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Widespread Panic 08/06/2003

SHOWID 183900

Set I

Can't Get High, Fishing, Counting Train Cars, Yard of Blonde Girls, Blue Indian, Don't Wanna Lose You, Trouble, Doreatha, Ophelia, Imitation Leather Shoes
E: Papa Johnny Road

Set II

 

Set III

 

Comment

 

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
slowhand_6 (5/5) CDR / 1 A+ A+ View  
Scott Heath (5/5) AUDIO / 1 View 26270 "Pre-FM CDR"> EAC Secure > FLAC
Jason (5/4.8) CDR / 1 A+ A+ View   Pre-FM > ? > CDR
Mark Brut (5/5) CD / 1 A A View   FM
Notes: 8/13/03 Telluride rain shortened first set on same CD, overburned
Jim Coffey (5/5) CD-R / 1 A+ View  
Notes: FLAC CDR also contains WMV video format of show.
Captain Ten Hits (5/5) flac / 1 View 26270 Pre-FM CDR > EAC Secure > FLAC
John R (5/5) / 3 A+ View   FM
Notes: For details see my webpage at http:www.Jambands1.homestead.com/Jambands.html
D.P. Swint (5/4) CD-R / 1 View   "Pre-FM CDR"> EAC Secure > FLAC> CD
Cobb Vaughan (5/4) CDR / 1 A A+ View   Pre-FM CDR
Scott (5/0) CD-R / 1 A View  
Bouwser (5/5) CD-R / 1 A View   "Pre-FM CDR"> EAC Secure > FLAC
Cappy (5/0) FLAC / 1 A View 26270
Notes: Pre-FM
MeltN2aDream (5/5) cdr / 1 View   FM
Notes: Acoustic
June Mackey (5/5) CDR / 1 A A View  
Brad Eppert (5/5) cdr / 1 A+ A+ View  
Pete (5/0) / 0 View  
Jim Goodman (5/0) CDR / 1 View   DAO
Mark Moran (5/5) / 1 A A View  
Kevin Christian (5/0) CDR / 1 A A+ View   PRE-FM>CDR>EAC secure>Flac
Dan Niggemann (5/0) FLAC / 1 B View 26270
Notes: "Pre-FM CDR"> EAC Secure > FLAC source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
Tahoe Gribi (5/0) FLAC / 1 A++ A++ View 26270
Notes: This is a disk even non-Panic fans will love!
marley (5/5) cdr / 1 View  
Grant (5/1) CD-R/FLAC / 1 View 26270
Jesse Kaisner (5/5) / 1 View  
Jason Everson (5/0) CDR / 1 A+ View   Pre-FM CDR > EAC Secure > FLAC
Drew Cougs (5/5) MPEG / 0 View   3 camera shoot -> ? -> WMV -> TMPGEnc -> MPEG1
Notes: MPEG radio broadcast
Kevin Wilt (5/3.8) SHN / 2 View   radio broadcast
Super Freak (5/0) CDR(DAO) / 1 A+ View   "Pre-FM CDR"> EAC Secure > FLAC
Notes: source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. Still, the quality is simply amazing. Thanks to all involved.
Super Freak (5/0) VID(WMF) / 1 View   see notes
Notes: This is a 3-camera shoot from the 8/6/03 radio broadcast recording, in Windows Media Video format. It's a bit dark, particularly on George's side of the stage, but overall a fun viewing on your PC.... Beware that the credits rolled prematurely before the encore break, so be sure to stick around for the encore! I should confess that the reason the lighting on George is so dark is partly my fault! You see, when we have bands play at our school for radio broadcasts (Phil, Ben Harper, Jack Johnson, P-Funk have all been there in the last year), the students are actually put to work helping set up the show and, in some cases, run the lights & sound. Anyway, I petitioned early on to do lights when Panic came, and they let me do them. I was stoked! ... we have a small laser-ish, moving-lights setup in the performance space, and I was primed to bust a move on the light boards. Unfortunately, the stationary lights -- which are intended to help out with the video image -- were not adjusted properly by my student crew, and I didn't notice til the show had already started that George had moved his chair a few feet from where the lights were originally aimed. Woops. I tried, in vain mostly, to swirl some laser lights on him, and it looked fine in the room, but on video (and subsequent conversion to WMV) it basically looks PITCH BLACK on any closeup of George. So, be warned.... otherwise it's a great production with lots of nice closeups, especially of JB (but sadly little focus on the lighting designs I had on either side of the stage). Lastly, please note that the band doesn't come out on stage til about 4 minutes into the video. There are a bunch of stupid school and radio announcements here, that fortunately weren't inlcuded in the FLAC audio version.
Super Freak (5/0) CDR(DAO) / 1 A+ View   "Pre-FM CDR"> EAC Secure > FLAC
Notes: source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. Still, the quality is simply amazing. Thanks to all involved.
Super Freak (5/0) VID(WMF) / 1 View   see notes
Notes: This is a 3-camera shoot from the 8/6/03 radio broadcast recording, in Windows Media Video format. It's a bit dark, particularly on George's side of the stage, but overall a fun viewing on your PC.... Beware that the credits rolled prematurely before the encore break, so be sure to stick around for the encore! I should confess that the reason the lighting on George is so dark is partly my fault! You see, when we have bands play at our school for radio broadcasts (Phil, Ben Harper, Jack Johnson, P-Funk have all been there in the last year), the students are actually put to work helping set up the show and, in some cases, run the lights & sound. Anyway, I petitioned early on to do lights when Panic came, and they let me do them. I was stoked! ... we have a small laser-ish, moving-lights setup in the performance space, and I was primed to bust a move on the light boards. Unfortunately, the stationary lights -- which are intended to help out with the video image -- were not adjusted properly by my student crew, and I didn't notice til the show had already started that George had moved his chair a few feet from where the lights were originally aimed. Woops. I tried, in vain mostly, to swirl some laser lights on him, and it looked fine in the room, but on video (and subsequent conversion to WMV) it basically looks PITCH BLACK on any closeup of George. So, be warned.... otherwise it's a great production with lots of nice closeups, especially of JB (but sadly little focus on the lighting designs I had on either side of the stage). Lastly, please note that the band doesn't come out on stage til about 4 minutes into the video. There are a bunch of stupid school and radio announcements here, that fortunately weren't inlcuded in the FLAC audio version.
Cardz024 (5/5) VCD / 1 A- A- View  
GA Spacewrangler (5/5) CD / 1 A+ A+ View   soundboard
Notes: soundboard
GA Spacewrangler (5/5) VCD / 1 A+ A+ View   web tv > vcd
GA Spacewrangler (5/5) DVDR / 1 A+ A+ View   web tv > vcd > dvd-r
Jason W. (5/5) CDR / 1 E View   Pre-FM CDR> EAC Secure > FLAC>CDR
Patrick (5/0) / 0 View  
Taylor73 (4/0) flac / 0 View 26270 26270 PreFM
Harvey Couch (4/0) / 0 View   Pre-FM CDR > EAC
ASUspreadhead (4/0) dvd / 1 View  
Jeff Williams (4/0) FLAC / 1 View 26270 Pre-FM
Ruben (4/5) CD-R / 1 View   AUD
Jeff (4/5) CDR / 1 A A View   SBD
Doug Nawrocki (4/4.8) FLAC DVD / 1 View 26270 Pre-FM CDR > EAC
Notes: Filed as BC 3.25.05
Jared Tubbs (4/5) cdr (DAO) / 1 A A+ View  
Mao (4/0) FLAC / 1 View  
Chad Morris (4/5) WAV, FLAC / 1 View 26270
Notes: WOW
Brian (4/5) audio / 1 View  
Notes: Acoustic Show Pre FM SBD
bob bartelma (4/5) CDR / 1 A View  
Notes: FM broadcast. Exceptional sound quality.
Benjamin True (4/2.5) CD-R / 1 View   Pre-FM CDR > EAC Secure > FLAC>CDR
Notes: Flac or audio
Jen (4/0) CDR / 1 A View  
Jen (4/0) CDR / 1 A View  
Jen (4/0) CDR / 1 A View   "Pre-FM CDR"> EAC Secure > FLAC (see notes)
Notes: Widespread Panic 8/6/2003 Ex'pression Center for New Media Emeryville, CA disc 1 (all, one set): 1.. radio introductions 2.. Can't Get High 3.. Fishing 4.. Counting Train Cars 5.. Yard of Blonde Girls 6.. Blue Indian 7.. Don't Wanna Lose You 8.. Trouble 9.. Doreatha 10. Ophelia 11. Imitation Leather Shoes 12. encore: Papa Johnny Road source: "Pre-FM CDR"> EAC Secure > FLAC [more details below] source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
Michael (3/0) FLAC / 1 View 26270
Albix (3/4.7) wav / 1 View   KFOG FM live broadcast
Mike Pageau (3/0) SBD 10 / 1 View 26270
J. B. (3/0) FLAC / 2 A View   Pre-FM CDR > EAC Secure > FLAC
J. B. (3/0) DVD / 1 A View   video: webcast rip; audio: SBD from broadcast
Denman (3/5) CD-R / 1 A View  
Jeff Friedman (3/4.8) CD-R / 1 View   "Pre-FM CDR" -> EAC Secure -> FLAC
Tim Gilligan (3/5) cdr / 1 A+ View  
Jeff Richardson (3/4.9) VCD / 1 A+ View   Pre FM cdr>EAC secure>FLAC
Notes: I tracked this VCD into 14 Chapters ..making it possible to forward from one song to the next...The sound is great, but the video is kinda blurry (mpeg sourced)
Steve Halliday (3/0) cdr / 1 A+ View  
DiamondDave (3/5) CDR / 1 A View   SBD
corey mcclenahan (3/4) CDR / 1 View   "Pre-FM CDR"> EAC Secure > FLAC
CricKeT (3/0) MPEG1 / 1 View   3 camera shoot -> ? -> WMV -> TMPGEnc -> MPEG1
Darryl Kniaz (3/5) / 0 View  
KCMoeJoe (3/5) CDR / 1 A+ A+ View   "Pre-FM CDR"> EAC Secure > FLAC
Pat Downing (3/5) CDR / 1 A+ A+ View  
Notes: FM SBD; All acoustic show
Jim Bove (3/0) FLAC / 1 View   "Pre-FM CDR"> EAC Secure > FLAC
Notes: 1 cdr
Carla (3/5) cdr / 1 A A+ View  
Notes: sweet acoustic set
mike (3/0) cdr / 1 View  
Hannon Hardy (3/5) FLAC / 1 10 View   "Pre-FM CDR"> EAC Secure > FLAC
Allen Schilling (3/0) CDR / 1 A A View 26270 Pre-FM CDR
Notes: source: "Pre-FM CDR"> EAC Secure > FLAC [more details below] source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
Steve Dusek (3/5) CDR / 1 View   "Pre-FM CDR"> EAC Secure > FLAC
Molly Young (3/5) / 1 View   Pre-FM CDR"> EAC Secure > FLAC
Notes: source details: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing. Thanks to all involved.
Tim Arwood (3/0) CDR / 1 A++ View   "Pre-FM CDR"> EAC Secure > FLAC
Notes: This show was performed at an excellent college for audio engineering (www.expression.edu)...it was recorded for future broadcast on SF radio station KFOG 104.5 FM. The live performance space, called Meyer Hall, is where the band set up, and the stage directly feeds the many recording consoles & studios throughout the school. The show was multi-tracked to digital Hi-8 tapes via a Neve VR recording console (juicy pre's!), as opposed to flowing through the front-of-house soundboard. The Hi-8's were later transferred to ProTools where the final mix for the radio broadcast was done. All multi-tracks and protools files were subsequently destroyed so the CD for radio broadcast was the best I could get my hands on, thus the necessary EAC step. The quality is simply amazing.
shane (3/5) CD-R / 1 View  
Notes: Pre-FM CDR > EAC Secure > FLAC>CDR
james benjamin (3/0) CDR / 1 A+ View   Pre-FM CDR>EAC Secure
crabacus (3/0) FLAC / 1 View   Pre-FM CDR
Darrell Grant (3/5) flac / 1 View   "Pre-FM CDR"> EAC Secure > FLAC
David L. (2/4.8) CDR / 1 A+ View   pro
Bluesthinker (2/4.9) CDR / 1 A A+ View  
Notes: Acoustic Show Pre FM SBD
My Home (2/0) Flac 16 / View 26270 source: "Pre-FM CDR"> EAC Secure > FLAC
Tom Langdon (2/5) / 0 View 26270
Scott (2/0) CDR(DAO) / 1 View  
Scott (2/0) VID(WMF) / 1 View  
Lee Alberts (2/4.3) CDR / 1 View 26270
Marc (2/0) / 0 View 26270
Wiggler (2/0) CDR / 1 B+ A View   Pre-Fm CDR > EAC > Flac
Chris Rothan (2/0) MPEG / 1 View   3 camera shoot -> ? -> WMV -> TMPGEnc -> MPEG1
DVA (2/0) / 1 View  
steve black (2/5) FLAC / 1 View 26270
Red (2/5) CDR / 1 View  
Red (2/5) VCD / 1 View  
Notes: VIDEO
Walter Sobchak (2/1) FLAC / 1 View 26270
Michael (2/5) CDR / 1 A View   SBD?
Steven C (2/0) cd-r / 1 View  
Sara Bean (2/0) / 1 View  
Charissa (2/5) cdr / 1 A A+ View   sbd
Notes: FM Broadcast