Phish 09/21/1990
Set I
Reba, Paul and Silas, The Asse Festival, Dinner and a Movie, Esther, The Landlady, Mike's Song-> I am Hydrogen-> Weekapaug Groove, Eliza, La Grange,
Set II
Funky Bitch, Stash, Uncle Pen, Tube, Lawn Boy, Tweezer, Buried Alive, Tweezer Reprise, E: Golgi Apparatus
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Joe | FLAC / | View | 20616 | |||
| Jud | SHN / 2 | A | View | 20616 | Nak 300s > D5 > Cass/0 | |
| Notes: | SHNs Available | |||||
| brian durham | CD / 2 | View | Audience | |||
| Notes: | remastered (By Arty?) | |||||
| Jonathan | / 2 | View | 20616 | |||
| Notes: | Fileset in Archive. | |||||
| michael webster | cdr / 2 | A | View | |||
| Notes: | Tape flip during Mike's Song & YEM | |||||
| Ifthir | .shn / 0 | View | 20616 | |||
| PhishJY | CD / 2 | View | 20616 | |||
| Notes: | 209 | |||||
| Brandon Johnston | SHN / 2 | View | 20616 | Aud: Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz | ||
| Jeff Mitchell | / 0 | View | 20616 | |||
| Jon Pavuk | SHN / 2 | A+ | A+ | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... |
| chnactsnflwr | / 2 | View | ||||
| Ben Mohr | SHN / 2 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... | ||
| GBL | / 0 | View | 20616 | |||
| Ben Wirth | SHN / 0 | View | 20616 | |||
| Alan (Slydell) | SHN / 2 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz | ||
| Justin | SHN / 2 | View | 20616 | |||
| Derick Andrade -- | SHNv3 CD-R / 2 | View | 20616 | Nak 300s > D5 | ||
| Notes: | AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 | |||||
| Wayne and Sarah | SHN / 2 | View | 20616 | |||
| Notes: | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3 | |||||
| David Hope- Ross | SHN / 2 | View | 20616 | |||
| Bill Conrad | SHN / 2 | View | 20616 | |||
| David | shn / 2 | View | 20616 | |||
| Notes: | nak 300 | |||||
| Vince Dietrich | SHN / 2 | View | 20616 | |||
| Notes: | Nak 300s > D5 | |||||
| Timothy Henningsen | wav/FLAC / 2 | A | A | View | 20616 | Nak 300s > D5 |
| organicgroove | CD-R / 2 | A | View | |||
| Marko | SHN / 2 | View | ||||
| Erin | CDR/SHN / 2 | View | 20616 | Nak 300s | ||
| Mike Woellert | CD-R / 2 | View | 20616 | Nak 300 > D5 > M:C > Sony TC-WE805S > SHN | ||
| Notes: | Nak 300 > D5 > M:C > Sony TC-WE805S > SHN | |||||
| SHNfamily | / 0 | View | 20616 | |||
| Notes: |
Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3
posted 07/06/04 | tracker status | shns in circ entry | add source comment |
|||||
| Mike Schultz | CDR / 2 | B- | View | Nak 300 > D5 > M:C > Sony TC-WE805S > SHN | ||
| Notes: | Nak 300 > D5 > M:C > Sony TC-WE805S > SHN | |||||
| ben samuels | SHN / 2 | View | 20616 | |||
| Paul R. Giunta | SHN / 2 | A | View | 20616 | Nak 300s > D5 | |
| Paul R. Giunta | SHN / 2 | A | View | 20616 | Nak 300s > D5 | |
| Kevin Sigafoos | shn / 2 | View | 20616 | |||
| MATT | / 0 | View | ||||
| Aaron | SHN / 2 | View | 20616 | |||
| Notes: | old school:Nak 300s | |||||
| arnie | shn / 2 | View | 20616 | |||
| dan | / 0 | View | 20616 | |||
| nemski | SHN / 2 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) | ||
| pheecaspian | / 0 | View | Nak 300s > D5 | |||
| Duvie and Chani | analog / 1 | A | View | |||
| Notes: | Set 1 only | |||||
| j0w | CDR / 2 | View | ||||
| Mark Goldey | SHN / 2 | View | 20616 | |||
| Brad Foster | SHN / 2 | View | Nak 300s > D5 | |||
| shakedown80 | / 0 | View | 20616 | |||
| The Iguana | DataDVD / 1 | View | 20616 | Nak 300s > D5 | ||
| Notes: | ph1990-09-21.20616.shnf | |||||
| Alan Cohen | FLAC / 0 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... | ||
| Thom Mann | CDR / 2 | A | View | 20616 | ||
| Jameson | shn / 2 | A | View | 20616 | Nak 300s > D5 > AUD MCass (Maxell MX 100 min)> Sony TC-WE805S >Art DI/O (48Khz, Input gain +10dB, No | |
| Dylan | CDR / 2 | View | 20616 | Nak 300 | ||
| Michael Werner | CDR / 2 | A | A | View | ||
| Scott | CD, SHN / 2 | View | 20616 | Nak 300s > D5 > AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz,... | ||
| Notes: | Phish Somerville Theater Somerville, MA 9/21/90 SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003) NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell Encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. Seeded to FurthurNet (www.furthurnet.org) by shakedown (www.furthurnet.org) | |||||
| deguitarguy | CDR / 2 | View | ||||
| Cindy | cd/shn / 2 | View | 20616 | |||
| Jon | SHN / 2 | A | A | View | 20616 | Nak 300s > D5 |
| Michael Papaleo | CDR / 2 | A | View | 20616 | ||
| Phil | Audio / 2 | A | A | View | 20616 | |
| J | / 0 | View | 20616 | |||
| Pete Cory | FLAC / 2 | View | 20616 | Nak 300s>...>FLAC | ||
| Notes: | TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. | |||||
| Penguin | CDR / 2 | View | ||||
| Sparks | / 0 | View | 20616 | |||
| Sloth1976 | / 0 | View | 20616 | |||
| steve | CDR / 2 | View | 20616 | |||
| Bill Mitchell | shn / 2 | View | 20616 | |||
| Notes: | not yet checked. | |||||
| Andrew Butler | SHN / 2 | View | 20616 | NAK300s | ||
| Resin421 | / 0 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... | ||
| Drew Whorley | / 3 | View | ||||
| Notes: | shn | |||||
| Rolfe | / 0 | View | ||||
| Nick's Cool List | / 0 | View | 20616 | |||
| Dustin | / 0 | View | ||||
| Jake | flac / 2 | A | View | SOURCE Nak 300s > D5 | ||
| Ron Hollatz | SHN (2) / 2 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... | ||
| Dan | cdr / 2 | View | 20616 | |||
| jason | shn/cdr / 2 | A | View | Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz,... | ||
| Notes: | Phish Somerville Theater Somerville, MA 9/21/90 SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003) NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. Seeded to FurthurNet (www.furthurnet.org) by FurthurUserNameFurthurNet (www.furthurnet.org) | |||||
| Djake | cdr / 2 | A- | View | Nak 300s > D5 | ||
| Jason | CD-R / 2 | A | A | View | Nak 300s > D5 | |
| Notes: | Phish Somerville Theater Somerville, MA 9/21/90 SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003) NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. Seeded to FurthurNet (www.furthurnet.org) by FurthurUserNameFurthurNet (www.furthurnet.org) | |||||
| Scott Bernstein | CDR / 2 | View | 20616 | Nak 300s > D5 | ||
| Notes: | (35) | |||||
| Chris Perry | CD / 2 | A- | View | |||
| NorthernKnight | cdr/shn / 2 | View | ||||
| Bob Mulkerin | shn / 2 | View | ||||
| Jeff Crowe | .shn / 2 | View | ||||
| DOC | CDR / 2 | View | ||||
| Andrew Schultz | SHN / 2 | View | 20616 | |||
| Mat Guido | / 0 | View | further | |||
| Mat Guido | / 0 | View | further | |||
| Mat Guido | / 0 | View | further | |||
| Mike Langen | cdr / 2 | A | View | 20616 | Aud | |
| Notes: | Phish Somerville Theater Somerville, MA 9/21/90 TAPER: John Redmond SOURCE Nak 300s > D5 AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. DISC ONE Set I: 01. tuning / stage banter 02. Reba 03. Paul & Silas 04. Asse Festival 05. Dinner and a Movie 06. Foam 07. Esther 08. Landlady 09. Mikes//Song > 10. I Am Hydrogen 11. Weekapaug Groove 12. Eliza 13. La Grange DISC TWO Set II: 01. Golgi Apparatus 02. Magilla 03. Stash 04. Col. Forbin > Fly Famous Mockingbird 05. You Enjoy // Myself 06. Highway to Hell encore: 07. Whipping Post Notes // indicates cassette flips The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) | |||||
| Joe Breault | cdr / 2 | View | Nak 300s > D5 | |||
| Jonathan Hatgis | shn / 2 | View | 20616 | |||
| Kurt Hafer | SHN / 2 | View | 20616 | |||
| Luke Bailey | SHN / 2 | View | 20616 | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input... | ||
| Notes: | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHN | |||||
| Wizard | / 0 | View | 20616 | |||
| Dave Caimotto | CD-R/SHN / 2 | A | View | Nak 300s > D5 | ||
| Notes: | AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SNHv3 Mastering Notes: This a near flawless AUD, great sound, great performance. The tapeflips were smoothed with crossfades (try and find the one in the YEM vocal jam!), there was also a small drop out fixed during the YEM vocal jam. There was a level change in Highway to Hell which I fixed with vector-based volume control. Tape was stopped between the last tune and encore, I smoothed this out with a long crossfade. The 24/48 FLACs were converted to .WAV and opened in the Wavelab Audio Montage, all edits were performed at the 24/48 stage. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/19/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. The taper ran two D5s from two different mic sources for this night and 9/20/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/21/90, the sources were labeled on the tapes and tape cover as to which mics were used. WOW! This is my favorite tape from the Oldschool batch so far - the second set is epic. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). | |||||
| Terrapanda | / 2 | View | 20616 | |||
| khanti | SHN / 2 | View | 20616 | |||
| patrick metsker | SHN / 2 | View | 20616 | AUD MCass (Maxell MX 100 min)> Sony TC-WE805S | ||
| Mike | cd / 2 | View | nak 300s>d5 | |||
| Brad | SHN / 2 | View | 20616 | Nak 300s > D5 | ||
| Shoreline99 | shn / 2 | View | 20616 | |||
| William Ferdinandsen | CDR / 2 | View | ||||
| Shawn Desmond | CD-R / 2 | View | 20616 | Nak 300s > D5 | ||
| Notes: | TAPER: John Redmond | |||||
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