon54@home.com Part of The Music Never Stopped Project 2003. Disk 1 [58:36] Set 2 Jam 01. Dark Star-> 02. Sugar Magnolia-> 03. Caution (Do Not Stop on Tracks)-> Who Do You Love

05/03/72

Paris - France
Olympia Theater 

SHN Source Detail  Soundboard->Master Reel (multi-track)->DAT x 5  {Notes: 1. This is a fix of shnid 21923 where my Win98 machine w/ZA2 was on it's last leg. The channels on that source flew all over the place. 2. This differs from shnid 142 (Masse) in that there is no digital noize during Bertha, no dropout in Drums, no dropout at the beginning of the 2nd Other One, and no noise during the final 2 minutes of Wharf Rat. 3. Consistent with other copies, Casey Jones has a skip ~4 minutes in. 4. This time I left out the China Cat->IKYR, Tennessee Jed, and Jack Straw patches. These can be dropped in from the Europe 72 CD. Buy it if you don't own it. I skipped these track numbers for easy re-naming later.

05/04/72

Paris - France
Olympia Theater 

FLAC Source Detail  SBD > reel > DAT > CDR (via Jay Serafin)  {Known flaw: d1t12 1:33-1:43 diginoise (thanks to Konstantin for report) also: Casey Jones beginning cut (on master?) I am indebted to Chuck Gannon for providing me with a copy of this exquisite show. Greg Hamilton (gshamilton@home.com)

05/10/72

Amsterdam - Netherlands
Concertgebouw 

SHN Source Detail  S:MR > Cassette > DAT > CDR > SHN  {Extraction and SHN encoding by Seth Kaplan..Thanks Seth!

05/13/72

Lille - France
Lille Fairgrounds 

SHN Source Detail  sbd > mr > cass > dat > cda > wav > shn v3  {encore missing (one more saturday night) deadlists has GDTRFB going back into NFA - not so here. seeded to easywind.etree.org (4/01) comments to Chris L. <neo_levo@yahoo.com>. mments to Chris L. <neo_levo@yahoo.com>.

05/16/72

Luxembourg - Luxembourg
Theatre Hall 

SHN Source Detail  SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN  {fixed SBE's on d1t13 thru the remainder of the show..

05/18/72

München - Germany
Kongressaal Deutsches Museum 

SHN Source Detail  SBD -> Master Reel -> Cassette -> Dat (48k)  {Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net Notes: -- Can not confirm lineage -- All disc changes are seamless

10/16/74

San Francisco - CA
Winterland Arena 

SHN Source Detail  Reel Master>Cassette>DAT>EAC 0.93b>MKWACT  {

10/17/74

San Francisco - CA
Winterland Arena 

SHN Source Detail  MultiTrack Master Reel > DAT > Sonic Solutions > CD  {

10/18/74

San Francisco - CA
Winterland Arena 

SHN Source Detail  (*)SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN  {Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 22, 2004. This source was processed in three parts, Set 1, Phil and Ned, and the remainder of the show, because of the different sources used. Noise reduction (Pure Sample) was used on Set 1 and on part of Phil and Ned.

10/19/74

San Francisco - CA
Winterland Arena 

SHN Source Detail  SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)  {-- * Indicates songs that are from patch source -- Normailzed and Removed pops with Cool Edit Pro v2.0 -- There are hardly any back-up vocals in the first set mix.

10/20/74

San Francisco - CA
Winterland Arena 

SHN Source Detail    {I just got this show from the Frank's Picks round 4 tree. This date has apparently not yet been circulated on etree, so I'll upload it to your site if you'd like it. The tree also included 10-18 and 10-19, but these seem to have been circulated already. If anyone feels that these copies should be cuirculated as well, I'm happy to oblige. from the web page (http://frankspicks.org/fp4_Source_tape_info.htm): <snip> From: Rob Bertrando Date: Tue, 14 Mar 2000 17:17:22 -0800 Subject: Oct 1974 Winterland AUDs The best sounding AUDs of this run (all 5 nights) were made by Charles Conner (sp?), using a Sony ECM-22P into a highly modified Sony mono portable. There is occasional wow/flutter, but the frequency response is great, and the hiss low. I started the distribution of the "audiency"-sounding SBDs of the last three nights, in late 1976. They came to me on cassette, from Jerry Wexler's (of Atlantic Records fame) son or nephew, I forget the exact connection. I and about 4 others copied them to reel at that time, and copies have flowed since. Much more recently, SBDs of the 16th and 17th have surfaced, without the audience mix. I don't know if anyone has similar mixes of the last three nights for trade or listening. </snip>

05/19/77

Atlanta - GA
Fox Theatre 

SHN Source Detail  Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN  {Retracked By Direwolf

06/08/77

San Francisco - CA
Winterland Arena 

SHN Source Detail  SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD  {Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 9/3/04 Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD Patch in d3t01 (The Other One) from 12:41-13:08 All other reel flips take place between songs, no patches needed. Notes: -- This is an upgrade to all previously circulating copies. -- Thanks to Paul Scotton for the source discs. -- Thanks to David Minches for the patch source upload. -- Seamless transition between discs 2 and 3. -- Booby teases China Cat Sunflower during Not Fade Away

09/13/78

Cairo - Egypt
Gizah Sound and Light Theater 

SHN Source Detail  soundcheck; Aud Cassette Master -> ?? -> CD  {The wind is present at times in the microphones, but (unlike the Squaw Valley JGB recordings, for instance), this often adds to the ambience. Based on other nights, the singer/string player may be Hamza el-Din. The Dead only seem to be present on the first song. Extracted/shn'ed by jim@juddcreek.com, 6/02. Thanks to the smiling source!

01/10/79

Uniondale - NY
Nassau Veterans Memorial Coliseum 

FLAC Source Detail  Master Audience Cassette > Sony 158  {Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN

01/11/79

Uniondale - NY
Nassau Veterans Memorial Coliseum 

SHN Source Detail  FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN  {12th row center stage with Sony ECM-280 mics > Sony 158 Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D Thanks to Robert Donnelly for the disks. Cdparanoia by Jeff Kempka on 5/3/2000. Enjoy :) Jeff Kempka jeff@shakedown.etree.org

08/16/80

Edwardsville - IL
Southern Illinois University 

SHN Source Detail  MAC > Sony TC-158 > CDR  {tracking & tweaking by Scott Clugston> HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC >.SHN via Andy Lemieux (ajlser AT earthlink DOT net).

08/17/80

Kansas City - MO
Kansas City Municipal Auditorium 

SHN Source Detail  AUD>?>CD  {-Minor pop in first second Truckin' -Series of left channel d/o's from 7:23-7:40 Wharf rat; I patched the right channel over the entire segment -First Wheel w/ Brent

08/23/80

East Troy - WI
Alpine Valley Music Theatre 

SHN Source Detail  Unknown equipment>Cass>CDR>EAC>HD>Minor Editing>SHN  {An excellent quality audience. The drums are quite nice this evening. Good jam out of He's Gone. TN Jed is not too shabby either. Solid all around. Get this if for nothing else because it is the first Alpine Valley GD appearance.

08/24/80

Grand Rapids - MI
Grand Center 

SHN Source Detail  Sony TC-D5>DAT>CDs(3X?)>EAC>shn  {: Disc 1 requires an 80-minute CD : No fadeouts, so CDs can be burned with 2nd set broken in several different ways : Several splices between non-consecutive songs (presumably pauses while recording on battery power) : Possibly an insignificant splice (tape flip?) between drums and space; hard to tell

08/26/80

Cleveland - OH
Cleveland Public Hall 

SHN Source Detail  sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN  {I used the original SHN set for splices using Cool Edit 2000: http://db.etree.org/shninfo_detail.php?shnid=9632 Drums/Space 9:34.903 -> 10:40.317 I also spliced in the Audience between: d1t02-03 d1t03-04 d1t04-05 d1t05-06 d2t02-03 d2t11-12 I also cut out a 2 second Dropout in space that was in the original SHN set. -MCFlip @ :48 of Space EAC/SHN By Darryl Hinko (flyerfanatic) I used CD WAVE to split the tracks. Thanks to Scott Cohen and David Gans for the Audio Discs. Thanks to Tommy Brame for checking Sector Boundries with SHNtool Any problems email me at flyerfanatic2817@yahoo.com

08/27/80

Clarkston - MI
Pine Knob Music Theater 

SHN Source Detail  AUD>MC>??>DAT>CDR  {-Multiple analog gens suspected; One for the headphones -Static @ :59 Stranger -Static @ 11:19 Estimated -Tape flip @ 4:40 Drums -Right channel 'issues' from 3:29 NFA to 5:27 Blella Stew; I patched in the left channel -Splice @ 3:28 Miracle; I removed static from each side as well; Couple 'bars' missing -Static @ 6:31 Good Lovin' -I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing. EAC/SHN by Willy _willy_@junkiesplace.com Seeded to etree 09/20/02 Audio discs provided by Paul B Another installment of The Music Never Stopped Project!

03/09/81

New York - NY
Madison Square Garden 

FLAC Source Detail  Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)   {Patch Info: (FOB/12th Row) Nak 700 -> Cassette Master -> Dat -> CD (Taped By Barry Glassberg) Estimated Prophet patched from 9:41 - 10:02 Stella Blue patched from 4:52 - 5:16 U.S. Blues patched from 0:00 - 0:05

03/10/81

New York - NY
Madison Square Garden 

FLAC Source Detail  (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS)  {Patch Info: (FOB) Nakamichi 700 -> Cassette Master (shnid=7630) supplies: Little Red Rooster (0:00 - 0:06) Saint Of Circumstance (7:06 - 7:15) Drums (9:31 - 9:42) Notes: -- Set 2 is seamless -- Smokestack Lightning jam after Truckin' -- Thanks to Steve Rolfe for lending me his masters

05/06/81

Uniondale - NY
Nassau Veterans Memorial Coliseum 

SHN Source Detail  NAK-700's > SONY TC-D5M Dolby On - FOB  {Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by mvernon54@attbi.com - Show was originally scheduled for May 7. - (1) dedicated to IRA hunger striker Bobby Sands. d1t12 - very brief partial volume drop at start d2t02 6:23 very brief skip or partial drop out d2t05 - 6:23-6:30 mic bumps after song over d3t02 - 9:52 very brief partial volume drop d3t05 - 6:22 cross fade over tape flip - this version supercedes a previous shn set http://db.etree.org/shninfo_detail.php?shnid=10379 from this same source

05/08/81

Uniondale - NY
Nassau Veterans Memorial Coliseum 

SHN Source Detail  FOB Senn 421's>Sony D5>MC>DAT>CDR  {I used CE2K to remove a dropout at 13:17 d2t04 (Playin'). I used CD Wave, and Shntool to retrack, and verify sb's afterwards. EAC/SHN by Willy _willy_@junkiesplace.com Seeded to etree 02/28/02 Audio discs provided by Mark Linden

05/09/81

Uniondale - NY
Nassau Veterans Memorial Coliseum 

SHN Source Detail  NAK-700's > SONY TC-D5M Dolby On - FOB  {Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable) by mvernon54@attbi.com d1t1 - sounds like PA had Jerry's mic off at the very start d2t2 ~ 0:19 very brief skip d2t6 - tape flip at end of disk d3t7 - (1) Preceded by an aborted version lasting [0:30]

03/26/83

Las Vegas - NV
Aladdin Theater 

FLAC Source Detail  (FOB) Neumann KM54 > Cassette Master > Dat   {Transfer Info: Dat > CD (Tascam CDRW700) > Samplitude Professional v8.01 > FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 20, 2006 Notes: Seamless disc change in 2nd Set It took me 6 years to finish this project

03/29/83

San Francisco - CA
Warfield Theater 

SHN Source Detail  AUD>MC>CDR >Sony D-6  {Levels nice and high on this one. Great sounding Aud!!! * 1:04 d/o in LC, RC pasted in. x there are three breaks in drums due to MC flip and ? Another installment of The Music Never Stops Project!! Thanks to Paul B. for the show and Jerry's Kids for the discs!!

03/31/83

San Francisco - CA
Warfield Theater 

SHN Source Detail  (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat   {

04/15/83

Rochester - NY
Community War Memorial Auditorium 

FLAC Source Detail  set 1: SBD -> Cassette Master -> Reel -> Dat (48k)  {Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 16, 2006

04/16/83

East Rutherford - NJ
Meadowlands Arena 

FLAC Source Detail    {

06/18/83

Saratoga Springs - NY
Saratoga Performing Arts Center 

SHN Source Detail  Sony D-5 > CDR  {

09/10/83

Santa Fe - NM
Santa Fe Downs 

SHN Source Detail  Jeff Silberman's Master Audience PCMSennheiser 441 mics > Technics SV100 PCM > DAT > CDR  {Secondary: Aud>CM>C>NakDR10(Playback Only)>PCM Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 7/23/01

09/11/83

Santa Fe - NM
Santa Fe Downs 

SHN Source Detail  Jeff Silberman's Master Audience PCMSennheiser 441 mics > Technics SV100 PCM > DAT > CDR  {CD Remastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 7/23/01 *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t05-d1t10) Fits on 3 80 min cdr(audio)

10/08/83

Richmond - VA
Richmond Coliseum 

SHN Source Detail  MAC(FOB Atm 11)>DAT>CDR>WAV>SHN  {Tape splice in Drums>Space cleaned up to audio imperceptibility with SF6. There were some level fluctuations both within songs which I smoothed over using the Gain function on SF6. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. another installment of TMNSP, 5/04.

10/09/83

Greensboro - NC
Greensboro Coliseum 

SHN Source Detail  3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R  {Conversion (Cass > CD-R): MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R* Cass > CD-R conversion by Mark Horvath Conversion (CD-R > SHN): CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades)1 >CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN CD-R > SHN conversion by Jan Welch <jwelch@bowdoin.edu> *Mark's Master CD-Rs, on which tracks were not placed accurately due to the limitations of the Standalone burner, so after extraction they were pieced back into a single .wav and re-tracked using CD-WAV.Set 2 fits on a single 80 min disc and is set up to be burned as such, however it can be broken into three 74 min discs after drums (d2t05).Fades were added in several positions (all during crowd noise) because the Master Cassette was stopped during the crowd noise on multiple occasions. Rather than have abrupt level changes where the tape starts and stops between songs a 0.5s fade out was followed by a 0.5s fade in and a track break was placed during the silence between the fades. there were SBE's on tracks d1t08 & d2t09 that have been fixed.. terra3@triad.rr.com enjoy :)

10/11/83

New York - NY
Madison Square Garden 

SHN Source Detail  FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge  {Andy G. N.B. I am told that all of 10-11 will just barely fit on two discs. notes: i omitted the filler & renamed the tracks & rehashed the checksums so it will fit nicely on 3 discs.. other then that the files were not processed or messed with at all(terra3/admin1@triad.rr.com)

10/12/83

New York - NY
Madison Square Garden 

SHN Source Detail  unknown aud (could be FOB Schoeps mk4- see pub comments); Transfer:? DAT > ZA2 > SoundForge  {

10/14/83

Hartford - CT
Hartford Civic Center 

SHN Source Detail  Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD  {Master Tapes by Ficca and Brennan (Thanks to Dan Healy for the pass) ennan (Thanks to Dan Healy for the pass)

10/15/83

Hartford - CT
Hartford Civic Center 

SHN Source Detail  Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD  {Master Tapes by Ficca and Brennan (Thanks to Dan Healy for the pass)

10/17/83

Lake Placid - NY
Olympic Center 

SHN Source Detail  FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD > (EAC/WAV) SHN   {Seeded to alt.binaries.gdead by Skankweed (the first ever a.b.gdead SHN post!)

10/18/83

Portland - ME
Cumberland County Civic Center 

SHN Source Detail  FOB-AUD>MC>CDR  {* cut at 3:39 Another installment of The Music Never Stops Project!! Thanks to Paul B. for the show and Jerry's Kids for the discs!

10/20/83

Worcester - MA
The Centrum 

SHN Source Detail  AUD>Senn 441s (FOB)>PCM>DAT>CDRx?>EAC>SF 6.0>CDWAVE>SHN  {NOTES: Several small dropouts and some diginoise were removed from the first set, all of which were in between songs. One spot of d/n in Samson was removed transparently. The end of Day Job was patched from an alternate source. All editing and patching of the source done in Sound Forge 6.0 by Skankweed (skank@nycap.rr.com). Discs were then retracked with CD WAVE and verified with SHNTOOL. I think this is glitch free, but please report any problems to me so I can fix them. I don't normally provide filler, but since the encore is also missing from the Silberman recording of 10/21 I'm providing it here to get it into wider circulation. This version is from the same Sony source used to patch the encore on these discs. Thanks to Duncan for providing the source discs. Mastered and put into circulation 9/02 by Skankweed (skank@nycap.rr.com) ive ommitted the filler once again from this source since both of these shows are available in this set..nothing else has been modified with the exception of the last song & the hashmark(md5 checksum entry)removed enjoy, terra3@triad.rr.com

10/21/83

Worcester - MA
The Centrum 

SHN Source Detail  Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN  {note - occassional bass distortion on the louder Phil notes

10/22/83

Syracuse - NY
Carrier Dome, Syracuse University 

FLAC Source Detail  Sennheiser-MD421's>Sony D5 (2 Maxell SA-X90-Cassette MASTERS)  {Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV> Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/23/07

12/27/83

San Francisco - CA
San Francisco Civic Auditorium 

SHN Source Detail  SBD > MC > C > DAT > CD > EAC > SHN   {- First 5 minutes of Cold Rain and Snow has what sounds like a hot drum. Might be the Bass Drum. . This is also on an alternate SBD I have of this show. - From 3:57 - 4:00 of C. C. Rider has the same problem as above. - Level adjustments from the Soundboard throughout Fire on the Mountain. - Tape flip between Sugar Mag and Sunshine Daydream spliced in from the Charlie Miller AUD seed. (FOB) Senn 441>PCM>Dat. Splice from 6:39 - 6:52. Drums and Space are seemless. Also a big thanks goes out to the guys and girls at SHN Traders for helping me spread these seeds around. Mike, Jason, Michele, Teri, Rob, Steve and the rest. Enjoy!

12/28/83

San Francisco - CA
San Francisco Civic Auditorium 

FLAC Source Detail  SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)  {Notes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Playin' Reprise tease out of The Wheel

12/30/83

San Francisco - CA
San Francisco Civic Auditorium 

FLAC Source Detail  SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)  {-- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Encore on end of 1st Set to fit show onto 2 Discs. -- Another example of the 30th being better than New Years Eve.

12/31/83

San Francisco - CA
San Francisco Civic Auditorium 

FLAC Source Detail  SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)  {-- Seamless transition between Discs 1 and 2. -- Tape flips at end of Eyes and NFA patched from alternate source. -- Thanks to Paul Scotton and Joani Walker for the Cassettes. -- Set 3 with Rick Danko and Maria Muldaur.

02/18/85

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s  {Comment: - the last "Baby What You Want Me To Do" played on 12-31-82

02/19/85

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s   {- Sector boundaries errors fixed w/ Trader's Little Helper. Files encoded @ level 8. - Master Audience cassettes provided by Mark McCue - Transfer, editing and conversion by Alex Ford - CD cover art is included Comments: - First "Chinese New Year" show. Info can be found here: http://www.rockmed.org/lion94.htm - Chinese Symphony Orchestra Opened - Dragon Dance during Drums

02/20/85

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s   {Comment: - Chinese New Year's Show - Dragon Dance during Drums Notes: - Master Audience Cassettes provided by Mark McCue - SBE's fixed w/ Trader's Little Helper. Files encoded @ level 8. - 24 bit/96kHz files archived - Transfer, editing and conversion by Alex Ford 03/06/2007.

03/09/85

Berkeley - CA
Berkeley Community Theater 

FLAC Source Detail  MAC; Sennheiser 421s > Sony D5 > TDK MA90s  {Comment: - *W/ Merl Saunders, Rex Foundation Benefit, Twilight Zone Theme During Space. Notes: - SBE Free, files encoded @ level 8. - Brief periods of static during Cumberland, I Need A Miracle, Eyes, Other One & The Wheel - Tape flip during Set 2 patched using shnid=14448 - 24 bit files archived - Master Audience Cassettes provided by Mark McCue. - Transfer, all edits, conversion & seeding by Alex Ford. - Overall, an excellent recording, enjoy!

03/10/85

Berkeley - CA
Berkeley Community Theater 

FLAC Source Detail  2x Sennheiser 441's > Sony TCD5-M > Maxell MX  {...And yet another installment from the 'PA Deli Mike' project!!! If a small, awesome-sounding venue like the Berkeley Community Theater is your bag, you may wanna jump on this one! Mike recorded this from the front of the OTS (Section 'CTR', row 'FF', seat '5' for those who are interested), and the SQ is just superb. The Stella is 'stellar'. The only problem is Mike almost tore his hair out of his head trying to decide where to put the track index for it!! As with all of Mike's recordings, this source is new to circulation. Hope you all enjoy it, and stay tuned for the next installment coming soon!!! MrChips-

03/12/85

Berkeley - CA
Berkeley Community Theater 

FLAC Source Detail  Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes  {Comment: - * With Matt Kelly on harmonica Notes: - SBE's fixed w/ TLH. Files encoded @ level 8. - Tape flip in d2t05 Space smoothed w/ WaveLab. - 24 bit files archived. - Master Audience Cassettes provided by Mark McCue. - Transfer, edits, conversion and seeding by Alex Ford.

03/13/85

Berkeley - CA
Berkeley Community Theater 

FLAC Source Detail  MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes  {Comments: - Rex Foundation Benefit ; (1) w/Matt Kelly ; (2) w/Hamza El-Din Notes: - SBE's w/ TLH. Files Encoded @ level 8. - 24 bit files archived. - Master Audience Cassettes provided by Mark McCue. - Transfer, edits, conversion and seeding by Alex Ford 4/24/2007.

03/21/85

Hampton - VA
Hampton Coliseum 

FLAC Source Detail  2 Sennheiser421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)  {Master Cassettes>Nakamichi CD 2(azimuth adjusted)>RCA>Edirol UA-5>USB>WinXP Pro>CEP 2.0>CD Wave Editor>TLH>FLAC16. Files encoded @ level 6. All cuts and fades made with Cool Edit Pro 2.0. Sector boundaries verified w/ Trader's Little Helper. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford. Notes: - d1t07 (Ain't Superstitious) Bob's vocal mic cuts in @ 0:44

03/22/85

Hampton - VA
Hampton Coliseum 

FLAC Source Detail  MAC > 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's  { Transfer: MAC>Nakamichi CD2(azimuth adjusted)>RCA>Audiophile 2496>WinXP Pro>CEP 2.0(normalized100%)>CD Wave Editor>Flac Frontend>FLAC16. Files encoded @ level 6. Sector boundaries verified w/ TLH. Master cassettes provided by Mark McCue. Transfer, encoding and seeding to bt.etree.org by Alex Ford 5/02/2006. Notes: - d3t05 Black Peter is cut @ 8:28 - tape ran out. - fades were applied to beginning and end of sets and at tape flips. No other editing was performed.

03/24/85

Springfield - MA
Springfield Civic Center 

FLAC Source Detail  MAC: FOB 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s  {

03/25/85

Springfield - MA
Springfield Civic Center 

FLAC   MAC: FOB 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s  {Master Audience Cassettes > Nakamichi CD2 > RCA > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > TLH > FLAC 16. Azimuth adjusted on playback deck, sector boundaries verified with TLH and files encoded @ level 6. This recording was not normalized. Fades applied at start and end of sets. Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. Notes: - d2t01 Help On The Way levels low 0:00-0:44 - d2t06 Drums missing audio 01:25-01:30 (tape flip) - d3t05 Good Lovin' patched from 7:56-8:26 with SHNID = 14497 - all tape flips and pauses basically left alone Show Notes: Not For The Weak at Heart, High Octance GDead..the Boys were fueled this night and come out of the starting gate flying....A++ Performance Overall!!!

03/27/85

Uniondale - NY
Nassau Veterans Memorial Coliseum 

FLAC Source Detail  Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac freshly tracked (4/03/04) from Doug Oade's transcription of his masters.

03/28/85

Uniondale - NY
Nassau Veterans Memorial Coliseum 

FLAC   Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac freshly tracked (4/06/04) from Doug Oade's transcription of his masters.

03/29/85

Uniondale - NY
Nassau Veterans Memorial Coliseum 

FLAC Source Detail  (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's  {Master Audience Cassette>Nakamichi CD2 (azimuth adjusted)>RCA>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>TLH>FLAC16. Fades applied at tape flips and at the start and end of sets w/ CEP 2.0. Files encoded @ level 8. Sector boundaries verified with TLH. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006. * = With Matt Kelly ****If you are downloading this show from the LMA in mp3 form, you are in direct viloation of the original seeders wishes, as is the LMA for hosting the file. Please abandon the download and notify the LMA mods that they are hosting an illicit file.****

03/31/85

Portland - ME
Cumberland County Civic Center 

SHN Source Detail  Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 >  {

04/01/85

Portland - ME
Cumberland County Civic Center 

SHN Source Detail  Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn  {Secondary Source: Steve Ziemba's Cassette Master Aud>Nak300>D5>CM>CDR>EAC>Shn The secondary source supplies the Baby Blue encore CD mastering, EAC'ed/Shn'ed by Charlie Connor Seeded to fungus and abgd by Charlie Connor 3/30/02 (See below for EAC Log) Correct Sector Boundaries Verified with Shntool

04/03/85

Providence - RI
Providence Civic Center 

Source Detail  MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s  {Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16. 3 patches were made using shnid=23927 (Oade-Shoeps-Sacks), see notes. Master audience cassettes provided by Mark McCue. Transfer, edits(CEP 2.0), conversion and seeding to bt.etree.org by Alex Ford.

04/04/85

Providence - RI
Providence Civic Center 

FLAC Source Detail  MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s  {Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford. Additional notes below. Notes: - 2 patches were made to compensate for tape flips using the Oade AUD source (SHNID=23848) on track d1t08 (08:33-09:05) and track d3t03 (06:38-07:23). - There were SBE's and they were fixed and verified with Trader's Little Helper. - Files were encoded @ level 6.

04/06/85

Philadelphia - PA
The Spectrum 

FLAC Source Detail  Sennheiser 421's > Sony D-5 > TDK 90  {Lineage: Sony D-5 > Tascam stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05.

04/07/85

Philadelphia - PA
The Spectrum 

FLAC Source Detail  Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR  {Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.

04/08/85

Philadelphia - PA
The Spectrum 

FLAC Source Detail  Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

04/13/85

Irvine - CA
Irvine Meadows 

FLAC Source Detail  MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II)  {- entire .wav file was normalized to 100% - I was unable to patch Terrapin Station; the only other source is also missing the first few seconds. - *The mics were drapped with a black shall for the entire show (to avoid security). - The sound quality of this recording is spectacular, all hail Mark! Many more to come. - Thanks to Sean M. alias ratbob for the use of his UA-5

04/14/85

Irvine - CA
Irvine Meadows 

FLAC Source Detail  MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II)  { - entire transferred .wav file was normalized to 100% - * loud balloon pop d1t11 (I Need A Miracle) - minor distortion on d2t08 & d2t09 (Sugar Magnolia & Gloria) - The mics were draped with a black shall for the entire show (to avoid security). - This is #02 of the Mark McCue Masters. Enjoy!

04/27/85

Palo Alto - CA
Frost Amphitheatre 

FLAC Source Detail  MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]   {- Good news for Phil fans, this recording will shake your house, your car, your mind... - *strange noise during Little Red Rooster (on Master Cassette) - #Scarlet Begonias fades in due to stealth mic set up

04/28/85

Palo Alto - CA
Frost Amphitheatre 

FLAC Source Detail  MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]   { - This recording maybe alternately tracked for 3 discs. Disc 01 ending w/ I Know You Rider, Disc 02 ending with Drums and Disc 03 ending with She Belongs To Me.

06/14/85

Berkeley - CA
Greek Theatre, U. Of California 

FLAC Source Detail  Sennheiser 441's > Sony D5 > Sony D5 > Cassettes  {- first "Keep On Growing" - last Comes A Time" 10/02/80 - last Stagger Lee 08/10/82 - * d1t08 Stagger Lee missing first few seconds, fades in - ^ Jam at beginning of Drums is with Brent, Mickey & Bill - # d2t05 Space missing last few seconds - Drums > Space were split with CD Wave Editor

06/15/85

Berkeley - CA
Greek Theatre, U. Of California 

FLAC Source Detail  Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes  {MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>tracks joined> CEP 2.0(normalized %100, edits & fades applied)>CD Wave Editor>Flac Frontend>FLAC16. Transfer by Mark McCue An EAC log is included with this fileset. Sector boundaries verified with TLH. Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford Notes: - d1t08 Might As Well missing first 5 seconds. - there is distortion on Disc 02 (from original recording)

06/16/85

Berkeley - CA
Greek Theater, U. of California 

FLAC Source Detail  Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

06/21/85

East Troy - WI
Alpine Valley Music Theatre 

FLAC Source Detail  MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s  {Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Notes: - Master Audience Cassettes provided by Greg Holtz - Taped by Greg Holtz - * d1t02 Cold Rain and Snow recording levels adjusted 0:28 - 0:43. - Tape flips edited with WaveLab. - SBE'S fixed with Trader's little Helper. Files encoded @ level 8. - Transfer, edits, conversion and seeding by Alex Ford July 2007.

06/22/85

East Troy - WI
Alpine Valley Music Theatre 

FLAC Source Detail  (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s  {Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Notes: - Master Audience Cassettes provided by Greg Holtz - Taped by Greg Holtz - Tape flips and tape pauses edited with WaveLab. - SBE Free. Files encoded @ level 8. - Transfer, edits, conversion & seeding by Alex Ford August 2007.

06/24/85

Cincinnati - OH
River Bend Music Center 

SHN Source Detail  Nak 300 > D5 > CM > CDR  {DAE and shorten encoding by C. Vinci Seed via M. Lai

06/27/85

Saratoga Springs - NY
Saratoga Performing Arts Center 

FLAC Source Detail  Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M  {* typical lawn sound. In your face vocals, but thin sounding overall. Pointed at the center repeater, from about 20 feet up the hill. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

06/28/85

Hershey - PA
Hershey Park Stadium 

FLAC Source Detail  2 Sennheiser 441's > Sony D5 > Master Cassettes  {Transfer: MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>wav files joined>CD Wave Editor(retracking)>Flac Frontend>FLAC16. Sector boundaries verified with TLH. .wav files encoded to .flac at level 6. Transfer by Mark McCue. Retracking, conversion and seeding to bt.etree.org by Alex Ford Notes: - * d1t10 Phil's vocal mic cuts in @ 0:16 - 2 Sennheiser 421's were also on mic stand - 8 other decks were connected to this rig

06/30/85

Columbia - MD
Merriweather Post Pavilion 

FLAC Source Detail  Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {Note: First 6:27 of Half Step missing from Oade recording and supplied from aud recorded by Tommy McKeown -- Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN This patch source was normalized using Soundforge 6.0 and pre-empnasis was applied using a Waves paragraphic EQ plugin. No editing whatsoever was performed on the oade source. Seeded 7.15.04

07/01/85

Columbia - MD
Merriweather Post Pavilion 

FLAC Source Detail  Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1  {

07/02/85

Pittsburgh - PA
Civic Arena 

FLAC Source Detail  MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90  {Transfer and mastering by Alex Ford. Transfer: Master Audience Cassette > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96. Editing: .wav @ 24/96 > Wavelab 5.0 (iZotope Ozone 3 + BT Limiter LM2S-3) > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > FLAC16 (level eight).

07/13/85

Ventura - CA
Ventura County Fairgrounds 

FLAC Source Detail  2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90  {Transfer: MAC > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496)> coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Waves L3 UltraMaximizer > .wav @ 1644 > CD Wave Editor > TLH > FLAC16.

07/14/85

Ventura - CA
Ventura County Fairgrounds 

FLAC Source Detail  Nakamichi CM301's(split)>Sony D5M  {Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700

08/24/85

Donner's Summit - CA
Boreal Ridge Ski Resort 

FLAC Source Detail  AKG's > Sony TCD5M > Sony TCDM > (CM - TDK MA90's)  {Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta 1.57

08/30/85

Houston - TX
Southern Star Amphitheater 

SHN Source Detail  Nak 300's>Sony TCD5M(CM)>Nak DR-10  {(Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav(tracking only)>SHNv3 (MKW ACT) Note: This is a new transcription of my prior seed. This one doesn't have the EAC layer and of course the A>D is done with different equipment. Digital mastering by Charlie Connor 4/12/02 Correct sector boundaries verified with Shntool

08/31/85

Austin - TX
Manor Downs 

FLAC Source Detail  (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s  {Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick patch sources: 1- FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 - Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

09/02/85

Oklahoma City - OK
Zoo Amphitheater 

FLAC Source Detail  MAC > Sony D5 > Sony D5 > 2 Maxell MX90s  {Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16.

09/03/85

Kansas City - MO
Starlight Theater 

FLAC Source Detail  custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1  {Note: Cursory comparison of this version to previously-circulating version shows that this version has lower levels, suggesting that previously-circulating version had normalization applied. Seeded 12/13/04 --

09/05/85

Morrison - CO
Red Rocks Amphitheatre 

FLAC Source Detail  MAC > Sony D5 > Maxell MX 90s   {Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006.

09/06/85

Morrison - CO
Red Rocks Amphitheatre 

FLAC Source Detail  Sony D5 > Maxell MX 90s  {Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006.

09/07/85

Morrison - CO
Red Rocks Amphitheatre 

FLAC Source Detail  MAC > Sony D5 > 2 Maxell MX90s  {Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6.

09/11/85

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)  {Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16

09/12/85

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)  {Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16

09/15/85

Chula Vista - CA
Devore Field, Southwestern U 

FLAC Source Detail  Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)  {Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16

10/25/85

Pembroke Pines - FL
The Sportatorium 

FLAC Source Detail  FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s)  {Thanks to Bill for lending me his cassette master for transfer. No selective augmentation of low end was performed - its all Phil. Pauses between tracks smoothed with crossfades. First 16 seconds from d1t07 (Its All Over Now) clipped - spliced from the only other circulating source (which is also clipped). 24/96 stereo DVD-A was also generated.

10/26/85

Tampa - FL
Sun Dome 

FLAC Source Detail  FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette  {*Mark's Master CD-Rs, on which tracks were not placed accurately due to the limitations of the Standalone burner, so after extraction they were pieced back into a single .wav and re-tracked using CD-WAV. #Fades were added in several positions (all during crowd noise) because the Master Cassette was stopped during the crowd noise on multiple occasions. Rather than have abrupt level changes where the tape starts and stops between songs a 0.5s fade out was followed by a 0.5s fade in and a track break was placed during the silence.

03/01/87

Oakland - CA
Henry J. Kaiser Convention Center 

FLAC Source Detail  SBD -> Cassette Master (Sony D5)  {Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 7, 2007 Notes: -- Set 2 is seamless -- Two different SBD Cassette Masters were used to make this seamless -- Thanks to Paul Scotton and Joani Walker for the tapes

03/02/87

Oakland - CA
Henry J Kaiser Convention Center 

FLAC Source Detail  SBD -> Cassette Master (Sony D5)  {Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 7, 2007 Notes: -- Disc change is seamless -- Tape flip towards end of Eyes Of The World -- Thanks to Paul Scotton and Joani Walker for the tapes

03/03/87

Oakland - CA
Henry J Kaiser Convention Center 

FLAC Source Detail  SBD -> Cassette Master (Sony D5)  {Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 7, 2007 Patch Info: SBD Cassette Master supplies: Space (0:22 - 0:30) Notes: -- Disc change is seamless -- This is a Matrix SBD, the straight SBD also circulates -- Mardi Gras Parade with the Neville Brothers during Iko -- Thanks to Paul Scotton and Joani Walker for the tapes

05/02/87

Palo Alto - CA
Frost Amphitheatre 

FLAC Source Detail  SBD -> Cassette Master (Maxell MX90/Sony D5)   {Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 16, 2007

05/03/87

Palo Alto - CA
Frost Amphitheatre 

FLAC Source Detail  SBD -> Cassette Master (Maxell MX90/Sony D5)   {Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net February 16, 2007 Patch Info: Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies: Drums (9:50 - 10:04)

07/04/87

Foxboro - MA
Sullivan Stadium 

SHN Source Detail  FOB>>aud>>senn me80>>cassette master>>cdr  {**There is a sdb of the Dylan circulating. any questions or info send to usalai@nycap.rr.com thanks to Dr.B.Fried for lending me his masters. conversion by mike lai stellablue.etree.org

07/10/87

Philadelphia - PA
John F Kennedy Stadium 

SHN Source Detail  FOB> aud> senn me80> cassette master> cdr  {**There is a sdb of the Dylan circulating. any questions or info send to usalai@nycap.rr.com thanks to Dr.B.Fried for lending me his masters. conversion by mike lai

07/12/87

East Rutherford - NJ
Giants Stadium 

SHN Source Detail  AUD FOB CM>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT)  {Note: md5's provided for both shn & wav files. Aud source supplied by PainoMan. All other work (including everything above in this text file) fantastically done by Charlie Conner. This was my first show and my first tape! - PainoMan

08/11/87

Morrison - CO
Red Rocks Amphitheatre 

FLAC Source Detail  Sony D5M  {Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

08/12/87

Morrison - CO
Red Rocks Amphitheatre 

FLAC Source Detail  Sony D5M  {Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

08/15/87

Telluride - CO
Town Park 

FLAC Source Detail  Sony D5M  {Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

08/16/87

Telluride - CO
Town Park 

FLAC Source Detail  Sony D5M  {Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

10/02/87

Mountain View - CA
Shoreline Amphitheatre 

SHN Source Detail  SBD>>MC>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA  {Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 5, 2002. Brief patch at the beginning of Cold Rain and Snow.

10/03/87

Mountain View - CA
Shoreline Amphitheatre 

SHN Source Detail  SBD>>MC>>DAT>>WAV>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN  {Digitally remastered using a custom built, Dual DAW, nicknamed Bertha, by jashley@deadacated.com on December 5, 2001. Disc change between disc 1 and disc 2 is made between Cumberland and Looks Like Rain where there is a brief pause. There is no fading done here to preserve a seamless linking of tracks during transfer to greater capacity media.

10/04/87

Mountain View - CA
Shoreline Amphitheatre 

SHN Source Detail  SBD>>MC>>DAT>>CDA>>WAV>>SHN>>DAW(Bertha)>>CDA  {Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on February 1, 2002.

07/29/88

Monterey - CA
Laguna Seca Recreation Area 

FLAC Source Detail  Sony WMD6-C Maxell MX-90 No nr  {No taping section for these shows. David Lindley and El-Rayo X opened

07/30/88

Monterey - CA
Laguna Seca Recreation Area 

FLAC Source Detail  Sony WMD6-C Maxell MX 90 No nr  {Master>D6>HD>Audacity>CDWave>TLH encore not recorded due to equipment failure

07/31/88

Monterey - CA
Laguna Seca Recreation Area 

FLAC Source Detail  Audience FOB Recording, DFC  {Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Transfer by: A. Egert Mastering by: C. Ladner

09/08/88

Philadelphia - PA
The Spectrum 

SHN Source Detail  SBD>Metal Cassette Master>DAT  {Tascam DA20>HHb850>CDR by tDonaldson & friends CDR>EAC>CDR by johncva@aol.com CDR>EAC>MKW Utility>.shn files by johncva@aol.com

09/09/88

Philadelphia - PA
The Spectrum 

SHN Source Detail  SBD > Cass Master > DAT > CDR > CDR > EAC > SHN   {The cut in "I Will Take you Home is on the master according to the document that came with the discs. There were a few Dropouts at the end of d1t09 Don't Ease Me In during the audience, I removed them with Cool Edit. EAC/SHN done by Darryl Hinko (flyerfanatic) Thanks to Joe Masino for the source discs. From The SHN Traders Enjoy!

09/11/88

Philadelphia - PA
The Spectrum 

SHN Source Detail  SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN  {Notes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on January 14, 2003. (*) After analyzing the hiss, I am certain the original source contains at least two analog generations. No noise reduction was used in the remastering process. Disc 2 to Disc 3 change is made between Space and The Wheel, and was made with no fades to preserve a clean rejoining of tracks during the transfer to larger media. The original SHS were uploaded to me by Tim Wiley. Enjoy! jay From Tim's notes: No noise reduction preformed. No edit work preformed. Fades are present in between disks. There is a drop out somewhere on D1t8. A Cass. flip on D2t4. The tracking might be off. Also some redundancy may be present between disk 1 and 2. Ripped/SHN for Jay on 01/02/2003 EAC: Secure mode to extract all tracks @ 100 % quality no reported errors. SHN: Via mkwact(seekable) Noted flaws: d1t1 -- skip 0:26 into Iko (DN 1/23/02) d1t8 -- skip 0:18 into Promised (JS 1/22/02)

09/12/88

Philadelphia - PA
The Spectrum 

SHN Source Detail  SBD/Matrix > MC > DAT > CDR > MKWACT  {Thanks to Dan Szymanski for the source discs EAC'd/Seeded by Doug Nawrocki *sub-second dropout at 5:27 in Dupree's fixed with Cool Edit Pro

09/14/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/15/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/16/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/18/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/19/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/20/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/22/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/23/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

09/24/88

New York - NY
Madison Square Garden 

FLAC Source Detail    {

04/01/90

Atlanta - GA
The Omni 

SHN Source Detail  aud MC>DAT>CD-R Nak 300/CP4's > PMD 420   {Please report any flaws to Tony Gardner - gdtrfb@bellsouth.net My first show! Thanks to Kevin Gills for the discs there are some apparant problems with clipping that came from the source, but it still sounds great. I'm hoping that bringing this show out in the open will prompt someone to come across with a better source (spelled sbd)

04/02/90

Atlanta - GA
The Omni 

SHN Source Detail  Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact  {Transfer: **eac > cdwave > mkwact Discs provided by Kevin Gills, shn by Doug Nawrocki * this is an analog deck so the lineage is: audmc>dat>cdr>eac>cdwave>shn **range extracted at 100% for retracking

04/03/90

Atlanta - GA
The Omni 

SHN Source Detail  aud MC>DAT>CD-R Nak 300/CP4's > PMD 420  {First few seconds of Promised Land were missing on the source discs. Please report any flaws to Tony Gardner gdtrfb@bellsouth.net My first show! Thanks to Kevin Gills for the discs

09/14/90

New York - NY
Madison Square Garden 

SHN Source Detail  EAC(secure)>CD WAV>SHN(seekable)  {No noteable flaws. Conversion/Edit/Seeded to Etree by T. Wiley 8/27/2002. EAC: Secure to extract all disks @ 100% quality no reported errors. CD WAV: To select tracks. SHN: Via mkwact(seekable) Another Installment Of The Music Never Stopped Project! Thanks to Paul B. for the source disks. ENJOY!!

09/15/90

New York - NY
Madison Square Garden 

SHN Source Detail  MAD>D>CD  {

09/16/90

New York - NY
Madison Square Garden 

SHN Source Detail  Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interc  {Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers)

09/18/90

New York - NY
Madison Square Garden 

SHN Source Detail  DFOB MAD>D>CD  {Tapers became friends with the head security guard and ran a D5 copy for him every nite (a tradition that was apparently carried on in following years by other tapers) Secondary Source: 20th row FOB B&K4011's> DAT; DAT> SHN via M1> Zoltrix> Cooledit2k> CDWAV> MKW

09/19/90

New York - NY
Madison Square Garden 

SHN Source Detail  FOB with B&K 4011 mics  {Re-shn (seekable) of original non-seeking shn set by dsacks@pcisys.net seeded to abgd/etree 5/2002

09/20/90

New York - NY
Madison Square Garden 

SHN Source Detail  EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)  {D2t01 (Tunning) Digital pop @ 1:06 removed. D2t03 (Truckin') Digital pop @ 1:14 removed and a Drop out @ 5:11 removed. Conversion/Seeded to Etree by T. Wiley 8/21/02 EAC: Secure to extract all disks @ 100% quality no reported errors. CD WAV: To select tracks. Cool Edit Pro: See comments above. SHN: Via mkwact(seekable) Another Installment Of The Music Never Stopped Project! Thanks to Paul B. for source disks. ENJOY!!

10/31/90

London - England
Wembley Arena 

SHN Source Detail    {

09/08/91

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD> DAT> CD  {Seeded by jashley@deadacated.com Set 1 fits on one 80 minute disk. Move track 10 to disk 2 to use 74 minutes disks. Disk 1 is 78:04 as currently tracked.

09/09/91

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD>>DAT>>CDA  {

09/10/91

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD> DATs> CDRs> EAC> SHN  {Branford Marsalis Sat in with the Band the whole night

09/12/91

New York - NY
Madison Square Garden 

SHN Source Detail  Clean up of SHNid=516; SBD > DAT > CDR > SHN  {The pedigree for this tape is soundboard > DAT > CDR > SHN according to Tiedrich's Tapes in Circulation page. All you alert Beatles fans will note the "I Want to Tell You" tease in the tune-up before Sugar Magnolia Notes: - I recut this show. Some of the cuts were slightly off and there was 3 minutes of tuning prior to Sugar Magnolia. - Just before "We'll be Back" there was a dropout. 00:01.796 was cut out. - Dropout in Foolish Heart repaired. It occurs around 1 minute into the song. 00:00.12 was cut out. - Between Drums and Space there was 00:00.603 of silence. I cut this out to make d2 and d3 seemless. - Between Sunshine Daydream and the encore there was a tiny skip. I cut out 00:00.045 to make it a bit more seemless. - Many pops and clicks taken out. Complete list in info file that comes with this set.

09/13/91

New York - NY
Madison Square Garden 

FLAC Source Detail  DSBD > DAT > CD > EAC > FLAC  {EAC/FLAC by Darryl Hinko (flyerfanatic) Any questions contact me at: flyerfanatic2817@yahoo.com EAC in secure mode with proper offsets to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing FLAC frontend for encoding to FLAC Notes: - No cut in When I Paint my Masterpiece - Disc 2 and Disc 3 are seemless Enjoy!

09/14/91

New York - NY
Madison Square Garden 

FLAC Source Detail  SBD -> Dat -> CD  {Cleaned up by Darryl Hinko using Cool Edit Pro. Thanks to Charlie Miller for the original files. Most of the bass buzz is gone in this source along with a bunch of other problems. Slight changes to the tracking. Not that there were any problems with the tracking, but I had to join everything together which meant I had to recut it. All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net March 23, 2006 Patch Info: Desolation Row patched from 0:48 - 4:07 with SBD Cassette Master Notes: -- Thanks to David Gans for supplying the patch source

09/16/91

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD>DAT>CD>EAC>SHN  {diginoise/dropout at start of bertha is found on "all that circulate" kowalski@waksman.rutgers.edu

09/17/91

New York - NY
Madison Square Garden 

SHN Source Detail  SBD: DAT> CD> EAC> SHN  {

09/18/91

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD -> DAT -> CD -> EAC -> SHN  {seeded to etree January 24th 2001 by AJ - a2k@pacbell.net - Enjoy!

03/08/92

Landover - MD
Capital Centre 

SHN Source Detail  S : MC > D > CDR  {little hiccup at 3:32 of Drumz, weird digital distortion from 6:44-7:14 & 7:56-8:01,8:43-end of Throwing Stones, first few seconds, 0:35-0:49 of NFA and 1:49-2:00 & 2:48 of Quinn fades at end of d2 and start of d3 were on source discs EAC (secure mode with proper offsets), editing and shn conversion by Tony G (spreaddead@bellsouth.net) 05/26/2002 Additional Editing by Alan J Fink (aj.fink@verizon.net) using Cool Edit Pro 2.0 with AUD supplied by Tony G (spreaddead@bellsouth.net) 12/22/2002 d3t04 Throwing Stones AUD patches 6:41 - 7:15, 7:56 - 8:01, 8:43 - 8:47 (end) 8:14 click removed d3t05 Not Fade Away AUD patches 0:00 - 0:03 0:32 - 0:47 0:55, 5:03 clicks removed d3t06 The Mighty Quinn AUD patches 1:49 - 2:04 2:26 - 2:30 2:46 - 2:49 Another installment of The Music Never Stopped Project! Thanks to Paul for the seed discs.

03/16/93

Landover - MD
Capital Centre 

SHN Source Detail  sbd>dat>c>dat>cdr  {Thanks to Paul B. for the discs DAE and seeding by Tony G (gdtrfb@bellsouth.net) Enjoy!

03/17/93

Landover - MD
Capital Centre 

FLAC Source Detail  Unknown Mics -> ? -> Cassette   {Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 29, 2006 Notes: -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck

03/17/93

Landover - MD
Capital Centre 

FLAC Source Detail  SBD -> Dat (44.1k)  {-- Encore moved to end of 1st Set to fit show onto 2 discs -- 2nd set and Encore are seamless

03/18/93

Landover - MD
Capital Centre 

FLAC Source Detail  SBD -> Dat (44.1k)  {-- 2nd Set is seamless -- 2nd Set with Bruce Hornsby

03/31/93

Uniondale - NY
Nassau Coliseum 

SHN Source Detail  SBD -> Dat -> Cm -> Dat  {Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN (2 Discs SHN / 2 Discs Audio) All transfers done by Charlie Miller charliemiller87@earthlink.net 8/1/03

04/01/93

Uniondale - NY
Nassau Coliseum 

SHN Source Detail  DSBD > C > DAT > CD > EAC > SHN   {* Barney the dinosaur feigning bass while Phil plays behind the rack EAC/SHN by Darryl Hinko (flyerfanatic) Any questions contact me at: flyerfanatic2817@yahoo.com EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing MKWact for encoding to SHN Released: Thanks to David Feldstein for the source discs Thanks to TOL for the patch source Patch source: B&K 4011 w/balls > HDS1@stacks front center of ts > CD http://db.etree.org/shninfo_detail.php?shnid=17682 Notes: - d2t02 Saint of Circumstance: 2000 ms crossfade from 3:34 - 3:42 - d2t05 Drums: Patch (no crossfade) from 11:31 - 12:34 - Drums/Space split on a natural fadeout. They can be reassembled seemlessly. A big thanks goes out to Mike, Teri and Tom for helping me spread these seeds far and wide. And another big thanks to Richard, Michael, Mick and Vivek over at Eurotraders. Enjoy!

04/02/93

Uniondale - NY
Nassau Coliseum 

SHN Source Detail  SBD>DAT>C>DAT>CDR  {Conversion: CDR>EAC>WAV>MKW>SHNv3 by Dan Carr 11/8/02 *Light crackles at points The analog gen is audible in the quiet parts, but the sound is very good overall. Enjoy!

04/04/93

Uniondale - NY
Nassau Coliseum 

FLAC Source Detail  SBD > DAT > C > DAT > CD > EAC > FLAC  {Comment: * with Olatunji et al EAC/FLAC by Darryl Hinko (flyerfanatic) Any questions contact me at: flyerfanatic2817@yahoo.com EAC in secure mode with proper offsets used to extract SHNtool to join and confirm sector boundries CDwav used to split tracks Cool Edit Pro used for all editing FLAC frontend for encoding to FLAC Patch source: AUD(Schoeps CMC-541?s) > DAT > CDR http://db.etree.org/shninfo_detail.php?shnid=18528 Notes: - d1t08 Bird Song: 1000 ms crossfade from 0:00 - 0:07 - d3t06 Liberty: 1000 ms crossfade from 5:05 - 5:10

04/05/93

Uniondale - NY
Nassau Coliseum 

SHN Source Detail  SBD>MC>DAT>CDR  {EAC (secure mode with proper offsets) and shn conversion by Tony G (spreaddead@bellsouth.net) 09/17/2002 Another installment of The Music Never Stopped Project! Thanks to Raoul Duke for the seed discs.

05/25/93

Sacramento - CA
Cal Expo 

SHN Source Detail  DSBD: DAT > DAT > Sonic Solutions > CD > CD  {notes - Rex Foundation benefit. - seamless across disks 2 and 3

05/26/93

Sacramento - CA
Cal Expo 

FLAC Source Detail  SBD -> Dat (48k)  {Notes: -- Seamless transition between discs 2 and 3.

05/27/93

Sacramento - CA
Cal Expo 

FLAC Source Detail  SBD -> Dat (48k)  {Notes: -- Seamless transition between discs 2 and 3.

09/08/93

Richfield - OH
Richfield Coliseum 

FLAC Source Detail  SBD -> Master Dat -> Dat Clone (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs 2 and 3.

09/09/93

Richfield - OH
Richfield Coliseum 

FLAC Source Detail  SBD -> Master Dat -> Dat Clone (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs 2 and 3.

09/10/93

Richfield - OH
Richfield Coliseum 

FLAC Source Detail  SBD -> Master Dat -> Dat Clone (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/26/05 Notes: -- Seamless transition between discs.

09/12/93

Philadelphia - PA
The Spectrum 

FLAC Source Detail  SBD -> Master Dat (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/27/05 Notes: -- Seamless transition between discs 2 and 3.

09/13/93

Philadelphia - PA
The Spectrum 

FLAC Source Detail  SBD -> Master Dat (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/27/05 Notes: -- Seamless transition between discs 2 and 3.

09/14/93

Philadelphia - PA
The Spectrum 

FLAC Source Detail  SBD -> Master Dat (48k)  {Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) Transferred and Edited By Charlie Miller charliemiller87@earthlink.net 3/27/05 Notes: -- Seamless transition between discs.

09/16/93

New York - NY
Madison Square Garden 

SHN Source Detail  DAUD/FOB > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz   {R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

09/17/93

New York - NY
Madison Square Garden 

SHN Source Detail  AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (44.1k)  {DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking)

09/18/93

New York - NY
Madison Square Garden 

SHN Source Detail  AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (44.1k)  { DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded and tracked with CDWAV SHN encoding with MKW-ACT (seeking)

09/20/93

New York - NY
Madison Square Garden 

SHN Source Detail  Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7  {+ Edie Brickel sings during Space and GDtRGB

09/21/93

New York - NY
Madison Square Garden 

SHN Source Detail  DAUD/FOB > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz   {R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

09/22/93

New York - NY
Madison Square Garden 

SHN Source Detail  DAUD/FOB > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kHz   {R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all**

09/24/93

Boston - MA
Boston Garden 

SHN Source Detail  SBD -> Master Dat (48k)  {The transition between disc 2 and disc 3 is seemless.

09/25/93

Boston - MA
Boston Garden 

FLAC Source Detail  Set 1: SBD -> Master Dat -> Dat Clone (48k) / set 2: SBD -> Master Dat (48k)  {Seamless transition between discs 2 and 3.

09/26/93

Boston - MA
Boston Garden 

FLAC Source Detail  SBD -> Master Dat (48k)  {Seamless transition between discs.

09/28/93

Boston - MA
Boston Garden 

FLAC Source Detail  SBD -> Master Dat (48k)  {Set 2 is seamless

09/29/93

Boston - MA
Boston Garden 

FLAC Source Detail  Set 1: SBD -> Master Dat -> Dat Clone (48k) / Set 2: SBD -> Master Dat (48k)  {

09/29/93

Boston - MA
Boston Garden 

FLAC Source Detail  Set 1: SBD -> Master Dat -> Dat Clone (48k) / Set 2: SBD -> Master Dat (48k)  {Seamless transition between discs 2 amd 3.

09/30/93

Boston - MA
Boston Garden 

SHN Source Detail  SBD>DAT>C>DAT>CDR  {Thanks to Paul for the seeds. DAE(EACv0.9 beta 4)>dropout repairs(soundforge 5)>boundary correction(shntool)>SHN(mkwact)>FTP via neo_levo/candyman FTP. Another installment of TMNSP - 6/02.

09/27/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones (German)(1) FOB> Sony D7 @48k  {@ Weir acoustic final "TLEO" The microphone type may be incorrect. I contacted some German tapers and they have never heard of this one, but since this is the information that came to me with the dats we left it in the information file. The mics were borrowed to make these recordings and that is the name given to them by the owner. Flaws: d1t01-Stranger: Levels start a little low and fade in as they are dialed in d2t01-China: burst of digi static at 01:38-01:39 patched with unknown aud source seeded by Nick George d3t02 - some bass overload during drums

09/28/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones FOB D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn  {(1) "[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days." Another Installment of The Music Never Stopped Project! ENJOY!!

09/29/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones (German)(1) FOB> Sony D7 @48k  {Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)

10/01/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones (German)(1) FOB> Sony D7 @48k  {- some brief overload distortion a few places during drums (1) "[The PMB mics] were made by a now defunct German company, about 15 years ago. The mic's are self powered (AA batt in each), the 2 sets of capsules that I have are the shotguns (about 12" length) and the small capsules which have a figure-8 pick-up pattern. Balanced output at the mic. They were owned by a speaker designer from England. Before working w/ Home audio, he worked w/ pro sound. He did lots of recording @ small to large venues in the UK. He recorded for broadcasts. He stuck w/ these mic.s through the end of his recording days." Another Installment of The Music Never Stopped Project! ENJOY!!

10/02/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones (German)(1) FOB> Sony D7 @48k  {Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)

10/03/94

Boston - MA
Boston Garden 

SHN Source Detail  PMB Microphones (German)(1) FOB> Sony D7 @48k  {Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)

10/05/94

Philadelphia - PA
The Spectrum 

FLAC Source Detail  aud > WMD-6 > mac > wav > flac  {- small amount of noise reduction applied to the 2nd half of disc 2 - mastered with iZotope Ozone - tape flip in Drums - d2 is 80:34 long and will require an overburn - seamless join between discs comments: (1) acoustic Bob (2) with Jerry

10/06/94

Philadelphia - PA
The Spectrum 

FLAC Source Detail  MK4->Sonosax SX-M2->Sony D10  {Transfer and upload by Frank D'Auria

10/07/94

Philadelphia - PA
The Spectrum 

FLAC Source Detail  MK4->Sonosax SX-M2->Sony D10  {* Weir on acoustic As most of us know tracking on the fly sucks(stand alone burner tracking)... BUT this will be my last .No more EAC. I'm going to use the R-44 for my transfers now. I'm explaining this now because I didn't do a great job on this one. A couple of tracks are late.

10/13/94

New York - NY
Madison Square Garden 

FLAC Source Detail  SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC   {Patched By Charlie Miller charliemiller87@earthlink.net March 25, 2006 Patch Info: Drop out in Touch Of Grey patched with aud Diginoise in Wang Dang Doodle patched with aud Notes: -- All sources provided by Tim Wiley -- This SBD source does NOT have NR applied to it -- The AUD source was remastered with Samplitude -- All patching done with Samplitude

10/14/94

New York - NY
Madison Square Garden 

FLAC Source Detail  SBD -> Dat (44.1k)  {Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 14, 2006 Notes: -- Set 2 is seamless

10/15/94

New York - NY
Madison Square Garden 

FLAC Source Detail  SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC  {Converted By Charlie Miller charliemiller87@earthlink.net 12/13/94 Notes: -- Thanks to David Gans for the discs. -- Encore on end of 1st set to fit show onto 2 discs.

10/17/94

New York - NY
Madison Square Garden 

SHN Source Detail  DSBD>DAT>CDR  {@ Weir on Acoustic % w/ Bob Dylan final "Midnight Hour" final/last "Rainy Day Women" 07-26-87 [547] Thanks to Chris Laughlin for the discs!

10/18/94

New York - NY
Madison Square Garden 

SHN Source Detail  SBD>DAT>C*>CDR   {* Weir on Acoustic Comments:Lineage is uncertain on this show. There's a fair amount of tape hiss present, so I've labeled it C*. This show is definitely listenable, but you'll notice the hiss in the quite parts. (Please Note Edit comment below) This show was EAC'd to SHN by Dan Carr on 12/10/01 as part of a series of shows that I've been to but have not been seeded to etree in SHN format. The sound quality is excellent. Enjoy! Edit/ReSeeded to etree by Tim W. 4/3/02 Edit Comments: I reduced some of the hiss on the songs and heavy reduction inbetween tracks. The hiss is impossile to remove without destroying the highs on the recording. I also noticed major static inbetween D1t6 and D1t7 I removed most of the static on D1t7 but there still is some present for 2 tens of a second. D1t6 static removed completely. D2t2 had a digital pop @ 4:24 that was removed. D3t1 D/O or Tape flip @ 10:58 removed. d3t5 is missing first couple of notes in the song. Enjoy!

10/19/94

New York - NY
Madison Square Garden 

FLAC Source Detail  Unknown Source > CDR > EAC(secure mode, c2, filled up leading & trailing blocks w/silence) > WAV > TLH > FLAC Level 8  {@ Acoustic Bob * Most of Drums with Jerry

Jackie Greene
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

11/27/10

San Francisco - CA
The Fillmore 

FLAC   marantz pmd670 > edirol r9  {Raw wav > CDWav(track, downsampled to 44.1/16) > TLH > Flac Level 8 taped by Lou Gearing & Richie Greenbaum transfered & tracked by terrapin joe esq

12/10/10

Sacramento - CA
Marilyns on K 

FLAC   nak300's > pmd670 > raw wav > cd wav(tracked, 44.1/16) > TLH > Level 8 Flac  {recorded and transfered by lou gearing tracked/flac'd/upped by terrapinj

Kenny Loggins
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

08/27/85

Morrison - CO
Red Rocks 

FLAC   Pre FM > Nero Soundtrax(24/48) > SF9(removed dropouts) > CDWAV(Tracked at 44.1/16) > TLH > Flac Level 8  {part of the built to last projects 2008-09 ramblinrose@triad.rr.com, enjoy :)

Little Feat
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

08/22/02

Petaluma - CA
Mystic Theatre 

FLAC Source Detail  SBD > Sony SBM-1 (Oade Modified) > Dat Master (Sony D8)  {Comments: - Stephen Bruton opened - ^ with Norton Buffalo - # with Mark Karan - % with Stephen Bruton Notes: - * vocals cut in @ 02:14 - Thank you to Charlie for taping and supplying the source files.

Melvin Seals & JGB
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

05/07/09

Denver - CO
Owsley's 

FLAC   DSM-6P -> Sony D6 (Line out) -> Edirol R09HR (24/96) (Line In)  { Transfer: Edirol R09HR (24/96) wav -> USB cable -> PC Editing: Wavelab -> r8brain -> CD wav -> Flac(16) MD5's and SBE checked and verified. By Patrick H. 05/10/2009

moe.
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

05/22/09

Chillicothe - IL
Summer Camp, Three Sisters Park 

FLAC   Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)  {DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16);Seeded By: Z-Man

05/24/09

Chillicothe - IL
Summer Camp, Three Sisters Park 

FLAC   Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48)  {DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)

New Riders of the Purple Sage
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

10/13/89

Milwaukee - WI
Odd Rock Cafe 

FLAC   SBD>Sony WMD-6C>Maxell XLII-90 tapes  {master tape>cassette>Harmon Kardon TD 302, heads aligned to tape>CDRW-DA>WAV(Tracking via wavepad)>FLAC (level 8) via traderslittlehelper

Phil Lesh & Friends
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

10/31/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > CoolEdit Pro > Flac Frontend

11/01/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > CollEdit Pro > Flac Frontend * W/ Neal Casal

11/02/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/03/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/06/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/07/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000> Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/08/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/09/08

New York - NY
Nokia Theatre 

FLAC   Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/11/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/13/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/14/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/15/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/16/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

11/18/08

New York - NY
Nokia Theatre 

FLAC Source Detail  Lunatec V2 > Korg Mr-1000  {Korg Mr-1000 > Usb > Audio Gate > Cool Edit Pro > Flac Frontend

Pink Floyd
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

02/25/71

Hamburg - West Germany
Großer Saal, Musikhalle 

FLAC   CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks) > WAV > TLH Flac Level 8  {* Performed with Brass & Choir. Astronomy Dominé is missing from the source discs

10/07/71

Pompeii - Italy
Roman Amphiteatre 

FLAC   CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks) > WAV > TLH Flac Level 8  {Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : Yes Combined read/write offset correction : 0 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : Yes Null samples used in CRC calculations : No Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Not detected, thus appended to previous track Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 1:52.63 | 0 | 8462 2 | 1:52.63 | 11:49.24 | 8463 | 61661 3 | 13:42.12 | 6:38.23 | 61662 | 91534 4 | 20:20.35 | 10:06.63 | 91535 | 137047 5 | 30:27.23 | 5:54.13 | 137048 | 163610 6 | 36:21.36 | 10:16.55 | 163611 | 209865 7 | 46:38.16 | 1:52.06 | 209866 | 218271 8 | 48:30.22 | 13:13.02 | 218272 | 277748 Track 1 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t01.wav Peak level 87.2 % Track quality 99.8 % Copy CRC 8F00F400 Copy OK Track 2 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t02.wav Peak level 90.9 % Track quality 100.0 % Copy CRC 0463708F Copy OK Track 3 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t03.wav Peak level 99.1 % Track quality 100.0 % Copy CRC 678C5DFA Copy OK Track 4 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t04.wav Peak level 100.0 % Track quality 100.0 % Copy CRC 12A8A3F0 Copy OK Track 5 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t05.wav Peak level 100.0 % Track quality 100.0 % Copy CRC 2FC23477 Copy OK Track 6 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t06.wav Peak level 100.0 % Track quality 99.9 % Copy CRC 13144730 Copy OK Track 7 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t07.wav Peak level 52.2 % Track quality 100.0 % Copy CRC 2BDCF2CB Copy OK Track 8 Filename E:\pink floyd - live at pompeii\pinkfloyd_pompeii_t08.wav Peak level 93.4 % Track quality 99.9 % Copy CRC 0EFC6BC5 Copy OK No errors occurred End of status report

Prince
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

03/07/82

Bloomington - MN
Met Center 

FLAC   unknown Audience recording  {Lineage: CD-r received with tape transfer > Soundforge > CDarchitect > EAC > Flac (level 8, with SBE aligned) From the artwork: "Never before circulated in complete form, this is one of the two concerts scheduled to become a live album and a concert movie as far back as 1982. It has been newly mastered from the original raw source according to 4DF's quality standards. Minor skips on "The Second Coming" come from a taping machine's momentary malfunction. May you live to see The Second Coming"

Reconstruction
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

04/23/79

San Francisco - CA
Old Waldorf 

FLAC Source Detail  SBD > ?? > CDR > EAC(secure mode, c2, filled up leading & trailing silent blocks w/silence) > TLH > Flac Level 8 > You  {

The Dead
Date  City, State, Venue Media Count Media Type SHN Link Source Notes

06/15/03

Manchester - TN
Bonnaroo Music Festival 

FLAC Source Detail  Luminous Monarchs > Lunatec V2 > Luminous Synchestra Signature XLRs > AD2K > M1 @ 48k  {Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac Transferred By: Ryan Burns (mstrpce420@aol.com) Thanks to Mark for the master dats!

01/20/09

Washington - DC
Walter E. Washington Convention Center 

FLAC Source Detail  Camera / Board Feed  {

03/30/09

New York - NY
Angel Orensanz Center 

FLAC Source Detail  Sony Sbm 1 > Sony D-7  {

04/12/09

Greensboro - NC
Greensboro Coliseum 

FLAC   Hydra Silver Clad XLRs -> Sound Devices 722 (40Hz/12dB low cut filter) @ 24bits/96KHz  {Lineage: SD722 -> Cool Edit Pro 2 - Fades, Gain, Resample/Dither to 16/44.1 -> CD Wave -> Flac Frontend (Level 6) -> FLAC16 Comments: Second set "Tuning"and "Jam" are tracked together because of gradual progression from one to the next. "Operator error" (Robert) occurred during a battery check at the beginning of New Potato Caboose. Most of section was recovered from the pre-roll buffer. Maybe a slight transition anomaly, it's nearly imperceptible if you don't know the exact time. ;-) (Reminder to self, engage the panel lockups before getting puddled.) Happy Easter. Enjoy! Bish and Robert NC - Team GangstaLean!

04/15/09

Charlottesville - VA
John Paul Jones Arena 

FLAC Source Detail  set 1 CMXY4V > Mini Me > 722 (24/96) set 2 kmr81i - sx-pr - fr2le 24/96 + cmxy source  {Transfer: Compact Flash > vegas > CDWave > FLAC

04/24/09

Uniondale - NY
Nassau Coliseum 

FLAC Source Detail  SX-PR > 722 (24/96)  {Transfer: Compact Flash > vegas > CDWave > FLAC Recorded & uploaded by Robert Krall "More Nuemann's than Schoeps" Sector Boundary Errors Fixed by Terra Joe(terra3@flacshn.com)

04/24/09

Uniondale - NY
Nassau Coliseum 

FLAC   kc5 > cmc6 > sd744t (24/48)  {audacity (amplify/fades) > cdwav > audacity (dither/resample) > flacfrontend > md5 via mkw

04/25/09

New York - NY
Madison Square Garden 

FLAC   Lunatec V2>Sound Devices 722@24/48  {The Band: Phil Lesh Bob Weir Bill Kruetzman Mickey Hart Warren Haynes Jeff Chimenti

04/28/09

East Rutherford - NJ
IZOD Center 

FLAC Source Detail  SX-PR > 722 (24/96)  {Transfer: Compact Flash > vegas > CDWave > FLAC * = with Branford Marsalis sector boundary errors on set1track7 & set2track8 fixed and verified by terra joe(terra3@flacshn.com)

05/04/09

Rosemont - IL
Allstate Arena 

FLAC   ck5 > cmc6 > sd744 (24/48) > audacity (fades/amplify) > cdwav > xact (flac)  {24 bit files. you cannot burn these to cdr = you must downsample and dither to 16/44

05/07/09

Denver - CO
Pepsi Center 

FLAC Source Detail  DPA 4027(30cm-70deg/5'ROC/OTS)->V2->Mytek 192(24/96)->UV22HR(16/44.1)->CDWave->FLAC  {(1) Acoustic (2) w/ Happy Birthday for Bill Kreutzmann's 63rd birthday

05/07/09

Denver - CO
Pepsi Center 

FLAC   Lunatec V3 (optical out) > iRiver iHP-120  {Master format: 44.1 kHz, 16 bit, stereo (.WAV) Digital transfer: iRiver iHP-120 > USB > PC Digital editing: WaveLab 5.0a (pre and post set fades) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)

05/09/09

Inglewood - CA
The Forum 

FLAC   a60m|c460b > Segue Dogstar XLRs > Fostex FR-2LE (24bit/48khz)  {Notes: - *w/Jeff Chimenti - Some occasional bumps of the mic stand are audible. - Huge thanks to Phil for helping to get my gear in! - Stand lowered during "Drums" to 4.5' - A 24bit/48khz version exists.

05/10/09

Mountain View - CA
Shoreline Amphitheatre 

FLAC   Luminous Audio P/S -> Korg MR-1 (1bit/2.8MHz DSD)  {

05/16/09

Quincy - WA
The Gorge 

FLAC   csb>r-09(24/48)  {transfer:wavelab(16/44.1)>flac

skin by otto @2001
modified with permission by etreedb.org