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Pink Floyd 11/13/1967

SHOWID 18609

Set I

Reaction In G, Pow R Toc H, Scream Thy Last Scream, Set The Controls For The Heart Of The Sun, Interstellar Overdrive

Set II

 

Set III

 

Comment

"Hippy Happy Fair"

Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
wes meyette (5/0) / View  
OldNeumanntapr (5/5) FLAC / 0 B View   Audience; Bernard's reels (Master) > WAVE > FLAC
Notes: Dedicated in loving memory to Roger Barrett and Bernard White. Liner notes: "Bernard White died in 2005 and he is dearly missed by Pink Floyd fans from across the globe. Before the sad events that lead to his death, he was a true groundbreaker in terms of Pink Floyd collecting and knowledge. A contributor to various early books and articles about the band, with a happy knack of being in the company of the right people at the right moment, Bernard always had time to talk to fans who visited the various shops and market stalls that he worked in and owned in London. People would track Bernard down from all over the world and stand around for hours asking questions and seeking a chance to borrow his precious reels, tapes and memorabilia. Most requests were politely declined but there were a lucky few whom he assisted. The Copenhagen, Rotterdam, CBC and Irene Winsby recordings on these discs are from Bernard's reels. The two 1967 concerts were copied from a visitor to the UK capital in around 1975. Bernard knew Irene Winsby and CBC was from Capital Radio when they made the six-part Pink Floyd Story. For this Harvested release, the reels were transferred using the best equipment under recording studio-type conditions, then enhanced and edited. A little more Rotterdam was found separately and added in to give a longer recording than most will have. Much of Bernard's archive was disposed of hurriedly after his death, with very little regard to how it would be kept. Indeed, rumor has it that a lot of it was simply thrown away. The cream of the collection survived; however, and it's just possible that other items will reach the light of day." IP This is a release that the Harvested Team has been working on for a while and big kudos to MOB and Ed for all their great hard work. This release will appeal mostly to hardcore fans that want a glimpse into the only known concert recordings of The Pink Floyd with Syd Barrett circa 1967. Even though the source for this was the master reels, the sound quailty is still pretty bad most of the time, yet shines through during others. Syd's vocals are absent (or barely audible) most likely due to a bad microphone or mix, but luckily a good part of the performance is instrumental (Matilda Mother at the Copenhagen gig rocks!!!). We felt that since we had the original source for these important historic recordings (that have been widely available for years) that they deserved a tedious remastering process in an attempt to create a definitive version of these shows. NOTE: These tracks come from Disc Two of HRV's "What Syd Wants". All studio bonus tracks have been removed. Enjoy! RonToon, Ed and MOB This torrent has been brought to you by the color RED
OldNeumanntapr (5/5) FLAC / 0 B+ View   Audience; Marbal's Rotterdam '67 Tape (16bit/44kHz) 3rd Gen Cassette (Maxell XLII90)(Dolby On)...
Notes: (A little Clearer And A Little Less Distortion Than Bernard's Reels. Minor Hiss) ***Neonknight's Notes*** Given the late 1967 date for this gig anybody unfamiliar with it might expect to find a poor performance from an exhausted Syd. Some commentators describe the gig as weak but I believe the opposite is the case. Richard Wright provides typically accomplished keyboard playing and holds the arrangements together. He is backed ably by pounding rhythms from Roger and Nick. Syd drifts in and out and when he is in full flight his playing is both radical and mesmerising. The high point is Interstellar Overdrive, which sounds nothing like earlier versions or those that the band played after Syd left. It is arguably amongst the Floyd's best recorded work. Grolsch told us the tale of this recording. It was made by Gerrit M, who also did Utrecht '68. He was a very early taper and Bob Dylan collector, who traded with other early collectors such as Michael K from Copenhagen. Michael and at least one other collector from the US, Dave W from San Jose, obtained copies off the master. Gerrit moved from the Netherlands to the US in 1973. Fast forward to the early 1990s and Grolsch tracked him down in New Jersey. It turned out that he left most of his belongings in Holland, thinking that he'd get them shipped later on, but never did. When Gerrit asked 10 years later most of the stuff including his reels had disappeared. At least two sources for first gen copies of Rotterdam are therefore possible through the US or Danish route and may one day surface. Grolsch tells us that the uncirculated second gen copies from these reels are both very similar. Marbal is not sure of the source of his 3rd gen cassette he acquired in 1986 but it seems likely that it was copied from one of the second gen reels. Reels from the collection of the late Bernard White are often described as the best source for this concert. The reels have been commonly described as masters or 1st gens when in fact they are 3rd gen at best. A friend has Bernard's copy and we have transferred it on many occasions using different and steadily better equipment over the years. The results have consistently been marginally better each time since the first proper transfer to CDR in November 2001. This 2001 transfer was sent to Eskimospy for use by Harvested in August 2005 for the 'What Syd Wants' release. The lineage for Bernard's reel went something like Gerrit M > Michael K > UK collector > Bernard in the mid 1970s, making it a 3rd gen. The sources from this BW branch seem to be missing more than a minute of the beginning of the recording and the second reel of the two BW reels, which contains the second half of STC and IO, is of lessor SQ than the first reel. Marbal's 3rd gen cassette has been transferred before by other collectors and it seems from our experience that due to the limitations of the equipment used, they were not able to bring out the best in the recording. I find Marbal's tape more dynamic and notably less worn than Bernard's and this is evident in the raw version. Unlike the BW branch, it is also complete, containing 73s more audience/tuning at the beginning and no SQ degradation on STC and IO. Marbal's tape is a welcome improvement to a very important audience recording (it's easy to overlook that this is the last known live recording of Syd's Floyd). In my view the only way in which Marbal's tape will be improved upon is if one of the second gen reel sources were to surface. I recommend headphones to help bring out the acoustics of the hall, which amazingly, can be heard on this version. As a friend who used to regularly go to UFO told me, listen to this concert loud and you'll get an accurate impression of how the band sounded live at their peak. ***Littlepieces' Mastering Notes for - Marbal's Rotterdam '67 Tape - Raw version*** Marbal's cassette is a mono recording that was dubbed as two channel stereo. Due to the previous transfers with less than perfect head alignment, it has a phase shift that varies from ~6-15 samples. The output of each channel was similar until the last track, Interstellar Overdrive, when the right channel dropped ~1.2dB. Through some of the recording it seemed that the left channel had a bit more high end. After testing each channel by itself and with the channels manually aligned, I decided to retain both channels and manually align them through to just prior to IO and retained only the left channel from that point until the end of the recording. This recording was marked as Dolby encoded but we transferred it without Dolby. Transferring a Dolby encoded recording without decoding the Dolby on playback is done often when playing the tape back on a different deck than that which it was encoded. The differences in decks often results in the decoding profile varying from the original encoding creating a poor result. Though this recording did not have its Dolby decoded, the expected boost in the higher frequencies are not near as apparent as usual. Thankfully, the speed of the recording was close enough, so I decided to not subject it to a resample. Since the recording was not subjected to a resample and manually aligning the channels and using only one channel on a portion are the equivalent of an edit, no DSP-digital signal processing was used in this 'Raw' version. ***Littlepieces' Mastering Notes for - Marbal's Rotterdam '67 Tape - LPP version*** To accompany the 'Raw' version I have produced a LPP version in an attempt to provide a copy with less interference from artifacts and more detail which should make for a clearer recording. No EQ increase was applied to the low end. The EQ increases I used were applied to only the upper half which as we all know is rather subdued and distant in this recording. Fortunately the quality of this source and transfer allowed me to use what I consider an aggressive increase in the upper half ending at ~8kHz. The EQ curve was adjusted at times throughout the recording. Sprinkled throughout all sources for this recording are over-driven low frequencies mostly around 170Hz. I selectively moderated the segments where they were more substained. This helped the remaining content be more apparent in the mix. I utilized and varied moderate noise reduction settings working entirely above 8kHz and only slightly lower on audience and a few quieter sections while being diligent not to encroach on the harmonics. I suppose I could have worked the entire spectrum and squeezed most of this hiss out, but I generally don't like what this does to the nature of the sound. In this recording for example, I can really sense the accoustics of the small hall they are playing in and if a more aggressive NR approach is taken, then this characteristic disappears. There were many micro drop outs, mostly ~20ms, that I either removed a short piece of damage or was able to use the other channel to repair the damaged segment. There are one or two segments that I chose to leave alone where the volume slowly fades down and back up for a couple seconds. I selectively reduced some low frequency hums during the audience/tuning segments. These seem to be present and prominent in all unprocessed sources. Also removed several tics and pops using the spectral tool. After working on this for many hours, there is no question that this show is in my top 10 Floyd live recordings. I love the version of 'Pow R Toc H' and the early version of STC has a different vibe than later versions and of course the unique version of IO is great as well. One of the things I appreciate about this source is the stronger lower half. Marbal Tape / Neonknight Transfer / Little Pieces Production (LPP) September 2012 ******************************************************************************************
Joe (5/5) FLAC / 0 View   3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire...
Joe (5/5) FLAC / 0 View   Bernard White R-R > DAT 48khz > WAV > Peak 5.01 Normalise / Track Splits > xACT > WAV > FLAC 8...
Michael D. (5/0) FLAC / View  
Jack Warner (5/5) FLAC / 0 View   MAT>C>C>C>FLAC
Marty (5/4.9) CDR / 1 View  
Notes: shn
Brian Donohue (5/5) / 0 View   Unknown
rockcdr (5/5) CD / 1 View  
Notes: AUD
Holden Caulfield (5/5) flac / 1 View   Audience Silver CD > WAV > FLAC level 8
John (5/5) CDR/FLAC / 1 View  
Notes: Lineage: 3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ----> Adjustments (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC (16bit/44kHz) *The Technics RS-B965-M is a deck heavily modified by expert tapehead A.N.T.- for details see the Tapeheads.net forum
Larry (5/4) / 0 View  
Philip Spencer (5/5) CD-R / 1 View  
Jeff Mitchell (5/0) / 0 View  
Jon Pavuk (5/4.3) shn / 1 A B View   No text file.Audience>??
Notes: DVD w/ Pink Floyd 11/13/67, 11/4/74, 12/14/74, 7/4/75, 1/27/77, 2/17/77, Johnny Cash 8/25/90
Jon Pavuk (5/4.3) FLAC / 1 A B View   "What Syd Wants">Harvested Records (HRV CDR 032)>Audience>??>Bernard's reels (Master)...
Jordan Jacobs (5/3) Flac / 0 View   AUD
Steve Blanchard (5/5) FLAC / 1 View   Silver CD > WAV > FLAC level 8
Rich Pucci (5/4.7) CDR Audio / 1 View  
Travis (5/3) cdr - SHN / 1 View   Audience > ?
travis (5/5) cdr / 1 a View  
mashedpotatoes (5/5) CDR / 1 View  
Notes: on same disc as 9.13.67
kippenhok (5/0) cd / 1 B View  
Notes: HYGIY 3
Nuno Bento (5/0) CD-R / 1 B View  
Notes: "The Live Pink Floyd" bootleg
ronnie (5/0) cd-r / 1 View  
Notes: Hippy Happy Fair
Lloyd H (5/5) CDR / 1 A B- View   AUD
Notes: On disk with 09/13/67
jr (5/0) / 1 View  
Billster (5/5) CDR / 1 B+ View  
Ernie Presley (5/0) CD / 1 B- View  
jeremy (5/0) shn / 1 View   no info
Notes: Oude-Ahoy
Ryan41 (5/0) cdr / 1 View   clones of 1st generation tapes, digitally enhanced
Notes: w/ Syd Barret!
Joe Hardwick (5/0) XL2 / 1 View  
Joe Hardwick (5/0) SHN / 0 View  
Lazlo (5/5) CDR / 1 A View  
daniel thomas (5/0) shn on TY Cd-Rs / 1 A C View  
Notes: #2
Jake (5/2.3) cdr / 1 View  
Chris M. (4/4) CDR / 1 View  
Notes: Set 1
John Cook (4/5) FLAC / 1 View   Clone of 1st gen audience tape > ? > SHN > shntool conv > FLAC
Notes: 186 MB, 43:56
Brad Foster (4/4.9) FLAC / 1 View   AUD
Marinus van der Plaats (4/5) / 0 View  
Ryan (4/5) shn / 1 View  
Notes: not yet checked
Zionpower (4/0) / 0 View  
chris carter (4/5) shn/1 / 1 View   aud
groundhog (4/4.7) SHN / 1 View  
Notes: 230mb
Anthony Dellacioppa (4/5) CDR / 1 View  
reid (4/0) CDR / 1 View  
Keith Mageau (4/4.9) CDR / 1 B View   AUD>??>CDR
Michael Piper (4/4.8) CDR / 1 View   aud > cass (1st gen) > ?? > wav > shn
Notes: Roger Waters plays lead on Set the Controls with Syd on bass
JLP (4/0) cdr / 1 B+ View  
Notes: The Live Pink Floyd
Bill Bruno (4/4.6) shn / 1 aud View  
Notes: "Oude-Ahoy"
Dignesheino (4/0) / 0 View  
TTDaddy (3/5) FLAC / 1 View   AUD
Notes: Marbal's Rotterdam '67 Tape (2 versions---raw transfer7 LPP remaster) Lineage: 3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite Saffire Pro 14 > Audacity 1.3 > Wav (24bit/96kHz) ----> Adjustments (32bit float/96kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC (16bit/44kHz)
TTDaddy (3/5) FLAC / 1 View   AUD
Notes: "Hippy Happy Fair" boot (TRT 43:57) Silver CD > WAV > FLAC level 8
Richard Warren (3/5) flac / View  
Notes: AUD
Mike Pageau (3/0) AUD 17 / 1 View  
J. B. (3/0) CDR / 1 B View  
Carl (3/0) CD-R / 1 View   Clone of 1st gen audience tape
Notes: http://www.orangemaze.com/pinkfloyd/database/ rightRoio.php?concert=57#827
Dave Lemen (3/0) / 0 View  
Notes: dvd 183
Chris Larson (3/5) flac / 1 B View   What Syd Wants - HRV - disc 2
Notes: 201mb/46:13
Dan Stone (3/0) CDR / 1 View   SHN
Notes: on same disk as 9.13.67 Liberated boot "have you got it yet? vol 3"
EFC1878 (3/0) CDR / 1 A- B View  
Notes: Hippy Happy Fair
KTK(birdsong) (3/5) CD-R / 1 A A View   Sbd > ??? > boot CD>Shn>mkw>CD-R
Notes: "Happy Hippie Fair"
Joe the Troll (3/0) / 0 View  
Joe the Troll (3/0) / 0 View  
Joe the Troll (3/0) / 0 View  
bill sherwood (3/0) CDR / 1 View  
Kyle Lesack (3/0) SHN / 1 View  
Drew (3/0) / 1 View  
Sage (3/0) SHN / 1 View  
stlw8ing (3/0) SHN. / 1 View   SBD
Notes: LIBERATED
chris (3/3) CD / 1 A-- View   AUD?
Jeremy Scott (3/5) shn / 1 View  
pink floyd fan (3/0) / 0 View  
Joel (3/5) CDR / 1 A- View   SBD
Caleb Hughes (3/5) CDR / 1 View  
My Home (2/0) Flac / 0 View   Pink Floyd 11/13/67
King of the Gypsies (2/5) / View  
OBIE (2/5) FLAC / 1 View  
luke (2/4) CDR / 1 View  
purps69 (2/0) FLAC / 1 A 7.5 View   Bernard White (Reels)>3rd gen>WAV>FLAC
Notes: "What Syd Wants" Harvested Records (HRV CDR 032) Syd low in mix as expected
purps69 (2/0) FLAC / 1 A 8 View   3rd Gen Cassette (Maxell XLII90)(Dolby On) > *Technics RS-B965-M (Dolby Off) > Focusrite...
Notes: Marbal 3rd gen (raw) & LLP Version contained together
zosa (2/4.9) SHN / 0 B C View  
Rolf K (2/0) CD-R / 1 View  
Notes: One of the only two circulating PF shows featuring Syd Barrett.
Dennis Blom (2/5) / 0 View  
Nathan Hevenstone (2/0) CD-R / 1 A C- View  
Notes: Can't hear Syd's voice at all.
Adam Gott (2/4.8) cd-r / 0 c View  
Notes: Have You Got It Yet? Vol. 3 - filler with 1967-09-13
pr (2/0) / 0 View  
michael Ferguson (2/4.3) SHN / 1 View   Clone of 1st Gen. Audience Tape
Tim (2/0) SHN / 0 View  
Tim (2/0) SHN / 0 View  
mfsljunkie (2/5) shn / 1 View   1st gen audience tape clone > ? > SHN
Notes: (249.4 MB) "Hippy Happy Fair" {#0040}
Keith Barnett (2/5) shn / 1 View   clones of 1st generation tapes, digitally enhanced
Notes: HYGIY Volume 3
Patrick (2/0) cdr / 1 View  
J (2/0) / 1 View  
wyvern (2/0) cd-r / 1 View   "Hippy Happy Fair"
Notes: Pink Floyd 11-13-1967 Ahoy Hallen Rotterdam, Netherlands Set 1: Reaction In G, Pow R Toc H, Scream Thy Last Scream, Set The Controls For The Heart Of The Sun, Interstellar Overdrive Comment: "Hippy Happy Fair"
wyvern (2/0) cd-r / 1 View   "Hippy Happy Fair"
Notes: Pink Floyd 11-13-1967 Ahoy Hallen Rotterdam, Netherlands Set 1: Reaction In G, Pow R Toc H, Scream Thy Last Scream, Set The Controls For The Heart Of The Sun, Interstellar Overdrive Comment: "Hippy Happy Fair"
Kaz (1/5) flac / 0 View  
WheelToTheStorm (1/5) mp3 / C- View   AUD
thegreatdivide6 (1/0) flac / 0 View  
Notes: audience