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Grateful Dead
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Date |
Venue |
City |
State |
Media Type |
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11/03/65 |
Golden State Studios |
San Francisco |
CA |
shn |
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Source Detail |
Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
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05/19/66 |
Avalon Ballroom |
San Francisco |
CA |
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Source Detail |
mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler |
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10/22/67 |
Winterland Arena |
San Francisco |
CA |
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Source Detail |
SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation |
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01/23/68 |
Eagles Auditorium |
Seattle |
WA |
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Source Detail |
Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler |
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04/20/69 |
Clark University |
Worcester |
MA |
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Source Detail |
complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch
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10/25/69 |
Winterland Arena |
San Francisco |
CA |
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Source Detail |
SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell ,
edited by David Gans; via R. Jagla |
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06/07/70 |
Fillmore West |
San Francisco |
CA |
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Source Detail |
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield |
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04/26/71 |
Fillmore East |
New York |
NY |
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Source Detail |
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead |
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04/27/71 |
Fillmore East |
New York |
NY |
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Source Detail |
MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
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04/28/71 |
Fillmore East |
New York |
NY |
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Source Detail |
MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead |
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06/10/73 |
Robert F. Kennedy Stadium |
Washington |
DC |
shn |
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Source Detail |
SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" |
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11/20/73 |
Denver Coliseum |
Denver |
CO |
cdr |
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Source Detail |
S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details |
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02/24/74 |
Winterland Arena |
San Francisco |
CA |
shn |
SBD->Master Reel->PCM->DAT->Fostex D5 DAT |
Source Detail |
SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional?
PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)>
SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated
in accompanying info file, and thus does not require overburning (possibly
was EZCD artifact?); no flaws noticed |
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05/19/74 |
Portland Memorial Coliseum |
Portland |
OR |
cdr |
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Source Detail |
SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked
on sector boundaries by J. Kempka; see public comments for detailed flaw notes |
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06/29/76 |
Auditorium Theatre |
Chicago |
IL |
cdr |
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Source Detail |
7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness |
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02/26/77 |
Swing Auditorium |
San Bernardino |
CA |
cdr |
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Source Detail |
Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation
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04/23/77 |
Springfield Civic Center |
Springfield |
MA |
shn |
SBD->MR->DAT->CD |
Source Detail |
SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation
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05/07/77 |
Boston Garden |
Boston |
MA |
cdr |
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Source Detail |
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) |
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05/08/77 |
Barton Hall, Cornell University |
Ithaca |
NY |
cdr |
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Source Detail |
freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin |
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05/17/77 |
Memorial Coliseum, University Of Alabama |
Tuscaloosa |
AL |
shn |
SBD>MR 7" (Baked)>DAT>Cass>DAT>CD |
Source Detail |
SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation
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05/26/77 |
Baltimore Civic Center |
Baltimore |
MD |
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Source Detail |
Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits |
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06/09/77 |
Winterland Arena |
San Francisco |
CA |
shn |
Master Reels>PCM>DAT>Delta DiO 2496>Sound Forge 4.5>CDWAV>SHN |
Source Detail |
Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation
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10/02/77 |
Paramount Theatre |
Portland |
OR |
shn |
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Source Detail |
WBOTB tree;
Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1
@ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder
> analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones,
brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog
tape damage leading to a cut during the song. There is an illegal bootleg
available that apparently has no cut in Wharf Rat, but the cut has been
edited out and the song is about 30 sec shorter than on the Betty reel.
No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
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10/07/77 |
University Arena, University Of New Mexico |
Albuquerque |
NM |
shn |
Master Reels-> DAT-> DAT-> Sonic-> CD-> CD-> SHN |
Source Detail |
partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans;
via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation
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11/06/77 |
Broome County Arena |
Binghamton |
NY |
shn |
Reel -> DAT -> CDR |
Source Detail |
Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki |
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07/08/78 |
Red Rocks Amphitheatre |
Morrison |
CO |
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Source Detail |
SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
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09/16/78 |
Gizah Sound and Light Theater |
Cairo |
Egypt |
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Source Detail |
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation
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12/28/79 |
Oakland Auditorium Arena |
Oakland |
CA |
shn |
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Source Detail |
SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation |
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05/12/81 |
Veterans Memorial Coliseum |
New Haven |
CT |
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Source Detail |
SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. |
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05/16/81 |
Barton Hall, Cornell University |
Ithaca |
NY |
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Source Detail |
Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation |
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04/13/83 |
Patrick Gymnasium, U of Vermont |
Burlington |
VT |
cdr |
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Source Detail |
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks |
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04/01/84 |
Marin County Veterans Auditorium |
San Rafael |
CA |
shn |
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Source Detail |
Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation
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02/18/85 |
Henry J. Kaiser Convention Center |
Oakland |
CA |
shn |
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Source Detail |
SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy |
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12/30/85 |
Oakland-Alameda County Coliseum |
Oakland |
CA |
shn |
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Source Detail |
SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct:
My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster
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