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Music List for Tim Devine
Last Update: Jan 4, 2016
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I love to trade, feel free to drop me a line.

If I don't respond right away, don't worry.  I will get back to you.

Always looking for stuff I don't have....Tom Waits and Tim/Neil Finn stuff are always wanted.

I try to keep my stuff lossless....the few mp3 sourced shows that I know about are labeled in my notes.  Please, please, please...no TAO shows....


3 --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/05/88 Cabaret cdr 1 Fm broadcast Honky Train Blues has been added to the end of the recording. Not sure of the source.
04/14/88 The Ritz cdr 2 a FM
04/15/88 Paradise Theater cdr 2 a FM
04/27/88 The Vic Theater cdr 2 AUD
05/05/88 The Fillmore cdr 2 a FM

Abraxas Pool --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/02/96 Coach House cdr 1 A Great aud. Some of the inbetween song chatter has been removed, but I think its the ONLY show out there, and it sounds great...so who cares ?

Ace Frehley --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/30/84 Live SIR Studios cdr 1 a- SBD> My version is a little shorter than this one, the show ends with Remember Me, but it does have the soundcheck. I was told it was recorded at the S.I.R. Studios.
03/03/85 Westside Theatre cdr 2 b AUD. Has a few bonus cuts from an unknown date. Shot Full of Rock/Trouble Walkin/Breakout/Insane
03/09/85 L'Amour cdr 1 ACE FREHLEY BROOKLYN, NY. MARCH 9TH 1985 AUD recording 01. RIP IT OUT 02. GIVE IT TO ME ANYWAY 03. DOLLS 04. COLD GIN 05. STRANGER IN A STRANGE LAND 06. BACK IN THE STREETS 07. WE GOT YOUR ROCK 08. NEW YORK GROOVE
09/04/87 Aragon Ballroom cdr 1 A AUD My tracklist is:Rip it Out/Stranger in a Strange Land/Something Moved/Cold Gin/New York Groove/Into the Night/Breakout/Shock Me/Calling To You/Rock Soldiers/Rocket Ride. It also has a Rockline interview as filler
06/26/88 The Limelight cdr 1 A FM. I guess there is a longer audience recording out there....

Adam Ant --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/93 "Persuasion" unreleased lp cdr 1 a+ Tracks 01, 02, 03, 08 and 11 written by Ant/Marco Tracks 04 and 06 written by Ant/Blackmon Tracks 05, 07, 09(?) and 10 written by Ant/Marco/Edwards Tracks 01 and 02 mixed and produced by Leigh Gorman (ex Ants/Bow Wow Wow) Tracks 03 and 11 produced by Ant/Marco, mixed by Brian Malouf Tracks 04 and 06 produced by Larry Blackmon (ex Cameo), mixed by Brian Malouf Tracks 05, 07, 09(?) and 10 produced by Bernard Edwards (ex Chic), mixed by Brian Malouf Track 08 produced by Ant/Marco, mixed by Marco Pirroni

Adrian Belew --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/24/89 First Avenue cdr 2 a+ SBD
04/11/92 Shank Hall cdr 2 a- Adrian Belew Shank Hall Milwaukee, WI April 11, 1992 Source: DSM6s>bb>Casio DAR-100 Transfer: Sony PCM-R500>Samplitude>SF> CDWav>TLH>flac8 taped by jot Disc 1 01. Inner Revolution 02. Young Lions 03. This Is What I Believe In 04. None Of The Above (The Bears) 05. Big Blue Sky 06. Only A Dream 07. Standing In The Shadow 08. Matte Kudasai (King Crimson) 09. Superboy (The Bears) 10. Men In Helicopters 11. I Am What I Am Disc 2 01. I'd Rather Be Right Here 02. Lone Rhino 03. Heartbeat (King Crimson) 04. Heaven's Bed 05. Member Of The Tribe 06. Big Electric Cat 07. Pretty Pink Rose encore 1 08. The Rail Song 09. Elephant Talk (King Crimson) encore 2 10. The Momur
05/12/92 Theatre of the Living Arts cdr 2 A- AUD. My copy has "Momur" tacked on at the end, might be from a different date.
05/24/92 Fox Theater cdr 1 Adrian Belew Fox Theatre, Boulder, CO May 24, 1992 Lineage: SBD > CDR > Soundforge > CDRWin > CDR > FLAC I did the transfer from an untracked master CD using soundforge to find the cuepoints. It is possible that this show has some other lineage, but I don't think so - the buddy I got this from was pretty consistent. I think this is the show where at some point they all switched instruments. I do recall being quite impressed at the time by the selections and performance. I'm also not sure if this is the entire show - it seems a bit short
06/25/94 Vic Theatre cdr 1 a+ Great FM broacast
03/08/08 The Tralf cdr 2 A- AUD

Adrian Belew Power Trio --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/06/08 Magic Bag cdr 2 artist: Adrian Belew Power Trio date: 2008-03-06 venue: Magic Bag city: Ferndale state: Michigan country: U.S.A. source: Audience taper: PotHole Productions recording gear: (stealth - as always) Church STC-11 cardioid mics - Church STC-9000 preamp > +10db gain > Edirol R-09 @ 16 bit/44.1kHz > 4gb SD card > USB > PC > Goldwave (tracking) > CDR > EAC > FLAC Frontend L8 > TTD > You

Al Green --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/21/73 ABC-TV In Concert, Bananafish Garden cdr 1 A SBD. A little background hiss.
10/04/74 The Midnight Special cdr 1 a+ Time: 34:25 edits between most songs. SBD

Albert King --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/27/71 Fillmore East cdr 1 SBD

Alcatrazz --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/??/83 The Country Club cdr 1 a+ FM
12/21/83 Golden Bear Club 0 b+ AUD
??/??/83 No Parole From Rock and Roll demos cdr 1 a+ SBD.
01/28/84 Nakano Sun Plaza cdr 1 a SBD
02/19/84 Unknown 0 A- AUD
02/26/84 Unknown 0 b AUD
03/26/84 Pioneer Theater 0 b+ AUD
05/23/84 Agora Theater cdr 1 b+ Not a great sounding FM broadcast
07/07/84 Summerfest cdr 1 b AUD Lots of audience chatter
07/13/84 DeAnza Theater cdr 1 b AUD bonus tracks from Oct 4th 1984 Skyline/Sons and Lovers/God Blessed Video/Will You Be Home Tonight/Painted Lover/Stripper
10/04/84 Archaic Hall cdr 2 AUD
10/10/84 Shinjuku Koseinenkin-Kaikan cdr 1 a+ SBD
11/29/86 Unknown cdr 1 b Alcatrazz 1986.Nov.29 Live At Long Island, New York, Usa Dangerous Age (Power Gate) Lineage: Audience Recording Tape -> Cd -> Wav -> Flac Line-Up: Graham Bonnet...Vo Danny Johnson....Gt Gary Shea....B Jan Uvena....Ds Jimmy Waldo....Key

The Anderson Wakeman Project --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
10/09/10 Corn Exchange cdr 2 a- Waffle: The first "proper" gig on the tour (there was a warm-up the night before - as you can find in one of the links). I've never been to the Corn Exchange before - it's a lovely venue, but a bit of a big barn: so when the sound comes across as a bit echoey and distant, that's how it sounded on the evening. Also, it was clear that Jon was much higher in the mix that Rick, and that comes across on the recording as well. Apologies for the odd creaking noise, the seating is almost like temporary terracing, so it creaked every time someone moved in their seat! The sound on the original was way too quiet, so I boosted the volume and compressed down the peaks to compensate. Happy with it now, and didn't want to do any more.
10/24/10 The Grand Theatre & Opera House cdr 2 a AUD

Anderson, Bruford, Wakeman & Howe --- Approximate Hours: 70
Show Date Venue Media Type Media Count Sound Quality Notes
01/01/89 "Hunting Like A Dinosaur" cdr 1 a+ 1.Themes (Sound, Second attention) 2.Themes (Soul warrior) 3.Fist of fire 4.Brother of mine (The big dream, Nothing can come between us) 5.Brother of mine (Long lost brother of mine) 6.Birthright 7.Distant thunder 8.Quartet 9.Themes (Sound) 10.Teakbois 11.Order of the universe (Order theme, Rock gives courage) 12.Order of the universe (It's so hard to grow, The universe) 13.Let's pretend
07/29/89 Mud Island Amphitheatre cdr 3 a- AUD Relayerman version. Lots of crowd noise. You can hear the taper telling off a woman suring CTTE.
08/04/89 Nassau Veterans Memorial Coliseum cdr 2 a- ew Lineage - (for original lineage, see the original info file) Original flac files > wav files (Flac Frontend) Cakewalk Pyro 2005 (retrack and edit wav files here) > new wavs > Trader's Little Helper (Flac Frontend encode wav files level 8) and align new wav files on sector boundaries > new flac files Quality - 9-9.5/10 excellent minus to excellent audience Walkman D6C analog recording CD 1: 9 tracks, 56:11 CD 2: 8 tracks, 78:30 TT: 134:41 This is the ENTIRE concert. CD 1/Set 1 1. Young Persons Guide To The Orchestra 2. Time And A Word / Owner Of A Lonely Heart / Teakbois 3. Clap 4. Mood For A Day 5. Wakeman Solo 6. Long Distance Runaround / Bruford Solo 7. Birthright 8. And You And I 9. I've Seen All Good People CD 2/Set 2 10. Close To The Edge 11. Themes 12. Levin / Bruford Duet 13. Brother Of Mine 14. Heart Of The Sunrise 15. Order Of The Universe 16. Roundabout 17. Starship Trooper There is VERY LITTLE to say here, so this won't be one of my long-winded diatribes. During my eternal quest to free up space on my HD, I listened to this show that I downloaded from Dime about 10 months ago and was struck by what an excellent show it is. This was taped by Kevin Hall and Carl Morstadt and they did a superlative job. All thanks and praise go to them. The only thing that I wondered about was that at TT: 144:47, the concert didn't fit on 2 80 minute CDs. This was due to the length of CTTE and various stretches of lengthy applause (just crowd noise, no music content). I listened to the whole thing and marked out sections of pure crowd noise. It amounted to 10:06, which is a lot of crowd noise! After judicious editing, I was able to fit the whole show comfortably on 2 80 minute CDs without losing ANY MUSIC CONTENT. This is ALL that I did to this show. In no way did I change the audio quality ; I didn't even just boost the volume. (I was tempted to but thought better of it later). So this is NOT a remaster and it's NOT exactly a reseed either, since the TT has been reduced. With all the world wanting to "go green", I thought I'd do my part to save several of us a few extra CDs. If you already have this and like it on 3 CDs, great. If you don't have this or want it on just 2 CDs, get it. It's a fantastic show.
08/05/89 Merriweather Post Pavilion cdr 2 b Anderson, Bruford, Wakeman & Howe August 5, 1989 Columbia, Maryland, USA Merriweather Post Pavilion Audience recording from 3rd Generation Cassette small gaps between tracks on 2nd disc.
08/06/89 Great Woods Perf. Arts Center cdr 2 b+ I have rearranges the tracks into their proper running order!!!!! Info:source: 1st gen. audience tapes (2 sources) runtime: 146:50 lineage: Realistic twinhead stereo mike > Sony D-6 cassette deck > (1st track only, Sony auto levelling deck w/built in mikes) > Maxell XLII-S cassettes > played on Naka. 125 into soundforge 4.5 > CD > CD extractor > FLAC 6 > torrentially yours. setlist: first set (69:49) 1: young person's guide to the orchestra intro 2:29 2: time and a word > 2:56 3: owner of a lonely heart > teakbois > 3:13 4: time and a word reprise 1:14 5: the clap 4:29 6: mood for a day 4:45 7: keyboard solo 5:41 8: long distance runaround > 3:27 9: drums > 3:00 10: birthright 7:17 11: and you and I 9:38 12: all good people 9:19 20: starship trooper (final encore) 12:18 (applause fades in and out before and after) second set and encores (77:01) 13: close to the edge 21:26 14: themes > drums and bass 10:29 15: brother of mine 10:26 16: the meeting 5:42 17: heart of the sunrise 11:26 18: order of the universe 8:40 19: roundabout 8:51 (applause fades in and out before and after) comments: sometimes the first time you do something is the best, and this was the 1st and best of 3 ABWH shows I saw in 1989 and 90. the 1st try to record was a total failure for me, I was using a borrowed deck I'd never used before and had no record level indicator so I had no idea if it was recording or not. At least this time there was another 2 tapers, one with a deck much like the one I tried to use for this show (with a little better result in Maine 6 days later). This was a very good show, the crowd was into it and the performance was tight. Tony Levin is from Mass. and always gets a warm reception here. I've heard about 6 of the ABWH shows, a couple were dime DL's. This is my favorite performance. the recording is nothing "hi-fi" but pretty listenable, not bad for a pavillion audience recording (I hate going to pavillion shows, this was a rare exception I made not once but twice for this tour.) Unfortunately I had lost the services of a 2nd D-6 deck before this tour, which I was familiar with and had good results with at a few other shows. no "special" songs in this set, but all my favorite songs from then- current album are in here and there wasn't a weak number in the whole show. Woods are great. ABWH is great. whether Great Woods/Tweeter Center/Comcast Center is great is up to you to decide. selling this recording is not great. so Do not sell this recording. Trade freely and losslessly. This recording could be a candidate for an EQ remastering if someone knows how and wants to do it, but I've posted it without any EQ/noise reduction or processing other than to reduce some loud claps, balance the levels and apply a fadeout for both encores, and a fadein (of applause) for Starship since I put it at the end of disc 1. Unlike my Maine master aud which is missing some parts of the show, this is the whole great show from Great Woods. As so often seems to be, in a sea of Yes recordings that includes alot from this tour, I haven't seen this one posted at all. I was hoping someone had a nice DAT of it, but this is the best recording I've heard of this show. It's not the best sound quality recording I've heard from this tour but far from the worst. I have only heard a few good ones (Seattle 90 and one other, I forget which, both from dime DL, both are good ones.)
08/12/89 Seashore Perf. Arts Center cdr 2 b+ Seashore Performing Arts Center Old Orchard Beach, Maine, U.S.A. August 12, 1989 performance quality: A-, a fine performance recording quality: B source: master audience tape runtime: 143:51 lineage: Realistic mini-mikes > Sony cassette deck (auto levelling) > Maxell XLII-S cassettes > played on Naka. 125 into soundforge 4.5 > FLAC 6 > torrentially yours. setlist: first set (54:26) 1: young person's guide to the orchestra intro 2:43 2: time and a word > owner of a lonely heart > teakbois > time and a word reprise 7:42 3: the clap 4:19 4: mood for a day 4:58 5: keyboard solo 5:36 6: long distance runaround > drums > birthright 13:49 7: and you and I (end cuts) 5:20 8: all good people (spliced) 9:56 second set and encores (89:25) 9: close to the edge 20:59 10: themes 6:47 11: drums and bass 4:38 12: brother of mine 10:50 13: the meeting (missing from this recording) 14: heart of the sunrise (spliced, tape flip) 11:59 15: order of the universe 9:30 16: roundabout 11:05 17: starship trooper 13:33 this was my second try to record this tour (89 and 90) and the only one I got a tape out of. it's missing about the last half of "and you and I", and I only wound up with about 30 seconds of "the meeting" so I didn't bother to include that. Heart of the Sunrise is just missing a few seconds for the tape flip. I thought I'd flipped it, apparently not, put the tape back in the deck without flipping it, using a borrowed deck I hadn't used before. Just a little auto-leveller job, but there wasn't much directly between me and speakers. there is a fair amount of crowd noise in here but the music came through pretty well and this is most of a very good show that I haven't seen posted yet. They also played in Manchester N.H. on 89 tour but I haven't heard that one yet at all.
08/19/89 Pine Knob Music Theater cdr 2 b+ Anderson Bruford Wakeman Howe 1989-08-19 Pine Knob Music Theater-Clarkston, Michigan Recorded By: Robert Mullen (lvrwm) Source: Audience Master Cassette Transfer Date: 2008-08-21 Equipment/Transfer: 2 DAK-5245 Mics>Sony WM-D6C Cassette Recorder (Dolby C On)>Master Cassettes (TDK-SA-X90)>Yamaha Natural Sound Stereo Double Cassette Deck K-902 (Dolby C On)>CD Wave Editor>TLH flac level 8. Comments: We were able to get some seats near the stage left speaker stacks, within 25' of the stage. I was really looking forward to this show as I missed seeing Yes (the classic lineup) in the 70's as a teenager...so this seemed to be as close as I would get (until 2004 Tour in Las Vegas). The crowd was ok, about average for a saturday night in around the Detroit environs. Recording came out better than most from this venue. We had a great time, and thought the performance was good. Recorders' Notes: This master recording has never been traded and is uncirculated. The Dolby C was de-coded for this transfer.
08/23/89 Lansdowne Park cdr 2 b- Anderson, Bruford, Wakeman & Home Ottawa, ON 8/23/1989 Lansdowne Park Deck: AIWA HS-J08 Tapes: Maxell XLII Master Recording Let me preface this upload by saying that I am not a fan of ABWH or Yes. I don't NOT like them, they are just not my cup of tea ... though I do think that all members thereof are incredibly talented musicians. The only reason I was there, not being a huge Yes fan, was because I won the tickets... plus it was the Ottawa Ex ... and the concert ticket got you into the Ex (I always loved the Ex). That being said, that is the reason I do not have a set list for this show ... cuz I don't know the names of 99% of the songs. I tracked it by apparent breaks in the songs and by applause. I was hesitant to upload this because I do not have a complete track listing, but decided to do it anyway because the sound is really nice !! Now, if some kind soul could repay me the favor by providing me with the track listing, and/or letting me know if the track separation is incorrect ... I would be very grateful !! This is a master tape, lightly circulated by snail mail in the late 80's. I recall that we were a little late in getting to our seats so the first track is missing the start ... Enjoy the show, I did, despite not knowing the song titles ... DATABASE IS WRONG ON THIS ONE...THEY DIDN'T PLAY THE SUMMIT ON THE 23RD, ONE DAY AFTER BEING IN ONTARIO!!! THEN AGAIN, 5 DAYS LATER!
09/02/89 Open Air Theater cdr 4 b AUD. Mostly instrumental, lots of Steve vocals...
09/03/89 Studio Rehearsal w/Jeff Berlin cdr 4 b AUD
09/03/89 Studio Rehearsal w/Jeff Berlin cdr 1 b+ Bruford/Wakeman/Howe/Berlin-Studio Rehearsal Sept 3 1989 NOTE: Pitch corrected 9/2007 by SMT bill bruford-drums rick wakeman-keyboard steve howe-guitar jeff berlin-bass 01.cord of life 02.the preacher/the teacher 03.seen all good people 04.solid time of change 05.total mass retain 06.i get up i get down 07.themes 08.birthright 09.brother of mine 10.heart of the sunrise (complete) Lineage:tdksa90 in trade>sony hx pro/audio source eq one>philips cdr 775>maxell cdr pro>eac 0.99 pb3>traders little helper>dime quality:high gen sbd?
09/04/89 SDSU Open Air Theatre cdr 2 A- Master Audience Recording by Brian Emery Notes: This recording has been circulating since '89 however this version is a new master cassette transfer from my original analog master tape (Feb. 2010). Great show from the '89 ABWH tour. This is the first show after the cancellation of several shows prior to this when Tony Levin got sick and had to step down so they replaced him with Jeff Berlin. Nice recording from the pit Section EEE Row 4.
09/07/89 The Greek Theater cdr 2 a- AUD
10/20/89 Whitley Bay Ice Rink cdr 2 A.B.W.H. Dream Everlasting. Whitley Bay Ice Rink Whitley Bay Tyneside U.K. October 20th 1989 Audience Recording Quality B Artwork Included Clever Trevor refix. Jon Anderson (Vocals) Bill Bruford (Drums) Steve Howe (Guitars) Rick Wakeman (Keyboards) Julian Colbeck (Keyboards) Tony Levin (Bass) Milton McDonald (Guitars) Lineage>Trade>EAC>WAV>Audacity>FLAC>Dime Disc One Young Persons Guide To The Orchestra Time And A Word Owner Of A Lonely Heart Teakbois Clap Mood For A Day Rick Wakeman Solo Long Distance Runaround Bill Bruford Solo Birthright And You And I I've Seen All Good People Close To The Edge Disc Two Themes Levin/Bruford Duet Brother Of Mine The Meeting Heart Of The Sunrise Order Of The Universe Roundabout Starship Trooper Yours Truly was actually there (with his Brother) A Rock concert at an Ice Rink? I had to get my skates on to get a ticket (sorry) I actually went with a Brother Of Mine, i think i'll start again............ This was a great show, it was something different to start with the Solos. I can remember being amazed at how good Rick Solos were. Jon mentioned between songs "We booked into the Hotel and the girl behind the desk asked, what was the Band called? I couldn't be bothered to explain so i just said "Yes" Cue applause. Rick was outstanding and being a Bass Player i thought Tony Levin was excellent. Clever Trevors Notes.............. This was originally on three discs,did a few edits and joins,as some of the tracks faded in and out. Did a pitch correction on the first 12 tracks,boosted the volume a bit and raised the right channel. A bit of a mains hum on the second disc,sounds like it could be from a second source.Maybe our taper's shared the recording one set each,or had his mike too near the recorder.
10/20/89 Whitley Bay Ice Rink cdr 2 A.B.W.H. Dream Everlasting. Whitley Bay Ice Rink Whitley Bay Tyneside U.K. October 20th 1989 Audience Recording Quality B Artwork Included Clever Trevor refix. Jon Anderson (Vocals) Bill Bruford (Drums) Steve Howe (Guitars) Rick Wakeman (Keyboards) Julian Colbeck (Keyboards) Tony Levin (Bass) Milton McDonald (Guitars) Lineage>Trade>EAC>WAV>Audacity>FLAC>Dime Disc One Young Persons Guide To The Orchestra Time And A Word Owner Of A Lonely Heart Teakbois Clap Mood For A Day Rick Wakeman Solo Long Distance Runaround Bill Bruford Solo Birthright And You And I I've Seen All Good People Close To The Edge Disc Two Themes Levin/Bruford Duet Brother Of Mine The Meeting Heart Of The Sunrise Order Of The Universe Roundabout Starship Trooper Yours Truly was actually there (with his Brother) A Rock concert at an Ice Rink? I had to get my skates on to get a ticket (sorry) I actually went with a Brother Of Mine, i think i'll start again............ This was a great show, it was something different to start with the Solos. I can remember being amazed at how good Rick Solos were. Jon mentioned between songs "We booked into the Hotel and the girl behind the desk asked, what was the Band called? I couldn't be bothered to explain so i just said "Yes" Cue applause. Rick was outstanding and being a Bass Player i thought Tony Levin was excellent. Clever Trevors Notes.............. This was originally on three discs,did a few edits and joins,as some of the tracks faded in and out. Did a pitch correction on the first 12 tracks,boosted the volume a bit and raised the right channel. A bit of a mains hum on the second disc,sounds like it could be from a second source.Maybe our taper's shared the recording one set each,or had his mike too near the recorder.
10/21/89 Playhouse Theatre 2 a A Young Persons Guide to Yes Music. SBD
10/22/89 Playhouse Theatre cdr 2 a+ SBD LDB Special Series #200 the ending of And You and I is cut, so is the beginning of I've Seen All Good People. The very beginning of CTTE is also cut. GREAT sounding show!~
10/29/89 Wembley Arena cdr 2 a AUD.
11/03/89 Ahoy cdr 3 b+ AUD "Rulers of the Universe"
11/08/89 Johanneshovs Isstadion cdr 2 a SBD Tooleman remaster "Motet"
11/18/89 St. Jakobs-Halle cdr 2 a- CD 1: 11 tracks, 75:21 CD 2: 9 tracks, 72:36 AUD Big tape flip in CTTE
01/01/90 SARM East Recording Studios cdr 1 a+ The single version of I'm Alive has been removed from my version.
02/22/90 Palacio de Deportes cdr 2 a- Anderson, Bruford, Wakeman & Howe February 22, 1990 Madrid, Spain Palacio de deportes Audience Recording from 3rd Generation Cassette DISC ONE: 01 - Time And A Word --> 02 - Owner Of A Lonely Heart --> 03 - Teakbois 04 - REPRISE: Time And A Word 05 - ?????? --> 06 - Clap 07 - Arada 08 - Mood For A Day 09 - KEYBOARD SOLO: Rick Wakeman 10 - Long Distance Runaround --> 11 - DRUM SOLO: Bill Bruford 12 - Birthright 13 - And You And I 14 - Themes --> 15 - BASS & DRUM DUET: Tony Levin & Bill Bruford (Assualt Phase 2) 16 - Long Lost Brother Of Mine 17 - The Meeting DISC TWO: 01 - Close To The Edge 02 - The Order Of The Universe 03 - Heart Of The Sunrise 04 - Roundabout 05 - Your Move --> 06 - All Good People 07 - Starship Trooper LINEAGE: from 3rd Generation Cassette AUDIENCE > Cassette > VS1680 > CDR > EAC > FLAC NOTE: The set list for this show on Forgotten Yesterdays is incorrect: http://web.archive.org/web/20060629110339/forgottenyesterdays.com/date.asp?s=5&tname=13&tdate=1911&navb=10
03/07/90 Yokohama Bunka Taiikukan cdr 2 a+ ABWH Yokohama, Bunka Taiikukan March 7, 1990 Soundboard 01.Time And A Word / Owner Of A Lonely Heart / Teakbois 02.Clap / Mood For A Day 03.Wakeman Solo 04.Long Distance Runaround / Bill Bruford Solo 05.Birthright 06.And You And I (fades out) 07.Themes 08.Levin / Bruford Duet 09.Close To The Edge 10.Zoh-San 11.The Meeting 12.Brother Of Mine 13.Heart Of The Sunrise 14.Order Of The Universe 15.Roundabout 16.Starship Trooper Lineage: Soundboard > n generation copy > Aiwa Tape Deck AD-WX828 > Audiophile 2496 Soundblaster > HD > SoundForge 8.0 > CD Wave > FLAC Frontend (level 6) LDB Special Series #105 Jon's voice seems really high.....maybe speed problems? Steve RIPS on CTTE. Very different solo at the beginning....good stuff. Some songs are missing small bits.....tape flips ?
03/15/90 Paramount Theatre cdr 3 A AUD. Length: 158:57
04/01/06 Dialogue Demos  cdr 2 a+

Anderson/Wakeman --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/02/11 Ridgefield Playhouse cdr 2 AUD, and a nice one.

April Wine --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/27/81 Performing Arts Center cdr 1 FM

Asia --- Approximate Hours: 77.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/29/82 Orpheum Theatre cdr 2 A- AUD
04/29/82 Orpheum Theatre 0 Asia 1982-04-29 Orpheum Theatre, Boston, MA, USA Balrog Source, Lestat Remaster, Recording Notes: The recording was made from front-row balcony, somewhat off-center. Three microphones were used as an experiment and the mix changes somewhat during the show. The band had PA trouble that night but it's difficult to identify when it occurred from the recording. Lestat Notes: I think we all agree this is Asia at their best. Anyhow, we have a Balrog AR of it and can be eternally grateful for that. As he notes below however there are some issues stemming from Asia's PA output and mix, which became more and more evident as more detail uncovered in the remastering process. Not the least among them is some very noticeable and quite frustrating distortion in all guitars and vocals. Vocals also have an unpleasant 'early PA' aspect evoking the tinny, 'boxy' sound of amplified ballpark announcers and speeches from the 1930s. The PA mix is also rather less balanced than we'd expect from a band like Asia, with Wetton's bass especially high and Palmer surprisingly low. Bass guitar is so strong in fact it makes natural realism in things like toms and kick drums impossible to reveal fully without the former becoming too much. Being the very beginning of the first tour I guess we shouldn't be surprised. Bugs do happen even to the best at such times. Another bug in the PA output was uneven amplitude, which will be noticeable between left and right channels in some tracks and in both channels of other tracks otherwise even. Some balancing has been done, but only in the narrow parameters the recording will permit without itself becoming "mixed," to wit, artificial sounding and not what the audience heard. Efforts to mitigate SQ issues overall were successful to varying degrees, and the resulting audio while not the best of "BLG" by any means does qualify for the label. The detail, depth and definition we set as our goal are in place, along with the "you are there" sound we strive for. Between the new transfer and remaster we're confident it now sounds better and more realistic than any version previously circulated, Asia sound system flaws and all. Remaster Summary: EQ and other work to reveal - not mix - extant AR detail, to every extent possible as the audience heard and felt it. No need for or attempts to alter band-crowd-venue sound balance as audience volume was well below that of band, locally and at a distance. No compression or noise reduction applied. Tape hiss is noticeable, especially during the quieter musical sections, but even there the signal to noise ratio remains favorable enough to avoid risky NR.
05/02/82 The Palladium cdr 2 A- AUD
10/19/82 Teatro Tenda cdr 2 AUD. A good one.
08/22/83 The Centrum cdr 2 Asia Live At The Centrum Worcester MA 1983-08-22 22nd August 1983 Alpha Tour Audience Recording Artwork Included Quality B+ John Wetton Geoff Downes Steve Howe Carl Palmer Disc One Wildest Dreams Time Again The Heat Goes On Eye To Eye Only Time Will Tell Geoff Downes Keyboard Solo Beginnings/Steve Howe Acoustic Solo Valley Of Rocks Clap Midnight Sun Disc Two Don't Cry The Last To Know Open Your Eyes The Smile Has Left Your Eyes Here Come The Feeling Carl Palmer Drum Solo Sole Survivor Heat Of The Moment Bonus Track The Man With The Golden Arm Live at The Stanley Theatre Pittsburgh PA 25th April 1982 Lineage Trade>EAC>HD>Demonoid A bit of distortion on the beginning of the first track,but otherwise very good
08/22/83 The Centrum cdr 2 Asia Live At The Centrum Worcester MA 1983-08-22 22nd August 1983 Alpha Tour Audience Recording Artwork Included Quality B+ John Wetton Geoff Downes Steve Howe Carl Palmer Disc One Wildest Dreams Time Again The Heat Goes On Eye To Eye Only Time Will Tell Geoff Downes Keyboard Solo Beginnings/Steve Howe Acoustic Solo Valley Of Rocks Clap Midnight Sun Disc Two Don't Cry The Last To Know Open Your Eyes The Smile Has Left Your Eyes Here Come The Feeling Carl Palmer Drum Solo Sole Survivor Heat Of The Moment Bonus Track The Man With The Golden Arm Live at The Stanley Theatre Pittsburgh PA 25th April 1982 Lineage Trade>EAC>HD>Demonoid A bit of distortion on the beginning of the first track,but otherwise very good
09/10/83 Pine Knob cdr 2 b+ AUD
12/07/83 Budokan Hall cdr 1 a FM
11/12/89 Garage cdr 2 A- AUD Wetton, Palmer with John Young on keys and Holger Larish on guitar.
??/??/92 The Alternate Aqua cdr 1 Asia The Alternate Aqua 1991-1992 Demos Alternate Versions and Live Audience Recordings Quality A/B+ Artwork Included Live Tracks Recorded in Milano 7th October 1992 45 Minutes. Vinny Burns - guitars Geoff Downes - keyboards Steve Howe - guitars John Payne - Bass/vocals Trevor Thornton - drums Live Show Posted By Celebrimbor originally from DAT Aqua Part 1 (Live) Who Will Stop The Rain (Demo) Back In Town (LIve) Love Under Fire (Live) Someday ( Live) Little Rich Boy ( Live) The Voice Of Reason ( Live) Lay Down Your Arms ( Alternate Version) Crime Of The Heart ( Demo)
02/19/93 The Spotlight cdr 1 a "Arica" Highland label release
08/29/06 Water Street Music Hall cdr 2 a AUD
09/03/06 Foxwoods Casino cdr 2 a AUD
09/17/06 Pabst Theater cdr 2 a- Asia Pabst Theater Milwaukee, WI September 17, 2006 Lineup: All original members Unknown mics > Sony M1 DAT Master > Stand-alone CD burner > Me > EAC > FLAC > You
12/03/06 Shepherd's Bush Empire cdr 2 a SBD
03/05/07 Osaka Kouseinenkin Kaikan cdr 2 a- Torrent titles: Asia March 5th 2007 Osaka Kouseinenkin Kaikan Osaka Japan Date: March 5th 2007 Venue: Osaka Kouseinenkin Kaikan Osaka Japan Title: In The Court Of Asian King (the arrival of a four headed dragon) Catalogu #:LY-G-001/002 Linage:AT 943s>Denecke-PS2>TCD-D100>DAT MASTER DAT MASTER>TCD-D8>Santa Cruz Soundcard>Sound Forge 8.0>WAV>FLAC Artworks included Taper: Garfield Artwork: Mickey Tapers Notes: Recorded from the front-center block with cardioid microphones. The highs are up-front and very clear but the lows are thin and weak. I guess that I must have used a preamp for this set-up. I noticed at the show and confirmed from this recording that John Wettonfs bass sounds way too low or way too high and distorted on some tracks while Stevefs guitar was way too up-front all through the show. But what annoyed me the most at the show was that one drunken asshole sitting a few rows ahead of me constantly brought security guys to our block. He made a lot of noise and started asking people to sit down. Thanks to him I could not make an adjustment on the direction of the microphones until #5 songs of Disc2. My notes: Funny mess up by Steve during Don't Cry, and the backing vocals are a bit off during "One Step Closer."
03/18/07 Teatro Teletón cdr 2 a- ASIA Teatro Teletón Santiago, Chile 2007.03.18 Source: MM-MCSM-5 cardioids -> MM-EBM-1 (Bass Roll Off @ 69hz) -> Sony MZ-NH700 (PCM mode) -> Sonicstage 4.3 Transfer: WAV -> Cool Edit Pro (normalize 95%, fade in-out) -> dbPowerAmp -> FLAC (medium compression) Taper: FaaipDeOaid (faaipdeoaid@hotmail.com) Incomplete source Setlist 01.Time Again 02.Wildest Dreams 03.One Step Closer 04.Roundabout (Yes) 05.Without You 06.Cutting It Fine 07.The Clap (Steve Howe acoustic solo) 08.Fanfare for the Common Man (EL&P) 09.The Smile Has Left Your Eyes (acoustic) 10.Don't Cry (acoustic) 11.In the Court of the Crimson King (King Crimson) 12.Here Comes the Feeling 13.Video Killed the Radio Star (The Buggles) 14.The Heat Goes On 15.Only Time Will Tell * .Sole Survivor * .Ride Easy * .Heat of the Moment Notes Excelent show of these legends of Progressive rock. Each member of the band made a perfect performance of every song played. The recording sounds perfect for a audience source; no screams or guys around the mics can be heard along the concert (unusual in our country). However, the last 3 songs are missing (problem in the second disc that i couldnt fix) sorry for that. Anyway, you´ll enjoy this recording.
06/23/07 Grand Cayman Ballroom, Trump Marina cdr 2 a- Source: SP-CMC-8 (AT943 cardioids) > SP-SPSB-10 > Edirol R-09 (line in, 24/48) Lineage: Wav file > Sound Studio > convert 16/44.1 > xACT > FLAC (level 8) Taping location: Row 10, 2 seats off center Taped & transferred by: TT
05/09/08 Kousei Nenkinkaikan cdr 2 a Great AUD recording.
04/07/09 De Boerderij cdr 2 A- AUD
04/22/09 Floral Pavillion cdr 2 a AUD
07/07/09 Gibson Amphitheater cdr 1 A- AUD, opening for Yes
07/25/09 South Shore Music Circus cdr 1 A- AUD Opening for Yes
07/26/09 Northern Star Arena (Six Flags Great Adventure) cdr 1 b+ AUD Opening for Yes
07/28/09 Tower Theater cdr 1 a- AUD
07/31/09 Capitol One Theater cdr 1 b+ AUD Opening for Yes
08/01/09 Jamestown Savings Bank Ice Arena cdr 1 b+ AUD Opening for Yes
08/02/09 Riverplace cdr 1 A- AUD Opening for Yes
05/02/10 ColosSaal cdr 2 a- AUD
08/27/10 Club Nokia cdr 2 AUD. Nice sound, good mix, just a little light on the bass. Steve rips out a beautiful solo for "The Smile Has Left Your Eyes."
05/13/11 House of Blues cdr 2 AUD. A but bass heavy.
05/14/11 Pabst Theater cdr 2 A- Nice AUD.
05/14/11 Pabst Theater cdr 2 AUD
09/24/12 Shibuya Kokaido cdr 2 ASIA 30th Anniversary Japan Tour September 24, 2012 at Shibuya Kokaido - Tokyo, Japan taper: fab1 sound professionals sp-cmc-8 > sony pcm-m10 > wav(24bit/48kHz) > sound forge(edit, convert to 16bit/44.1kHz) > flac Recorded from 4th row. John Wetton - vocals, bass Steve Howe - guitars Carl Palmer - drums Geoff Downes - keyboards disc 1 1-01. Opening (Excerpt from Elgar's Enigma Variations: Nimrod) 1-02. Only Time Will Tell 1-03. Wildest Dreams 1-04. Face on the Bridge 1-05. Never Again 1-06. Time Again 1-07. Tomorrow the World 1-08. Masquerade (Steve Howe Solo) 1-09. In the Course of the Day (Steve Howe Solo) 1-10. I Know How You Feel 1-11. Don't Cry 1-12. The Smile Has Left Your Eyes disc 2 2-01. Holy War 2-02. Drum Solo 2-03. My Own Time (I'll Do What I Want) 2-04. An Extraordinary Life 2-05. Open Your Eyes 2-06. (applause) - encore - 2-07. Sole Survivor 2-08. Heat of the Moment 2-09. (applause) Enjoy!
09/25/12 Shibuya Kokaido cdr 2 ASIA 30th Anniversary Japan Tour September 25, 2012 at Shibuya Kokaido - Tokyo, Japan taper: fab1 sound professionals sp-cmc-8 > sony pcm-m10 > wav(24bit/48kHz) > sound forge(edit, convert to 16bit/44.1kHz) > flac Recorded from 10th row. John Wetton - vocals, bass Steve Howe - guitars Carl Palmer - drums Geoff Downes - keyboards disc 1 1-01. Opening (Excerpt from Elgar's Enigma Variations: Nimrod) 1-02. Only Time Will Tell 1-03. Wildest Dreams 1-04. Face on the Bridge 1-05. Time Again 1-06. Ride Easy 1-07. One Step Closer 1-08. Mood for a Day (Steve Howe Solo) 1-09. Second Initial (Steve Howe Solo) 1-10. I Know How You Feel 1-11. Don't Cry 1-12. The Smile Has Left Your Eyes 1-13. Without You disc 2 2-01. Cutting It Fine 2-02. Drum Solo 2-03. Here Comes the Feeling 2-04. Open Your Eyes 2-05. (applause) - encore - 2-06. Sole Survivor 2-07. Heat of the Moment 2-08. (applause)
11/01/12 Royal Oak Music Theatre cdr 2 AUD
06/17/14 ZEPP cdr 2 AUD

Badfinger --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/68 The Iveys "Someday We'll Be Known" cdr 1 a+
??/??/69 Come And Get It Demos cdr 1 a sbd
??/??/72 "Apple Demos 1970-1972" cdr 1 a
??/??/72 The Ultimate Stereo Live Album Vol. 2 cdr 1 a+ sbd
??/??/72 Ultimate Stereo Live !! cdr 1 a+
??/??/75 Complete Ass cdr 2 a+
??/??/75 Take It All cdr 1 a+
09/23/83 The Rusty Nail cdr 1 b AUD
06/10/94 Unknown cdr 1 b AUD
07/02/98 Memorial Park cdr 1 b AUD

The Bears --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/28/87 The Roxy cdr 1 b+ AUD. B+/A- Fun show~!
05/26/88 Bogarts cdr 1 a+ Adrian Belew & Bears 1988-05-26 Bogart's, Cincinnati OH FMSBD Lineage: FMSBD>?>CDR>FLACFrontend Rating A/A+ Kisck ass show!! A few channel drop outs in the last few songs.

Black Country Communion --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/29/10 Civic Hall cdr 2 b+ Black Country Communion Civic Hall Wolverhampton UK Wednesday 29th December 2010 Audience recording Taper - Soreballs SP-CMC-2>Edirol R-09HR(low cut 100Hz)>Adobe Audition 3/GoldWave>TLH_8
06/17/11 Hampton Beach Casino Ballroom cdr 2 b+ Black Country Communion Hampton Beach Casino Hampton Beach, New Hampshire June 17, 2011 Master Recording H2 Zoom Recorder-PC-Audacity for Splitting to Wav-Traders Little Helper to Flac-You Taped on the right side of the venue. Amplified the sound a bit in Audacity. Probably not the best sounding show, but I feel a good B rating. Feel free to make artwork, if you do please post it here. Feel free to remaster or do whatever you want to make this sound better, just if you do, please post it here so I can snag it!
06/18/11 Starland Ballroom cdr 2 b+ Black Country Communion Starland Ballroom Sayersville NJ June 18, 2011 Recorded by bcironmaiden Recorded w/ SP-CMC-2 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module > Olympus LS-10 Linear PCM Recorder 44.1khz/16bit HD > CD Wave Editor > TLH > You THIS IS WHAT A ROCK BAND IS SUPPOSED TO SOUND LIKE !!!! DO NOT MISS THIS BAND IN CONCERT !!!!! Ok , as far as the bands performance goes I only have one word... WOW !!!! Amazing , amazing, AMAZING BAND !! Buy the CD's they are both great, and get out there and see them, it's well worth the price and any trip you may have to take to get there . I can't wait for a chance to see them again . Starland Ballroom seems to me to be a nice venue, I will go there again. It was packed, I was center right in front of Mix. Recording came out good. Best of the 3 shows that I have.
06/25/11 Summer Sound Festival cdr 1 b+ AUD. Taped by DeepPurple20
07/05/11 Zitadelle Spandau cdr 2 AUD

Black Sabbath --- Approximate Hours: 86.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/02/80 Colston Hall cdr 2 b- UNKN Gen Tape>CDR>xACT>FLAC Setlist: 01 War Pigs 02 Neon Knights 03 NIB 04 Children of the Sea 05 Sweet Leaf 06 Bill Ward Solo 07 Sweet Leaf 08 Lonely is the Word 09 guitar solo 10 Don't Start (Too Late) 11 Black Sabbath 12 Heaven and Hell 13 Iron Man 14 guitar solo 15 Sabbath Bloody Sabbath riff 16 Embryo 17 Die Young 18 Paranoid 19 Children of the Grave ------------------------------------------ ADD INFO from sabbathlive: "Good audience recording of complete show. This tape has some phasing issues that appear in short, but somewhat frequent bursts. These glitches sound similar to running the audio through a flanger and often cause brief dropouts in the sound on a fairly regular basis, but most noticeably during Tony's solo in "Heaven And Hell". Running time is 106 minutes. Ronnie seems to lose his place for a moment before the 2nd verse of "N.I.B.", which carries on slightly longer than usual. A more embarrasing memory lapse occurs in the middle of "Black Sabbath" [3:40] when Ronnie forgets "Satan sitting there he's smiling" / "Watch those flames grow higher and higher". Instead, he hums a few graceful sounding scales to fill in. When the fast section kicks in, several measures pass before Ronnie finally comes in. Did he almost forget that section as well? The last two verses of "Iron Man" get mangled pretty badly too, but no worse than Ozzy might have done! On the other hand, the band plays a rather sweet version of "Lonely Is The Word" with both Ronnie and Tony turning out some stellar performances. After a short a capella outro by Ronnie, Iommi ends the song with an arpeggiated Am7 chord. This is followed immediately by Tony playing a brief rendition of the rarely performed "Don't Start (Too Late)" from SABOTAGE, which also serves as the intro for "Black Sabbath". This early arrangement seems to illustrate the origin of Tony's guitar intro for "Black Sabbath", which appears to evolved from his live ending for "Lonely Is The Word", since both were based on the Am7 chord. Ronnie makes a crack about how well the security has done keeping the audience in their seats. His sarcasm isn't lost on the punters who protest this petty swipe. He then goes on to talk about how the band had now played two gigs in England, mentioning both the Portsmouth and Southampton gigs. It's difficult to hear exactly what he's saying here, but I believe he alludes to the cancellation of the Portsmouth gig. He thanks the Portsmouth fans for attending the Southampton gig instead. His mild criticism of the crowd seems unwarranted once you hear their chanting and clapping during the intermission (SA-BBATH! clap-clap-clap Turo Taimen: “One thing just caught my attention and that is the running time of the show! My version has a running time of 111 minutes. I compared it with the version that Jarkko has listed on his site and that has the running time of 99 minutes. The difference is more than 10 minutes. That's strange.” [Editors note – Although it’s impossible to know for sure without having both copies on hand to compare, it could be a combination of speed differences and edits. You may also have a completely different source tape?! But yes, that is quite a time difference.] “Even though part of Lonely Is The Word is also on CD2, it only lasts about 30 second or so, so that really doesn't add much time. There are also about 2 minutes of silence at the end of “Children Of The Grave” but that doesn't add enough either. [Ed. – Ah! But this does begin to close the gap!] “The show it self is from Bristol - no question! Ronnie talks to the crowd for a while after “Die Young” and he mention Bristol more than once. One line is that "Bristol is always great!" And so is the show! Bill has a very long drum solo “Sweet Leaf”. Also, Tony plays “Don't Start (Too Late)” as an intro to “Black Sabbath”! “Heaven And Hell” is bit different from the usual rendition. Ronnie sings a lot of his own stuff in the middle of the song and there is no crowd participation at all!! That is strange. I think he has always asked the crowd to sing along during “Heaven And Hell”, but not at this show. He just sings, "On and on, it's Heaven And Hell" all by himself. Tony also pulls a great guitar solo out for over 13 minutes! It includes “Orchid” and several jam sections, as well as part of “Warning”. Even though this was an early show in the tour, the band is really tight. And Ronnie does a great rendition of “Iron Man”. “The sound quality is very good, but has some speed fluctuations. The worst ones occur during “N.I.B.”, “Die Young” and “Paranoid”. But I still think this deserves a B.” “So, I don't know if this is a different source or what. But no other trader seems to have an equally long version. Let me know is you have any info on this one.”
06/02/80 Stadthalle cdr 2 A- AUD
06/24/80 Cornwall Coliseum cdr 2 b- Black Sabbath Cornwall Coliseum St. Austell, UK June 24, 1980 Unknown gen.cassette.aud>SonyTCWE435>PioneerPDR- 4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC Quality: B War Pigs Neon Knights N.I.B Lonely Is The Word Sweet Leaf Children of the Sea Black Sabbath Heaven and Hell Iron Man Guitar Solo Die Young Paranoid Children of the Grave Notes: I love these 1980 shows. This one is early enough in the Heaven and Hel tour that Bill Ward is still behind the drums and he gives a great solo here on Sweet Leaf. Great show overall, nice performance of Lonely Is The Word in particular. Sent to me as a "low gen" but who knows what that means. A bit of a rarity at one point, did not generall circulate until years after the gig I believe.
07/19/80 Memorial Stadium, U. of Washington cdr 1 A- AUD
08/10/80 Civic Center cdr 2 a FM
09/07/80 Jai Alai Fronton Hall cdr 2 A- "Miami 80" bootleg AUD
09/19/80 Veterans Memorial Coliseum cdr 2 b+
11/16/80 Sun Plaza Hall cdr 2 A- Black Sabbath Sun Plaza Hall, Tokyo 16th November 1980 Trade CDR>WAV>EAC>FLAC (Lv8) Title:Meloik In Japan Label:TARANTURA Source:Excellent Audience Recording Nov 16 1980 Tokyo Sun Plaza Hall (1st Show) Early show - open 2 PM
11/16/80 Sun Plaza Hall cdr 2 lack Sabbath 1980-11-16 Nakano Sun Plaza Tokyo, Japan Evening show (6 PM) Running time: 95:00 min Lineage: Mr Peach audience recording -> ? -> "Evil In The Evening" bootleg (Tarantura) silver -> FLAC ************************************** CONTRAST CLAUSE: This is different from: http://www.dimeadozen.org/torrents-details.php?id=382472 Running time and lineage are different. This version is from the Tarantura bootleg version of an audience recording taped by famous Mr Peach, the other is unknown gen and source. ************************************** Many thanks to Dime user fuwawuwatime for sending me this EXTREMELY great recording! The sound and mix are VERY clear and strong, very close to a soundboard recording. ************************************** ORIGINAL INFO TEXT BY FUWAWUWATIME: Black Sabbath Sunday 16th Nov. 1980 Nakano Sun Plaza, Tokyo Japan Late Show-Open 6 PM Title:Evil In The Evening Label:Tarantura Source:EX Audience Recording (Mr.Peach recording) DISC 1 01 Opening SE / Supertzer 02 War Pigs 03 Neon Knights 04 N.I.B 05 Children Of The Sea 06 Sweet Leaf 07 Drum Solo 08 Sweat Leaf 09 Lady Evil 10 Black Sabbath DISC 2 01 Interval 02 Heaven And Hell 03 Iron Man 04 Guitar Solo 05 Instrumental 06 Guitar Solo 07 Instrumental 08 Guitar Solo 09 Orcid 10 Guitar Solo 11 Die Young encore 12 Paranoid 13 SE/ Announcement
11/17/80 Nippon Seinenkan Hall cdr 2 a- Black Sabbath - Nihon Seinen Kaikan,Tokyo, Japan 17th November 1980 Trade CDR>EAC>WAV>FLAC (Lv8) Title: Gospel Of The Witches Labe: TARANTURA Source: Excellent Audience Recording (Mr.Peach recording) This is the one of bootleg of 6CD BOX "Stand Up And Shout(Tarantura TCDBS- 3, 4, 5)" More one of the concert http://www.dimeadozen.org/torrents-details.php?id=333728 This is only 150 copies sold and sold all immediately It's hard-to-find. CD1 1. Supertzar 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Children Of The Sea 6. Sweet Leaf 7. Drum Solo 8. Sweet Leaf (Reprise) 9. Lady Evil 10. Black Sabbath CD2 1. MC 2. Heaven And Hell 3. Iron Man 4. Instrumental #1 5. Guitar Solo #1 6. Instrumental #2 7. Guitar Solo #2 8. Instrumental #3 9. Guitar Solo #3 10. Orcid 11. Die Young (ENCORE) 12. Paranoid 13. SE 14. Announcement
11/18/80 Sun Plaza Hall cdr 1 Black Sabbath - Angel And Demon (1980) Publisher: Faith Records Reference: FCD1 7002/624034-2 Date: 1998 Total duration: 69:36 Nakano Sun Plaza Hall, Tokyo, Japan Novemebr 18th 1980 Source: Soundboard Ronnie James Dio - Vocals Tony Iommi - Guitars Geezer Butler - Bass Guitars Vinny Appice - Drums Geoff Nicholls - Keyboards Since Tony Iommi fell down ill on this show during "Heaven And Hell," they didn't play Paranoid and Children Of The Grave. (In other word, no encore)
11/20/80 kaikan Hall cdr 2 a Lineage: Mr Peach AUD recording > ? > silver 2-CD bootleg "The Light Bringer" (Tarantura TCDBS-4-1,2) > WAV -> FLAC
11/21/80 Festival Hall cdr 2 Black Sabbath Festival Hall, Osaka, Japan 21st November 1980 Trade CDR>EAC>WAV>TLH>FLAC(Lv8) Title:Children Of The Grave Label:TARANTURA Source:Excellent Audience Recording CD1 01 Opening SE / Supertzer 02 War Pigs 03 Neon Knights 04 N.I.B. 05 Children Of The Sea 06 Band Introduction 07 Sweet Leaf 08 Drum Solo 09 Sweet Leaf 10 Lady Evil 11 Black Sabbath CD2 01 MC 02 Heaven And Hell 03 Iron Man 04 Instrumental 05 Guitar Solo 06 Instrumental 07 Guitar Solo 08 Instrumental 09 Guitar Solo 10 Orcid 11 Die Young 1st Encore 12 Paranoid 13 SE 14 Closing Announcement 15 Monitor Check 2nd Encore 16 Children Of The Grave 17 Closing Announcement/ SE Another great "Mr. Peach" tape.
11/21/80 Festival Hall cdr 2 Black Sabbath Festival Hall, Osaka, Japan 21st November 1980 Trade CDR>EAC>WAV>TLH>FLAC(Lv8) Title:Children Of The Grave Label:TARANTURA Source:Excellent Audience Recording CD1 01 Opening SE / Supertzer 02 War Pigs 03 Neon Knights 04 N.I.B. 05 Children Of The Sea 06 Band Introduction 07 Sweet Leaf 08 Drum Solo 09 Sweet Leaf 10 Lady Evil 11 Black Sabbath CD2 01 MC 02 Heaven And Hell 03 Iron Man 04 Instrumental 05 Guitar Solo 06 Instrumental 07 Guitar Solo 08 Instrumental 09 Guitar Solo 10 Orcid 11 Die Young 1st Encore 12 Paranoid 13 SE 14 Closing Announcement 15 Monitor Check 2nd Encore 16 Children Of The Grave 17 Closing Announcement/ SE Another great "Mr. Peach" tape.
11/27/80 Capitol Theatre cdr 2 a+ Band: Black Sabbath *Ronnie James Dio (vocals) *Tony Iommi (guitar) *Geezer Butler (bass) *Bill Ward (drums) *Geoff Nicholls (keyboards) Boot Title: "Bringer Of Evil" (2CD set) Location/Venue: Capitol Theatre, Sydney, Australia Date: 27th November 1980 Bonus: Civic Center, Hartford, Connecticut, USA 10th August 1980 & more (SBD) Label/Cat. #: Power Gate-100 Source: SBD Lineage: Silver Boot > EAC > WAV > FLAC (Level 5) Lenght: 1:16:46.94(Disc 1) & 1:10:16.72(Disc 2) Artwork at http://www.giginjapan.com/scan83/bs-bringer.htm Track List: 01. Supertzar 01:00 02. War Pigs 07:26 03. Neon Knights 04:50 04. N.I.B. 05:42 05. Children Of The Sea 07:00 06. Sweet Leaf 03:27 07. Drum Solo 03:13 08. Sweet Leaf (Reprise) 02:22 09. Black Sabbath 09:34 10. Heaven And Hell 16:34 11. Iron Man 07:15 12. Die Young 04:58 13. Paranoid 03:18 --- 01. DJ Intro 01:09 02. War Pigs 07:16 03. Neon Knights 05:02 04. Children Of The Sea 06:10 05. Heaven And Hell 12:30 06. Die Young 04:52 07. Supertzar 00:34 08. War Pigs 07:23 09. Neon Knights 05:13 10. Children Of The Sea 06:06 11. Black Sabbath 08:37 12. Die Young 05:18
11/27/80 Capitol Theatre cdr 2 a BLACK SABBATH Capitol Theatre, Sydney, Australia 27th November 1980 SOURCE : complete EX 4th gen soundboard tape from personal collection. PLEASE NOTE : this is NOT the disc 1 of the classic incomplete "Bringer Of Evil" boot. Here you get: - the full concert with all stage announcements by Dio. - 15 minutes Iomi's full solo and instrumental missing on the silver boot. - known lineage (from a trade in 1996) IMHO the sound quality is similar to the boot; when listening on headphones sometimes the mix looks different. (samples provided) LINEAGE : -> soundboard -> unknown (but great) recording device -> my 4st gen Maxell XLIIS Type II cassette -> Nakamichi Dragon (with auto-azimuth) Dolby off for playback -> Zoom H2 -> wav 16/44 -> Goldwave v.5.56 for edits, tracks, maximize at 90%, -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries, md5s CD one 0:44:28 101.Supertzar 102.War Pigs > 103.Neon Knights 104.N.I.B. 105.Children Of The Sea 106.Sweet Leaf > 107.Drum Solo 108.Sweet Leaf (Reprise) 109.Black Sabbath CD two 0:45:23 201.Heaven And Hell > 202.Iron Man > 203.Guitar solo / Instrumental > 204.Die Young 205.Paranoid Total 1:29:51
11/15/81 Le Colisee cdr 2 b AUD
11/19/81 Maple Leaf Gardens cdr 2 b AUD, Includes the radio interview Dio did with Q107
03/02/82 New Haven Coliseum cdr 2 Nice AUD.
04/12/82 Veterans Memorial Coliseum cdr 2 b- Black Sabbath 1982-04-12 Veterans Memorial Coliseum, Phoenix Master Duration: 82:02 min Many thanks to vold911 for uploading this at the Deep Purple Hub! This claims to be from the master. For completists.
08/31/82 Poplar Creek Music Theater cdr 2 b+ AUD
06/26/83 Born Again Unmixed Demos + "The Fallen" cdr 1 a
08/18/83 Drammens Hallen cdr 1 b- "Black Sabbath 1983 08 18 Norway, Drammen, Drammenshallen From "Born Again for The First Time" bootleg.
08/19/83 Isstadion cdr 2 AUD Nice interview tacked on the end
08/21/83 Jähalli cdr 2 b+ Disc one, 40:22 1. Intro: Stonehenge 2. Children Of The Grave 3. Hot Line 4. War Pigs 5. Born Again 6. Supernaut 7. Drum Solo 8. Rock 'n' Roll Doctor 9. Disturbing The Priest Disc two, 41:56 1. Keep It Warm 2. Black Sabbath 3. The Dark 4. Zero The Hero 5. Guitar Solo 6. Digital Bitch 7. Iron Man 8. Smoke On The Water 9. Paranoid
08/23/83 Olymen cdr 2 AUD
08/27/83 Thamembe Arena, Reading Festival cdr 1 a FM
08/28/83 Dalymount Park cdr 1 AUD
09/13/83 Plaza De Toros Monumental cdr 2 b- Black Sabbath 1983-09-13 Plaza De Toros Monumental, Barcelona Audience recording Unknown lineage (CDR) Requested by Dime user zososhane69. THanks to Sabbatology! According to good old Sabbathlive.com (RIP), this includes the last known live performance of "Keep It Warm". CD 1 (41:17 min): Supertzar (intro tape) Children Of The Grave Hot Line War Pigs Born Again Supernaut & Drum Solo Rock & Roll Doctor Disturbing The Priest (cuts) CD 2 (44:08 min): Keep It Warm (starts in middle) Iron Man The Dark & Zero The Hero & Guitar Solo Digital Bitch Guitar intro & Black Sabbath Smoke On The Water Paranoid & Heaven and Hell (reprise)
09/14/83 Pabellon De Deportes Del Real cdr 2 AUD
09/15/83 Velódromo Anoeta cdr 1 AUD
09/25/83 Pavillon Des Sports Del Champel Geneve cdr 2 b I received this show digitally (downloaded) directly from dimeuser Gutlit not long after I received the Miami 1980 show. I have no lineage for it, but it doesn't sound too bad. I haven't seen him online for over a week, otherwise I would ask him. Perhaps he will show up and tell us. All I did was add an .ffp file. and create this text file. It is definitely Geneva. Gillan identifies the city immediately after 'Hot Line'. I had no idea this show was obscure. It was one of the few I was missing from this tour when I downloaded it. If anyone has the Sabbathlive info on it, I'd love to see it. Any upgrades would also be appreciated. The quality is actually very listenable. I'd give it a B. Keep in mind I have bootleg ears though. Lineage: ?(unknown multi gen)>Flac (level 8 and aligned)> You Total Time: 93:50
09/30/83 Espace Ballard cdr 1 b+ Black Sabbath Parisian Bitch (Bondage Music - BON 123) Soundboard recording (Liberated Bootleg) Espace Balard, Paris, France 30th September 1983 (cover wrongly says 29th September) Lineage - Original bootleg silver disc > WAV (EAC in secure mode) > Flac (TLH @ level 8) > Dime Tracklist 01 - Children Of The Grave 02 - Hot Line 03 - War Pigs 04 - Supernaut/Drum solo 05 - Rock 'n' RollDoctor 06 - Disturbing The Priest 07 - Guitar solo 08 - Digital Bitch 09 - Smoke On The Water 10 - Paranoid Ian Gillan - Vocals Tony Iommi - Guitar Geezer Butler - Bass Bev Bevan - Drums Geoff Nicholls - Keyboards It's SBD....but not a good one.
10/20/83 Quebec City Colisum cdr 2 b+ aud "Black and Purple"
11/04/83 Worcester Centrum cdr 1 a FM
11/18/83 UIC Pavillion cdr 1 Nice AUD. Microgaps.
??/??/83 The Manor Tapes - Born Again Unmixed Demos 1983 cdr 2 A Black Sabbath The Manor Tapes - Born Again Unmixed Demos 1983 Taken from liberated bootleg : "The Manor Tapes" Including unrealesed track : The Fallen
01/25/84 Cow Palace cdr 1 b black sabbath the cow palace daly city california january-25-1984 lineage audience analog unknown gen to cdr krw transfer to eac to tlh flac level 8 the band ian gillan vocals tony iommi guitar geezer butler bass bev bevan drums geoff nicholls keyboards setlist analog side 1 1 supertzar/neon knights 2 hot line 3 war pigs 4 supernaut 5 rock and roll doctor 6 stonehenge/black sabbath 7 the dark/zero the hero 8 heaven and hell tape flip analog side 2 9 heaven and hell cont./iommi solo 10 digital bitch 11 iron man 12 children of the grave 13 paranoid this is a different source then the stonehenge boot cd
03/26/86 Worcester Centrum cdr 1 b AUD
11/15/92 Pacific Amphitheatre cdr 1 A- Last show of the Dehumanizer tour, Rob Halford on vocals. Ozzy joins the band for the last 4 songs.
??/??/92 Dehumanizer Demoes cdr 2 a SBD the first 6 tracks on disc 1 are from a Friday Night Rock show interview with Cozy Powell and Iommi from 1989

Blackfield --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/10/04 Mean Fiddler cdr 2 A Very nice aud. The Blackfield show is only one disc, but I have the Anathema and Steven Wilson opening sets on another disc!
12/07/04 Colos-Saal cdr 2 AUD (65.04/64.37) disc one 01. intro music 02. crowd 03. Blackfield 04. Open Mind 05. The Hole In Me 06. Glow 07. Pain 08. Lullaby 09. Epiemic 10. Waiting - Phase One 11. Summer 12. Where Is My Love? 13. Cloudy Now 14. Scars 15. Hello disc two 01. crowd 02. Feel So Low 03. crowd / voting 04. and the winner is... 05. Blackfield 06. Cloudy Now 07-12. bonus / filler (opening act):
03/14/05 XM Radio Studios cdr 1 a+ Great FM broadcast
02/16/07 Mean Fiddler cdr 2 AUD
03/11/07 Great American Music Hall cdr 2 a- Blackfield Great American Music Hall San Francisco, CA March 11, 2007 Taper: dcbullet Source: Church Audio Cardioid Mics > Church Audio STC-9000 > Iriver H120 Transfer: Iriver H120 > Audacity (levels) > CDWave (tracking) > Flac
03/13/07 World Cafe Live cdr 2 a- BLACKFIELD World Cafe Live [Downstairs] Philadelphia, PA March 13, 2007 Taper: semidetached Source: AT831s (SP-CMC-2) > SP-SPSB-1 (bass rolloff at 95Hz) > Sony PCM-M1 Transfer: Sony PCM-M1 > Philips CDR760 via 7 pin coaxial cable > CD-RW > EAC/CoolEdit/CDWAV > FLAC6 File Size: 827MB [WAV] | 473MB [FLAC] SETLIST: 01 Once - 4:24 02 Miss U - 4:55 03 Blackfield - 4:55 04 Christenings - 4:43 05 The Hole In Me - 4:01 06 1,000 People - 4:12 07 Pain - 4:20 08 Glow - 3:37 09 Thank U - 5:13 10 Epidemic - 5:08 11 Someday - 5:02 12 Open Mind - 4:24 13 My Gift Of Silence - 4:14 14 Where Is My Love? - 3:07 15 End Of The World - 5:56 16 Hello - 4:08 17 Once [reprise] - 4:08 18 Cloudy Now - 5:20 RECORDING NOTES: Recorded from the mezzanine, left side. I had a HUGE problem with the levels during track one - this show was LOUD. Although it doesn't sound as bad as I would have thought, "Once" may suffer from a bit of distortion until 3:13, where I finally got the levels at a comfortable place. Due to the volume going completely silent and dropping out of both channels during the drum intro while I was fiddling, I was forced to fade in the drum intro. Luckily I got it done before the guitar came in - there was a long buildup before the vocals. TRANSFER NOTES: Again, concerning "Once" - I tried to fiddle with the levels bit by bit to correct this, as this is the point where I turned down my recording volume considerably. It's hard to work in the dark! Dodgiest part is 2:58-3:08. NO EQ applied, just 3db of hard limiting to boost the overall level a bit. About one minute cut from the encore break due to some silly comments in my mic by someone at my table. :) OBLIGATORY SHOW TRIVIA: SW breaks a string during "Once". Then SW breaks a string 90 minutes later... during "Once"! TOTAL TIME: 1:21:57

Blondie & Robert Fripp --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/07/78 CBGB's cdr 1 b AUD. Pretty odd.

Blue Murder --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/20/89 Mza Ariake cdr 2 SBD
09/19/89 Rock 'N Roll Heaven cdr 1 SBD.
12/03/93 Koseinenkin Hall cdr 2 SBD
05/08/94 Dallas City Limits cdr 1 SBD Small skip in track 3 at 5:07 and track 9 at 4:45

Blue Öyster Cult --- Approximate Hours: 112.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/03/72 Nugget's Pizza Parlour cdr 1 A My copy has all of these plus Buck's Boogie closes the show.
10/31/72 Grand Ballroom cdr 1 FM, but a bad one. Lots of drop outs and sound problems.
02/04/73 Rooster Tail Supper Club cdr 1 A Great early FM broadcast.
02/21/74 Providence Civic Center cdr 1 b Blue Öyster Cult Providence Civic Center Providence, RI 21 February 1974 Master audience recording taped by Dan Lampinski
08/06/74 Unknown cdr 1 AUD. My copy is incomplete, missing I Aint Got You
02/25/75 Providence Civic Center cdr 1 A AUD. Dan Lampinski recording. Opened for the Faces
07/04/75 Various cdr 2 a+ Sbd. Fantastic stuff.
09/11/76 Cobo Arena cdr 2 A AUD, very nice. Remastered. A few cuts on the second disc, and an awful version of Reaper.
09/20/76 Palace Theater cdr 1 A FM. My copy has 4 songs from 5/14/75 as well.
10/16/76 Music Hall cdr 2 A AUD. Great Dan Lampinski recording. There are cuts in This Aint the SUmmer of Love and 5 guitars.
12/30/77 Cobo Hall cdr 1 A A little different than the posted setlist. Mine has a bass solo, 5 guitars, then Born to be Wild. No DFTR on my copy.
01/12/78 Providence Civic Center cdr 2 b+ AUD. Dan Lampinski recording.
03/30/78 Music Hall cdr 2 A- AUD Dan Lampinski recording.
10/12/79 International Amphitheater 0 FM
10/26/79 Met Center cdr 2 SBD.
12/27/79 Veterans Memorial cdr 2 Veterans Memorial Coliseum, Phoenix, Arizona - December 27, 1979. Source: FM broadcast. Lineage: 1st Generation Cassette > Behringer Ultra Curve Pro Deq 2496 Equalizer > Tascam cdrw750 > Plex Tool Professional XL > .Wav > Flac. Quality: Excellent, 9/10 Rating. Set List: Disc 1: 54:09 Minutes. 1.Introduction 3:24 2.Dominance & Submission 5:28 3.Dr. Music 3:43 4.Mirrors 4:21 5.Cities on Flame 5:31 6.The Great Sun Jester 5:26 7.The Vigil 5:32 8.The Vigil (Reprise) 1:26 9.Extraterrestrial Intelligernce 4:51 10.Astronomy 8:35 11.ME 262 3:42 12.Godzilla (Intro) 2:03 Disc 2: 40:42 Minutes. 1.Godzilla - Drum Solo - Godzilla 9:18 2.Hot Rails to Hell (volume become lower after first half of the song) 5:31 3.Bass Solo 1:39 4.Five Guitars 4:52 5.Born to Be Wild (1 glitch close to the end of the song) 4:58 "Encores" 6.Encore Break 3:14 7.O.d.'d on Life Itself 4:03 8.(Don't Fear) The Reaper 7:02
02/11/80 Mid-Hudson Civic Center cdr 1 A FM. King Biscuit broadcast. 30 mins
08/19/80 Metropolitan Center cdr 2 a+ FM. Great show!
09/08/80 Old Waldorf cdr 2 A FM
06/15/81 The Spit Club cdr 2 A FM
06/16/81 Bonds International Casino cdr 2 A FM "The Thing" boot
09/20/81 Veterans Memorial Coliseum cdr 2 A FM . There's a glitch inbetween BTBW and DF, but no music is lost
12/15/81 Chuck Landis Country Club cdr 2 A FM
03/16/83 Gymnasium, St. Vincent's College cdr 1 b- AUD
07/24/83 Perkins Palace cdr 1 a+ Great SBD
01/13/84 Radio City Music Hall cdr 2 Very nice aud
01/28/84 Grugahalle cdr 2 a- AUD Nice recording.
02/14/84 Hammersmith Odeon cdr 1 A FM
06/24/86 The Trocadero cdr 2 A FM
08/20/86 Cabaret Metro cdr 2 AUD
03/26/88 The Cabaret cdr 2 A FM
11/04/88 Crest Theatre cdr 2 A
01/03/89 Toad's Place cdr 2 A-
06/28/91 Empire Concert Club cdr 2 a+ Great FM broadcast
06/06/92 Mingle's cdr 2 a+ SBD This is almost the complete show, except for Don't Fear The Reaper (not included) and When Horsemen Arrive has a cut.
09/03/95 Ventura Theater cdr 2 Blue Öyster Cult September 3rd, 1995 Ventura Theater Ventura, CA Source: SBD Lineage: Silvers? > Trade CD > Optiarc AD-7261S > EAC > Flac 8 > Torrent Still Burnin' - Live At The Ventura Theater Disc 1 1. Stairway To The Stars 2. Dr. Music 3. O.D.'d On Life Itself 4. E. T. I. 5. Before The Kiss A Redcap 6. I'd Like To See You In Black 7. Take Me Away 8. Cities On Flame With Rock & Roll 9. Astronomy Disc 2 1. In Thee 2. M. E. 262 3. Burnin' For You 4. Godzilla 5. (Don't Fear) The Reaper 6. Joan Crawford 7. This Ain't The Summer Of Love 8. The Red & The Black Sound is a bit unbalanced and hissy, still a decent recording.
12/16/95 Rodon Club cdr 2 A- AUD Remastered by Titus
02/21/97 The Studio Club cdr 2 FM. A little light on the bass. Killer, high energy show. Eric Bloom struggles with his vocals.
02/04/98 The Edge cdr 2 A SBD
10/10/98 Strike Zone cdr 2 A- AUD
08/31/01 Old Heidelburg Park cdr 2 AUD. Starts out a little rough, but gets better 2-3 songs in.
09/01/02 Septemberfest cdr 2 SBD.
02/13/03 The Grove cdr 1 a+ FM Westwood One broadcast.
03/08/03 Janus Landing cdr 2 a+ SBD Rhythm guitars are almost inaudible. Drop in sound quality in the 1st half of ETI and some sections of disc 2
06/07/08 Sweden Rock Festival cdr 1 a+ fm
08/29/08 Waterfront Festival-Oasis Stage cdr 2 A- AUD
10/31/08 Penns Peak cdr 2 AUD. A good one.
11/16/08 Maxwell's cdr 3 A- AUD
08/01/09 Celeste Center cdr 1 b+ AUD
09/06/09 Olympia cdr 2 A AUD
05/31/10 Rib America Festival, Soldier's Memorial cdr 1 A- AUD
09/11/10 Old Settlers Days Fest cdr 1 AUD
11/05/12 Best Buy Theater cdr 2 AUD 40th anniversary bash
05/02/14 Penn's Peak cdr 2 Nice AUD

Brian May --- Approximate Hours: 45
Show Date Venue Media Type Media Count Sound Quality Notes
11/09/92 Imperator Club cdr 1 A- "Back To the May And Powell" Gypsy Eye release
03/06/93 Memorial Coliseum cdr 1 AUD Lots of loud chatter,and there is a tape flip at the end of the guitar solo/beginning of Resurrection.
03/17/93 Boston Gardens cdr 1 b AUD
04/06/93 The Palace Theater cdr 1 a+ The Brian May Band: Los Angeles 1993 (Pre-FM) FLAC Live In Los Angeles 1993 (2009 CMI Music edition) Tour: Back To The Light US Tour 1993 Date: 6th April 1993 Venue: The Palace, Los Angeles, USA Running Time: 61:10 + 2:21 Lineage: * Source 1: Westwood One broadcast CD > EAC > WAV > Remaster ** Source 2: Unknown promo CD > ??? > CDR > EAC > WAV > Remaster Tracklist: 1. The Dark (**) 1:24 2. Back To The Light (**) 5:46 3. Driven By You (**/*) 4:24 4. Tie Your Mother Down (*) 5:04 5. Love Of My Life (**/*) 4:48 6. '39 (*) 0:52 7. Too Much Love Will Kill You (*/**) 4:42 8. Now I'm Here (**) 5:34 9. Guitar Extravagance (**) 5:00 10. Resurrection (**) 6:11 11. Bohemian Rhapsody (**) 0:44 12. Resurrection (reprise) (**) 2:27 13. Last Horizon (**) 4:06 14. Hammer To Fall (**/*) 5:38 15. We Will Rock You (*) 4:31 Bonus Tracks: 16. Brian Talks #1 (**) 0:33 17. Brian Talks #2 (**) 1:48
06/04/93 Edinburgh Playhouse cdr 2 b+ Title: Rock You We Will Venue: Edinburgh Playhouse Location: Edinburgh Scotland Date: 4th June 1993 Source: Audience master recording Duration: 100:52 Min
06/21/93 Ahoy Sportspaleis cdr 2 b- AUD
06/22/93 Wildparkstadion cdr 1 b+ AUD. A few problems during Ressurection, but other than that, a decent audience recording.
10/05/93 Danforth Music Hall cdr 2 b- AUD
10/17/93 Majestic Theater cdr 2 AUD.
11/05/93 Kosei Nenkin Hall cdr 2 b+ AUD
11/07/93 Yubin Chokin Hall cdr 2 b+ AUD
11/11/93 Kyoiku Bunka Hall cdr 2 AUD A couple of little cuts between tracks on disc two. No music missing. Might be tape flips.
11/23/93 Congress Centrum cdr 2 b+ AUD
12/05/93 Aston Villa Leisure Centre cdr 2 b AUD. As a bonus track, The Dream Is Over, taken from live in London, Brixton Academy, 15th June, 1993, which was left off of the official release.
06/05/98 Big Mama Club cdr 1 b AUD. Very cool, semi-acoustic versions.
09/20/98 Ancienne Belgique cdr 2 A- AUD
10/03/98 Grosse Freiheit cdr 2 b AUD
10/13/98 Posthof cdr 2 AUD. Weird overlap between the first and second track on the second disc.
10/22/98 Mala Sportovni Hala cdr 2 c+ AUD For completists. seems to run a bit slow, and the sound isn't good.
10/31/98 Apollo cdr 2 A- AUD
11/14/98 IMP Hall cdr 2 A- AUD

Bryan Ferry --- Approximate Hours: 25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Bryan Ferry / Roxy Music - Rare Mixes cdr 1 BRYAN FERRY/ROXY MUSIC - rare mixes Years ago I got the horospoe demos and the alphaville demos in a CDR trade. From the same source I received some rare mixes which you won't find elsewhere on official releases.
06/23/77 The Bottom Line cdr 1 A FM
06/23/77 The Bottom Line cdr 2 a+ 23 June 1977 Early Show New York, Bottom Line Source: By the Time Ferry reached... CD1 Sounds like an FM source of Bryan Ferry's first show at New York's Bottom Line, on 23 June 1977. The audio quality is not pristine, but is certainly clear and well balanced - about what you'd expect from a radio broadcast. 1. Let's Stick Together <3:42> 2. Shame Shame Shame <3:22> 3. Road Runner <3:09> 4. All Night Operator <3:04> 5. You Go To My Head <3:09> 6. Could It Happen To Me? <3:28> 7. In Your Mind <4:36> 8. Casanova <3:07> 9. Love Me Madly Again <8:44> 10. Love Is The Drug <3:55> 11. Tokyo Joe <3:27> 12. This Is Tomorrow <3:06> 13. The In Crowd <5:17> 14. A Hard Rain's A-Gonna Fall <6:35> inc slowdown and band intro encore: 15. The Price of Love <5:07> 3 June 1977 Late Show New York, Bottom Line, Source: By the Time Ferry reached... CD2 Sounds like an FM source of Bryan Ferry's second show at New York's Bottom Line, on 23 June 1977. The audio quality is not pristine, but is certainly clear and well balanced - about what you'd expect from a radio broadcast. This one is the late show only, and is all from an FM mix. 1. Let's Stick Together <3:15> 2. Shame Shame Shame <3:14> 3. Road Runner <3:05> 4. All Night Operator <2:57> 5. You Go To My Head <03:05> 6. Could It Happen To Me? <3:24> 7. In Your Mind <4:38> 8. Casanova <2:59> 9. Love Me Madly Again <10:27> 10. Love Is The Drug <3:55> 11. Tokyo Joe <3:23> 12. This Is Tomorrow <3:01> 13. The In Crowd <5:18> 14. A Hard Rain's A-Gonna Fall <6:38> encore: 15. The Price of Love <5:20> total time: 64:45
??/??/91 the 39 steps - unreleased Eno mixes cdr 1 studio remixes.......
??/??/91 Horoscope demos cdr 1 Bryan Ferry Venue: Studio, Horoscope sessions Date: 1991 Taper: Unknown Source: Soundboard Transfer: CD-R from trade > EAC > FLAC Level 8 > you Sound Quality: A in my rating and ears.... 45 min 1 The 39 Steps 2 The Only Face 3 N.Y.C 4 Midnight Train 5 Your Love Has Died 6 Gemini Moon 7 Blinded By The Life I'm Living 8 Mother Of Pearl * From time to time I receive requests for reseeds....this one * was upped by me for a couple of years ago. Notes: This is the famous 'Horoscope' demos which never saw the light of the day. Strangely, Bryan never became happy with this stuff. Since I got this in a trade I dont have any info about lineage, taping equipment etc.
10/26/94 Aston VIlla Leisure Centre cdr 1 b+ AUD
??/??/96 "Alphaville"- unreleased album cdr 1 Bryan Ferry Venue: Studio, Alphaville sessions Date: 1996 Taper: Unknown Source: Soundboard Transfer: CD-R from trade > EAC > FLAC Level 8 > you Sound Quality: A in my rating and ears.... 54 min 1 Love War 2 Cruel 3 Alphaville 4 Nobody Loves Me 5 I Don't Want To 6 Sonnet #18 7 You Can Dance 8 One Way Love 9 Hiroshima 10 This Love 11 San Simeon 12 Fool For Love Notes: This is the famous 'Alphaville' demos with Bryan teamed up in studio with Dave Stewart (Eurythmics). Strangely, this great stuff never see the light of the day, even though three of the tracks later appeared on the studio album Frantic (2002) in completely re-arranged and re-recorded versions.
11/09/99 Massey Hall cdr 1 Great FM
02/09/00 Cirque Royal cdr 1 A
06/04/02 Belfast Castle cdr 1 a+ FM
12/02/10 Studio 105 Radio France cdr 1 a+ FM broadcast. a little skip in both of the first two songs. Good stuff.
05/27/11 Lisbergs Stora Scen cdr 2 b+ AUD
09/16/11 Crocus City Hall cdr 1 BRYAN FERRY Venue: Crocus City Hall: Moscow, Russia Date: September 16, 2011 Time: 01:12:27 Size: 1 CD Recorded, excellently mixed and mastered by drusilla2. Lineage: Midas XL8 > EMU 0404USB > Cubase5 > Wavelab6/WavesR7 > WAV (24kHz/16-bit) > Sound Forge 8 (dither) > FLAC Notes: Like the previously shared here Elton John recording from the same venue this is a "sterile" sounboard recording. There is no real crowd noise present in the recording, so it goes almost silent between tracks, you can hear a bit of clapping. I am not a big specialist in BF recordings but I can say that this could be one of the best unofficial recordings of his up to date. I took this tape from the local torrent site and simply added info. So all credits go to drusilla2. According to him "the first 4 tracks were corrupted hence are not shared". I am amazed at how this guy shares his recordings since it is evident he was working with or simply was the soundguy @ the gig and if i'm not mistaken such recordings are out of question among sound engineers. They are recorded for the band but never shared. On the other handside I am sure this one and Elton John recording definitely made a lot of people happy. Unfortunately they are most likely to be sold by bootleg-selling sc*m and there's nothing we can do about it. -------------------------------------------------------------------------------- CD 1: - I Put a Spell on You (Screamin' Jay Hawkins cover) [missing] - Slave to Love [missing] - Just Like Tom Thumb's Blues (Bob Dylan cover) [missing] - Don't Stop the Dance [missing] 1. If There Is Something (Roxy Music song, cuts in) 2. Make You Feel My Love(Bob Dylan cover) 3. You Can Dance 4. Alphaville 5. All Along The Watchtower (Bob Dylan cover) 6. Reason or Rhyme 7. Like a Hurricane (Neil Young cover) 8. Tara (Roxy Music song) 9. Bitter Sweet (Roxy Music song) 10. Smoke Gets in Your Eyes 11. Avalon (Roxy Music song) 12. Oh Yeah (Roxy Music song) 13. My Only Love (Roxy Music song) 14. Band Introduction 15. Love Is the Drug (Roxy Music song) 16. Let's Stick Together (Wilbert Harrison song) 17. Jealous Guy (John Lennon song) 18. Hold On (I'm Coming)
10/06/11 Beacon Theater cdr 2 b Audience Recording iphone4->MOV -> Media Coder
12/08/11 Admiralspalast cdr 2 a- approx. 110 mins Recording Info: recorded by Vortex242 OKM IIr (hat mounted) > A3 > EDIROL R-09HR (48/24) > USB > WAV > Adobe Audition 3 (EQing, 44.1/16) > CDwave (tracking) > FLAC frontend (level 6, verify, with align on sector boundaries) > Tracker
01/??/12 Ferry at the Beeb 0 Ferry on the Beeb The First Time With...Bryan Ferry Duration 60 minutes Roxy Music frontman and solo star Bryan Ferry discusses the musical milestones of his life with Matt Everitt. 6 Music has recently repeated some of the highlights of this series Following on from The First Time with Bryan Ferry, a chance to hear him recorded at Belfast Castle in 2002. Duration 30 minutes Both shows broadcast 1st January 2012 Skybox HD>>>DVD RECORDER HD>>>DVD>>>DVD Extractor>>>Wav-PCM Uncompressed Wave Stereo 24 bits>>>Flac 8>>>you
09/07/13 Proms In the Park cdr 1 Very hissy FM broadcast. First and last tracks are all Dame Edna.

Buck Dharma Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/11/97 Gwinnett Arts Center cdr 2 A AUD. A nice recording, and a sweet show!

Buckingham Nicks --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/73 Unknown Studio cdr 1 a+ Out of print album

Camel --- Approximate Hours: 36.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/20/74 Marquee Club cdr 1 FM. Weird dropout/skip on 1:24 of track 4. track 6 has a skip at 6:18 and 6:45 track 7 at 14:19.
08/04/74 The Greyhound Pub cdr 1 Not sure if this is FM or aud. OK sound. Cuts off suddenly at 17:56 of track 6
11/19/74 Ladyland cdr 1 FM Has very small skips at the end of track 5. Tracks 6-8 are from Croyden, 1974.
06/26/76 Boarding House cdr 1 PRRP002- CAMEL LIVE IN SAN FRANCISCO June 26, 1976, (San Francisco, California) 1 Aristillus 1:28 2 Song within a song 7:27 3 The Great Marsh 1:48 4 Rhayader 3:18 5 Rhayader Goes to Town 5:39 6 Air born 5:00 7 Chord change 6:45 8 The White Rider 8:20 9 Lunar Sea 9:24 10 Preparation 3:25 11 DunKirk 5:57 12 Another Night 6:45 Total Disc 65:16 Broadcast on WSAN -FM San Francisco Peter Bardens : Keyboards Andrew Latimer : Guitar, vocals Mel Collins : Flute, Saxes Doug Ferguson : Bass Andy Ward : Drums, Percussion Coming off the successes of Mirage and Snow Goose, 1976 saw Camel release another masterful work called Moonmadness. Each member of the band contributed compositions to the album which reached #15 in the music charts. Camel had an extensive tour of the United Kingdom in March and April of 1976 to coincide with the release of this new album. The addition of Mel Collins on Sax and Flute had changed the Camel sound. His inclusion in the band at the beginning of this tour had given Camel more of a jazz feel. This was also the first time that Camel had used film as a visual component of their shows. As Andy Latimer told Melody Maker, "This is the first time we've used films, and I don't want us to get into it too much. ...We're not a very bopping band, so it's nice for the audience to have something to watch". A short break followed the 17 concert, U.K. tour after which Camel came to California for a performance in San Francisco at the Boardinghouse on June 26th. This was their first US performance in over a year and their last until February of 1979 when they again returned to play in California. Six of the seven new Moonmadness album songs were played that night. The concert begins with two of the new entries. The audience is then told that they are about to get, "a little slice of the Snow Goose". The first three songs of that all instrumental album are then played with received with great enthusiasm. The band returns to Moonmadness material playing Air Born and Chord Change. They then proceed to The White Rider from Mirage, Lunar Sea from the new album, two more from Snow Goose and then a final selection from Moonmadness. Overall, a great performance hitting all the highlights of the band's material to that point. Notes from the Re-Master This was generally a good quality recording of a radio broadcast, only a minor degree of noise reduction was necessary to remove hiss which was distracting during quiet segments and solos. However, major variations in volume occurred throughout the show and were quite noticeable. In the remastered version, these are corrected. The last 25 minutes of the show also displayed an imbalance between the two channels which was fixed. Pops and Clicks were also removed and a little tonality adjustment was made in some places because of a "muddy" sound; the result of insufficient treble.
09/15/77 Chateau Neuf cdr 1 FM Small skip track 5 at 5:23. Gap between tracks 7-8. Drop out from 3:08-3:22 of track 8. Track 11 has a skip 30 seconds in.
10/01/77 Hippodrome cdr 1 a+ FM
10/25/78 Philipshalle cdr 1 a- Camel October 25, 1978 Philipshalle, Dusseldorf, Germany WDR2 FM A decent recording from the Breathless tour. It's an FM broadcast, but I would only rate the audio quality as a B. Perhaps, with some remastering, it could be brought up to a B+. RaelEarl uploaded this show on DIME sometime between late 2008 and early 2009. I renamed the files (I had to do this so TLH and Windows explorer would recognized the files), added FLAC tags, and removed the last track of Disc 2, since it was not Camel related. Now everything fits neatly onto 1 audio CD. His original info file, named "Camel Philipshalle Dusseldorf 1978-10-25" is contained in the torrent Tracks: 01 - WDR2 Bands on Stage Jingle (0:26) 02 - First Light - Unevensongs (9:11) 03 - Song Within a Song (7:27) 04 - The Sleeper (5:29) 05 - Summer Lightning (6:08) 06 - Tell Me (4:55) 07 - Rhayader - Rhayader Goes to Town (9:55) 08 - La Princesse Perdue (5:45) 09 - Never Let Go (12:47) 10 - One of These Days I'll Get an Early Night (10:58) Total Time: 73:01
11/17/78 Stadium cdr 1 A- AUD
02/09/79 San Jose Center 2 a Taper, & Taping Gear: ??Unknown?? Trade: Takashi (Japan, THX!!!). Source: FM - Liberated Bootleg "Never Let Go"; TNT Studio label #TNT940152/153 Lineage: "FM" Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: vg+/ex- Length: 13 tracks = 90:31 minutes Artwork: included. Samples: none. Set List: Disc One (7 tracks = 44:01 minutes): 01 - Medley: Earthrise> First Night> Rhayder> Uneven Song 02 - Song Within A Song 03 - The Sleeper 04 - Supertwister 05 - Nimrodel> The Procession> The White Rider 06 - Tell Me 07 - Extract From "The Snow Goose": Rhayder> Rhayder Goes To Town> Disc Two (6 tracks = 46:38 minutes): 01 - Extract From "The Snow Goose" (cont'd): > La Princesse Perdue 02 - The Rainbow's End 03 - Echoes 04 - Never Let Go 05 - One Of These Days I'll Get An Early Night 06 - Lady Fantasy> Encounter> Smile For You> Lady Fantasy (9:23m; February 1979 BBC) Nice sounding show, but lots of hiss, and edits inbetween tracks.
02/11/79 Old Waldorf cdr 2 a+ Great soundboard!
11/21/79 De Doelen cdr 2 a+ November 21 1979 De Doelen, Rotterdam, Holland Pre-FM tape > CDR > WAV (EAC) CD1 01 Intro Medley 02 Echoes 03 Songs Within A Song 04 Hymn To Her 05 Neon Magic 06 Rhayader 07 Rhayader Goes To Town 08 Migration 09 Preparation 10 Dunkirk 11 Ice CD2 01 Who We Are 02 Your Love Is Stranger Than Mine 03 Never Let Go 04 Wait 05 Lunar Sea Stunning sound!
01/27/80 Kosei Nenkin Hall cdr 1 a+ Camel .... January 27, 1980 Kosei Nenkin Hall, Tokyo, Japan Andrew Latimer - guitar, vocals, flute, recorder, keyboards, bass guitar (1971-) Andy Ward - drummer, percussion (1971–1981) Colin Bass - bass guitar, vocals, keyboard, acoustic guitar (1979–1981, 1984-) Jan Schelhaas - keyboards (1979–1981) Kit Watkins - keyboards, flute (1979–1982) Taper, & Taping Gear: ??Unknown?? Trade: Takashi (Japan, THX!!!). Source: FM - Liberated Bootleg "Neon Magic"; Show Company label #SC-9447-11 Lineage: "FM" Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex-/ex Length: 6 tracks = 41:17 minutes Set List: 01 - Echoes 02 - Hymn To Her 03 - Neon Magic 04 - Medley: Rhayader> Rhayader Goes To Town> Migration> Preparation> Dunkirk 05 - Wait 06 - Nobody Knows
06/03/82 Hammersmith Odeon cdr 1 a+ FM, but shorter than the one listed here MINE GOES>>>> hymn to her neon magic no easy answer you are the one lies captured drafted who are you rayader/ goes to town
04/05/97 Hala Wisly cdr 1 a+ Camel .... April 5, 1997 Hala Wista, Krakow, Poland Andrew Latimer - guitar, vocals, flute, recorder, keyboards, bass guitar (1971-) Colin Bass - bass guitar, vocals, keyboard, acoustic guitar (1979–1981, 1984-) Dave Stewart - drums, percussion (1997–2000) Foss Patterson - keyboards (1997 touring) Taper, & Taping Gear: ??Unknown?? Trade: Takashi (Japan, THX!!!). Source: SBD - Liberated Bootleg "Crystal Moon"; Highland label #HL422/423/424 Lineage: "SBD" Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex- (great sound & sometimes sounds like an "AUD" source as mics appear to be close to the crowd) Length: 13 tracks = 68:12 minutes Artwork: included. Samples: none. Set List: 01 - Lady Fantasy 02 - Never Let Go 03 - Irish Air 04 - Irish Air (reprise) 05 - Harbour of Tears 06 - Cobh 07 - Send Home The Slates 08 - Under The Moon 09 - Watching The Bobbins 10 - Eyes of Ireland 11 - Running From Paradise 12 - End of the Day 13 - Coming of Age
04/06/97 Sala Kongresowa cdr 2 a Camel .... April 6, 1997 Sala Kongresowa, Warsaw, Poland Andrew Latimer - guitar, vocals, flute, recorder, keyboards, bass guitar (1971-) Colin Bass - bass guitar, vocals, keyboard, acoustic guitar (1979–1981, 1984-) Dave Stewart - drums, percussion (1997–2000) Foss Patterson - keyboards (1997 touring) Taper, & Taping Gear: ??Unknown?? Trade: Takashi (Japan, THX!!!). Source: SBD - Liberated Bootleg "Crystal Moon"; Highland label #HL422/423/424 Lineage: "SBD" Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex-/ex Length: 30 tracks = 130:01 minutes Artwork: included. Samples: none. Set List: Disc One (14 tracks = 66:27 minutes): 01 - Lunar Sea 02 - Hymn To Her - Excerpt from "SNOW GOOSE": 03 - Rhayader 04 - Rhayader Goes To Town 05 - Preparation 06 - Dunkirk - Excerpt from "NUDE": 07 - Drafted 08 - Docks 09 - Beached 10 - Spirit of the Water 11 - Ice 12 - Sasquatch 13 - Spirit of the Water (4:35m, acoustic Dutch Radio "Two Meter Sessions" March 30, 1997) 14 - Send Home The Slates (2:21m, acoustic Dutch Radio "Two Meter Sessions" March 30, 1997) Disc Two (16 tracks = 63:34 minutes): - Excerpt from "DUST AND DREAMS": 01 - Milk 'n' Honey 02 - Mother Road 03 - Needles 04 - Rose of Sharon 05 - Irish Air 06 - Irish Air (reprise) 07 - Harbour of Tears 08 - Cobh 09 - Send Home The Slates 10 - Under The Moon 11 - Watching The Bobbins 12 - Eyes of Ireland 13 - Running From Paradise 14 - End of the Day 15 - Coming of Age 16 - The Hour Candle - (MISSING) Never Let Go
04/10/97 cologne cdr 2 A AUD
11/04/00 Umeda Heat Beat cdr 2 b+ LDB Special Series #313 Lineage: Master (unknown recording device) > CD > EAC > SoundForge 7.0 > FLAC Frontend (level 6) AUD Andrew Latimer - Guitars, Flute & Vocals Colin Bass - Bass Guitar, Acoustic Guitar & Vocals Guy LeBlanc - Keyboards & Vocals Denis Clements - Drums & Percussion
01/04/01 Teatro Providencia cdr 2 SBD Small skip 6:45 into track 2 of disc 1. On disc 2, a small skip 3:00 into track 1, and 8 mins into track 6. Drop outs in tracks 4 and 5. well worth getting!
03/06/14 Filharmonie cdr 2 Aud. A nice one
03/10/14 Town Hall cdr 2 Another nice audience recording

Carl Palmer --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
10/14/01 Jazz Cafe cdr 2 b+ AUD. Plus a 20 min interview at a drum clinic
06/24/08 Uhlenspiegel cdr 2 a- AUD
10/10/08 Harmonie cdr 2 a- AUD
02/21/11 Colos Saal cdr 2 b+ CARL PALMER BAND Colos Saal Aschaffenburg, Germany February 21, 2011 Audience Zoom H2 Recording Taped by: SF Transferred by: SF Sony Mic ECM 717 > Zoom H2 > 16/44 > CD Wave > dbpoweramp > Flac Level 8 Line Up: Carl Palmer - Drums Paul Bielatowicz - Lead Guitar Simon Fitzpatrick - Bass Guitar 01 Intro 02 The Barbarian 03 Hoedown 04 Peter Gunn 05 Bitches Crystal 06 Canario 07 Tarkus 08 Guitar Solo 09 Flight Of The Bumble Bee 10 J Section 11 Bass Solo w/Penny Lane (The Beatles Cover) 12 Trilogy 13 Pictures At An Exhibition 14 Fanfare For The Common Man 15 Drum Solo 16 Fanfare For The Common Man Cont. 17 Carmina Burana 18 Encore Break 19 Nutrocker 20 Outro

The Cars --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/18/78 Agora Ballroom cdr 1 FM. Little drop outs and the like through the show. Still worthwhile.
09/22/78 The Palladium cdr 1 SBD
09/01/80 The Lakefront cdr 1 AUD. Lots of audience chatter. One idiot yelling "sit down" frequently through the show.
08/06/84 Poplar Creek Music Theatre cdr 1 AUD
09/11/84 The Summit cdr 1 FM
12/08/87 Hearnes Center Field House - Univ. of Missouri cdr 1 SBD Very nice.

Cheap Trick --- Approximate Hours: 67.5
Show Date Venue Media Type Media Count Sound Quality Notes
07/??/74 The Stardust Club cdr 1 eARLIEST BOOT.
05/11/75 Anna Page Park cdr 1 FM
10/05/77 El Mocambo cdr 1 FM
10/08/77 Rockford Armory cdr 1 a+ FM.
10/31/77 Rockford Armory cdr 2 a CHEAP TRICK ROCKFORD ARMORY ROCKFORD ILLINOIS(USA) OCTOBER-31-1977 FULL SHOW FROM WXYE MADDISON WI ANALOG MASTER TO DAT CLONE 1 AND REBROADCAST 4-1-00 WXRT FM CHICAGO DAT MASTER KRW_CO TRANSFER LINEAGE FULL SHOW FM BROADCAST FROM WXYE MADISON WISCONSIN ANALOG MASTER TO DAT CLONE 1 TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 REBROADCAST 4-1-00 WXRT FM CHICAGO SUNDAY NIGHT CONCERT BROADCAST DAT MASTER TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 THE BAND Robin Zander lead vocals guitar Rick Nielsen lead guitar vocals Tom Petersson 12 string bass vocals Bun E. Carlos drums SETLIST CD 1 FULL SHOW PART 1 WXYE FM 1 INTRO/HELLO THERE 2 COME ON COME ON 3 ELO KIDDIES 4 TAXMAN MR THIEF 5 OH CANDY 6 YOUR ALL TALK 7 SPEAK NOW OR FOREVER HOLD YOUR PEACE 8 BIG EYES 9 SOUTHERN GIRLS 10 DOWNED 11 LOSER (HAS 2 CUTS AT 47:13 AND 47:37) SEE REBROADCAST FOR FULL SONG 12 AINT THAT A SHAME 13 PLEASE MRS HENRY CD 2 FULL SHOW CONT. 1 I WANT YOU TO WANT ME 2 HES A WHORE 3 DOWN ON THE BAY 4 GOODNIGHT NOW 5 CLOCK STRIKES TEN 6 AUF WIEDERSEHEN ****WXRT REBROADCAST**** 7 HELLO THERE 8 COME ON COME ON 9 ELO KIDDIES 10 TAXMAN MR THIEF 11 OH CANDY 12 YOUR ALL TALK 13 SOUTHERN GIRLS 14 LOSER 15 AINT THAT A SHAME 16 PLEASE MRS HENRY 17 I WANT YOU TO WANT ME 18 HES A WHORE 19 DOWN ON THE BAY
11/14/77 Stanley Theatre cdr 1 SBD Very bass heavy
12/20/77 Mantra Studios cdr 1 a CHEAP TRICK Decmeber 20th, 1977 Chicago, Illinois Mantra Studios --johnelee039-- unknown tape deck>unverfied gen tape(tdk ad90)>technics rs-t36r>r9(line in)>2gb memory card>pc>audition>cd wav>tlh(flac 8)>you audition was used to splice the 2 sides together. nothing else has been done. this is RAW. the source of thistape is thrilled to share this copy and said its the one used to record the wkqx fm broadcast. there is some hiss, enough to make me believe this is not a master. the last 2 tracks are at a slightly lower volume. thus, it is thus being labeled as unverified generation. at the very least, its a 1st gen source. research shows the tape itself is from the era. would like to believe the 1st 11 tracks are the master and the last 2 are from a different source. it is in great shape and was stored well, though there are a couple of volume drop-outs, but nothing which takes away from the tape. it sounds great with loud guitars, and no one there! such was the charm of mantra studios. 8.5-9/10. this appearance by cheap trick took place shortly after the release of in color.
06/10/78 Paradise Theatre cdr 1 FM
06/12/78 Bottomline cdr 1 a+ SBD.....very short. around a half hour.
12/08/78 Capital Theatre cdr 1 FM. Some sound trouble. The guitar is way louder than the vocals early on in the show. There's also a 5 second gap between " I Want You To Want Me" and "California Man." IWYTWM sounds like it may come from a different source.
12/15/78 Orpheum Theater cdr 1 A- AUDcomments: This is a full show (no tape flip cuts) from the peak of Cheap Trick's popularity, fresh on the heels of "Live at Budokan" and Heaven Tonight studio release. The band and crowd is full of energy this night and even when the bass amp blows out they fix it and carry on with the many big hits they had at this time. This recording comes from the front row of the balcony. It has been circulated on tape before, but this is the 1st time I have uploaded it. I do not know if the fellow with the master cassettes has ever uploaded anything. I have used some EQ on this to boost the high and low end a little, and some ICPVR (individual clap peak volume reduction) to help with the crowd noise, and being in the balcony helped keep the screaming crowd noise bearable. I think anyone who likes Cheap Trick will enjoy hearing this recording. Alot of the songs heard in the live album from Japan are heard here from Boston before a packed house. I wanted to get this thing up as one of my 1st uploads (since I became an "uploader" on dime in Dec. 2006) but port issues prevented that and everything else for almost a year. Hopefully that nightmare is all over now and everyone can hear just how exciting a little cheapness (of the right kind) can be around Christmas time. I cut out some of the encore break applause to make sure this fit on 1 CD but nothing else was cut out and nothing has been speed adjusted.
02/03/79 Liverpool University cdr 1 FM
06/16/79 International Amphitheatre cdr 2 SBD A little light on the bass
12/31/79 Fabulous Forum cdr 2 FM
03/24/80 Ocean State Performing Arts Center cdr 2 FM
11/05/80 Hammersmith Odeon cdr 1 a+ BBC Radio 1 In Concert Special
??/??/80 1980 demos + 1975 demos cdr 1 A SBD "The Lost Album"
05/01/82 Louisiana Tech cdr 1 SBD
07/17/82 Alpine Valley Music Theatre cdr 1 FM
10/15/83 Grugahalle cdr 2 FM. Sound is a little rough on the first two tracks, the vocals are WAY up front. But ends up being a really nice sounding show.
11/12/83 Arkansas Tech cdr 1 FM
07/01/87 Henry W. Maier Festival Park cdr 1 a CHEAP TRICK ROCKSTAGE SUMMERFEST FESTIVAL GROUNDS MILWAUKEE WISCONSON(USA) JULY-1-1987 FM BROADCAST 1ST GEN ANALOG TO DAT KRW-CO TRANSFER LINEAGE 93Q FM MILWAUKEE BROADCAST ANALOG FIRST GENERATION TO DAT TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 THE BAND Robin Zander lead vocals rhythm guitar keyboards Rick Nielsen lead guitar backing vocals Jon Brant 12 string bass bass backing vocals Bun E. Carlos drums
05/26/88 River Parks Ampitheater cdr 1 FM. Lots of sound problems the first few tracks.
05/27/88 Tarrant County Convention Center cdr 1 FM. Microgaps. Some weird skips at the end of Ain't that A Shame. It doesn't affect the music, it's in between songs. Still, a bit distracting.
11/05/90 Rockline cdr 2 a+ Both discs play as one track
05/09/92 Shibuya Kokaido cdr 1 FM. Great sound, great set.
05/20/94 Kanagawa Kenmin Hall cdr 2 SBD...would be A+, but a touch of static at the end of disc one and beginning of disc 2.
07/08/94 Henry W. Maier Festival Park cdr 2 a+ CHEAP TRICK SUMMERFEST GROUNDS MILWAUKEE WISCONSON(USA) JULY-8-1994 LAZER 103 FM BROADCAST 1ST GEN TO DAT KRW_CO TRANSFER LINEAGE LAZER 103 MILWAUKEE FM BROADCAST ANALOG 1ST GENERATION TO DAT TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 THE BAND Robin Zander lead vocals rhythm guitar Rick Nielsen lead guitar backing vocals Tom Petersson 12 string bass backing vocals Bun E. Carlos drums SETLIST 1 Intro/My Gang 2 Southern Girls 3 Girlfriends 4 I Want You To Want Me 5 Woke With A Monster 6 You're All I Want 7 Didn't Know I Had It 8 Magical Mystery Tour 9 The Flame 10 Ain't That A Shame 11 Surrender 12 Voices 13 California Man 14 Dream Police 15 Goodnight Now
07/06/95 Summerfest 95 cdr 1 a+ CHEAP TRICK SUMMERFEST GROUNDS MILWAUKEE WISCONSON(USA) JULY-6-1995 LAZER103 FM BROADCAST 1ST GEN TO DAT KRW_CO TRANSFER LINEAGE LAZER 103 MILWAUKEE FM BROADCAST FIRST GEN ANALOG TO DAT TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8
10/16/95 The Joint - Hard Rock Hotel cdr 1 a+ Pre-FM
??/??/97 Red Ant Sessions cdr 3 A Very cool stuff!
04/30/98 Metro cdr 1 a+ SBD
05/01/98 Metro cdr 1 a+ sbd
05/02/98 Metro cdr 1 a+ sbd
05/03/98 Metro cdr 1 a+ sbd
07/04/99 Grant Park cdr 1 a+ CHEAP TRICK GRANT PARK CHICAGO, IL (USA) JULY 4, 1999 WXRT FM BROADCAST>DAT MASTER>CDR>EAC>FLAC
06/28/01 Henry W. Maier Festival Park cdr 1 Good AUD.
07/12/02 Canyon Club cdr 2 A AUD
??/??/02 Cheap Trick - The Unreleased Steve Albini Sessions cdr 1 A Very cool rerecording of In Color
04/24/08 Budokan Hall cdr 1 A- AUD
11/21/08 Ruth Eckerd Hall cdr 1 AUD. Donovan guests on Within You, Without You.
12/31/11 Janus Landing cdr 2 a- Lineage: SBD > XM Satellite Audio > Roland R-09 Recorder > Magix Audio Cleaning Lab > WAV > FLAC > Planet Rock (There is a small audio dropout at the end of track 09). Setlist: 01. Intro (Stop The Game / Heaven Tonight / Sound Clips / Dream Police 02. Way Of The World 03. The House Is Rockin` (With Domestic Problems) 04. Gonna Raise Hell 05. I`ll Be With You Tonight 06. Voices 07. Writing On The Wall 08. Bass Solo / I Know What I Want 09. Need Your Love 10. High Priest Of Rhythmic Noise 11. I Want Be Man 12. Band Member Lineup 13. California Man 14. Southern Girls 15. Yeah Yeah 16. If You Want My Love 17. Golden Slumbers / Carry That Weight / The End 18. Auld Lang Syne 19. I Want You To Want Me 20. Surrender

Chris Isaak --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/07/87 Volkshaus cdr 1 FM
04/26/91 The Riviera Theatre cdr 1 SBD. Great show.
06/17/93 Tor 3 cdr 2 a+ 01.Dancin 04:05 02.Beautiful Homes 03:58 03.Talk 02:05 04.You Took My Heart 02:39 05.Solitary Man 03:08 06.Can't Do A Thing (To Stop Me) 04:00 07.Gone Ridin' 02:41 08.Improv.- Wild Love 08:51 09.Blue Spanish Eyes 05:23 10.Don't Make Me Dream About You 03:24 11.I Want Your Love 03:55 12.Wicked Game(Fades out) 03:31 13.Wicked Game cont.(fades In) 02:01 14.Story of Johnny Reno 03:17 15.Diddley Daddy 05:14 16. 13:27 17.Encore Break 02:16 18.Blue Hotel 03:27 19.Medley 16:25 20. 03:30 21 Harlem Nocturne 04:51 22. 03:07 23.Vaya Con Dios 04:11 24.Radio Outro 00:57
06/09/95 Shoreline Amphitheatre cdr 1 SBD. With filler from unknown date. Good stuff. "Sugar Hips" boot
06/29/95 Bimbo's 365 Club cdr 1 FM. Great show, but dodgy in between track edits.

Clutch --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/25/05 The Handlebar cdr 1 b+ AUD

Colosseum II --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/27/75 Friedrich-Ebert-Halle cdr 1 COLOSSEUM II 1975-12-27 Friedrich-Ebert-Halle Ludwigshafen, West Germany AUDIENCE RECORDING REEL 2 REEL Master>1st GEN REEL>DAT1>CDR>EAC>WAV>TLH>FLAC>DIME "Master Reel, was erased by the Taper himself....1st gens are all that exist"-HB Recorded by "HB" Recorded with;TELEFUNKEN MAGNETOPHON 300 TS>GRUNDIG Microphone From the collection of; "Per-Erik" Uploaded by; "Lucifer Burns" Setlist 1. German Introduction 2. DARKSIDE OF THE MOOG 3. SECRET PLACES 4. DOWN TO YOU# 5. SOUTH INDIAN LINE incl. Drum Solo 6. WALKING IN THE PARK 7. WINDS # JONI MITCHELL cover Musicians; MIKE STARRS- Vocals GARY MOORE- Guitars DON AIREY- Keyboards NEIL MURRAY- Bass JOHN HISEMAN- Drums

The Cross --- Approximate Hours: 13.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/01/90 Unknown cdr 1 A SBD...not a great one. The guitar is really low in the mix the first half of the show..but it's the only Cross sbd I know of. I hear its sourced from a VHS tape.
05/20/90 Hugennottenhalle cdr 2 b AUD. A few clicks between tracks.
06/04/90 Serenadenhof cdr 2 c+ Collectors only. However, this is the show where they recorded 'Liar' for the videoclip. Hence, it was played twice. A small drop out during 'Cowboys & Indians'. 'Old Men (Lay Down) is cut. I don't know if there's a version without the cut.
06/06/90 Alte Feuerwache cdr 2 b AUD. Not bad sound, but there are little jumps between tracks.
12/22/92 The Marquee cdr 2 b+ AUD. I have the full show, Tracklist: Disc 1: 01. In charge of my heart - 6.32 02. Top of the world ma - 4.22 03. Love lies bleeding - 5.15 04. Rock it (intro) - 1.14 05. Twist and shout - 2.27 06. Ain't put nothing down - 5.08 07. Power to love (fade out) - 4.33 08. Mr. Tambourine man - 4.03 09. New dark ages (fade out) - 5.48 10. Rock 'n' roll - 4.21 11. Heaven for everyone - 4.48 12. Man on fire - 5.17 Disc 2: 01. Earth (Smile reunion) - 5.39 02. If I were a carpenter (Smile reunion) - 4.18 03. Stand up for love - 5.53 04. Too much love will kill you (Brian May) - 4.44 05. Instrumental jam (Brian May) - 0.47 06. Tie your mother down (Brian May) - 5.04 07. Money - 3.53 08. War is over - 3.31 09. Radio ga ga - 5.59 10. These are the days of our lives - 5.02 Notes by seeder :Nice show! This is the second night. This night Tim Staffel and Brian May were the special guests. The night before Roger Daltrey and again Tim Staffel were the special guests. So this night had a Smile reunion! The sound could be better, though it's still enjoyable. There's some distortion on some songs on disc 2. 'Power to love' and 'New dark ages' fade out before they end. Enjoy! Cheers, Tim (Epic Dreams) Remastering 1: removed clicks Remastering 2: removed some more clicks
07/29/93 Unknown cdr 2 b AUD. Last Cross show. Kansas City is cut.

Crowded House --- Approximate Hours: 55
Show Date Venue Media Type Media Count Sound Quality Notes
11/22/86 CBGB cdr 1 SBD
11/24/86 Duke Of Gloucester Pub cdr 1 A FM
03/22/87 The Bottom Line cdr 1 A FM
03/28/87 Bandshell cdr 1 a+ SBD
04/09/87 Wolfgang's cdr 2 a+ FM. Great sound....but lots of little digital errors (skips) on the first disc. Great show, really fun, high energy!
07/10/91 Capitol Records Building Parking Lot 1 1 A SBD
09/15/91 Tinley Park cdr 1 A SBD
10/28/91 Albani Music Club cdr 2 a+ FM. awesome
11/19/91 Town & Country Club cdr 1 A SBD. Date is probably 11/9/91,
11/26/91 The Ritz cdr 1 A SBD
02/28/92 Leeds University cdr 1 A SBD
07/09/92 St. George's Hall cdr 1 A SBD
11/14/93 Hammersmith Apollo cdr 1 A SBD. "It's Only Natural"
04/25/94 CFNY FM cdr 1 a+ FM. About 12 mins, great sound.
06/11/94 The Fleadh Festival, Finsbury Park cdr 1 A SBD
03/19/07 Thekla Social cdr 2 b+ AUD
10/28/07 Vector Arena cdr 2 A AUD
11/29/07 MEN Arena cdr 2 a+ SBD
11/30/07 S.E.C.C. cdr 2 a+ SBD
12/01/07 Ice Arena cdr 2 a+ SBD
05/16/08 Orpheum Theatre cdr 2 A AUD
05/17/08 Orpheum Theatre cdr 2 A AUD
07/09/08 Echo Arena cdr 2 A AUD
05/19/10 Clyde Auditorium cdr 2 Lots of mic bumps and a few drop outs
05/20/10 The Mermaid Theatre cdr 1 a+ FM
06/06/10 New Theater cdr 2 A AUD
06/09/10 Hammersmith Apollo cdr 2 A SBD
06/27/10 Hyde Park (Hard Rock Calling) cdr 1 A AUD, except for the last 3 tracks taken from streaming audio
07/12/10 Massey Hall cdr 2 A SBD
07/21/10 WFUV-FM Studios cdr 1 a+ FM

The Cult --- Approximate Hours: 41.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/02/84 BBC Studios cdr 1 A FM Has 3 bonus tracks from 11/29/85 BBC TV Resurrection Joe, Revolution, The Phoenix
10/12/84 Mudd Club cdr 1 A FM
04/28/86 State Street Theater cdr 1 a+ FM Editing: - Removal of two gaps: at the end of track 6 and at the beginning of track 10 - Removal of what sounded like a bump of the microphone recording the audience, at the very end of the last track, before it fades out - Resulting sector boundary errors corrected with Trader's Little Helper Original notes: I got this on cassette in a trade in late 1986. I don't have a record of who it came from. I want to say it was an acquaintance I made thru the tape trading section of "Goldmine" back in the day. Although, if that was the case, I'd expect to see this show out there in volumes but it doesn't seem to be so who knows. According to the label this is a first generation copy from the master. At first listen this seems to be a radio broadcast but the one big thing missing is any DJ chatter. It could possibly be a pre-FM recorded by a local radio station in the area. The instrument and vocal quality is top notch and seems to be from the board. There's crowd noise in between tracks but it's definitely controlled - it doesn't have those crowd noise qualities you typically hear on audience tapes. I guess the bottom line is I can't say for sure what the lineage is here - I can only say it smokes and is a must if you like The Cult. This show is unique in that it contains two songs that would end up on "Electric" performed "Love" style. The psychedelic days were numbered as Rick Rubin would soon enter the picture and point the sound in a new direction. It's interesting to hear a song like "Love Removal Machine" and how it morphed from the original version to the style of the eventually released product. The other interesting thing is how well both versions work.
08/21/87 State Theatre cdr 2 b+ A Doodee Music Master Recording Almost all of the show was comprised of tracks from "Electric" and "Love". Some highlights in no particular order - - Ian missing the first line to "Detroit Hip Shake" because he was spitting and improvising perfectly. - Learning "Big Neon Glitter" is one of Iggy's favorite songs. - Dual guitar attack on "Love". - Billy ending the show by soloing two minutes after he had physically left the stage. - As Ian introduced, a "one time and one time only" performance of "I Wanna Be Your Dog" in honor of Iggy and his hometown. I haven't seen it on any other shows or setlists. - A ten minute version of "Bone Bag" with great blues guitar work by Billy and a tirade against "the man" by Ian. - A TEN MINUTE VERSION OF "BONE BAG" WITH GREAT BLUES GUITAR WORK BY BILLY AND A TIRADE AGAINST "THE MAN" BY IAN!!! My final burning memory of the show - Ian decides to trash the drum kit a bit at the end of "Born To Be Wild". Apparently during the punch-up with a cymbal he cut either his lip or his chin. I'll always remember him standing on the edge of the stage, arms outstretched crucifiction style, with a big grin on his face and blood running down his chin and neck. Now that's an exit.
11/24/89 Wembley Arena cdr 1 A- FM "New York City Blues" Missing Edie, Love Removal Machine, and Wildflower. Snaps inbetween tracks.
01/09/90 Arizona State University Activity Center cdr 2 B+ AUD. Gaps before the last two tracks.
11/08/91 Palasport cdr 1 a+ The Cult Palasport, Florence, Italy 1991-11-08 Bootleg title: Europe 1991 Label: Red Line (PSCD 1145) Country / year: Italy 1992 Source: TV broadcast
11/27/91 The Marquee Club cdr 2 A SBD
06/06/92 Finsbury Park cdr 1 A No filler on my copy
06/29/01 House Of Blues cdr 1 a+ The Cult .... July 26, 1999 House Of Blues, Chicago, Illinois, U.S.A. (FM - Liberated boot "L'il Devil") MODS NOTE: This is not a King Biscuit broadcast. Ian Astbury - lead vocals Billy Duffy - lead guitar Matt Sorum - drums Martyn LeNoble - bass Mike Dimkich - guitar Taper: unknown Taping Gear: unknown Source: No label "L'il Devil" boot CD Lineage: Boot Silver CD> Sony CDP-XA20ES CD playback> TASCAM CDRW-700> Trade CD-R> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex FM Length: 67:12 minutes
03/05/06 The Key Club cdr 2 A SBD
03/07/06 Henry Fonda Theatre cdr 2 A SBD
03/10/06 Ridgles Theatre cdr 2 A SBD
03/14/06 Cain's Ballroom cdr 2 A SBD
03/21/06 Town Ballroom cdr 2 A SBD
02/26/08 100 Club cdr 2 A AUD
11/09/09 House of Blues cdr 1 A AUD
08/01/10 Sonisphere Festival cdr 1 b AUD
01/30/11 Academy cdr 2 A AUD A good one.
05/10/11 El Teatro Flores cdr 2 a+ THE CULT 2011-05-10 El Teatro Flores, Buenos Aires, Argentina Broadcasted Live from El Teatro Flores. This interview (partial) was rebroadcasted just before the show. Maybe TOO MUCH DJ (well, not a DJ, just Gustavo Olmedo...) speaking between songs, but it could be worst, as usual on Argentinian broadcasts... Complete show. Lineage: SBD/FM Rock & Pop 95.9 > Akai AA-R20 Receiver > Toshiba Satellite L455 > (Goldwave) WAV > (Goldwave) tracksplits > (FLAC Frontend) FLAC level 8 > Dime Total size: 767mb Total time: 00 (Interview) FM Rock & Pop [2011-05-10 at noon] 01 intro / Everyman And Woman Is A Star 02 Rain 03 Horse Nation 04 Sweet Soul Sister 05 White 06 Saints Are Down 07 Dirty Little Rockstar 08 Nirvana 09 The Phoenix / (video projection?) 10 Embers 11 Go West 12 War (The Process) 13 Wildflower 14 Until The Light Takes Us 15 She Sells Sanctuary 16 Love Removal Machine 17 Rise 18 Spiritwalker 19 Break On Through (To The Other Side)
09/19/12 Le Bataclan cdr 2 AUD. A good one. artist: The Cult date: 19 september 2012 venue: Le Bataclan city: Paris country : France source: Aud gen: Master taper: Renaud (R.G.) Church audio CA 14s cards + CA 9200 preamp (+0 db) + Sony MD MZ-NHF 800 (line in) > Sonicstage > WAV > AUDACITY (split tracks, fade in, fade out) > TLH > FLAC (level 8) > DIME Recorded from the audience, right of the stage. Short but great show ! Ian was in a great mood that night, he was talking and joking with the audience. Tracklist: 01 intro 02 lil’ devil 03 rain 04 honey from a knife 05 nirvana 06 embers 07 fire woman 08 lucifer 09 phoenix 10 the wolf 11 horse nation 12 life is greater than death 13 rise 14 for the animals 15 spiritwalker 16 wild flower 17 she sells sanctuary 18 love removal machine Total Playtime: 83:59 min

Dave Matthews & Tim Reynolds --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
03/14/99 Marin Civic Auditorium cdr 3 A AUD
10/28/05 The Theatre for the Performing Arts, Aladdin Casin cdr 3 A AUD
07/28/07 Ross School cdr 2 A AUD

Dave Matthews (solo) --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
10/24/02 Benaroya Hall cdr 2 A AUD
09/18/04 White River Amphitheatre cdr 1 a+ SBD

Dave Matthews Band --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/20/95 Sam Boyd Silver Bowl cdr 1 A AUD
12/08/98 Worcester Centrum Centre cdr 2 a+ SBD
12/16/02 Blue Cross Arena at the War Memorial cdr 2 a- AUD
08/10/09 Austin City Limits Studio cdr 1 a+ SBD. Great!

David Bowie --- Approximate Hours: 207.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Chameleon Chronicles Vol. 1 cdr 1 a+ David Bowie - From Station To Staion Vol. 2 (Rocking The Couch Potatoes) Lineage: Sikver >> DbPowerAmp >> wave >> FairStar >> FLAC >> MWP
??/??/69 The Lost Beeb Tapes cdr 1 a+ From the earliest recordings made in 1967 to the sixteenth session in 2002 Bowie has contributed some fascinating live sets to the BBC archives. The early recordings of Bowie at the BBC particularly hold great interest and document an artist still trying to find his way in the world with apparent giant leaps in style although if you really study them it’s more of a rapid evolution. Most of the unofficial recordings have variable sound quality and generally attribute the wrong dates to the various sets Bowie performed up to the early 70s. Pick and mix bootlegs confuse matters still further as do the often repetitive set lists. The official Bowie at the BBC release is by far the best available but is far from complete so this is where this new release from Godfather steps in as in contains many of the important tracks missing from the original release and all in excellent quality. Okay, the four volumes of ‘The Rise and Rise of Ziggy Stardust’ are more complete still, but have poor quality on some sessions. So if you have the official release then the ‘Lost Beeb Tapes’ makes a sensible purchase filling in most of the gaps in great quality. The first session documents all the tracks from the Top Gear session of 1967. This vaudevillian period is often derided by Bowie fans but in truth the songs reproduced here live are worthy of re-evaluation and Bowie’s juvenilia is much more refined and developed than many would have us believe. These are clever songs for those with open minds and beautifully played. ‘When I’m Five’ is a sentimental monologue from the 1968 Top Gear Session and is the only full studio recording of the song (A rough demo also exists). The Dave Lee Travis Show of 1969 brings us a great version of ‘unwashed and somewhat slightly dazed’ delivered quite ferociously that in some way could be attributed to the then recent death of Bowie’s father. The 1970 show offers us ‘Waiting for the man’ and ‘The Width of a Circle’ backed by Bowie’s then band ‘The Hype’. Both songs are guitar heavy workouts almost progressive in delivery. The John Peel show of 1971 is quite an oddity and unique in sound and structure with various guest vocalists and friends helping Bowie fulfil his Warhol-come-Svengali aspirations. The pick of the sessions is the 1971 Bob Harris show featuring just Mick Ronson and Bowie in a stripped down acoustic set of ‘Hunky Dory’ songs. All the songs are played quite superbly and it’s surprising the whole set didn’t feature on the official release. The 1972 Bob Harris session completes the disc with a full on Ziggy version of the Velvet’s ‘White Light/ White Heat’. So it’s a 10/10 for Godfather so far. Bonus tracks feature three tracks wrongly attributed to ‘Arnold Corns’ with the exception of ‘Moonage Daydream’. Unfortunately more complete and better quality versions of these three bonus tracks are available elsewhere.
02/02/69 David's Bedroom cdr 1 a David Bowie - Preludes Of Greatness (1969) Flac [1cd] Clairville Grove, Chelsea London, UK February 1969 Good Recording Quality Artwork Included Lineage: TradeCDR--> EAC(secure)--> Flac(level.8)--> HungerCity! Disc 01. Space Oddity 02. Janine 03. An Occasional Dream 04. Conversation Piece 05. Ching A Ling Song 06. I'm Not Quite (Letter To Hermione) 07. Love Song 08. When I'm Five 09. Life Is A Circus 10. Lover To The Dawn
06/21/71 BBC Studios cdr 1 a David Bowie - Ziggy 2 vinyl rip Label: Tune-In (TUNE IN 002) Audio Source: mostly radio broadcast, see info Lineage: vinly rip > CDR > FLAC 4 Number of Discs: 4 Artwork: included Total running time: 33:02 Info: Nothing that unusual here, with the first nine tracks from the John Peel In Concert recording, from Paris Studio: recorded 3rd June 1971 and broadcast on the 20th. The final track's from the Marc TV show, 9th September 1977 (sneeze and you'll miss it). Now that the Peel show's been in wide circulation for a goodly while, it's hard to remember that back in the early eighties it was rocking-horse shit! I had the grottiest of grotty tapes of it - the managed to buy a copy of the original bootleg in an auction. It was a lovely clean copy. I plugged the record deck (not sure which) into a Hauppauge Win-TV card as a pre-amp, then used the Acoustic Solutions wave studios to chop up the tracks. No other changes made, so the sound is as per the LP (which is notably inferior to the subsequent CD versions, with distinct hiss there). Tracklisting: 1. Queen Bitch 2. Bombers 3. Supermen 4. Looking For A Friend 5. Almost Grown 6. Kooks 7. Song For Bob Dylan 8. Andy Warhol 9. It Ain't Easy 10. Sleeping Next To You
09/25/71 Aylesbury Friars cdr 1 b ylesbury Frias Club, Aylesbury, UK / 25. September 1971 Label: Rattle Snake RS 193 CD Released: 2006 Audio Source: audience recording Lineage: Silver --> XLD --> FLAC 8 Number of Discs: 1 Artwork: included as 300dpi PNGs Total running time: 62m 24s Notes: This is the third issue of the Aylesbury concert (Close To The Golden Dawn 2003 and The Spiders From Aylesbury 2003) but this time the soundquality is a bit clearer. It has a slightly longer intro as well: If we all move up just a little bit "you know" get closer. Comes with a booklet which has some nice pictures inside from 1971. http://www.algonet.se/~bassman/bootlegs/06/afc1971.html Many thanks to ***OUTSIDER*** for the Rattlesnake silver. Info: (from the liner notes) What we have here is one of the rarest Bowie recordings of all time the Pre Ziggy Stardust Show, only weeks before Bowie had his first meeting (September 10th 1971) with Andy Warhol at the Factory in New York. At Aylesbury Bowie performs with Michael Ronson (lead guitar), Mick Woodmansey (percussion), Trevor Bolder (bass guitar), Tom Parker ex Animals (piano). Weeks later Bowie and his new band would start rehearsals at the Underhill Rehearsals Studios South London, the new band would soon be named the Spiders and Ziggy would be there. The rest is history as they say. Enjoy!
??/??/71 The Axeman Cometh (1971-1973) cdr 1 a+ David Bowie - The Axeman Cometh (1971-1973) Flac [1cd] Various Studio & Acetate Recordings Very Good Sound Recordings Artwork Included Lineage: SilverCD--> EAC(secure)--> Flac(level.8)--> HungerCity!
??/??/71 bowpromo1 cdr 1 a+ Personnel: Side 1: As per David Bowie 'Hunky Dory' LP David Bowie (vocals, guitar, alto & tenor sax, piano) Mick Ronson (guitar) Rick Wakeman (piano) Trevor Bolder (bass) Mick Woodmansey (drums) Side 2: See track details above Recording details: Recorded at Trident Studios, London Media: Original UK LP 1st pressing, Gem BOWPROMO1, Matrix A: BOWPROMO 1A-1, Matrix B: BOWPROMO 1B-1 Equipment: Vpi HW-17F Record Cleaning Machine Heybrook TT2 with Origin Live! power supply and DC motor Rega RB 300 tonearm (Origin Live! mod) Lyra Helikon M/C Cartridge Denon PMA 8500 (M/C phono section) ESI Systems Juli@ A/D Adobe Audition 1.5 / 3.0 Method: - Record cleaned on Vpi machine. - Audio sampled at 96/32 float. - Filter to roll-off frequencies below 20 HZ (only below audible frequencies). Audio restoration: - 'Younglove' decrackling scripted method throughout. - Manual declick and deglitch. - All whole sides normalized to 100% NEVER using compression or limiting.
07/08/72 'Save The Whale' cdr 1 b AUD
08/19/72 Rainbow Theatre cdr 2 b AUD My copy does not have the BBC tracks listed here.
08/20/72 Rainbow Theatre cdr 2 b+ A phenominal audience recording for the period; from the second night of the famous "Rainbow" shows, rumoured to have been recorded by a mate of Woody Woodmansey. This was recently sent to me on CDR by Bofinken who asked if I could clean it up a bit and torrent it. To be perfectly honest it was so good I had very little to do. I cleaned off a tiny bit of hiss, removed a few crackles and pops then balanced the volume between tracks and channels. There is a cut in "Width of a Circle", the discs had the missing section badly replaced by a section from the officially released "Ziggy Stardust - The Motion Picture", this I obviously removed. In my opinion this is as good if not better than the famous Maloney Boston recording and must rank as one of the best Ziggy audience recordings. Part of this show has been booted as "Rainbow Theatre" and complete as "Rainbow - The Magic Theatre", It is certainly an upgrade on both of these. The recording was also remasterd and torrented a few years back as "Up yours Reg" by Downunder2 (Steve), I haven't heard this but I'd be suprised if this is any worse.
10/01/72 Music Hall cdr 2 b+ BOSTON MUSIC HALL BOSTON, MA OCTOBER 1, 1972-JOE MALONEY MASTER RECORDING AM>CDR>EAC>FLAC Set list: Disc one: 1: Hang onto yourself 2: Ziggy Stardust 3: Changes 4: The Superman 5: Life on Mars 6: Lady Stardust 7: Queen Bitch 8: Five Years 9: Space Oddity 10: Andy Warhol 11: My Death Disc two: 1: Width of a circle 2: John, I'm only dancing 3: Starman 4: Moonage dream 5: Waiting for the man 6: White light, White heat 7: Suffragette City 8: Around and Around This was recently transfered and is unaltered and un-EQ'd. The way you have it, is the way the master cassettes are. Special thanks to Joe Maloney for making this recording available. This is for JJ and anyone else that missed out on this gem first time around. I've put this up now as I want to make sure I can finish upping this as I'm immenently waiting to go into hospital for a disc removing from my back. JJ made a request for this show in the Newtorrent and reseed section of the forum but with joy. It was Originally shared by Homerpax, but due to a computer crash I lost the files, but fortunately had burned a hard cd copy. Consequently I've altered nothing apart from adding this info file and some artwork. The rest is what I downloaded from Homer in february 2008. Wow I can't believe it's over three years ago. Guys this is the daddy of all Ziggy recordings against which all others are based. It's not perfect some say it could do with some EQ, but it's by far the best Ziggy Stardust audience recording that has ever been done. So I'll leave it to you to rate the sound, but trust me this is a gem. In my opinion this with some professional tinkering and remastering could be released officially.
10/07/72 Auditorium Theatre cdr 2 b- The Auditorium, Chicago 7 October 1972 Off master - includes The Jean Genie - first performance? Hiss reduction and re-aligning balance only carried out, using Audacity. Off master tape > CDR > Audacity (minor hiss reduction / re setting balance due to extreme bias to right channel) > CD Wave (track splitting > TLH > FLAC 01 Intro-Hang onto Yourself 02 Ziggy Stardust 03 The Supermen 04 Queen Bitch 05 Changes 06 Life on Mars? 07 Five Years 08 Space Oddity 09 Andy Warhol 10 My Death 11 The Width of a Circle 12 John I'm only Dancing 13 Moonage Daydream 14 Starman 15 Waiting for the Man 16 White Light / White Heat 17 Suffragette City 18 The Jean Genie 19 Outro While slightly above average quality for the era in terms of Bowie recordings, this is still not a hi-fi recording. I have decided to share this in a pretty raw state, I have only reduced the hiss a little (don't worry, there is still plenty, meaning the treble frequencies are still there, and the recording can 'breathe'). I have been assured that this is lower gen than the Chicago a Go Go recording that has been torrented, and it sounds like it - but the difference is minimal. That version is slightly louder but has some clipping and other distortion. There is a small tape interruption during Space Oddity, however it is not too intrusive, so I left it as is. I edited a small gap in the recording during Moonage Daydream as that jarred.
11/25/72 Public Hall cdr 1 b+ David Bowie - Va Va Va Voom (1972) Flac [1cd] The Entertainment Arena Cleveland, Ohio, USA 25th November 1972 Very Good Audience Recording Artwork Included
12/28/72 Hard Rock Club cdr 1 b- David Bowie Hard Rock Club Manchester,U.K. 12-28-1972 Audience Recording Lineage: Cassette--->Soundforge--->Flac8--->MWP (Running Time 52:38) 1. Let's Spend The Night Together 2. Hang On To Yourself 3. Ziggy Stardust 4. The Supermen 5. Changes 6. Life On Mars? 7. Five Years 8. The Width Of A Circle (Tape flip) 9. John, I'm Only Dancing 10.Moonage Daydream 11.The Jean Genie 12.Suffragette City 13.Rock'n'Roll Suicide
??/??/72 'Absolutly Rare' Bootleg cdr 1 a+ SBD
??/??/72 Year Of The Spider - BBC Sessions cdr 1 a+ David Bowie Title: The Year Of The Spiders Venue: BBC Jan 18, May 16, 22 & 23, 1972 Source: Ex Soundboard Recording Lineage: Switch On! Devil Kwsk 99-03 Boot 1CD > EAC > FLAC
01/05/73 Green's Playhouse cdr 1 b David Bowie Glasgow 5th January 1973 Very good audience recording Files sent to me > Audacity > TLH > FLAC 01 Let's Spend The Night Together 02 Hang Onto Yourself 03 Ziggy Stardust 04 Changes 05 The Supermen 06 Five Years 07 The Width of A Circle 08 Life On Mars 09 John I'm only Dancing 10 Moonage Daydream 11 The Jean Genie 12 Suffragette City 13 Rock and Roll Suicide This is a very rare recording. Much of it emerged on a the CD - BUT, in abbreviated, and rough, form - as if it were from a rough vinyl pressing. This is a slightly re-worked version - I have done my best to sort out the channel bias, widen the sound a little (sounds good in headphones in particular that way), and reduce some of the hiss (a little - I don't like hiss removal, as that way you remove music too). The process I use in Audacity to widen the sound, usually consists of the following - -9db decrease (as the mixing and combining needs space) double up the tracks, add .01 sec delay to one of the channels, split channels and mix either side (balance achieved through trial and error) Combine above doubled up track with untouched track with the latter at a higher level. The above mixing while giving a nice widening effect I am more than aware can sometimes sound artificial to some, and I have found combining it with the untouched file means a balance is achieved between the raw sound of the original and the mixed version. Studios used - and I'm sure still do - used to resort to all sorts of double tracking and compression effects and the bottom line is this method I found by trial and error sounds good to me and others. Those who do not approve or find it does not sound good to them - no-one is forcing you to download this. Voila...I listen to live recordings in headphones for the most part, and many people listen in headphones / earphones these days. This may sound better to many like that, and I am aware that through conventional speakers this sort of mix / re-work may or may not sound as good as an untouched version. It's very subjective, and very much down to individual preference. Where I don't provide samples the downloader who is unsure about this can simply pick one or two tracks to ascertain how good this is, just as I do. Re balancing and tuning of the sound carried out with mda_image and high and low pass filters in Audacity.
02/14/73 Radio City Music Hall cdr 2 b David Bowie Radio City Music Hall, New York. 14 February, 1973 Re-worked version Good quality recording Low gen cassette > Nakamichi Tapedeck > CD-R > Audacity [re-work as per notes below] > CD Wave > TLH > FLAC CD 1 01 Intro 02 Hang Onto Yourself 03 Ziggy Stardust 04 Changes 05 Soul Love 06 John, I'm Only Dancing 07 Moonage Daydream 08 Five Years 09 Space Oddity 10 My Death CD 2 01 Watch That Man 02 Drive-In Saturday 03 Aladdin Sane 04 Panic In Detroit 05 Cracked Actor 06 Width Of A Circle 07 Time 08 The Prettiest Star 09 Let's Spend The Night Together 10 The Jean Genie 11 Suffragette City 12 Rock N'Roll Suicide This is the recording of the show where David fainted at the end, shocking the audience. One thing that is particularly interesting, to me anyway, is the leap in quality on reaching side 2 of the tape here - Aladdin Sane onwards. Often there are small differences in fidelity upon turning over tapes - for example, sometimes one side will have more hiss than the other, as somewhere in the copying someone has switched the dolby off or on. The difference here is more pronounced than that. Prettiest Star is a highlight here! Rock and Roll Suicide had to be combined from two sources of this recording...but then this does have the long ending with the audience's reaction to David's fainting. On certain Bowie tapes I will be presenting 'raw' and 'processed' versions...not so much a concession to some who have as good as demanded this, more practicality : the person kindly lending me tapes is interested in hearing both so if I seed both it saves me doing CD-R's of the raw version. The raw version of this will be seeded in due course. This is the 'processed' version. The process I use in Audacity to widen the sound, usually consists of the following - -9db decrease (as the mixing and combining needs space) double up the tracks, add .01 sec delay to one of the channels, split channels and mix either side (balance achieved through trial and error) Combine above doubled up track with untouched track with the latter at a higher level. The above mixing while giving a nice widening effect I am more than aware can sometimes sound artificial to some, and I have found combining it with the untouched file means a balance is achieved between the raw sound of the original and the mixed version. Studios used - and I'm sure still do - used to resort to all sorts of double tracking and compression effects and the bottom line is this method I found by trial and error sounds good to me and others. Those who do not approve or find it does not sound good to them - no-one is forcing you to download this. Voila...I listen to live recordings in headphones for the most part, and many people listen in headphones / earphones these days. This may sound better to many like that, and I am aware that through conventional speakers this sort of mix / re-work may or may not sound as good as an untouched version. It's very subjective, and very much down to individual preference. Where I don't provide samples the downloader who is unsure about this can simply pick one or two tracks to ascertain how good this is, just as I do.
02/15/73 Radio City Music Hall cdr 2 b+ Description: OK, gang. I know what you're saying "not this show again!" On its face I would agree. However, there is more to this story.....first this version is from my personal cassette collection, so it's guaranteed to be lossless.What I can guarantee is this source is genuine, I received it in a tape trade years ago, and I really like the quality of this tape in particular. Of course we all know this is the best quality show of 1973, or close to it. Basically what I would say is download it and compare it to what you might already have, and if it's upgrade, fantastic. If you don't have this show of course, grab it because it's required listening. My version has a cut in Panic In Detroit, very small, which was a tape divide/tape flip. It also is missing the Ode To Joy and starts right with Hang Onto Yourself. The quality of Drive In Saturday and Let's Spend the Night Together is a bit different than other songs on the cassette, wondering if they were patched from a different source.
04/08/73 The Shibuja Koseinenkin Kaikan cdr 2 b+ David Bowie Shinjuku Koseinenkin Kaikan Tokyo 8th April 1973 (First Landed Japan) Flac The Concert 01. Ode To Joy 02. Hang On To Yourself 03. Ziggy Stardust 04. Changes 05. Moonage Daydream 06. Panic In Detroit 07. Aladdin Sane 08. Width Of A Circle 09. Space Oddity 10. Jean Genie 11. Time 12. Five Years 13. Let's Spend The Night Together 14. Suffragette City 15. Starman 16. Rock 'n' Roll Suicide
04/11/73 Koseinenkin Kaikan cdr 1 b AUD Liberated Bootleg:Ziggy Goes To East
04/20/73 Shibuya Public Hall cdr 1 b+ This is definitely one of the best quality Ziggy era recordings...a few higher quality recordings have gradually surfaced over the years, but this isn't far off the His Master's Voice recording for quality. My only issue with it in comparison to that fantastic bootleg and other recordings of the era is this sounds less exciting than some of the other shows of the era. DOn't get me wrong, it's a good show, of course, it just sounds like it's lacking something compared to the best shows, perhaps tour fatigue (similar set, month after month) was sinking in. The gig? The audience clap along to the intro, and BOwie really holds the ziggy 'playyyyyeeeeeeeeeeeeed" note! Things do pick up for Watch That Man, I feel, very good performance there. Good performance of Time, and there seems to be a couple of minor skips or edits in there, but as it's slightly murky (it's excellent quality overall but there is a little 'murk' to the recording still) I have not tried to repair that, partly because with some repairs the work involved isn't justified by the result, and I also felt that could be the case here. This is a good point to say that despite this making it to a factory pressed CD, it does have a couple of CD-rot related issues...presumably the factory CD was mastered from an early / partly rotted CD-R? None of these 'issues' are particularly noticeable for 90% of the recording...there's the occasonal very light click but aside from that it's all well and good. However things set in during the encore, Round and Round. This is a shame, as in my opinion it's *the* biggest highlight here...not everyone rates the song, but I think it was great live, a really fun way to end a show. It's a great recording and performance of the song, considerably marred by clicks. I did once try to track down a clean version of this, but with no luck. I have done my best to repair it...most of the mix here - a simply widening of the stereo picture - was relatively light work but I've tried Click Repair and manual repair of the noises in Round and Round. It doesn't sound so bad now. Five Years is a very good performance, a shame there's the odd effect of the cd issues, but again these are minor at this stage. I suspect this recording could be a slightly re-worked tape (there stereo sound isn't necessarily from the original recording? Having done a bit of widening of sound it's quite possible to do reasonably good sounding 'stereo-ish' sound)... it would be interesting to see if anyone has an 'untouched' tape of this show and maybe start afresh? However like I said 90% of this sounds fine. Nice piano in the background on Starman, and moog too! This gig has some nice moments and great playing despite the above reservations, so enjoy! If anyone has a very good quality unprocessed recording, it would be interesting to hear / see torrented as an alternative.
05/12/73 Earl's Court Arena cdr 2 b- Audio Source: Audience Artwork: None Running Time: 93.03 Lineage: Audio Cassette---Wav---Flac(level.8)---MWP An audience tape of the infamous opening show of the UK Aladdin Sane tour, this was the first time Earls Court was used for a concert gig and a large proportion of the 18,000 audience had a very bad view and poor sound, hence a riot ensued, fistycuffs and general mayhem. Not bad for an opening night!! At one point Bowie left the stage and the audience were passified by a roadie, the audience finally calmed down when Bowie refused to carry on unless they behaved. I have removed a tiny bit of hiss from the top end but thats about it. The tape does have a drop in quality from "Panic" onwards (6) and I had to do a bit of work, mainly by amplifing this section to keep the level as consistent as possible. Whether this is only on my recording or the master i do not know (Perhaps the guy was being trampled by this point!). TIME has a bit of a digital problem from 1:05-1:15...
10/18/73 Marquee Club cdr 2 a SBD "Ziggy's Final Farewell"
??/??/73 "Having A Good Time" (The Astronettes Sessions) cdr 1 a+ avid Bowie Having A Good Time The Astronettes 1973 Trident Session Artwork included A complete session by The Astronettes at Trident Studios. Produced by David Bowie (who wrote some of the songs and can also be heard throughout the session). This is a "working copy" of the session and different from the album mix that was released by NMC Track 01 1. Seven Days 2. Highway Blues 3. How Could I Be Such A Fool 4. Having A Good Time 5. Only Me 6. I Am A Laser 7. Things To Do 8. God Only Knows 9. People From Bad Homes 10. In The Mood For Love 11. Spirits In The Night Track 02 A mega-rare interview with David recorded in Philadelphia in February 1971. The highlight of the interview is David doing an ad for ski-boots! .
07/16/74 Music Hall cdr 2 AUD
09/02/74 Universal Amphitheatre cdr 2 c bonus tracks Bonus tracks New York (RCMH) 28/10/74 21. Sorrow 22. Footstompin 23. Can You Hear Me? 24. Someboby Up There Likes Me Seeders notes:Having recently downloaded the "class of '74 Vol.3" boot hoping it would be an upgrade, I was disappointed at the quality. Therefore I decided to digitize my original tape knowing it would be an upgrade. The original source recording is identical with the same audience chatter and only part of John I'm only Dancing, this show has also been booted on the "West Coast Shows" I haven't heard this but I presume it is once again the same source. This is certainly one of the better quality audience recordings from the 74 tour, with a clean sound on the quieter numbers to a slightly overdriven sound on the heavier numbers. The bonus tracks are pulled straight from the "Infected with soul love" boot and are simply to add a selection of other songs from the tour and fill the disc.
09/05/74 Universal Amphitheatre cdr 2 a+ DAVID BOWIE - Strange Fascination Universal Amphitheatre, Los Angeles, USA 5th September 1974 Liberated Bootleg Label - Tom 001/002 CD Silver Discs > EAC > Flac 2xCD - 106 Minutes Approx CD 1 Introduction 1984 Rebel Rebel Moonage Daydream Sweet Thing Changes Suffragette City Aladdin Sane All The Young Dudes Cracked Actor Rock And Roll With Me CD 2 Knock On Wood It's Gonna Be Me Space Oddity Diamond Dogs Big Brother Time The Jean Genie Rock 'n' Roll Suicide John I'm Only Dancing (Again) Voice Of Promoter Notes from Bassman's David Bowie site (http://www.algonet.se/~bassman/): A Japanese double CD made from the original tape. It is not fair to call it a re-issue of the European CD with the same title, because this one contains the 10 minute intro and the outro. The intro consists of lots of street sounds and the outro is the voice of the promoter announcing that Bowie has left the theatre after the final song. The sound quality is absolutely excellent, which means even better than the European issue, but if you can't compare you won't notice! Anyway, it's a true must!
10/10/74 Dane County Coliseum, University of Wisconsin cdr 1 b+ David Bowie University of Wisconsin, Madison, WI, USA. 10 October 1974 Very good quality, mixing desk? recording CD-r (of "1974" CD set) > Audacity > CD Wave > TLH > FLAC 01 Intro - Memory Of A Free Festival 02 Rebel Rebel 03 John, I'm Only Dancing (Again) 04 Sorrow 05 Changes 06 1984 07 Moonage Daydream 08 When You Rock'n'roll With Me 09 Love Me Do-The Jean Genie 10 Diamond Dogs 11 Young Americans 12 Can You Hear Me 13 It's Gonna Be Me 14 Somebody Up There Likes Me 15 Suffragette City 16 Rock'n'roll Suicide "Good evening Madison, it's a pleasure and privilege to play here. Thank you for having me." Bowie clearly enjoys playing here, and the response he gets, hence the above accolade during When You Rock n Roll With Me. Like with the recent New York 73 gig, this is a minor re-work...indeed less has been done here, simply a little widening of the sound. It involves double the signal in Audacity and widening the picture. The original is out there for those who prefer 'untouched' recordings, but this sounds better to my ears, and very good in headphones. MY NOTE: I doubt it's SBD.....
11/15/74 Music Hall cdr 2 b+ AUD. From the Joe Maloney master recording. My version does not have the Luther Vandross song listed here.
02/02/76 PNE Coliseum cdr 2 a SBD. Great sound. Mine is sourced from the Raw Moon Rehearsals boot.
02/02/76 PNE Coliseum cdr 2 Hi Bowie fanatics, here it is, another `76 upgrade. Well, this one was pretty good to start with, and now it`s even better. I have edited back in, Jean Genie that was missing, and i have also edited in the fals start of Five Years that was also missing.Someone was already dealing with this soundboard, it was mastered pretty loud for my taste but i did not want my remaster to be more quiet than this so they are the same in loudness. But they are different in other things. I have fixed pitch, phase and levels and then i did the EQ. No compression, limiters or noise reduction! Erik Snow and Quicksand were very helpful. Enjoy Captain Acid March 2012 David Bowie - Vancouver Station - 02-02-1976 rehearsals - SBD David Bowie - Rehearsals 1976 (2nd February 1976) The Pacific National Exhibition Coliseum Vancouver, BC, Canada Very Good Soundboard Recording Remastered By Captain Acid Disc ONE 1 STATION TO STATION 2 SUFFRAGETTE CITY 3 WAITING FOR THE MAN 4 WORD ON A WING 5 STAY 6 TVC 15 7 SISTER MIDNIGHT 8 LIFE ON MARS? 9 FIVE YEARS Disc TWO 10 PANIC IN DETROIT 11 FAME 12 CHANGES 13 THE JEAN GENIE 14 QUEEN BITCH 15 REBEL REBEL
02/03/76 Seattle Center Coliseum cdr 2 AUD.
02/23/76 The Coliseum cdr 2 David Bowie Cincinnatie / 23 Febr 1976. Label: 'unknown' Audio Source: audience Lineage: for example: cd --> EAC --> WAV --> FLAC 8 --> MWP
03/03/76 The Omni cdr 2 c AUD. Muddy sound. For completeists.
03/16/76 Spectrum Arena cdr 2 b AUD. My version is slightly longer with Sister Midnight and Jean Genie as the last 2 tracks.
04/10/76 Deutschlandhalle cdr 1 b AUD.....ere are dagads notes about his work : I applied some speed correction (+3%) to the good sounding tape only, just speed not pitch, phase correction and sound equalization with a bit of compression of the lower register to the whole recording with different settings respectively. I have also faded in and out the beginning and the end of the whole recording and de-clicked the bad sounding tape because was plagued by digi pops and clicks. Everything was processed with dedicated plugins through Adobe Audition 3.0.
05/03/76 Wembley Empire Pool cdr 2 b+ AUD Audio Source: Audience - May 3 1976 first generation,
05/07/76 Wembley Empire Pool cdr 1 b AUD The Wembley Wizard Touches The Dial....Station To Station is cut. And a big edit in Panic in Detroit.
05/08/76 Wembley Empire Pool cdr 2 b+ AUD.
05/13/76 Ahoy Sports Palais cdr 2 Hi Bowie fanatics, here is another Bowie gig from `76 restored.I got this Cd in a trade long time ago.I did all the usual things, pitch, phase and level correction and EQ in the end.This is now probably the best sound of this gig ever. Erik Snow was the main collaborator here with his advices and positive energy. He also made another nice artwork, for this edition. There will be few more Bowie remasters, from 1976. Nothing more to say. Enjoy Captain Acid March 2012 David Bowie Sports Palais Ahoy Rotterdam, Holland May 13, 1976 Disc ONE 1 . Station To Station 2 . Suffragette City 3 . Fame 4 . Word On A Wing 5 . Stay 6 . Waiting For The Man 7 . Life On Mars? 8 . Five Years Disc TWO 01 . Panic In Detroit 02 . Band Introduction 03 . Changes 04 . TVC-15 05 . Diamond Dogs 06 . Rebel Rebel 07 . The Jean Genie Lineage: Flac files from DVD-rom > Soundforge 10.0 Pro > TLH > You
04/05/78 Oakland Coliseum cdr 2 b David Bowie Oakland Coliseum Arena, San Francisco, Ca. 5th April 1978 Lineage: Trade CDR > EAC (Secure) > FLAC 8 > You. Artwork Included. Setlist: Disk 1: 1. Warszawa 2. "Heroes" 3. What In The World 4. Be My Wife 5. The Jean Genie 6. Blackout 7. Sense Of Doubt 8. Speed Of LIfe 9. Breaking Glass 10. Beauty And The Beast Disk 2: 1. Fame 2. Five Years 3. Soul Love 4. Star 5. Hang Onto Yourself 6. Ziggy Stardust 7. Suffragette City 8. Rock 'N' Roll Suicide 9. Art Decade 10. Station To Station 11. Stay 12. Crowd 13. TVC15 Somebody requested this as an upload, and having the disk, I decided to give everybody a second New Years' present. The quality is really nice, but the recording does have a few flaws. While the EAC log says there are a couple of suspicious areas in Station To Station, the really suspicious area is the start, which has some 3 minutes plus missing! Other than that, the other flaws are mainly cuts as well, and Rebel Rebel is totally missing. :-( Disk 2, Track 12 is just 6 seconds of crowd noise, but I've left it in for completeness... that's how I got it. Maybe somebody can use it to identify the original source of the recording. :-)
04/09/78 The Summit cdr 2 b Source: audience Lineage: ? -> Cdr -> EAC(secure mode) -> FLAC Note: I can't rememeber where I get this. CRDs are just labelled Houston April, 9th 1978. All the info here comes from Internet. Sorry. If http://www.algonet.se/~bassman/tour/index.html is right, the last track, Rebel Rebel, is missing. Big drop out the first verse of Five Years. TVC 15 cuts out 2:10 in.
04/11/78 LSU Assembly Center cdr 2 SBD.
04/21/78 Cobo Arena cdr 2 b+ AUD. Great performance, vocals are really strong.
05/06/78 Boston Garden cdr 2 b+ AUD. My version has Suffragete City instead of "Rock and Roll Suicide." "Golden Moments" release
05/22/78 Wien Stadthalle cdr 2 A- AUD. My version does not have the SNL tracks that are tacked on to the end of the main version. "Vienna 78"
05/31/78 Musikladen/Beatclub cdr 1 a+ David Bowie Title: Secret Lounge 1977 Breman Venue: Breman, Musikladen Extra. May 31, 1978 Source: Ex Mono Soundboard Recording Lineage: 3D-Reauty Crassics (3DC-DB-001 Breman) Boot 1CD > EAC > FLAC
12/11/78 HNK Hall cdr 2 b AUD My version has TVC15 before Stay, unlike the running order here. It is also labeled as the Budokan.
12/12/78 Nihon Budokan Hall cdr 1 a+ David Bowie - Hoping For A Little Romance (12th December 1978) Flac [1cd] The Nihon Budokan Hall Tokyo, Japan 12th December 1978 Excellent Broadcast Recording Artwork Included Lineage: SilverCD--> EAC(secure)--> Flac(level.8)--> HungerCity!![/b] A Japanese release of this concert and it is far better than the European CD issue WILD MUTATION (1991). The interview is either from Japanese TV or radio. If you have to choose between this disc or the European disc, take this one! -BASSMAN
07/07/80 Studio cdr 1 a+ Scary Monsters demos "Vampires of Human Flesh"
??/??/80 "Fresh From Divorce" cdr 1 a+ Awesome!~
04/26/83 Las Colinas Soundstage cdr 2 a+ SBD. You can hear the difference between this and the next day by the inbetween song chatter.
04/27/83 Las Colinas Soundstage cdr 2 a+
05/18/83 Vorst National Stadium cdr 2 AUD. LOTS of channel drop outs and fades. A little distracting, but a great show.
05/26/83 Les Arenes cdr 2 b+ David Bowie - Les Arenes, Frejus, France, Jeudi, May 26th 1983, from master. Disc One : 1. Intro > Rock 'N' Roll Star 2. "Heroes" 3. What In The World 4. Joe The Lion 5. Fashion > 6. Let's Dance 7. Wild Is The Wind 8. Life On Mars 9. Sorrow 10. Cat People 11. China Girl 12. Scary Monsters > 13. Rebel Rebel 14. White Light, White Heat Disc Two : 1. Station To Station 2. Cracked Actor 3. Ashes To Ashes > 4. Space Oddity 5. Band Intro > Young Americans 6. Hang Onto Yourself (jump in at the beginning) 7. Fame 8. TVC15 9. Jean Genie 10. Modern Love Master cassette > Nakamichi > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. Recorded, transfered, & uploaded by 38f on Dime, June 2007.
05/30/83 Glen Helen RegionalPark cdr 2 A- Sbd, but not a great one.
07/13/83 The Forum cdr 2 a+ SBD From "serious Moonlight" on the swinging Pig label
07/25/83 Madison Square Garden cdr 2 b David Bowie : The Lostbrook Tape Series - Volume 65 July 25, 1983 Madison Square Garden New York, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV - flac Taper: Lostbrook Mastering: CQ 01 Introduction 02 Star 03 Heroes 04 What In The World 05 Golden Years 06 Fashion 07 Let's Dance 08 Breaking Glass 09 Life On Mars 10 Sorrow 11 Cat People 12 China Girl 13 Scary Monsters 14 Rebel Rebel 15 White Light White Heat 16 Station To Station 17 Cracked Actor 18 Ashes To Ashes 19 Space Oddity 20 Young American 21 Fame 22 TVC-15 23 Stay 24 The Jean Genie 25 Modern Love
06/06/87 Reichstag cdr 2 a- rtists: David Bowie Date: 1987-06-06 Location: Platz der Republik, Berlin-Tiergarten, Germany Venue: Riechstag Source: Audience & FM Lineage FM & AUD: ANA(1)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer FM & AUD: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Unknown mics/Unknown deck FM and AUD Taped By: H.S. Transferred By: Mike Ziegler 1st gens sourced from the JEMS archives Band Members: David Bowie - vocals, guitar, saxophone Carlos Alomar - guitar Erdal Kizilcay - keyboards, trumpet, congas, violin Richard Cottle - keyboards Carmine Rojas - bass Alan Childs - drums Peter Frampton - guitar Setlist: FM 01. Purple Haze 02. Up The Hill Backwards 03. Glass Spider 04. Day In Day Out 05. Bang Bang 06. Absolute Beginners 07. Loving The Alien 08. China Girl 09. Fashion 10. Scary Monsters 11. All The Madmen 12. Never Let Me Down 13. Big Brother 14. 87 And Cry 15. Heroes Length: 77:43 AUD 16. Time Will Crawl 17. Band Introduction 18. Beat Your Drum 19. Sons Of The Silent Age 20. New York's In Love 21. Dancing With The Big Boys 22. Zeroes 23. Let's Dance 24. Fame 25. Time 26. Blue Jean 27. Modern Love Length: 48:29 Notes: JEMS 1st gens from the archives. Both sources are excellent sounding and cover the entire show. The whole show wasn't broadcast unfortunately but H's audience recording is hardly a drop down in quality from the FM broadcast and completes the whole show. This is an early show from Bowie's glass spider tour and features Peter Frampton on guitar.
08/28/87 Landsdown Park cdr 2 a+ David Bowie - A Son Of The Circus (1987) Lansdowne Park Ottawa, Canada 28th August 1987 Excellent Soundboard Recording Lineage: TradeCDR--> EAC(secure)--> Flac(level.8)--> HungerCity!
08/30/87 Montreal Olympic Stadium cdr 1 SBD. I have the single disc version of this. It's awesome, great sound, but it's not the entire show listed here!
11/03/87 Sydney Entertainment Centre cdr 2 a+ SBD. Fashion fades out and Scary Monsters fades in. Young Americans also fades in.
02/10/90 Unknown cdr 1 a+ Alabama Song is only about 30 seconds. Bowies vocals on Pretty Pink Rose are really low.
04/03/90 Palais Omnisports cdr 2 b+ AUD
05/16/90 Tokyo Dome cdr 2 a+ SBD
08/05/90 Milton Keynes Bowl cdr 2 a+ SBD Great show, great sound
09/20/90 Sambodromo Del Rio cdr 2 a ROCK IN RIO -- LIBERATED BOOTLEG MISTRAL MM 9107/8 RIO DE JANEIRO 20 SEPTEMBER 1990 SILVER > EAC > FLAC SBD.
01/01/94 Virgin Sound Studios cdr 1 A SBD. For completists.....
10/11/95 Riverport Amphitheatre cdr 2 a+ David Bowie Riverport Amphitheatre, St. Louis, USA 11th October 1995 EX Mixing Desk recording Silver Disc>EAC>Flac Above > Audacity > TLH > FLAC
10/24/95 Tacoma Dome cdr 2 Edits between tracks one and two, four and five, and right before the band introduction. AUD.
06/22/96 Loreley Festival cdr 2 SBD. Lots of crackling, and the very end of Lust For Life is cut. Nice sounding show.
06/25/96 La Zenith cdr 2 a+ SBD...plus 7 bonus tracks from 7/7/96 Belfort France. "Battlecries and Champagne."
07/09/96 Curva Stadium Olimpico cdr 1 a+ FM. One "fuzz out" on track 9. Inbetween song chatter in Italian
01/09/97 Madison Square Garden cdr 2 a+ SBD.
04/08/97 Smith's Old Bar : 99X Breakfast with Bowie cdr 1 a+ Also has tracks 7-10 Fashion/I'm Afraid of Americans/Little Wonder/Moonage Daydream recorded at 10/15/97 GQ Man of the Year awards, at the Radio City Music Hall in NYC
04/08/97 Fort Apache Studios cdr 1 a+ David and Reeves perform in front of a small audience in a studio and answer questions from the audience. This recording is complete. a short section from a second master tape was used to fill in the talk when the original master tape was flipped so every word and note in this is complete and from master recording (both made with same reciever and Nak. 100 decks). Quality is nice and crisp and clear. David Bowie- guitar and vocals Reeves Gabrels- guitar Fort Apache Studios, Cambridge, Mass. April 8, 1997 live FM broadcast runtime: 59:42 (minutes/seconds) tracklist: 1: introduction and talk 5:36 2: scary monsters 3:16 3: talk 6:56 4: seven years in Tibet 4:48 5: talk 6:17 6: dead man walking 5:33 7: talk 6:17 8: Jean Genie 4:38 9: talk 6:33 10:I can't read 5:14 11: talk 1:17
06/14/97 Parc Des Princes cdr 2 a 01 Quicksand - Paris 02 Strangers When We Meet - Paris 03 Dead Man Walking - Paris 04 I'm Afraid Of Americans - Paris 05 White Light White Heat - Paris 06 Battle For Britain - Paris 07 Seven Years In Tibet - Paris 08 Fashion - Paris 09 Fame - Paris 10 Looking For Satellites - Paris 11 Telling Lies - Paris 12 Under Pressure - Paris 13 Stay - Paris Disc Four 01 Panic In Detroit - Paris 02 O Superman - Paris 03 The Jean Genie - Paris 04 All The Young Dudes - Paris 05 Hallo Spaceboy - Paris 06 Scary Monsters - Paris 07 Little Wonder - Paris 08 Interview - Live 105FM 09 Always Crashing In The Same Car - Live 105FM 10 I Can't Read / Interview - Live 105FM 11 Dead Man Walking / Scary Monsters - Live 105FM "Dancing On Angels" SBD Parc Des Princes, Paris, 14th June 1997 105FM Radio Show, San Francisco, 9th September 1997
06/16/97 La Trocadiere cdr 2 a+ SBD "Dancing On Angels" discs 1 and 2
09/29/97 WBCN Studios cdr 1 a+ WBCN Studios Boston, Mass. Sept. 30, 1997 live FM broadcast and "Late night with Conan O'Brien" TV show (N.Y.C., with full band) April 11, 1997 (audio of TV master cassette) radio show runtime: 40:39 Late Night TV runtime: 19:21 total runtime: 60:01 (minutes/seconds) tracklist: 1: introduction and talk 5:29 2: always crashing in the same car 3:12 3: talk 20:49 4: the supermen (just a riff of it) > dead man walking 3:04 5: talk 3:46 6: scary monsters 3:51 7: closing comments :25 8; talk (Conan) 8:19 9: dead man walking (Conan) 7:09 10: I'm afraid of Americans (Conan) 3:53 WBCN- FM radio > Yamaha 500 reciever with digital tuner and wire antenna > Nak. 100 cassette deck (dolby off) > Maxell XLII-S master cassette > played on Nak. 300 into soundforge with realtek soundcard (WAV) > flac (sb's aligned) > torrentially yours. recorded, digitized and posted by glasnostrd19. A this and that production. David and Reeves perform in front of a small audience in a studio and chat some with the audience. This recording is complete except the first few seconds of the track 1 introduction. Quality is crisp and clear. track 4 has a bit of explanation from David how a riff he got from Jimmy Page many years earlier helped him put both those songs together. (yes, even David Bowie learned something from LZ's guitarist). this was the day before the 1st of 2 shows at the Orpheum Theater in Boston, (with his full band) and there is mention of the webcast of one of those. It was my 1st ever attempt to see a webcasted concert, and I never got to see more than an occasional broken apart note. live concert webcasting was still a very primitive art in 1997 (apparently) but I later heard the shows were very good ones. Boston has always appreciated David Bowie, even playing a "secret gig" at Avalon (1996?) which I've never heard. this is the 1st time this recording has been posted (September 2009). Since it's a short set, I also included Conan O'Brien TV appearance of April 11, 1997, which fits with this because one of many subjects of mention in this radio show was track 10 (IAOA). The Conan appearance is complete, lineage is the same except from TV (cable) instead of FM radio.
10/01/97 Orpheum Theatre cdr 2 Web simulcast. Some brief troubles at the end of the first disc, but it all takes place during the between song chatter.
10/14/97 Capitol Theatre cdr 2 a+ Quicklive MTV Live At The 10 Spot Capitol Theatre, New York 14th October 1997 Liberated Bootleg Label: Optimum 22/23 Disc One 01 The Supermen 02 Panic In Detroit 03 The Voyeur Of Utter Destruction 04 Quicksand 05 The Jean Genie 06 I'm Afraid Of Americans 07 Look Back In Anger 08 Scary Monsters 09 Little Wonder Disc Two 01 Fame 02 Hallo Spaceboy 03 All The Young Dudes Bonus - Hamburg - 5th June 1997 04 I'm Deranged 05 Pallas Athena 06 V2 Schneider 07 Dead Man Walking 08 O Superman 09 The Last Thing You Should Do Silvers>EAC>Flac
??/??/97 The Earthling Chronicles cdr 1 a+ SBD. Great stuff!
??/??/97 Acoustically High (various acoustic tracks 96-97) cdr 1 a+ White Light White Heat is cut, and there are a few edits in the first few tracks. Some digital noise on the last track.
10/14/99 Elysée Montmartre cdr 1 a+ David Bowie - Eternal Life Elysee Montmartre, Paris, France / 16th of October 1999 Label: Ultimate Sound US 07 Audio Source: FM Broadcast Lineage: for example: Silver --> EAC --> WAV --> FLAC 8 --> MWP Number of Discs: 1 Artwork: included Notes: According to Bassman:(http://www.algonet.se/~bassman/bootlegs/index.html) A splendid release of the FM broadcast of this show! It is a pity that five songs are missing, but they were not included in the broadcast. The sound quality is excellent, and the cover looks nice. Hopefully the last track has been used for the last time as "filler bit" now? Tracklisting: 1) LIFE ON MARS? 2) THURSDAY'S CHILD 3) SOMETHING IN THE AIR 4) CHINA GIRL 5) ALWAYS CRASHING IN THE SAME CAR 6) SURVIVE 7) CHANGES 8) SEVEN 9) REPETITION 10) THE PRETTY THINGS ARE GOING TO HELL 11) REBEL REBEL Bonus: 12) 20TH CENTURY BOY (1999 Brit Awards with Placebo)
12/02/99 The Astoria cdr 2 a+ Great SBD!
06/25/00 Worthy Farm cdr 2 b+ AUD
06/27/00 BBC Radio Theatre cdr 2 a- David Bowie Title: Wild The Wind Dates: June 27, 2000 Venue: BBC Radio Threatre, Broadcasting House, London, UK. Source: Ex Stereo Audience Recording Lineage: Backwoodsman's Records (BW004/5) Boot 2CD-R > EAC > FLAC ------------------------------------------------------------------ Disc.1 01: Wild Is The Wind 02: Ashes To Ashes 03: Seven 04: This Is Not America 05: Absolute Beginners 06: Aways Crashing In The Same Car 07: Survive 08: The London Boys 09: I Dig Everything 10: Little Wonder 11: The Man Who Sold The World (fades out after some digital noise) Disc.2 01: Fame 02: Stay 03: Hallo Speceboy 04: Cracked Actor 05: I'm Afraid Of Americans 06: Ziggy Stardust 07: The Jean Genie (instrumental) 08: All The Young Dudes 09: Starman 10: Heroes 11: Let's Dance
??/??/01 "Toy" cdr 1 a+
07/12/02 E-Werk cdr 2 b AUD..... Chaos and anger about the distribution of tickets were the main issues weeks before the show took place at the very intimate E-Werk in Cologne. For the commmon customer it was almost impossible to get tickets at the box office. It was said only 1200 tickets were sold to the public for the only summer performance in Germany, which led to many offers at ebay. But those who paid up to 200 were not to go home dissapointed. ....After a look at the setlist of recent shows I didn't expect a show like the one I had experienced in London, but a similar mixed set as he did at each show after his Meltdown performance. Many well known old songs, some pieces from "Low" and many great songs from "Heathen". And with a little exception I was right. To the familar sound of Mike Garson's piano, Bowie went slowly on stage wearing his black suit with blue leather tie to sing "Life on Mars?" beautifully as ever. What a magical moment. Bowie's hair was throughout the show tousled by ventilators which was a very joyful view. His fantastic and loose mood was absolutely matched by the audience's, who seemed to enjoy each and every moment of that concert. After "Slip away" Bowie started playing a funny childish melody on the stylophone in which Mike Garson joined in immediately. A moment that characterizes the show and Bowie's general performance style this year. Open, loose and chatty. During a very lenghty band intro he asked Gerry Leonhard if he know the irish "dance like a river" (aka "Riverdance") show. Yes he did and so he started to dance like Michael Flatley. Not that close to the original but another very funny moment. ....When they returned to the stage for the encores Bowie confronted the audience with "some bad news" becauce "the doors have been locked so noone can get out". And off they went to play "Everyone says "hi"". Parts of the concert were filmed (only songs from "Heathen") and one camera had problems during the song, so it was played another time after "Let's dance". The audience didn't mind. And nOt only because "They still" couldn't "get the doors open". "And Ziggy played guitar" brought the show to a close. So we thought after Bowie and his fantastic band had left the stage. Some hardcore fans were already out of the venue as something very surprising happend. David and his band returned to stage. "Good evening. Good to be here". And the second encore began."They still can't get the doors open" we were informed by the man. "We don't really know what to do, so we thought we could play the "Low" album." And with deep voice very slowly: "The doors are locked." Many people around considered it a joke, but then Bowie and his musicians began to play "Warszawa". One could only watch the stage, eyes and mouth wide open, and see them play that great music again. The bewildered audience got quiet and really listened to the music. What an awsome moment never to forget. "Low" was played as it was in London - not in correct order and without "Weeping wall". After a very calming "Suberraneans" it was really over. What a show. What a performance. It was the best example for Bowie's greatness. Expect the unexpected. After another hour talking to other enthused fans I started my 200 km ride home. I never felt so exited and good after a concert. Fore sure one of the best shows I've ever seen. From Florian This show took place in a very small venue, only 2,500 people and it was sold out immediately. Bowie was smiling and laughing all the time, and during the encores he announced that the doors would be locked so that nobody could get out (and only unlocked after the performance of Low). ....On 11th July Bowie was in Cologne in the 'Harald-Schmidt-Show'. That's the German late night show, and Bowie talked with Harald Schmidt (in English, and they broadcast it without any translation) and performed Everyone Says Hi live with the band. Interesting enough that they didn't play Slow Burn which was the single at the time.
09/18/02 Maida Vale Studios cdr 1 a+ plus: Everyone Says Hi/Life On Mars/Fashion/Slip Away/Ziggy Stardust (from Jules Holland show)
10/12/02 St. Annes Warehouse cdr 2 a+ The Show is recorded through an "in ear monitor" resulting in a great quality recording. Two songs were not recorded - Stay and Bewlay Brothers, these have been added form an alternative audience recording as bonus tracks. CD1 1-Sunday 2-Cactus 3-Breaking Glass 4-Fame 5-Ashes to Ashes 6-Slip Away 7-China Girl 8-5:15 The Angels Have Gone 9-Survive 10-I've Been Waiting For You 11-Rebel Rebel 12-I'm Afraid of Americans 13-Life on Mars CD2 1-Look Back in Anger 2-Heroes 3-Heathen encore 4-Moonage Daydream 5-Afraid 6-Everyone Says Hi 7-Hallo Spaceboy 8-Let's Dance 9-Ziggy Stardust bonus 10-Stay 11-Bewlay Brothers
10/27/03 Olympiahalle cdr 2 A AUD "Christmas Songs"
11/05/03 Sportspaleis Antwerpen cdr 2 A- AUD
01/19/04 The Fillmore Auditorum cdr 2 A- AUD "Another Rocky Mountain Reality"
02/03/04 Wiltern Theatre cdr 2 a+ David Bowie The Wiltern LG Los Angeles, Ca February 3, 2004 source : in ear monitor taper : benchboy transfer: markp
02/07/04 Wiltern Theatre cdr 2 a+ David Bowie The Wiltern LG Los Angeles, Ca February 7, 2004 source : in ear monitor taper : benchboy transfer: markp Must have!!
04/01/04 Air Canada Center cdr 2 A- AUD
04/22/04 The Greek Theatre cdr 2 A- Sbd /aud mix A few of the track transitions are a bit" Rough" . Also on disc 2 there is occasinal "Static " maybe the soundboard source is a wireless mic feed?
05/14/04 John Labatt Centre cdr 1 a+ Ain't My Hometown 14th May 2004 John Labatt Centre London Ontario Canada New Killer Star Cactus Sister Midnight All the Young Dudes The Loneliest Guy Under Pressure Station to Station Ashes to Ashes Quicksand Modern Love I'm Afraid of Americans "Heroes" Digital Satellite MPEG2 > Tos link > Wave > Goldwave > Wave > FLAC
06/05/04 PNC Arts Center cdr 2 A AUD

David Bowie & Mark Bolan --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/77 Unknown cdr 1 A avid Bowie & Marc Bolan Gotta Get It Right Cassette Tape > Soundforge > CD-R Recorded in Manchester England, September 1977 during the rehearsals for the "Marc" TV show. 01. Sitting Next To You 02. Sitting Next To You 03. Intro Hehearsal 04. Intro Hehearsal 05. Intro Hehearsal 06. Sitting Next To You 07. Intro Hehearsal 08. Madman 09. Madman 10. Madman 11. Unknown Title 12. Unknown Title 13. Unknown Title 14. Walking Through That Door (Rumoured to be Bolan,Bowie and Gloria Jones from 1975) A Very clear copy of this unique rehearsal session.

Deep Purple --- Approximate Hours: 136.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/19/68 The Forum cdr 1 Sounds like an open mic recording. Pretty decent
08/24/69 Paradiso cdr 1 A SBD
01/15/70 Doebiedoe TV Studios cdr 1 A SBD "Miss Molly at University"
07/11/70 Reiterstadion cdr 1 SBD
04/24/71 Vejlby-Risskov Hallen cdr 2 b+ Deep Purple - 19710424 - Vejlby-Risskov Hallen, Aarhus, Denmark - BFOC version! This is NOT the famous bootleg Danish Yodel Beware. It is a new source from a Reel to Reel tape of the same show. ============================================= Deep Purple Aarhus, Denmark Vejlby-Risskov Hallen April 24, 1971 Reel-to-reel master > DAT > DAT > Phillips CDR775 > EAC > WAV > FLAC 1.Tune-up (2:29) 2.Yodel (0:49) 3.Speed King False Start and Drum Solo (4.56) 4.Speed King (11:56) 5.Strange Kind Of Woman (8:18) tape flip missed first part "Into The Fire" 6.Into The Fire (3:13) 7.Child In Time (18:14) 8.Wring That Neck (22:53) tape flip stitched together 10.Mandrake Root (26:10) tape flip stitched together 11.Black Night (7:51) 12.Lucille (5:54) Thanks to CR for the original DAT ============================================== BFOC - aka wayshway fixed version - retracked and Wring That Neck has been stitched together
08/30/71 Long Beach Arena cdr 1 FM Edits at 3:10 and 17:40of track 4
01/28/72 Swing Auditorium cdr 1 a- AUD. Remastered
01/23/73 Munsterlandhalle cdr 1 b+ Deep Purple - Munster Master Label: Darker Than Blue Munsterlandhalle ,Munster, Germany January 23, 1973 Audience recording Very good quality Flac files received from trade Tracklist: 1. Intro (2:07) 2. Highway Star (7:31) 3. Smoke On The Water (8:57) 4. Strange Kind Of Woman (11:52) 5. Mary Long (Not complete - Intro Only) (0:34) 6. Space Truckin' (21:24) 7. Black Night (6:36) Running time: 59:01
02/18/73 The Rainbow cdr 2 b+ AUD
04/15/73 Long Beach Arena cdr 1 b+ Deep Purple Title: Long Beach 4.15.73 Dates: April 15, 1973 Venue: Long Beach, Carifornia, US. Source: Ex- Audience Recording Lineage: DP-012 Boot 1CD > EAC > FLAC -------------------------------------- Disc 01: Highway Star 02: Smoke On The Water 03: Strange Kind Of Woman 04: Mary Long 05: Lazy 06: Space Truckin'
05/24/73 Music Hall cdr 2 a+ AUD
06/29/73 Kosei Nenkin Hall cdr 1 Deep Purple - Final Truckin' - June 29, 1973 Festival Hall, Japan Silver CD > EAC > WAVE > FLAC > WinRAR > You Flac Files
06/29/73 Kosei Nenkin Hall cdr 2 Speed corrected. Great AUD
12/11/74 Mecca Arena cdr 2 b+ different and better source than "Prelude to a Breakdown"
01/25/75 Sunbury Music Festival cdr 2 b- Disc 1: 1. Burn (11:25) 2. Stormbringer (6:24) 3. The Gypsy (6:22) 4. Lady Double Dealer (4:45) 5. Mistreated (14:33) Disc 2: 1. Smoke On The Water (12:21) 2. You Fool No One (22:21) 3. Space Truckin' [cut] (9:06)
11/13/75 Western Springs Stadium cdr 2 a- AUD
11/26/75 Festival Hall cdr 2 b+ AUD. Includes an interview with Tommy Bolin.
12/11/75 Budokan cdr 2 b Deep Purple with Tommy Bolin .... December 11, 1975 Koseinenkin Hall, Osaka, Japan David Coverdale - Vocals Glenn Hughes - Bass, Vocals Tommy Bolin - Guitar, Vocals Jon Lord - Keyboards Ian Paice - Drums Taper, & Equipment: unknown Source: "AUD" "Drifter" Liberated Bootleg; Orge Wizard label #OW-01AB Lineage: Trade CDR> 2011 DAE (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: vg Length: 16 tracks = 106:19 minutes Artwork: included. Samples: none. Set list: Disc One (9 tracks = 64:47 minutes): 01 - Burn 02 - Lady Luck 03 - Love Child 04 - Gettin' Tighter 05 - Smoke On The Water (with Georgia On My Mind) 06 - I Need Love 07 - Soldier Of Fortune 08 - Jon Lord keyboard solo 09 - Lazy (with Ian Paice drum solo) Disc Two (7 tracks = 41:32 minutes): 01 - This Time Around> 02 - Owed To "G" 03 - Tommy Bolin guitar solo 04 - Drifter 05 - You Keep On Moving 06 - Stormbringer 07 - Highway Star
01/23/76 Radio City Music Hall cdr 2 b+ AUD. From 1st gen. tape
02/08/76 Jai Alai Frontan cdr 2 AUD. Decent sound. Lazy is cut at 14:10.
02/15/76 Dane County Coliseum cdr 2 AUD. Lots of little cuts during the show. The keyboard solo is cut, and that's the end of the first disc. There's also a ton of chatter from the taper and the people that are with him. It's pretty audible, and gets annoying at the quieter times of the show.
02/28/76 Swing Auditorium cdr 2 AUD. The first tiny bit of Highway Star is at the end of the show. There is a tape flip at the end of Lazy... which must have missed part of the drum solo.
03/12/76 Empire Pool cdr 2 AUD. Beginning of Love Child is cut.
03/13/76 Empire Pool cdr 2 AUD
03/14/76 Apollo Theatre cdr 2 AUD. 3 second cut at 6:05 of the Jon Lord solo. Some tape warbling from 13:00 until the end of the track on Lazy. A small cut at 5:00 or so into the Bolin solo. There's a cut in the middle of Stormbringer, and the sound is terrible the rest of the show. Pretty much for completists.
03/15/76 Empire Theatre cdr 2 b AUD
01/24/85 The Summit cdr 2 b AUD
04/01/85 Maple Leaf Gardens cdr 2 b+ Deep Purple Live At Maple Leaf Gardens, Toronto, CN 1985-04-01 AUD complete ass-kicking show (one of my last)mp3 sample included For several months this concert, which was mailed to me all the way from England, has been on my computer while I've been struggling to hear it properly. Finally the pitch is correct and so are all the track splits, so I'm pleased to present this top-drawer show to you. Many thanks to Steve P. for bearing with me for so long. Not only will this show kick your ass out the door, it will continue to do so for the next couple of intersections. Either that, or you could turn and fight it... but then all that would be left of you is that big hole in the dirt... Grab a beer and go with it! Setlist (Run time about 1h54m): CD1 Highway Star Nobody's Home Strange Kind Of Woman Gypsy's Kiss Perfect Strangers Under The Gun Lazy Child In Time Knocking At Your Back Door CD2 Space Truckin' My Woman From Tokyo Band Intros Speed King Smoke On The Water Blackmore, Paice, Glover, Lord Lineage: Stall-bought tapes ->Sound Forge ->different pitch correction for each tape ->some small editing and channel balancing ->FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked. Enjoy! A DoinkerTape
05/14/85 Budokan cdr 2 Deep Purple Title: The Ricochet Dates: 14th May, 1985 Venue: Budokan City: Tokyo Country: Japan Source: Vg+ Stereo Audience Recording Lineage: Darker Than Blue Bootleg CD > WAV > FLAC Disc.1 01: Intro 02: Opening Bach 03: Highway Star 04: Nobody's Home 05: Strange Kind Of Woman 06: Blues 07: A Gypsy's Kiss 08: Perfect Strangers 09: Under The Gun 10: Lazy 11: Ian Paice Drums Solo Disc.2 01: Child In Time 02: Knockin' At Your Back Door 03: Difficult To Cure 04: Jon Lord Solo 05: Space Truckin' 06: Woman From Tokyo 07: Black Night 08: Smoke On The Water(some trouble with the sound...garbling on this track.)
06/14/85 Isstadion cdr 2 PER-ERIK ANALOG MASTERS. VOL.II DEEP PURPLE 1985-06-14 Isstadion Stockholm, Sweden THE 1ST OF 3 NIGHTS INCOMPLETE AUDIENCE MASTER RECORDING Recorded & Transferred by; PER-ERIK Recording Info; SONY TCD-5> SONY ECM 929> MAXELL XLII-S 90 Cassette Tape. Transfer Info; MAXELL XLII-S 90 Cassette Tape> Pioneer CT 900 Cassette Deck> NAD C660 Standalone CD Burner> MAXELL Music Only CDR. CDR>EAC>WAV>TLH>FLAC>DIME Uploaded by; "Lucifer Burns" Setlist DISC 1 1. HIGHWAY STAR 2. NOBODY'S HOME 3. STRANGE KIND OF WOMAN incl."Jesus Christ Superstar" 4. Blues 5. GYPSY'S KISS 6. PERFECT STRANGERS 7. UNDER THE GUN 8. LAZY incl.Drum Solo 9. CHILD IN TIME 10. KNOCKING AT YOUR BACK DOOR 11. DIFFICULT TO CURE(cuts) DISC 2 1. SPACE TRUCKIN' 2. WOMAN FROM TOKYO 3. BLACK NIGHT 4. SMOKE ON THE WATER(cuts) Musicians; IAN GILLAN– Vocals RITCHIE BLACKMORE- Guitar JON LORD- Keyboards ROGER GLOVER- Bass IAN PAICE- Drums PER-ERIK'S notes; Partially incomplete show because i lost a cassette tape inside the Isstadion. The first of 3 consecutive nights at this venue and city.
07/08/85 Palais Omnisports cdr 2 b Deep Purple - 1985-07-08 - Paris, France BOOTLEG TITLE : Under The Gun (A Long John Production) Sportpalast Omnisport, Paris, France First of the two-in-a-row nights at Bercy. 2nd Night is famous thanks to filming by Rockpalast (German TV). This first night comes from rather average quality tape. Just for completist I'd say. Smoke On The Water is missing but there are three interviews done for BBC for the Knebworth event two weeks earlier. Disc 1 01. Highway Star 02. Nobody's Home 03. Strange Kind Of Woman 04. Blues / A Gypsy's Kiss 05. Perfect Strangers 06. Under The Gun 07. Lazy / Ian Paice Drum Solo Disc 2 01. Knocking At Your Back Door 02. Difficult To Cure / Jon Lord Solo 03. Space Truckin' 04. Woman From Tokyo 05. Black Night 06. Interview 1 07. Interview 2 08. Interview 3 Big dropouts the first few minutes of WOman From Tokyo and Perfect Strangers.
02/28/87 Scandinavium cdr 2 DEEP PURPLE SCANDINAVIUM GOTHENBURG SWEDEN FEBRUARY-28-1987 A MICHAEL STENDAHL ANALOG MASTER TO DAT KRW_CO TRANSFER LINEAGE AUDIENCE ANALOG MASTER TO DAT TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 NO EQ OR OTHER TAMPERING DONE JUST THE RAW TAPE Lots of little drop outs and level changes...but a nice clear sounding recording.
05/23/87 Irvine Meadows cdr 2 a+ SBD My version is more complete than the one listed here, it has Bad Attitude, Child In Time, and Smoke
09/02/87 Palatrussardi cdr 2 a+ SBD The Lost Milan Tapes
??/??/90 Battle Of Slaves And Masters demo cdr 1 A Cool demos
02/18/91 Eissporthalle cdr 2 b+ Deep Purple "Slaves & Sessions" Berlin, Germany Eissporthalle 1991-02-18 CD2 trax 5-12 Slaves and mastes sessions Spring/Summer 1990 TSP-CD 2216/17 Original factory pressed silver discs-> EAC->Traders Little Helper: Flac level 6 CD1 Intro-> Burn Black night (incl. Long live Rock'n'Roll) Truth hurts The cut hurts deep (incl. Hush) Perfect strangers Fire in the basement King of dreams Love conquers all Difficult to cure Organ solo Knocking on your back door CD2 Lazy Highway star Smoke on the water (incl. Woman from Tokyo) Outro Fire in the basement Fortune teller Jam session 1 Slow down sister Jam session 2 Jam session 3 > Slow down sister Jam session 4 Jam session 5
02/26/91 Palais Des Sports cdr 2 b+ DEEP PURPLE Mark VI Palais Omnisport de Paris Bercy (POPB) Paris, France February 26th, 1991 "Slaves and masters" tour Mark VI: Ritchie Blackmore, Joe Lynn Turner, Jon Lord, Ian Paice, Roger Glover SOURCE : EX+ 1st gen stereo audience tapes LINEAGE : -> unknown (but great) recording device (probably DAT) -> Maxell XL IIs type II 1st gen cassettes -> Nakamichi Dragon (with auto-azimuth) dolby off, Eq µ70 for playback -> Zoom H2 -> Goldwave v.5.08 for tracks splitting, edits, maximizing at 90% -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries CD one 0:48:18 101.Intro 102.Burn 103.Black Night (w/ Child In Time snippet) 104.Truth Hurts 105.The Cut Runs Deep (w/ Hush snippet) 106.Perfect strangers 107.Fire In The Basement CD two 0:51:45 201. King Of Dreams 202. Love Conquers All 203. Difficult To Cure 204. Knocking At Your Back Door 205. Hey Joe 206. Highway Star 207.Smoke On The Water -> drum solo -> Impro -> Woman From Tokyo -> Smoke on the water Total 1:40:04
04/20/91 The Tower Theatre cdr 2 SBD, but not a very good one. Lots of crackles. A weird 3-4 second cut and repeat during Fire in the Basement, and the first few secs of Smoke are cut.
09/28/91 Unknown cdr 2 a- FM DJ interruptions at song intros
09/26/93 Palatrussardi cdr 2 SBD
10/19/93 The Zenith cdr 2 a Deep Purple - 1993-10-19 - Paris, France BOOTLEG TITLE: Paris Battle (DTB 027/028) Le Zenith, Paris, France Lineage: DTB027/028 -> CDR -> EAC -> WAV -> TLH -> FLAC(8) Excellent stereo soundboard recording from one of the best Purple shows in their history, IMO. Very long show and a lot of improvisations. Rarely played in 1993 Blues is included here. Encores comes from very good audience recording from the same show. Disc 1 01. Opening 02. Highway Star 03. Black Night 04. Talk About Love 05. A Twist In The Tale 06. Perfect Strangers 07. Difficult To Cure 08. Jon Lord Keyboard Solo 09. Knocking At Your Back Door 10. Anyone's Daughter Disc 2 01. Child In Time 02. Anya 03. The Battle Rages On 04. Blues 05. Lazy 06. Ian Paice Drum Solo 07. Space Truckin' 08. Woman From Tokyo 09. Paint It Black 10. Hush* 11. Speed King* 12. Smoke On The Water* *Audience recording.
11/17/93 Jaahalli cdr 2 a- DEEP PURPLE Finish In Finland (Richies Last) Live In Helsinki, 1993-11-17 Original silver pressed CD Happywood Records HW 013/14 > Exact Audio Copy V0.99 prebeta 4 - Wave-Files > Trader's Little Helper 2.4.1 - Flac 1.2.1 Level 8 Sound: 08/10 Audience recording
06/26/94 Festival Ground cdr 1 A FM. Joe Satriani on guitar!
06/22/96 Dynamo Stadium cdr 2 A SBD. "With Purple From Russia "
03/30/00 Gaijyutsu Hall cdr 2 a- Deep Purple - 2000-03-30 Furious Fingers Live at Nagoya Gaijyutsu Hall Sound = Excellent Audience Bootleg trade -> WAV (EAC secure) -> FLAC
03/09/01 Rod Laver Arena cdr 2 SBD
03/20/01 Hong Kong Coliseum cdr 2 a+ SBD
03/24/01 International Hall Tokyo cdr 2 SBD
09/19/02 Regent Theatre cdr 2 Nice AUD.
02/26/04 Massey Hall cdr 2 A AUD
05/21/06 SHIBUYA-AX cdr 2 b AUD
11/18/08 St. Jakobshalle cdr 2 Very nice AUD.
12/16/09 PalaDozza cdr 2 A FM. Really irritating voice over inbetween songs.
04/28/10 Sydney Entertainment Centre cdr 2 a- AUD
03/23/11 Olympiyskiy Sports Palace cdr 2 a- Nice aud.
06/12/11 Bethel Woods Center for The Arts cdr 2 a- Deep Purple Bethel Woods Center For The Arts Bethel, NY June 12, 2011 Don Airey, Ian Gillan, Roger Glover, Steve Morse, Ian Paice w/ Orchestra Schoeps MK41's>Schoeps KCY 250/05I>Schoeps VST62iu>Lunatec V3>Sound Devices 744t SD744t>Sound Forge Pro 10 (EQ,fades, iZotope 64 BIT Sample Rate Conversion /iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV>FLAC Recorded By WKL_Taper & Daughter Show #77 of 2011
06/14/11 Beacon Theatre cdr 2 b Deep Purple, Beacon Theatre, New York, NY 2011-06-14 Taper : Red Menace Editing : Joe D'Amico ''AKA'' Joebeacon Sony Stereo Mic > Sony Pcm 1 Tascam Da-p1 > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper Trouble with the levels at teh beginning, but the sound improves.
12/07/11 Hartwall Arena cdr 2 a+ Deep Purple Featuring Neue Philharmonie Frankfurt The Songs That Built Rock! SBD!!!!!!!!!! Hartwall Areena Helsinki, Finland Dec. 7nd, 2011 Setlist 01 Orchestra Intro 02 Highway Star 03 Hard Lovin' Man 04 Maybe I'm A Leo 05 Strange Kind Of Woman 06 Rapture of the Deep 07 Woman From Tokyo 08 Contact Lost - Steve Morse Solo 09 When a Blind Man Cries 10 The Well Dressed Guitar 11 The Mule (inc. Ian Paice Solo) 12 Lazy 13 No One Came 14 Don Airey Solo 15 Perfect Strangers 16 Space Truckin' 17 Smoke On The Water 18 Going Down 19 Hush 20 Roger Glover Solo 21 Black Night
12/13/11 Oslo Spektrum Arena cdr 2 a Deep Purple Featuring Neue Philharmonie Frankfurt The Songs That Built Rock! Spektrum Arena Oslo, Norway Dec. 13nd, 2011 Setlist 01 Orchestra Intro 02 Highway Star 03 Hard Lovin' Man 04 Maybe I'm A Leo 05 Strange Kind Of Woman 06 Rapture of the Deep 07 Woman From Tokyo 08 Contact Lost - Steve Morse Solo 09 When a Blind Man Cries 10 The Well Dressed Guitar 11 The Mule (inc. Ian Paice Solo) 12 Lazy 13 No One Came 14 Don Airey Solo 15 Perfect Strangers 16 Space Truckin' 17 Smoke On The Water 18 Going Down 19 Hush 20 Roger Glover Solo 21 Black Night SBD!
02/04/12 Casino New Brunswick cdr 2 b+ DEEP PURPLE - LIVE AT CASINO NB (Moncton, NB Feb. 4, 2012) Recorded by Rob Tyner

Dio --- Approximate Hours: 45
Show Date Venue Media Type Media Count Sound Quality Notes
08/20/83 Castle Donington - Monsters Of Rock Festival cdr 1 A FM. Great show
10/07/83 Santa Monica Civic cdr 1 A FM. My copy has a different running order than the one listed here.
12/11/83 Syria Mosque cdr 1 b- AUD. Tape filp during Heaven and Hell. Not the best sound
12/28/83 Selland Arena cdr 1 a+ FM. My copy has We Rock from Spokane 84 at the end
07/24/84 Coliseum cdr 1 A SBD
08/30/84 Breaking Sound Festivals cdr 1 a DIO Breaking Sound Festival Paris,France August 30,1984 Bootleg Title: Last In Avalon 1984 Unknown > CD > EAC > FLAC > DIME Dec. 2011 SOUNDBOARD EXCELLENT 49:50 Minutes 01. One Night In The City 02. We Rock 03. Holy Diver > 04. Stargazer > 05. Heaven & Hell 06. Rainbow In The Dark 07. Band intros > Man On The Silver Mountain > Starstruck > MOTSM 08. Don't Talk To Strangers Killerwolf13 show notes: 03. beginning of track Ronnie says "Thank you Avalon" 04. Stargazer is listed as "Rising" on the bootleg covers "Last in Avalon 1984" 04-05 Ronnie "Dio Disciple's 07 Band Introduction > MOTSM > Starstruck > MOTSM After the song Ronnie tells crowd " Thank you for the support, we love you. We'll see you the 1st & 2nd Monsters of Rock concerts in Germany" Band Line-up Ronnie James DIO - Vocals Vinny Appice - Drums Jimmy Bain - Bass Vivian Campbell - Guitar Claude Schnell - Keyboards Helpful links: http://www.dio.net/tour/the_last_in_line.html See the Tourbook for this show: http://www.dio.net/biography/discography/Dio_tourbooks.html
10/05/84 Hammersmith Odeon cdr 1 a+ This is a new 2010 tape transfer from the master casette, taken from 1 source and includes the Tommy Vance intro and outro. Thanks to Martin for getting his master tape to me. To Steve for the tape conversion and track splitting. A fantastic show by Dio on The Last In Line tour. Lineage: FM Broadcast > Hi-Fi > Master Cassette > CDR > EAC > .wav > TLH > Flac Level 8 > Perfect Purple > You Title: One Night In The City Venue: Hammersmith Odeon Location: London England Date: 5th October 1984 Sourece: FM Master Duration: 60:21 Min Tommy Vance Intro Intro / Stand Up And Shout One Night In The City Don't Talk To Strangers Mystery Egypt (The Chains Are On) Holy Diver Heaven And Hell The Last In Line Rainbow In The Dark Man On The Silver Mountain Starstruck (Snippet) Long Live Rock 'N' Roll We Rock Tommy Vance Outro
05/13/86 Hammersmith Odeon cdr 2 b+ Bootleg Title : Dragon's Heart Hammersmith Odeon, London,England May 13,1986 (2nd Night of 3 Nights @ the Hammersmith) Support Act: KEEL Dime > cd > EAC > FLAC > Dime Dec, 2011 CD 1 01. Intro > 02. The King Of Rock & Roll 03. Like The Beat Of A Heart 04. Don't Talk To Strangers 05. Hungry For Heaven 06. The Last In Line > Holy Diver > The Last In Line (Reprise) 07. Vinny Appice Drum Solo 08. Heaven & Hell 09. Claude Schnell Keyboard Solo > 10. Craig Goldy Guitar Solo CD 2 01. Sacred Heart 02. Rock 'N' Roll Children > Long Live Rock 'N' Roll > Man On The Silver Mountain > Rock 'N' Roll Children (SPLICE END TO NEXT TRACK) 03. Stand Up & Shout 04. Rainbow In The Dark 05. We Rock CD 2 Killerwolf13 show notes: cd 1 09. I did NOT notice any cut in the Keyboard solo that was listed in former torrent. CD 2 02. End of Rock 'N' Roll Children Medley - Ronnie says "Should of had you here last night" to someone. Confirms 2nd night? 05. We Rock fades out at 4:06
05/14/86 Hammersmith Apollo cdr 1 a+ DIO Hammersmith Odeon London, England Capital Concert Monday Night Radio Show Broadcast FM Broadcast > unknown transfer > cd (trader Justin) > FLAC > DIME Dec. 2011 Excellent sound 49:49 minutes 01. DJ intro 02. Intro > The King Of Rock & Roll 03. Like The Beat Of A Heart 04. Hungry For Heaven 05. The Last In Line > 06. Holy Diver > The Last In Line (Reprise) > DJ 07. Sacred Heart > The Last In Line (Reprise 2) 08. Rock 'N' Roll Children > 09. Long Live Rock 'N' Roll > 10. Man On The Silver Mountain 11. Rainbow In The Dark > DJ
09/03/86 Budokan Hall cdr 2 Dio Budokan, Tokyo, Japan 3rd September 1986 Original Boot Silver CD>WAV>FLAC Title:Dragon Head Label:Shades Source:Excellent Audience Recording This is a memorial show! Because Dio was always held concert at Festival or Small hall in Japan. But, This is only once concert that Ronnie did as Dio. Disc 1 01 Intro. 02 King Of Rock And Roll 03 Like The Beat Of A Heart 04 Don't Talk To Strangers 05 Hungry For Heaven 06 The Last In Line 07 Holy Diver/The Last In Line(reprise) 08 Drums Solo 09 Heaven And Hell 10 Keyboards Solo 11 Guitar Solo 12 Sacred Heart/The Last In Line(reprise) Disc 2 01 Rock 'n' Roll Children 02 Long Live Rock 'n' Roll 03 Man On The Silver Mountain 04 Rock 'n' Roll Children(reprise) 05 Stad Up And Shout 06 Rainbow In The Dark 07 We Rock 08 Stars Ronnie James Dio - Vocals Craig Goldie - Guitars Jimmy Bain - Bass Vinny Appice - Drums Claude Schnell - Keyboards
08/26/87 Arena Del Chionso cdr 1 a CD > EAC > FLAC > DIME Dec. 2011 - killerwolf13 Soundboard Recording EX/- 44:24 minutes 07. Cuts into MOTSM at "You can't stop me turning..." Sound like they had some sound problems here & there, but most noticiable on Rainbow in the Dark
10/04/87 Japan Aid 2: Memorial Park 1 0 Dio 4th Oct 1987Japan, Tokyo, At Showa Kinen Park Original Boot CDR>EAC>WAV>FLAC Title:Falling Stars Label:Shade Source:Excellent Audience Recording (But, treble is a jarring noise) This is Bonus CDR title for "Dragon Head"(Shades 230) first issue. 1. Intro. 2. Stand Up And Shout 3. Dream Evil 4. Neon Knights 5. Naked In The Rain 6. Rock 'n' Roll Children 7. Long Live Rock 'n' Roll 8. Last In Line incl. Temple Of The King 9. Holy Diver 10. Drum Solo 11. Heaven And Hell 12. Man On The Silver Mountain 13. All The Fools Sailed Away`Last In Line 14. Sunset Superman 15. Rainbow In The Dark 16. Stars 17. Ronnie's Farewell Speech with Japanese Interpreter
10/04/87 Japan Aid 2: Memorial Park cdr 1 a+ FM. Great sound, but only 18 mins
11/23/87 Le Zénith cdr 2 A FM
09/29/90 Music Hall cdr 2 b+ AUD. Has a Rockline interview tacked onto the end, Dio talks about rejoining Sabbath.
10/02/90 The Civic Center cdr 1 A FM. Plays as one track.
10/07/90 Bronco Bowl cdr 1 a+ FM
11/17/96 West Park Entertainment Center cdr 1 a+ CD trade > EAC > FLAC > DIME This has amazing sound...but couldn't find info to see if it was a FM Broadcast or Soundboard recording. 76:12 minutes 01. Jesus, Mary & the Holy Ghost 02. Straight Through the Heart 03. Don't Talk to Strangers 04. After All (The Dead) 05. Holy Diver > Vinny Appice Drum Solo 06. Heaven & Hell 07. Double Monday 08. Stand Up & Shout 09. Hunter of the Heart 10. Mistreated > Tracy G Guitar Solo* 11. Big Sister 12. The Last in Line Band Line up: Ronnie James Dio - vocals Vinny Appice - drums Jeff Pilson - bass Tracy "G" Grijalva - guitar Scott Warren - keyboards ______________________________________ killerwolf13 show notes: 01. ***Missing first part of "Jesus, Mary, & the Holy Ghost": "Prime time, Did you see the teacher, Sister, Black and white, What she's gonna to do, They say eye for eye, tooth for tooth" 01. "Jesus, Mary, & the Holy Ghost" starts at: "But don't hurt your brother, Cross-road, overload" 02. Originally Straight Through the Heart was part of track 1. I split using CD WAVE. 05. After Vinny drum solo - weird cut & the Heaven & Hell starts (Taped from Radio?) 10. *at 3:46 into Mistreated an error either a skip on master or some other error/cut. 10. Seemed to jump a little at the 3:46 point - still over 16 minutes 12. towards the very end of the Last in Line Ronnie "Thank you Houston, Goodnight"
06/17/99 Forum cdr 2 b Bootleg Title: Up Close Forum, Nurnberg,Germany June 17,1999 Audience Recording CD > EAC > FLAC >Dime Dec. 2011 Show Notes Killerwolf13: CD 1 14. after the King of Rock 'N' Roll Ronnie Thanks Nurnberg CD 2 01. Fades into Neon Knights with Ronnie singing "Here it Comes Agian" So taper missed the beginning 04. Ronnie "Long Live Rock 'N' Roll & Long Live Nurnberg"
03/29/00 House of Blues cdr 1 a- DIO 2000-03-29 House of Blues, Hollywood, California (SB) Incomplete House of Blues, Hollywood, California March 29, 2000 CD > EAC > FLAC > DIME January 2012 by killerwolf13
05/03/00 Hof Ter Lo cdr 2 DIO 2000-05-03 Antwerp, Belgium (AUD) COMPLETE w-Bruce & Nicko of Iron Maiden Hof Ter Lo, Antwerp, Belgium May 3, 2000 Bonus tracks on cd 2 from: Ronnie James DIO with Deep Purple 2000-10-27 Stadthalle, Vienna, Austria CD (Trader Nathan) > EAC > FLAC > Dime february 2012 by killerwolf13 Artwork included. THANK to antheus! Audience Recording EX both shows (Check Samples) CD 1 - 77:15 minutes 101. Sunset Superman* 102. Invisible 103. Gypsy 104. Simon Wright Drum Solo 105. Stand Up & Shout 106. One Night in the City 107. All the Fools Sailed Away 108. Discovery 109. Magica Theme 110. Lord of the Last Day 111. Fever Dreams 112. Feed My Head 113. Eriel 114. Craig Goldy Guitar Solo 115. Challis 116. As Long as It's Not About Love 117. Losing My Insanity 118. Otherworld 119. Magica ~ Reprise CD 2 - 59:31 minutes 201. Holy Diver 202. Rainbow in the Dark** 203. The Last in Line 204. Man on the Silver Mountain ** 205. Long Live Rock 'N' Roll ** 206. Mob Rules Band Line Up: Ronnie James DIO - Vocals Jimmy Bain - Bass Craig Goldy - Guitar Simon Wright - Drums Scott Warren - Keyboards Special Guests: Bruce Dickinson - Vocals Nicko McBrain - Drums **Bonus tracks - Ronnie James DIO with Deep Purple 2000-10-27 Stadthalle, Vienna, Austria** 207. Sitting in a Dream 208. Love is All 209. Fever Dreams 210. Rainbow in the Dark 211. Steve Morse Guitar Solo Intro (Heartbreaker - Little Wing - Iron Man) > 212. Smoke on the Water Band Line Up: Ian Gillan - vocals Steve Morse - guitar Jon Lord - organ & piano Roger Glover - bass, percusion Ian Paice - drums Ronnie James Dio - vocals Miller Anderson - guitar The George Enescu Philharmonic Orchestra conducted by Paul Mann The Back Street Dolls - backing vocals The Side Door Johnnies - horns ________________________________________________________________ killerwolf13 show notes: 101. *Taper pause in Sunset Superman
10/07/02 Barrowlands cdr 2 A AUD. Good recording
07/08/03 Trädgår´n cdr 2 A AUD
06/11/05 Sweden Rock Festival cdr 2 b AUD. I have the full show.
09/13/05 KKT Cosmos cdr 2 a+ Title:Russian Diver Source:Excellent Stereo Soundboard total time 2:20
06/02/08 Kulturbolaget cdr 2 Very nice AUD. "Back Alive" silver release.

The Doors of the 21st Century --- Approximate Hours: 35
Show Date Venue Media Type Media Count Sound Quality Notes
09/06/02 The Speedway cdr 2 a- AUD
04/25/03 Orpheum Theatre cdr 2 A SBD, A little static at the end of the 1st disc, minigaps
08/03/03 Unknown cdr 1 a- SBD.
12/31/03 Kodak Theater cdr 3 a+ SBD
05/01/04 Unknown cdr 2 a+ SBD
05/02/04 Flagler Drive Waterfront cdr 2 a+ SBD
05/05/04 Roseland Ballroom cdr 2 a+ SBD
05/06/04 Mohegan Sun Arena cdr 2 a+ SBD
07/08/04 Bospopfestival cdr 2 b+ AUD
07/15/04 Palais Des Congres cdr 2 a- AUD
08/07/04 Bell Centre cdr 2 b+ AUD
10/26/04 Centro Cultural Estación Mapocho cdr 2 A SBD
10/27/04 Estadio José Amalfitani cdr 2 A FM. Lots of DJ inturruptions
12/31/04 House of Blues cdr 2 a+ SBD

Dream Theater --- Approximate Hours: 35
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 "Winter Rose In a Dream" compliation cdr 1 a
??/??/39 Portnoy Sings and Other Oddities cdr 1 a
05/15/93 Rocky Point Palladium cdr 2 b+ touring their 2nd album "images and words" performance quality: very good recording quality: B, either FM interference and/or broadcast problems until about a minute into track 5, after that it's mostly close to A. (sound samples attached to show the difference of both parts.) source: FM broadcast master reel total runtime: 86:58
06/29/93 Summerfest Rock Stage cdr 2 a+ Date: June 29, 1993 Location: Summerfest Rock Stage, Milwaukee, WI, USA Title: Lords of Sound Lineage: Silver Disc -> EAC -> WAV -> FLAC Special thanks to Gazinwales @ MikePortnoy.com forums for the trade (in FLAC format) :) CD.1: 01 - Metropolis Part I 02 - Under a Glass Moon 03 - A Fortune in Lies 04 - Wait for Sleep / Surrounded 05 - Take the Time CD.2: 01 - To Live Forever / Drum Solo 02 - Status Seeker 03 - Another Day 04 - Pull Me Under 05 - Intsrumental Jam (Eve) 06 - Learning to Live
07/06/93 WRZX-FM Radio cdr 1 A- This little gem features the whole band circa 1993 making an in-studio radio station appearence on WRZX in Indy. The band is interviewed by the hilarious DJ (who sounds like a stereotypical early 90's rock DJ) while they launch into spontaneous jams, musical jokes, and even a few full songs. The DJ uses a portable mic and goes around talking to the guys, while much laughing and jokes ensue. At one point, Portnoy says something to the effect of, "This is what our soundchecks sound like." He also mentions that he's playing a four or five piece drumkit (it was rented by the radio station). The blues jams are amazing, especially when the DJ tells Kevin Moore to take a solo. He rips it up! In another part of the show, after playing a bit of an Iron Maiden song, the band jams on a very familiar riff. It was the seed of what would eventually become "6:00", long before Awake was even thought of! The levels are a bit hot in places, causing distortion (this was present on the source tape), but overall the show is very listenable. High Hiss Reduction and Normalization were applied in Cool Edit Pro, but there is still some very noticeable hiss in some of the interview portions. This was likely because of the portable mic used by the DJ, and could not be removed without severely altering the sound. At the beginning of d1t07 (Interview Part 3), there is a radio station ID which cuts into the middle of Kevin Moore speaking. It was like that on my source tape (likely where a tape flip occured on the master tape). I made a few edits where there were extended periods of silence, but otherwise what you have here is exactly what is on the source tape. This show is a real treat for DT fans. Enjoy!
07/22/93 Manhattan Center cdr 2 A sbd
01/04/98 The Vanderbilt cdr 2 b+ DREAM THEATER January 4, 1998 The Vanderbilt Plainview, NY Source: audience Lineage: Core Sound Binaurals> Sony D7 DAT>SBLive>WavLab>CDWave>Flac Frontend Taper: PT Transferred by: Newspaper This may have been the first performance of Trial of Tears.
06/27/98 Waldrock Festival cdr 1 a+ DREAM THEATER Bergum, Holland Waldrock Festival 27 june 1998 (soundboard FM) A few years ago I received Michel's complete Dream Theater collection as he stopped trading. His entire collection was on cd-r, including artwork and a lot of cd's didn't even play anymore or had some mistakes due to sticky labels on the cds or laying in the sun for too long. I had to throw away quite a lot, which was quite a pity, because Michel had a lot of rare items and mastercopy's on cd-r, most of them directly from the taper. In order to save the music I ripped a lot of discs to lossless files and saved them on my harddrive. This item is one of them. CD-R confirmed as 100% lossless by Tau Analyzer v.1.2 Ripped and transferred correctly in lossless files by Ravenswinter on september 5th 2010: FM>?>CD-R>Cyberlink DVD suite>Rip audio cd>.WAV --> Trader's Little Helper>Encode WAV files>FLAC(8) Checksum included. Tracklist: 1. A Change Of Seasons 2. Excerpt of The Mirror 3. Just Let Me Breathe 4. Take The Time 5. Hollow Years 6. Caught In A Web 7. Lie 8. Peruvian Skies 9. Pull Me Under 10. Metropolis Pt.I 11. Learning To Live
12/26/98 Birch Hill cdr 2 b+ Nice AUD.
06/05/00 Olympic Tennis Stadium cdr 2 a-
07/30/03 Opera House cdr 2 b+ aud. There are some odd track changes, the taper-converter wasn't a big fan
04/03/04 The Theater at Madison Square Garden cdr 3 a- Band: Dream Theater Venue: Madison Square Garden Theater Location: New York, NY Date: 2004-04-03 (april 3rd) Title: "Eat My Ass and Cello" Source: B&K custom cardiod mics>Sony M1 DAT with custom mic preamp (recorded and provided by bobs23) and Core Sound Binaurals> Archos Gmini 120 HDD Recorder (recorded and provided by newspaper) I did a lot of playing around with these sources... well, "playing" isn't the word I would like to use... I'm not sure HOW (keeping in mind that both sources are DIGITAL), but the sources were not the same speed. It has been pointed out to me that could have happened when one of the sources was transferred from the device to the harddrive (cough--compression--cough). It provided me with many hours of entertainment as it was a major pain in the behind to synch them. The one source is slightly less than 0.0013% faster than the other. And THAT was the highest accuracy the app whould do. Since the one source had a big-time fan on the right side that felt the need to narrerate most of the show, and when he wasn't doing that, he was singing (?) along at the top of his lungs. I also did some fades where appropriate and removed the "windows media sound" that was on "Caught in A Web" on the one source. I pushed the balance of that source to the left and lowered the levels a bit (levels were higher than the other source) and pushed the balance of the other source to the right, making up for the loss of sound. With the result that there is a really neat stereo effect. Try listening to this mix with headphones!!! After the mixdown, I normalized both left and right to 80% and then boosted highs and lows a bit. It turned out quite nice and punchy (IMO) The was a special show because Eugene Young joined the band for Vacant, Stream Of Consciousness and Disappear!!! (the bootleg title is a word play of Mike's favorite saying and the guest musician) Disc One (69:09) 01 Intro 5:28 02 As I Am 7:15 03 This Dying Soul 12:16 04 Beyond This Life 20:17 05 Hollow Years 10:16 06 The Great Debate 13:36 Disc Two (62:27) 01 Endless Sacrifice 11:35 02 Another Day 5:19 03 Trial Of Tears 14:15 -INTERMISSION- 04 A Change Of Seasons 25:05 05 Jordan Rudess Solo 6:13 Disc Three 01 Caught In A Web (w/drum solo) 14:15 02 Honor Thy Father 10:50 03 Vacant 2:48 04 Stream Of Consciousness 11:01 05 Disappear 6:04 -ENCORE- 06 Pull Me Under 8:33 -ENCORE- 07 In The Name Of God 15:17
08/18/04 Bell Centre cdr 1 a AUD
09/03/04 The Great Allentown Fair cdr 1 a AUD.
07/02/10 Newport Music Hall cdr 2 a- BAND : Dream Theater DATE : July 2 , 2010 VENUE : Newport Music Hall LOCATION : Columbus, Ohio, USA FORMAT : WAVE - ENCODED TO FLAC WITH FLAC FRONTEND LEVEL 8 SOURCE : DIGITAL MASTER RECORDING 24 Bit / 48000 HZ DOWNSAMPLED TO 16 Bit / 44100 HZ LINEAGE : AUDIENCE AUDIO RECORDING Recording Equipment: Edirol R-09HR - MM-BSM-8 Binaural Stereo Microphones And MM-MBM "Mint Box" Battery / Filter Module MASTERED : IN MAGIX 12 SET LIST : DISC 1 : 01 . A Nightmare To Remember 02 . Constant Motion 03 . Hollow Years 04 . The Mirror 05 . Lie 06 . A Rite Of Passage Disc 2 : 01 . Home 02 . Panic Attack 03 . As I Am 04 . Pull Me Under / Metropolis Pt. 1 05 . Encore : The Count Of Tuscany notes : this is a JF master recording a fairly clean recording , not much chit chat at all.
07/11/10 PNC Bank Arts Center cdr 1 A A Rite Of Passage ( Part ) Home Constant Motion Panic Attack Pull Me Under AUD
07/12/10 Madison Square Garden cdr 1 A AUD
07/08/11 Snowhall Parc (Sonisphere) cdr 1 b+ ARTIST: Dream Theater DATE: 2011-07-08 VENUE: Amnéville, France LOCATION: Snowhall Parc AUD TRACKLISTING: Under a Glass Moon 01 These Walls (cut in) 02 Forsaken 03 The Great Debate 04 Fatal Tragedy 05 Caught In A Web 06 On the Backs of Angels (cut out) total time 35' lineage: SONY ECM719 on my hat>SHARP MD-MT88 transfert: SHARP MD-MT88>ZOOM H2>Hard Drive,track splitting, normalize WAV (Audacity)> FLAC and md5&ffp created with TLH>Dime notes: NO noise reduction, NO EQ. normalize with audacity, fades in and out. Mastodon was the only reason to get there on the first day for me ( and Diamond Head on day two but the 2days pass was 110€ so I couldn't make it. finally I had the chance to get one at 60€ the day before so it was OK). I went to eat that crappy meat after their set and went back to see Dream Theater. It's not my taste and I change of stage before the end to go to see Airbourne. That's why the begining and the end are missing. I'm not familiar with this band so the track splitting may not be accurate especially between track 3 & 4.

Electric Light Orchestra --- Approximate Hours: 17.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/07/72 Civic Hall cdr 1 b+ 1. 10538 Overture – 6.41 2. Queen Of The Hours – 6.58 3. From The Sun To The World (Boogie#1) – 9.44 4. First Movement (Jumping Biz) – 3.57 5. Dear Elaine – 5.52 6. Great Balls Of Fire – 6.32 7. In Old England Town (Boogie#2) – 6.54 Additional track: "ABC-TV In Concert", Santa Monica, California, U.S.A. Broadcast 17 August, 1973 8. Roll Over Beethoven – 8.54 Total Time – 55.35 min.
??/??/73 Unknown cdr 1 a+ Label: Mojo Reference :MOJO-054 Date :1995 Quality :9/10 Total duration: 54:02 1. Roll over Beethoven 2. King of the Universe 3. Bluebird is dead 4. In the Hall of the Mountain King 5. Great Balls of Fire 6. From the Sun to the World 7. Ma ma ma Belle 8. Kuiama 9. Oh, no not Susan 10. New World Rising
02/07/74 Palace Theater cdr 1 A AUD
??/??/74 Rockaria Overture cdr 1 FM
03/19/76 Orpheum Theatre cdr 2 A AUD. Sweet recording
02/13/82 Festhalle cdr 1
03/03/82 Sporthalle 1 B+ AUD
??/??/82 Wembley cdr 2 b AUD
07/13/86 Unknown cdr 1 b+ AUD. Nice rare show from the last tour.
04/20/01 VH1 Storytellers, Altman Building cdr 1 sbd
09/14/14 Hyde Park cdr 2 FM Great.

Elvis Costello --- Approximate Hours: 50
Show Date Venue Media Type Media Count Sound Quality Notes
11/15/77 Old Waldorf Theatre cdr 2 Source: Pre-FM (KSAN) > Reel Master > Dat Lineage: Dat > Tascam DA-40 > COAX to COAX0 cable > M-AUDIO Audiophile 2496 > 24/48 wave > Adobe Audtion > Wavelab (with plugins) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 elviscostello1977-11-15d2t14.flac
12/02/77 Riviera Theater cdr 1 a+ FM
12/05/77 The Agora cdr 1 "Angry Young Sod" Elvis Costello & The Attractions Agora Theatre Cleveland, OH 1977-12-05 Turtle Records TR-209 Soundboard Recording CD > EAC > flac Running time: 53:24 01. Welcome To The Working Week (1:16) 02. (The Angels Wanna Wear My) Red Shoes (2:26) 03. Hand In Hand (2:13) 04. Waiting For The End Of The World (4:00) 05. No Action (2:04) 06. Less Than Zero (2:56) 07. The Beat (3:23) 08. No Dancing (2:34) 09. Big Tears (3:10) 10. Blame It On Cain (3:08) 11. Little Triggers (2:39) 12. Radio, Radio (2:40) 13. You Belong To Me (2:33) 14. Pump It Up (2:40) 15. Lipstick Vogue (4:17) 16. Watching The Detectives (5:35) 17. Miracle Man (3:32) 18. Mystery Dance (2:17) Fantastic, high energy show!
01/31/78 River Daze cdr 1 Elvis Costello & Attractions River Days Festival, St. Louis,MO,USA January 31, 1978 KADI-(FM) --------------------------------------------------------- Another classic Pre-Fm broacast from 1978.The first track is cut at the begining, if you have a better version ,please post it. ----------------------------------------------------------- Pre-Fm>?>Cd(r)>Flac>Dime
03/09/80 Civic Hall cdr 1 b+ AUD
04/29/89 Sweetwater cdr 2 A SBD
09/15/89 Greek Theatre cdr 2 A- AUD
07/19/94 Foro Italico cdr 1 A SBD
10/29/98 Royal Festival Hall cdr 1 a+ FM. my copy has a diferent setist, some songs that aren't on this list and it's missing some from this list.
01/05/99 Trettondagskonsert 1 FM....Songs: Accidents Will Happen Painted From Memory All This Useless Beauty Upon A Veil Of Midnight Blue Put Away Forbidden Playthings I Still Have That Other Girl What's Her Name Today? Almost Blue This House Is Empty Now The Birds Will Still be Singing I don't have the non-Elvis songs.
02/19/99 Her Majety's Theatre cdr 2 a+ Elvis Costello & Steve Nieve Her Majesty's Theatre Sydney February 19, 1999 (FM) JJJ radio Broadcast ----------------------------------------------------------------------- A very good EC with SN on piano from the 1999 Ausralian Tour,a very long show for this last concert in Australia.Maybe for the Steve Nieve anniversary? The sound is perfect.I removed two tracks beacause are official released. ----------------------------------------------------------------------------- cd(r)>Flac>Dime Disc 1 1. Into Temptation 2. (The Angels Wanna Wear My) Red Shoes 3. Talking In The Dark 4. Love Field 5. Man Out Of Time 6. Toledo 7. My Thief 8. Girls Talk 9. (I Don't Want To Go To) Chelsea 10. Town Cryer 11. Baby Plays Around(Omitted-Official released on Toledo CD single, 1999) 12. Passionate Flight 13. Happy Birthday (to Steve Nieve) 14. Painted From Memory 15. The Other End Of The Telescope 16. This House Is Empty Now Disc 2 1. Just About Glad 2. Mystery Dance 3. Indoor Fireworks 4. Radio Sweetheart/Jackie Wilson Said 5. Gods Comic/Last Train To Clarksville 6. All This Useless Beauty 7. Veronica 8. Alison 9. In The Darkest Place Encores 10. Inch By Inch / Fever(Omitted-Official released on Toledo CD single, 1999) 11. Shallow Grave 12. Watching The Detectives 13. Pump It Up/Subterranean Homesick Blues/Too Much Monkey Business 14. Everyday I Write The Book 15. Accidents Will Happen 16. I Still Have That Other Girl 17. God Give Me Strength
06/16/99 Massey Hall cdr 2 a+ SBD. Fantastic. "On the Road" boot.
05/03/03 NPR Piano Jazz cdr 1 a+ FM, great stuff
03/16/05 La Zona Rosa cdr 1 FM. Very short, only 4 songs.
04/22/08 New Daisy Theater cdr 1 a+ FM
08/04/08 Jones Beach Theatre cdr 1 b+ AUD. Opening for the Police
08/05/08 Jones Beach Theatre cdr 1 A- AUD. Opening for the Police
06/17/09 XM Studios cdr 1 a+ FM. Great stuff, but short.
07/08/09 Winnipeg Folk Festival cdr 2 A- AUD
08/18/09 Greek Theater cdr 2 A AUD
08/18/09 Greek Theater cdr 2 Elvis Costello and The Sugarcanes Greek Theatre Los Angeles, CA August 18, 2009 source : assistive listening device taper : benchboy transfer : markp 01. Mystery Train 02. My All Time Doll 03. band introductions 04. Tonight The Bottle Let Me Down 05. Down Among The Wines And Spirits 06. Blame It On Cain 07. Femme Fatale 08. The Delivery Man 09. The Butcher's Boy 10. introiduction of Lucinda Williams 11. Jailhouse Tears 12. Happy 13. Indoor Fireworks 14. Hidden Shame 15. Condemned Man 16. Friend Of The Devil 17. Everyday I Write The Book 18. Five Small Words > Not Fade Away 19. She Was No Good 20. Brilliant Mistake 21. band introductions & goodnight 22. crowd 23. Red Cotton 24. The Crooked Line 25. (The Angels Wanna Wear My) Red Shoes 26. Sulphur To Sugarcane 27. introduction of T Bone Burnett 28. Complicated Shadows 29. The Scarlet Tide 30. The Race Is On 31. Alison > He'll Have To Go 32. crowd
01/08/10 Manhattan Beach Studios cdr 1 a+ FM. Part 1 of a 2 part interview.
04/26/10 The Tabernacle cdr 2 A- AUD Track 1 has a little jump near the start. A bit of audience chatter, too.
06/27/10 Hyde Park (Hard Rock Calling) cdr 1 A- AUD
11/01/10 Jerome L. Greene Performance Space at WNYC Studios cdr 1 a+ FM. some FM hiss, a few static patches (esp. on 06 and 12) Broadcast on 2010-11-7 @ 9 PM
05/15/11 Chicago Theater cdr 2 b AUD
06/20/11 Royal Oak Music Theater cdr 2 b+ Elvis Costello Live at the Royal Oak Music Theater Royal Oak, Michigan June 20, 2011 Source: CSB > Sony Sony MZ-R37 portable MD recorder > CSB Mics > PC > Cool Edit (EQ, split tracks) > FLAC level 7 D1 01. I Hope You're Happy Now (start cut) 02. Heart Of The City 03. Mystery Dance 04. Uncomplicated 05. Pump It Up 06. introduction of the Spectacular Spinning Songbook - Wheel Spin 1 07. Oliver's Army 08. Wheel Spin 2 09. (I Don't Want To Go To) Chelsea 10. Wheel Spin 3 11. Hand In Hand 12. And Your Bird Can Sing 13. Wheel Spin 4 - Detectives vs. Hoover Factory 14. Watching The Detectives 15. Help Me 16. Wgeek Spin 5 - Joker 17. Black And White World 18. Beyond Belief 19. Daddy Can I Turn This? 20. Wheel Spin 6 21. I Want You - spin 6 D2 22. "I Can Sing A Rainbow" Jackpot - Wheel Spins 7, 8, and 9 23. So Like Candy / Don't Let Me Be Misunderstood 24. Green Shirt 25. Tear Off Your Own Head (It's A Doll Revolution) 26. (The Angels Wanna Wear My) Red Shoes 27. Purple Rain 28. Audience 29. Pills And Soap - "Joanna" Choice - with Steve Nieve 30. Wheel Spin 10 - "I Can Sing A Rainbow" Jackpot again 31. Almost Blue 32. New Lace Sleeves - request 33. Lipstick Vogue 34. Waiting For The End Of The World 35. I Can Only Give You Everything 36. Audience 37. A Slow Drag With Josephine - Elvis solo 38. Sulphur To Sugarcane 39. Band Intros 40. Alison 41. (What's So Funny 'Bout) Peace, Love And Understanding? 42. Substitute Very good audience recording. Sound mix was a little off but you get the "you are there" feeling as the recording was done very close to the stage so you can hear a mix of the stage monitors and PA system.
04/17/12 The Wiltern cdr 2

Elvis Costello & Steve Nieve --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/10/99 Sendesaal des SFB cdr 2 Elvis Costello in Berlin 10.05.1999 pre-FM (complete !) Elvis Costello & Steve Nieve - "Lonely In Berlin" Berlin, Grosser Sendesaal des SFB 10th of May, 1999 Lineage: pre-FM-mastertape (147 min.) - Sony DAT - EAC 0.95 - CDWave 1.93.3 - Flac 1.0.3 - CDR (artwork is included) CD 1: Temptation Talking In The Dark American Without Tears Toledo What«s Her Name Today (I Don«t Want To Go To) Chelsea Little Atoms Almost Blue Accidents Will Happen You Lie Sweetly Painted From Memory This House Is Empty Now Pads, Paws & Claws - Baby, Please Don«t Go Indoor Fireworks Radio Sweetheart - Reet Petite - Jackie Wilson Said CD 2: God«s Comic All This Useless Beauty Deep Dark Truthful Mirror Alison In The Darkest Place - applause - Inch By Inch - Fever Shallow Grave Watching The Detectives Everyday I Write The Book (feat. Ron Sexsmith) I Want You I Still Have That Other Girl (The Angels Wanna Wear My) Red Shoes God Give Me Strength Couldn t Call It Unexpected #4 The 10th of May, 1999 saw the end of the European leg of the Lonely World Tour. Despite the problems of the other German gigs (the Frankfurt show was cancelled due to poor ticket sales), in Berlin Elvis and Steve managed to sell out a 1.100 capacity venue. The Grosse Sendesaal is a historical radio studio from the early 1930s, bringing back pictures from the time when music on the radio was actually played live. Elvis clearly loved the acoustics of the place. On a few occasions, he stepped away from the microphone and sang straight to the audience. His voice carried beautiful through the hall and the attendees obviously loved it. The Songs from "Painted From Memory" formed the spine of this special night, complemented by tunes from all decades of his career. As a special treat for the listeners Elvis performed "Everyday I Write The Book" together with Ron Sexsmith in order to celebrate the last night of their European tour. A radio DJ summed up the night nicely by saying "There were quite a few local musicians in the audience. Unlike the enthusiastic ordinary punters, they looked rather depressed after the show as they slunk out of the venue into the warm spring rain." This gig ranges in the top 5 of all EC recordings I have listened to. Elvis and Steve deliver a delicious setlist and a thrilling performance - all in crystal clear sound. It is a professional recording by Berlin radio station Radio 1, but it never was broadcasted completely (there is only a hard-to-find bootleg called Necessary Illusions around, which captures the 85 minutes which were aired by Radio 1). Now you can listen to it in it«s entire beauty.

Elvis Costello & the Attractions --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/21/78 WDR Studio L cdr 1 A SBD. My copy has 5 bonus tracks from 3/23/95 with McCartney
11/03/78 O'Keefe Centre cdr 2 A AUD
04/12/79 Grace Hall, Lehigh University cdr 1 A SBD
10/06/82 The Refectory, Leeds University cdr 2 A AUD Tape glitch at 2:03 on track one, and at 1:50 on track 25.

Emerson, Lake & Palmer --- Approximate Hours: 152.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/04/70 Limmathaus cdr 2 A AUD.
05/26/71 Carnegie Hall cdr 1 b+ AUD. A lot of chatter, some snap, crackle ans pop....but still a pretty decent recording.
06/05/71 Mehrzweekhalle cdr 1 b+ AUD. The sound quality drops during "Knife Edge," but comes back for Rondo. WTE 003 (William Tell Edition)
06/11/71 Meistersingerhalle cdr 2 b Band :- Emerson Lake & Palmer Venue :- Meistersingerhalle Location :- Nurnberg, Germany Date :- 1971/06/11 Title :- The Great Gates Of Nurnberg (Highland - HL557/558) Source :- Audience Lineage :- Silver CD - EAC wav - TLH (flac level 8)
07/19/71 The Hollywood Bowl cdr 1 A AUD. My copy is missing Nutrocker
08/12/71 Stanley Park Stadium cdr 1 b+ AUD
08/21/71 Transit Auditorium cdr 2 a- AUD. My version is longer than the one listed here. Barbarian/Knife Edge/Tarkus/A Time and a Place/Take a Pebble/Guitar solo/Piano Solo/Tiger In the Spotlight/Take a Pebble (reprise)/Rondo/Drums/Rondo
11/12/71 Music Hall cdr 2 a- AUD
03/22/72 Long Beach Auditorium cdr 2 b+ AUD
04/10/72 Academy of Music cdr 2 a- AUD. "Promenade Gates"
06/04/72 Grugahalle cdr 2 b+ AUD.
06/07/72 Musikhalle Grober Salle cdr 2 b- AUD
07/22/72 Korakuen Stadium cdr 1 Running order is different. Rondo is last....as always. Sounds like Soundboard. "Hoedown, Tokyo 72"
07/24/72 Hanshin Koshien Stadium cdr 2 a- AUD
08/13/72 Saratoga Performing Arts Center cdr 1 a- SBD. Odd echo throughout the show. Also has Knife Edge from Bremen, 1970 and Take a Pebble, Knife Edge, and Preacher Blues/Nutrocker from Belgain tv, 1972 "Nebula" bootleg
11/17/72 Greens Playhouse cdr 1 b AUD. Bass is high in the mix, drums are a little low
??/??/72 Schwarzwaldhalle cdr 2 a- Docs Vinyl Box Vol. 9: Upgrade---EMERSON, LAKE & Palmer---1972-00-00-Karlsruhe, Schwarzwaldhalle- COMPLETE Show -132 mins-off Exellent Boot LP Vinyl sources!! Friends, finally here´s the complete performance of this fabulous performance, carefully compiled from Exellent to superp sounding original vinyl Boots! This was made especially for Mark "Doinker". Luckilly I was able to borrow near mint copies of the ultrarare original vinyl 2 LP Stereo Boots "Sukrat" & "ELP Live Vol.3", and so I was finally able to reconstruct the complete show from best sounding & most complete vinyl sources! Scans of all Bootlegs included in the torrent! Many thx for this loan to Olaf!! MP3 samples below! Tracklist: CD 1-TT 74.29 Side 1: from "Sukrat" Boot- Stereo 01-Pictures At An Exhibition : -Promenade /The Gnome (6.24) 02-Promenade (vocal))The Sage (6.22) 03-Pictures at an Exhibition #2 (spliced from side 1 & 2) (24.54) -The Old Castle/Blues Improvisation (pt.1) ( 7.42) -Blues Improvisation (pt.2)/ -Promenade-The Hut Of Baba Yaga-The Curse Of Baba Yaga ( 3.45) Side: 2 from "Sukrat" Boot- Stereo - Pictures of an Exhibition conclusion - Promenade-The Hut Of Baba Yaga-The Curse Of Baba Yaga Side 3: From Mono Boot ELP live Vol.3 -Stereo 04- Trilogy/The Endless Enigma From Mono Boot Vol.3 (13.14) Side 5: from "Sukrat" Boot -Stereo 06-Tarkus: (fades into middle of 'Stones Of Years'- - Goes through to 'Aquatarkus') (23.32) CD2-TT 57.33 Side 6: from "Sukrat" boot - stereo -01-Take a Pebble#1/ Old Blue (the Birds song!)( 7.36) -02-acc. guitar intermezzo (0.41) -03-Piano Improvisation (12.31) -04-Take a pebble -reprise (2.33) Side 7: from Sukrat Boot -stereo, exept noted 05-Knife Edge (7.02) 06-Rondo #1 (spliced from "Palms" & ELP live Vol.2) (6.29) 07-Rondo/drums#2 (spliced from "Palms" & ELP live Vol.2) (16.33) 08-Nut Rocker 4.00 from ELP Live Vol.2 (4.09) TT: 132.08 Comments: Recently & last year I posted parts of this show from a different 2 LP Vinyl Stereo Boot from the " Palms" label and from a Master reel copy of "ELP live Vol. 1 & 2! Since that time I was searching " Sukrat" & " ELP Live Vol.2"; which seemed to be the source for the complete performance & includes MANY parts not included in the previous "Palms" Version!! Since I wasn´t able to find nice clean copies of MONO Boot LP´s "ELP Live Vol. 1 & 2 " I posted a master reel copy of these here some months ago! The quality of this MONO Vinyl Boots is worse than the STEREO vinyl boot " "Sukrat", " ELP LIVE Vol.3" & the " Palms" version, but still exellent minus! Important source information! --Since the Bootleg company which produced this boot LP´s was located in Hamburg, they usually used concerts from there! So it´s more likely that this show was recorded in Hamburg 1972 and not in another part of Germany 500 km away from Hamburg! The Mono recordings were released as 3 single Vinyl Boot Lp´s and later in a 3 LP Bootleg Vinyl Box! ---Recently I found out, that ELP "LIVE" Vol. 1-3 Mono Boot vinyl LP´s ARE still incomplete! To reconstruct the complete show we need all of " Sukrat", some parts from the "Palms" Stereo Version & some parts from the " ELP-Live Vol.1-3" boots! Lineage: Vinyl-Thorens TD 126 MK3-Goldring 1042 pickup- Dynavektor 505 Tonearm-Restek Vektor Preamp -Pioneer PDR05 CD Recorder-Eac-CoolEdit Pro-Flac
03/31/73 Philipshalle cdr 2 b+ Nice AUD "God!" Ayanami-81 release.
04/10/73 Friedrich Ebert Halle cdr 2 b+ AUD
04/15/73 Hallenstadion cdr 2 A- AUD this show includes some oddball versions with slightly different lyrics including karn evil #9, tarkus and a slightly extended version of still, YTMO .
04/23/73 Halle Münsterland cdr 2 b+ AUD
04/24/73 Olympiahalle cdr 2 a- AUD
04/28/73 Velodromo Vigorelli cdr 2 c AUD. For Completeists. Lots of crowd noise, and boths discs play as one long track.
12/10/73 Boston Garden cdr 2 a- Boston, Mass. U.S.A. December 10, 1973 low generation audience tape > CD runtime: 122:00 (minutes/seconds) setlist: disc 1 71:14 1: hoedown 5:38 2: Jerusalem 2:45 3: toccatta 7:34 4: tarkus (end spliced) 26:14 5: Benny the bouncer (end spliced) 2:56 6: take a pebble and piano improvisation 26:05 disc 2 50:46 7: karn evil #9 1st impression 12:12 8: drum solo (end cuts) 3:32 9: karn evil #9 2nd impression (missing very beginning) 17:12 10: encore: pictures at an exhibition 17:49
12/17/73 Madison Square Garden cdr 2 b+ This is taken from a 2nd or 3rd Gen copy i recieved in a trade many many beers ago in the long distance past Source :- Cass 2nd or 3rd gen ( 2 x c90 TDK-SA ) - sony tape deck - Recorded on pc hard drive via sound blaster pci card - nero 9 Wave editor - Wav - Track Split - dbpoweramp - Flac8 - You All i have done in wave editor is cut out the gaps no music or aud is missing. About 2 seconds of the beginning of Karn evil 9 2nd impression is missing i think due to a tape flip in the master otherwise i think this is the full show. Epitaph was not played during the battlefield at the end of Tarkus also Still you turn me on is not played during Take a Pebble. i have not split it up into 2 discs if you wish to i would say before Karn Evil 9 would be the best place -------------------------------------------------------------------------------------------------------------------------- So to the info Keith Emerson - Various Keybroads Greg Lake - Vocals - Bass & Electric Giutars Carl Palmer - percussion 1. Intro - Hoedown 2. Jerusalem 3. Toccata 4. Tarkus 5. Aquatarkus 6. Benny The Buoncer 7. Take A Pebble 8. Lucky Man 9. Piano Improvisions 10. Take A Pebble ( Conclusion ) 11. Karn Evil 9 - 1st Impression ( inc Drum Solo ) 12 Karn Evil 9 - 2nd Impression 13. Karn Evil 9 - 3rd Impression Encore 14 Picture's At An Exhibition ( inc Silent Night ) From what i can find out ELP played 2 nights at the madison square gardens on the 17th this show & the 18th from what i have found out the show on the 18th did not inc silent night hope you all enjoy this recording please dont change the files or convert to mp3 etc ( if you do only for your own use ) do not sell trade only share please let me know if you are going to upload to other sites as im planing to upload to some more sites as soon as there are some seeders sorry there is no artwork if anyone wants to do one please feel free to & post online for others this is a doctordavros torrent
12/18/73 Madison Square Garden cdr 2 b+ Madison Square Garden New York City, N.Y. U.S.A. December 18, 1973 (second of 2 nights there) lineage: master audience tape > CD > CD extractor (wav) > flac (sb's aligned) > torrentially yours. runtime: 117:59 (minutes/seconds) setlist: disc 1 63:11 1: hoedown 5:21 2: Jerusalem 3:22 3: toccata 6:18 4: tarkus 25:02 5: Benny the bouncer (end spliced) 2:45 6: take a pebble > piano improvisation 20:20 disc 2 54:48 7: karn evil #9 1st impression 18:07 8: karn evil #9 2nd impression 17:44 9: encore: pictures at an exhibition (including silent night) 18:56 a this and that glasbo production. thanks to ethiessen1 for providing some nice artwork for this show. comments: a very good audience recording from the second of two nights of brain salad surgery in the Big Apple Garden. I do not know if this recording is complete although all the songs in here seem to be complete. levels were balanced out and some loud clap reduction applied to the CD copy I got of this, and a few abrupt ends between songs were spliced to make those track transitions smoother. I don't know who made this recording but my thanks and compliments go out to him (or her). whoever recorded this did a nice job. so did ELP, this was a fine performance, just a week before Christmas. people have been known to travel from all over the world to get brain surgery (if needed) in New York (from a doctor) it is known for having some very fine medical facilities. some even went there to get brain SALAD surgery, in "the entertainment capital of the world" as many New Yorkers like to call their biggest city. Enough so that once was not good enough, they had to do it twice in NYC. (and another show a few days earlier at Nassau a/k/a Nausea Coliseum on Long Island) nobody delivers that any better than ELP. this is one of the better shows I've heard from the Brain Salad Surgery tour, and unlike some of the 73 and 74 shows, seems to include the full Karn Evil #9 sequence. thanks very much to bilbo74 for sharing this with me to share with you. -----OK...THERE IS SOME CONTROVERSY OVER THIS. SOME SAY THAT SILENT NIGHT WAS ONLY PERFORMED ON THE 17TH...BUT THERE IS A VOICEOVER BY SOMEONE CLOSE TO THE TAPER (OR THE TAPER)SAYING IT IS THE 18TH. UNLESS IT'S A FAKE. IF IT IS THE SAME AS THE RECORDING I HAVE OF THE 17TH, THIS ONE IS BETTER, RUNNING AT THE PROPER PITCH AND HAS BETTER SOUND.
02/10/74 Convention Center cdr 1 a+ SBD
03/01/74 LSU Assembly Center cdr 2 a- AUD
03/07/74 Tulsa Civic Center cdr 2 b+ AUD
04/21/74 Empire Pool Wembley cdr 2 b AUD
05/01/74 Empire Theatre cdr 2 b+ AUD
05/17/74 Stadthalle cdr 2 b+ 1974-05-17 Stadthalle, Wien ( 2nd Gen Copy ) ( Davros 002 ) This Is Possibly The Best Quality 73 - 74 Show That I Have at least a very good and is one of my fav ELP Shows this is the full show minus the last 6 mins of Pictures i got this in a trade in the early 80s thanks to the person who taped this great show & to the trader from wien i got it from Linerige :- Cass 2nd Gen – Sony tape deck – pc hard drive via sound blaster pci card – Nero 9 wave editor – wave files - Track separation – Traders Little Helper FLAC Level 8 – SBE Checked - you Inc are md5 logs etc & covers All i have done in wave editor is split the tracks & fade in fade out at beginning & end of cds Tracks :- CD 1 Hoedown Jerusalem Toccata Tarkus Aquatarkus Benny The Bouncer Take A Pebble Still You Turn Me On Lucky Man CD 2 Piano Improvisions Take A Pebble 9 Conclusion ) Karn Evil 9 - 1st Impression ( inc Drum Solo ) Karn Evil 9 - 2nd Impression Karn Evil 9 - 3rd Impression Encore Pictures ( Missing Last 6 Mins )
07/26/74 Rich Stadium cdr 2 a- AUD
07/29/74 The Civic Center cdr 2 b+ AUD
08/20/74 Roosevelt Stadium cdr 2 b- Emerson, Lake & Palmer Keith Emerson- piano and many keyboards and synthesizers (including Moog) Greg Lake- lead vocals, bass and acoustic guitar Carl Palmer- drums, tympani, percussion Roosevelt Stadium Jersey City, New Jersey August 20, 1974 1st generation audience tape > CD > CD extractor (wav, some editing) > flac (sb's aligned) > torrentially yours. runtime: 139:51 (minutes/seconds) setlist: disc 1 79:55 1: tuning 2:44 2: hoedown 4:18 3: Jerusalem 3:30 4: toccatta 8:10 5: tarkus (spliced) 30:36 6: take a pebble 4:42 7: still, you turn me on 4:11 8: lucky man 2:47 9: piano improvisation and rag 16:07 10: take a pebble (reprise) 2:45 disc 2 59:56 11: karn evil #9 1st impression 8:23 12: karn evil #9 2nd impression 2:53 13: drum solo > 7:17 14: karn evil #9 conclusion 16:03 15: encore: pictures at an exhibition 25:19 a this and that production. Lots of audience chatter.
05/31/77 Cobo Arena cdr 2 b AUD
06/01/77 Cobo Hall 0 rtist: Emerson, Lake & Palmer Date: 1977-06-01 Location: Detroit, MI Venue: Cobo Arena Source: Audience Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Wavelab 96/24>wav 44.1/16>flac Taping Gear: dictation style cassette deck>unknown mics Taped and Transferred By: JEMS Setlist: 01. Abbadon's Bolero (incomplete cuts in) 02. Hoedown 03. Karn Evil 9 04. The Enemy God Dances With The Black Spirits 05. From The Beginning 06. Piano Concerto No. 1, 1st Movement 07. Piano Concerto No. 1, 3rd Movement 08. Closer To Believing 09. Knife Edge 10. Lucky Man 11. Tank 12. Pirates Encore 13. Fanfare For The Common Man (incomplete cuts out) Length: 90:31 Notes: JEMS master recording. This is a good sounding recording but incomplete with the opening and closing songs being incomplete and the recording missing possibly two songs(Pictures At An Exhibition and C'est La Vie). This is the 2nd of two nights E.L.P. played the Cobo Arena and this show also featured a full ensemble orchestra.
06/12/77 Veteran's Memorial Auditorium cdr 2 a- AUD
07/08/77 Madison Square Garden cdr 2 A AUD
07/10/77 Hartford Civic Center cdr 2 A AUD
07/12/77 Boston Garden cdr 2 A AUD. PRRP 030
07/14/77 Providence Civic Center cdr 2 A AUD. Dan Lampinski recording
07/22/77 Cobo Hall cdr 2 b+ Date: 1977-07-22 Location: Detroit, MI Venue: Cobo Arena Source: Audience Lineage: Master Cassette>Nakamichi 670 azimuth-adjusted playback deck>Nakamichi Outboard Dolby B>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Teac M-100>Sony TC-153SD (Mono, Dobly B on) Taped and Transferred By: JEMS JEMS master recording. This is an excellent sounding recording of the Works Vol. 1 tour after they dropped the orchestra.
08/13/77 Swing Auditorium cdr 2 A AUD
10/20/77 Illinois State University, Horton Fieldhouse cdr 2 b Emerson, Lake & Palmer October 20 1977 Normal, Illinois Illinois State University, Horton Field House Recorded on a small mono cassette recorder with built-in mic. Wollensak 402 First Generation Cassette>Tascam130>ProToolsLE>wav>flac6 Just the band, no Orchestra. I really didn't know if I was going to put this one out or not. At it's best though it's not too bad. Horton seats about 6000 I believe. It's a barn and an echo chamber. I was sitting on bleachers a full basket ball court away from the stage. The tape that the end of the show is on has not aged well. After Tank before 'Pirates' they played 'Nutrocker'. It wasn't usable. And the first few moments of 'Pirates' is missing. After 'Fanfare' the band came to the front of the stage for bows. Everyone except Carl, who came off of his drum kit and promptly fell into the pit where the grand piano was sitting. When the piano sunk into its pit the floor didn't close up the way it was supposed to, leaving a hole that Carl found the hard way. He hit the edge of the piano on his way down bruising a few ribs. Around 14:30 into disc two track 6 you can hear me say to someone "did you see him fall in that hole?". Keith says something about it before 'Show Me'
11/11/77 Civic Auditorium Arena cdr 2 A AUD
02/09/78 Nassau Coliseum cdr 2 a+ FM
07/22/92 The Tower Theatre cdr 2 b AUD. Final rehearsal for the comeback tour. Small audience
07/31/92 Waterloo Village cdr 1 a+ FM broadcast. Great sound.
08/01/92 Empire Court,State Fairgrounds cdr 2 b Emerson Lake & Palmer Empire Court - New York State Fairgrounds Syracuse NY Saturday August 1, 1992 1992-08-01 hand held mics FOB>AKG c460b's with CK61> Sony TCD D3 (48Hz) DAT > WAV via Sony PCM 2700a and DAL Card Deluxe> Cool Edit Pro 2.0 (resampling)>CDR>EAC>FLAC Disk 1: 64:02 01. Karn Evil #9 (First Impression Part 2) * 02. Tarkus Medley: Eruption>Stone of Years>Iconoclast ** 03. Knife-Edge 04. Paper Blood 05. Black Moon 06. Close to Home 07. Creole Dance 08. From the Beginning 09. Affairs from the Heart 10. Romeo & Juliet 11. Lucky Man 12. Pirates Disk 2: 35:32 1. Pictures of an Exhibition 2. Carl Palmer drum solo > 3. Pictures of an Exhibition 4. Fanfare for the Common Man > 5. America > 6. Rondo * slight digi-static at the start ** slight gap in Eruption
08/28/92 Universal Amphitheatre cdr 2 b Longer than the version listed.....here's my version disc 1 1. Karn Evil 9 1st Impression, part 2 2. Tarkus 3. Knife Edge 4. Paper Blood 5. Black Moon 6. Close To Home 7. Creole Dance 8. From The Beginning 9. Still You Turn Me On 10. Lucky Man disc 2 1. Romeo And Juliet 2. Pirates 3. Pictures At An Exhibition 4. applause 5. Fanfare For The Common Man 6. America 7. Rondo 8. applause
10/28/92 Kongresszentrum cdr 1 A AUD "Black Affair"
11/21/92 Palatrussardi cdr 2 B+ I have the full show, much longer than the one listed here. 01.Intro / Karn Evil 9 (1st Impression Part 2) 02.Tarkus excerpts: Eruption / Stone of Years / Iconoclast 03.Knife-edge 04.Paper Blood 05.Black Moon 06.Close to Home 07.Creole Dance 08.From the Beginning 09.Still...You Turn Me On 10.Lucky Man 11.Honky Tonky Train Blues 12.Romeo & Juliet 13.Pirates 14.Pictures at an Exhibition / Solo Drums 15.Fanfare for the Common Man 16.Medley: America / Rondò / Flight of the Bumble Bee / Toccata and Fugue in D Minor
02/15/93 Veteran's Memorial Coliseum cdr 2 b+ AUD
02/19/93 Northrup Auditorium cdr 2 b AUD
02/20/93 Riverside Theatre cdr 2 A AUD
02/23/93 Oscar Mayer Theater cdr 2 A AUD
03/14/93 Warfield Theater cdr 2 B+ AUD
03/19/93 Wiltern Theatre cdr 2 a+ FM
04/01/93 Estadio Chile cdr 2 a+ SBD
04/05/93 Estadio Obras Sanitarias cdr 2 a+ SBD
11/15/93 TV Studio cdr 1 b+ AUD
11/23/93 Virgin Megastore cdr 1 a+ FM. SHort acoustic set
08/18/96 Darien Lake Performing Arts Center cdr 1 A AUD. Taper missed 1st 3 songs. Opening for Jethro Tull
08/23/96 Merriweather Post Pavillion cdr 1 a+ SBD
07/25/97 Kingdom Festival cdr 2 SBD Great sound
09/06/97 Wolf Trap Farm Park cdr 2 A AUD
09/25/97 Universal Amphitheater cdr 2 A AUD.
07/25/10 Victoria Park cdr 2 SBD. A little static during Pictures.

Emerson, Lake & Powell --- Approximate Hours: 30
Show Date Venue Media Type Media Count Sound Quality Notes
01/01/85 Space Gospel (unreleased studio demos) cdr 1 a+ Cool demos from the ELPowell album
08/15/86 El Paso Country Coliseum cdr 2 AUD. Rondo is cut 30 secs. in.
09/03/86 Massey Hall cdr 2 b+ AUD
09/09/86 Glen Falls Civic Center cdr 2 A AUD. Small amount of hiss on cd2
09/12/86 Mann Music Center cdr 2 a+ FM "the Great Philadelphia Tapes"
09/13/86 The Meadowlands cdr 1 A SBD
09/16/86 Great Woods Center for the Performing Arts cdr 2 A AUD
09/20/86 Madison Square Garden cdr 2 A- Notes from Dr. Giggles1 (taper and transfer)Notes: This is my 17th transfer in the series. Not previously circulated as with all my masters. I will rate this show as Ex and the recording as A-. A small one second hiccup exists in Pirates at the 12:57 mark. Not sure what happened there. A tape flip cut is in "The Great Gates Of Kiev" at the 1:17 mark. A stunning performance in stunning sound quality thanks mostly to MSG's acoustics.
09/21/86 Syria Mosque cdr 2 a- AUD
10/22/86 Mecca Arena cdr 2 a- AUD. Annoying static pattern on disc 1
10/29/86 Kaiser Pavillion cdr 2 A AUD Great sounding audience show.The beginning of Creole Dance and the very beginning of Touch and Go are cut
10/31/86 Pacific Amphitheatre cdr 2 b+ AUD A small section of Tarkus is missing, a few glitches in Lucky Man, and the end of Mars is cut
??/??/86 Sprocket Studios cdr 2 a+ SBD

Europeans --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Rarities cdr 1 A Rarities from Steve Hogarth's pre-Marillion band

Finn Brothers --- Approximate Hours: 31.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/29/88 KCRW Studios cdr 1 A FM. Great!
11/09/95 Logo cdr 1 A FM
07/11/96 9:30 Club cdr 2 A AUD. Great recording, killer show!
07/15/96 The Fillmore cdr 2 A FM. I have the COMPLETE version of this, with Time For a Change, Dirty Creature...its a must!
05/12/03 Tabac Club cdr 1 A AUD
05/13/03 Tabac Club cdr 1 A AUD
05/14/03 Tabac Club cdr 1 A AUD
07/15/04 KCRW cdr 1 a+ FM
08/08/04 Regents Park cdr 2 a- AUD
08/09/04 BBC Radio 2 cdr 1 a+ FM
08/??/04 BBC 6 Music cdr 1 a+ FM
10/05/04 WDR Sendesaal cdr 1 a+ FM
10/06/04 Deutsches Technik Museum cdr 1 b AUD
11/08/04 "Sold on a Song", The Bedford Arms cdr 1 A FM Several tracks tacked on to the end
11/15/04 The Michael Fowler Centre cdr 1 a+ FM
03/05/05 Whitaker Center - Sunoco Performance Theater cdr 2 a- AUD
06/14/05 Live Music Hall cdr 1 a+ FM
07/12/05 Sydney Opera House cdr 2 A AUD
07/16/05 The Opera House cdr 2 a AUD

Fish --- Approximate Hours: 56.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/12/89 Town & Country Club cdr 1 A FM.. I have a shorter, single disc version, "Plenty of Fish In the Sea"
03/10/90 Sportpaleis Ahoy cdr 1 b AUD
03/10/90 Sportpaleis Ahoy 0 This recording was broadcast by Radio Veronica, most probably on Dutch radio show Countdown Cafe in 1990. It's part of the concert Fish did in the Ahoy in Rotterdam on 10 March 1990, after having left Marillion. I actually was at that concert at the time. These are the tracks: 01. Fish and audience doing an ID for Radio Veronica 02. Internal Exile 03. A Gentleman's Excuse Me 04. Vigil In A Wilderness Of Mirrors 05. Kayleigh 06. Lavender 07. Heart Of Lothian
03/20/90 CCH3 cdr 1 a+ FM. Great sound
05/25/91 Schulzentrum cdr 1 b+ AUD
10/26/91 Tivoli cdr 1 b AUD "No Place For CHildren"
11/15/91 Royal Concert Hall cdr 1 a+ SBD. "There's A Guy Works Down at the Chip Shop Swears He's Fish"
12/05/91 Volkshaus cdr 2 a+ SBD
12/17/91 Vredenburg Musikcentrum cdr 1 b AUD "Bagpipe Disaster"
12/27/91 Barrowland Ballroom cdr 2 A- AUD
06/25/92 Gorki Park cdr 1 c AUD Completists only. "Fishing All Over the World."
03/15/93 Le Zénith cdr 2 b AUD. "External Inside"
12/09/94 Gertrud Baümer Halle cdr 2 Fish Venue: Gertrud Bäumer Halle, Duisburg, Germany Date: 9 Dec 1994 Taper: Unknown Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... Setlist 1 intro/Fish 2 Somebody Special 3 Jumpsuit City 4 Dear Friend 5 State Of Mind/talk 6 Solo 7 A Gentleman's Excuse Me 8 Out Of My Life 9 Warm Wet Circles 10 Kayleigh 11 audience/Ole Ole Ole 12 The Company/Jeepster/Lucky 13 Internal Exile 14 Lady Let It Lie 15 Lavender 16 Sugar Mice 17 Roadhouse Blues 18 Boston Tea Party > Happy (5'th) Birthday The Company Germany Notes The reception of my buddy DocProg's recent Fish torrent in here inspired me to dig up a rare one from the dusty boxes. Great recording from the Bandwagon Tour. This one isnt seen everywhere so grab it while you can!
08/18/96 Rockpalast - "Rock For Bosnia" cdr 1 a+ FM
08/14/97 Shank Hall cdr 2 a+ SBD. GREAT show.
08/18/97 Bluebird Theater cdr 1 a+ SBD. Great sound, unfortunately incomplete. Cliche is cut.
02/03/01 Schilda-Hall cdr 2 Webcast. Sound is a little low on the bass side. There are a few odd cuts on the second disc, one at the end of 3D, and one at the end of Vigil. Short gaps between the last 3 tracks of the show.
06/24/02 The Cavern cdr 2 b+ AUD 2 discs, but seems complete. A few skips here and there
06/25/02 The Cavern cdr 1 b+ AUD
04/27/06 Phönixhalle cdr 2 AUD
07/22/07 Night of the Prog Festival cdr 2 b Source: Audience Mini Disc Recording Taped by: SF Transferred by: SF
09/06/07 Jam House cdr 1 a+ FM
10/10/07 Amager Bio cdr 2 A- Length: 117min. Source: Sharp MD / Sony mic AUD
05/13/08 Harris Radio Show cdr 1 a+ FM
06/09/08 Great American Music Hall cdr 2 A AUD
06/15/08 Park West cdr 2 A- AUD
06/18/08 BB Kings cdr 2 B+ AUD
06/28/08 le National cdr 2 A- AUD
07/19/08 Loreley cdr 2 A- AUD. Night Of The Prog Festival III Freilichtbühne Loreley St. Goarshausen, Germany July 19, 2008
03/19/11 Amager Bio cdr 2 b+ FISH Copenhagen, DK Amager Bio 2011-03-19 source: Audience master / Zoom H2 WAV 44.1kHz length: 132min quality: A+ (effing unbelievable!) Picture it. Amager Bio, a fairly sized venue in the southeast part of Copenhagen. It´s a bit chilly outside even though the day was quite beautiful. For the first time in 18 years the moon is at it´s closest to earth, a mere 35000 swedish (or danish) miles away. Once inside it´s a seatd concert, you´re in the very front row in the middle. Fish enters the stage, in a good mood but also worried. He dedicates the concert to the survivors in Libya. Sometimes it feels as if you´re watching the concert from above, like an out-of-body experience. Family business is fantastic. State of mind takes on a new relevance. Jigsaw and Incubus are beautiful. Pilgrim´s address is almost prophetic. Suddenly Fish jumps down on the floor. He´s standing right in front of you and gives a speech which makes you tingle right down your spine. He ever so slowly walks to the back of the venue. You listen like a child to a storyteller. He pleads, he´s scared but he´s also angry. You take it all in. Then, Vigil. All that ever was is no more, you´re in the moment. Probably the best moment of your life. Afterwards, outside the venue. It´s even chillier. You make your way home, the moon glowing like the sun guides your way back home. You don´t know where you will be the next time the moon is this close. It doesn´t matter, really. You only hope to be alive. This recording is my gift to you all. On the very night of my personal 10th anniversary of recording I make the very best, or at least most emotional of them all. The Vigil speech and song will stand forever as my personal recording monument and one of the finest performances by any artist I have ever had the privilege to witness. Thank your for listening. cd1 (58.47) 1. Introduction by Fish 2. Chocolate frogs (a capella) 3. State of mind 4. Somebody special 5. Brother 52 6. Slainte mhath 7. Out of my life 8. Punch & Judy 9. Family business cd2 (72.24) 1. -Incubus introduction- 2. Incubus 3. The pilgrim´s address 4. Jigsaw 5. -Vigil introduction- 6. Vigil 7. Fugazi 8. Kayleigh 9. Lavender

Fleet Foxes --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
11/21/08 Nationale Toneel Gebouw cdr 1 a+ SBD. Fantastic! My copy also has the soundcheck which includes Sun Giant and English House
06/09/11 BBC Radio Theatre cdr 1 FM broadcast. Fantastic.
11/19/11 Estragon cdr 2 a+ Fleet Foxes live and direct FM radio broadcast by "Radio2 Live", Radio2 RAI [second channel of italian national radio], from Estragon, Bologna (Italy), on saturday 19 November 2011, 21:44 hours [CET] think CSNY playing with brit pop sensitivity... The Coral are often coming to my mind. They spend lot of time tuning between songs, almost a minute each time, giving chance to extensive radio banters... WARNING: in italian radio customes the DJ speaks a lot in-between songs. And I mean a lot.. His/Her purpose is to introduce songs with bits of bio and translate what the artists say, or to describe to radio listeners what's happening on stage. It may gets VERY annoying, and trust me it does, thus we might consider this recording ONLY FOR COMPLETISTS. But the songs, the actual music, are (usually) not spoken over in the middle of them. It has to be noted that italian djs are on the whole adviced to talk that much by the same record companies to prevent bootlegging. tracklist > running time 98'39"

The Flower Kings --- Approximate Hours: 62.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/23/95 Die Röhre cdr 2 A SBD
09/30/95 Artsrock Festival cdr 1 a+ SBD
05/10/96 Rockpalast cdr 1 a+ SBD
05/17/97 Bar Le D'Auteuil cdr 2 b AUD
03/16/99 Shibuya On Air West cdr 3 A nice aud.
08/08/00 Grona Lund cdr 1 a+ FM. COYH is missing beginning
11/18/00 The Substage cdr 3 A AUD
09/08/01 George Street Playhouse cdr 2 A AUD
09/15/01 JJ Kelly's cdr 2 A AUD
10/19/01 Le Divan de Monde cdr 2 A AUD. Titus remaster
04/06/02 King Kat Theater cdr 2 A AUD. Great recording
04/09/02 The Shelter cdr 2 A AUD
06/06/02 Gröna Lund Theatre cdr 1 A FM. I have a single disc version of this, missing Circus Brimstone and the Bass solo
11/26/02 Hirsch cdr 2 A FM. A few of the songs are incomplete, but a great show
11/27/02 Le Divan Du Mode cdr 2 a AUD
06/28/03 Nearfest 2003 cdr 2 A
05/27/04 Frölunda Kulturhus cdr 2 A AUD
10/10/04 The Mean Fiddler cdr 2 A AUD
04/14/06 StazioneBirra cdr 2 a+ SBD
10/06/06 Largo Cultural Center cdr 2 A AUD
10/13/06 Regent Theater cdr 2 A AUD
10/14/06 The Forum cdr 2 A- AUD
10/20/06 Martyrs cdr 2 a- AUD
09/15/07 Symforce Festival @ 013 cdr 2 B+ AUD
08/24/08 Pepsi Roadhouse cdr 2 A AUD
08/27/08 Regent Theater cdr 2 A AUD

Foamfoot --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/94 The Troubadour cdr 1 FOAMFOOT - CROWES FROM THE CLOSET If you consider yourself a serious Black Crowes fan you probably already own this. The first thing you should know about Foamfoot is that it is/was a cover band, a damn fine cover band at that, playing mostly Southern Rock and 70s staples. Formed and fronted by Chris Robinson in Los Angeles in the mid-1990s (during the Black Crowes breakup/hiatus period), Foamfoot did a one-off show at the Troubadour in L.A. On January 8th, 1994 at the Troubadour in Hollywood, several members of the Black Crowes joined up with a handful of other artists for Foamfoot. Chris Robinson and Marc Ford of the Black Crowes played with Jimmy Ashurst (The JuJu Hounds), Eric Bobo (Cypress Hill), Gary Louris (The Jayhawks) and Andy Sturmer (Jellyfish). The show was an impromptu gig, however, it was recorded for possible release by the band. Fortunately (or unfortunately, depending on how you look at it) the show's master was copied and released as a bootleg. (Above info taken from Frayed.org and aquariumdrunkard.com) Setlist: 1. Walk in My Shadow (written by Paul Rogers) 2. Bottle of Red Wine (written by Eric Clapton & Bonnie Bramlett) 3. Tin Soldier (written by The Small Faces) 4. Take the Highway (written by Toy Caldwell) 5. Deal (written by Jerry Garcia & Robert Hunter [Garcia solo]) 6. Love Me Till The Sun Shines (written by The Kinks [Steve Marriot and Ray Davies]) 7. Long Time Gone (written by Crosby, Stills, Nash) 8. Jeremiah Surrender (written by Levon Helm & Robbie Robertson) 9. One Way Out (written by S. Williamson) 10. Presence Of The Lord (written by Eric Clapton, done with Blind Faith)

Frank Sinatra & Dean Martin --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/14/59 Hollywood cdr 1 FM benefit show
05/25/77 Westchester Premier Theatre cdr 1 a+ SBD. Great!

Frank Sinatra & Sammy Davis Jr. --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/22/88 Metro Center Arena cdr 1 SBD

Gary Moore --- Approximate Hours: 20
Show Date Venue Media Type Media Count Sound Quality Notes
01/22/83 Shibuya Kokaido cdr 2 b Gary Moore "First date in Japan" 2CD Shibuya Kokaido, Tokyo, Japan January 22, 1983 Corridors of Power Tour Audience Recording
03/16/83 Paris Theatre cdr 1 a+ FM
02/29/84 Budokan cdr 2 b Lineage: audience recording > unknown recording and transfer equipment > liberated 'Hold On To Love' 2CD set > EAC(secure mode, enjoy EAC logs in German language) > wav > Flac Frontend(level 8) > flac (> YOU) Taper: unknown, HANX :-) Titel: 'Hold On To Love'
03/19/84 Volksbildungsheim cdr 2 A FM Broacast We Need Moore! - BON94/5 - Bondage Music - JAP - 1997 With L'Armours Club, Brooklyn, New York City 07.July 1984 Nuclear Attack * 06) Wishing Well * 07) Murder In The Skies * 08) Shapes Of Things * 09) Cold Hearted * 10) Don't Take Me For A Loser * 11) Victims Of The Future * on disc 2
04/01/87 Hammersmith Odeon cdr 1 a+ Gary Moore "Wild Frontier Tour 1987" Hammersmith Odeon, London, England April 1st 1987 Wild Frontier Tour BBC Broadcast 50 min Mine doesn't have "the Loner"
05/08/89 Nakano Sunplaza cdr 2 A- AUD. Nice sound.
03/13/00 Grosse Freiheit 36 cdr 2 a+ FM, nice sound.
06/29/01 Piazza Governo cdr 1 a+ MY COPY IS MISSING THE ENCORES.... A SwissBird, SimplexSimplicissimus & supermax release : Gary Moore Piazza Blues Piazza Governo, Bellinzona, Switzerland 29. June 2001 Soundboard > ReelToReel > DAT > 1st copy > eac > wave > flac frontend (Level 8, align on sector boundaries) > flac > torrent on www.dimeadozen.org Excellent Sound Quality Setlist 01. You Upset Me Baby 02. Cold Black Night 03. Stormy Monday 04. Oh, Pretty Woman 05. Walking By Myself 06. All Your Love 07. Still Got The Blues 08. Too Tired 09. The Sky Is Crying 10. How Many Lies 11. Fire
05/22/03 Secc cdr 1 a+ SBD
04/28/10 Kokusai Forum Hall A cdr 2 b+ 01.intro 02.Oh Pretty Woman 03.Bad For You Baby 04.Down The Line 05.Since I Met You Baby 06.Have You Heard 07.All Your Love 08.I Love You More Than You'll Ever Know 09.Too Tired 10.Still Got The Blues 11.Walking By Myself 12.The Blues Is Alright 13.Parisienne Walkways

Genesis --- Approximate Hours: 415
Show Date Venue Media Type Media Count Sound Quality Notes
03/07/71 La Ferme IV cdr 1 b- a Ferme, Woluwe St Lambert, Belgium. 7th March 1971 The recording Well, its not the best is it? But it's amazing that we have it all. The recording documents the entire concert, beginning with the local announcer, and concluding with him at the end of the Going Out to Get You encore. There are however a few inexplicable losses that are greater than one would expect with just a tape flip. The first minute of Musical Box is missing, plus the tail end of Gabriel's intro to this number. And there is a minute long chunk of Knife missing in the middle. It is possible that these occured due to taping problems at the time - perhaps the taper was just lost in the performance :-) There are a few other small gaps; one is during the first verse of The Light, which fortunately I have been able to patch by grabbing a bit of the second verse and pasting it in. This shows that the gap was only around 1sec long, and there are a few other such gaps during the ambiences between songs that are probably of similarly short duration. In these cases I have just crossfaded the edits together. This recording is best known from two bootlegs; 'Besides the Silent Mirror', and Highland's 'Twilight Francehouse' - a rather odd title since it comes from neither France nor the twilight of the band's career. I don't have a copy of the latter, so can only comment on BtSM. I understand that the source I've used is two generations closer to the master than that used for BtSM. The hiss on this bootleg is quite prominent in the midrange, and would be a lot more noticable if it were not for the savage frequency roll-off that has been used above around 3KHz. BtSM misses the Belgian announcer's intro, and begins with the applause that greets the band onstage. Otherwise it is complete, and shows the gaps and edits present on the master tape. Beyond the missing top end, and a very boxy and bass-thin sound, it is a fair representation of the original tape, although it is pitched slightly sharp, and has a few unexplained volume drops, noticably on the concluding chord of Knife. The restoration I began with a transcription CDR from a low (reputedly first) gen copy of the tape. Running a spectragram of the recording showed that this source had a severe drop off in information above 4KHz, with cymbals and tamborine slaps appearing around the 6-7KHz mark. The 3KHz roll off on BtSM explains why hardly any cymbals can be heard on that version. As anyone who knows this recording is aware, the hiss threatens to dominate the music throughout. It sounds distant, tinny, and hissy as hell. So dragging any information out of this sea of murk has not been easy. At first I was dubious I could improve it at all. If you are listening to this Hogweed 12, and thinking, its still pretty hissy - well, it is. However it could have been a lot worse. I have taken 9Db of hiss out of the recording. To get an idea of how much that is, imagine 3 times as much hiss *relative to the musical information*. Another way of thinking of it is that if the hiss sounds comparable to BtSM, you are actually hearing 3 times the musical information for the same noise floor. Could I have taken more hiss out? I tried; it started to break up badly and loose what subtle musical information remained. It started to sound empty and lacking ambience. I chose to keep as much of the music as I could. So enjoy what hiss remains, its part of the history :-) This recording also has a prominent microphone resonance around 2.5KHz - during the louder sections of songs like Twilight Alehouse you can hear this as a continuous ring, almost like a distorted feedback. I have attenuated this peak by 8Db, which is a lot, but as much as I could while avoiding a frequency hole. The tape also has numerous electrical clicks, particularly during the first few songs. On BtSM these clicks (plus others in one channel only, which have been introduced later) have hissy surges around them, suggesting that a dolby decode may have been employed on that version. I have removed these. There are also quite a few microphone bumps, fortunately occuring mostly during the ambience between songs. I have endeavoured to attenuate or remove as many of these as possible. There were a few that were much more difficult though, such as the one that occurs just into the beginning of Stagnation. This bump caused the auto record levels to drop the music volume noticably, which I've compensated for without having the hiss levels suddenly surge. Because auto record levels were used on this one, the volumes do fluctuate a bit, rising noticably during the quiet bits. I could have restored the dynamics as I have on previous shows. But on this one, the amount of hiss would have made such changes distractingly noticable, so I have left them as they were recorded. More history. Finally, there are several occasions when a hum of around 150Hz is heard. I am pretty convinced that this is a feedback from the stage, although whether acoustic or electrical, I can't tell. There is also a 250Hz harmonic as well, indicating that it originates with 50Hz mains power. So it is probably authentic, but it sounds aweful, and makes a few nice passages of music, particularly during a quieter section of The Light, sound very un-tuneful. So I've zapped it. Sorry all you purists and stage feedback afficianados, but as this is the only version of The Light that we know of, the least I can do is make it sound a bit more musical. If you want to hear the hum, listen to to BtSM.
01/09/72 Studio T1, Kensington House cdr 1 a+ FM
03/02/72 Paris Theatre cdr 1 a+ FM
03/02/72 Paris Theatre cdr 1 a+ PRRPGS 028 Genesis Disc Two BBC Paris Studios London, England 02-Mar-1972 BBC Master DAT, Pre-FM 2.1 MC Introduction 00:31 2.2 The Fountain Of Salmacis 08:26 2.3 MC Introduction of The Musical Box 00:21 2.4 The Story of The Musical Box 01:59 2.5 The Musical Box 10:31 2.6 Band Introductions 01:04 2.7 The Return Of The Giant Hogweed 08:41 2.8 Twilight Alehouse 08:01 2.9 Get'em Out By Friday 08:42 2.10 Watcher Of The Skies 07:40 Total Running Time : 55:56 Tracks 2.8,2.9 and 2.10 are from Master BBC of 9/25/72 Disc 2 Remaster 1. Significant speed and pitch error corrected, Tracks 1-7. Minor changes to other tracks. 2. Static and Dynamic EQ filters applied to Tracks 1-7. Static filters for Tracks 8-10, 3. Correct dropouts and unexpected drops in all tracks. 4. Correct channel imbalances 5. Repair clicks. 6. Dynamic adjustments and correction of volume disparities. 7. Re-track. Disc 2 Notes: Tracks 1-7 are mono but channel imbalance still existed and needed correction.
03/04/72 Watford College cdr 1 B+ AUD Genesis - Shade Of Dawning (Highland HL069#G10) Date March 4, 1972 Venue Technical College, Watford, England
03/04/72 Watford College cdr 1 b+ PRRPGS 028 Genesis Disc One Technical College Watford, England March 4th, 1972 1.1 Harlequin 2:55 1.2 The Story of Thomas 2:00 1.3 Stagnation 8:32 1.4 The Story of the Gods 2:25 1.5 Fountain Of Salmacis 7:59 1.6 Story of the Lady on the Tube Train 2:24 1.7 Twilight Alehouse 7:49 1.8 The Story of Henry and Henrietta 2:30 1.9 The Musical Box 9:57 1.10 The Story of John Lennon 1:18 1.11 The Return Of The Giant Hogweed 8:17 1.12 No Story 1:36 1.13 The Knife 9:00 Total Time 66:42 Disc One Remaster 1. Correct speed and pitch 2. Re-balance tonality/EQ 3. Adjust Dyanamics 4. Reduce hiss, clicks and pops 5. Repair dropouts 6. Attenuate hyperdynamic components 7. Re-track Disc One Notes This is the 3rd known audience recording of Genesis from the start of their career Cuts between some songs are present, sometimes interrupting stories. Henry's sister is referred to as "henrietta" during this show, not cynthia
03/20/72 Hogweed 09 cdr 1 a+ SBD. A must have!
04/14/72 Palazzo Delle Esposizioni cdr 1 b AUD
04/15/72 Hit Parade Club cdr 1 a- AUD, nice recording
04/18/72 Piper Club cdr 1 b AUD GEN720418TM remaster
04/22/72 Salle Courthéoux cdr 1 b AUD
06/28/72 Watford Town Hall cdr 2 b+ AUD PRRPGS 002
06/28/72 Watford Town Hall cdr 2 b+ PRRPGS 002 version 2 Notes from the Re-Master The master was provided as a single CD containing 78 minutes of music. Upon listening, the first thing that was obvious was the overwhelming hiss drowned out much of the subtleties of the recording. Multiple sequential methods were used to reduce this noise and bring out the underlying music. The other big problem was the apparent dynamic frequency response of the recorder. The midrange frequencies were quite in balance during the quiet section of the show but became excessive during the louder section. So, a dynamic, frequency specific compression filter was used to correct this problem. The mid-bass frequencies were also deficient and needed a boost. Separate adjustments were used during Peter’s dialogue to enhance the understand-ability of the text. The dynamics of the show were manually adjusted to enhance the dramatic components of each piece. Finally, by comparing specific segments of each song to known standard recordings it was determined that the whole show ran 5% too fast. Correction of this speed problem put the length of the whole show at 83 minutes, necessitating the use of two discs to provide the finished product.
07/25/72 Civic Hall cdr 1 b AUD PRRPGS 002
08/11/72 Reading Festival, Thameside Arena cdr 1 b+ AUD. Hogweed 03
08/22/72 Teatri Alcione cdr 1 a- AUD PRRP GS 022
08/22/72 Teatri Alcione cdr 1 b+ AUD Ratpie version, straight from the master
09/28/72 National Stadium cdr 1 b AUD
11/18/72 Imperial College cdr 1 A- A very good sound for this audience recording. Peter's "dirty" story introducing The musical box is very amusing (the audience seems to agree with this). Supper's ready features a seldom heard "full ending" instead of the usual fade out. There is a tape flip about two mins from the end of "Suppers." (Highland HL103#G17)
??/??/72 Cryme 1 a
01/15/73 Stadthalle cdr 1 b+ HW06 The Recording Initially I was offered a 2nd generation tape of this show, from someone who had traded it direct from the taper. After a post on the net, we managed to track down the guy who originally taped this concert. Unfortunately, he is not on the net, or email, and has not graduated from analogue to the digital age yet. Thus I was unable to get a copy direct from his source tape. But this is what I found out: The show was recorded on a Telefunken reel to reel machine, using BASF 13" reels and a Grundig microphone. Now here's the sad part: to save tapes, the taper would transfer his original recordings at home to a big 4-spur reel, using his Grundig machine. Then he would reuse his master tapes for another show. (In the 70s he recorded over 300 shows - what a treasure there must be in his collection!). Thus the master copy of this recording no longer exists. At best there is the 1st gen reel that he still has. But it is rendered inaccessable as he is unable to copy it to anthing but an analogue medium. So the 2nd gen tapes he makes are the best that we have (for the time being... :-). There are 3 versions of this show that I know of: i) A poor CDR boot, which is the one I believe is in wide circulation. This transcription comes from a low gen tape, maybe 3rd or 4th gen, and is pitched quite fast, so it is a half tone sharp at least. It is quite muffled, and a roll off filter seems to have been applied to the treble to minimise the distractions of hiss. ii) The 2nd gen tape I have. This tape sounds quite clear, although it misses the German introduction, and has some very nasty high frequency distortion during the first few minutes (Gabriel's intro). Plus it is not as bright in the treble as... iii) A CDR, probably from a 2nd gen tape, but it sounds so sharp and clear in the treble that I wonder whether it may come from a reel to reel source. Compared with the other versions it is glorious, dynamic and detailed. However it has one annoying problem; cross talk. Throughout the recording there is a print through of another track of music, it is soft, but noticable in the quieter sections. The Audio Restoration I have chosen to work primarily with the 2nd gen CDR version, splicing in quieter sections from the 2nd gen tape where cross talk was noticable. These are often sections where Phil is not drumming, so there is no loss of his cymbal work. The difference between the two sources in terms of general clarity and hiss is quite minimal, so the splices are quite unnoticable. The CDR version was pitched slightly fast, so I had to digitally re-pitch it, and then edit in those quieter sections. Once that was completed, I removed the rather prominant 50Hz hum throughout the recording, and cleaned up the bass rumble as well. The bass is quite light on this recording, and very difficult to balance. It sounds quite variable throughout the recording. The songs Twilight Alehouse and Musical Box are not very bassy, but Watcher, Get em Out and Hogweed, when Mike returns to bass guitar, are strong again. So getting the right balance was a bit open to guesswork. The recording also had a 'boxy' peak in the lower midrange, which I've attenuated. Other than those, the frequency equalisation is natural. This recording has a beautifully detailed and clear top end, and I decided not to denoise it. The hiss levels are relatively quiet, but to clean them up would have meant losing a host of fine musical details, particularly in Phil's cymbal work. There is such a nice grain and texture to the treble, that I decided it had to stay the way it was. I feel the hiss is soft enough that it is not really a distraction anyway. Volume levels are very realistic, by virtue of the fact that the recording was made without auto record levels. So all the dynamics of the original performance are captured beautifully - notice the power of Twilight Alehouse and Musical Box. There were a few moments when the volume levels were manually changed during the recording, most noticably the first sequence of Musical Box, and I have restored the volume levels where this has occured. The recording is mono, and I have added some early reflections to open up the stereo image a little. Considering the amount of echo on the raw recording though, any extra reverb would have been overkill, so it has not been added.
01/15/73 Stadthalle cdr 1 b very distant Audience (probably only for diehards and completists) From The Moose Track Collection NOT the Hogweed version. Sony TC-RX410 Cassette Deck>Alesis 9500 Masterlink (no EQ)>AIFF File conversion done with xACT setting of 6
01/20/73 Palasport cdr 2 a- AUD PRRPGS 024 Disc 1 1. Watcher Of The Skies 10:18 2. Story of Henry and Cynthia 1:32 3. The Musical Box 11:35 4. Fountain Of Salmacis 8:55 5. Story of Two Ladies 0:55 6. Get em out By Friday 9:07 Total Time 42:22 Disc 2 1. Inspiration Story 1:44 2. Suppers Ready 23:56 3. A Humourous Story 1:44 4. The Return Of The Giant Hogweed 11:32 5. The Knife 9:39 Total Time 48:35 Total Continuous Recording 90:57
01/22/73 Palasport cdr 1 b+ Stereo soundboard version Vinyl Rip (actually can I say vinyl for a picure-disk? So a long-play record rip) OU Notes: Peter Gabriel's microphone accidentally was not connected to this sbd, so what you can hear from him it was probably from Phil's microphone. I have bought this picture-disk double lp with no cover as a brand new condition excellent quality sbd recording. About PG voice is missing, there was not any information mentioned. The remaster is probably digitalized, and used some noise reduction on it, before print it on the LP. I have removed many clicks and I used some EQ by Steinberg Wavelab by this rip make the sound a bit "thicker". Lineage: Modificated Elite Rock Turntable- EMT TD 15 housed boron shifted Van Den Hul mc meedle- Rega 250 arm Audio Note silver arm- cable - TJ tube mc pre amp- MC2000 Audio Note cable - TJ Tube Pre Amp (w best "old" tubes)-All are standing on "söund örganisation" bearers- -travel to present time-> Audio "table cd recorder" - Wav 16 bit/41khz- Pc- "Steinberg" Wavelab- Flac Frontend- Flac. Vocals are pratically inaudible.
01/22/73 Palasport cdr 2 b+ Genesis: Rome 1973 (Soundboard/Aud Matrix) FLAC Stereo Soundboard *Plus* Mono AUDIENCE version (an eeklair MATRIX Reworking) Palasport, Rome 01 Watcher Of The Skies 02 The Musical Box 03 The Fountain Of Salmacis 04 The Return Of The Giant Hogweed 05 Supper's Ready 06 The Knife 07 You can stop taping now PLEASE.. (4:23 minutes of aftershow sounds) Notes from the Eek: I'm not going to go into all the particulars about what I did to get this result. Suffice to say, It took a lot of patience and masterful cunning. No effects, nr, hr, flangers, Compression, or EQ, etc., were used in this reworking... SR from 12:37 thru 14:49 (or so) has no SBD portion due to a cut in the original recording.. And sorry about the artwork hijack. PLEASE feel free to make some artwork ;-) -Enjoy. Eek
02/25/73 DeMontfort Hall cdr 1 a+ SBD GEN730225TM version
09/23/73 Stadttheater Osnabruck cdr 2 B+ Aud remaster by Andrew Skeoch from master tapes (TRAP 07/08) Osnabruck Notes The better of the two recordings, for unknown reason: through original venue acoustics (most likely as all three tape sides are of equal quality.) or subsequent tape deterioration. Mic bumps and tape gaps removed/edited (those in intro to Supper's Ready were particularly difficult to completely remove). Patch of second chord in Watcher. Fade ins/outs. Reduced to mono. Equalisation balance applied. No denoising. Volume optimised.
09/25/73 Stadttheater Munster cdr 2 B+ Aud remaster by Andrew Skeoch from master tapes (TRAP 07/08) More mushy and distant-sounding than Osnabrück. mic bumps and tape gaps removed/edited. Fade ins/outs. Compression of bass feedback/booming at around 136Hz. Reduced to mono. Equalisation balance applied. No denoising. Volume optimised, 'pushed' slightly harder than Osnabrück to get the most out of the recording.
10/11/73 Gaumont Theatre cdr 2 b AUD
10/15/73 The Dome cdr 1 b AUD. "Brighton 73"
10/23/73 Empire Theatre cdr 2 c AUD, sound is pretty low, you have to turn this one up. For completists.
10/26/73 City Hall cdr 2 b AUD, Eeklair version, sourced from the "Live in Newcastle" 2 lp boot.
10/28/73 Hippodrome Theatre cdr 2 b AUD. Both Firth and Supper are incomplete, and there is an interview with Mike that is tacked on, it's a radio interview after the release of Lamb
10/30/73 Shepperton Studios cdr 1 a SBD. "Cinema Landscapes"
11/08/73 Massey Hall cdr 2 B+ AUD. From 1st gen cassette.
11/08/73 Massey Hall cdr 2 b+ AUD Hogweed 01.
11/22/73 Felt Forum cdr 2 a- AUD Hogweed 13
12/08/73 Pease Auditorium cdr 1 B+ Title: Ypsilanti '73 (3rd Gen Upgrade) Date: 1973-12-08 Venue: Pease Auditorium Location: Ypsilanti, MI Country: USA Type: Audience Quality: B+ (Quality rating average from 5 cast votes. GM Live-db) Media: 1 CD-R This also has a partial recording of Supper's that is left off of most versions. It's only about 9 mins.
12/17/73 The Roxy Theatre cdr 2 b AUD. Different setlist than the one listed here. Watcher/Dancing/Cinema/IKWIL/Firth/Musical Box/Supper's...tape flip in Firth.
12/19/73 The Roxy Theatre cdr 2 a SBD GASP 004. The intro to Watcher is a bit warbly, but it is fine once the song gets going.
12/19/73 The Roxy Theatre cdr 2 a SBD. BURP 010, From a FLower To an Earl
??/??/73 SEBTP Studio Sessions Outtakes cdr 2 b
??/??/73 Selling Unplanned By The Pound cdr 1 a A fun experiment
01/20/74 Drury Lane Theatre cdr 2 a- AUD. Eeklair remaster
03/03/74 The Tower Theatre cdr 2 b AUD
03/07/74 Sports Arena cdr 2 b- AUD. A high pitched whine runs through the show, the sound is muffled and fuzzy, especially in Peter's stories.
03/09/74 University of Miami cdr 2 B+ AUD. "Coral Gables" most likely from a 2nd or 3rd gen tape. A little bit of skipping, sound problems during Supper's, but it lasts less than a minute.
03/21/74 Santa Monica Civic Auditorium cdr 1 b AUD. For completists only, woefully incomplete. The sound isn't too bad, but none of the somgs are complete.
04/06/74 Student Union Auditorium, University of Toledo cdr 2 b AUD "Live IN Toledo 74" Not Hogweed. Bonus tracks from Paris 74.
04/06/74 Student Union Auditorium, University of Toledo cdr 2 a ound editor's notes, from Andrew Skeoch The concert This recording is a complete Selling England show from the magnificent second US SE tour of early 1974. The recording documents Genesis at their mature best, playing some of their most evocative music, and features a nice version of Horizons. This recording documents the complete concert, from a minute before the first melotron chord of Watcher, to the final applause after Supper's Ready. The show is performed impeccably. It is interesting to note the audience's extended applause after The Musical Box. I suspect the band left the stage after this number, leaving Steve to do his solo - a gesture that was interpreted by the audience as the end of the show, and thus cause for much foot stomping and hollering. I have this picture of Phil having to come back on and rescue him! The taper of this concert gives a running commentary to a friend throughout the show, which may be annoying, amusing or entertaining, depending upon your point of view. Certainly some of his comments give an interesting sense of what is happening on stage. His conversation at the beginning is particularly informative - and "totally shredded" has now entered my vocabulary :-) The Source Master of 1st gen sources of this show are unknown. There are 2 CDR versions of this show in circulation (that I know of): Source 1: This set has Watcher to Horizons on disc 1, and Epping Forest to Supper's Ready on disc 2, plus bonus tracks from 13th June 1977 (these are poor quality (high gen) soundboard recordings from the Palais des Sports, Paris recordings that lead to 'Seconds Out'). Tracks are indexed at the songs only, not the intros as well. This version sounds muffled, has a noticable hum throughout, and is pitched about a half tone sharp. Source 2: This version comes from what is accredited as being a 2nd gen source, and has the same disc tracklist as above, but with Peter's stories seperately indexed. This version sounds better than source 1, but has quite a bit of hiss, although the highs are clean. It is pitched about a quarter tone flat. Instead of either of these sources, I have chosen to remaster from a tape of this show, which is marked '3rd gen'. Whilst the actual generation of this tape is unconfirmed, two things are known. Firstly, it is the tape that was used to make the source 1 CDR version above, although listeing to it, you wouldn't guess it. By the owner's own admission, the transfer of his source tape to digital left a bit to be desired. Secondly, this '3rd gen' tape sounds much better than the Source 2 '2nd gen' CDR. Although the highs are similarly clear, the hiss is less, and the mids show the tape to come from a lower gen source. There is much more detail and depth on the tape. Also the lows on the tape are richer and fuller than on the CDR. Of the actual recording; the master tape appears to run from Watcher through to "To see reflected there..." in Firth of Fifth, thus one side of 90min tape. The second side seems to stop only 17 mins later, in the middle of The Musical Box. The last minute of this section of the recording has increasingly loud mechanical bumps indicating an ending tape side. However this edit may also be a result of the copying, as the last tape side (which appears complete) runs for 46 mins until the end of the concert. Thus there are only two apparent edits in the recording, but both result in the omition of short sections of the concert. To fill these gaps I have edited in sections from the Detroit 16th April tape, from ten days later. There was a third edit at the conclusion to the introduction to Supper's Ready, but this came from a copying edit, and, whilst it was missing from my tape, I was able to include the missing section from CDR source 2. If you listen closely, you can hear the slight degredation in quality resulting from using this source. The Restoration The primary problem with this recording, and the greatest challenge for me in restoring it, is immediately evident to anyone who knows this recording - microphone bumps!! The taper must have been hand holding his microphone, but it sounds as though he's eating his dinner off it. There are low bass bumps all the way through the recording. On several occasions (at the beginning of the loud instrumental in Musical Box (5:55), and also during Suppers Ready (at 2:32)) he actually taps out rhythms on it!! And on a few occasions, just for good measure, the taper blows on the mic. Getting these bumps and scratches etc out, took over 500 edits. I've approached this not by cut editing, which would have removed sections of the music, but by using a denoising program. In what I call 'inverted' mode, with the 'audition noise' button in, DINR will remove sounds above a threshold, rather than below it, as normal with noise floor attenuation. Thus in many cases I was able to set the music as the threshold, and remove the bump at frequencies were it was louder than the music. This technique works remarkably well, although sometimes you can hear a slight dropout, simply because there is no music left under a hefty bump. In other cases, where the music is louder and more complex, and the mic fumbling quieter, the bumps were not loud enough to isolate and remove, so you'll hear a few of those moments still remaining. If you are listening on a good stereo, you may also notice a few occasions during Peter's intros where the noise floor goes a bit 'digitally' - these are probably the scars left after bouts of mic fumbling were removed. So having removed extraneous noises and bass rumble, the next task was to clean up the treble. This was achieved with only 6Db of broadband noise removal, which is quite modest, thanks to a clean source tape. The second significant issue with this recording is that the treble contains significant harmonic distortion. There are times when Phil's cymblals become a wall of hard, 'fizzy' treble, with little definition. I eventually settled on an equalisation curve which attenuated the worst of this, but as it was a 'quality not quantity' issue, there was little I could do to totally remove it. The choice was either correctly balanced treble with distortion evident in places, or muffled and still distorted. So if you find the top end a bit brash in places, sorry, but its on the source. Be reassured, the final mastering has smoothed some of this and revealed more definition. If you have a copy of source 2, it may seem that the treble is smoother, but this is an audio illusion created by the hiss which does have a smooth white noise texture. Remove it and the fizzy treble is revealed. Finally, this is a mono recording. I have used early reflections to open up the stereo stage a little.
04/15/74 Palladium Theatre cdr 2 b- AUD
04/16/74 Ford Auditorium cdr 2 a AUD PRRP 014 "Brush Back Your Hair"
04/17/74 McGraw Memorial Hall cdr 1 a- PRRP 004
04/21/74 Centre Sportif cdr 2 a Fm
04/21/74 Centre Sportif cdr 3 A FM. FADE 004 3rd disc has a PG radio interview and the Peter Hammill opening set.
04/24/74 Music Hall cdr 2 B+ * except d1-t1 and d1-t2 Mike Rutherford and Phil Collins April 24, 1974 Wednesday Afternoon WBCN Studios, Boston, Ma. USA Incomplete; missing beginning of radio set WBCN-FM Simulcast > Analog Master > Cassette > DAT > CD > EAC > FLAC Note: intermittent low level "squeak"; unsure of origin Disc One 60:18 01. More Fool Me (cut in) * 0:56 02. interview * 5:54 03. Watcher Of The Skies (cut in) 8:06 04. Britannia Story & technical difficulties 4:51 05. Dancing With The Moonlit Knight 8:39 06. Romeo Story 1:56 07. The Cinema Show 11:03 08. I Know What I Like (In Your Wardrobe) 09. Five Rivers Story 1:24 10. Firth Of Fifth 9:41 Disc Two 43:25 01. Henry Story 1:34 02. Musical Box 11:19 03. More Fool Me 3:26 04. Old Michael Story 3:16 05. Supper's Ready 23:50
04/24/74 Music Hall cdr 2 a- HW10 Music Hall, Boston. 24th April 1974 Disc 1: 1. Watcher of the Skies 2. Britannia story 3. Dancing with the Moonlit Knight 4. Romeo and Juliet story 5. The Cinema Show 6. I Know What I Like 7. 5 rivers story 8. Firth of Fifth Disc 2: 1. Henry story 2. The Musical Box 3. More Fool Me 4. Old Michael story 5. Supper's Ready WBCN studios, afternoon of 24th April 1974 6. More Fool Me (conclusion) 7. Interview with Mike & Phil The Show This evening's performance in the middle of the 2nd American Selling England tour was frustrating and brilliant at the same time. The equipment problems that plagued this tour were particularly bad this night, and at times you can hear Gabriel and Collins losing some of their usual tolerance in the face of continual microphone problems. Gabriel comments at one point that "we'll go professional next week", and Collins; "I bet you wish you'd gone to the pictures". The intro to 'I Know What I Like' is aborted at one point. Never-the-less, this is a great musical performance, and one of the better recordings of a show from this tour. Firth of Fifth is given a particularly emotive performance, and Phil varies some of his vocal lines in More Fool Me nicely. There is also an interview with Mike and Phil, including the end of their performance in the studio of 'More Fool Me', which was broadcast on Boston's WBCN radio, and which seems to be previously unknown. The Recording This recording has been remastered from Steve Hopkins' transcription of his master tape, which he generously sent me. The recording was made on a Sony TC-55 with built in condenser microphone. The tape was transferred using a Nakamichi DR-2 cassette deck to Sony TCD-60ES DAT recorder at 44.1KHz with Super Bit Mapping (which really improves the clarity of the sound), before being transferred to CD. The recording is mono, but clear and with significant detail. The only limitation with this tape is that it does not represent the entire show, as The Battle of Epping Forest, and possibly Horizons (if they performed it this evening) are missing. There are also a few minor edits in the recording, and one of these may have omitted Phil's one-handed drum solo, which one is tempted to think they must have performed given the amount of technical difficulties. This recording has been widely in circulation, most commonly through the Highland disc 'More Fool Me'. I don't have a copy of this, but my impression is that while it is a complete transcription sourced from a low generation tape, it is very bright in the upper midrange, and lacking in richness in the bass. The master tape by contrast, is more balanced overall, and with a rich bass presence. The afternoon before the show, Phil and Mike came into Boston's WCBN studios, performed 'More Fool Me' and gave a short interview. This interview has not been previously in circulation, but Steve had a recording of it, unfortunately missing all but the last 50 secs or so of 'More Fool Me'. But at least it exists and is included in this release. The Remaster I took only one channel of Steve's transcription, so as to optimize for mono. I denoised the recording minimally, mostly just to sharpen up the treble a little. Eq balance was pretty good, although I attenuated the lower midrange a little around 200Hz to compensate for a slight boxiness in the microphone. I have made a few small crossfade edits at points where the tape was turned on and off during some of the technical hold ups in the show to provide a little more continuity. I cannot pick the point at which Epping Forest is missing from the recording, I assume it must have been played, especially as Phil and Mike comment in the interview about the show running nearly two hours - this recording comes in at just over 90 mins. There are also a few squeaky noises on the master recording, which may come from the cassette recorder, or even the seating at the venue. These sounds were quite distracting, so I have removed them. There was a very noticeable one at the beginning of Tony's piano intro to Firth of Fifth, and others in the opening section of Musical Box.
04/29/74 Allen Theater cdr 1 b AUD
05/02/74 Massey Hall cdr 4 a- AUD PRRP GS017 A and B
05/02/74 Massey Hall cdr 2 a+ GASP 022 Massey Hall Toronto, Canada May 2, 1974 1-1. Watcher Of The Skies 1-2. Introduction: Britannia's Story 1-3. Dancing With The Moonlit Knight 1-4. Introduction: Romeo's Story 1-5. The Cinema Show 1-6. I Know What I Like (In Your Wardrobe) 1-7. Introduction: The Five Rivers Story 1-8. Firth of Fifth 1-9. Introduction: Cynthia's Story 1-10. The Musical Box 2-1. Supper's Ready Source: OAM/SBD - Open-air-microphone recording, probably a mix with the direct soundboard feed, first generation. Notes from tom ============== A substantial phase (azimuth error) was corrected using CEDAR. Tape playback speed was off by 2.5%. This has been corrected. The right channel volume was increased by 1.5dB There is noticeable damage on the right channel throughout disc 1, especially on the first track and on the last part of the last track. The high frequencies were irreversably destroyed by cyclical dropouts which probably are due to a mechanical tape transport problem. Each dropout is 0.6 secs long, beginning with two very short glitches; this happens at rate of 0.66Hz. There is a total dropout towards the end of The Musical Box corresponding to tape-flip. Presented by the Genesis Authentic Soundboard Project Thanks: WB, MC, DD, TM, VW, PR, DB
05/04/74 Academy of Music cdr 2 a PRRP GS 013
05/04/74 Academy of Music cdr 2 a AUD Jerry Moore master
05/04/74 Academy of Music cdr 2 a W07 Academy of Music, New York. 4th May 1974 The Concert This was the second last concert of the Selling England by the Pound tour. The band had been performing this music since October the previous year, some of it for much longer. What we hear is not only a finely honed rendition of some of their best music, but an exhilarating performance. And what adds interest for us was what plagued the Genesis crew at the time - equipment problems. Not only is Phil's One-handed drum solo routine given an amusing airing, but later in the concert, Phil leads an impromptu improvisation while covering for another running repair. And their equipment woes didn't end with the gig. Phil comments at one point during the concert "even the unexpected happens tonight..." Little did he know. Later that evening all the band's guitars were stolen, to be returned the next day after a little bribery, allowing the performance of the 6th May to go ahead. On that last concert of the tour, Peter describes the incident, in typically amusing fashion - however I'm sure they didn't feel that way the day before. From a friend who lives in New York, I have been told about the venue: "its offical name was 'Howard Stein's Academy of Music', the place where so many famous bands played, Nektar, Renaissance etc. I think it was on 14th Street. It was sold in 1976 and re-named 'The Palladium'." In my opinion this concert may be regarded as one of the finest Selling England shows they performed, and it is a great fortune that we also have one of the best recordings of the tour to document it. The Recording This audience recording is absolutely superb. Clear open detailed sound, with good dynamics and very little hiss or distortion. Given this quality of sound, the matter of it being a mono recording becomes irrelevent. The recording documents nearly the whole performance. However, there are two major gaps; the first, a minute and a half missing during from middle of the instrumental section of Cinema Show, and the other, the last third of Battle of Epping Forest. These would be sad losses from an otherwise great recording, if it wasn't for the existence of an almost comparable quality recording from the same venue on the 6th. This recording, to my knowledge, is incomplete, cutting the end of Cinema Show, and finishing with Epping Forest and so missing Supper's Ready. However by good fortune, it does cover those sections missing from the tape of the 4th. So I have spliced in the missing sections from this 6th May tape. Hence this recording gives the complete show, to the extended applause and playing of Albinoni's Adagio that conclude the concert. The best known version of this concert in circulation is the Highland release: 'Voices in the Academy'. Recently, a CDR 'from VHS copy of master reels' has been circulating. This new version is a huge upgrade on the Highland version, and begins to show the quality of the original recording. Highlands source by comparison is hissy, muddy and with a 'bubbly' texture (minor dropouts). Recently I was sent a 1st generation tape from an American collector who has had his tape for a long time. Many years ago he did a trade with a Canadian collector who insisted on a VHS dub of the tape. Comparing this 1st gen tape and the 'from VHS' CDRs, I believe it is a fair bet that the new CDRs come from the VHS tape dubbed from this tape. Certainly this 1st gen tape is clearer and more open than the CDs. The Restoration This was a fairly straight forward recording to remaster, requiring little serious repair work. I began with a new transcription of the 1st gen tape, optimising for mono and giving a little boost to the bass harmonics. I have chosen to denoise very slightly (-4Db) and also bring out the treble a little more cleanly. If you compare with the 'from VHS' CDs, you will hear the extra brightness in the top end, with marginally less hiss. The excerpts from the 6th May tape were spliced in, eq balancing and repitching that recording, as it was about a half tone flat. The Academy of Music is a lovely old venue that has a rich warm acoustic. I have complimented the recording with a little reverb, matched to that of the venue, and opening up the mono soundstage with some early reflections.
05/06/74 Academy Of Music cdr 2 a- AUD. PRRP GS 019 late show
07/??/74 Manor House cdr 2 a+ Demos Down on Broadway
12/08/74 Palace Theater 0 HW14 Palace Theatre, Providence, Rhode Island 8th December 1974 The Source This recording is outstanding, and has long been recognised as such. All the set up conditions for a great audience recording are present; good equipment, no obnoxiously loud audience members nearby, and it sounds as though the show was taped from near enough to the stage that it doesn't sound distant. The levels are good, with little hiss or overload distortion, and notably, there is not a single microphone bump during the whole recording! All the instruments are clear and there is a great sense of ambience from the hall and audience. The recording was reputedly originally made on reel-to-reel, although the difficulties of stealth recording with large open reel gear, and that consistent cuts occur at the 45 min flips on different cassette copies of this recording, all point to a common cassette source. Whether that is the master or just a 1st gen duplicating tape is unknown, but going on the audio quality of this recording I think the former is more likely. The recording documents nearly the entire concert with the exception of two omissions; firstly a small section (possibly only a few seconds) between the audience applause at the end of Carpet Crawlers, and the first chord of Chamber of 32 Doors (which fades in quickly), and secondly the middle minute and a half of Ravine. These missing sequences are almost certainly absent from the master recording. While they both occur at end of cassette tape sides, I think it is unlikely that they would originate in a cassette copy somewhere along the line. This recording is mainly known from the 'Rael Imperial Aerosol Kid' bootleg, although because of its good sound quality, bits of it appear on other releases, notably the Waiting Room/Anyway section which is used on several boots (Lamb Lives, Suppers Ready with a Little Lost Lamb, From One Fan to All Others) to bridge the missing sections of the West Palm Beach and Lakeland soundboard recordings of January 1975. The Remaster This remaster has been initiated from first generation cassettes, generously contributed by a Hogweed member who knew the taper of this show in the 70s. The 2 tapes were TDK and Maxell 90s, with the show on 3 sides. While the cuts on these tapes are similar to those found on the Rael Imperial boot (indicating these cuts are on the master tape), there is a short section of crowd noise at the beginning (where Peter goes "Shhhhh"), which is on the boot but not this tape. Hence these tapes are definitely not the source for the boot. Also, the Rael Imperial boot inexplicably omits one of the best parts of the recording - the second encore of Watcher of the Skies, which is present on these tapes (hooray!), and (as far as I know) makes its public debut on this remaster. The main difference in sound quality between the Rael Imperial boot and these raw tapes is in the midrange. Rael Imperial has a hard and brittle edge resulting from overload distortion of some kind. These tapes are bright but undistorted and smooth. Rael Imperial also has a treble cut above about 8KHz, possibly to minimise hiss, and of course the top end has gone with it. Lastly it is also weak in the bass as the original recording seems to be, there having been no attempt to balance this up. So, plenty of room for improvement.... I have as usual begun with a new transcription of the source tapes, checking pitch, which rises slightly with each tape and has been corrected. I have also passed the analogue audio through an exciter to add harmonics to both the bass and treble, so extending the frequency range. Next I have denoised the recording *slightly* - by slightly I mean 4Db down to 4KHz, with a top end (above 7KHz) boost of 3 Db. This is really quite minimal, but enough to sharpen the tops and minimise what was a fairly minimal amount of cassette tape hiss anyway. The stereo on this recording is a little off-centre, as though the microphone was not pointed directly at the PA. I know what this is like from my own experience, there is a great temptation to point the mic at the stage, but a central stereo image is best obtained by pointing it at the PA itself. Whether that has happened here I don't know, it could be a tape head alignment issue in copying that has caused the imbalance. What can be heard is that the frequency response is slightly different between channels, and that there seems to be more of a hall ambience echo in one channel (left on this remaster). In balancing the equalisation, I have tried to correct this stereo imbalance, but it still didn't create anywhere near to a central stereo image. After a little playing around I found that the phasing of the two channels was the main cause of the problem. This would be consistent with either mic/venue or head alignment explanations. Anyway, after a little jiggling of the timing of left channel against right, the stereo image comes close to the centre, and the eq balance fine-tunes things along a bit more. So while the stereo is not perfectly balanced, it really sounds as though you are there in the auditorium, and that is what we want to hear. I have balanced the equalisation as best I can. The microphone used for this recording has a presence band peak around 4KHz, giving a bright sound, but was a little deficient in the bass. So I have pushed the bass a little, softened the low mids, and left the top end pretty much as it came out after the analogue exciting and denoise boost. It sounds at times as though the top end is quite bright, but I have played around with it, and found that attenuating anything just led to either a thin or dull sound. I think a part of it is that the cymbals, particularly Phil's rides, are quite loud in the mix. At least they dominate the music well down into the midrange, so it's not a case of just equalising them back a bit. What you hear probably represents the way it sounded in the hall. After the bass was enhanced, some low frequency (around 60Hz) hums became noticeable. Where the music has been quiet enough that they are audible, I have removed them, and in the process cleaned up any 'rumble' on the floor of the recording. Lastly I have edited in sections from other concerts to fill the missing gaps in this one. The first few chords of Chamber of 32 Doors come from the West Palm Beach 75 soundboard, which I chose because it matched the sound quality well, and as it was a short fill that would have sounded much the same each night, I felt that WPB was a suitable source. Ravine comes from the stereo audience recording of the 12th December 74 show from Waterbury, CT. This is also a good recording, and although the source I had access to is probably not the best available, it seems to balance in well. It is interesting to note the lack of buzzes from the PA on this Waterbury concert. Lastly a short section of the intro crowd noises (Peter's "Shhhhh", less than 10secs or so) from the 'Rael Imperial' boot was used to fill the missing splice in the source tape I used. The final process was to balance volumes between the 3 parts of the show, and maximise the levels. There is no reverb on this remaster. Turn it up loud!
12/08/74 Palace Theater cdr 2 a- AUD PRRPGS 025
12/08/74 Palace Theater cdr 2 a- AUD Dan Lampinski recording
12/09/74 Music Hall cdr 2 b+ AUD BURP 32 Taped by Joe Maloney.
12/16/74 Maple Leaf Gardens cdr 2 a SBD
12/16/74 Maple Leaf Gardens cdr 2 a+ Genesis - "Lamb Tour" Live MAPLE LEAF GARDENS, Toronto,Ontario, Canada 1974 12 16 SDB recording, this version I made for for my own, as a complete concert, used the "Gasp 018" version, which is incomplet & raw. Though the soundquality is A+. So thank you the opportunity, I denote it in my cover art design version. Also thanks to Dan Lore for the "Lakeland - Musical Box". I did not use any eq for distort the sound quality, and all I have done, saved only once. To compile I used the (Steinberg) Wavelab software. In my opinion this is one of the most powerful & enjoable "Lamb" concert ever, among the "Liverpool", which I also plane to make a complete soon. Have fun with, enjoy! DGY CD1 01. Story of Rael part 1 1:13 From "The Shrine Auditorium - Los Angeles 24-1-75" 02. The Lamb Lies Down On Broadway 5:01 The first seconds also from above, the rest is as the "Toronto" originally had. 03. Fly On A Windshield 2:37 04. Broadway Melody Of 1974 2:17 05. Cuckoo Cocoon 2:16 Some crackle was out taken, recalled the first words of Peter Gabriel. 06. In The Cage 7:58 (tape-flips) 07. The Grand Paradise of Lifeless Packaging 2:59 08. Story Of Rael part 2 1:23 09. Back In N.Y.C. 6:25 10. Hairless Heart 2:15 11. Counting Out Time 3:50 12. Carpet Crawlers 5:39 13. The Chamber Of 32 Doors 5:49 14. Fade Out 0:08 CD2 01. Story Of Rael part 3 2:33 02. Lilywhite Lilith 2:56 03. The Waiting Room 5:34 04. Anyway 3:40 The original "Toronto" version lasts only about the first 50 seconds(end of the tape), than I filled it with the "Liverpool" version, used for a little time stretch & volume balance. 05. Here Comes The Supernatural Anaesthetist 4:08 Sadly this track is absolute missing from the "Toronto version", so I picked it from "Liverpool" version.(Time stretch, volume compensate.) 06. The Lamia 7:11 Made of 2 parts, 1st from "Lakeland 11-01-75",(volume, time strech, first words recalling) 2nd from the rest of "Toronto" concert, lasts till "It" without any break. 07. Silent Sorrow In Empty Boats 3:02 08. The Colony Of Slippermen 8:38 Cracks were taken out. 09. Ravine 1:36 One notorious annoying sound (1 sec) was out-taken, which was not belonged to the music in my opinion. 10. The Lights Dies Down On Broadway 3:41 11. Riding The Scree 4:23 12. In The Rapids 2:11 "Recalled" the first words of Peter Gabriel from "Providence, Lakeland". 13. It 4:06 One drop-out was ot-taken at the end. 14. Applause 0:21 (made it double time long) 15. Story Of Henry & Cynthia 1:50 From "Groningen" & Providence (eq, volume balance) 16. Musical Box 11:18 First part is from Dan Lore's Lakeland 11-01-75,probably is also made of 3 parts, but I like it. (timing balance according to "Toronto" mosaic, volume balance, some eq-at the first part). If somebody can make a better version, please write to me. 17. Applause 1:53 18. Watcher Of The Skies 7:45 Some drop-outs & tape-flips were out taken.
12/17/74 Auditorium Theatre cdr 2 A SBD. There seems to be some speed trouble at times on the first disc. Most of Anyway is missing. "Wasted Wings"
??/??/74 In The Beginning vol. 12 cdr 1 a+ Neat stuff.
??/??/74 In The Beginning vol. 12 cdr 1 a
??/??/74 In The Beginning vol. 12 cdr 5 A Best version!!!
01/10/75 West Palm Beach Convention Hall cdr 2 a SBD BURP 009 remaster
01/10/75 West Palm Beach Convention Hall cdr 2 a+ HW05 Genesis Convention Hall, West Palm Beach, Florida, USA 10th January 1975 West Palm Beach, Florida (Possibly Gusman Hall, University of Florida) January 10, 1975 The Sources I have remastered this recording from a known 1st generation tape, thus made directly from the master soundboard tapes. To fill the missing sections of the concert, I have chosen to use the audience recording of the actual concert rather than a better sounding recording from another night, particularly one such as Rhode Island which dates from a month earlier and a different leg of the tour. Whilst this provides an authenticity to the final edit, the sound quality of this audience recording is not the best. It has some pretty heavy overload distortion throughout, especially in the bass, and is a fairly distant recording which lacks detail. On the up side; it is in stereo, and is nearly complete, running out toward the end of the intro to 'The Musical Box'. I know my decision to use this recording may be not to the taste of all, but it just sounded right. I did try other sources, and none of them blended in as well as the correct one, despite the poor audio quality. To be honest, all the audience tapes sound noticably poorer compared with the soundboard one, so which ever source I used you are going to hear a pronounced drop in fidelity. Also, the distortion problems prevalent throughout much of this recording didn't seem to be too abnoxious during the sections required, especially Peter's intros. Also, to use another recording (and Rhode Island does stand out) would simply be to create another version of 'Lamb Descends on Waterbury'. With this remaster, you can hear the complete concert as it was originally performed. And besides, I hope to be remastering the Rhode Island tape seperately in the near future. The W Palm Beach audience recording is sourced from a low, but unknown, generation tape. Restoration This soundboard tape is in stereo, and is bright and clear, with good dynamics. Apart from doing a clean transcription, little needed to be done to it. I have taken care to get the stereo phasing correct, as it wandered a little during the playing of the tape (only noticable if you're playing this in mono). The treble is very clean but a little bright, giving a 'thin' sound, which is evident on the 'Lamb Descends' boot. I have balanced this a little, and boosted the sub-bass harmonics, giving Tony's pedals the required oomph! I have not denoised it, as the hiss levels seem to come primarily from the mixer. You can hear how they vary throughout the performance. Where tapes were used during the performance (such as the bridge from 'Cage' into 'Grand Parade', and the end of 'Slippermen') the hiss from these is quite noticable. There are also times when onstage equipment buzzes are quite prominent as well. To try to denoise a recording like this would just not work. There is not a lot of stereo infomation. Most of the mix is near-mono, with Steve's guitar adding a few nice spacial moments (eg; Musical Box) or Tony's keyboards (Ravine). I have not added reverb or any other enhancements, so what you hear is the clean soundboard mix, complete with whatever effects were used on the night (and some are very noticable, particularly on Gabriel's voice and Hackett's guitar). One puzzling feature of this tape is a strange high frequency noise during quiet sections such as Gabriel's intros. It sounds like a bird 'twittering'. I have no idea where this noise comes from, but may be interference from the mixing desk somehow. Anyway, I have carefully removed it because, whilst it may be 'authentic', it sounds downright wierd and distracting. If you want to hear this noise in its original state, listen to 'Lamb Descends'. The audience tape was frequency balanced to blend in as best as possible with the soundboard tape. I have used it as little as possible, chosing to edit in the middle of songs to exploit the most of the soundboard tape that exists. This means some very obvious edits. I reason that any edit between these two sources would be obvious, so please use a little listening license :-)) I'm sure it pretty obvious, but the audience tape is heard at the very beginning as Gabriel introduces the show, during the missing Anyway-Slipperman section, and for Gabriel's intro to Musical Box. More subtely, I have also blended it into the applause and Gabriel's story interludes, so you can hear the audience's interaction, and the reverb from the hall. The first 2 minutes of Musical Box is missing from both the soundboard and audience tapes. I have chosen to use the Rhode Island 74 tape to begin the song, blending to the Lakeland soundboard after that first minute and a half, and then editing into the West Palm Beach tape when it picks up a minute or so later. There are two gaps in proceedings not represented on either recording; one at the end of the audience applause after 'it!' and before Peter begins introducing 'Musical Box', and the other when the audience tape runs out before Musical Box begins. Both these missing sections give the impression of being quite short, possibly only 10 secs or so, and I have simply cross faded the existing tapes together. There is no recording of a second encore; 'Watcher of the Skies', if it was played during this concert.
01/11/75 Lakeland Civic Center cdr 2 a SBD PRRPGS 018
01/11/75 Lakeland Civic Center 0 SBD SAB 9 version
01/22/75 Community Theatre cdr 2 A Open AIr Mic recording. "The Lamb Lies Down on Berkeley"
01/28/75 Civic Plaza Assembly Hall cdr 2 a SBD PRRPGS 014
02/26/75 Palais des Grottes cdr 2 a- AUD PRRPGS 023 "Out of the Subway"
02/28/75 Parc des Expositions cdr 2 a AUD PRRPGS 012
03/01/75 Palais Des Sports 0 an Eeklair Remaster Open Air Microphone (OAM) Both Musical Box and Watcher are cut.
03/29/75 Festhalle cdr 2 b+ SWISS LAMB Mar 29, 1975 (Festhalle - Bern, Switzerland) Recording - Audience Source - Master tape to cd transfer Comment - The sound has been touched up by the Fado brothers No Musical Box on my copy.
04/03/75 Jahrhunderthalle cdr 2 b+ PRRPGS 001
04/04/75 Circus Krone cdr 2 A- OAM recording from BURP Genesis downloads
04/07/75 Westfalenhalle 3 cdr 2 a AUD Digital Brothers remaster, from 1st gen tapes
04/10/75 Martinihal cdr 2 a AUD PRRPGS 009
04/15/75 Empire Pool cdr 1 a+ FM Coaster Factory remaster
04/15/75 Empire Pool cdr 2 b+ AUD PRRP 10 complete show
04/19/75 Empire Theatre cdr 2 a+ Superd SBD. BURP 39. A few edits, but a great sounding show!
04/27/75 Palace Theatre cdr 2 a+ Hogweed release HW02 I gave this an A+ because, for an audience, this is top notch. If this were a soundboard, this would be an A-. There are no cuts that I could hear. The bass is way up there, but that's what equalizers are for. Palace Theatre, Manchester, 27th April 1975 This is a recording of the complete concert from the triumphant British leg of the Lamb tour. It is a beautifully clear and undistorted recording, which I have been able to remaster from the master tapes (many thanks to Colin Dodd for providing them). As Colin points out in his essay, the concert began late, and the venue curfew meant that only Musical Box was played as an encore. The music is immaculately played (as always), and the concert features an outstanding Waiting Room. By this stage in the tour they were stretching out a bit more on this improvisation, and both the frightening first part and the driving build up are extended, and have many different elements not heard previously. Perhaps, knowing that they had done their BBC recording of the tour (at the 15th April London concert), they felt freer to experiment a bit more in front of a very supportive home audience. Hackett seems to be refining his solos on Fly on a Windshield and Arrival. One moment of distraction; at the conclusion of Cuckoo Cocoon, Gabriel finishes his final flute phrase a bar early, and quickly repeats it. He then misses the first lyrics of 'In the Cage'. The British audiences were some of the most enthusiastic of the Lamb tour (rivalled only by the Italians, who sadly only got that one show at Torino). Not only did the band extend their improvisations, but Gabriel responded with elaborating and humourising his stories, to which the crowd respond energetically. There are some great interactions; I love his "...a huge roar on my right" at which a few members of the crowd (presumably on his right :-) roar! There is another noteworthy moment in Counting Out Time; during this song (as for the whole concert), slides were thrown onto 3 projection screens behind the band. Some images during this song show diagrams of female anatomy with arrows and numbers pointing out relevant parts. The audience can be heard laughing at these as Gabriel sings "...digesting every word the experts say" (about 36 secs into the track). There is also some audible amazement during 'Arrival' as Gabriel appears as the Slipperman. This show has not been commercially bootlegged, and has only been circulating among traders either on CDRs from Colin's masters, or low generation tapes. Hence, although it is one of the better recordings and performances of the Lamb, it has not been widely known. Colin recorded the concert on 2 Maxell C120 Low noise cassettes. He captured the entire concert, flipping the tape during the applause at the end of Chamber of 32 Doors, and again during the beginning of Arrival. I have edited some applause into the first flip, and taken a section from Colin's recording of the 28th to patch the intro of Arrival (it is interesting how similar Hackett & Colin's 'improvisation' is one night to the other). I have then chosen to place the edit between CDs at the end of Waiting Room - not only does this give 2 discs under 70 mins (preferable for duplicating), but it allows me to include the full recording of the audience calling for a second encore at the conclusion of the concert. Due to this recording coming from a low noise tape, the treble was a little muted. On the CDR of this show that has been in circulation, the tops are boosted considerably, giving a rather hissy recording. So the challenge (as often the case) was to attenuate this hiss while keeping the treble detail. The result (I hope you'll agree) is an open and clear recording with considerable top end detail. There are a few moments when lack of detail in the master leads to a graininess in the treble. Sorry, but there just wasn't much there, and to smooth it off would remove what subtlety was to be heard in Phil's drumming. I've chosen to preserve as much as I could of the music, at the expense of 'textbook' audio. The bass end of this recording is lovely and rich, showing Rutherford's bass and pedal work. If you're a Rutherford fan, this is the lamb show for you. If anything I have had to soften the bass off a little, but otherwise the equalisation balance on the master was very natural. The recording was made on a machine with automatic record levels, so I have manually restored the true volume dynamics. For instance; if you have the original version of this, you'll notice that Tony's solo keyboard intro at the beginning of the concert gets louder, until Peter's "And the Lamb..." and Phil's first drum splash knocks the levels down again. I have reconstructed these levels to sound more natural, and the rest of the band now come in powerfully as they should do. Fortunately the response of the auto record was quite long, 10-15 secs before responding to a quieter section in the music, so the short-time dynamics, the 'punch' of the recording, are not affected. Lastly, the tape was in mono. I have added subtle early reflections to add depth and space to the final sound. If you're listening on headphones, you may notice the effect, but the stereo field is still predominantly centralised.
04/28/75 Palace Theatre cdr 2 a- Genesis Palace Theatre, Manchester, 28 April 1975 Notes by Colin Dodd Sadly the recording didn’t run quite as smoothly as the gig. Calculating the time remaining on cassette tapes was always an inexact science and unfortunately the tape ran out a couple of minutes before the end of 'it!' If that wasn't bad enough I then fell foul of the curse of the Philips C-120. Anyone who was taping shows at the time will remember these. On the face of it they were ideal for the job, giving a full hour between tape flips. However, the motor used in the average cassette recorder just wasn't up to pulling that amount of tape with any degree of accuracy. You only needed to get a tape that was a little tight and you were in trouble. The result was that the first twenty minutes or so of the new tape suffered from speed fluctuations, the remainder of 'it!' and most of 'The Musical Box' being rendered unusable. For this remaster Andrew has decided to replace both these tracks with the versions from my recording of the previous night. Thankfully by 'Watcher' the tape was running okay again. HW08 Palace Theatre, Manchester, 28th April 1975 This is the second of the two nights Genesis played at Manchester on the latter part of the UK Lamb tour, and also comes from Colin Dodd's tapes of the evening's performance. There is not really a lot to say about this remaster that I haven't said in my notes for HW02; the 1st of the Manchester concerts. The performance as ever was exemplary, with an awesome extended Waiting Room (Peter adding vocals), and the second encore with Watcher of the Skies. The master tapes of this evening are, if anything, slightly brighter than those of the 27th, which may be just an example of how tapes degrade inconsistently over time rather than anything in the original recording itself. The tapes (two Phillips C120s) were flipped during the applause after Chamber of 32 Doors, and when the first tape runs out about a minute into 'it!'. I have patched the applause in the first flip, but as Colin mentions in his comments, the second flip caused more of a problem... The tape speed wobbles that are present on the second tape are quite extreme to begin with, 'it!' is pretty unlistenable. 'The Musical Box' also has this regular lift in pitch, from the tape slowing, 'grabbing', during recording, although as the tape progresses the problem eases. On Colin's original transcription of his tape, which has been circulating on CDR, he only replaces 'it!', so you can hear the problems that remain on 'Musical Box'. I have chosen to totally replace both 'it!' and 'Musical Box' for this remaster. During the audience interactions between songs, these speed wobbles are not apparent. So I have retained the audience sections; the applause after 'it!' and Peter's intro to Musical Box, and the applause between MB and 'Watcher'. You can still hear the pitch instabilities slightly during Watcher, but of course, it is a feature of this evenings concert, being the encore that was missed the previous night. As with HW02, I have made a new transcription of Colin's master tapes, optimising for mono. I have then denoised the recording and lifted the treble out a bit more. The bass was nice and strong, and there was no need for eq balancing. PALACE THEATRE, MANCHESTER Apr 28, 1975 (Palace Theatre - Manchester, England) 2cdr Recording - Audience/Excellent Label - Hogweed Remasters HW08 Comment - Remastered from the Master Tapes.
05/01/75 The Hippodrome cdr 2 b AUD. BURP O5.
05/01/75 The Hippodrome cdr 2 a- Hogweed 11 This was the first of two evenings that Genesis played their Lamb show at the Hippodrome. The second night's gig has been widely known since from an excellent audience recording, originally in circulation as the TAKRL double vinyl boot 'Swelled and Spent', and variously reissued on CD, culminating recently in the FAde project's debut release, FAde01. Shortly after I established the Hogweeds project I was contacted by a member offering a previously untraded tape of this 2nd May show. Upon receiving a copy of this new recording, I was delighted to conclude that this was not only a new recording, but that it was of a previously unknown show. I attempted first to confirm with the taper the date of the recording, but was told that he had attended several Lamb shows in the UK, and whilst he held a ticket stub from the 2nd May performance, he could not say for sure that the recording originated from that performance. He was not too confident about his memory :-) Comparing this recording with others, a few things stand out. Firstly it includes a performance of The Knife, indicating it was one of the last shows of the UK tour, as previously they had played 'Watcher' as the second encore. For instance there is a recording of the Bristol show on the 30th, and 'Watcher' was played there. Secondly, Peter's 2nd Rael story is very similar to the Bristol show, and also to the 2nd May Birmingham performance. As mentioned in the notes for FAde's release, the 2nd May recording has always been attributed to that date, but there is no conclusive proof that this is the case. It may also be the 1st May show. Equally, it is only the taper's memory that this new recording was made on the second night, and could equally be the first. I did send a copy to someone who attended the 1st May show, and they concured that at the very least it was certainly a Birmingham date. In the absence of any indication either way, I am concluding that this new recording is the performance of the 1st May, and thus avoiding all the confusions that would ensue from trying to argue for a re-accrediting of the more well-known recording. But in all possibilty, either recording could be either night. Having established this recording's authenticity, I requested permission to remaster and release it, which the taper granted. Subsequently I received the master tapes, and it is from them I have made this remaster. I should also mention that the original CDR transcription that I recieved has recently found its way into a few people's hands, however it does have a few problems on it, which have been corrected on this version. The tape itself is quite good mono, I think most traders would grade it as a B, and more towards a B+ than B-. It is a little muffled and lacking detail, but on the plus side, has little distortion or tape saturation, and documents nearly the complete show. Beginning with a new transcription from the masters (pitched correctly - I think the original transcription was a bit fast), I have then carefully denoised the recording. As usually with my approach to denoising, you will still hear tape hiss, but the treble is much brighter and sharper than on the original tape, while the hiss levels should be notably attenuated. The eq balance was fairly OK, although as is usual with a lot of old amateur recordings, the lower mid-range was a bit boxy, and so I've softened it off a little. One major problem with this recording was microphone bumps. The mic was hand held, or at least in a position where it could easily be tapped. And it was, frequently. I have gone through this recording and removed each bump, one by one. There are a few that are still present, because it was too difficult to isolate them from louder sections of the music. But most of them were in quiet sections, quite a few being taps in time with the music. Someone was enjoying the gig :-) One other problem I haven't been able to do anything about is pitch drops during Chamber of 32 Doors and Lilywhite Lilith. These seem to occur at the same physical sections of the tape on the A & B sides, and I'm guessing that maybe the tape has been stretched in these places. By contrast, battery or voltage instabilities, or the tape grabbing, would cause pitch surges. The recording documents nearly the complete show. There is a tape flip at the beginning of 'Carpet Crawlers', and the first few seconds is missing there. But the tape runs out about a minute into 'Lamia', and only picks up again at the beginning of 'Silent Sorrow'. In both these instances, I have patched the show using excerpts from the Colston Hall, Bristol, tape of the 30th April. This recording has a similar B+ sound quality to this tape, and blends in reasonably well, although you'll notice the join on 'Lamia' if not 'Carpet Crawlers'. Finally, and you'll hear this yourself - this is a cracker show. Enjoy :-) Birmingham Hippodrome 1st May 1975 Hot on the heels of the previous two nights performances at the Colston Hall, Bristol, it was a trip north to Birmingham for the last two dates of the UK leg of the European tour. The cosy confines of the 2,000 plus seat Colston Hall was an ideal environment for the sophisticated visuals of the Lamb production, and the Birmingham Hippodrome offered a similar ideal size venue tailor-made for all to witness perhaps the most ambitious rock theatre to hit the road thus far. The band without doubt were hitting peaks with an assured strength of purpose in their playing with over 90 Lamb performances behind them at this time. The closing dates of the UK tour saw the band high on confidence and giving their best musically. I can’t emphasize enough what a joy it was to fully take in the nuances of the three screen visual production with its hundreds of myriad images flashing sometimes across all three, the occasional animation, all gloriously on view for everyone to be drawn into and fall under the spell. The opening wide-screen Manhattan dawn skyline with Tony’s piano commencing the show sent shivers down the spine in anticipation of what was to come. Those of us fortunate enough to catch earlier shows on the tour knew what to expect and it was now time to fully take in the combined musical/visual production and relive once more the Rael saga. Cuckoo Cocoon with PG lying in front of Tony’s keyboards playing flute; the swagger and dynamism of Back in NYC, including the exploding hurled Molotov; the first real gasps of the audience with the swirling Lamia guise. Highlight musically was the radical Waiting Room with the piece taking a slightly different direction each playing. This evening’s version was a gem. To add to the drama of the piece PG would appear silhouetted on the centre screen dancing grotesquely with what appeared enormous fingers almost embracing the entire stage. Stunning! Over two hours had quickly past before we are treated to the old favorites Musical Box and The Knife. Another great Lamb show and best of all, another show to look forward to the following night. Andy Wilkinson September 2002
11/??/75 Trident Studios cdr 1 A Different demos than the PRRP version
11/??/75 Trident Studios cdr 3 ENESIS London, Trident Studios October / November 1975 "ALL THE TRICKS OF THE WORLD" - A Trick Of The Tail Outtakes A) A Trick of the Outtakes (Highland HL198) 01.Dance On A Volcano (Instrumental) 02.Entangled (Part 1, Instumental) 03.Entangled (Part 2, Instumental) 04.Squonk (Instrumental) 05.Mad man Moon (Instrumental) 06.Robbery, Assault & Battery (Instrumental) 07.Ripples... (Part 1, Instrumental) 08.Ripples... (Part 2, Instrumental) 09.A Trick Of The Tail 10.It's Yourself 11.Los Endos (Part 1) 12.Los Endos (Part 2) TT 58:58 B) Demos from cassette 01.It's Yourself 02.Ripples (part 1 & 2) 03.No Hiding Place (Robbery, Assault & Battery) 04.Fast Beloved Heroes (Los Endos) / Beloved Summer (Mad Man Moon) 05.Chug (A Trick of the Tail) 06.Acoustic Song (Entangled) 07.7/8 Song (Dance on a Volcano) 08.Indians (Squonk) TT 50:37 C) A Trick Of The Tail "Outtakes" (Vinyl bootleg) 01.Beloved Summer (It´s Yourself) 02.Ripples (part 1) 03.Ripples (part 2) 04.Robbery, Assault & Battery 05.Los Endos 06.Mad Man Moon (piano version) 07.A Trick Of The Tail 08.Dance On A Volcano 09.Indians (Squonk) TT 48:55 Phil Collins - drums, percussions, vocals Steve Hackett - lead guitar Tony Banks - keyboards, acoustic guitar Mike Rutherford - bass, acoustic guitar These are three different sources from the same sessions which gave birth to A Trick Of The Tail, the first Genesis album without Peter gabriel to feature Phil Collins on vocals. Sources are different and I took the opportunity of a recent transfer of my own copy of A Trick Of The Tail "Outtakes" vinyl boot to create a mega-seed that include all three. A Trick of the Outtakes comes from a Highland CD and it is probably the most complete and best sounding. Quality there is pristine and this should be kept as the reference for these outtakes. Top notch there. The second source comes from a tape trade I did back in the mid 80´s and I haven´t seen this source circulating. tracks are the same except that this source is very hissy but you can hear some small sections not available on the cd, like small comments in the studio and counting before the track starts. I guess this is really for completists but could be interesting. The third source is from a vinyl boot I purchased back in 1987. Quality is also very good but shorter. Overall, this is basically what you need to have in terms of ATOTT outtakes. Enjoy! ldb
??/??/75 Trident Studios cdr 1 a- PRRP 1
04/01/76 Maple Leaf Gardens cdr 2 A Title BURP 040 (BURP 040) Date 01-Apr-1976 Venue Concert Bowl, Maple Leaf Gardens, Toronto Country Canada Type Audience Quality * A-
04/08/76 Beacon Theater cdr 2 b AUD
04/08/76 Beacon Theater cdr 2 b+ Genesis : The Lostbrook Tape Series - Volume 3 AUD
04/09/76 Beacon Theatre cdr 2 b AUD
04/09/76 Beacon Theatre cdr 2 Genesis: The Lostbrook Tape Series Volume 124 I was sitting in the second row directly in front of Steve Hackett, pleased that I didn't know anyone around me. This had been the case the previous night, and that tape benefited greatly from the situation. Moments before the show began, my friend Scott appeared in the aisle and made a difficult request of me. He asked me to trade seats with his friend, a guitarist who wanted to study Steve Hackett's technique. I wanted to observe Hackett closely myself, so I protested. I also didn't want to move since my recorder and camera were concealed and ready for action. Then Scott played his ace - "I'm the one who got you this ticket," he reminded me. This wasn't entirely true (see Vol 3 story) but I didn't want to prolong the argument with the clock ticking. As I gathered my gear, Scott consoled me and said, "Come on, you're sitting with me and Brad in the second row in front of Phil. We'll have a great time." That we did, but I went from a quiet taping situation to one marred by singing, clapping, and other over-enthusiastic nonsense. There are other problems with this tape: a small section of "Supper's Ready" was eaten by my deck and was so garbled that CQ needed to patch it with my April 8 tape. There's still some brief garbling and a small section missing from "Los Endos," but we left it as is for now. There are a few other cuts between songs since I edited some of the moments that make me cringe. There's a tape change near the end of "Supper's Ready," and the second tape, the Scotch Highlander, is a real piece of garbage. There's also a slight chance I might have copied this tape for a friend a long time ago, so I can't say for sure if it's uncirculated. For all these reasons, my original intent was to leave this recording unreleased. I eventually decided that the performance is simply too outstanding to be consigned to rot on my shelf. April 9, 1976 (Early Show) Beacon Theater New York, NY USA Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>(1) TDK SD C90 and (1) Scotch C90 Highlander>Alesis TapeLinkUSB> Audacity>WAV Taper: Lostbrook Mastering: CQ Artwork: ethiessen1 01 Dance On A Volcano (7:09) 02 The Lamb Lies Down On Broadway (4:28) 03 Fly On A Windshield (2:57) 04 The Carpet Crawlers (6:26) 05 The Cinema Show (11:49) 06 Robbery, Assault, And Battery (6:31) 07 White Mountain (7:27) 08 Firth Of Fifth (9:15) 09 Entangled (6:39) 10 Squonk (7:49) 11 Supper's Ready (22:49) (patched) 12 I Know What I Like (5:09) 13 Los Endos>It>Watcher Of The Skies (12:30)
04/10/76 Orpheum Theater cdr 2 b+ AUD Lampinksi recording
04/10/76 Orpheum Theater cdr 2 A AUD PRRPGS 025 Remaster 1. Speed correction. 2. Re-balance tonality. 3. Reduce noise, clicks and pops. 4. Correct segmental channel imbalances and auto-record suppressions. 5. Move Entangled introduction to beginning of disc 2 during re-tracking. 6. Patch missing sections. 7. Dynamically enhance low volume segments. Bruford forgets cymbal crash in Lamb Many Camera clicks heard during quiet sections on right of taper.
04/13/76 Syria Mosque cdr 2 a+ FM FADE 02
04/15/76 Music Hall cdr 2 a+ Fm PRRP GS 16 Broadcast is missing Entangled and Squonk
04/20/76 Ford Auditorium cdr 2 b AUD
04/29/76 Berkeley Community Theater cdr 2 A AUD PRRP 007
06/10/76 Hammersmith Odeon cdr 2 a+ SBD. I have the full show GASP 014
06/10/76 Hammersmith Odeon cdr 2 a+ SBD. Best sources edit. Best one out there.
06/10/76 Hammersmith Odeon 1 a+ Fm GEN760610TM/AV
06/24/76 Nightbird interview cdr 1 A Originally this was 25 minutes long but after taking out all the music (from Trick of the Tail) it clocks in at 7 minutes and 44 seconds. -------------------------- THE SONGS: Allison Steele talks with Phil and Bill about Trick of the Tail, Peter's departure, etc. TOTAL TIME 7 min. 44 sec.
06/29/76 Congresshalle cdr 2 b+ AUD PRRPGS 007
01/02/77 Rainbow Theater cdr 1 a+ FM Squonk/In That Quiet Earth/Afterglow/One For the Vine/All In a Mouse's Night/Eleventh Earl of Mar/I Know What I Like
01/03/77 Rainbow Theatre cdr 2 a+ SBD Date: January 03 1977 Venue: Rainbow Theatre London Title: Live In Rainbow Theatre Label: HIGHLAND PROJECT
01/03/77 Rainbow Theatre cdr 2 a+ GENESIS LIVE IN LONDON Rainbow Theatre 3rd January 1977 TM Productions GEN770103TM Best version I have.
01/13/77 Caird Hall cdr 2 b- AUD Davros 007
01/19/77 Gaumont Theatre cdr 2 a+ Disk 1 (66.59) ---------------- d1t01. Squonk 6:12 d1t02. One For The Vine 10:30 d1t03. Robbery, Assault & Battery 7:25 d1t04. Your Own Special Way 6:57 d1t05. Firth Of Fifth 9:12 d1t06. In That Quiet Earth 5:30 d1t07. Afterglow 4:12 d1t08. I Know What I Like 8:46 d1t09. 11th Earl Of Mar 8:10 Disk 2 (59.06) ---------------- d2t01. Carpet Crawlers 6:24 d2t02. All In A Mouse's Night 7:42 d2t03. Supper's Ready 25:21 d2t04. Dance On A Volcano/Drum Duet 5:38 > d2t05. Los Endos 11:31 5:46 d2t06. The Lamb Lies Down On Broadway/Musical Box (ending section) 8:10 As I started to edit, it was obvious that the noise print is representative of FM with the multiplex filter at 19-20khz clearly visible, so with Phil's comments during the show about broadcasting live to hospitals, I can only assume that the noise is due to the FM distribution of the concert, with very little contributed by the SBD. Details of the work I did are above, the key resulting improvements being... - Significantly less noise / hum, although a little remains just on the RH channel - Instrument dynamics are clearer / punchier - Phil's voice / diction is clearer - Steve's playing (low in the mix at times) can now be heard
01/20/77 Gaumont Theater cdr 2 a+ FM i4detail004 version. Great sound
01/20/77 Gaumont Theater cdr 2 a+ SBD BURP 10
01/20/77 Gaumont Theater cdr 2 (TomP) REMASTER GENESIS --------- SOUTHAMPTON '77 Gaumont Theatre - Southampton, England Jan 19th, 1977 Source: Genesis-Movement post by 'speedy' - thanks !! http://torrent.genesis-movement.org/torrents-details.php?id=1686 Presented by the Genesis Authentic Soundboard Project GASP #001 Thanks: WB, GG, DD, NB, AV, DK Changes Made (Nero 7): Noise Print NR, removed most of the noise, but some remains on the right channel Cross-mixed all tracks (87:13) Slight treble lift to match original Cut the silence between d1t05>6 & d2t02-3 Cross-faded several tracks to smooth transitions Fixed glitches at 5.27 (d1tr06), 0.50 (d1tr07), 2.44 (d2tr02), 1.30 (d2t05) Left channel reduction by 3% (disk1) 5-10% (disk 2) to centre stereo image Fixed left channel offset in the first 2min of d1t01 Fixed volume level shifts on several tracks, 2sec - 2min. Transfer: shn > mkw > Nero > Flac Fontend (level 6) Quality: A++ -------------- The original - posted specifically to encourage remastering - is great sounding but very raw, with significant noise and hum, plus (as mentioned in the original comments) some phasing which makes the instruments / singing indistinct. As I started to edit, it was obvious that the noise print is representative of FM with the multiplex filter at 19-20khz clearly visible, so with Phil's comments during the show about broadcasting live to hospitals, I can only assume that the noise is due to the FM distribution of the concert, with very little contributed by the SBD. Details of the work I did are above, the key resulting improvements being... - Significantly less noise / hum, although a little remains just on the RH channel - Instrument dynamics are clearer / punchier - Phil's voice / diction is clearer - Steve's playing (low in the mix at times) can now be heard Overall, I would rate this significantly higher than other (Genesis-Movement) A+ rated 1977 shows such as Sao Paulo and Zurich Revisited...
02/06/77 Kiel Auditorium cdr 1 a- AUD "Water and Wrecking" Highland boot. Missing 11 Earl and Musical Box.
02/12/77 Masonic Auditorium cdr 2 a- AUD, JEMS recording, Simulated stereo version.
02/23/77 Madison Square Garden cdr 2 a- AUD PRRPGS 003 "Winds Over NY City"
02/24/77 Music Hall cdr 2 a- AUD Dan Lampinski recording
03/19/77 Moody Coliseum cdr 2 a+ SBD PRRPGS 021
05/21/77 Ginásio Do Ibirapuera cdr 2 SBD. BURP-18
05/21/77 Ginásio Do Ibirapuera cdr 2 a+ SBD
06/13/77 Palais des Sports cdr 1 b AM broadcast on Europe 1
06/17/77 Mungersdorfer Stadium cdr 2 b GENESIS Cologne,Germany,Radrennbahn Open Air Festival June 17th, 1977 A Minimax - Master production No. 01 / 200 Master audience recording This concert I taped so many years ago I can't remember what equipment I used. I remember it was a big recorder with an included microphone. I layed the recorder on the ground of the stadium right inside the middle of the arena about 20 meters from the stage. Disc 01 01 Squonk 02 One for the vine 03 Firth of Fifth 04 Carpet Crawl 05 Unquiet slumber for the sleepers.. in that quiet earth 06 Afterglow Disc 02 01 I know what I like in your wardrobe 02 Supper's ready 03 Dance on a volcano 04 Los endos 05 The lamb lies down on Broadway 06 The musical box (Closing section)
06/24/77 Earl's Court cdr 2 A SBD. "Before Riches"
07/02/77 Hallenstadion cdr 2 a+ SBD Zurich Revisited
07/02/77 Hallenstadion cdr 2 a+ SBD Zurich Revisited, v.2
03/26/78 Reunion Arena cdr 2 a+ ABD BURP 034
04/01/78 Rockland Community College cdr 2 b+ Genesis : The Lostbrook Tape Series - Volume 18 We had already digested the news of Steve Hackett’s departure from Genesis, but the reality didn’t sink in until I heard “Follow You Follow Me” in the studio of my college radio station. My fellow DJ’s took a strange delight in my distress over the end of an era. Nevertheless, I was reasonably sure that Genesis would still be great in concert and wasn’t about to rip up my ticket, even for a Hackett-less, general admission event in Suffern - wherever that was. This wasn’t my worst GA experience, but the staff at Rockland certainly had an idiotic plan. They forced the crowd to wait for hours at the top of a flight of concrete steps, guaranteeing that we would run down them at break-neck speed when the doors opened and endanger everyone. We eventually squeezed through the doors and grabbed seats somewhere around the seventh row on the center aisle. Steve Hackett was irreplaceable of course, but this was still an excellent performance. If my research is correct, this could be the earliest complete tape from the 1978 tour. Then again, it’s April Fool’s Day - as it was then - and I’ve been fooled before. April 1, 1978 Rockland CC Suffern, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ 01 Introduction 02 Eleventh Earl Of Mar 03 In The Cage 04 Burning Rope 05 Ripples 06 Deep In The Motherlode 07 The Fountain Of Salmacis 08 Down And Out 09 One For The Vine 10 Squonk 11 Say It's Alright Joe 12 The Lady Lies 13 Cinema Show 14 Afterglow 15 Follow You Follow Me 16 Dance On A Volcano 17 Los Endos 18 I Know What I Like
04/17/78 LA Forum cdr 2 a- AUD PRRPGS 008
05/15/78 Festhalle cdr 2 b- AUD
06/01/78 Palais Des Sports cdr 2 b+ AUD
06/03/78 Palais des Sports cdr 2 a+ SBD SAB 14
06/03/78 Palais des Sports cdr 2 A SBD
06/24/78 Knebworth Festival cdr 2 A Pre-Fm source
07/25/78 Merriweather Post Pavilion cdr 2 b+ AUD Eeklair remaster
07/29/78 Madison Square Garden cdr 2 b+ Genesis : The Lostbrook Tape Series - Volume 52 July 29, 1978 Madison Square Garden New York, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ
10/10/78 St. John Arena cdr 2 b AUD
10/13/78 Uptown Theatre cdr 2 A FM "Master of Chicago Show" Highland boot
10/13/78 Uptown Theatre cdr 2 A FM GEN781013TM/AV remaster Best version I have
10/13/78 Uptown Theatre cdr 2 A FM SAB05v2
10/22/78 Hoffheinz Pavilion cdr 1 a+ FM
10/22/78 Hoffheinz Pavilion cdr 1 a+ PRE-FM source, BURP 38
12/03/78 Sun Plaza Hall cdr 2 b AUD
03/27/80 Hammersmith Odeon cdr 2 b+ AUD
04/03/80 ABC Theatre cdr 2 b AUD
04/17/80 Sheffield City Hall cdr 2 a+ FM GEN800417TM remaster
04/17/80 Sheffield City Hall cdr 2 A Fm "Hallem Tapes" on Highland Label
04/18/80 Apollo Theatre cdr 2 b+ Title: PRRPGS015- Duke's Apollo Date: 18-Apr-1980 Venue: Apollo Theatre, Manchester, UK This remaster project began with the master tapes of the show. This source has previously been uncirculated, a new find for the Genesis community. The show is complete here, except for tape flip gaps. Because the taper wanted to capture the whole Duke Suite on a separate tape from the rest of the show, additional points of swapping tapes occurred, which, in turn, resulted in additional gaps. These needed to be patched. There is a widely circulated, poor quality, alternative source of this show which was used to patch these gaps. There is a significant difference in the quality of these two sources so the patches are rather obvious when they are encountered. We felt it was better to patch the gaps with material from this actual show, to maintain the historic consistency, rather than use higher quality material from a different show. Once the gaps were patched, the show was put together in the original order and sequence. The tapes were digitized in 32-bit, 44.1 kHz format for the work. Speed was an issue with this recording. A close analysis showed a fairly consistent speed error throughout the show that was easily corrected. The acoustics of the venue also worked against us. The hall characteristics and the location of the taper produced a tonality imbalance that needed correction after the speed error was fixed. Hiss, hum and other tape noises were readily identified and reduced as much as possible. The auto-record-level feature introduced unintended suppressions in the recording that needed to be restored and repaired. The microphones also had an uneven response and became more sensitive to midrange frequencies during loud sections of the music. Dynamic filters were necessary to fix this problem and even out the tonality throughout the show. At some points during the show, the tonality shifts and becomes less detailed and more muffled. Corresponding directly with the taper about this, he remembers the security guards being out in force. This caused him to occasionally hide the microphones to avoid detection and this produced the tonality change. The stereo field also shifts quite noticeably at these points. These sections were adjusted as much as possible to correct the imbalance. In some sections there was distortion of the recording. Many techniques were used and tried to correct the problem but eventually, decisions were made to optimize the sound at the expense of quality. Fortunately, they are not too obvious. The show was then balanced and tracked and converted to CD Audio, 16-bit format to produce the final result. PRRP Staff
04/30/80 Newcastle City Hall cdr 2 a- AUD PRRPGS 020
05/07/80 Lyceum Ballroom cdr 2 a+ SBD "Musica"
05/07/80 Lyceum Ballroom cdr 2 a+ SBD BURP 015 remaster. Fantastic!
05/07/80 Lyceum Ballroom 0 a+ Genesis Live In London - The Lyceum Tapes 30Th Anniversary Remastered Edition Gen800507Tm Recorded Live At Lyceum Ballroom, London, 7Th May 1980 (Except One For The Vine: May 6). Source: Original Master Tapes Courtesy Of Bbc London, Except One For The Vine (2Nd Half): Nbc "The Source Special" (Radio Show Vinyl Double Lp) Courtesy Of Grasp (Genesis Radio Show Project), Spoken Introductions: "Story Of Albert Day Two" (Gmdvd01) Courtesy Of Genesismuseum.Com. Audio Editing, Cedar Cambridge Restoration, Mixing, Mastering And Artwork: Tom Morgenstern,
05/23/80 Oakland Coliseum cdr 2 b- Aud. Not a good one, for completists.
06/14/80 Merriweather Post Pavilion cdr 2 b AUD Eeklair remaster
06/19/80 Forum cdr 2 a+ SBD GEN800619TM
06/29/80 Madison Square Garden cdr 2 b+ AUD ....Genesis : The Lostbrook Tape Series - Volume 19
09/29/81 Arènes De Frejus cdr 2 b AUD "Me and Virgil" on Highland
10/06/81 Grugahalle cdr 2 b+ AUD. Kind of funny listening to the audience-they aren't too pleased with the new stuff. It is transferred from SONY FE CR C90 cassettes.
11/29/81 Nassau Veterans Memorial Coliseum cdr 1 a+ Pre-FM source!
09/27/82 Marquee Club cdr 2 AUD BURP-27 version.
09/29/82 Hammersmith Odeon cdr 2 a+ SBD !!! "Six of the Best" reunion rehearsals!
08/26/97 Telecom Tower cdr 1 A FM. Plus a WNEW interview with Tony, Mike and Ray.
11/15/97 Hotel Richmond cdr 1 a+ FM
12/13/97 RTL Studios cdr 1 a+ FM
??/??/97 After the Ordeal cdr 2 a+ Compiler's comments:This collection includes all the tracks from The Other CAS, plus a few others that I got from other sources. Instead of using the previous bootleg's questionable tracks, I took tracks off of the actual single CDs--half of which I already had. If I had to take a song from The Other CAS , I took it into my audio editing program (I use Adobe Premiere) and manually removed the pop from the beginning (it was actually quite easy). Track 1-08 is an unreleased b-side that I took from another collection which you can find in my Compilations/Miscellaneous section. Tracks 2-08 - 2-09 are mp3s that I converted to audio CD track files. The first features the controversial Anthony Drennan guitar solo interpretation (I think it sounds fine--they've done this song so many darn times, it must have been nice to have somebody different playing it, to breathe some new life into it), and was taken from the now-defunct Genesis web site "The Path." "The Dividing Line" is from the Birmingham radio broadcast which I have in more complete and better quality versions below. Like most live performances of this song, this one totally rocks. A great song to play for anyone who is dissing on Ray Wilson Genesis. Tracks 2-05 - 2-07 are also taken from the compilation disc that had "Nowhere Else to Turn." "Small Talk" sounds great (it's also from the RTL studio show), but 2-06 and 2-07 are lower quality audience recordings--very muffled. However, all three of these songs were played very, very rarely on this tour ("Small Talk" and "That's All" were to my knowledge only played once), so as such they are valuable tracks to have.
01/31/98 Arena Spodek cdr 2 Sourced from a TV broadcast. Nice full show from the CAS tour, pretty good sound, though a little low in parts.
02/02/98 Sportshall cdr 1 SBD "Calling From Prague" boot.
02/10/98 Unknown cdr 2 AUD There is also a radio show that was recorded on this date. 1.1 No Son Of Mine 1.2 Land Of Confusion 1.3 The Lamb Lies Down On Broadway 1.4 Ray Talking 1.5 Calling All Stations 1.6 Alien Afternoon 1.7 Ray Talking 1.8 Carpet Crawlers 1.9 Ray Talking 1.10 There Must Be Some Other Way 1.11 Domino (Part 1) 1.12 Domino (Part 2) 1.13 Shipwrecked Intro 1.14 Shipwrecked 1.15 Firth Of Fifth 2.1 Congo 2.2 Ray Talking 2.3 Home By The Sea 2.4 Second Home By The Sea 2.5 Ray Talking 2.6 Dancing With The Moonlit Knight 2.7 Follow You, Follow Me 2.8 Lovers Leap 2.9 Mama 2.10 The Dividing Line 2.11 Invisible Touch 2.12 Turn It On Again 2.13 Throwing It All Away 2.14 I Can't Dance
02/12/98 Schleyer-Halle cdr 2 AUD No Son Of Mine Land Of Confusion The Lamb Lies Down On Broadway Calling All Stations Alien Afternoon Carpet Crawl There Must Be Some Other Way Domino (Part I, II) Shipwrecked Firth Of Fifth Congo Home By The Sea - Second Home By The Sea Dancing With The Moonlit Knight (Unplugged) Follow You Follow Me (Unplugged) Lover’s Leap (From Supper’s Ready) (Unplugged) Mama The Dividing Line Invisible Touch Turn It On Again Throwing It All Away I Can’t Dance
02/15/98 Stadthalle cdr 2 FM, but not a great recording. An incomplete show. Missing several songs. Also, some static and drop outs early on.
02/17/98 Palasport Casalecchio cdr 2 AUD.
02/19/98 Filaforum cdr 2 A AUD
02/23/98 Palais Omnisports de Paris Bercy cdr 2 a- AUD Annoying static pattern through the last half of the first disc
02/25/98 NEC International Arena cdr 1 a+ FM "A New Beginning." Sadly, shorter than the version listed here.
03/05/98 International Arena cdr 2 AUD And a werid 30 second loop near the end of Dividing Line No Son Of Mine Land Of Confusion The Lamb Lies Down On Broadway Calling All Stations Carpet Crawlers Alien Afternoon Domino Firth Of Fifth Congo Home By The Sea Second Home By The Sea Dancing With The Moonlit Knight Follow You Follow Me Supper’s Ready Not About Us Mama Dividing Line Dividing Line (Continued) Invisible Touch Turn It On Again Throwing It All Away I Can’t Dance
03/08/98 Point Depot cdr 2 b+ AUD "A Single Lonely Voice" Highland release
03/10/98 Forest Nationaal cdr 2 AUD No Son Of Mine Land Of Confusion The Lamb Lies Down On Broadway Calling All Stations Carpet Crawlers Alien Afternoon Domino Firth Of Fifth Congo Home By The Sea Dancing With The Moonlit Knight Follow You, Follow Me Lover's Leap Not About Us Mama The Dividing Line Invisible Touch Turn It On Again Throwing It All Away I Can't Dance
03/14/98 Zenith cdr 2 1.1 No Son Of Mine 07:19 1.2 Land Of Confusion 05:06 1.3 The Lamb Lies Down On Broadway 06:09 1.4 Calling All Stations 07:39 1.5 Carpet Crawlers 06:23 1.6 There Must Be Some Other Way 09:06 1.7 Domino 10:39 1.8 Old Medley 05:48 1.9 Congo 06:44 2.1 Home By The Sea 08:23 2.2 Second Home By The Sea 07:25 2.3 Dancing With The Moonlit Knight 02:12 2.4 Follow You Follow Me 02:54 2.5 Supper’s Ready (Excerpt) 02:36 2.6 Not About Us 03:25 2.7 Mama 06:45 2.8 Dividing Line 13:07 2.9 Invisible Touch 05:13 2.10 Turn It On Again 06:42 2.11 Throwing It All Away 05:43 2.12 I Can’t Dance 08:31 Total Running Time : 2:17:49 AUD- Sadly the last four songs are plagued with a bunch of skips. If you have a copy without these errors, I'd love a copy !!!!!
03/16/98 Patinoire de Meriadeck cdr 2 AUD
03/28/98 Messehalle cdr 2 AUD
05/30/98 Rock Festival cdr 2 My copy is missing Invisible Touch and Turn it On Again

Geoff Tate --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
07/09/02 The World cdr 2 b AUD
07/20/02 Canyon Club cdr 2 b AUD

George Harrison --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/71 Beware Of ABKCO!!! cdr 1 A great stuff!
08/18/75 KSHE Studios cdr 2 A 80 mins

Gillan --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
08/21/80 Concert Hall cdr 1 b AUD
10/14/80 Hammersmith Odeon cdr 2 b AUD
06/01/81 Rolling Stone cdr 1 LDB Special Series #334 (RLR collection) GILLAN Milano, Rolling Stone June 1, 1981 01.Intro / Unchain Your Brain 02.No Laughing In Heaven 03.Bite The Bullet 04.No Easy Way 05.Drums Solo / Trouble 06.If You Believe Me 07.On the Rocks 08.(The Ballad Of) The Lucitania Express 09.Vengeance 10.Bernie Tormé solo / Smoke On The Water 11.New Orleans 12.Band Intro / Lucille TT 79:54 Lineage: Unknown recording device > low generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Ian Gillan - Vocals Bernie Tormé - Guitar Colin Towns - Keyboards John McCoy - Bass guitar Mick Underwood - Drums A few people wrote me to "complain" of the lack of more metal material from RLR collection, so I thought I would correct this. this is a nice low generation recording from Gillan in their visit in Milano in 1981. Still not with Janick Gers in the band but still an extremely energetic performance. I hope this one will please all Deep Purple fans over here. More metal to come! Rummenigge, this is for you! ldb

Giuffria --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
02/20/85 The Agora cdr 1 A FM WMMS Coffee Break
06/25/85 Nakano Sun Plaza cdr 1 A SBD
??/??/85 Unknown cdr 1 A FM King Biscuit broadcast
??/??/85 Harpo's cdr 1

Glenn Hughes --- Approximate Hours: 22.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 From Now On/Phenomena Demos cdr 1 Tracks 1-8 Demos From Now On album released in 1994 by Glenn Hughes Tracks 9-15 Demos Phenomena Album released in 1984 Mel Galley Project. Track 4 - From Now On Session not recorded in orginal album, Destine by album Liesgang-No String attached 1996
??/??/85 Welcome To the Lost World - Demos 85-94 cdr 2 A
06/17/93 Blitz cdr 1 b AUD
05/23/94 Bottom Line cdr 1 a- AUD
07/02/94 Open Air Arena cdr 1 b AUD
07/14/95 Zaal Struik cdr 1 A SBD
07/15/95 Via Rock Festival cdr 1 a+ SBD. Great sound. Glenn shouts down a heckler before This Time Around...
12/15/00 Wiltern Theater cdr 1 A FM
03/23/01 Jaxx Nightclub cdr 2 b AUD
11/23/01 USH Druzhba cdr 3 b AUD. 3 discs, the third having the soundcheck, 6 tracks, but no complete run-throughs
03/25/07 Shepherd's Bush Empire cdr 2 a- AUD
04/08/08 Concert Hall Sadi Pobedi cdr 2 A FM. The guitar is low in the mix, but Glenn's voice is up front.

Graham Bonnet --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/29/92 The Cadillac Club cdr 1 A- AUD A few small edits between the last few tracks, none longer than a second
02/22/05 Moscow B2 Club cdr 1 A-

Grand Slam --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
08/27/84 Nostel Priory Festival cdr 1 Might be a FM.... but not a good one.
10/12/84 Ladbrokes Seashore Centre cdr 1 a+ Kerrang Weekender at Ladrokes Holiday Village; Great Yarmouth Lineage: Vynil record >Soundforge 4.5 recorder/Wave Editor/Flac (Level 8) Setlist: Yellow Pear Nineteen Harlem Parisienne Walkways Cold Sweat Sisters of Mercy Crime Rate Military Man Dedication Orignal BBC Fm Broadcast one of 4 known versions in circulation of this recording, this one is the vynil transfer and is known as "Live Document".
10/30/84 Glasgow Mayfair cdr 1 a FM "Glasgow Kiss"
11/26/84 Rock City cdr 2 A- AUD
12/04/84 The Marquee cdr 2 AUD Track list is different than this one. Decent show, includes a second version of Harlem from a different source.

Greg Lake --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/21/81 Convocation Hall cdr 1 a- FM
10/10/93 Woodley Park cdr 1 A AUD
11/01/05 Festival Theatre cdr 2 a- AUD
11/18/05 North Wales Theater cdr 2 A AUD

Gregg Rolie --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/28/01 Icon Supper Club cdr 1 AUD.... My copy is incomplete. Missing In My Skin, Waiting, Down To Rio, and the ending of As the Years GO By.
07/22/05 Meadowbrook Park cdr 1 source : Sony ECM-MS907 (mic @120 setting) -> Sony MZ N710 MD my transfer : cd-r trade > cd-r > eac > tlh for flac (8) > dime > you
09/23/05 Wolf Den-Mohegan Sun Casino cdr 1 Nice AUD

GTR --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/03/86 Congress Center cdr 1 a GTR Live in Ottawa, Ontario (Canada) Congress Center - July 3, 1986 This is the acoustic part of the concert. This is not a SoundBoard recording, but the sound is amazing (I've had this tape in a box for over 25 years... this is the first time I share this). I can't remember what recording device I used, but the cassette is a Maxell XLII Position IEC Type II High CrO2. I've digitized this on Dec. 25, 2011. Wav to Flac. If there is demand, I'll upload a version in MP3, or M4A from the WAV files. I don't know each title (some are from Genesis, some from Yes, others from solo albums, or others from classical composers).

The Guess Who --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/16/75 Electric Lady Studios cdr 1 a+ FM. Awesome
09/07/01 HSBC Arena cdr 2 a ALD Soundboard.

Hall and Oates --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/30/79 Rainbow Music Hall cdr 1 FM
11/??/81 Capital Theater cdr 1 FM last song fades out
11/04/82 NHK Hall cdr 2 FM
12/17/84 The Forum cdr 2 FM
05/17/90 Chelsea Studios cdr 1 MTV broadcast. My version has an interview, but no "Can't Help Falling IN Love." So Close and Starting All Over Again are flipped.
07/16/91 Jones Beach cdr 2 FM
02/19/98 RoxyBar cdr 1 FM Short set.

Howlin' Wolf --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/23/73 Ebbets Field cdr 1 FM

HSAS --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/14/84 San Jose Civic Auditorium cdr 1 a+ FM. Running order is a little different than this list, but all tracks are there.

Hughes Turner Project --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/11/02 Drum Logos cdr 2 Nice AUD
05/13/02 Big Cat cdr 2 AUD
05/15/02 Bottom Line cdr 2 AUD. The beginning of No Stranger To Love is cut.
10/04/02 Sala Macumba cdr 2 AUD
03/04/04 Sala Macumba cdr 2 AUD

Ian Anderson --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/15/09 Fox Theater cdr 2 A AUD

Ian Gillan Band --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/07/77 Apollo Theater cdr 2 a- AUD. A couple of small cuts in Smoke, probably a tape flip

Ibex --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
09/09/69 Liverpool Sink cdr 1 b+ Suprisingly good audience. "Recorded by Geoff Higgins (Ibex roadie) on his Grundig TK14 reel-to-reel machine, later sold in an auction to a private collector, then lent to Queen Production for the purpose of including 'Rain' in the FM Solo Collection box set, then leaked to the bootleg market. This concert was very important because Ibex were joined by Brian May and Roger Taylor for the encore which means it's the very first concert with Freddie, Brian and Roger on one stage. Sadly, the tape ran out after 30 minutes so it misses this encore."

Impellitteri --- Approximate Hours: 0
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/89 Unknown 0 I'm pretty sure this is the correct info for this show. Source: Tokyo Dome, Tokyo, Japan. July 24th 1988 Time: 32:06 1. Stand In Line (6:08) 2. Tonight I Fly (3:58) 3. Leviathan (4:19) 4. All Night Long (3:45) 5. Secret Lover (3:43) 6. Over The Rainbow (2:45) 7. Goodnight And Goodbye (3:39) 8. Since You Been Gone (3:49)

IQ --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/26/98 Le d'Auteuil cdr 2 A- Location: Le d’Auteuil, Québec City, Québec, Canada Date: 26 Jun 1998 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears....
12/08/00 Astoria2 cdr 2 a+ SBD. My copy has the soundcheck at the end
12/16/00 Oakland Centre cdr 2 a+ SBD
09/09/06 The Met cdr 2 A AUD PRRP 052
12/01/07 De Boerderij cdr 2 A AUD, a good one. "Drinking wee "
09/04/09 Lido cdr 3 A AUD

Jellyfish --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/23/93 Riverside Theater cdr 1 Jellyfish (opening for Tears For Fears) Riverside Theater Milwaukee, WI October 23, 1993 Source: Sonic Studios DSM6s>Casio DAR-100 Transfer: Sony PCM-R500>Samplitude>SF>CDWav>TLH>flac8 taped by jo Sound is pretty bad on the first song, but gets better and is OK by the 3rd song.

Jethro Tull --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
03/16/80 Congresgebouw cdr 2 a+ FM. On the Move...and Move On
10/06/80 Civic Center cdr 2 a- AUD
10/11/80 Boston Garden cdr 2 a- AUD
10/26/80 Checkerdome cdr 1 a+ FM. A bit of static, but not too much...
11/12/80 Los Angeles Sports Arena cdr 2 a+ SBD
02/05/81 Westfalenhalle cdr 2 a+ SBD
05/28/82 Westfalenhalle Rockpop Festival cdr 1 A FM

Joe Bonamassa --- Approximate Hours: 36.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/21/01 Piere's Entertainment Center cdr 2 Excellent Soundboard.
07/25/03 Wetzel Motorcycle Club Party cdr 2 a+ Great Soundboard.
07/23/04 WMSE Studios cdr 1 a+ Pre-FM SBD recording Live sound engineering, recording and CD-R mastering by station engineer, Billy. Lineage: CD-R trade > EAC > WAV > FLAC (Level 8) Continuing lineage: Wave Lab 6 (DC offset correction, edit/fade and adjusted a couple of tracks edit point) > FLAC (level 8, align on sector boundaries, fileset titles named using standard archiving nomenclature and are fully tagged) Setlist: 01 Wild About You Baby > Burning Hell 02 Takin' The Hit (w/ "Waitin' For The Bus" tease) 03 applause and DJ banter 04 You Upset Me Baby 05 Blues Deluxe 06 Had To Cry Today (w/ "Heart Of The Sunrise"/"Wurm" tease) Musicians: Joe Bonamassa - guitar, vocals Eric Czar - bass Kenny Kramme - drums Note taken from a Dime upload by 8brewcity9: I received this disc as gift from a customer through work. After listening to the disc I asked where it came from and was given the immortal line "If I told you I would have to kill you". After some good natured pressing, the name of WMSE (Milwaukee School of Engineering) came up. This was recorded at the school's studio. I do know that the recording is very good, the onhand crowd sounds very small, and the band is absolutely smoking hot.
05/18/05 Mr Kyps cdr 2 a Joe Bonamassa - Mr Kyps, Poole, UK - First Ever English Show - 2005-05-18 (Aud)(New Transfer) Source: Audience (20 feet from centre stage, with 12 inch left/right mic separation) Lineage: Stereo Omni Mics & Battery Box (9V) -> JB3 (16bit/48kHz) -> firewire -> HD -> -> Wavelab6 -> *.wav (16bit/44.1kHz) -> Foobar2000 (level 8) -> *.flac -> Dime Recorded by: Cuztard Pi Transferred & Mastered by: Cuztard Pi Title: First Ever English Show Notes: Ticket price: £8.00 (adv) So nearly 5 years since I first saw & recorded Joe's 1st ever show in the UK ... I though I would have a go at a new remastering to see if I could squeeze a little bit more out of the original JB3 wav file. It has turned out very nice and IMHO a wee bit nicer than my 1st go at it back in 2005. A great performance by this version of the band (with Eric Czar - Bass; Kenny Kramme - Drums) plus the fact that this was Joe's first ever English show make this a worthy addition to any collection. For those interested - basic details of the mastering applied to my original JB3 recording (using Wavelab6) are as follows: A: Left & Right channel EQ & Volume Matching B: EQ / Multiband Compression / Limiting (-0.2dB max) C: WAVs edited to fit on to 2xCDRs (with overlap) plus fade in/out D: track split
07/21/05 Central Park cdr 2 A- AUD
03/29/07 BBC Studios cdr 1 a+ 01 takin the hit 02 walk in my shadows 03 blues deluxe 04 bridge to better days 05 mountain time 06 burning hell 07 just got paid 08 asking around for you There seems to be several versions of this running around
03/29/07 BBC Studios cdr 1 a+ 01 Walk In My Shadow (Shepherd's Bush 2007) 02 Blues Deluxe (Shepherd's Bush 2007) 03 Bridge To Better Days (Shepherd's Bush 2007) 04 Asking Around For You (Shepherd's Bush 2007) 05 Woke Up Dreaming (BBC Session 2006) 06 Just Got Paid > Dazed & Confused (BBC Session 2006) 07 Walk In My Shadow > So Many Roads > Bridge To Better Days (BBC Session 2006) The Shepherd's Bush Empire 2007 show has been uploaded on Dime before but it included 4 extra Shepherd's Bush tracks of dubious origin that I believe came from itunes! The 4 extra tracks were Takin The Hit, Mountain Time, Burning Hell and Just Got Paid > Dazed & Confused > Starship Trooper.
07/28/07 Piazza Blues cdr 1 a+ SBD. Great stuff!
08/03/07 Mr Kyps cdr 2 A AUD.
10/25/07 B.B. Kings Blues Club cdr 2 b+ AUD
11/01/07 House of Blues cdr 2 A- AUD
02/06/08 BBC Maida Vale Studio 3 cdr 1 a+ FM. Great sound, great show!
05/18/08 Doheny Blues Festival cdr 1 A- AUD
07/19/09 Peer Blues cdr 1 a+ FM
02/17/10 BBC Maida Vale Studios cdr 2 a+ FM
03/12/11 Pabst Theater cdr 2 b+ Joe Bonamassa Pabst Theater Milwaukee, WI March 12, 2011 BSC1-K1 > HiHo Silver XLR's > Fostex FR2-LE (24/48) > iZotope RX Advanced (dither/resample) > CDWAV > FLAC
07/24/11 Bob Harris Session cdr 1 a+ 19 minute acoustic session.
10/10/11 BBC Maida Vale Studios cdr 1 a+ Broadcast by BBC Radio 2 on 10th October 2011 for Paul Jones Show This is the FM broadcast FM > CDR (STAND-ALONE RECORDER) > WAV (MINOR WAVELAB EDITS) > FLAC
09/19/12 Nippon Seinenkan cdr 2 Joe Bonamassa Nippon Seinenkan Tokyo, Japan September 19, 2012 0. Introduction 1. Palm Trees 2. Seagull 3. Dislocated Boy 4. Driving Toward The Daylight 5. Woke Up Dreaming 6. Slow Train 7. Dust Bowl 8. Who's Been Talking 9. Midnight Blues 10.Ballad Of John Henry 11.Song Of Yesterday 12.Look On Yonders Wall 13.Blues Deluxe 14.Young Man's Blues 15.Mountain Time 16.Sloe GIn 17.Just Got Paid Roland CS-10EM > Edirol R-09 > PC > Goldwave > FLAC frontend (Level 8) AUD. A damn good show, but there are times when the volume is way too low.

Joe Lynn Turner --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
12/28/85 Unknown cdr 2 FM, but not a good one. My version is longer than this one by 3 tracks.
12/30/85 Paradise Club cdr 1 a+ FM
02/12/86 Civic Center cdr 1 Nice Aud, but the ending of the last song is abruptly cut.
07/07/94 Summer Fest cdr 2 FM. There's a cut at 3:30 of Can't Happen Here.
10/18/00 Heart Beat 2 Nice AUD. Three acoustic songs tacked onto the end, all recorded in Osaka. Unsure of the date and place, possibly earlier in the day or at the end of the show. Anything, Stone Cold, and Too Blue To Sing the Blues.
10/19/00 unknown cdr 2 AUD
08/04/06 Geijyutsu-Gekijyo Tokyo Metropolitan Art Space cdr 2 b+ AUD

Johanna Wild --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Rat cdr 1 Might be FM
09/13/75 Palace Theater cdr 1 A
??/??/76 The Way Station cdr 1 AUD
05/20/78 The Way Station cdr 1 AUD

John Lee Hooker --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/11/92 Sweetwater Saloon cdr 1 SBD

John Wetton --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/04/86 Marquee Club cdr 1 b AUD
06/05/86 Marquee Club cdr 1 b+ AUD
03/10/01 The Brook cdr 2 A- AUD
09/20/03 Shinsaibashi Club Quattro cdr 2 b+ AUD Vocals are VERY low in the beginning, probably sound trouble at the venue. Sound is very good on the second disc

Jon Anderson --- Approximate Hours: 167.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Ed Sciaky interviews 0 Here are some rare interviews with Jon Anderson, conducted by the late Philadelphia DJ Ed Sciaky. In addition to being a massive Yes fan, he was also a very good friend to many of the band's members. The two interviews offered here were rebroadcasted by Ed in the 1990's. Unless someone else recorded them at the same time, I don't believe either interview has ever been in circulation. The first interview was recorded on August 15, 1972. It features Jon Anderson discussing the history of the band, up to, and including, Close To The Edge. The interview took place during the tour for that album. The second interview was conducted on February 17, 1974, during the tour for Tales From Topographic Oceans. Jon provides great detail about the meaning of the album. Interestingly, some of the background noise includes Steve Howe playing the acoustic section of The Ancient.
??/??/75 The Sky And His Shadow cdr 1 A "The Sky And His Shadow", 1 cd. Artist: Jon Anderson CD Bootleg Release 1998 "1998c - Made in Switzerland - RCD 011 - Demo recordings from 1975 to 1982" The "record company" (bootleggers) name is a symbol --> "? Records",? represents the symbol, which reminds me of a golf ball on a tee, just a black logo Official Release Information for removed tracks: Track 3 - Included on 'Song Of Seven' Jon Anderson 1980 Atlantic Records Track 4 - Included on 'Animation' Jon Anderson, 1982 Atlantic Records Tracks 10 & 11 - quote --> Voiceprint/Opio Media also gave Animation (originally released in 1982) its first ever release on CD (OPIOVP01CD). It includes two bonus tracks: "The Spell" (11:40; previously unreleased, a.k.a. "Twins" and known on bootlegs as two tracks, "Child of the Lord"/"Two Old Ladies"... Quoted from: http://www.bondegezou.co.uk/wnja.ht
??/??/76 Olias of Sunhillow demos cdr 1 a Good quality demos
??/??/77 Yes music an evening with Jon Anderson cdr 1 a+ FM
05/31/79 The Pavilion Theatre cdr 1 a Jon Anderson (composer) Ursprung 1979-05-31 The Pavilion Theatre, Bournemouth, UK OK this is one of those rare moments when it feels like I'm releasing a caged bird back into the wild!! Back in 1979 I was a huge fan of both Jethro Tull (saw them live 16 times starting with 'Passion Play' at Wembley in '73) and Yes (only saw them live 5 or 6 times - starting with 'Topographic Oceans' at the Rainbow in '73). I've since moved on musically to even better things (whilst neither of them have, in my opinion - sorry!) so I'd completely forgotten about this recording! I do now recall some of my feelings of excitement that the Scottish Ballet were coming to my local town to perform three pieces under the title of "Underground Rumours", one of which had a specially commissioned score written by David Palmer, Ian Anderson and Martin Barre from Tull called "The Water's Edge", and another was written by Jon Anderson called "Ursprung". Well I just had to go to both nights didn't I?! Night one (30th May) was to listen and watch, whilst night two was my chance to make a recording (the two don't go well together in my experience hence I didn't and still don't do much of the latter when I go to gigs!) I've done some 'googling' and it would seem that this may well be the only recording in existence of 'Ursprung' so I suspect that the lack of high fidelity will be forgiven! I recorded it using a personal cassette recorder (probably a Sony or a Panasonic - mono in those days of course) and I probably used a tie-pin external mic judging by the lack of motor noise. There's little extraneous noise thankfully, because ballet audiences don't make all the racket that some jazz and rock fans tend to do at gigs (e.g. I was getting very annoyed at some irritating people talking instead of listening to Allan Holdsworth at his superb gig at Ronnie Scott's in London last night!) So...details of the performance are: 31st May 1979 at The Pavilion Theatre, Bournemouth, UK. Performed by the Orchestra of the Scottish Ballet Company. Tracklist: 01 Preparation 7:28 02 The Source 3:01 03 Consummation 6:29 04 Ritual 8:23 Total time: 25:21 (no it's not the same 'Ritual' as on TFTO) Lineage: Recorded: Audience with unknown recorder > Playback: Nakamichi DR-2 > Wav (Goldwave) > Flac (Easy CD-DA)
11/01/80 Unknown cdr 1 b+ These are tour rehearsals The date is debatable.
11/12/80 Circus Krone cdr 1 A- Rumored to be from a TV broadcast
12/01/80 Royal Albert Hall cdr 1 a FM
07/30/82 Mann Music Theatre cdr 1 AUD
08/04/82 The Palladium cdr 2 b+ Jon Anderson : The Lostbrook Tape Series - Volume 11 The early 80’s was a difficult time for veteran fans of progressive rock. Our favorite groups had disappeared, commercialized, or splintered into unusual fragments. Yes did not exist for me without Jon Anderson, but I didn’t own Animation either. None of that mattered however– times had changed, but an opportunity to see Jon Anderson was still special. We had fifth row seats on the left center aisle – a fantastic view, but not the best location for taping. Good sound in the Palladium was always elusive, especially in the better seats, but we didn’t notice it at the time as Jon entertained us with solo material and a choice selection of Yes favorites. Enjoy! August 4, 1982 Palladium New York, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ
08/06/82 Convention Hall cdr 1 FM Tooleman remaster
08/13/82 Verdun Auditorium cdr 2 Jon Anderson 1982-08-13 Verdun Auditorium Montreal Canada Animation Tour Audience Recording The Mix of Mr. Cairo Artwork Included Quality B As requested by Skylights Lineage TradeDataDisc>HD>Audacity>Flac>Dime From Mr. Cairo's Diary This ran a semi tone too high,which is one fret on the guitar if your interested. Did a pitch correction,a couple of fades,raised the volume a tad, and increased the right channel to match the left. Some serious tape stretching on the last two songs,maybe our taper's batteries were going. Original notes on folder had Jon-1992-08-13-Montreal-gromek-TTD Jon Anderson - Vocals Clem Clemson - Guitar Stefano Cerri - Bass Dave Sancious- Keyboards Guy Shiffman - Drums Disc One Ocean Song State Of Independence Song Of Seven The Friends Of Mr. Cairo Yes Medley #1- Band Jam Close To The Edge Heart Of The Sunrise Wonderous Stories And You And I Long Distance Runaround Close To The Edge (reprise) A Play And Display Of The Heart Animation Surrender Disc Two All In A Matter Of Time Sancious Solo Soon Animation (Reprise) Yes Medley #2- Perpetual Change I`ve Seen All Good People Yours Is No Disgrace Starship Trooper Awaken Animation Jam Roundabout (tape strectching) Olympia (tape stretching)
08/13/82 Verdun Auditorium cdr 2 AUD
08/25/82 The Saenger Theatre cdr 2 I also have a radio interview with Jon from the same day.
??/??/85 Three Ships Sessions cdr 2 SBD
03/27/93 Unknown cdr 2 AUD
04/16/93 Luis Vigoreaux Theater cdr 2 AUD
??/??/93 Toltec demos cdr 1 SBD
08/29/99 Coachman Park cdr 1 AUD
01/10/04 Keswick Theatre cdr 2 AUD
03/05/04 Teatro Gran Rex cdr 2 AUD
03/06/04 Teatro Gran Rex cdr 2 AUD
04/02/04 XM Radio Studios cdr 1 FM
05/24/04 WCPN-FM-"Around Noon" with Dee Perry cdr 1 AUD
05/25/04 Classroom seminar Q&A session-Cleveland State Univ cdr 1 AUD
05/25/04 Cleveland State University cdr 2 AUD
09/17/05 Palladium cdr 2 AUD
10/05/05 013 cdr 2 AUD
10/07/05 Symphony Hall cdr 2 AUD
10/08/05 Grand Opera House cdr 2 AUD
10/10/05 Shepherds Bush Empire cdr 2 AUD
10/11/05 Bridgewater Hall cdr 2 AUD
10/12/05 City Hall cdr 2 AUD
10/14/05 Queens Hall cdr 2 AUD
10/15/05 Queens Hall cdr 2 AUD
11/05/05 Webster Theater cdr 2 AUD
11/10/05 The Birchmere cdr 2 A AUD, great sound!
11/11/05 House Of Blues, Showboat Casino cdr 2 AUD
11/12/05 Theatre Of Living Arts cdr 2 AUD
11/15/05 B.B. King's cdr 2 AUD
11/17/05 Northfork Theater At Westbury cdr 2 AUD
02/15/07 Keswick Theater cdr 2 AUD I have a 3 disc version of this that includes the soundcheck.
02/16/07 Ridgefield Playhouse cdr 2 AUD
02/18/07 BB King Blues Club & Grill cdr 2 AUD
02/19/07 B.B. King's cdr 2 AUD
03/24/07 013 cdr 2 AUD
04/18/07 Scottish Rite Auditorium cdr 2 AUD
04/19/07 Fairfield Theater Company, Stage One (late show) cdr 2 AUD
04/19/07 Fairfield Theater Company, Stage One (early show) cdr 2 AUD
04/20/07 Grand Central Station cdr 2 AUD
04/27/07 The State Theatre cdr 2 AUD
03/04/08 Trocodero Theater cdr 2 AUD
03/10/08 Highline Ballroom cdr 2 AUD
03/29/08 The Danforth Music Hall cdr 2 AUD
06/06/09 Mongo's Saloon cdr 2 AUD
07/16/09 Laghetto di Villa Ada cdr 2 a- LDB Special Series #253 JON ANDERSON Roma, Laghetto di Villa Ada July 16, 2009 cd1 01 Introduction / Yours Is No Disgrace 02 Long Distance Runaround 03 Sweet Dreams 04 Time And A Word 05 Under Heaven's Door 06 I'll Find My Way Home 07 Wonderous Stories 08 Music Is The Guard Of The World 09 Owner Of A Lonely Heart cd2 10 Close To The Edge / Marry Me Again 11 Show Me 12 And You And I 13 Count Your Blessings 14 Your Move 15 State Of Independence 16 Roundabout 17 Soon 18 Nous Sommes Du Soleil 19 Your Move (as encore) TT 87:02 Lineage: Sony Minidisc > CD clone from master > EAC > SoundForge 7.0 > FLAC Frontend (level 6) Jon Anderson - vocals, guitars Here is one I haven't seen on DIME. Very nice sound taped by my friend Umberto in Roma during Jon's brief italian tour. Recorded with a minidisc device quite typical setlist from the 2009 tour; probably more Yes material than usual. Enjoy this one! ldb
08/01/09 Derngate cdr 2 AUD
04/11/10 B.B. King Blues Club & Grill cdr 2 a Jon Anderson B. B. King Blues Club & Grill New York, NY April 11, 2010 Source: SP-CMC-8 (AT943) > SP-SPSB-10 > R09 (24/44.1) Processing: Wav file > Sound Studio > convert 16-bit > xACT > FLAC (level 8) Recording location: Center, approximately 30 ft from stage Recorded and transferred by: Tapehead2 DISC 1: 46:47 01 Intro 02 Yours Is No Disgrace 03 Sweet Dreams 04 Long Distance Runaround 05 Time And A Word 06 Under Heaven's Door (Never Ever) 07 Count Your Blessings 08 I'll Find My Way Home 09 Starship Trooper 10 Unbroken Spirit 11 Nous Sommes Du Soleil 12 Music Is God 13 Owner Of A Lonely Heart DISC 2: 46:46 01 Piano Medley 02 The Light Of Love 03 And You And I 04 Your Move 05 Tony And Me 06 To The Runner 07 Show Me 08 State Of Independence 09 Roundabout 10 Soon 11 O´er
04/13/10 Theatre of Living Arts cdr 2 a Jon Anderson Theatre of Living Arts Philadelphia, PA April 13, 2010 Source: SP-CMC-8 (AT943) > SP-SPSB-10 > R09 (24/44.1) Processing: Wav file > Sound Studio > convert 16-bit > xACT > FLAC (level 8) Recording location: Close Recorded and transferred by: Tapehead2
05/21/10 Foster Theater (fourth floor)Rock and Roll Hall of cdr 2 b+ on Anderson Rock and Roll Hall of Fame Foster Theater (fourth floor) Cleveland, Ohio 2010-05-21 Recorded by Warciple RxR Source: (Audience) Samson Zoom H2 (low gain) with SD flash > balcony Transfer: SD > PC > Nero Wave Editor (volume increase quiet conversation parts, minor decrease of louder song passages; brief occurences of distortion, and /or clicks) > CD Wave Edit (tracking) > Flac-8 > You Ever listen to a Yes album and wonder what it would be like to have Jon Anderson sing a few songs in your living room? Perhaps get him to share a few tales from the road? Wonder no more. The Yes vocalist spent the week of May 18-25, 2010 in Cleveland, Ohio to once again rehearse and perform with the Contemporary Youth Orchestra (the first Jon-CYO pairing was May 24, 2004). Jon and CYO played to a sold-out Severance Hall audience on May 24, 2010, premiering some new Jon material (including a four-part suite) amidst offerings of symphonic Yes masterworks. But prior to that engagement, on May 21, 2010 (a Friday afternoon), Jon stopped by the Rock and Roll Hall of Fame and Museum to participate in a “Legends Series” chat with Director of Education Jason Hanley. What this taper and longtime Yes fan expected to be a brief half-hour session became a ninety-minute intimate portrait with Jon, who shared many anecdotes about his career and music. Oh, yeah—-he also sang a couple tunes, accompanying himself on acoustic guitar. Anyone concerned about Jon’s health (he only recently overcame an acute respiratory infection) can stop worrying. He can’t hit the high notes like he used to (even Jon himself jests he was “on helium” in the old days), but that golden voice is still vibrant and moving as ever. The event was free but not widely publicized. Jon made no mention of it while guesting on Dee Perry’s “Around Noon” radio show 90.3 WCPN the day prior. I suspect only those subscribed to the Rock Hall Department of Education news service and a few others received any notification. When I arrived at the Rock Hall that day to wait for the Foster Theater to open I thought it strange watching the hundreds of visitors touring the museum exhibits right then-—apparently oblivious that a classic rock celebrity was on site, still making music history in his own unique and magical way. To those who attended, the "secrecy" of the talk made it all the more special. Audio stream of Jon’s appearance on “Around Noon” with Dee Perry is available online here http://www.wcpn.org/WCPN/an/30791 The recording in this torrent was conducted stealth, as no photography or audio / video was permitted during the event. That said, several in attendance did snap a couple photos with cell phones and PDAs. I included one of my shots. It was exhilarating to spend time up-close with the voice (and spiritual center) of Yes. Sadly, Jon and wife Jane did not hang out afterwards to meet-and-greet (previous “Legends” guest artists at the Rock Hall—including Ronnie Spector—-have indulged fans with signings, etc.). Jon, who acknowledged distaste for the “celebrity” of rock and roll during his talk, must have been saving his energy for the CYO event—-which will be shared here later. Highlights of this one-off include Jon’s thoughts on the current touring Yes lineup and the “distance” between himself and his former band mates, and Jon taking a call on his cell in the middle of the interview (“I’ll have to call you back”).
05/24/10 Severance Hall cdr 2 a- on Anderson & Contemporary Youth Orchestra Conducted by Liza Grossman Severance Hall Cleveland, Ohio 2010-05-24 Recorded by Warciple RxR Source: (Audience, balcony, armrest) Samson Zoom H2 (low gain) with SD flash Transfer: SD > PC > Nero Wave Editor (volume increase quiet conversation parts, minor decrease of louder song passages; brief occurences of distortion, and /or clicks) > CD Wave Edit (tracking) > Flac-8 > You Jon Anderson spent the week of May 18-25, 2010 in Cleveland, Ohio to once again rehearse and perform with the Contemporary Youth Orchestra (the first Jon-CYO pairing was May 24, 2004). Jon and CYO played to a sold-out Severance Hall audience on May 24, 2010, premiering some new Jon material (including a four-part suite) amidst offerings of symphonic Yes masterworks. An extended encore featured repeats of both "Starship Trooper" and "State of Independance," which explains their duplication in the setlist below. Special mention should be made of the sign-language interpreter, whose ASL translation of Jon's vocals became something of a visually engaging dance in itself. The event marked the Severance Hall debut for CYO, whose orchestra and chorus backed Jon's vocals and acoustic guitar. The performance was filmed for possible broadcast on public television (and/or DVD release). The 2004 show was likewise documented on camera but was never aired, and DVDs were made available only to the orchestra members.
08/21/10 Milwaukee County Zoo cdr 2 A AUD.
09/01/10 Birchmere cdr 2 a Jon Anderson Birchmere September 1, 2010 audio: (recorded by guitard) CA-11 omnis --> CA-9100 preamp --> Edirol R-09HR Disc One (76 mins) 1. Intro 2. Yours Is No Disgrace 3. Long Distance Runaround 4. Sweet Dreams 5. Time And A Word 6. Under Heaven's Door (Never Ever) 7. Count Your Blessings 8. I'll Find My Way Home 9. Starship Trooper 10. Unbroken Spirit 11. Owner Of A Lonely Heart 12. Piano Songs 13. The Light Of Love 14. And You And I 15. Music Is God 16 Your Move 17. Tony And Me 18. Show Me 19. To The Runner 20. Nous Sommes Du Soleil Disc Two (14 mins) 1. State Of Independence 2. Roundabout 3. Soon
09/04/10 Avalon Theater cdr 2 a- A Conversation With Jon Anderson Stoltz Listening Room Avalon Theater Easton, MD September 4, 2010 Source: Edirol R-09 (internal mics) @ 24/44.1 Transfer: SDHC card > wav file > Sound Studio > xACT > FLAC (level 8) Recorded and transferred by: Tapehead2 Total time: 1:07:42 If burning to disc, suggested split point is between tracks 14 and 15. 01 talking 02 Starship Trooper 03 Wonderous Stories 04 talking 05 South Side Of The Sky (excerpt) 06 talking 07 Show Me 08 talking 09 Tony And Me 10 talking 11 And You And I 12 talking 13 Buddha Song 14 talking 15 talking 16 Turn Of The Century (excerpt) 17 talking 18 Soon 19 talking 20 Under Heaven's Door 21 talking 22 To The Runner 23 talking 24 Your Move
09/05/10 Avalon Theater cdr 1 a Jon Anderson Avalon Theater Easton, MD September 5, 2010 Source: Schoeps MK4s > actives > Nbox > R-09 (24/44.1) Transfer: SDHC card > wav file > Sound Studio > xACT > FLAC (level 8) Recording location: Eighth row, right of center Recorded and transferred by: Tapehead2 Total time: 74:36
12/06/10 Lobero Theatre cdr 2 a- Lobero Theatre, Santa Barbara, CA December 6, 2010 Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 (roll-off @ 16Hz) > Edirol R-09HR (@ 24bit/48kHz) > Audacity (fades, track splits, amplify, export as 16bit/44.1kHz) > TLH (flac level 8) Taper: klingklang Location: Row A, right side Fantastic show by Jon. He hadn't performed in Santa Barbara in a little over a year and this show was vastly superior to that last performance at SOhO. He still messes up a little, but the touring over the past year seems to have made him a stronger performer--not only with his voice, but with his guitar and piano playing as well. It was also great to finally hear something from Olias Of Sunhillow performed live (wow!). I was located underneath the right speakers and there was a stage speaker right in front of me facing the crowd, but my recording levels were still too low. I amplified it a bit, but you still might have to crank it up. I also had to do a quick fadeout at the end because when I stood up to applaud, it resulted in some bad static noise. Jon didn't say anything further, so nothing was lost except for a lot of well-deserved applause. And if burning to cds, the suggested split is between "Owner" and "piano medley."
12/08/10 Spanos Theatre cdr 2 b+ Another great performance by Jon and his first solo show in San Luis Obispo. I think he did a show to promote The Promise Ring in 1997, but to the best of my knowledge, that performance was not open to the public. So this was technically his first public San Luis gig since the Yes shows at the Fremont in 1996. Jon seemed in good spirits at the Spanos and it was amazing to hear "To The Runner" live again and his vocal during "State Of Independence" is always such a stunner. The crowd was a little sedate, but they had a lot of enthusiasm for clapping and standing during "Roundabout." There was a bit of isolated clapping at the beginning of "Count Your Blessings" that might sound like light popping, but it's not (it was a person behind me). There are also minor sounds from people shifting in their seats, sniffling, coughing, etc. Jon's mic also reacted more to hard consonants and picked up his movement as he changed between instruments, as well as a few bumps. Because of the acoustics of this particular venue and the respectful audience, all that extraneous noise probably ended up louder than normal. And the reason there are two versions of "O'er" is because Jon developed a dry throat and restarted the song after getting a drink of water. So I tracked the restart separately. I think this recording turned out a little better than my Santa Barbara one from two nights prior. The sound seemed to be cleaner at the Spanos, which helped considerably. And while I knew to raise my recordings levels a lot higher this time, it still turned out low and I had to amplify it just a little bit. So you might have to turn this one up. And if burning to cds, the suggested split is between "piano medley" and "The Light Of Love."
12/10/10 Ovation at Green Valley Ranch cdr 2 a Jon Anderson Ovation at Green Valley Ranch Henderson, NV December 10, 2010 Source: DPA 4061's >battery box>Edirol R-09HR @ 24/44 Transfer: USB>SoundForge 6>CDWav Taped by jot
04/23/11 Somerville Theatre cdr 2 a Venue: Somerville Theatre Date: April 23, 2011 Taper: CQ version Equipment: Sharp Mini Disk Vocals-Guitar-Piano: Jon Anderson
04/26/11 Havana cdr 1 a Jon Anderson Havana New Hope, PA April 26, 2011 *** INCOMPLETE *** Source: SP-CMC-8 (AT943s) > SP-SPSB-10 > Sony M10 (24/44.1) Transfer: M10 > USB > wav file > Sound Studio > xACT > FLAC (level 8) Recording location: Approximately 15 feet from stage right stacks Recorded and transferred by: Tapehead2 Total time: 01 Intro 02 Yours Is No Disgrace 03 Sweet Dreams 04 Long Distance Runaround 05 Time And A Word 06 Under Heaven's Door Recorded and upped on Dime by Tapehead2, April 2011.
05/04/11 Theater of Living Arts cdr 2 a Jon Anderson Theater Of Living Arts Philadelphia, PA May 4, 2011 Source: HEBs (DPA 4061s) > CA ST-9100 > R-09 (line in, 24bit/44.1kHz) Processing: Wav file > Sound Studio > 16bit > xACT > FLAC (level 8) Taping location: Sixth row center Taped & transferred by: Tapehead2 TOTAL TIME: 1:47
05/07/11 Performing Arts Center cdr 2 a- Jon Anderson Victoria Theater New Jersey Performing Arts Center Newark, NJ May 7, 2011 Source: HEBs (DPA 4061s) > CA ST-9100 > R-09 (line in, 24bit/44.1kHz) Processing: SDHC card > Wav file > Sound Studio > xACT > FLAC (level 8) Taping location: Sixth row center Taped & transferred by: Tapehead2 TOTAL TIME: 1:34:13 If burning to disc, suggested split point is between tracks 11 and 12.
08/03/11 Viper Alley cdr 2 a- Jon Anderson Viper Alley Lincolnshire, IL August 3, 2011 Source: Edirol R-09HR using built-in mics @ 24/44 Transfer: USB>Audacity>WavePad>CDWav Taped by jot
08/05/11 Arcada Theatre cdr 2 a- on Anderson - 2011-08-05 St. Charles, Il venue: Arcada Theatre Taper/Editor: KyoufuNoDaio (MasterOfPuppets) Good Audience Recording Taper Notes: Jon did not play O'er to my knowledge as he did in other shows in this tour. I stayed a few minutes after and the owner came on stage and thanked us and they started to play music over the speakers and the lights came back on.
08/11/11 Bull Run Restaurant cdr 2 b+ An Imperfect Gravy Recording (IPG-070) Location: approximately 8 feet from stage, left side of room Lineage: Audio Reality stealth mics > Tascam DR-07 @ 16/44.1 > computer > Audacity 1.2.6 (boost volume, tracking) > FLAC 8 (TLH)
08/08/12 Sadler's Wells Theatre cdr 2 London UK 08/08/2012 Very Good Audience CD1 - Miro Zbirka 101. Introduction (by Miro Zbirka) 102. Song One 103. Song Two 104. Song Three 106. Song Four 106. Song Five 107. Song Six 108. Song Seven 109. Song Eight 110. Song Nine 111. Hey Jude 112. Song Eleven 113. Song Twelve Duration: 1:01:32 CD2 - Jon Anderson 201. Introduction (by Miro Zbirka) 202. Starship Trooper 203. I'll Find My Way Home 204. Earth & Peace 205. Long Distance Runaround 206. Nous Sommes Du Soleil 207. Race To The End (inc. 'Match Of The Day' theme) 208. Music Is God 209. Change We Must 210. And You And I 211. State Of Independence 212. All You Need Is Love (with Miro Zbirka) Duration: 1:02:42 ---------------------- Unsurprisingly, as my Slovakian is non existent I would really appreciate some help from our Slovakian friends as I have no idea what these tracks are called ... Concert notes (& thoughts) -------------------------- Sadler's Wells holds around 1,500 people at capacity but only around 1,000 tickets were sold. In fact, they decided to close the second circle and re-locate people down to the first circle (a nice upgrade for those guys!). As far as I could tell the audience was fairly evenly split with at least as many people (if not more) wanting to see Miro as opposed to Jon. I suspect there were a large number of Slovaks from the Olympic delegation who of course, just happen to be in town right now. Billed as a 'one-off' this was most certainly a very special evening. Miro playing the first half and Jon the second, coming together to close with a rousing rendition of 'All You Need Is Love'. Being primarily a Jon Anderson fan I knew nothing about Miro Zbirka. I spoke with the Slovakians next to me and they explained that he is the Slovakian Paul McCartney. Miro certainly did not disappoint and delivered a captivating set which really got the audience going. Jon started his set with 'Starship Trooper' and it was great to hear Jon's (& Yes's) songs performed with such different arrangements. Time and time again the Orchestra helped move the audience with powerful soaring highs and controlled, majestic lows. Jon's voice was strong throughout. Thoroughly enjoyable! I hung around after the show and was fortunate enough to once again meet (albeit briefly) with Jon and his wife Jane. He was a little tired but enthused and pleased with how the show had gone. I asked if he'd be singing 'Race To The End' at the Olympic closing ceremony and if that was why he was in town? He said no, but that he was really enjoying the Olympics and that it was a truly amazing event. I also asked about his health and he said that whilst he's made steady progress he's still not quite at 100% and, although he's enjoying performing, he would certainly not be undertaking any more of those 'crazy Yes tours!'. I thanked him for a great show and I was also able to personally thank him for something he did for me a short while ago (which he remembered!). As our conversation drew to a close (there were quite a few others waiting to speak with him) I thanked him again and he turned to give me a look, just a look ... a 'knowing' look which I found to be quite profound and somewhat moving. Before we left I also thanked Jane for looking after Jon ... a great night. I hope you enjoy the recordings and that Jon & Miro's light and love come across ... Relayerx9 August 2012

Jon Anderson & Rick Wakeman --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/14/06 Buxton Opera House cdr 2 AUD
10/16/06 Fairfield Hall cdr 2 AUD
10/30/06 Manchester Palace Theatre cdr 1 AUD
11/01/06 Sheffield City Hall cdr 2 AUD
10/19/11 Northern Lights Theater cdr 2 a- Jon Anderson & Rick Wakeman Northern Lights Theatre Potawatomi Bingo Casino Milwaukee, WI Source: SP-CMC-8 (AT943) > SP-SPSB-10 > Sony M-10 (24/48) Transfer: USB > wav file > Sound Studio > xACT > FLAC (level 8) Recording location: Midfloor booth stage left, in line with left speakers Recorded by: Tapehead2

Jon Anderson & Vangelis --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/07/86 Royce Hall - University of California Los Angeles cdr 2 AUD

Jon Butcher --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/12/89 Paradise Club cdr 1
09/04/03 Jake's Dixie Roadhouse cdr 1 AUD Straight from the taper.
09/11/03 The Roxy cdr 1 AUD Killer show.

Jon Butcher Axis --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/15/80 Unknown cdr 1 FM
06/19/82 Paradise Rock Club cdr 1 FM

Jon Lord --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/08/11 Sunflower Jam cdr 1 A- Good aud. A little quiet, but a GREAT show!

Journey --- Approximate Hours: 40
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/73 Winterland cdr 1 a- SBD. Last song cuts out during a guitar solo.
03/30/74 Winterland cdr 1 A Journey - Winterland SF CA Media: 1 CDR Audio Time: 43:16 Source: Soundboard Date: March 30, 1974 Location: Winterland Arena, San Fransisco, California, USA DISC 1: 01 - It's All Too Much 2:03 02 - In My Lonely Feeling ~ Conversations 4:56 03 - Kohoutek 7:24 04 - To Play Some Music 8:51 05 - Of A Lifetime 6:39 06 - In The Morning Day 6:54 07 - Untitled Instrumental 6:29 Fade in on "It's All Too Much."
05/26/74 Winterland cdr 1 a+ Journey - Winterland SF CA Media: 1 CDR Audio Time: 61:15 Source: Soundboard Date: May 26, 1974 Location: Winterland Arena, San Fransisco, California, USA Little clicks throughout the performance. Not too often, and not too distracting.
05/27/75 Record Plant cdr 1 a FM
06/20/75 Central Park cdr 1 b- AUD
03/01/76 Riviera Theater cdr 1 b+ FM. Not the best sound....but anything from this period is worth it in my book.
03/19/76 Orpheum Theatre cdr 1 a AUD Dan Lampinski recording
06/08/76 Paramount Theater cdr 1 a- FM
11/24/76 Festhalle cdr 1 b Inclueds part of the Record Plant show from 74
12/31/76 Winterland cdr 2 a SBD
08/13/77 Swing Auditorium cdr 1 a AUD.
??/??/77 Infinity Demos cdr 1 a SBD
03/24/78 The Tower Theatre cdr 1 a FM
03/25/78 The Palladium cdr 1 a+ FM Title: Journey - New York 1978 Date: May 28, 1978 Venue: Palladium City: New York, NY Setlist: 01. Feeling That Wat 02. Anytime 03. La Do Da 04. Next 05. You're On Your Own 06. crowd & Perry's 2nd intro 07. She Makes Me (Feel Alright) 08. Wheel in the Sky and drum solo
06/10/78 Capitol Theatre cdr 1 a FM Awesome!
12/12/78 Unknown cdr 1 a+ FM Unsure about the date
04/15/79 Shibuya cdr 2 a+ SBD
05/09/79 Rainbow Music Hall cdr 2 a SBD
06/09/79 Capitol Theater cdr 2 a FM
08/09/79 Comiskey Park cdr 1 a+ Mine is a bit longer than the one listed here......01 - Intro-Majestic 02 - La Do Da 03 - Next 04 - Feeling That Way 05 - Anytime 06 - Lights 07 - Lady Luck 08 - Too Late 09 - Kahoutek 10 - Winds Of March 11 - Lovin' Touchin' Squeezin' 12 - Just The Same Way 13 - Lovin' You Is Easy 14 - Guitar Solo 15 - Wheel In the Sky 16 - She Makes Me 17 - Patiently 18 - Open The Door
07/02/82 Rose Bowl cdr 2 b AUD
07/21/83 Noble Center cdr 2 a+ SBD
08/07/83 Great Western Forum cdr 2 b AUD
09/03/06 Events Center cdr 1 a+ Journey September 3 2006 Reno Event Center Reno, NV Lineage: Multitracked soundboard Mixed and Recorded by SOS Mobile Recording Studio Subsidary to SOS Productions Mix version 3.0 Jeff Scott Soto on vocals.
06/06/09 Sweden Rock Festival cdr 1 a+ FM

Judas Priest --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
07/05/80 Calderone Concert Hall cdr 1 a FM
07/22/81 Palladium cdr 2 a FM

Kansas --- Approximate Hours: 96.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Steve Walsh demos cdr 1 a
09/21/74 Hoch Auditorium - University of Kansas cdr 2 b AUD
12/02/75 Stanley Theater cdr 1 a+ FM
12/12/75 Paramount Theater cdr 1 a+ Band: Kansas Title: "Crimson Skies Of Ice And Fire" Tour: Masque Tour Place: Portland, OR, USA Venue: Paramount Theater Date: 1975-12-12 ==> Excellent Soundboard <== Lineage: mixing desk > unknown analogue medium > CD > EAC > WAV > TLH > Flac Flacs by: kerrylives Set list: 01 Song For America 02 Icarus - Borne On Wings Of Steel 03 Down The Road 04 Belexes 05 Drum Solo 06 Guitar Solo 07 Child Of Innocence 08 Bringing It Back (incl. Can I Tell You) Total time: 47:40 mins. Notes: Did you ever wonder just how often a die-hard Kansas fan (you know, the one that travels oceans just to see them perform in their hometown) happens to stumble upon a previously undocumented pristine soundboard recording from the early days of the band? A date that isn't even listed in the most elaborate of Kansas tour dates archives? Speaking for myself, I can count the occasions on two fingers... The last time it happened was the Villanova Field House show. No, wait... that was an FM, this is straight from the mixing desk. And it's even from the year prior to it: 1975, the early stages of the Masque tour! To my knowledge it never aired.
??/??/75 Unknown cdr 1 a+ FM
??/??/75 Beware the Masque cdr 1 A SBD. I believe this is a recording of a rehearsal for the Masque tour. No audience can be picked up on the recording as bleeding into the onstage mics. I think the date of the recording is late '75 or early '76. "All the World" is not on the 12/2/75 Pittsburgh concert, but does appear on the 1/16/76 Chicago concert.
01/08/76 Fairgrounds Pavilion cdr 1 a+ SBD
01/16/76 Aragon Ballroom cdr 1 a+ Band: Kansas Tour: Masque Tour Place: Chicago, IL Venue: Aragon Ballroom Date: 1976-01-16 ==> Excellent FM broadcast (full show upgrade + remaster) <== Main source: WXRT FM broadcast > reel to reel master > WAV > CDR > EAC > FLAC Secondary source: (WXRT?) FM broadcast > analogue tape(?) > silver CD > EAC > WAV > FLAC Both sources: TLH > WAV > Adobe Audition 3.0 > TLH > FLAC Set list: 01 Song For America (10:55) 02 Icarus (Borne On Wings Of Steel) (6:03) 03 Down The Road (4:20) 04 Lonely Wind (5:09) 05 Belexes (4:12) 06 Drum Solo (2:35) 07 Kerry Livgren Guitar Solo (2:35) 08 Child Of Innocence (4:38) 09 All The World (5:10) 10 Robby Speaks (0:54) 11 Mysteries And Mayhem (4:09) 12 The Pinnacle (10:02) 13 Announcer (0:08) Total time: 60:49 mins. Notes: First off, many thanks to "KRW CO" for providing us with a new source for this early Kansas date. His version is missing the first 30 seconds of "Mysteries And Mayhem" due to a reel flip. My silver CD of this show (which I uploaded here 5 years ago) is missing the first couple of seconds of the opening track "Song For America". This release marks the first time this wonderful show from Kansas´ hardest rocking years becomes available in its entirety. Remaster notes: I found KRW Co's capture to sound cleaner, so I used it as the main source. The volume however was too low, especially the left channel, so I normalized both channels seperately. Compared to other recordings from the Masque era it ran a tad slow, so I sped it up a little. The first song started with a very long and irregular fade in, which I was able to remove completely. Some EQ-ing was done to get a crisper sound. Some of the quieter parts suffered from some low frequency rumble (the first half of "Lonely Wind" for instance), which was removed. Kerry's guitar solo suffered from some gradual drops in volume, which I repaired using fading amplification. The only place the secondary source (my silver CD: "Kansas - A Tour Digest 1976") was used, is during the first 33 seconds of "Mysteries And Mayhem", which is missing from the main source due to a reel flip. I left out the opening announcement because it basically states the same as the closing announcement: the date it was recorded. Enjoy! -kerrylives (2011-04-30)
02/22/76 Villanova Field House cdr 1 a+ KANSAS / BROADCAST OF INNOCENCE (1CD-R) Collector's CD BLUE CAFE 1976/2/22
03/23/76 Municipal Auditorium cdr 1 a- AUD. PRRP SAE 07 disc 1
04/13/76 Providence Civic Center cdr 1 b+ AUD. Dan Lampinski tape. PRRP SAE 07 disc 2
04/13/76 Providence Civic Center cdr 1 a AUD
04/17/76 Onondaga County War Memorial cdr 1 a Nice aud. I received this rarity from dime user "MKeogh" on CDR. I can't thank him enough! CDR > EAC > CD Wave Editor > flac I retracked the show after extracting it with EAC. 04.17.76 - Syracuse, NY Source: Onondaga County War Memorial, Syracuse, NY. April 17th 1976 Sound Quality: B Time: 46:30 Notes: Opening for Bad Company. 1. Song For America (11:22) 2. Icarus (Borne On Wings Of Steel) (6:05) 3. Down The Road (3:42) 4. Belexes (4:07) 5. Drum Solo (3:37) 6. Guitar Solo (4:16) 7. Child Of Innocence (4:51) 8. Bringing It Back (7:03) 9. Can I Tell You [cut] (1:26)
10/31/76 Syrian Mosque cdr 2 a+ FM PRRP 018
11/29/76 Ford Auditorium cdr 1 b+ AUD. JEMS recording
04/03/77 The Palladium cdr 2 b+ Kansas : The Lostbrook Tape Series - Volume 2 April 3, 1977 Palladium New York, NY USA I sometimes forget why I was a Kansas fan, especially after the radio force-fed everyone the same two or three songs. This tape transports me back to the decaying beauty of the Palladium (formerly the Academy of Music) and reminds me how Kansas truly combined “progressive” with “rock.” I found a stub for a souvenir, but I never had a ticket for this concert. Paul and I arrived early to buy tickets on the street, but it was unnecessary. We walked over to the stage door and saw a security guard managing the guest list. Paul casually looked over the guard’s shoulder and grabbed a name off the list, a perfect name that I will never forget – Ray Free, party of 4. We got on line and Paul said he was Ray Free, I was his guest, and the other two would be along shortly! Before we knew it, we were walking up a dark staircase that led to Kansas’ dressing room. There was a party going on, but we kept a low profile and sat in a corner. I imagine I still had the tape deck down my pants! As show time approached, we decided to find seats and set up the recorder. We went down another staircase and found ourselves standing on the stage in front of a packed house. We got more than a few strange looks from the audience and the roadies, so we hopped off the stage and headed to the rear of the orchestra, hoping to find empty seats along the way. There were none, so we stood behind the last row, near the soundboard. I set up the recorder on a half-wall that separated us from Row Z, and shielded it from view with my body. The sound in this location, not surprisingly, was excellent. This was not the case near the stage where I often sat, and this is one of my best Palladium tapes. Ray Free, if you’re out there, we owe you one. I hope you still got to see the show. It was awesome! Recording Equipment: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ cd1 01 Introduction 02 Carry On Wayward Son 03 Icarus - Borne On Wings Of Steel 04 Down The Road 05 Mysteries And Mayhem/Lamplight 06 The Wall 07 Lonely Wind 08 Miracles Out Of Nowhere 09 Guitar Solo cd2 10 Child Of Innocence 11 Magnum Opus 12 Belexes 13 Song For America 14 Violin Solo 15 Cheyenne Anthem
12/13/77 Providence Civic Center cdr 2 a AUD. Dan Lampinksi recording
12/13/77 Providence Civic Center cdr 2 A- PRRP 059 AUD.....Remaster 1. Speed correct. 2. Re-balance Tonality/EQ. 3. Correct channel imbalances. 4. Reduce hiss, clicks, pops and excessive claps. 5. Adjust dynamics. 6. Repair tape flips. 7. Create stereo image for brief mono segments. 8. Remove or reduce disruptive yelling by audience (sit down) Notes: 1. "Sit down" yelled frequently, similar to the Yes concert in August, 1977 at the same venue. 2. Brief periods of mono suggesting splice for tape repair.
12/31/77 Long Beach Arena cdr 2 a AUD
03/23/78 Pavilion de Paris cdr 1 b KANSAS Paris, France Pavilion de Paris w/ Cheap Trick Mar.23.1978 unknown lineage: cdr trade > express rip wav > flac level 8 tlh > checksum tlh > torrent tlh > you "Happy 2010"
07/04/79 Alpine Valley Music Theatre cdr 2 b- Clever Trevor's Notes...... Take into consideration this was recorded during a thunderstorm. And has a bit of tape slipping. How many Monolith shows are outthere? Exactly. Disc One was running a bit slow, so did a slight pitch correction of 2.946% for those who like to know. Raised the volume a bit,and boosted the right channel by 7% as it was quite a bit lower. Disc Two pitch was just about right (work that one out) but still raised the right channel again ( my brother had a dodgy cassette deck like that) did a couple of fades and got rid of the odd bit dead air and reduced the thunderstorm crackles. Slightly adjusted bass and treble,and marvelled at how good Kansas are. Original Notes............ Well, everyone has been requesting a MONOLITH tour show. They are hard to come by!! (almost as hard as a complete soundboard from the first and second album tours!) This is the WLS FM radio broadcast, that was aired live as it happened on July 4, 1979. As Robby mentions, it was going out live around the world, but a bad storm caused lots of problems with the signal and this is rough. It is an FM broadcast, and although it is rough, I have still enjoyed it for many years. To me, it sounds as good as many audience recordings I have heard through the years. Not a problem for me to listen to, but you be the judges! I got this on 2 cdrs when people started burning their own discs from cassette tapes long ago. I have NO IDEA of the lineage, except I know this has not been done as MP3 and converted back. I took the cds and ripped them with SOUNDFORGE, titled the tracks, used FLACfrontend to encode them (FLAC 8), and drank a glass of ice water during the conversion. (No waterglass was harmed in the process) I have enjoyed this for the powerful show it is.. I hope those of you who (like me) find MONOLITH to be a diamond in the crown of KANSAS work, will enjoy this!
11/20/80 Palladium Theatre cdr 2 a+ Palladium N.Y.C. New York November 20, 1980 touring their 7th album "audio-visions" "A Night on the Road" FM broadcast runtime: 96:32 setlist: 1: radio introduction :31 2: Intro: Wagner's Lohengrin > point of know return 6:31 3: icarus: borne on wings of steel 6:11 4: paradox 5:01 5: hopelessly human 7:30 6: Cheyenne anthem 3:51 7: dust in the wind 4:50 8: you think you got it made > the mask of the great deceiver 10:41 9: miracles out of nowhere (cuts in, tape flip) > loner 9:22 10: anything for you 4:20 11: don't open your eyes 4:08 12: got to rock on > no one together > relentless 9:56 13: hold on 4:54 (and closing credits, broadcasted prematurely) 14: portrait (he knew) cuts in 6:45 15: carry on 11:53 lineage: FM radio pre-recorded live broadcast > Sansui 8 reciever with wire antenna > unknown cassette deck (possibly Sony 158) dolby off > TDK-SA 90 min. master cassettes > played on Nak. 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours.
08/22/81 Sportpark cdr 2 a+ Mine is longer than the one listed My Set list: 01 - Song For America 02 - Got To Rock On 03 - Paradox 04 - Point Of Know Return 05 - Dust In the wind 06 - Miracles Out Of Nowhere 07 - Loner 08 - Down The Road 09 - Portrait (He Knew) 10 - Carry On Wayward Son Total time: 49:40 mins.
07/30/82 Civic Auditorium cdr 2 a FM
??/??/82 Vinyl Confessions Demos cdr 1 a
10/01/83 Universal Amphitheater cdr 1 Kansas 1983-10-01 Universal Amphitheater Los Angeles CA Radio Broadcast Drastic Measures tour Clever Trevor Refix Lineage TradersDen>CDR>EAC>Audacity>Flac>Dime Re seed from a few years ago,thanks to the original seeder. Supposedly from Pre FM Vinyl audio source. Clever Trevor's Notes. Already a good show,but very quiet. And clearly sourced from vinyl Quite a lot of pops,clicks and noises on each track. Removed most of them, but still some present, more noticeable on the quieter sections. Raised the volume and boosted the right channel as it was 10% lower. What are you waiting for? Download and Play On. John Elefante Kerry Livgren Rich Williams Phil Ehart Dave Hope and Warren Ham 1. Fight Fire with Fire 2. Point of Know Return 3. Everybody's My Friend 4. What's On My Mind 5. Play the Game Tonight 6. Hold On 7. Andi 8. Dust In The Wind 9. Piano Solo 10. Crossfire 11. Get Rich 12. Belexes (with Drum Solo) 13. Magnum Opus 14. Carry On Wayward Son 15. Mainstream 16. Portrait
10/01/83 Universal Amphitheater cdr 1 a+ PARTIAL SHOW! KANSAS Universal Amphitheatre Los Angeles California USA Westwood One radio Commercials removed unknown 1984 Drastic Measures Tour This is direct from the cassette tape recorded from radio broadcast, no vinyl pops, clicks or noises. Lineage: cassette tape > harman kardon tracks marks cdr > flac level 8 thl > checksum files thl> torrent thl> you Tracks: 01. Fight Fire With Fire 02. Andi 03. Everybodys My Friend 04. Get Rich 05. Mainstream 06. Portrait (he knew) 07. Fight Fire With Fire (reprise) 08. Magnum Opus 09. Carry On My Wayward Son Total: 41:28
11/22/83 Municipal Auditorium cdr 1 a+ Sadly incomplete....but great FM
??/??/86 Power demos cdr 1 a
03/13/87 Syria Mosque cdr 2 a- AUD tape flip during last song
03/29/87 Mid-Hudson Civic Center cdr 2 b+ AUD. Lots of speed problems on the first disc, but it's not too distracting, they are pretty brief. Not as many on the second disc
04/17/87 Riverside Theatre cdr 1 a AUD. There are some obvious speed problems near the middle of the show.
04/17/87 Riverside Theatre cdr 2 This is most likely an upgrade (less hiss), includes "All I Wanted" and almost 10 more minutes in the form of the final encore. This is the best quality for this recording to date. I left it as I had received it, even the awkward separation in 'Musicatto'. lineage: cdr trade > EAC > tlh > torrent Tracks: 01. Intro 02. Musicatto pt 1 03. Musicatto pt 2 04. Point Of Know Return 05. Paradox 06. Stage Chat 07. The Wall 08. All I Wanted 09. intro to Tomb 19 10. Tomb 19 11. Hold On 12. Intro's 13. Up In The Air 14. Dust In The Wind 15. Secret Service 16. Mysteries and Mayhem - Blue Jay Way 17. Power 18. We're Not Alone Anymore 19. Play The Game Tonight 20. Steve Morse solo / Silhouettes In Disguise 21. Carry On My Wayward Son 22. Crowd - Drum Solo - Portrait (He Knew)
07/11/87 Out in the Green Festival cdr 1 b- AUD. Pretty rough recording, lots of audience noise.
02/21/89 Syria Mosque cdr 2 A- AUD. One of the better audience recordings with Morse.
03/31/89 Forum cdr 1 b AUD 78 mins
04/04/89 Main Makethalle cdr 1 a AUD
11/30/91 The Rheem Theater cdr 1 b+ AUD. Walsh struggles a bit on All I Wanted...
08/24/95 Riverbend Music Center cdr 1 a FM
11/26/95 Unknown cdr 1 a+ SBD Killer show, lots of tunes from "Freaks of Nature."
07/08/00 Grant Park cdr 1 a AUD. Walsh is great on this one!
07/22/00 Meadows Music Theater cdr 1 a- AUD., There is a 10 second gap before the encore
08/11/01 Casino Rama cdr 1 A- AUD
06/29/02 Woodlands Pavilion cdr 1 a- AUD
07/07/02 Oakdale Theatre cdr 1 a- AUD
06/21/03 The Ryman Auditorium cdr 1 a- AUD
11/12/04 Wolf Den - Mohegan Sun Casino cdr 2 c+ AUD...for completists.
06/08/05 Unknown cdr 1 a- KANSAS Hamburg Germany 2005-06-08 2005 World Tour CDR from Trade>EAC>TLH>FLAC>Y'all [No idea where the venue is/was] Lineup: Steve Walsh Phil Ehart Richard Williams Billy Greer Robbie Steinhardt T01 Intro~>Belexes T02 Paradox T03 Opus Insert T04 Miracles Out Of Nowhere T05 Song For America T06 Bringing it Back/Secret Service[Keys Segment]/We're Not Alone Anymore[Segment]/Down The Road/Bringing it Back T07 Point of Know Return T08 Portrait (He Knew) T09 Dust in the Wind T10 Carry On Wayward Son Total playing time 64:57 minutes
09/16/05 Wolf Den-Mohegan Sun Casino cdr 1 a- AUD
08/03/06 Ram's Head cdr 2 b+ Master Audience recording Linage: Sony Dat (Master tape) > Mixer to PC > Cackewalk > CD > EAC > Flac level 8 In front of the mixing desk
07/04/07 Cooper River Park cdr 1 A- AUD. Rainmaker was NOT played that night. Ghosts was followed by Musicatta.
07/22/08 Philadelphia Freedoms Tennis Stadium cdr 1 A AUD
08/22/08 Dallas Ballroom cdr 2 A- AUD
02/06/09 White Concert Hall cdr 2 a AUD
06/08/10 Road Runner Mobile Amphitheater cdr 1 a AUD
06/18/10 Wolf Den @ Mohegan Sun Casino cdr 1 a- AUD
07/03/11 The Crystal Palace cdr 1 a Kansas The Crystal Palace Pontiac, Illinois July 3, 2011 'Songs for Pontiac' The show was plagued with problems from the beginning but the band powered through and put on an energetic 80 minute set. Great recording of a nice open-air show. This was day-2 of the Freedom Festival in Pontiac. The show was held in an open field behind the Crystal Palace club.
08/18/11 Infinity Hall cdr 2 a- Kansas 2011-08-18 Infinity Hall Norfolk, CT Steve Walsh - vocals, keyboards Billy Greer - bass, vocals, acoustic guitar Rich Williams - guitars David Ragsdale - violin, backing vocals, electric guitar Phil Ehart - drums A Kitty Lickin' Discs Production Disc One 1. Magnum Opus 2. Musicatto 3. Belexes 4. Point Of Know Return 5. Song For America 6. On The Other Side 7. Hold On 8. Dust In The Wind 9. The Wall Disc Two 1. Cheyenne Anthem 2. Miracles Out Of Nowhere 3. Icarus (Borne On Wings Of Steel) 4. Portrait (He Knew) 5. Fight Fire With Fire 6. Carry On My Wayward Son Lineage: SP-CMC-2 > SP-SPSB-8 > Sony PCM-M10 > USB > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35

Kate Bush --- Approximate Hours: 32.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/73 Early Demos 1973-1973 cdr 1 A
??/??/73 Early Demos 1973-1973 cdr 1 a DIFFERENT VERSION~!! KATE BUSH 'The Early Years' Home Demos 1973 01.Something Like A Song 02.Need Your Loving (= Passing Through Air) 03.Davy (or Davey) (= Maybe, Humming?) 04.You Were The Star 05.Gay Farewell 06.Cussi Cussi 07.Atlantis 08.Sunsi TT 21:57 Kate Bush - vocals, piano Lineage: Demos > CD > EAC > SoundForge 7.0 > FLAC Frontend (level 6) To celebrate Kate's new album, here are some of the oldest Kate demos in circulation. I received them on a cd back in the early 2000's. Initially I thought they were sourced from the vinyl boot called 'The Early Years' which was released in Germany in the mid-80's but then listening to them I heard no vinyl crackles which may mean they are from a different source. Unfortunately there are only 8 of the 10 tracks that are known to exist from these sessions. Sound quality is ok although quite hissy. These are usually dated 1973 but again I have some doubts because: 1) in 1973 Kate was recording from home with a very rudimental recording devices where these demos seem to be recorded in a studio and b) you can hear a much more mature and secure Kate playing and singing. My guess is that these come after Kate recorded at Air Studios (sessions paid by David Gilmour!), so possible around 1975-1976. Either ways, these are gems, enjoy! ldb
01/01/78 Live cdr 1 A SBD "This Woman's Live Work"
04/09/79 Bristol Hippodrome cdr 2 b+ AUD. PRetty good recording, a few tape flips and obvious edits between songs.
04/10/79 Manchester Apollo cdr 2 b AUD
04/10/79 Manchester Apollo cdr 2 First ever time for a complete soundboard recording from Kate Bush's 1979 Tour! Source: VHS of unbroadcast Granada TV 'On The Road' film. Lineage: VHS to CD-R. DISC 1: 01. Intro with backstage chat and vocal warm-ups 02. Moving 03. Saxophone Song 04. Room For The Life 05. Them Heavy Pepole 06. Man With The Child In His Eyes 07. Egypt 08. L'Amour Looks Something Like You 09. Violin 10. The Kick Inside 11. In The Warm Room 12. Fullhouse 13. Strange Phenomena 14. Hammer Horror DISC TWO: 01. Kashka From Baghdad 02. Don't Push Your Foot On The Heartbrake 03. Act III Intro with backstage chat & vocal warm-ups 04. Wow 05. Coffee Homeground 06. In Search Of Peter Pan 07. Symphony In Blue 08. Feel It 09. Kite 10. James & The Cold Gun 11. Oh England My Lionheart 12. Wuthering Heights 13. Curtain Call & speech
04/16/79 The Palladium cdr 2 b+ Nice AUD. Title: Monday Night At The London Palladium' Venue: London Palladium Location: London England Date: 16th April 1979 Source: Purplecockney master audience recording Duratio: 119:50 Min
05/12/79 Hammersmith Odeon cdr 2 b+ Title: Bill Duffield Benefit Concert Venue: Hammersmith Odeon Locatio: London England Date: 12th May 1979 Source: Purplecockney master audience recording Duration: 122:57 Min CD1 (61:37) Moving Symphony In Blue Violin The Kick Inside Strange Phenomena Hammer Horror Chant / Kasaka From Baghdad Don't Push Your Foot On The Heartbreak Them Heavy People (With Peter Gabriel & Steve Harley) The Woman With The Child In Her Eyes (With Steve Harley & Peter Gabriel) The Man With The Child In His Eyes Here Comes The Flood (Peter Gabriel) I Don't Remember (Peter Gabriel & Kate Bush) CD2 (61:20) D.I.Y (Peter Gabriel) Best Years Of Our Lives (Steve Harley) Come Up And See Me (Make Me Smile (Steve Harley) Wow Kite James And The Cold Gun Wuthering Heights Let It Be (With Peter Gabriel & Steve Harley) Notes: This is NOT the official release Another bit of evidence that seperates this from the official release is harley / gabriel joining in on 'heavy people' Lionheart is on the official and wasn't performed at this show. Feel it is on the official and wasn't performed at this show. This may help ,scroll down and it most definately says that it was the second night,that was filmed. It also mentions the first night being the charity show. http://www.guardian.co.uk/music/2010/may/13/kate-bush-only-tour-live
05/13/79 Hammersmith Odeon cdr 1 A SBD "Burning Desire" on Swinging Pig label
08/26/14 Evintim Apollo cdr 3 AUD. Entire show, very nice recording.
08/29/14 Hammersmith cdr 3 AUD Some mic bumps late in the show.
09/13/14 Hammersmith cdr 2 Aud. A great sounding show, really nice audience, but missing the encores and cut off about 65 mins into the second disc.
09/16/14 Eventim Apollo cdr 2 AUD
09/17/14 Eventim Apollo cdr 2 Great sounding AUD. Probably my favorite of the "Before the dawn" shows that I have so far.

Keith Emerson --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/03/05 Palabam cdr 2 b+ AUD

Keith Emerson & Greg Lake --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
04/08/10 Nokia Theater cdr 2 a- AUD
04/10/10 Zeiterion Theatre cdr 2 a- Keith Emerson - keyboards Greg Lake - vocals, 6 & 12 string acoustic guitars, bass Recorded from Row 5, just left of center source info: SoundProfessionals SP-BMC-3 (mounted in croakies)>Edirol R-09HR(24bit/96khz) through mic input, low sensitivity>Peak Pro 5.2 for editing, tracking, and conversion to 16bit/44.1khz wav>FLAC (level 5) FLAC encoding with xACT 1.62 at Level 5 md5 checksum generated and verified using checkSum+ 1.5 for Mac Other than some slight tweaking of levels, this is the raw recording. I feel it needs some EQ'ing, but will leave that to someone else - feel free to remaster and upload, but as always, please don't distribute in lossy form. show notes: this was the 4th gig of the Keith Emerson & Greg Lake tour of the United States. Four of the early gigs were postponed, so this should have been the 8th gig; as for the performanceÉ. well, you can judge for yourself. We all know of Emerson's struggles with neural/motor problems in his right hand (4th & 5th fingers curl up, and he often just uses the other three fingers). On the other hand, Greg Lake sounded *unbelievably good* compared to all of the shows from the 1990's. His voice is deeper, yes, but the range is pretty good and his tone is full and focused. 1) ** "Tarkus" is splitted in seven tracks. Lineage: Tarkus: Flac> (NCH Switch)> Wave> (Split with Wavelab)> Flac
04/11/10 Lynn Memorial Auditorium cdr 2 a- Keith Emerson & Greg Lake Lynn Memorial Auditorium, Lynn, MA April 11, 2010 Set 1 (42:41) 101 From The Beginning (6:48) 102 story (1:08) 103 I Talk To The Wind (5:23) 104 story (2:53) 105 Bitches Crystal (5:38) 106 Take A Pebble (3:46) 107 Tarkus (17:02) Set 2 (63:10) 201 story (1:58) 202 C'est La Vie (4:58) 203 Prelude To A Hope (5:15) 204 story (6:10) 205 America-Rondo (8:31) 206 Q&A with audience(10:37) includes Emerson noodling riffs from Karn Evil 9: 1st AND 3RD (!) Impressions beginning at 5:52 207 Pirates (16:05) 208 Lucky Man (9:33) note: slight low end overload from 7:37-7:43 TT: 105:52 Keith Emerson - keyboards Greg Lake - vocals, 6 & 12 string acoustic guitars, bass Recorded from the balcony, Row 15, just right of center (people were scattered sparsely throughout this part of the balcony - nobody was within 10 yards of me in any direction!) The mighty Moog really rattled the place, and even with a 100hz roll-off (and ample headroom on my meters) the recording distorts a little bit near the end of 208 Lucky Man source info: SoundProfessionals SP-BMC-3 (mounted in croakies)> Edirol R-09HR(24bit/96khz) through mic input, low sensitivity, 100hz filter> Peak Pro 5.2 for editing and tracking; MultiDynamics VST>FLAC (level 5) For this recording I decided to use a VST plugin WaveArts MultiDynamics to give a little more presence to the original recording (see enclosed jpg for settings). As always, please don't distribute in lossy form. FLAC encoding with xACT 1.62 at Level 5 md5 checksum generated and verified using checkSum+ 1.5 for Mac show notes: this was the 5th gig of the Keith Emerson & Greg Lake tour of the United States. Four of the early gigs were postponed, so this should have been the 9th gig. From my perspective, this was a *much* tighter gig for both guys; Emerson was in greater command of the difficult keyboard parts, and Lake's singing and playing was outstanding. The acoustics of the theater were excellent, and this recording was made in the balcony about halfway up, and without ANY noisy crowd around me. It was nice to go to a section which had empty seats and record unobtrusively and without disturbance.
04/16/10 Northern Lights Theater cdr 2 a- AUD

Kiss --- Approximate Hours: 35
Show Date Venue Media Type Media Count Sound Quality Notes
04/07/74 The Palace cdr 1 a- FM
05/26/74 John F. Kennedy Pavilion Gonzaga University cdr 1 b AUD
07/16/74 Independence Hall cdr 1 b AUD
10/18/74 Parthenon Theatre cdr 1 ARTIST: Kiss TITLE: 1974-10-18- Parthenon Theatre, Hammond, IN, USA [SBD] SOUND RATING: SOUNDBOARD - A LINAGE: SDB -> ? -> CDR -> EAC: WAV -> TLH: FLAC 8 -> Hungercity Got To Choose (cut) Firehouse She Ace Frehley Guitar Solo Nothin' To Lose Parasite 100,000 Years Peter Criss Drum Solo Black Diamond Let Me Go, Rock And Roll Cold Gin SHARED ON HUNGERCITY SEPT. 2012 WITH A SPECIAL THANKS TO NASHWOLVERINE - KIXDUDE
10/21/74 The Brewery cdr 1 1974-10-21 – East Lansing, MI, USA (no label) SBD – Complete – 4th Show of the Hotter Than Hell Tour SBD desk tape>?>CDR>dBpowerAMP>flac (level 8)
??/??/75 Destroyer Demos cdr 1
03/07/76 Richfield Coliseum cdr 1 a- SBD
04/01/77 Nippon Budokan Hall cdr 1 b+ AUD
06/14/79 Civic Center cdr 1 a SBD
11/27/79 Selland Arena cdr 2 a- SBD
??/??/79 Dynasty Sessions - Electric Ladyland Studios cdr 6 A Disc.1 Sure Know Something-17 takes Disc.2 Sure Know Something-30 takes Disc.3 Sure Know Something-2 takes Dirty Livin'-25 takes Disc.4 Dirty Livin'-29 takes Disc.5 I Was Made For Lovin' You-21 takes Disc.6 I Was Made For Lovin' You-15 takes
12/03/80 Western Springs Stadium cdr 2 a
12/31/82 Metro Center cdr 2 a- AUD
10/31/83 Espace Balard cdr 1 b An FM recording, but a crappy one. I'd love an upgrade if there is one out there.
11/18/83 Scandinavium cdr 2 b+ I have a much longer version than the one listed here, 104 mins.
01/22/84 Tingley Coliseum cdr 2 a SBD. The beginning of I Still Love You is cut, and the ending of Rock and Roll All Night. Some noise during LIck It Up
10/11/84 Gaumont Theatre cdr 1 a+ SBD
12/28/85 Charlotte Coliseum cdr 1 a SBD

Krokus --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/12/84 Cobo Arena cdr 1 A FM pretty bad drop out for about a half a song during the last half of the show.

Lightnin' Hopkins --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/25/74 Ebbets Field cdr 1 SBD
06/23/77 Rising Sun Celebrity Jazz Club cdr 1 SBD

Lindsey Buckingham --- Approximate Hours: 25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Village Recorder Demos cdr 1 a+ Fun demos. Some static on track 11.
07/06/92 WLLZ FM 98.7 cdr 1 FM. Acoustic show and interview taped at "The Ultimate Sports Bar."
12/12/92 Coach House cdr 1 a+ Lots of debate about the date on this one, but it's probably 12/11, not 12/12
??/??/92 ABC In Concert cdr 1 TV rip.
03/17/93 World Theater cdr 2 Poor aud. At times almost inaudible. For completists.
03/30/93 The Bayou cdr 2 A- Nice aud. Some edits inbetween tracks, but nice sound and a good show.
09/15/03 Soundstage 2005 cdr 1 a+ SBD
10/10/06 The Town Hall cdr 2 b+ AUD
11/06/06 Palace Of Fine Arts cdr 2 AUD.
11/27/06 WXPN World Cafe cdr 1 a+ FM. Music and interviews....35 mins
03/27/07 Theatre Of Living Arts cdr 2 AUD
09/14/08 Royce Hall - UCLA cdr 2 A AUD
10/01/08 House of Blues cdr 2 b+ AUD. Sound gets better as show goes on.

Loudness --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/12/85 California Theater cdr 1 b AUD
04/03/86 Yogiogi Olympic Pool cdr 1 A SBD

Louis Armstrong --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
02/07/59 Concertgebouw cdr 1 a+ Louis Armstrong All Stars Amsterdam Concertgebouw 7 February, 1959 Louis Armstrong and his All Stars at the Amsterdam Concertgebouw, February 7, 1959. My own taping of the re-broadcast in 2005 with announcements by Hans Mantel. In the last announcements he's mentioning also the tune "Ol' Man River", but I haven't heard it. Enjoy! Personnel: Louis Armstrong (tp), Trummy Young (tb), Peanuts Hucko (cl), Billy Kyle (p), Mort Herbert (b), Danny Barcelona (d) Track list (TT=55:27): 01 Announcements (1:01) 02 When It's Sleepy Time Down South (2:26) 03 Back Home Again In Indiana (4:23) 04 Basin Street Blues (7:56) 05 Tiger Rag (6:01) 06 Announcements (1:05) 07 Now You Has Jazz (5:01) 08 That Old Rugged Cross (3:35) 09 Sweet Georgia Brown (3:39) 10 Announcements (0:51) 11 Autumn Leaves (2:40) 12 The World Is Waiting For The Sunrise (4:07) 13 Kiss Of Fire (3:36) 14 I Cover The Waterfront (4:25) 15 Announcements (1:13) 16 Mack The Knife (3:28) Lineage: FM > tape > recording, tracking and editing wav file in Audacity > CD-R > Wav > TLH (Flac 8, sector alignment)
10/??/62 Deutsches Museum cdr 1 LOUIS ARMSTRONG BAND Live at Deutsches Museum in Munich, probably October 1962 SOURCE: FM Broadcast>private ftp>trade>Flac SOUND: VERY GOOD FM Sound (listen to mp3 samples) LINEUP: Louis Armstrong -tp,vo; Trummy Young -tb; Joe Darensbourg -cl; Billy Kyle -p; Billy Cronk -b; Danny Barcelona -d; TRACKS INDIANA 4.22 A KISS TO BUILD A DREAM ON 4.06 OLE MISS 3.56 DIS IS JAZZ 7.12 PERDIDO 2.14 NOBODY KNOWS THE TROUBLE I'VE SEEN 2.48 STRUTTIN' WITH SOME BARBECUE 6.24

Mahavishnu Orchestra --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/26/72 Symphony Hall cdr 1 a Mahavishnu Orchestra John Mclaughlin: guitar Jan Hammer: keyboards Jerry Goodman: violin Rick Laird: bass Billy Cobham: drums Symphony Hall Boston, Mass. January 26, 1972 (opener for Howard wales/Jerry Garcia Hooteroll) runtime: 63:43 setlist: 1: tuning 1:24 2: meeting of the spirits > 10:51 3: you know, you know 8:57 4: radio announcer :09 5: band introductions :19 6: the dance of Maya 10:34 7: radio announcer :09 8: dawn 15:21 9: Binkie's beam 3:53 10: the noonward race 11:45 various cassette sources > WAV > flac > torrent. source: 3 source FM matrix: tracks 1-3, source 1, which has some static in parts but never very loud or long lasting. This is a 2nd gen. tape. The rest is from 1st gen. (different master source) and sounds as good as I've ever heard this show sound, but it also has some static. The fidelity is quite good for a Jan. 72 FM recording, with great seperation of left and right, but WBCN was hardly the megawatt giant it has been since circa early 80's. The third source (unknown) only provides a few seconds of this recording, filling in just a few seconds of talk after Dawn when John mentions he broke a string and we'll be right back, at which point they cut away to a commercial, and cut back in after John mentions Jan Hammer, just as he says "he's from Czeckoslovakia". I have cut out all the commercials, and left all the music and talk in here. The 3rd source is not as good as the other two, fortunately it's just barely long enough to notice it, and there strictly to maintain the continuity of the recording. first seeded in 2009. reseeded in 2011 with a flac > wav > flac (sb's aligned) reconversion to remove the sbe's. A this and that production. Do not sell this recording. share the spirits freely, losslessly and gaplessly. comments: This show is so early I hadn't heard of Mahavishnu Orchestra yet then, and did not hear this broadcast. This may be the 1st Boston Maha. show, although I suspect they may have done a show in late 71 at Jazz Workshop or somewhere else. Just a few months later, Maha. was touring almost constantly and played at least 2 more Boston shows in 1972. this is definitely the earliest 72 Boston Maha. show I know of, the start of a very fiery relationship (in a good way) and still featuring the music of "Inner Mounting Flame" which is a good description of this band's career
04/21/72 Cleveland Music Hall cdr 1 a+ "Wild Strings," liberated boot. Pitch corrected -- speed was approx 2.7% too slow, amended with Adobe Audition -- lineage should now be: sbd -> ? -> Bootleg CD -> ? -> flacs -> Adobe Audition 1.5 (flac import) -> -> speed/pitch corrected* -> flac -> sbe's fixed with TraLiHe *to fix the slow speed of this recording I loaded the individual tracks into Adobe Audition. I then changed the speed/pitch with the tool: "Effects" -> "Time/Pitch" -> "Stretch" -> "Constant Stretch" with "Stretching Mode" set to "Resample (preserves neither)" -> "Ratio" set to "97.3" -> "OK" -- Bert's listening satisfaction test :) "You Know You Know's" theme was used to get the speed/pitch of the recording right. I played it on a six string tuned to concert pitch, i.e. A=440Hz. I thought it safe to presume, the band used this tuning. IMHO, this is a much better listening experience now. The band appears tighter and even more fiery.
08/17/72 Kongress Saal, Deutsches Museum cdr 1 a+ SBD
11/09/72 Berkeley Community Theatre cdr 2 a+ SBD. Awesome
03/17/73 SUNY New Paltz cdr 1 A Setlist (runtime about 69 mins) Birds Of Fire Open Country Joy Dream Miles Beyond One Word Lineage: (unknown portable cassette player w/plug in mic to MC ->Goldwave ->APE ->WAV ->FLAC ->Sound Forge ->14.5 cent speed correction ->Channel conversion (phase-shifted mono to true mono to true mono two-channel) ->FLAC via TLH, level 6, sectors aligned and verified. FLAC integrity verified, SBE's OK, Losslessness (great word there) verified within Sound Forge. The digital transfer was done in the early 2000s using Goldwave to eliminate camera clicks, long periods of silence, and the occasional cough, as well as to smooth transitions. Before playing the tapes into his PC, the taper opened the cassette shells and transferred the tape spools into fresh cassette shells. The recordings were originally archived on CDR as APE files (a now rarely used lossless compression software).
04/01/73 Ebbets Field cdr 1 a+ Mahavishnu Orchestra Irish Streams April 1, 1973 Denver, CO Source SBD/FM Highland HL565 Lineage : CD>EAC(secure)>Wav>FlacFrontend(level6).flac
05/03/75 Music Hall cdr 2 A AUD Dan Lampinski recording

Marillion --- Approximate Hours: 133.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/01/79 Studio cdr 1 A "First Kiss"
03/14/81 Red Lion Pub cdr 1 b+ I have a different version than the one listed here TRACKS: Grendel/Snow Angel/Skyline Drifter/The Web/Herne the Hunter/Garden Party. Itunes displays this as "Stages-Prog_CDR012 (disc1)
01/29/82 BBC Studios, Delaware Road cdr 1 A Part of "In Session Tonight"
02/20/82 Friar's Maxwell Hall cdr 1 A AUD. Excellent recording from Saliva Tears Tour 81/82 and a very nice dive into the early days of this great band.
05/02/82 The Mayfair cdr 1 b+ SBD
08/13/82 Marquee Club cdr 2 a+ Marillion - Marquee Club, London, UK, 13th August 1982. Source > Soundboard. Quality > Excellent. Lineage > Aiwa AD-F410 Tape Deck > CD Wave > DBPoweramp > Flac level 8 > TLH > Dime.
08/19/82 Limit Club cdr 2 A AUD...Soundcheck comes first on my copy.
08/26/82 The Warehouse cdr 1 b+ SBD
08/29/82 Thameside Arena - Reading Rock Festival cdr 1 A SBD. Bonus tracks-Roskilde 1983 Forgotten Sons, margaret. Old Grey Whistle Test, 5/20/83. Forgotten Sons
??/??/82 Early Years Collection 1982-1983 cdr 1 A
03/28/83 Colston Hall cdr 2 a- Marillion 1983-28-03 Colston Hall, Bristol, England B+ / A- Disc 1 1. Script For A Jesters Tear 2. Garden Party 3. Three Boats Down From The Candy 4. The Web 5. Charting The Single 6. Chelsea Monday Disc 2 1. He Knows You Know 2. Forgotten Sons 3. Market Square Heroes 4. Margaret (fade out) Lineup Vocals - Fish Guitar - Steve Rothery Bass - Pete Trewavas Keyboards - Mark Kelly Drums - Mick Pointer Source - Unknown taper to TDK C90 cassette - Magix Audiolab 11- WAV - FLAC I got this tape a long time ago from a friend, no idea of its origin, I have been meaning to digitise it for a while now and finally got round to it, I was pleasantly surprised at the quality, the levels fluctuate a bit here and there, but overall its very nice, some parts would qualify for an A- i reckon, but overall its a B+. There was a nasty tape cut in Chelsea Monday which i have fixed to the best of my ability, and unfortunatly Margaret was not complete and fades out.
04/01/83 Gaumont cdr 2 b+ AUD
04/11/83 Capitol Theatre cdr 2 b- Marillion Location: Capitol Theatre, Aberdeen, Scotland Date: 11 April 1983 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: B- in my rating and crappy speakers track list Marillion - Live 11.04.1983 - 101 - Script.flac Marillion - Live 11.04.1983 - 102 - Garden Party.flac Marillion - Live 11.04.1983 - 103 - Three Boats Down.flac Marillion - Live 11.04.1983 - 104 - The Web.flac Marillion - Live 11.04.1983 - 105 - Charting The Single.flac Marillion - Live 11.04.1983 - 201 - Chelsea Monday.flac Marillion - Live 11.04.1983 - 202 - Chelsea Monday Pt2.flac Marillion - Live 11.04.1983 - 203 - He Knows You Know.flac Marillion - Live 11.04.1983 - 204 - Forgotten Sons.flac Marillion - Live 11.04.1983 - 205 - Market Square Heroes.flac Marillion - Live 11.04.1983 - 206 - Margaret.flac Notes: Its been a while since I offered a trade so I was looking for a show that didn't seem to be so common and this is the winner. The quality is a bit rough but I am sharing because of the rare factor. Shared by Wicko on 31st December 2009
06/17/83 Worthy Farm cdr 1 A FM My copy is lame. Songs 1-5 on track 1, 6-7 on track two, and it's missing Market Square Heroes. Please let me know if you have an upgrade to trade!
07/03/83 Parkpop, Zuiderpark cdr 1 a+ FM
07/22/83 Park West cdr 2 a- Nice AUD recording.
07/26/83 Rooftops Skyroom cdr 1 a+ SBD
08/25/83 Royal Court Theatre cdr 2 b AUD
08/27/83 Thameside Arena - Reading Rock Festival cdr 1
10/01/83 Rundsporthalle cdr 2 a+ FM PRRP 003. Entire show, including "Charting the Single."
02/23/84 Apollo Theatre cdr 2 b- Marillion Location: Apollo Theatre, Oxford, England Date: 23 Feb 1984 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: B in my rating and ears.... 1 Assassing 2 Punch And Judy 3 Script For A Jester’s Tear 4 Jigsaw 5 talk/Emerald Lies 6 Chelsea Monday 7 talk/Incubus 8 He Knows You Know 9 Fugazi 10 Forgotten Sons 11 Garden Party 12 Market Square Heroes/band intro For unknown reasons only an uncomplete 57 min version (track 1-8) of this show is seen in circulation. This is the complete one. I promise; this one isnt seen everywhere so grab it while you can!!
03/10/84 Hammersmith Odeon cdr 2 a- Marillion Location: Hammersmith Odeon, London, England Date: 10 Mar 1984 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... Setlist 1 Assassing 2 Punch & Judy 3 Jigsaw 4 Script For A Jester's Tear 5 Emerald Lies 6 Chelsea Monday 7 Incubus 8 He Knows You Know 9 Fugazi 10 Forgotten Sons 11 Garden Party/Market Square Heroes Im cleaning up external hard drives, dusty shelves, boxes etc and do some re-runs of boots I've previously upped and some newies as well before the stuff is stored away. Notes: Second of three Hammersmith nights. Great recording from Fugazi UK Tour.
03/12/84 Goldiggers Club cdr 1 a+ From a Pre-FM source
06/11/84 Sportpark cdr 1 A FM. SEEDERRS NOTE:for the first time ever, the complete recording of the pinkpop concert. last week i bought a enormous amount of tapes, including a lot of bootlegs from marillion, camel, waters, floyd, jethro tull, asia, saga. most of them known, but some of them rare. this one came in the first box. the first tape had the complete concert incl. announcement excl. script but the first 3 songs were very poor (cause of age) (i used the songs from the bootleg cd, which i pitchshift, too slow) My version has Script, which isn't present in most copies!!!!
07/02/84 Stadthalle cdr 2 b+ AUD. My copy has a radio interview with Fish done the same day on SWF3.
07/10/84 Volkhaus cdr 2 b+ Marillion Location: Volkshaus, Zurich, Switzerland Date: 10 Jul 1984 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears..... Setlist 1 Intro/Assassing 2 Punch and Judy 3 Jigsaw 4 Script for a Jester's Tear 5 Emerald Lies 6 Cinderella Search 7 Incubus 8 Charting the Single 9 He Knows You Know 10 Fugazi 11 Forgotten Sons 12 audience 13 Garden Party 14 Market Square Heroes
11/12/84 Grugahalle cdr 2
11/21/84 Schlufwegzentrum Kloten cdr 1 a+ SBD
12/06/84 Rheingoldhalle cdr 2 b Marillion Location: Rheingoldhalle, Mainz, Germany Date: 6 Dec 1984 Source: Audience Transfer: Aud > cass > CD-R(x) from trade 100 years ago > EAC > FLAC Level 8 > you Setlist 1 Assassing 2 Garden Party 3 Cinderella Search 4 Punch And Judy 5 Jigsaw 6 Chelsea Monday 7 Emerald Lies 8 Misplaced Childhood pt1 9 Script For A Jester's Tear 10 Incubus 11 Fugazi 12 Market Square Heroes Notes: Great and rare recording from Real To Reel Tour. This one is mostly seen without the last 3 tracks and mp3 sourced. This is the real deal!! Grab it!! ;-)
06/17/85 Rolling Stone cdr 2 b+ AUD
06/18/85 Puccini Arena cdr 1 A- AUD...... Side A: 1. Pseudo-silk Kimono 02:22 2. Kayleigh 03:46 3. Lavender 02:30 4. Bitter Suite 05:59 5. Heart Of Lothian 06:10 Side B: 1. Jigsaw 07:16 2. Incubus 10:01 3. Fugazi (Cut fades out) 06:39
10/11/85 Eriksdalshallen cdr 2 b AUD "The Night Marillion Went Down To Stockholm." From a vinyl source, there are some skips and a fair amount of snap, crackle and pop. Title: The Night Marillion Went Down To Stockholm Format: 3 vinyl LP (140 min) Label: GEMA Matrix: DH 11 Release Date:? Cover: Deluxe coloured cover (Cover edited for 3cd box) Medium: Black vinyl Date Venue Source: 11th Oct 1985 Eriksdalshalle Stockholm Sweden (Audience) Sides 1,2,3,4,5 Date Venue Source: 11th Jun 1984 Pinkpop Geleen The Netherlands (Radio Broadcast) Side 6 Notes: Re-release from the same matrix of the Vinyl bootleg "Childhood's End"
11/17/85 Audimax cdr 2 b+ Marillion Venue: Audimax, Hamburg, Germany Date: 17 Nov 1985 Taper: Unknown Source: Audience
11/21/85 Stadthalle cdr 2 b Marillion Venue: Stadthalle, Osnabrück, Germany Date: 21 Nov 1985 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... Setlist 1 intro/Emerald Lies intro/Script For A Jester's Tear/Incubus 2 Chelsea Monday 3 The Web 4 Misplaced Childhood 5 Fugazi 6 Garden Party/Market Square Heroes
12/07/85 Nippon Seinenkan Hall cdr 2 a- Marillion Nippon Seinenkan Hall Tokyo, Japan Disc One 01 Script for a Jester's Tear 02 Incubus 03 Chelsea Monday 04 The Web Disc Two 01 Pseudo Silk Kimono-Kayleigh 02 Lavender 03 Bitter Suite 04 Heart Of Lothian 05 Waterhole (Expresso Bongo) 06 Lords of the Backstage-Blind Curve 07 Childhoods End-White Feather 08 Fugazi 09 Garden Party 10 Market Square Heroes sound Quality My verdict/ears 8.5/10 or Ex+ Lineage: Audience Master > 1st Generation > Nakamichi CR 5A > MacBook Pro > Audacity > Peak Pro XT > xACT 1.59 > Flac I received this in a postal trade, and I've not seen it on here before and so this is a very nice treat for those that like Marillion. Trust me whether your a hardcore fan or even if you are only a casual fan of Marillion, I'm sure you will not only enjoy this, but you'll absolutely love it. It's a fantastic recording. It's not perfect there's the tape flip during Childhood-White Feather. These are the original notes that came with it: "I received this in trade back in the mid 80's directly from the taper. I did a transfer using less than average equipment and software a decade or so ago and this is a fresh transfer that's much improved over my previous transfer. I figured there'd be some Dimers here that would appreciate an upgraded version. I also received the Osaka show from the 3rd directly from the taper at the same time and will share it as well at some point. Excellent quality,
01/08/86 Hammersmith Odeon cdr 2 A SBD. From vinyl source.
07/17/86 Stadio San Siro cdr 2 b+ AUD
07/05/87 Piazza Grande cdr 2 b+ AUD....LDB Master Series #135
07/09/87 Le Zénith cdr 1 b+ AUD
09/21/87 The Cabaret cdr 2 a+ FM
09/21/87 The Cabaret cdr 2 a+ Remember...This is Live Radio Group: Marillion Title: Remember...This is Live Radio Date: September 21, 1987 Venue: The Cabaret - San Jose, California Media: 2 cdr - 66:48, 68:30 Catalog: Duley Digital - DD-M870921-A Source 1: FM broadcast low gen cassette Source 2: FM broadcast master cassette Source 3: Low gen audience cassette Source 4: FM broadcast low gen cassette All tracks use source 2 except as noted below Disc 1 01. Fish Interview - Source 1 02. The Thieving Magpie - Source 1 03. Slainte Mhath - Source 1 - 1st minute (rest is Source 2) 04. Assassing 05. Script for a Jester's Tear 06. White Russian 07. Incubus 08. Sugar Mice 09. Torch Song 10. Fugazi Disc 2 01. Hotel Hobbies 02. Warm Wet Circles 03. That Time of the Night 04. Kayleigh 05. Lavender 06. Bitter Suite 07. Heart of Lothian 08. The Last Straw 09. Incommunicado 10. Garden Party - Source 3 11. Market Square Heroes - Source 4 This is a concert that was broadcast live on KOME FM. This has long been one of my favorite concerts to listen to. The performance is good, but Fish is especially animated on this evening. From listening to Fish's comments during the show, he has been asked by the radio station to avoid swearing since they were broadcasting live. Initially he is well behaved in this regard, although he does make fun of the request repeatedly. By the time the 2nd encore is set to begin, Fish appears to be feeling quite good, and decides its free reign to begin swearing. Fish confirms the location several times during the show, also referring to Silicon Valley. He names San Jose a couple times as well, including the Garden Party encore, and names the Cabaret as the venue during MSH. These mentions in GP and MSH are significant, in that they confirm that these two audience tracks are taken from the same show as the first part of the broadcast. Most copies of the FM show in circulation are missing these last two tracks. Unfortunately, I never did find a single perfect source for this show. The most complete version of the FM recording was a couple gens down, and while it sounded decent, was noticably worse than the master source. Unfortunately, the master source I did obtain was not quite complete. It was missing the interview with Fish that aired prior to the show. It was also missing the Thieving Magpie intro, as well as the first 59 seconds of Slainte Mhath. There were also a couple occassions in the recording where a couple seconds were missing for some reason. It was also missing the final two songs of the show. What you have here is my attempt to provide the most complete version of this show, in the best quality currently available to me. I've used the low gen FM source for the interview, TTM, and the first 59 seconds of Slainte Mhath. This source switches seamlessly to the master FM source. (seamless, other than the noticeable change in sound quality.) I used the low gen FM to patch in the couple spots that were missing a second or two in the master FM source. Finally, I spliced Garden Party and MSH onto the end of the master source. Even the master FM source isn't the best of FM recordings. The mix varies a bit throughout, and I assume some of the warts are due to broadcasting live, rather than recording and mixing it better before airing it. So you have the complete show, although the quality varies a bit throughout. Duley - July 2005
09/25/87 Billy's Old Mill cdr 2 a+ FM
10/02/87 The Chance cdr 2 A- FM. Lots of static, taped with not the best reception, and there is a big reception problem during Assassing. Still worth having.
10/13/87 Massey Hall cdr 2 b+ AUD. I have about 30 mins of the soundcheck on the first disc. there are a few little cuts on the second disc. A pretty nice audience recording.
11/04/87 Wembley Arena cdr 1 A FM. "Happy Ending"
11/13/87 Scandinavium cdr 2 b+ AUD
12/09/87 Espace Des Lices cdr 2 b+ AUD
12/14/87 Palais Omnisports De Bercy cdr 2 a- FM. Sound is a little muffled, like it's from a 5-6 gen tape, if not more...
12/14/87 Palais Omnisports De Bercy cdr 2 LDB Master Series #275 MARILLION Paris, Palais des Omnisports de Paris Bercy December 14, 1987 01.Intro: La Gazza Ladra / Slainte Mhath 02.Assassing 03.White Russian 04.Sugar Mice 05.Fugazi 06.Hotel Hobbies / Warm Wet Circles / That Time Of The Night 07.Misplaced Childhood (side 1) 08.The Last Straw 09.Incommunicado 10.Garden Party 11.Market Square Heroes / My Generation TT 98:16 Lineage: RTL FM broadcast > master tape > Aiwa Tape Deck AD-WX828 > Creative Audigy SE > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Mark Kelly - keyboards Pete Trewawas - bass Ian Mosley - drums Steve Rothery - guitars Fish - vocals Corinne Josias - backing vocals I already had a first generation from this broadcast but a few months ago I was in touch with the guy I traded it back in 1988 and he provided me with his master to digitalize. Unfortunately both his master and my copy had deteriorated since then and the sound is not that excellent, I would rate it as very good. Nevertheless, one of the best shows from the Clutching At Straws tour although no Incubus or Script were played. But indeed an incredible 'thriller' intro to Fugazi. This is one of the last gig of Marillion as a six-piece band featuring Corinne Josias as backing vocalist. Less than 12 months later, Fish abandoned ship and the end of an era for Marillion was there. French radio followed quite a lot the Fish era of Marillion, as they broadcasted no less than three tours plus the very first one with Steve Hogarth in 1989 (the latter being seeded in my Master Series already). This was the second visit to Paris during the same tour, as the band had played the Zenith earlier in July during the summer leg of the tour. Enjoy! ldb
12/14/87 Palais Omnisports De Bercy cdr 2 LDB Master Series #275 MARILLION Paris, Palais des Omnisports de Paris Bercy December 14, 1987 01.Intro: La Gazza Ladra / Slainte Mhath 02.Assassing 03.White Russian 04.Sugar Mice 05.Fugazi 06.Hotel Hobbies / Warm Wet Circles / That Time Of The Night 07.Misplaced Childhood (side 1) 08.The Last Straw 09.Incommunicado 10.Garden Party 11.Market Square Heroes / My Generation TT 98:16 Lineage: RTL FM broadcast > master tape > Aiwa Tape Deck AD-WX828 > Creative Audigy SE > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Mark Kelly - keyboards Pete Trewawas - bass Ian Mosley - drums Steve Rothery - guitars Fish - vocals Corinne Josias - backing vocals I already had a first generation from this broadcast but a few months ago I was in touch with the guy I traded it back in 1988 and he provided me with his master to digitalize. Unfortunately both his master and my copy had deteriorated since then and the sound is not that excellent, I would rate it as very good. Nevertheless, one of the best shows from the Clutching At Straws tour although no Incubus or Script were played. But indeed an incredible 'thriller' intro to Fugazi. This is one of the last gig of Marillion as a six-piece band featuring Corinne Josias as backing vocalist. Less than 12 months later, Fish abandoned ship and the end of an era for Marillion was there. French radio followed quite a lot the Fish era of Marillion, as they broadcasted no less than three tours plus the very first one with Steve Hogarth in 1989 (the latter being seeded in my Master Series already). This was the second visit to Paris during the same tour, as the band had played the Zenith earlier in July during the summer leg of the tour. Enjoy! ldb
10/25/89 Le Zénith cdr 1 a+ FM. Great
09/26/90 Tivoli Theatre cdr 1 b AUD "Just Slip Across"
12/20/90 Junction 10 cdr 1 b AUD
06/01/91 Köln cdr 1 b AUD
07/13/91 Cumbria Fest cdr 1 A "Reflections"
07/24/91 Music Hall cdr 2 a+ SBD
04/15/94 Teatro Verdi, Sestri Ponente cdr 2 A AUD
05/04/94 Apollo Theater cdr 1 A Brave live "One Off Show"
08/25/97 House Of Blues cdr 2 B+ SBD. Kinda quiet. Good sound, but you have to turn it up a bit.
08/30/97 Graffiti Showcase cdr 2 B+ SBD....Weird sound problems at times, but still worth having
10/05/01 Naima Music Club cdr 2 b+ Marillion Location: Naima Club, Forli, Italy Date: 5 Oct 2001 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you
04/18/02 BBC 3 Counties "Big George Radio Show" cdr 1 a+ FM
09/14/04 L'Elysée Montmartre cdr 1 b+ Marillion Location: L'Elysée Montmartre, Paris, France Date: 14 Sep 2004 Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears....
09/28/04 Fillmore cdr 2 B+ AUD
10/01/04 WXAV-FM Studios cdr 1 a+ WXDV in Chicago.....22 min interview followed by "Easter," and "You're Gone."
09/11/05 Tower Records cdr 1 B+ AUD
09/15/05 Tower Records cdr 1 A SBD ! Los Trios tour
09/16/05 Chop Suey cdr 1 b AUD. Incomplete, lots of chatter.
10/31/08 BBC Radio 2 Studio cdr 1 a+ 11/01/2008, the Bob Harris Radio show. Also includes an interview from 10/14/08 on Morrow.com,with Hogarth and Rothery

The Mars Volta --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/04 Estadio San Carlos De Apoquindo cdr 1 A FM
11/01/08 Club Ciudad de Buenos Aires cdr 1 a+ SBD

Marvin Gaye --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/01/72 Kennedy Center cdr 1 SBD. Fantastic! Mine does not have Heard it Through the Grapevine.

Masters of Reality --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/11/93 SJSU Event Center cdr 1 b AUD

Mastodon --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/30/07 Frihamnspiren cdr 1 a- FM
10/24/09 Agri-Center cdr 1 b- AUD

Meat Loaf --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/28/77 The Bottom Line cdr 1 a+ MEATLOAF Bottom line NYC, NY 11-28-1977 **FM Broadcast WNEW FM NY?** Recording - Soundboard/Excellent Source: FM Broadcast/recorded on sony Cassette Desk{unknow model} Playback: Sony HX PRO TC-C5 {first generation Cass.} [ conversion: Cool edit pro ver 2.0 (build 2095.0) WAV 16bit 44K, Tracking and Normalized/speed adjusted Trade Little Helper ver 2.7.0 (build 172)-- Flac/Sbe/fingerprints/Torrent flac level 8 SBE checked (none found) TRACKLIST: 01 Intro 02 Great Boleros Of Fire 03 Bat Out Of Hell 04 You Took The Words Right Out of My Mouth 05 For Crying Out Loud 06 Paradise By The Dashboard Lights 07 Band intros (tape swap) 08 Band intros/Love And Death And An American Guitar 09 All Revved Up WIth No Place To Go 10 Meat Loaf Banter (DJ) 11 River Deep, Mountain High 12 Meat Loaf Banter (DJ) 13 Two Out Of Three Aint Bad / All Revved Up Reprise 14 DJ Banter
11/29/77 The Bottom Line cdr 1 a+ Meat Loaf - 1977-11-29 - Roslyn, NY (PRE-FM VINYL FLAC) My Father's Place Broadcast on WLIR (Garden City, NY) Soundboard/Radio Broadcast? -> LP -> TerraTecUSB (SoundRescue) -> .WAV -> .FLAC 01 - Bat Out Of Hell (9:55) 02 - You Took The Words Right Out Of My Mouth (5:18) 03 - Two Out Of Three Ain't Bad (6:31) 04 - Paradise By The Dashboard Light (10:30) 05 - All Revved Up With No Place To Go (9:19) Lineup: Jim Steinman played keyboards at this show and provided the intro dialog for track 2. I believe Karla Devito was the female vocalist for this show. Other than that I don't have further info on the backing band. Notes: The performance was from a live radio show originally broadcast by WLIR (92.7FM - Garden City, NY). The show was held at My Father's Place in Roslyn, NY.
01/18/78 El Mocambo Club cdr 1 Excellent SBD. A few skips throughout the show, not many....but it came that way. Still a great one.
06/06/78 Hammersmith Odeon cdr 1 a+ Source: FM Broadcast Quality: Ex Lineage: Silver CD>EAC>TLH>FLAC
06/22/85 Knebworth Park cdr 1 a+ Fm. My copy is sadly missing the last two songs.....I'd love an upgrade!
09/15/93 Hudson Theater cdr 1 a+ SBD. A few minor dropouts during Paradise.

Mike Oldfield --- Approximate Hours: 23.75
Show Date Venue Media Type Media Count Sound Quality Notes
06/25/73 Queen Elizabeth Hall cdr 1 A SBD
05/05/76 Kelvin Hall cdr 1 a+ SBD
04/04/79 Phillipshalle cdr 2 a- AUD
04/02/81 Eilenriedhalle cdr 2 Mike Oldfield - Hannover, Germany 4/2/81 Disc 1 1. German Announcer 2. Taurus I 3. Sheba 4. Mirage 5. Mike introduces the band 6. Platinum 7. Tubular Bells Part II 8. Sailor’s Hornpipe (fades) 9. Incantations Parts III & IV Disc 2 1. Tubular Bells Part I 2. QE2 3. Punkadiddle 4. Sailor’s Hornpipe 5. Conflict Beautiful Soundboard recording.....WOW!! 1981 - The EUROPEAN ADVENTURE TOUR March 9 & 10 Offenbach, 11 Heidelberg, 12 Mainz, 14 Wurzberg, 15 Nurenberg, 16 Munich, 17 Ravensberg, 18 Karsruhe, 19 Cologne, 21 Hamburg, 22 Kiel, 23 Bremerhaven, 25 Hanover, 26 Bremen, 27 Berlin, 29 Dusseldorf, 30 Munster, 31 Seigen (2 shows), April 1 Essen, 2 Hannover, 3 Rotterdam Musicians: Mike Frye (drums and percussion), Morris Pert (drums & percussion) Tim Cross (keyboards) Maggie Reilly (vocals) Rick Fenn (guitar and bass). During this third tour he was still having his hot-cold relationship with live performances, in April telling Melody Maker he, "always felt guilty because I wouldn't tour. I wouldn't do all the things you're supposed to do. For me its got to have some point, some purpose. Why else go through the mindlessness of being on the road day after day. I want people to go home after seeing my concerts thinking, yeah, I'll be a better person for that." Mike agreed he could not communicate specific things live, "but the general concept, yeah. And you can see it from the stage. I can look at the faces of the people in the audience and see whether its getting through. They have these glazed expressions on their faces and you know they've understood. It means an awful lot to them." Mike played Hanover twice in 10 days: the second date was added to close the 25-date German leg of his tour that confirmed him as one of the biggest rock acts in the country. He continued his evolution as a man-manager by assigning a percentage of tour profits to each member. ". He was helped by manager Ossie Hoppe (ex manager of Whitesnake) and the tour was merchandised by Jeremy Parker who joined Mike in Finland. It started a long association.
07/05/81 unknown cdr 1 b+ SBD The sound quality fluctuates badly on this recording, from pretty good to very bad. There are points where the level is far too high and this leads to some bad saturation. Track 1: There is a slight *scratch* effect on first track at 4 m 12s. Track 5: Has a really bad buzz all the way through it, which is a shame becuase it is a nice rendition of TB part 2 Track 6: 5 m 40 s into track is the beginning of Ommadawn (after Conflict), therefore... Track 7: Does not start at the beginning and is just the 8 last minutes of "Ommadawn". BUT it is also incomplete. It stops whilst building to the final climax during the drum *solo*. Track 4: is not ALL of Platinum, it stops on "Charleston". Track 8: Punkadiddle is *very* abortive at the end... For those of you who have heard the Punkadidle on *Mirage* bootleg, Mike *seems* to be starting to do the same thing with the audience, but he doesn't seem to be playing too well and all of a sudden it just stops dead! The audience sound *bemused* to say the least...
04/08/82 My Father's Place cdr 2 a MIKE OLDFIELD MY FATHER'S PLACE, ROSLYN,NY,USA APRIL 8,1982 ( FIRST NORTH AMERICAN CONCERT ) CD1 1-AIRBORN 2-PLATINUM 3-SHEBA 4-MIRAGE 5-TUBULAR BELLS 2 6-TAURUS 2 CD2 1-OMMADAWN 1 2-TUBUALR BELLS 1 3-MOUNT TEIDI 4-ORABIDOO AUDIENCE CASSETTE MASTER > 2ND GEN REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC
11/02/82 Köln cdr 2 a+ SBD
07/22/83 Wembley Arena cdr 2 a+ SBD
09/08/84 Bussoladomani cdr 2 a+ SBD
09/04/98 Horse Guards Parade cdr 2 a+ SBD
07/25/99 Spodek Hall cdr 2 a+ FM. Great!

The Move --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
08/??/69 Unknown cdr 1 b- AUD
05/17/70 Phillipshalle cdr 1 b- The Move 1970-05-17 Duesseldorf, Germany Phillipshalle 01. She's A Woman 02. Looking On 03. Brontosaurus Total Time ::: 20:04 ::: A low known generation nice copy that I believe upgrades most commonly circulating versions. A diamond in the rough. It's not hi-fi, but it's The Move! Check the samples if yer so inclined. ::: Small splice right at the end of track 2. Recording Information ::: unknown mono equipment -> master audience tape -> 1st generation tape -> 2nd generation Maxell XLIIS-90 cassette, Dolby B on. Playback 2011-08-01 ::: 2nd generation Maxell XLIIS-90 cassette on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer -> EAC secure -> wav file(s) -> Audacity (for fades and/or glitch repair, volume adjustments, no EQ) -> CD Wave for track splits -> Trader's Little Helper -> various ears around the world. First uploaded 2011- Line-up ::: Roy Wood - vocals, guitar // Jeff Lynne - vocals, guitar // Bev Bevan - drums // Rick Price - bass

My Morning Jacket --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
06/10/11 Bonnaroo Music & Arts Festival cdr 2 a My Morning Jacket 2011-06-10 What Stage Bonnaroo Music & Arts Festival Manchester, Tenn. Avantone CK-1 (cardoid) > Fostex FR-2LE (24/48) FOB/DFC; mics at ~ 9' high CF > HDD > DropBox > HDD > Wavelab 6 > CD WAVE > FLAC Nice recording.
06/17/11 Auditorium Theater cdr 2 a+ Great FM. Just a hint of hiss.

Neil Finn --- Approximate Hours: 25
Show Date Venue Media Type Media Count Sound Quality Notes
03/10/98 Royal Albert Hall cdr 1 A FM
05/27/98 Abbey Road Studio 2 cdr 1 A FM
07/07/98 Recovery Studios (ABC) cdr 1 A FM
08/11/98 The Plant (KFOG FM) cdr 1 A FM
08/13/98 KCRW cdr 1 A FM. Right around an hour, plays as 1 long track. It has the three songs listed here, plus a few tracks be picked by other artists, and closes with She Will Have Her Way
08/19/98 Paramount Theater cdr 1 A FM
12/11/98 Tamarama Surf Life Saving Club cdr 1 a+ SBD
12/12/98 Festival Hall cdr 2 A FM
03/07/01 Helen Young Studios cdr 1 a+ FM. Sweet acoustic show.
01/29/03 Town Hall cdr 2 b+ AUD. Pops inbetween tracks
03/11/04 Largo cdr 2 A AUD. Recorded while working on "Everyone Is Here"
08/17/09 KCRW studios cdr 1 a+ FM. Awesome stuff.
09/11/10 Largo cdr 2 a- AUD. Great show. A must for fans that love the deep tracks!!
09/12/10 Largo cdr 2 A AUD
04/18/14 BBC Radio 2 cdr 1 FM

Nektar --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/11/70 Schlosskeller cdr 1 A SBD
11/13/71 Bessunger Turnhalle cdr 3 b NEKTAR - Darmstadt, Bessunger Turnhalle 1971-11-13 Lineage: Reel to Reel --> Reel to Reel (security copy - thanx god i did it, because the master did not survive the 40 years) ---> DAT ---> CD-wav ---> flac (level 6). CD 1 : Darmstadt, Bessunger Turnhalle 13.11.1971 - Part 1 (57:15) Good Day 08:00 Da - Da - Dum 07:50 Variation about 'Drop In The Ocean' called: A Tab In The Ocean 17:45 including: 1 - 2 - 3 - 4 and 13:30 Do You Believe In Magic ? 04:55 Story of Space Opera : Journey To The Centre Of The Eye & Story of "Leider kann ich nicht Deutsch lesen" 05:15 CD 2 : Darmstadt, Bessunger Turnhalle 13.11.1971 - Part 2 (78:50) Space Opera : Journey To The Centre Of The Eye 47:17 Cryin' In The Dark / 09:17 Odyssee incl. Ron's On / 10:37 Porcelain Valley (later called : Desolation Valley) 11:37 CD 3 : Darmstadt, Bessunger Turnhalle 13.11.1971 - Part 3 (07:30) New Day Dawning (Encore) 07:30 Remarks: This is straight from my master-reel (security copy)>>>DAT>>>CD>>>HD The show is also offered on Nektar's Homepage as mp3 & FLAC, but that FLAC is ripped from mp3's, which makes no sense (& furthermore, it's one gen worse than this 1st gen-reel-transfer). Also that version is without the German Stories which are very nice & funny for those with a little talent for some German, of course. What a great show this was. This was the 4th Nektar show we recorded (we = me & some school friends) & this time we were able to sneak a reel-to-reel Grundig-machine in with automatic level adjustment, which nicely covered also the quieter parts. I kept the setlist as it was played, while Nektar putted "New Day" on CD 1, which fits for 2 CD's (you are free to do so), but this was the correct flow of the show. "New Day Dawning" was played as final encore.
05/23/76 Massey Hall cdr 1 A SBD
09/12/76 Night Gallery cdr 1 a+ SBD

The New Cars --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/24/06 WMVX studio cdr 1 Same disc as 97.3 Cities FM FM....good stuff.
05/31/06 KTCZ-FM 97.3 studio C cdr 1 FM same disc as WMVX

The Nice --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/10/69 Grugahalle cdr 1 b THE NICE: Essen, Songtage, Grugahalle 11/10/69 1st Gen Nice Aud! The Nice from the "Songtage" Festival 1969! Tracklist: 01 Instr.-voc 02 Rondo 03 Country Pie 04 How could you hang on to a dream /cut 05 Sibelius´Intermezzo(from Karelia suite) 06 Outro by Alexis Korner Time ca, 40 mins Lineup: Keith Emerson:keyb., piano Brian Davison: dr,flute Lee Jackson: bass,cello,violin,voc Lineage: 1st. Gen Cass-PDR05-EAC-Flac Nice Audience Quality
03/31/70 Peace Pop Festival cdr 1 b The Nice Peace Pop Festival Berlin March 31, 1970 The Last Show aud>unknown transfers/gens>cassette (x)>cdr(0)>eac>flac>you 1. Intermezzo From 'Karelia Suite' 2. Hang On To A Dream 3. 'Country Pie a la Bach' aka Country Pie/Brandenberg Concerto 4. My Back Pages 5. Rondo 6. Unknown Jam: 'Bye Bye Baby' (with Ritchie Blackmore)

paul McCartney & Elvis Costello --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The McCartney / MacManus Collaboration cdr 1 A SBD

Paul Stanley --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
03/11/89 The Ritz cdr 1 a+ SBD
03/12/89 Toad's Place cdr 2 a-

Peter Criss --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 1966-85 Studio demos cdr 2 a
??/??/39 1966-1972 - Pre-KISS Archives cdr 1 a

Peter Frampton --- Approximate Hours: 22.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/06/74 Ebbets Field cdr 1 a+ Pre-FM source. Great sound
05/07/74 Ultrasonic Studios cdr 1 A SBD.
05/18/74 Richards cdr 1 FM broadcast. Nice sound.
08/19/74 Agora Theater cdr 1 a+ FM
07/04/75 Electric Ballroom cdr 2 FM I Want to Go to the Sun is split into two tracks. Not sure if this is because of a tape flip. There is also a bit of a gap before the start of Do You Feel Like We Do.
10/12/75 Nassau Coliseum cdr 1 b+ PETER FRAMPTON NASSAU COLISEUM UNIONDALE, NEW YORK (USA) OCTOBER-12-1975 A JOE MALONEY ANALOG MASTER REPOST NOT A RESEED LINEAGE AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 the band Peter Frampton guitars vocals talk box Bob Mayo guitars keyboards vocals Stanley Sheldon bass guitar vocals John Siomos drums
10/25/78 Budokan Hall cdr 2 Peter Frampton Title: Frampton Comes Arena! Dates: October 25, 1978 Venue: Budokan Hall, Tokyo, Japan. Source: Ex- Stereo Audience Recording Lineage: Private Masters (PM019/020) Boot 2CD > EAC > FLAC ------------------------------------------------------------ Disc.1 01: All I Want To Be (in by your side) 02: Penny For Thoughts 03: Baby, I Love Your Way 04: Something's Happening 05: Doobie Wah 06: Lines On My Face 07: Show Me The Way 08: I Wanna Go To The Sun 09: You Don't Have To Worry 10: It's A Plain Shame Disc.2 01: Do You Feel Like We Do 02: Band Introduction 03: Road Runner ~ Signed, Sealed And Delivered (i'm yours) 04: Jamping Jack Flash 05: I'm In You ----------------------------------------------------------- Bandlineup: Peter Frampton: Guitar, Vocals Bob Mayo: Keyboards, Guitar, Vocals Stanley Sheldon: Bass John Siomos:Drums
07/02/79 Tarrant County Convention Center cdr 1 FM It sounds like some in between song chatter has been removed. Not a TAO... just sounds like edited.
08/15/92 Ventura Theater cdr 1 FM
06/18/94 Frampton Comes Alive Again - Rehearsal Studio cdr 1 A FM. I received this in a trade labeled Houston TX, the Summit. Great show
07/23/99 Mid State Fair cdr 1 AUD. Poor sound, and short set. Not sure if it's complete or not.
09/04/09 Time Warner Amphitheater cdr 2 Peter Frampton - Fireworks in the Flats 9/4/09 - Cleveland, Ohio, Time Warner Amphitheater @ Tower City PE-013/014 From The Master Recording P.E. Productions 7th release. Yes we are back and with a good one here!!! This is another unique recording for everyone's enjoyment. The source is a pretty solid 2 channel recording through out but did require some repair in order to mix both channels together. There are some very minor flaws but it all worked out very well so hopefully this will be one of the better sounding shows from the tour. Since two of our former members are gone, I am able to do as I please here and there has never been any restrictions. Having said that, we encourage anyone to share whatever way you'd like. We hope you enjoy this release but please dont take credit for it or remaster the show then release it. Doing so would be considered offensive. Do what you want for personal use but keep it the way it is for sharing purposes. Thank you. P.E. Management PE-015 CD 1 - 53:23 1) Intro>Shotgun - 6:08 2) Signed, Sealed, Delivered - 6:09 3) Lines On My Face - 7:26 4) Show Me The Way - 6:43 5) Boot It Up - 7:04 6) Winston Churchill - 5:28 7) All I Wanna Be is By Your Side - 8:32 8) Black Hole Sun - 5:49 PE-016 CD 2 - 60:28 1) Baby I Love Your Way - 6:35 2) (I'll Give You) Money - 9:14 3) Do You Feel Like We Do - 23:12 4) Off The Hook - 3:14 5) I Want It Bad - 6:02 6) Guitar Solo - 4:18 7) While My Guitar Gently Weeps - 7:50
03/07/12 Ikeda Theater cdr 3 Peter Frampton 2012-03-07 Ikeda Theater Mesa, AZ USA Recorded & Transferred By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-2(Battery Boost Box)>Sony PCM-M10>CD Wave Editor(tracking)>Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. Comments: Here is our recording of the FCA35 Tour in a beautiful sounding venue, IMHO. This was our first time at this modern theater and we were located in the 1st row of the 1st mezzanine, in line with the stage right speaker stacks. The sound was really nice and the recording came out well. We really enjoyed this show and of note, Peter had his old #1 guitar from the 70's returned recently (Les Paul) and it sounded sweet when he made it sing. Enjoy the recording folks! Tracklist: 01-Something's Happening 7:00 02-Doobie Wah 5:32 03-Lines On My Face 8:11 04-Show Me The Way 5:09 05-It's a Plain Shame 3:22 06-Peter Speaks 1:22 07-Wind of Change (acoustic) 3:12 08-Penny For Your Thoughts (acoustic) 2:55 09-All I Wanna Be (Is By Your Side) (acoustic) 3:26 10-Baby I Love Your Way 5:00 11-I Wanna Go To The Sun 7:52 12-I'll Give You Money 6:08 13-Shine On (Humble Pie)->Jumpin' Jack Flash (Rolling Stones)-> 12:07 14-Do You Feel Like We Do 20:33 15-Asleep at the Wheel 9:39 16-Restraint 3:50 17-Float 4:13 18-Boot It Up 3:43 19-Double Nickels 4:12 20-Peter Speaks 1:52 21-Vaudeville Nanna and the Banjolele 4:44 22-All I Wanna Be (Is By Your Side) (electric) 8:36 23-Peter Speaks 1:51 24-Black Hole Sun (Soundgarden) 6:01 25-Four Day Creep (Humble Pie)->Off The Hook 6:43 Encore 26-While My Guitar Gently Weeps (Beatles) 11:33 Total Time: 2:38:46

Peter Gabriel --- Approximate Hours: 147.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Remixes cdr 3 a+ Great complilation
??/??/39 I/O from Secret World cdr 1 a+
??/??/39 Scraping the Bottom (new edition) 1 a+
??/??/39 "So" Rough Mixes cdr 1 a Studio....some problems from 3:00-3:10 during the "Big Time" remix.
??/??/75 Studio Demos cdr 1 Before the Flood: Peter Gabriel Demos 1975 - goody PitchFix version Original FLACs > goody - dBpowerAMP (Convert to WAV) > Cool Edit Pro (Pitch Correction +47 cents) > TLH (FLAC, sigs) 01 Howling At The Moon 3:05 02 Excuse Me 3:42 03 Funny Man 4:27 04 No More Mickey (aka Richard MacPhail) 2:45 05 Get the Guns (listen carefully for the root of "Down the Dolce Vita") 2:55 06 Here Comes the Flood 3:39 07 God Knows 4:59 These are evidently very early demos recorded for "car" (1976, Atco - Atco being Atlantic, a Warner subsidiary label). They are extremely raw; they may have been done in Gabriel's home studio. Most are acoustic piano with a few accompanying support tracks and Peter singing. The songs come from a white tape box marked: 7 1/2ips 1/4 trk stereo Gabriel/Hall Fuse Music The lead sheets had the composer's names given as "Peter Gabriel and Tony Hall" and were marked with a stamp from Fuse Music, England; they were merely lead melody transcriptions for copyright purposes, not hand-written by Gabriel or anything. At that time, the best research i could come up with was that Fuse was somehow connected to Warner Bros (maybe like Sire was, but English; a sub-distribution deal?)... I later heard that the Fuse Music building burned down and took a whole lot of master tapes with it, and that this reel is quite probably the only surviving record of these demos. This brown-oxide tape was discovered rotting in a water-soaked box shoved into a cleaning closet, along with the lead sheets, in a cavernous and seldom-used warehouse. It was lost/forgotten/abandoned. The tape had some warbley spots from the neglect and also quite a lot of tape hiss and lost tone. I processed the material for several weeks before I was satisfied as to the quality, although "Get the Guns" was problemmatic to begin with; the Master appears to have been recorded badly or with misaligned heads. On the whole there is a tiny bit of tape hiss but no more than you'd expect from such a "live" environment. There is unfortunately one small glitch from a later cassette-to-cd transfer in "Excuse Me" ("Looking for Lost Angeleeeeee") so don't think it's your file or player :) Enjoy this very raw and simple glimpse into the creative process of Peter Gabriel. (man-on-the-spot), June 2006
03/13/77 Masonic Auditorium cdr 2 A AUD
03/15/77 Music Hall cdr 2 A FM PRRP SAE 02 remaster
03/19/77 Palladium Theatre cdr 2 March 19, 1977 Palladium New York, NY USA Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>TDK SD C90>Alesis TapeLinkUSB>Audacity>WAV Taper: Lostbrook Mastering: CQ Artwork: ethiessen1 01 Here Comes The Flood 02 On The Air 03 Moribund The Burgermeister 04 Waiting For The Big One 05 Indigo 06 Excuse Me 07 Solsbury Hill 08 Ain't That Peculiar 09 Why Don't We 10 Humdrum 11 Slowburn 12 All Day And All Of The Night 13 Here Comes The Flood 14 Modern Love 15 Down The Dolce Vita 16 Back IN NYC
04/09/77 The Roxy cdr 2 A Peter Gabriel at the Roxy - 1977-04-09 - Late Show - Audience. Peter Gabriel 1977-April-09 - Late Show At the Roxy Theatre in Hollywood , CA. USA Recorded from our favorite table , just right of center , near the rise in the back. Equipment used - Sony TC-153SD and Sennheiser MKH-404's Lineage - 1st. Gen. Cass. > CD > EAC > CDWave (re-tracking) > Flac 8 The "CD" in lineage is a Harmon Kardon CDR-20 stand-alone. This is directly from my 1st Gen Tape , not any Silvers or trade. Another one from " The Box in the Back Room ". We taped alot around LA in the latter 70's , as you can see by some of the posts , with more to come as time allows. I had offered this up to the PRRP group a couple of years ago , they haven't taken me up on it yet. I have had a couple released by them ; Camel at the Roxy (Roxy Road) - PRRP-032 , and Genesis at the Forum (Hackett Down and Out) - PRRPGS-008 , this one sounds better than those if you've heard them. This has got to be in my top FIVE concerts attended all time. Anyway , hope you Enjoy this , Samples provided as always. Please never convert to "Lossy" , or Remaster & Repost. Trade Freely , Never for Sale ! CD 1 - 42:01 01 Here Comes The Flood 02 On The Air 03 Moribund The Burgermeister 04 Waiting For The Big One 05 A Song Without Words 06 Excuse Me 07 Solsbury Hill 08 Ain't That Peculiar 09 Band Introductions 10 Humdrum CD 2 - 44:10 01 Story Of Glass Eyeballs 02 Slowburn 03 All Day And All Of The Night 04 Here Comes The Flood 05 Modern Love 06 Down The Dolce Vita 07 Crowd Noise 08 Back In N.Y.C. 09 Modern Love
04/10/77 The Roxy cdr 1 a+ Peter Gabriel - Live at the Roxy - Los Angeles, CA 04-10-1977 - Early Show source: KMET FM - remastered by RedNose and LaTortue.
08/25/78 University Great Hall cdr 2 b+ PRRP 045.....aud.....Remaster 1. Peak crackle reduced. 2. Tonality adjusted to reduce excesses. 3. Dynamics adjusted to enhance the sound. 4. Correct imbalance between the two channels. 5. Make dialogue between songs more understandable. 6. Re-track.
09/15/78 Rockpalast (Grugahalle) cdr 1 a+ "WILLIAM TELL EDITION" 025 PETER GABRIEL 1978-09-15 Grugahalle "Rockpalast" Essen, West Germany FM BROADCAST Recorded by; "William Tell" Recorded on; JVC Cassette Deck(Unknown Model)>Maxell XLR II Cassette Tape Recording provided by; "William Tell" Uploaded by; "Lucifer Burns"
10/06/78 Laker Hall, SUNY Oswego cdr 2 b Peter Gabriel Laker Hall, SUNY, Oswego NY October 6, 1978 audience recording (BTC029 vine) Vine CD-R->EAC->FLAC8 1.1 Me And My Teddy Bear 3:45 1.2 On Presuming To Be Modern 2:42 1.3 On The Air 4:31 1.4 Moribund The Burgermeister 5:01 1.5 Perspective 4:38 1.6 Humdrum 5:00 1.7 A Wonderful Day In A One-Way World 3:27 1.8 White Shadow 5:17 1.9 Home Sweet Home 5:01 1.10 D.I.Y. 3:34 1.11 Waiting For The Big One 8:12 2.1 Mother Of Violence 4:03 2.2 I Don't Remember 5:02 2.3 Flotsam And Jetsam 3:54 2.4 Slowburn 5:14 2.5 All Day And All The Night 4:58 2.6 Solsbury Hill 5:08 2.7 Modern Love 4:30 2.8 The Lamb Lies Down On Broadway 5:31 2.9 Here Comes The Flood 3:23
12/20/78 Hammersmith Odeon cdr 2 b MUPPET15: Peter Gabriel Hammersmith Odeon, London December 20, 1978 ------------------------- Audience-recording of unknown gen., supplied by "The Marathon Zephead" Disc 1: 1. Peter Gabriel Introduction - 3.24 2. Me and My Teddy Bear - 2.22 3. On Presuming to Be Modern - 2.46 4. On the Air - 4.38 5. Moribund the Burgermeister - 5.13 6. Perspective - 4.46 7. Humdrum - 4.42 8. Nothing (early Not One of Us / Family Snapshot) - 3.40 9. White Shadow - 5.59 10. D.I.Y. - 3.38 11. Waiting for the Big One - 6.06 Disc 2: 1. Band Introductions - 1.40 2. Mother of Violence - 4.31 3. Indigo - 4.04 4. Slowburn - 5.17 5. I Don't Remember - 5.43 6. Solsbury Hill - 6.22 7. Modern Love - 5.25 8. The Lamb Lies Down on Broadway - 5.52 Total Running Time: 47.14 + 38.54 = 86.08 tape was first transferred as a 32-bit wave, with the azimuth adjusted to zero. Since the recording turned out to be mono, only one channel was used to eliminate phasing problems. As the recording was very hissy, noise reduction was used, in various small steps to reduce the noise with less annoying artifacts, but with good overall results. After this, the recording was speed corrected, as it run at the wrong speed. Equalisation was done to get a better balanced sound. The biggest of the improvements was done with multiband compression. Since the recording was quite distorted and compressed the dynamics in the different frequency bands were expanded quite a bit to let the recording breathe more and mask the distortion. It's still very much present, but not as much in the way as before, and it's now certainly listenable. Also, during the multiband compression some of the heavier reverb and some more hiss was reduced. After this, a little equalisation was again done to get the optimum balance in sound. In between songs Peter was hardly understandable due to heavy reverb on his voice, which turned out to be mainly in the bass regions. Here the lower frequencies were reduced a bit to make Peter's speech more audible. Since the recording was still mono, two slight different multitap delays were added, and a little reverb to open up the space. Finally Ozone 3 was run over all of it, not to change the sound very much for which it can be used as well, but only slight changes and especially to normalize the sound. Then fade-ins and fade-outs were applied, the whole file was converted to 16-bit again and then cut up in tracks. The files were converted to FLAC. THANK YOU TO: Thanks to "The Marathon Zephead" for letting me browse through his complete 1978 collection!
02/20/80 University cdr 2 b+ AUD
03/05/80 The Apollo cdr 2 b+ AUD PRRP021
03/07/80 Sophia Gardens cdr 2 A SBD MUPPET remaster...entire show
06/19/80 Greek Theater cdr 2 b+ Peter Gabriel 1980-June-19 At the Greek Theatre in Los Angeles, CA., USA. Recording Equipment used : Sennheiser MKH 404's > Sony TCD5M Lineage : 1st. Gen. Cass. > CD > CDWave > Flac8. CDWave for re-tracking , TLH for Flac 8 - Verified / Aligned / Tested. Recorded from about 35 rows back , 2 sections left of the soundboard. No Dolby , No EQ or NR was used on this. Not sure if this source is the one listed in the database, as I don't have it. However, this is "not" on the tracker. Well, a month after Genesis and the Microphones are repaired. Have you ever had a Drunken fool next to you at a gig who wouldn't stop talking? It's all here , my partner finally had to escort the MF out before "Biko", I don't think he hurt him to badly, lmao. Notes : d1t01 - recording level adjustment at 2:50. d1t09 - Tape flip before track starts. d2t07 - Tape flip abruptly after track ends.
07/07/80 Central Park cdr 2 b Peter Gabriel - The Lostbrook Tape Series - Volume 98 July 7, 1980 The Dr Pepper Central Park Music Festival Wollman Rink New York, NY USA Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>(2)Maxell UDXLII 90>Alesis TapeLinkUSB> Audacity>WAV Taper: Lostbrook Mastering: CQ 01 Intruder (8:41) 02 Start>I Don't Remember (7:02) 03 Solsbury Hill (5:23) 04 Family Snapshot>Milgram's 37 (12:40) 05 Modern Love (4:37) 06 Not One Of Us (6:37) 07 Lead A Normal Life (4:52) 08 Moribund The Burgermeister (6:31) 09 Mother Of Violence (4:38) 10 Humdrum (5:07) 11 Bully For You>Band Intros (7:04) 12 And Through The Wire (4:54) 13 I Go Swimming (5:00) 14 Biko (9:25) 15 On The Air (6:22) 16 DIY (5:35) 17 Here Comes The Flood (3:21)
07/08/80 Orpheum Theater cdr 2 b+ lineage: AKG D-190E microphones > Sony TC-158 cassette deck > (dolby off I believe) Maxell XLI cassettes > soundforge 4.5 > FLAC 6 (sb's aligned) > torrentially yours. It's a this and that, you are there production. Do not sell this recording. Share freely, losslessly and gaplessly. comments: This is one of 2 PG masters I have, but even though it was recorded with my deck and mikes, I was not at this show. My friend who recorded this show was sitting in the vicinity of 20th row, right in the middle on the floor. Although Peter's talk is not real clear, and not always loud enough, his vocals and all the instruments come through in You Are There fashion. You can't get much more there than the 20th row in the middle of the Orpheum. The AKG's do pretty well for this kind of music, and it was good music from Peter's 3rd album tour, creatively entitled "Peter Gabriel" (just as were the 1st 2). The crowd was very supportive, even patient when Peter was having some trouble deciding what to play next, and after some level variations that I've fixed the best I can in the 1st song "Intruder", the sound and recording quality get up to a B+ range and stay there for the rest of a nice concert, except a little more variation and some distortion in first part of "all through the wire" when the levels got bumped during the encore break. It's a very nice recording, and it needed some fairly serious ICPVR (individual clap peak volume reduction) to get it upload-ready, now it sounds better than ever, other than that, also done to reduce some mike knocks, DC offset and normalizing to balance the levels out, nothing else has been done to alter this nice master recording except some splicing to smooth out flips. I haven't heard quite enough PG on his own to know how this stacks up to his other 1980 performances (I've only heard 1 other, from N.Y.) but I thought this was a good show, probably not Peter's absolute best but certainly nothing to be ashamed of. Thanks to J. Z. for recording this one. (not Jay-Zee, the rapper, different guy entirely) He managed to flip both times between songs well enough so you may not even be able to figure out where the flips are (I like that.) I think this may have been his first recording with a manual level setting deck, and after the 1st 3 minutes or so, he did a good job setting them not too low or high, not always easy at a Peter show, even with good seats and sound. It may well have been his first PG show too and he had a great time. I have about 20 PG shows (w/o Genesis) and this is one of my favorites, even more now that it's remastered. There is a fadeout after Games Without Frontiers, and a fadein before band introductions for the purpose of burning to disc. There was a deck shutoff between encores but only a couple of Peter's words are cut out there, the song is not cut.
09/04/80 Eissporthalle cdr 2 Peter Gabriel - Berlin,Ger. Eissporthalle 1980.09.04 master tape>CDR(Pilips CDR570)>wave(EAC)>flacf(8)TLH align on sector boundaries excellent(-) quality,listen to MP 3 samples Excellent show from P.G. in Berlin, fantastic setlist and great quality.This master tape from my collection is now for the first time in circulation,hope you enjoy it.Some songs were in german language and so very interesting and rare for P.G. collectors. upped by booomboom 2010.12.20 line up : Peter Gabriel - Vocals, Piano Jerry Marotta - Drums, Percussion,sax. Backing Vocals John Giblin - Bass, Backing Vocals John Ellis - Guitars, Backing Vocals Larry Fast - Synthesizers, Piano Setlist: Disc 1 : 01.Eindringling (Intruder) 02.Start 03.I don't remember 04.Solsbury Hill 05.Peter introduces Family snapshot 06.Schnappschuss (Family snapshot) 07.Milgrams 37 08.Modern love 09.Du bist nicht wie wir (Not one of us) Disc 2 : 10.Lead a normal life 11.Moribund the Burgermeister 12.Mother of violence 13.Bully for you 14.Spiel ohne Grenzen (Games without frontiers) 15.Humdrum 16.Band introductions 17.Und durch den Draht (And through the wire) 18.I go swimming 19.Biko (fades out) 20.On the air 21.D.I.Y.
09/06/80 Eissporthalle cdr 2 b AUD....Just hit circulation at the end of 2010. Interesting German versions!!
09/24/80 Patinoire Meriadec cdr 2 b+ In Bordeaux, as everywhere else, it was very difficult to get inside the concert hall (an ice-skating rink!) with a tape recorder of this size and of this weight (look at the picture : http://www.saturn-sound.com/images/jvc%20cd1635%20mk2.jpg). Hard work to be honest... At this time, I thought the "baba-cool" way was the strategy to use for this kind of concert. So a hudge red mountain backpack, which everybody from the staff could see, was used: the bigger it was, the easier it was to get inside! This was effective. Small bags were searched thoroughly, but not mine. In event of being searched, I remember, I put some smelly socks (specially prepared for this event...) at the top of the bag. For every concert of this kind, I used this strategy and nobody tried to open the backpack, luckily for everybody... as the result is : this super performance. Thanks Peter. During the show, Peter spoke french (well done and very good French). I remember when he gave us his point of vue about the French movie "i comme Icare". He tried to share the lack of conscience each of us has. Definitely, I love this man. A few edits, missing the first minute of Solsbury Hill.
09/28/80 Parco Delle Cascine cdr 1 b+ Peter Gabriel Liberated Bootleg "On Stage" Ghost0100 Florence, Italy 1980 September (67'01") Source: CD -> FLAC (level 8) Nice AUD recording.
09/30/80 Palasport cdr 2 A SBD Muppet 16
09/30/80 Palasport cdr 2 A- PETER GABRIEL Torino, Palasport 30 September 1980 soundboard/audience matrix 01. Intruder 02. The start 03. I don't remember 04. Solsbury hill 05. Family snapshot 06. Intro to Milgram's 37 07. Milgram's 37 (partly *) 08. Modern love * 09. Not one of us 10. Lead a normal life 11. Moribund the burgermeister 12. Mother of violence 13. Humdrum 14. Games without frontiers 15. Band introduction / I go swimming * 16. Biko 17. On the air 18. DIY 19. Here comes the flood Lineage: soundboard > unknown generation tape > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Peter Gabriel - vocals, piano Jerry Marotta - drums, percussions, sax John Ellis - guitar John Giblin - bass Larry Fast - keyboards, backing vocals * audience source The basis for the special show is a very nice mono soundboard recording coming from a trade in the early 90's, with a quite good audience source to fill the gaps. The overall result is a very powerful show, typical of the '80 tour. This is one of the very last dates of the tour which had started in the UK on March 1980 and the band had reached an optimal quality. This tour marked the comeback of Peter Gabriel in Italy since the days of Genesis (1975). Tony Levin was replaced by John Giblin for this leg of the tour because of other committments, notably with Paul Simon band. Excellent show indeed, with a overall 8,5 sound quality. This recording hasn't surfaced often in the trading circuit, so I'm happy to bring that to you. The editing was quite long. First I had to re-equalise the whole tape and put the right speed between soundboard and audience (the first source being too fast), then paste the fillers at the right point and increase the overall volume of the SB tape. The result is a big improvement from the raw source. Enjoy! ldb LDB Special Series #02
11/02/82 Stanley Performing Arts Centre cdr 2 a- AUD PRRP 005
11/09/82 Shea's Theatre cdr 2 b PETER GABRIEL November 9, 1982 Buffalo, New York, USA Shea's Theatre Audience Recording from MASTER Cassette End of LYHOM is cut, and so is the beginning of Intruder.
12/19/82 Civic Auditorium cdr 2 A Very nice aud. SEEDERS NOTES:aped by the same taper that had also brought us the previous night, easily recogniyable by either him or a (literally) close friend repeatedly declaring his love for the artist (you are forgiven, btw). This is arguably still the best night of the whole tour. I have always admired how non-aggressive Peter is, which really shows when he was heckled on stage - one remembers the "Your mother eats ****!" incident from his "Lamb" touring days. Must have had a good upbringing, that Peter. He displayed the same calmness that night in San Jose, when his innocent/outrageous (I guess depending on your political point of view) introduction to "Not One Of Us" led to an outbreak of swearing and water throwing even that required an interruption of the show.
07/03/83 Werchter Festival cdr 1 A FM Vanillag remaster
08/10/83 Paramount Theater cdr 2 a+ This is a great stereo sbd recording with wonderful small theater ambiance. Peter forgets the lyrics to solsbury hill and a roadie has to bring out the words for him to read off a paper and the songs restarted. Peter also forgets some lyrics during "I Have The Touch" (from "pull my chin, strock my hair" to "shrug my shoulders, stretch my back"). He also has to wait before starting "The Family And The Fishing Net" because of a problem in the audience between people who want to stand up and people who want to sit down. During "Games Without Frontiers" Peter seems to have a technical problem with his microphone after the first verse. Before starting the second verse we can clearly hear Peter saying "back again, on the air". "Lay Your Hands On Me" has a long intro apparently due to Peter's difficulties to start his vocals (before beginning the first verse he says "take three"). AS you can see not a usual show for Peter & his band ;-) Small clicks inbetween the tracks.
11/07/86 Rochester War Memorial cdr 2 Rochester Community War Memorial, Rochester NY USA Audience B+ 2CD-R 1.1 Peter Gabriel Introduces Youssou N'Dour 00:30 1.2 Floating Dogs 01:36 (REMOVED BECAUSE IT CAN BE FOUND ON THE OFFICIAL RECORD "BIRDY") 1.3 San Jacinto 07:48 1.4 Red Rain 05:04 1.5 Shock The Monkey 05:41 1.6 Family Snapshot 04:54 1.7 That Voice Again 05:49 1.8 No Self Control 05:40 1.9 Mercy Street 05:39 1.10 This Is The Picture 04:50 1.11 The Family And The Fishing Net 07:25 1.12 Don't Give Up 06:56 1.13 Big Time 05:54 1.14 Lay Your Hands On Me 07:07 2.1 Sledgehammer 04:29 2.2 Here Comes The Flood 02:51 2.3 In Your Eyes 09:38 2.4 Biko 08:10 Peter Gabriel - Vocals David Sancious - Keyboards David Rhodes - Guitars Tony Levin - Bass Manu Katche - Drums Youssou N'Dour - vocals on "in your eyes" First Show Of the "SO" Tour (or "this way up tour"). Contains a rare live version of "that voice again". Very nice sound quality except that the audience goes really crazy from time to time and they express it really loud ;-) .
06/19/87 Sporthalle cdr 2 Peter Gabriel Köln, Germany Sporthalle 1987-06-19 -reseed- minimax master-series #092 Master - Audience recording from my old TDK-Sa C-90 Tape and first copy of another master tape My Artwork is included !! This concert I taped with an AIWA walkman (I don't know what kind of AIWA) and an extra microphone (I can't remember what microphone it was). The sound quality is vg + or exc-, mostly excellent-!!! I recorded it from a seat on the right side in the hall - on the second row about 10 meters from the stage. The first seats were very, very near to the stage in that really great hall. Here we have another master tape of mine where I had a few problems with, but not too much. I don't have much memories but the first seconds of the intro from my master were missing so I took them from another one. ..just listening to it "Don't give up" seems to be from another tape, too. There are some "cuts" because of tape-flips. It is what it is. But this is a real great recording. And it was a great evening too! For me, the best concert of the SO-Tour - the best of five gigs I've been to that year (Stuttgart, Köln, Bochum, Werchter and Rotterdam) Setlist: Intro / San Jacinto Red rain Shock the monkey Family snapshot The family and the fishing net Games without frontiers No self control Mercy street This is the picture Big time Don't give up Solsbury hill Lay your hands on me Sledgehammer Hier kommt die Flut In your eyes Biko
06/25/87 Earl's Court Arena cdr 2 A- AUD "Release the Catch"MLFPG-01
07/21/87 The Spectrum cdr 2 a+ SBD. Great quality!
07/27/87 Blossom Music Center cdr 2 A Peter Gabriel Blossom Music Amphitheater Cuyahoga Falls, Ohio July 27, 1987 Lineage: Soundboard => cassette (low) => Stand-alone Pioneer CD burner => CDR => EAC => Magix Audio Cleaning Lab => Export to WAV => FLAC (level 8) Setlist: Disc 1 (60:21): (1) San Jacinto (10:17) (2) Red Rain (5:52) (3) Shock The Monkey (6:43) (4) Intro (0:26) (5) Not One Of Us (5:53) (6) Intruder (5:35) (7) Intro (1:15) (8) Games Without Frontiers (5:26) (9) No Self Control (6:18) (10) Mercy Street (7:49) (11) This Is The Picture (cut) Disc 2 (57:47): (1) Big Time (7:23) (2) Intro (0:37) (3) Don't Give Up (8:04) (4) Solsbury Hill (5:24) (5) Lay Your Hands On Me (8:12) (6) Sledgehammer (6:22) (7) Here Comes The Flood (2:49) (8) In Your Eyes (fade out) (7:39) (9) Biko (fade out) (11:14) Notes: Excellent soundboard from Gabriel's summer 1987 tour of outdoor amphitheaters. By this time, he had been promoting the album for the better part of a year, so the set had pretty much jelled and the band was hitting on all cylinders. All of these performances were great. The recording itself . . . I traded for it from an established Gabriel collector in early 1988; he claimed it was a soundboard, and I'm pretty sure (20 years later) that it is. I don't know the generation, but given when I got it and how well-connected he was, I don't think it's more than two or three generations removed from the master.
10/15/88 Estadio Monumental Antonio Vespucio Liberti cdr 1 A SBD Red Rain/Games Without Frontiers/Shock the Monkey/No Self Control/Don't Give Up/Sledgehammer/In Your Eyes/Biko.
04/24/93 Le Zénith cdr 2 A- AUD. "Live From A Secret World" (Pluto Records PLR CD 9318/AB)
07/10/93 Rosemont Horizon cdr 2 a+ Peter Gabriel MUPPET 05 remaster 10-Jul-1993 Rosemont Horizon, Chicago IL USA Soundboard A+
10/02/93 Estadio José Amalfitani cdr 2 a Peter Gabriel Secert World Live October 2,1993 Estadio Velez Sarsfield Buenos Aires,Argentina Source: Soundboard Quality: Ex Lineage: CD>EAC>TLH>FLAC Lineup: Peter Gabriel: Vocals,Keyboard,Harmonica Tony Levin: Bass Guitar Manu Katche: Drums David Rhodes: Guitars Joy Askew: Keyboards,Vocals Shankar: Violins Jean-Claude Naimro: Keyboards Sinead O'Connor: Vocals Paula Cole: Vocals Disc 1: 1.Games Without Frontiers 05:11 2.Across The River 07:44 3.Shaking The Tree 09:44 4.Blood Of Eden 06:43 5.Family Snapshot 04:46 6.Shock The Monkey 06:20 7.Solsbury Hill 04:31 Disc 2: 1.Digging In The Dirt 07:22 2.Sledgehammer 06:20 3.Secret World 11:06 4.Don't Give Up 08:18 5.Biko 07:28 6.Here Comes The Flood 05:27
11/06/93 Deutschlandhalle cdr 2 a+ SBD, Paula Cole's 2nd show with the band, In Your Eyes is cut and Biko is missing.
11/14/93 Zenithe Omega cdr 2 b+ Audience 1.1 Intro/Zaar (removed because contains official material from the record "passion") 03:12 1.2 The Feeling Begins (played live by Levon Minassian) 02:42 1.3 Come Talk To Me 06:19 1.4 Quiet Steam 02:11 1.5 Steam 06:21 1.6 Games Without Frontiers 06:56 1.7 Across The River 07:20 1.8 Slow Marimbas 02:16 1.9 Shaking The Tree 09:34 1.10 Blood Of Eden 07:16 1.11 San Jacinto 08:30 1.12 Family Snapshot 04:30 1.13 Kiss That Frog 05:39 1.14 Washing Of The Water 05:17 2.1 Solsbury Hill 04:44 2.2 Digging In The Dirt 07:51 2.3 Sledgehammer 06:14 2.4 Secret World 12:46 2.5 In Your Eyes 11:27 2.6 Biko 10:53 2.7 Band Introductions 05:22 2.8 Here Comes The Flood 04:45 Total Running Time : 2:22:05
11/25/93 Zenith Theatre cdr 3 A Note from the taper "what can I say about this show - one of my all time favourites - the last show for Peter in 1993 and also the last full scale production Secret World show (i.e. 2 stages joined with a conveyer belt)- and what a show it was - a great venue and a great crowd. Peter played the Zenith 3 times during the tour the venue seemed to be perfect for the show - that night the roadies were having some fun and one of them ended up on stage singing In you Eyes ! they also managed to tie up Shankar which is why there is a pause when he gets introduced at the end - during the end of secret world they put everything up on the conveyor belt if you listen carefully you will hear Peter laughing at some of the things appearing - I remember the Statue of Liberty being there at one point ! oh such great memories" !
08/14/94 WInston Farm cdr 2 A SBD
10/24/02 Studio 104 cdr 1 a+ eter Gabriel Maison de Radio France Studio 104 Paris France 10-24-2002 (SHN) Source: Pre-FM Contributor: Anonymous Lineage: DAT -> CDR Darkness 7:36 Red Rain 7:00 Growing Up 7:50 Mercy Street 6:10 My Head Sounds Like That 6:50 The Barry Williams Show 7:34 More Than This 6:30 Sledgehammer 5:05 In Your Eyes 10:38 Total Running Time: 72:47 This excellent Pre-FM recording was passed on by an anonymous contributor and makes it's way to DIME thanks to the good and generous folks from the Meeksgenesis group. Artwork is included. Thanks again to all Meekster's involved... Long live Meeksgenesis!! As always... Enjoy, play nice and above all, KEEP THOSE WINDOWS OPEN!! Peace! HOGWEED
05/08/03 Filaforum cdr 3 AUD.
06/20/03 PNC Arts Center cdr 2 a+ SBD
07/06/03 Molson Center cdr 2 a+ SBD
06/02/04 Sheffield Arena cdr 2 Great SBD
03/31/09 Arena Monterrey cdr 2 Great SBD. Small, quick drop out in Burn You Up.
03/22/10 Palais Omnisports De Paris Bercy cdr 2 a- AUD
03/27/10 O2 Arena cdr 2 A AUD
03/28/10 The O2 cdr 2 A AUD A Digital Brother and RDWM collaboration
05/07/10 Hollywood Bowl cdr 2 A PETER GABRIEL\ with The New Blood Orchestra\ May 7, 2010\ Hollywood Bowl\ Los Angeles, CA\ \ Oade Bros. micro-mics>Sony TCD D-100 DAT>CD Spin Doctor 2> FLAC \ \ Recorded from Section E, Row 11. The audience was much quieter than I was expecting, especially for a Hollywood Bowl show. Gabriel commanded so much respect you could hear a pin drop throughout the performance (most of the time). A helicopter flew over at one point, but luckily it was during a song intro. I must confess that I got carried away by the moment during Solisbury Hill and you can hear me go, "Boom boom boom!" during one of the choruses. Hope it's not too off-key for everybody. \ DISC ONE\ \ Set 1\ 01. Heroes\ 02. Boy in the Bubble\ 03. Mirrorball\ 04. Flume\ 05. The Listening Wind\ 06. The Power of the Heart\ 07. My Body Is a Cage\ 08. The Book of Love\ 09. I Think It's Going to Rain Today\ 10. Apres Moi\ 11. Philadelphia\ 12. Street Spirit (Fade Out)\ \ Set 2\ 13. San Jacinto\ 14. Digging In the Dirt\ \ DISC TWO\ \ 01. Downside Up\ 02. Signal to Noise\ 03. Mercy Street\ 04. Rhythm of the Heat\ 05. Washing of the Water\ 06. Red Rain\ 07. Darkness\ 08. Solisbury Hill\ \ Encore\ 09. In Your Eyes\ 10. Don't Give Up\ 11. The Nest That Sailed the Sky\ Recorded and seeded by interlude2.
09/26/10 Arena cdr 3 a A Digital Brother & RDWM collaboration Peter Gabriel Area di verona (Italy) 2010-09-26 lineage DPA 4061 > Edirol R-09HR > HarBal 2.3 > Wavelab > TLH taper Digital Brother editings RDWM d1t00 Peter intro d1t01 Ane Brun - opening act song1 d1t02 Ane Brun - opening act song2 d1t03 Heroes d1t04 The boy in the bubble d1t05 Mirrorball d1t06 Flume d1t07 Listening wind d1t08 The power of the heart d1t09 My body is a cage d1t10 The book of love d1t11 I think it’s going to rain today d1t12 Après mois d1t13 Philadelphia d1t14 Street spirit (Fade out) d1t15 Wallflower d2t01 San Jacinto * d2t02 Digging in the dirt d2t03 The drop d2t04 Signal to noise d2t05 Downside up d2t06 Darkness d2t07 Mercy Street d2t08 Blood of Eden d2t09 The rhythm of the heat d3t01 Washing of the water d3t02 Intruder d3t03 Red rain d3t04 Solsbury Hill d3t05 In your eyes d3t06 Don’t give up d3t07 The nest that sailed the sky * a small patch at the beginning of San Jacinto (from another recording of Verona, made by FDF)
09/29/10 Hallenstadion cdr 3 A- A Digital Brother & RDWM collaboration Peter Gabriel zurich 2010-09-29 lineage DPA 4061 > Edirol R-09HR > HarBal 2.3 > Wavelab > TLH taper Digital Brother editings RDWM
03/23/11 Hammersmith Apollo cdr 2 b+ AUD
06/10/11 Greek Theatre cdr 2 a Peter Gabriel New Blood Orchestra Greek Theatre U.C. Berkeley Berkeley, CA June 10, 2011 Sonic Studios DSM-6P->Sony PCM-M10->Audacity->Wav->xAct->flac Recorded by Mimobi and D5scott Sound gets dramatically better about 3 minutes into Heroes.
06/20/11 United Center cdr 3 a Peter Gabriel & The Newblood Orchestra 2011-06-20 Chicago, Il United Center A Chicagoblues Master Recording Lineage: Sp-cmc-8>edirol R-09hr 24/96>16gbsdhc-class10>16 44.1(adobe Aud)>trl>flac10>dime No Adjustments Or Enhancements Were Made To The Wav Files. No Screamers, Whistlers Or "woohoor's By Me. The Seats To My Left And Right Were Empty. This Recording Came Out Great. There Was No Light Show Per Se, But The Visuals/visual Effects Were Great. Ane Brun 01) Peter Gabriel Talking About The Tour 2:44 02) Intro Of Ane Brun>ten Seconds 4:52 03) Do You Remember 3:23 Peter & Nbo 04) Heroes 4:18 (david Bowie Cover) 05) Wallflower 7:09 06) Après Moi 5:30 (regina Spektor Cover) 07) The Boy In The Bubble 5:37 (paul Simon Cover) 08) My Body Is A Cage 6:37 (arcade Fire Cover) 09) Father, Son 6:12 10) Darkness 7:21 11) Washing Of The Water 4:14 12) Biko False Start/screw Up>biko 9:06 13) San Jacinto 7:48 14) Digging In The Dirt 5:20 15) Signal To Noise 9:24 16) Downside Up 6:29 17) Mercy Street 6:13 18) The Rhythm Of The Heat 6:36 19) Applause>orchestra Intro 1:59 20) Blood Of Eden 6:35 21) Intruder 4:32 22) Red Rain 5:49 23) Solsbury Hill 5:59 24) More Band Intro's 2:56 25) In Your Eyes 8:07 26) Don't Give Up 7:24 27) The Nest That Sailed The Sky 5:38 28) More Band Intros>thank You 1:09
06/24/11 Comcast Center cdr 2 Lineage: SP-CMC-2 > SP-SPSB-8 > Sony PCM-M10 > USB > Wavelab 6.1 > CDWAV > FLAC Recorded by: Relayer35 crowd noise is minimal. Only real issue is that I forgot to switch my iPhone to silent mode and you can hear the "bing" of me getting a text message at the beginning of "Father Son". There is another spot between songs when you can hear another iPhone bing, but that wasn't from my phone. Otherwise, the recording sounds very nice. -- MP June '11
10/19/11 The Mermaid Theatre cdr 1 a Peter Gabriel BBC Radio 2 In Concert The Mermaid Theatre London UK with The BBC Concert Orchestra Recorded on 19th Oct 2011 Broadcast on 20th Oct 2011 74 Minutes For this special show, Peter performed with The BBC Concert Orchestra. This set featured classic hits and tracks from Peter's new album 'New Blood'. Lineage AiwaXR-M800Tuner>SonyRCD-W100CDRecorder>EAC>Audacity>Flac>Yeeshkul Heroes Wallflower Intruder San Jacinto Signal To Noise Downside Up Mercy Street Rhythm Of The Heat Father Son Red Rain Solsbury Hill Don't Give Up NICE SOUND, BUT SOME STATIC THROUGHOUT.
11/09/11 Ed Sullivan Theater (David Letterman Show) cdr 1 a+ Peter Gabriel w/The New New Blood Orchestra Ed Sullivan Theater NY, NY US 2011-11-09 Lineage: fm (Onkyo TX8511)>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor @ 16bit)>flac Red Rain 6:12 Wallflower 7:47 Intruder 4:40 Signal to Noise 8:23 San Jacinto 10:11 Mercy Street 6:40 Rhythm of the Heat 7:22 Solsbury Hill 6:35 Total Time: 57:54

Phil Lynott --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Man And His Music - Volume 7 1 A- SBD
??/??/39 The Man And His Music - Volume 6 cdr 1 A SBD
??/??/39 The Man And His Music - Volume 5 cdr 1 A
??/??/39 The Man & His Music Vol. 4 cdr 1 A
??/??/39 The Man And His Music - Volume 1 cdr 1
??/??/39 The Man & His Music Vol. 2 cdr 1
??/??/39 The Man & His Music Vol. 3 cdr 1
07/28/83 Flokets Park cdr 1 AUD There are some troubles with the first song, several tiny skips. And Phil is NOT in good form here.
07/29/83 Lobo Hall cdr 1 Pretty good aud.
10/24/84 Akademiska Foreningen cdr 1 AUD

The Police --- Approximate Hours: 31.25
Show Date Venue Media Type Media Count Sound Quality Notes
10/29/78 The Rathskeller cdr 1 A SBD
03/04/79 Zellerbach Auditorium, University of California cdr 1 a+ FM
03/05/79 UC-Davis Coffee House cdr 1 A FM
03/08/79 Grande Ole Opry House cdr 1 a+ FM
03/09/79 The Palladium cdr 1 a+ SBD
04/03/79 The Bottom Line cdr 1 A SBD Last song cuts out
04/07/79 Paradise Rock Club cdr 1 a+ SBD "Born In the 50's" boot. Some fades inbetween tracks.
05/16/79 Roxy cdr 1 a+ The Police Pacific Beach, San Diego County California May 16th, 1979 Pre-FM Radio Reel Sound drops a bit during the last 2 songs..
05/25/79 Park West cdr 1 a+ Lineage: Pre-FM => ? => CDR => CDWAV => CDR => WAV => FLAC (this confuses me too, but that's basically the way it's listed on the original torrent) Track listing: (1) DJ Intro (0:10) (2) Can't Stand Losing You (6:04) (3) Truth Hits Everybody (2:43) (4) So Lonely (7:21) (5) Fall Out (2:33) (6) Born in the '50s (6:14) (7) Hole In My Life (4:21) (8) Be My Girl/Sally (4:41) (9) Message in a Bottle (4:39) (10) Peanuts (3:26) (11) Roxanne (7:54) (12) Next To You (3:10) (13) Landlord (2:30) (14) Can't Stand Losing You (6:30) (15) Interview (6:27) (16) DJ Outro (0:26) Total time: 69:13 Fingerprint file is included. Artwork is not. Comments: This show was recorded for FM broadcast and has appeared in trading circles many times over the years. It was torrented in this form in spring 2006; the recording was used for a weekly syndicated radio show called "Studio Jam" in the 1980s (the bands were not necessarily in the studio, which makes the title somewhat confusing) and this recording was cited as a pre-FM for that source. The quality is excellent.... Typical high-energy 1979 performance; this one's worth having if you haven't heard it, and if you do have it, it will probably be an upgrade.
09/29/79 Hotel Diplomat cdr 1 a+ The Police Hotel Diplomat September 29, 1979 New York City, USA WPIX-FM EX stereo off-air cassette master. CONTRAST CLAUSE: This is similar to the original off-air master that is posted at: http://www.dimeadozen.org/torrents-details.php?id=305471 except that this one now has a 5 second seamless patch from an alternate mono source during the tape flip. END CONTRAST CLAUSE This new version is the complete show with no cuts. The panning from stereo to mono and back during the patch is very smooth and hard to detect exactly even when listening on headphones. (It's at the beginning of Peanuts and you can hear it in one of the samples I'm including). Original lineage: Pioneer 747 receiver > Dokorder cassette deck > original TDK SA tape > transfer and remastering by seriusjoe > flac 8 > tlh > dimesters the world over New info: Dime seed > xACT extraction > Pro Tools (5 second patch at beginning of Peanuts - up to track 8 is unchanged - retracked from track 9 to end on sector boundaries) > AIFF > xACT (Flac level 8 files). Patch source: low gen. off-air FM monophonic reel > Tandberg 9241XD > Macintosh with Digidesign Audiomedia III sound card > Pro Tools. 01 [0:16] DJ intro 02 [7:33] So Lonely 03 [2:22] Truth Hurts Everybody 04 [4:27] Walking On The Moon 05 [4:04] Hole In My Life 06 [2:36] Fallout 07 [5:01] Bring On The Night 08 [4:56] Message In A Bottle 09 [7:01] The Bed's Too Big Without You 10 [2:44] Peanuts 11 [6:25] Roxanne 12 [7:12] Can't Stand Losing You 13 [2:20] Landlord 14 [5:27] Born In The Fifties 15 [4:00] Be My Girl 16 [0:40] DJ comments total time: 67:08 THANKS to Nevinsrip who recorded and seeded the original. Here is the info from his last posting: I seeded this back in 2005. I figured that it was time to start re-seeding many of the shows that I recorded throughout the years. Back in the heydays of FM radio, I lived in Flushing Queens and at the time, I had an FM antennae on my roof that picked up WLIR, WNEW, WPIX, WPLJ and WFUV at their optimum. My equipment was pretty good at the time of these recordings and it's time for me to start sharing what I have again. I probably have 400 or so FM shows. Quite a few of them are from the WLIR Tuesday Night Concert series.
10/02/79 My Father's Place cdr 1 a- FM
10/26/79 Gussman Hall cdr 1 Lineage : FM > UNKNOWN GEN CASS > CDR > EAC > WAV > FLAC Quality : A - Total Time : 65:39 A really nice show to have with some tape hiss ... Quality is quite good ... The first track suffers from technical radio problems ... We can clearly listen to instruments (drums especially) but Sting's voice is unlistenable ... No more problems on So Lonely fortunately ! The first part of Roxanne is cut, I don't know why !! ..
11/29/79 The Palladium cdr 2 a+ David Hussey has access to a sound studio and top flight professional recording equipment somewhere out on the Left Coast. I had sent him a bunch of my original tape to CD transfers for him to remaster and get the most out of. His work is second to none, SeriusJoe did the first remaster of this show and he is a true talent. But David is in a league of his own. Try it, you'll like it!! I seeded this back in 2005. I figured that it was time to start re-seeding many of the shows that I recorded throughout the years. Back in the heydays of FM radio, I lived in Flushing Queens, and at the time, I had an FM antennae on my roof that picked up WLIR, WNEW, WPIX, WPLJ and WFUV at their optimum. My equipment was pretty good at the time of these recordings and it's time for me to start sharing what I have again. I probably have 400 or so FM shows. Quite a few of them are from the WLIR Tuesday Night Concert series. I'll start off with a white hot show that the Police did when they did some small clubs back in 1979 before they hit it big. On most of the shows I recorded I always started the tape a few minutes before the show actually started to get the DJ's comments and lead in. I did the same thing at the end. I include them here for anyone who wants to hear them just to put things in historical context. If you are not a fan of that sort of thing then just don't download them or burn them to disc. Easy enough. There are no finer recordings than a Hussey remaster of and original tape. I will put up his brilliant Springsteen shows in a couple of days. In the meantime, play this loud !!!! When I first seeded this show I could not find my original tape so I borrowed DADDY 515 original master tape and converted it to CD. A short while later I found my own original tape and converted that to CD. David Hussey had contacted me about remastering one of my other tapes and I sent this to him to work his magic. What you are about to download is the result. DADDY 515 used Maxell XL 11 tapes for his recordings while I preferred the much "hotter" TDK-SA's. Just a matter of personal choice, but I like the high end to really scream. If you have the original version, I urge you to grab this and hear the difference. If you don't have this show and you are a Police fan, then get ready to give your ears a treat as you listen to one of the best sounding Police shows ever recorded. BROUGHT TO YOU BY THE NEVINSRIP BASEMENT TAPES LINEAGE: PIONEER 747 RECEIVER> DOKORDER CASSETTE DECK> MY ORIGINAL TDK SA TAPE> TRANSFER AND REMASTERING BY DAVID HUSSEY>FLAC 8>TLH>DIMESTERS THE WORLD OVER
04/28/80 City Hall cdr 1 a+ FM
02/02/81 Nippon Budokan Hall cdr 1 a+ Police - Fall Out Feb. 2, 1981 Liberated Bootleg -Party Line "Label". Japanese? 1. Don't Stand So Close To Me 2. Walking On The Moon 3. Deathwish 4. Fall Out 5. Man In A Suitcase 6. Bring On The Night 7. De Do Do Do, De Da Da Da 8. Truth Hits Everybody 9. When the World Is Running Down... 10. Bed's Too Big Without You 11. Driven To Tears 12. Message In A Bottle 13. Roxanne 14. Can't Stand Losing You 15. So Lonely Shorter than the master set list
02/22/81 Festival Hall cdr 2 A the Police Stewart Copeland: drums, backing vocals Sting: bass, Vocals Andy Summers: guitar, backing vocals Festival Hall Melbourne, Australia February 22, 1981 FM broadcast THE POLICE Festival Hall Melbourne, Australia February 22, 1981 runtime: 97:37 setlist: 1: Myles Copeland introduction 2:00 2: backstage interview before the show 2:28 3: don't stand so close to me 3:42 4: walking on the moon 5:21 5: deathwish 3:42 6: fallout 2:39 7: man in a suitcase 2:21 8: bring on the night 6:02 9: interview :46 10: de do do do de da da da 6:02 11: truth hits everybody 2:40 12: shadows in the rain 8:24 13: interview 4:46 14: when the world is running down 3:48 15. the bed's too big without you 6:59 16. driven to tears 3:40 17. message in a bottle 4:33 18. Roxanne 7:17 19: interview 1:43 20. can't stand losing you > regatta de blanc > be my girl > can't stand losing you 8:06 21: encore break 1:15 22: so lonely 6:59 23: comments from fans after show 2:15
10/09/81 Olympiahalle cdr 1 LDB Special Series #339 (RLR collection) Out of my 7,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. These are the ones I'd like to propose you. Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed! I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project. DO NOT share this music on mp3, just convert it for your own use. Sharing mp3's is the right way to make me stop sharing music here. I think I have something really special to share with all Dimers, but first a bit of background. RLR has been a very active trader back in the early 80´s with very wide musical tastes: he could go from Kiss to Joni Mitchell; from Genesis to Deep Purple, Queen, Simple Minds, The Who, Springsteen and many more. In the past I could access his enormous collection to get many U2 tapes some of which I have been sharing with you folks. RLR had all sorts of tapes in his collection, traded not long after the show happened so most of them are low generation, in particular tons of shows recorded in Italy which to me are some of the most interesting. Some of them, I had never seen circulating in the trading circuit. Unfortunately he did not care about generation so this info, except for the shows he has as masters, is not available. RLR has kindly given me access once again to his collection. It was like a "kid in a toy shop" situation: it was hard to select tapes and at the end I came home with some 250 tapes to listen and eventually to transfer in the digital domain. Some of them will be shared here, possibly the most interesting ones. I am ok with blogs and sites to re-post my seeds - provided they are in lossless form - however I ask you to keep intact the infos of the concert including that this is part of LDB series. And I am referring to (and not only): - http://musictravellerstwo.blogspot.it - http://www.guitars101.com Thanks in advance. THE POLICE München, Olympiahalle October 9, 1981 01.Voices Inside My Head 02.Message In A Bottle 03.Don't Stand So Close To Me 04.Walking On The Moon 05.Every Little Thing She Does Is Magic 06.Spirits In The Material World 07.Hungry For You 08.Invisible Sun 09.De Do Do Do De Da Da Da 10.Demolition Man 11.When The World Is Running Down... (fades out) 12.One World 13.Bring On The Night 14.Roxanne 15.Can't Stand Losing You / Be My Girl 16.So Lonely TT 76:05 Lineage: Unknown recording device > low generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Sting - vocals, bass Stewart Copeland - drums Andy Summers - guitar Dave Watson - saxophones Darryl Dixon - saxophones Marvin Daniels - trumpet This will be the last volume for some time since I am leaving for the whole of next week to Germany. To Munich, to be precise so why not paying my tribute to this beautiful city in south Germany. I love it! This Police show sounds very good to my ears: very clear sound and little audience around. Musically that was not the best Police tour but the band was growing musically from the rough tours of the 70´s. The new album had been released one week before so the audience was not familiar with the new material. This german tour was supposed to happen in march 1981 but then was postponed. Actually the band never stopped touring during that year! Enjoy some vintage Police! ldb
09/03/82 Glen Helen Regional Park cdr 2 A FM
08/02/83 Le Spectrum cdr 1 a+ SBD
10/01/83 Estadi Municipal Narcis Sala (C.F. San Andrés) cdr 1 a+ The Police "Sting's Birthday" Live In Barcelona October 1, 1983 Fall Out Records Soundboard Recording Lineage: CD>CDR>Vine>EAC>Wav>Flac Track Listing 01. Synchronicity I 02. Synchronicity II 03. Walking In Your Footsteps 04. Message In A Bottle 05. Walking On The Moon 06. Oh My God 07. De Do Do, De Da Da Da 08. Wrapped Around Your Finger 09. Tea In The Sahara 10. Invisible Sun 11. One World 12. King Of Pain 13. Don't Stand So Close To Me 14. Every Breath You Take 15. Murder By Numbers 16. Roxanne 17. Happy Birthday Sting 18. I Can't Stand Losing You My copy does not have "so Lonely"
10/14/83 Isstadion cdr 2 b+ AUD

Porcupine Tree --- Approximate Hours: 28.75
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 BBC Radio One cdr 1 FM.
12/07/93 Borderline cdr 1 A SBD "Borderline London" boot
05/12/99 Klub Stodola cdr 2 a+ SBD
05/13/99 Kinoteatr Zwiazkowiec cdr 2 Band Name: Porcupine Tree Venue: Kinoteatr Zwiazkowiec City/State/Country: Krakow, Poland Date: March, 13 1999 Source: Soundboard Lineage: ? > WAV > SHN Ripped by: Comfortably Pink Jr. File Size: 617 MB (SHN) Setlist: Disc One: 1. Even Less 2. Piano Lessons 3. Waiting (Part One) 4. Up The Downstair 5. Don't Hate Me (introduction) 6. Don't Hate Me 7. Signify 8. Pure Narcotic 9. A Smart Kid 10. Voyage 34 Disc Two: 1. Slave Called Shiver 2. Tinto Brass 3. Sky Moves Sideways (Phase One) 4. Nine Cats 5. Dislocated Day 6. Radioactive Toy
06/01/99 House of Blues cdr 1 a+ SBD
07/11/99 Vigevano Open Air Castello Visconteo cdr 1 complete lineage: SBD>DAT (?)>unknown transfer to SHN>SHN-disc got in a trade>HD>WAV>fixed SBE's>FLAC, level 8>CDR (AUDIO) or CDR (FLAC) My copy is missing the encore.
??/??/99 Studio 0
11/15/00 Cinerama TLV - Festival Premier (K's Choice) cdr 1 a- FM. Radio announcer between songs, and digital noise during Signify
06/23/01 Nearfest at Lehigh University cdr 2 a+ Porcupine Tree - NEARfest, Bethlehem, PA 6/23/01 Soundboard CD1 1. Even Less 2. Slave Called Shiver 3. Shesmovedon 4. Up The Downstair 5. Lightbulb Sun 6. Last Chance To Evacuate Planet Earth Before It Is Recycled 7. Russia On Ice 8. Pure Narcotic 9. Where We Would Be 10. Hatesong CD2 1. Tinto Brass 2. E: Stop Swimming 3. Voyage 34 4. Radioactive Toy Sound is stellar, no songs are cut. This recording is easily distinguished from the webcast source by listening to the end of Hatesong. On the webcast the end is cut, while it is complete here. Frequency analysis confirms no lossy ancestry. SBD -> CD -> EAC -> FLAC Front End with Sector Boundary Alignmen
11/08/02 The Tower Theatre [soundcheck] cdr 1 A AUD
11/12/02 XM Studios cdr 1 a+ FM
11/12/02 DAR Constitution Hall cdr 1 A AUD Opening for Yes
04/01/05 Wulfrun Hall cdr 2 Average AUD
07/14/07 Ilosaarirock Festival cdr 1 a+ PORCUPINE TREE Venue: Ilosaarirock Festival City: Joensuu Country: Finland Date: 14.07.2007 Captured by: BMR Lineage: FM YleX 91.9 > Edirol R-09 (16/44.1) > USB2 > Adobe Audition 1.5 > CD Wave > FLAC Level 8Time - 59:56 01. Fear of the Blank Planet - 6:56 02. Announcer - 0:26 03. Lightbulb Sun - 5:24 04. Open Car - 5:25 05. Anesthetize - 17:00 06. Announcer - 0:43 07. Blackest Eyes - 4:21 08. Way Out Of here - 7:41 09. Sleep Together - 7:08 10. Announcer - 0:22 11. Trains - 4:30 Comments: Finally. Almost full show, excluding Halo. Announcer talks over couple of song starts but otherwise it's excellent quality and worth of grab. Just for the full Anesthetize, if nothing else!
11/30/09 Rockhal cdr 2 Nice AUD, but seems like it might be incomplete.
04/27/10 The Tabernacle cdr 2 A AUD
07/14/10 Pistola Blues Festival,Duomo Square cdr 2 b AUD

The Prince's Trust --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/17/10 Royal Albert Hall cdr 2 a+ SBD...Tom Chaplin with Queen is astounding!

Queen --- Approximate Hours: 212.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 The Vaults vol 2 cdr 2 Neat collection of rarities.
??/??/39 The Vaults vol 1 cdr 3 Neat collection of rarities. Quality varies.
??/??/39 Demories Please Majesties cdr 1 A
??/??/39 Studio/Live cdr 2 A
??/??/39 From The Beep To Tokyo 1 a+
??/??/39 The Alternate Made In Heaven cdr 1
09/13/73 Golders Green Hippodrome cdr 1 a+ Multi-source mix, best available!
11/17/73 Stadium cdr 1 B+ AUD. Liar is cut, taken from Ken Testi (Queen roadie) master tape.
11/29/73 Colston Hall cdr 1 b AUD. "Procession" on Gypsy Eye. Pretty good recording.
03/31/74 Rainbow Theatre cdr 1 a+ PRE LP copy, rendering all others obsolete. Some gaps between tracks as well as the beginnings of Procession and Liar have been filled with the LP source.
04/27/74 Palace Theatre cdr 1 b- AUD. Early Dan Lampinski.
04/28/74 Exposition Hall cdr 1 A- AUD. Some weird edits between tracks, but a great show
12/06/74 Sartory Hall cdr 1 c+ Aud
03/07/75 Uptown Theater cdr 1 A- AUD
04/30/75 Bunka-Taiikukan cdr 2 Another great Mr. Peach audience recording. Well worth having. QUEEN 1975-04-30 Yokohama, Japan Bunka-Taiikukan "Queen In Hama" Tarantura TCDQ-9-1, 2 Sourced from a Mr. Peach master tape Lineage : Silvers > Cd Manipulator 2.70 > WAV > FLAC frontend (level 8) Disc 1: 01. SE 02. Procession(Opening) 03. Now I'm Here 04. Ogre Battle 05. Great King Rat 06. White Queen 07. Flick Of The Wrist 08. Doing All Right 09. In The Lap Of The Gods 10. Killer Queen 11. The March Of The Black Queen 12. Bring Back That Leroy Brown 13. Son And Daughter 14. Brian May Solo 15. Son And Daughter 16. Introduction Disc 2: 01. Keep Yourself Alive 02. Seven Seas Of Rhye 03. Stone Cold Crazy 04. Liar 05. In The Lap Of The Gods Revisited(fade in) 06. Hey Big Spender 07. Modern Times Rock'n'Roll 08. Jailhouse Rock(Rock'n'Roll Medley) 09. See What A Fool I've Been 10. God Save The Queen(Ending)
05/01/75 Nippon Budokan Hall cdr 2 A AUD. "Mr Peach" source..best version
12/24/75 Hammersmith Odeon cdr 1 a+ PRE_FM Missing the Medley, 7 Seas, See What a Fool, and God Save the Queen
12/24/75 Hammersmith Odeon cdr 1 a+ FM "X-Mas 75" on Stoned Records
01/30/76 Boston Music Hall cdr 2 A AUD Dan Lampinski recording. Great stuff
01/30/76 Boston Music Hall cdr 2 A The original recording was in excellent shape but IMHO did need some attention to fix a few issues, mainly: - Wrong speed/pitch (I determined that the original plays +51 cents sharp) - some rough edits due to cassette swap & stop - slightly excessive tape hiss - insufficient bass response (IMO) The basic details of the mastering applied to the original 24bit/96Khz version from djscomics seed on Dime (using Wavelab6) are as follows: A: edit/fill/crossfade cassette swap & stop points (to disguise the abrupt/rough edits) B: Fix mono portion of Track 1 'Bohemian Rhapsody (Opera)' C: Time stretch by 103.1% (equals -51 cent pitch change) D: Slight de-hiss E: EQ / Multiband Compression / Limiting (-0.2dB max) / Dithering to 16bit (bass boost & tighten up the sound) F: WAVs edited to fit on to 2xCDRs (with overlap) plus fade in/out (using the same CD break point as the original) G: track split
03/22/76 Nippon Budokan cdr 2 a Tarantura released Queen Get Your Knickers Off. Utilizing a Mr. Peach tape, this covers the first night of the Japanese A Night At The Opera tour on March 22nd, 1976 in Tokyo. Previously the earliest tape from this tour was the following night in Nagoya, so this release documents a previously unheard show. 1st show of 2nd Japan tour.
03/23/76 Aichi Gymnasium 2 A- AUD Remastered..."Come On Blondie". It's speed corrected, and ther are a few minutes of clapping removed.
03/23/76 Aichi Gymnasium 2 A- AUD. Non-remastered version
03/24/76 Kosei Hall cdr 2 b+ AuD Queen - Princess Road (TARANTURA ----> Flac level 8 Live in Shiritsu Kohseinenkin-Kaikan, Himeji, Hyogo Japan.... nice 2cd bootleg from Japanese Tarantura label. Comes from Mr. Peach recording of the March 24th, 1976 show in Hyogo, Japan. The first time this show has been released on bootleg.
09/18/76 Hyde Park cdr 2 A- SBD "Hyde Park 76" on Gypsy Eye
01/23/77 Richfield Coliseum cdr 2 OK, this is a SBD, but NOT a good one. QUEEN 1977-01-23 Richfield Coliseum Cleveland, Ohio U.S.A. Soundboard Recording Inherited CDRs from a QUEEN Collector CDR>EAC>WAV>TLH>FLAC>DIME Uploaded by;"Lucifer Burns" Setlist; DISC 1 1. Intro (1:04) 2. Tie Your Mother Down (3:43) 3. Ogre Battle (5:19) 4. White Queen (As It Began) (5:55) 5. Somebody To Love (5:25) 6. Killer Queen (2:00) 7. The Millionaire Waltz (2:59) 8. You're My Best Friend (2:03) 9. Bring Back That Leroy Brown (1:44) 10. Sweet Lady (4:17) 11. Brighton Rock / Guitar Solo / Brighton Rock [Reprise] (11:12) DISC 2 1. '39 (4:05) 2. You Take My Breath Away (3:36) 3. White Man (4:59) 4. The Prophet's Song (5:20) 5. Bohemian Rhapsody (5:27) 6. Stone Cold Crazy (2:04) 7. Keep Yourself Alive (4:18) 8. Liar (8:54) 9. Big Spender (1:32) 10. Jailhouse Rock (5:22)(cut)
02/05/77 Madison Square Garden cdr 2 B+ AUD
03/13/77 Seattle Arena cdr 2 A- AUD. JEMS source, remastered. Kick ass show, with Thin Lizzy opening.
05/12/77 Brøndby Hallen cdr 2 A- AUD "Invite You To a Night at the Warehouse." LP source
05/23/77 Hippodrome cdr 2 MEDIEVAL QUEEN Directly from the silvers. Lineage : "Medieval Queen" silvers > WAV (EAC) > Flac level 8 (Traders Little Helper) Tracklisting : CD1 : 01. A Day At The Races 02. Tie Your Mother Down 03. Ogre Battle 04. White Queen 05. Somebody To Love 06. Killer Queen 07. Good Old-Fashioned Lover Boy 08. The Millionaire Waltz 09. You're My Best Friend 10. Bring Back That Leroy Brown 11. Death On Two Legs 12. Sweet Lady 13. Brighton Rock 14. Guitar solo 15. Brighton Rock (finale) 16. '39 17. You Take My Breath Away CD2 : 01. White Man 02. The Prophet's Song 03. Bohemian Rhapsody 04. Keep Yourself Alive 05. Stone Cold Crazy 06. In The Lap Of The Gods... Revisited 07. Now I'm Here 08. Liar 09. I'm A Man 10. Jailhouse Rock 11. God Save The Queen
05/30/77 Apollo Theatre cdr 2 B+ AUD. Better of the 2 versions available
06/06/77 Earl's Court cdr 2 A- SBD "A Night at the Court," on Tarantula
10/06/77 New London Theater Center cdr 1 Queen London, UK New London Theatre Centre October 6, 1977 This is a compilation of two copies of the same audience tape of the famous We Are The Champions video shoot and short concert, both lossless - one being "Champions Shoot" on the Wardour label, and the other being a much higher generation tape. Much of the WATC video shoot is missing on the Wardour version, so I spliced in all the missing parts from the inferior version. Still, two parts are missing: The initial playing of WATC (before they started filming) cuts out after a few seconds, and the third video take of the song is missing as well. The Wardour version's pitch was 1/3 of a semitone too fast, so I adjusted it to make the two versions run at the same speed. lineage: source 1 (*) "Champions Shoot" Wardour > wav (speed corrected) > FLAC Source 2 (**) tape(X) > CDR (X) > WAV > FLAC Here's the track listing: 1. Bob Harris' speech, first listen to WATC (cut) (*/**) 2. Queen introduction, WATC video shoot 1 (*/**) 3. WATC video shoot 2 (**) 4. Speech before WATC video shoot 3 (cut at 0:44), WATC video shoot 4 (*/**) 5. Tie Your Mother Down (*) 6. Keep Yourself Alive (*) 7. Somebody To Love (*) 8. White Man (*) 9. The Prophet's Song (*) 10. Liar (*) 11. Bohemian Rhapsody (until end of guitar solo) (*) 12. Now I'm Here (*) 13. Jailhouse Rock (*) 14. See What A Fool I've Been (*) A couple of great moments: I love what happens after the first WATC shoot. Brian says, "we'll have to try this a couple more times, okay?" And then an audience member, with plenty of excitement in his voice, says "I don't care!" Another great moment: After Bob Harris reveals that take 3 will be done with the cameras on the audience, and without the band on stage, someone else in the audience says, "It's not gonna be the same without them!" Luckily, the entire concert is from the higher quality version, and it's really worth listening to in this quality. Check out the loose and experimental version of White Man / The Prophet's Song very interesting! It sounds much more like the middle section of Get Down Make Love, because it's Brian's guitar that has the harmonization effects, not Freddie's voice (which I really prefer, actually!). This is probably the first time Brian used the e-bow on stage. The whole band sounds great, and are clearly happy to give the fan club members a great set. Also worth noting is that this is undoubtedly the greatest version of See What A Fool I've Been. Freddie's voice is so much more accomplished in this version. He sings it so passionately and aggressively. It's amazing to hear how much his voice grew in a year and a half since they had last played the song. This would turn out to be the final performance of the song. Killer version of Liar here as well.
12/11/77 The Summit cdr 2 a+ SBD
04/12/78 Johanneshovs Isstadion cdr 2 b+ Queen 1978.04.12 Johanneshovs Isstadion Stockholm Sweden lineage: AUD > ? > CDR (x) > GoldWave pitch/speed correction > CDR This show was speed corrected, but it sounds a touch slow to me.
04/13/78 Falkoner Theater cdr 2 b+ Queen - Live At The Falkoner Theater 1978 Queen April 13 1978 Falkoner Theater, Copenhagen, Denmark Queen's second show of the 1978 European Tour, supporting the album "News Of The World". Freddie Mercury: piano, vocals Brian May: guitars Roger Taylor: drums John Deacon: bass Taken from the bootleg "Queen - News Of The World Tour" Silvers > CD-R > EAC > FLAC Frontend (Level 6) > You Sound: A- (audience)
04/23/78 Pavillon De Paris cdr 2 City : Paris, France Venue : Pavillon de Paris Date : 23/4/1978 Lineage : AUD > ??? > CDR > wav > ClickRepair (removing clicks and pops) > wav > flac > wav > Cool Edit Pro (speed correction) > TLH (flac level 8) Time : 122:04 Quality : very good + /excellent Setlist: CD 1: 01 - We Will Rock You 02 - Brighton Rock 03 - Somebody To Love 04 - Death On Two Legs 05 - Killer Queen 06 - Good Old Fashioned Lover Boy 07 - I'm In Love With My Car 08 - Get Down, Make Love 09 - The Millionaire Waltz 10 - You're My Best Friend 11 - Spread Your Wings 12 - It's Late 13 - Now I'm Here 14 - Love Of My Life 15 - ' 39 CD 2: 01 - My Melancholy Blues 02 - White Man 03 - Vocal Improvisation 04 - Guitar Solo 05 - The Prophet's Song (reprise) 06 - Stone Cold Crazy 07 - Bohemian Rhapsody 08 - Keep Yourself Alive 09 - Tie Your Mother Down 10 - We Will Rock You 11 - We Are The Champions 12 - Sheer Heart Attack 13 - Jailhouse Rock 14 - God Save The Queen Original comments: I'm sharing this one as many people seem to be searching for a clean copy of this recording. I downloaded it a long time ago from the hub but it came with a lot of annoying clicks and pops. I removed them with ClickRepair and I'm happy with the result. This is the first ever concert of Queen in France. They seem really happy to get over this country that have ignored them during such a long time. There is no much to say as in my mind, this is perhaps the best tour Queen have ever made. Just listen and enjoy this great show... ;) I rated the recording as vg+. It is very clear but there is some tape hiss which is a little bit annoying during the quiet moments or if you listen to it with headphones. It is still one of the best recordings of this tour so everyone should enjoy it. The recording is complete. I've remarked some minor sound problems during Keep Yourself Alive. If you find other problems on this recording, just tell me... By the way, there is still no recording of the second night so if you have it, attended it or know someone who might have recorded it, please tell... My comments : I have downloaded this version some time ago and I was bothered by the fact that in runs too fast. Since I couldn't find a better copy I decided to do it by myself, so I have decoded the flac files to wav, corrected the speed in Cool Edit Pro and encoded them back to FLAC with Trader's Little Helper with removing all the nasty SBEs.
12/01/78 Le Forum cdr 2 b AUD "Live In Montreal,"
12/03/78 Maple Leaf Garden cdr 2 ueen Toronto, ON, Canada Maple Leaf Gardens December 3, 1978 About the recording: AUD > ? > Cassette > WAV (GoldWave speed correction, edits) > FLAC level 8 This is an upgrade of the Toronto audience tape. It's still a generation or two away from the master, but the EQ is more balanced, and it is the most complete version of the tape available. The best previous versions had no less than 15 cuts between songs. All of those cuts are absent here, and there is more tape at the beginning of the show than before. There are still cuts in Spread Your Wings and Keep Yourself Alive (for tape flips, both at their respective 45-minute marks), and the cut in Somebody To Love was probably a security duck. The tape wheel turning can be heard in the left channel for the few minutes surrounding the first tape flip. The first portion of the show was taped on a 90 minute tape, but this copy was dubbed onto 60 minute tapes. Fortunately they left plenty of overlap, so I seamlessly patched up the cuts in Get Down Make Love and during Freddie's speech before It's Late. Interestingly enough, these are the same cuts that were on older versions of the recording, but they were not so generous with the overlap, resulting in missing music. All credit to "A Word In Your Ear" for the original tape. Setlist: Disc 1: 1. intro 2. We Will Rock You (fast) 3. Let Me Entertain You 4. Somebody To Love [cut] 5. If You Can't Beat Them 6. Death On Two Legs 7. Killer Queen 8. Bicycle Race 9. I'm In Love With My Car 10. Get Down, Make Love 11. You're My Best Friend 12. Now I'm Here 13. Spread Your Wings [cut] 14. Spread Your wings (continues) 15. Dreamers ball 16. Love of my life Disc 2: 1. '39 2. It's Late 3. Brighton Rock 4. Fat Bottomed Girls 5. Keep Yourself Alive [cut] 6. Bohemian Rhapsody 7. Tie Your Mother Down 8. Sheer Heart Attack 9. We Will Rock You 10. We Are The Champions 11. God Save The Queen I often read great introductions to uploads of all kinds of artists but sadly enough: not often about my favourite band Queen. I regret that because - in my book - Queen is one of the greatest live rock bands ever. They had it all: the brilliant music, the musicianship, the charisma of Freddie Mercury (the ultimate frontman and performer), the right attitude (at any given performance they wanted to give the audience their very best), they knew how to put a fantastic setlist together, etc. Freddie Mercury was indeed very camp and a showman but he was also very professional, always giving his all and I truly admire that about him. I regret people seem to forget that from time to time. Now, what's special about this show? Well, it's a seventies show and sadly enough: there aren't hundreds of recordings of Queen - let alone GREAT quality recordings like this one - of Queen circulating. That's a pity, since it are of course exactly this kind of recordings that illustrate why Queen is what I claim them to be: one of the best in their leaugue. Here you can hear them during the Jazz-tour of 1978 and I've always loved this particular show (personally I prefer it over the Montreal recording from 2 days earlier). An A- rating is imo the correct rating in terms of sound-quality; this of course means you can hear perfectly well what's going on and there's lots to enjoy. There's of course FM's stage banter (see hereafter for the text of www.queenlive.Ca) and also the great atmosphere throughout the show.. Here are the notes from the WONDERFUL Queenwebsite www.queenlive.ca: "This is the first of two nights at the Gardens in Toronto. The band are in a very relaxed mood, as they were a couple days before in Montreal. Freddie is in a bit better voice, too. After a subtle applause following Let Me Entertain You, Freddie says, "You should've seen the audience in Montreal. They'll teach you a thing or two." Boos ensue, as there is a (usually mock) dichotomy between many things Ontario and Quebec, which he may not be aware of. He continues, "Forget the security. This is your night!" Brian, after If You Can't Beat Them: "Thanks a lot, good people of Toronto. We haven't seen you for some time. How are you feeling? You always have some winter for us, thank you. OK, we're going to take you back some time, a few years ago, to something called A Night At The Opera." The mere mention of Queen's breakthrough record results in a great cheer from the audience. "This is a rude little song called Death On Two Legs." Brian, before Dreamers Ball: "We'd like to say thank you for coming out in such large numbers and filling this place. We appreciate it, thank you." Freddie then urges the audience on. "We'd like you to start up a beat. Come on, any beat. Preferably this one. Yeah, come on, take all your clothes off!" His delivery of the song is a very gutsy one. Brian, before Love Of My Life: "Thank you. A little experiment there. We're gonna bring a jazz band next time. We used to say we we're gonna bring an orchestra; we'll bring a jazz band." Freddie adds, "And a couple of strippers," to much applause. "You're into that kind of thing. Yeah, you're a smutty audience, I can tell. This is one big sleaze pit, I can tell! One track mind. That's the way I like it." He then introduces the next song: "OK, we're gonna reduce this next number right to the depths. This is a song that... it comes from A Night At The Opera, or something like that. And this is a duet called Love Of My Life." Brian: "We enjoy doing those things for a change. Glad you enjoy it too. OK, we're gonna change the mood a little again. We would like to welcome back the rest of the group. The rhythm section featuring Mr. Roger Meadows Taylor on drums." Freddie: "Take a bow, you old tart!" Freddie, after '39: "We really have a lot of fun doing those acoustic numbers. It's nice to get away from the real heavy rock and roll for a change. It's nice to know that an audience can take it, too. I think it's time we did something from the News Of The World album right now. This is a song called It's Late." This Brighton Rock jam is stronger than the last one played in Montreal. There's a highlight about 12 minutes in when the band seamlessly change the tempo and the key at the same time with great results. Either this is extrasensory perception at work (not entirely impossible when a band has been playing together for many years), or perhaps they rehearsed this one during soundcheck after the somewhat lackluster jam two nights before. Freddie, before Fat Bottomed Girls: "This is dedicated to all you people with great big ginormous fat asses." Brian is horribly out of tune during his We Will Rock You solo (a broken guitar string, most likely). His entrance into We Are The Champions isn't his most graceful either, as he was probably upset at himself for not having delivered the iconic guitar solo from Rock You effectively. He always wanted to give the best possible show to any particular audience."
02/01/79 Sporthalle cdr 1 b AUD. I have an incomplete, 1 cd version released as "Live In Cologne"
04/14/79 Nippon Budokan Hall cdr 2 A- Queen Bootleg Race Live in Tokyo april 14th 1979 Bootleg Race on Tarantura debuts the Mr. Peach recording for the show. Like other Peach tapes, it is very close to the stage and picks up the charisma and force of the band at this time. Queen sounds too loud for the recorder since the tape has slight distortion. It’s not too serious an issue, however, and is still better than Wardour. Queen’s aesthetic changed throughout their career depending upon their whims and movements in pop music. The Killers era is the logical extension and summation of the seventies. A certain brutality surrounds their music, but also nods to their theatric and comical side too. Freddie’s voice would deteriorate throughout these two weeks (reaching a nadir on April 25th), but is not too bad this night and is able to keep up with the rest of the band.<-(Info taken from Collectors Music Reviews).
04/19/79 Festival Hall cdr 2 A- AUD "Ultimate Dreamer" on Wardour label discs 1 and 2
04/20/79 Festival Hall cdr 2 A- AUD "Ultimate Dreamer" on Wardour label, discs 3 and 4
04/23/79 Nippon Budokan Hall cdr 2 b AUDIENCE ANALOG MASTER>DAT(CLONE-2)>CDR>EAC>FLAC 5 sec cut in Love of My Life
04/23/79 Nippon Budokan Hall 2 2 b QUEEN BUDOKAN HALL TOKYO, JAPAN APRIL 23, 1979 AUDIENCE ANALOG MASTER>DAT(CLONE-2)>CDR>EAC>FLAC SET LIST: DISC ONE: 1: WE WILL ROCK YOU 2: LET ME ENTERTAIN YOU 3: SOMEBODY TO LOVE 4: FAT BOTTOM GIRLS 5: DEATH ON TWO LEGS 6: KILLER QUEEN 7: BICYCLE RACE 8: I'M IN LOVE WITH MY CAR 9: GET DOWN, MAKE LOVE 10: YOU'RE MY BEST FRIEND 11: NOW I'M HERE 12: TEO TORRIATTE 13: DON'T STOP ME NOW 14: DREAMERS BALL DISC TWO: 1: LOVE OF MY LIFE (SLIGHT CUT) 2: 39 3: IT'S LATE 4: BRIGHTON ROCK (WITH DRUM AND GUITAR SOLOS AKA INSTRUMENTAL INFERNO) 5: KEEP YOURSELF ALIVE 6: BOHEMIAN RHAPSODY 7: TIE YOUR MOTHER DOWN 8: SHEER HEART ATTACK 9: WE WILL ROCK YOU 10: WE ARE THE CHAMPIONS 11: OUTRO (GOD SAVE THE QUEEN)
04/23/79 Nippon Budokan Hall cdr 2 QUEEN BUDOKAN HALL TOKYO, JAPAN APRIL 23, 1979 AUDIENCE ANALOG MASTER>DAT(CLONE-2)>CDR>EAC>FLAC SET LIST: DISC ONE: 1: WE WILL ROCK YOU 2: LET ME ENTERTAIN YOU 3: SOMEBODY TO LOVE 4: FAT BOTTOM GIRLS 5: DEATH ON TWO LEGS 6: KILLER QUEEN 7: BICYCLE RACE 8: I'M IN LOVE WITH MY CAR 9: GET DOWN, MAKE LOVE 10: YOU'RE MY BEST FRIEND 11: NOW I'M HERE 12: TEO TORRIATTE 13: DON'T STOP ME NOW 14: DREAMERS BALL DISC TWO: 1: LOVE OF MY LIFE (SLIGHT CUT) 2: 39 3: IT'S LATE 4: BRIGHTON ROCK (WITH DRUM AND GUITAR SOLOS AKA INSTRUMENTAL INFERNO) 5: KEEP YOURSELF ALIVE 6: BOHEMIAN RHAPSODY 7: TIE YOUR MOTHER DOWN 8: SHEER HEART ATTACK 9: WE WILL ROCK YOU 10: WE ARE THE CHAMPIONS 11: OUTRO (GOD SAVE THE QUEEN)
04/30/79 Kyuden Gymnasium cdr 2 b AUD Discs 3 and 4 of "Memorial Gym." Second Source.
04/30/79 Kyuden Gymnasium cdr 2 b AUD Discs 1 and 2 of "Memorial Gym." The main source, but it has been patched to make it as complete as possible. Part of It's Late is missing on both sources.
05/01/79 Kyuden Gymnasium cdr 2 b AUD. Discs 5 and 6 of "Memorial Gym." A slight upgrade from the usual version
05/06/79 Makomanai Ice Arena cdr 2 b AUD "Jazz Final"
12/26/79 Hammersmith Odeon cdr 2 A AUD, Great performance!
07/06/80 Compton Terrace cdr 1 b- AUD
09/19/80 Rosemont Horizon cdr 1 b AUD "I'm In Love With Freddie"
02/13/81 Nippon Budokan Hall cdr 2 a QUEEN Need Your Loving Tonight TCDQ-8-1, 2 Queen 2011 Oct. Tarantura Friday 13th February 1981 Budokan, Tokyo Japan Lineage : Silvers > Cd Manipulator 2.70 > WAV > FLAC frontend (level 8) Need Your Loving Tonight on Tarantura utilizes a new Mr. Peach recording of the event. Compared to the older tape pressed on Need You Loving Rock (Gypsy Eye GE-206/207), this is closer to the stage and much louder. The break benefited Queen greatly. When the band are uptight they normally deliver an exciting show but when they are loose they can create such tremendous excitement and charisma and the second Tokyo show must rank among the very best.
02/16/81 Nippon Budokan Hall cdr 2 A- AUD "The Miracle Game" Great sound, from a Mister Peach tape. Best version out there.
02/17/81 Nippon Budokan Hall cdr 2 B+ AUD
02/17/81 Nippon Budokan Hall cdr 2 A Teo Torriatte - Queen Live in Tokyo, Budokan, Japan february 17th, 1981 Teo Torriatte (Silver CD) ---> FLAC A Mr. Peach Recording!!!
02/28/81 Estadio José Amalfitani cdr 2 A FM Gypsy Eye release. Dragon Attack has a fade out, Now I'm Here is missing...So is Fat Bottom Girls and God Save the Queen
03/20/81 Estadio Morumbí cdr 2 A SBD "Let Sao Paulo Entertain You," on Gypsy Eye
09/27/81 Poliedro De Caracas cdr 2 SBD....comes from a a pro-shot video os the show. Pretty poor quality.
10/17/81 Estadio Ignacio Zaragoza cdr 2 B+ aud, 2 source mix. 95% of the show comes from a first gen tape.
04/10/82 Johanneshov Isstadion cdr 2 B+ AUD
04/16/82 Hallenstadion cdr 2 B+ AUD "Long Live the Queen" boot
04/17/82 Hallenstadion cdr 2 LDB Special Series #336 (RLR collection) QUEEN Zürich, Hallenstadion April 17, 1982 BOW WOW WOW (opening band) 01-06. 07.Flash's Theme (tape) 08.The Hero 09.Tie Your Mother Down 10.Action This Day 11.Play The Game 12.Staying Power 13.Get Down Make Love 14.Back Chat 15.Under Pressure 16.Love Of My Life 17.Mustapha (solo Freddie) / Save Me 18.Fat Bottomed Girls 19.Crazy Little Thing Called Love 20.Bohemian Rhapsody 21.Now I'm Here / Dragon Attack / Now I'm Here (reprise) 22.Another One Bites The Dust 23.Sheer Heart Attack 24.We Will Rock You 25.We Are The Champions / God Save The Queen TT 122:54 Lineage: Unknown recording device > 2nd generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Freddie Mercury (lead vocals, piano, tambourine, acoustic guitar) Brian May (electric guitar, backing vocals, acoustic guitar, piano) Roger Taylor (drums, backing vocals), John Deacon (bass guitar, electric guitar) Morgan Fisher (keyboards, piano) Queen looks like a very popular act among Dimers. Since I started my series I have been asked here and there if I had any Queen to share. Although I do love the band (albeit only the production from the 70´s), I have never been a collector of live shows. I have seen only two Queen shows in my career: one in Milano in 1984 and one in Frejus during the Kind of Magic tour. I did not have a recorder with me on both, for various reasons. I obtained a copy from Milano some years after (but now I have a 1st generation coming from RLR archives) and now through RLR I also have a good copy of Frejus. But I decided to seed something else instaed. This is the second show in Zürich in a row, with the band having played the day before. The tapes also had the supporting act which I also include for completeness. You can hear this is a low generation, sound is clear although the equipment was not the best you could get in the 80´s. Still, this is a very energetic show and Freddie in top shape. This is for all Queen crazy fans all over the world!
04/19/82 Palais Des Sports cdr 2 b- AUD
04/20/82 Palais de Sport cdr 2 b AUD
05/01/82 Westfalenhalle cdr 2 b AUD "Action This Night" on Gypsy Eye
05/21/82 Olympiahalle cdr 2 b- AUD. the taper pauses in between songs to save tape.
06/02/82 Ingliston Showground cdr 2 B+ AUD
10/19/82 Kyuden Auditorium cdr 2 A- AUD
10/24/82 Nishinomiya Stadium cdr 2 A- AUD "Stadium Rock" discs 3 and 4 on Wardour. Transfer from the master
10/24/82 Nishinomiya Stadium cdr 2 A- AUD "Stadium Rock" discs 1 and 2 on Wardour label. From the old "Lora Records " bootleg
10/26/82 Nagoya Internatinal Exhibition Hall cdr 2 A- AUD "Action and More Action"
10/29/82 Tsukisamu Green Dome cdr 2 A- Two source mix, for the best available version of the show. AUD
11/03/82 Seibu Lions Stadium cdr 2 B+ AUD> complete show
11/03/82 Seibu Lions Stadium cdr 1 a+ SBD. "Rocking Osaka in 82"
09/02/84 National Exhibition Center cdr 2 A AUD. Nice recording, "Real Dazzler," on Gypsy Eye.
09/11/84 Westallenhalle cdr 2 b- AUD A little digital flutter the last two tracks, but the rest of the show is fine.
09/14/84 Palazzetto Dello Sport cdr 2 B+ AUD We Will Love You
09/27/84 Hans-Martin-Schleyer Halle cdr 2 B+ AUD
09/30/84 Stadthalle cdr 2 B+ AUD remastered. Includes soundcheck
10/19/84 Super Bowl cdr 1 a+ Mp3 sourced radio broadcast. includes an interview with Brian and Roger from 1986
01/11/85 Rock In Rio cdr 1 A SBD, incomplete. Sounds like a vinyl transfer
05/11/85 Yogishi Swimming Pool Auditorium cdr 2 A FM "Rock In Japan" on Flashback
06/12/86 Groenoordhallen cdr 2 b AUD A few skips in Now I'm Here and Love of My Life
06/21/86 Maimarkt-Gelände cdr 2 a+ FM Full show, no fade-outs "Done Under Pressure," Gypsy Eye, not the Leopard version
07/11/86 Wembley Stadium cdr 2 Venue: Wembley Stadium, London, UK Date: July 11, 1986 Label: Wardour Number: WARDOUR-096 Source: Silvers > EAC > WAV > jetAudio > FLAC
07/21/86 Stadthalle cdr 2 A AUD
07/22/86 Stadthalle cdr 2 A AUD Vienna Magic discs 3 and 4. Pitch corrected.
08/01/86 Mini Estadi cdr 2 Best recording of the three Magic Tour shows in Spain. Wonderful, very clear sound. Could have more bass but still highly enjoyable. Freddie's comment before ITLOTG "Hello Barcelona! It's nice to be back here after such a long time..!!". We Will Rock You is slightly cut from the beginning but otherwise a complete concert. There is also another recording with complete WWRY but on that one Under Pressure and Radio Ga Ga are cut. The sound is also only Good on that one. Title: Cheers Barcelona! AUD
08/09/86 Knebworth Park cdr 2 A AUD "Thank You All" on Wardour Transfer from master.
??/??/89 The Miracle Sessions cdr 1 Studio demos!
??/??/91 The Show Must Go On Remixes and Multitracks cdr 1 Queen The Show Must Go On Remixes and Multitracks 1991 Artwork Included Quality A 57.00 minutes MP3 320kbps Remixes and Multitracks of Queen's The Show Must Go On,some you might like and some you won't. On some of the instrumental tracks, you can hear pieces you may not have noticed before. Do your own remixes with the multitracks, i did a Keyboard& Vox mix (Track Two) And if i can do it anyone can. Sources have been listed if known. Thanks to all involved. Tracks 1. 2009 beat (6.12) 2. Bare Mix (keys and Vox 4.15) 3. Tom Reason Remix Pafosdj.com (4.48) 4. Fickle Stems Remix (4.07) 5. DJ White Remix (5.09) 6. Mix (4.38) 7. Drums (3.50) 8. Guitars (3.31) 9. Keyboards (3.59) 10. Bass (3.48) 11. Vocals (4.15) 12. Piano Notes (4.22) 13. Orchestral Mix (4.06)
04/20/92 Wembley Stadium 3 A FM
09/18/93 Cowdray Ruins cdr 2 b Note: A very minor click can be heard on one or two song transitions. Also one or two cuts can be heard during track 2.7 The real complete Cowdray Ruins charity gig. Track 1.5, 2.6 & 2.8 were not part of the currently available recordings. The sound quality is rather disappointing since it comes from the same inferior sounding source that gave us the complete Genesis set before.

Queensrÿche --- Approximate Hours: 33.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/04/83 Concert Hall 1 b There are some pops throughout the show,but I think for the age of the recording and technology back then,who can complain. The date for this show is not known. Many bootleg traders list this show as 10/21/83 but this apperas to be incorrect. Given the fact that they played in Montreal on 11/05/83 it is very likely that this show took place in November.
??/??/83 Warning/Myth Demos cdr 1 a Queensryche The Days Before The Empire x/xx/83, 84 Studio: A Tracklist: [45:40] 01. Waiting For The Kill [0:04:36.50] 02. Prophecy [0:03:50.47] 03. Child Of Fire [0:04:56.13] 04. Before The Storm [0:04:19.37] 05. Sanctuary [0:06:15.58] 06. The Warning [0:04:50.07] 07. Roads To Madness [0:09:54.05] 08. Scarborough Fair # [0:03:20.03] 09. Walk In The Shadows # [0:03:41.50]
12/10/84 Harpo's cdr 1 a+ SBD
12/17/84 Peoria Civic Center cdr 1 b AUD
12/29/84 St. Paul Civic Center cdr 1 A- AUD
12/29/84 St. Paul Civic Center cdr 1 a- AUD. Pretty nice audience recording.
12/06/86 Isstadion cdr 1 A- AUD
02/05/89 Reunion Arena cdr 1 A FM
11/29/90 Jaap Edenhal cdr 1 a- FM. Not the clearest broadcast..but not bad.
??/??/90 Empire Demos cdr 1 A Demos
06/02/01 The Showbox cdr 1 a+ SBD.
07/30/03 Opera House cdr 2 b+ AUD
09/24/05 Myth cdr 2 a Queensryche 09-24-2005 Myth Maplewood,MN Taper: Brad STEELCORNER27 (Steelcorner_27@yahoo.com) http://www.angelfire.com/music5/steelcorner_27/index.html Equipt.: DPA 4061's > HEB bb @16hz > Denecke AD20 > Sony PCM-M1 (digital in) (44.1kHz) Transfer: Tascam DA-30 MK II > Hosa toslink optical (S/PDIF) > Audigy 2 ZS Platinum > Sound Forge 7.0 > CDWave
03/29/06 Rockline cdr 1 a+ 2006-03-29 "Rockline" Studios New York City, New York U.S.A. FM BROADCAST(WTUE 104.7 Dayton, Ohio) *UNCIRCULATED MASTER! Recording info: SONY MHC-C70 Mini Hi-Fi Componet System>TDK MA-90 Type IV Metal Bias Cassette. Transfer info: SONY TC-WE635 Cassette Recorder>BSR 3000 EQ>AIWA XC-RW700 CD Burner>MAXELL(GOLD) 80 Minute Music Only CDR. ANALOG MASTER CASSETTE>CDR>EAC>WAV>TLH>FLAC>TTD Recorded, Transferred & Uploaded by; "Lucifer Burns"
08/23/09 Akasaka Blitz cdr 2 a- A little tinny to my ear. Good pick up of the guitar - bass is virtually absent. Did not remaster, you'll need to turn the bass up when listening to this one. Otherwise, very clear.
04/27/10 Northern Lights Theater cdr 2 A AUD
07/07/10 B1 Maximum Club cdr 2 A AUD
07/22/10 The Grove cdr 2 A- AUD
05/28/11 Midway Stadium cdr 1 b ueensrÿche 93X Fest - St. Paul, MN May 28, 2011 Recorded By: Hurricane62 Lineage: Zoom H4 using internal microphones, WavePad equalization, Audacity boost left channel 1.5 dB to equalize, WavePad track splitting This recording is at best a B+/very good rating. Technical problems with my external cardioid microphones forced me to resort to the built-in mics on the Zoom H4. These are not ideal for loud, outdoor shows and the result is not as crisp as I am usually able to achieve when my cardioids are working. Also, the built-in mics pick up a lot more noise from the crowd around me. Throughout this show there was a loud, drunk, tone-deaf, female (but obviously a big fan of Queensrÿche) screaming & singing into my left ear. Behind me to my right was a youngster (who obviously took one hit too many in the mosh pit during an earlier act) that does not appreciate the classic progressive metal of Queensrÿche. Between the two, there's an irritating amount of crowd noise in this recording. Michael "Whip" Wilton's guitar cuts out at the 4:10 mark during the solo in "Empire". Eddie Jackson's background vocals during "A Dead Man's Words" are very hard to hear. Between their technical difficulties and mine, as well as the festival crowd, this recording is not up to what I consider "usual Hurricane62 standards". Regardless, grab it if you want it.
10/26/11 House Of Blues cdr 2 a- Artist: Queensryche Venue: House Of Blues Location: Boston, MA. Date: October 26, 2011 SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-M10 (Line In)===SDHC SanDisk 8GB Micro Memory Card @ 48/24(Dowmsmpled to 44.1/16) CD 1 01. Get Started 02. Damaged 03. I Dont Believe In Love 04. Hit The Black 05. Im American 06. My Empty Rooms 07. A Dead Mans Words 08. Desert Dance 09. Real World 10. NM156 11. Screaming In Digital 12. The Lady Wore Black 13. Walk In The Shadows CD 2 01. The Right Side Of My Mind 02. Around The World 03. At The Edge 04. Silent Lucidity 05. Take Hold Of The Flame 06. Jet City Woman 07. Empire 08. Eyes Of A Stranger 09. Anarchy X Taper: Farve4 Mastering: Bob S.

Radiohead --- Approximate Hours: 36.25
Show Date Venue Media Type Media Count Sound Quality Notes
02/23/93 Black Sessions cdr 1 a+ Radiohead The Black Sessions La Maison de la Radio Paris France 23rd February 1993 FM broadcast
05/05/93 Haarlemhout cdr 1 a+ Radiohead Bevrijdingspop, Haarlem, Netherlands May 5, 1993 FM > DAT > CD > FLAC (no analogic generation)
06/04/93 Magasinet cdr 1 A Fm. The ends of Permanent Daylight and Blow Out are cut
07/02/94 Roskilde Festival cdr 1 a+ FM
04/13/96 Avalon cdr 1 a+ FM
07/13/96 Strathclyde Park cdr 1 a+ Radiohead T In The Park Festival Glasgow, Scotland 07/14/96 FM > bootleg cd (Live From Planet Earth) > WAV > FLAC
12/19/97 Hammerstein Ballroom cdr 2 a+ SBD....my copy does not have "The Tourist."
10/02/00 Victoria Park cdr 2 a+ FM
07/04/03 Eurockéennes Festival cdr 2 a+ Radiohead July 4, 2003 EUROCKEENNES BELFORT, FRANCE Source: Satellite (digital out spdif 48KHz) -> Digidesign soundcard spdif 48KHz -> samplitude professional (edited in 75fps, snaping to frames into 44.1KHZ) t01-there there t02-2+2=5 t03-morning bell t04-lucky t05-talk show host t06-scatterbrain t07-the national anthem t08-the gloaming t09-fake plastic trees t10-sail to the moon t11-my iron lung t12-where i end and you begin t13-just t14-paranoid android t15-idioteque t16-after the goldrush t17-everything in its right place t18-exit music (for a film) t19-kid A t20-karma police
08/13/03 Tweeter Center cdr 2 a+ FM...LDB Special Series #289
09/22/03 Metreon cdr 1 SBD>CD-R>FLAC
08/19/08 Thunderbird Stadium cdr 2 AUD
03/27/09 Pista Atlética Del Estadio Nacional cdr 2 a+ FM
08/23/09 Výstavište cdr 2 A AUD
06/24/11 Glastonbury Festival cdr 2 A- Nice AUD.
02/27/12 American Airlines Arena cdr 2 Radiohead February 27, 2012 American Airlines Arena Miami, Florida Source: Church Audio Cards CA-11 > CA-9100 > Edirol R-09HR (16/44.1) Location: Section 106 Lineage: Kingston 16G > CD Wave Editor > FLAC 8 > Traders Little Helper Taping & Tracking: SUITES Pretty good sound, but lots of chatter, and some pretty bad crackling the first couple of tracks.
03/11/12 Sprint Center cdr 2 Source Info: >Edirol R9 (24bit/48kHz) >Core Sound HEB (4060) (Bass Rolloff=ON) >CDWAVE 1.98 >FLAC (level 8) ---------------------------------------------------------------- additional info: Recorded from the second row of the main floor, in front of Johnny ---------------------------------------------------------------- running time: 2h:06m:36s This is a Mono recording, due to problems with the right channel of the original recording. From where I recorded the show, it would have been mono either way. Drunk Guy shows up during Idioteque
03/13/12 1st Bank Center cdr 2 Radiohead 3/13/2012 1st Bank Center - Broomfield, CO Source: DPA 4022(DFC/FOB)->Naiant Littlebox->R09HR(24/96)->UV22HR(16/44.1)->CDWave->FLAC Disc 1 (72:23): 1. Bloom 2. Little by Little 3. The National Anthem 4. Hunting Bears 5. The Gloaming 6. Morning Mr. Magpie 7. Staircase 8. Codex 9. Separator 10. Nude 11. Karma Police 12. The Amazing Sounds of Orgy 13. Bodysnatchers 14. Feral 15. Lotus Flower Disc 2 (57:06): 1. Reckoner 2. Street Spirit(Fade Out) 3. First encore break 4. (E1)Weird Fishes/Arpeggi 5. (E1)There There 6. (E1)Lucky 7. (E1)True Love Waits Intro-> 8. (E1)Everything in it's Right Place 9. Second encore break 10. (E2)Give Up the Ghost 11. (E2)Myxomatosis 12. (E2)Idioteque

Rainbow --- Approximate Hours: 112.5
Show Date Venue Media Type Media Count Sound Quality Notes
11/12/75 Beacon Theatre cdr 2 b+ AUD
11/18/75 Ford Auditorium cdr 2 b AUD
09/22/76 Tivolis Koncertsal cdr 2 b+ Rainbow - 1976 - 09 - 22 "THE RAGING GOD" COPENHAGEN, DENMARK (2CD) Lineage : Trade cdr > flac > you Sound : Good to Very Good Audience Recording Label : Rising Arrow - 16 Time : 90.31min
12/09/76 Koseinenkin Kaikan cdr 2 Rainbow: Heritage While The Light Last (Master Direct + tape Direct Version). (Rising Arrow :: Rising Arrow-039) Recorded Live at Koseinenkin Kaikan, Osaka, Japan - December 09, 1976. Near Perfect Soundboard Recording Disc 1 01. Over The Rainbow 02. Kill The King 03. Mstreated 04. Sixteenth Century Greensleeves 05. Catch The Rainbow 06. Member Introduction 07. Purple Haze 08. Lazy Intro 09. Man On The Silver Mountain 10. Blues 11. Vocal Improvisation 12. Starstruck 13. Man On The Silver Mountain (Reprise) Disc 2 01. Over The Rainbow 02. Kill The King 03. Mistreated 04. Sixteen Century Greensleeves 05. Catch The Rainbow 06. Purple Haze 07. Lazy Intro 08. Man On The Silver Mountain 09. Blues 10. Vocal Improvisation Total Time: 01:49:13 hour/s. *** Rising Tour *** Personnel: Ritchie Blackmore: Guitar :: Ronnie James Dio: Vocals :: Jimmy Bain: Bass :: Tony Carey: Keyboards :: Cozy Powell: Drums. Notes: Heritage: While The Light Lasts (Rising Arrow-039) is live from the Koseinenkin Kaikan, Osaka, Japan on December 9th, 1976 from a soundboard recording. The original master cassette tape belonging to Cozy Powell is used.
12/09/76 Koseinenkin Kaikan cdr 2 Rainbow 1976-12-09 Osaka, Japan BOOTLEG TITLE : Purple Haze ( Tarantura ) Koseinenkin Kaikan, Osaka, Japan Released Pressed CD -> EAC -> Flac Sound Quality : Excellent sound quality Taken from master tape. This is the different source from other bootlegs. Set List [Disc 1] 01-Monitor Check 02-Opening 03-Over The Rainbow 04-Start 05-Kill The King 06-Mistreated 07-MC 08-Greensleeves 09-16th Century Greensleeves 10-MC 11-Prelude In C Major 12-Catch The Rainbow 13-MC 14-Purple Haze 15-White Christmas 16-Man On The silver Mountain 17-Lazy 18-Man On The silver Mountain 19-Blues 20-Man On The silver Mountain 21-Starstruck 22-Man On The silver Mountain [Disc 2] 01-Forty Miles of Bad Road 02-Tequila 03-Medley 04-Keyboard Solo 05-Stargazer 06-Still I'm Sad 07-Keyboard Solo 08-Drum Solo 09-1812 Overture 10-Still I'm Sad 11-Over The Rainbow 12-Announcement LINE UP Blackmore-Powell-Dio-Carey-Bain
12/10/76 Kyota Kaikan Daiichi Hall cdr 2 b+ AUD "Playing The Shadows (Apache)"
12/14/76 Hiroshimashi-Koukaido cdr 2 AUD....."A Light In the Black" version
12/14/76 Hiroshimashi-Koukaido cdr 2 If you love, or even like, Rainbow’s 1976-78 material, you MUST acquire this latest edition of Tarantura’s magnificent run of vintage live Rainbow shows. There are multiple reasons for this recommendation. The first reason is that this is a Mr. Peach recording. The title’s beautiful jacket, which, when opened and laid flat displays a stunning, panoramic image of Blackmore and band on stage and in action under the huge rainbow, also has an image inside of the jacket of a tape player/recorder and two Sony cassettes that are presumably Peach’s masters. As with all Peaches, this recording is deep, powerful, and balanced with only trace, minor levels of fleeting distortion in some of Dio’s comments between some tracks. There is, however, absolutely no distortion in any of the music. This leads to the second reason for recommending this title. As mentioned above, the jacket is beautiful and the discs display separate shots from the same group of pictures used on the sleeve. You cannot, as a Rainbow fan, expect anything better for the full experience of this concert than what Tarantura has done on this title. Highly recommended, without reservation.<-(Info taken from Collectors Music Reviews).
12/16/76 Budokan (Late Show) cdr 2 b+ AUD
??/??/76 Soundboard archives cdr 2 BOOTLEG TITLE : Soundboard Archives 1976 ( Darker Than Blue ) Released Pressed CD -> EAC -> Flac Sound Quality : Excellent sound quality 1976-12-16 Evening show : Totally Upgraded from New DAT Master 1976-12-08,09 : Upgraded Version from FM Master Total Time: 01:30:35 hour/s.
01/11/78 Nagoya-shi Kokaido cdr 2 Title: Captain Amazing & Mr. Cornflakes (Japanese Title: Dainijin) Dates: January 11, 1978 Venue: Nagoya-Shi Kokaido, Aichi, Japan. Source: Ex Stereo Audience Recording Lineage: Tarantura Boot 2CD > WAV > FLAC ------------------------------------------------------------------ Disc.1 01: SE 02: Monitar Check 03: Opening 04: Over The Rainbow 05: Start 06: Kill The King 07: MC 08: Guitar Solo 09: Mistreated 10: MC 11: Greensleeves 12: 16th Century Greensleeves 13: MC 14: Guitar Solo 15: Catch The Rainbow 16: MC 17: Long Live Rock'n Roll Disc.2 01: MC 02: Lazy 03: Man On The Silver Mountain 04: Blues 05: Man On The Silver Mountain 06: Starstruck 07: Man On The Silver Mountain 08: MC 09: Keyboard Solo 10: Still I'm Sad 11: Beethoven Sinfonie Nr. 9 D-moll Op. 125 12: Keyboard Solo 13: Drum Solo 14: The Year 1812 Festival Overture in E Flat Major 15: Still I'm Sad 16: Guitar Solo 17: Do You Close Your Eyes 18: Over The Rainbow 19: Announcement 1 20: Announcement 2
01/12/78 Ken-Taiikukan cdr 2 A- Well balanced all instruments have great clarity with Dio’s vocals nicely up front, aside from members of the audience who shout at times wildly for their hero, one Ritchie Blackmore. The audience does not detract from the recording or become overbearing but more like part of the enjoyment as they are clearly enjoying themselves. After the initial onslaught of Kill The King and Mistreated, the band settle the intro the 16th Century Greensleeves a group of people cheer loudly for Ritchie and chat during the quiet section and then are deafened as he slams into the main riff of the song. “She Has Done…Done…Done….” sings Ronnie as you are pummeled into submission, great version of the song. The quiet guitar solo intro has the crowd clapping as the band starts the first epic, Catch The Rainbow. I never get tired of the Dio era versions of this song, he puts so much into the song and it usually the source of inspired and beautiful playing by Blackmore and this version is no different. Mr. Peach must have been very close to stage, you can clearly hear the echo effect to Ronnie’s vocals as well as some subtle keyboard fills I have not noticed on other versions. “This song we would like to do for the Captain and Tenille, or Mom and Dad as they are more affectionately known, is a song about a man who climbs to the top of Mount Fujiama” is the spirited intro and a almost hoedown intro proceeds a quick flash of Lazy played at lightning speed until the they start Man On The Silver Mountain. Wildly received it is indeed a great version that sounds very powerful in this recording as the crowd claps in time. David Stone breaks into a great keyboard solo during the blues jam and for a minute it was almost like listening to Stormy Monday from the Allman Brothers at Fillmore East show until Ronnie says “What’s this ? A little small for me” talking about a bra thrown onstage. The proceedings are stopped as they try to find the owner and from the sounds Bob Daisley gets the souvenir, a hilarious moment indeed. As with the other Japanese dates the Improvisation is the familiar Night People, this time with some a Donnie Osmond reference, the crowd is enjoying this bit of improvisation and clap along. Cozy Powell shows “lovely” into the mike as the band continues to joke around and interact with their adoring audience, As Ronnie introduces the new band members Ritchie plays a little riff that almost sounds like the jam Elvis’ band used to play as he introduced his band, it is obvious that the band are enjoying themselves. The second epic Still I’m Sad, the Rainbow answer to Space Truckin’ is up, again a vehicle for improvisation and soloing, it seems to calm the crowd down and down right respectful as Ritchie plays his Beethoven Sinfonie nr. 9 d-moll op. 125 that leads into the keyboard and drum solos. The crowd gives Cozy’s solo a nice round of applause and the band launches into the ending coda and wring every last note out. The crowd praises the group with applause and chants if “Ritchie Ritchie” and is obvious they will not leave until they hear more and Blackmore answers with a flurry of notes with a keyboard drone accompany that leads into a seldom played (for 1978) Do You Close Your Eyes, clocking in at ten minutes the song disintegrates into Blackmore’s guitar hysteria filled with howling feedback that boarders on psychedelia and disorientation all in one. The concert ends as Swan Lake is played over the PA system, a fantastic end to a fantastic concert.
01/17/78 Koseinenkin Kaikan cdr 2 a- AUD
01/20/78 Koseinenkin Kaikan cdr 2 b+ AUD
01/21/78 Budokan cdr 2 Rainbow Title: Signs Of The Incident Dates: January 21, 1978 Venue: Budokan Hall, Tokyo, Japan. Source: Aud 5- Stereo Recording Lineage: Tarantura (Nijifune 78-09) Boot 2CD > EAC > FLAC --------------------------------------------------------- Disc.1 01: Monitor Check 02: Opening 03: Over The Rainbow 04: Start 05: Kill The King 06: Guitar Solo 07: Mistreated 08: Greensleeves 09: 16th Century Greensleeves 10: MC / Niji Flashing Working 11: Catch The Rainbow 12: Long Live Rock'n Roll Disc.2 01: MC 02: Lazy 03: Man On The Silver Mountain 04: Blues 05: Starstruck 06: Night People 07: Man On The Silver Mountain (Coda) 08: Band Introduction 09: Keyboard Solo 10: Still I'm Sad 11: Beethoven Sinfonie Nr. 9 D-moll Op. 125 12: Keyboard Solo 13: Drum Solo 14: The 1812 Overture 15: Still I'm Sad 16: Over The Rainbow 17: Announcement --------------------------------------------------------- Band Lineup Ritchie Blackmore: Guitar Ronnie James Dio: Vocals Bob Daisley: Bass David Stone: Keyboards Cozy Powell: Drums
01/31/78 Kenminkaikan Hall cdr 2 Third Stone From The Sun (TCDNIJIFUNE78-14) Kenmin-Kaikan Dai-Hall, Niigata, Japan – January 31st, 1978 Disc 1 (56:20):Yoninbayashi ending, Rainbow Monitor Check, God Save The Queen, Opening, Over The Rainbow, Start, Kill The King, Guitar Solo, Mistreated, Guitar solo, Mistreated, Greensleeves, 16th Century Greensleeves, MC, Announcement in Japanese, Silence Prayer, Announcement in Japanese, Guitar Solo, Catch The Rainbow, Guitar Solo, L’Amour Est Bleu, Catch The Rainbow, MC, Long Live Rock ‘n’ Roll Disc 2 (49:42): MC, Lazy, Man On The Silver Mountain, Guitar Solo, Blues, Break, Third Stone From The Sun, Break, unknown tune, Starstruck, Man On The Silver Mountain, Rainbow Light Show, Improvisation / Love Maker Trouble Maker, Man On The Silver Mountain, MC, Keyboard Solo, Still I’m Sad, Beethoven Sinfonie Nr. 9 d-moll op. 125, Keyboard Solo, Drum Solo, The Year 1812, Festival Overture in E flat major, Still I’m Sad, Over The Rainbow, Announcement, SE This set from Tarantura offers the Mr Peach recording of Rainbow’s 15th concert on their tour of Japan to support the Long Live Rock and Roll album. The recording is good to very good, slightly distant that really captures the atmosphere well. The crowd is very enthusiastic and the band rewards them with inspired playing. A brief instrumental take of God Save The Queen by Ritchie segues the Over The Rainbow into a furious instrumental that leads directly into Kill The King, the crowd greats the band with huge applause and follows them at every turn. After a brief thank you Dio introduces Mistreated as a “bit of blues and a bit of few others things as well” The crowd erupts a Blackmore plays the quiet opening notes, with someone close to the recording yelling “Ritchie, Ritchie”. They cheer as the tension of notes builds before and the crowd claps along as Blackmore played the familiar opening notes to the songs. While the Coverdale sung version of the songs sound remorseful the Dio versions sound almost angry. The audience claps and cheers during the song but is distant enough to add the feel, not over power and by this time the recording sounds much more clear and very enjoyable at higher volumes. The guy next to the recorder shouts for Cozy Powell and Ritchie as well as other comments as Dio introduces a song from their first album. Again the crowd is totally behind the band as they plow through 16th Century Greensleeves, cheers back at Dio as he chants “Down Down Down” at the end as Blackmore almost plays notes resembling the intro of Purple Haze. The Rainbow is colored full red for the people of Japan as the silent prayer is read and observed. A beautiful rendition of Catch The Rainbow follows, the crowd clapping in unison through out. Dio is the star in this tune, his passionate vocals shine. The lone song from the new record, Long Live Rock and Roll is warmly greeted and enjoyed even though it will not be released for another two months, nonetheless the crowd claps and cheers like an old favorite. Dio introduces Man On The Silver Mountain as a haunting beautiful song that leads into the new band member introductions that get wild cheers from the audience and Dio dedicates the song to Bob Daisley’s trousers, from there the band plays a quick snipped of Purples Lazy and finally gets into MOTSM. New members Bob Daisley and David Stone along with Cozy Powell get a chance to shine during the blues section and the band toys briefly with the Hendrix classic Third Stone From The Sun and Dio sings an unknown tune acapella before they get into the Startstruck section. The crowd wildly cheers and follows the band on every twist and turn. They introduce the sheriff of Niigata, aka the guy who operates the rainbow over the stage and improvise the Love Maker section for one of the most intimate parts of the show as the band are obviously enjoying themselves. The part of the show is taken up by a lengthy Still I’m Sad, a vehicle for improvisation and solos from the band. The Beethoven Sinfonie Nr. 9 d-moll op. 125 section is wildly cheered by the audience as is the David stone solo but the crowd really goes wild for Cozy Powell, they clap and shout his name throughout. The listener and crowd are ground to a pulp after the conclusion of the song and then the crowd goes wild during the Judy Garland sung Over The Rainbow plays over the PA system. Its obvious the crowd wants more as they cheer over the announcements after the show but it is not to be. All in all a fantastic concert for a equally fantastic audience whose enthusiasm takes this show to a high level of emotion and performance. This great show comes in a gatefold packaging of what looks to be the ticket to the concert adorning the cover while the inside has a picture of the recording devise and master cassette tapes and a shot of Blackmore. the only negative being the track listing and information on the back cover is printed in very light lettering and is difficult to read. Nothing but praise goes to Tarantura for their continuing efforts in releasing these important recordings of Rainbow in Japan, they are enjoyed by this collector and hopefully many others.
02/03/78 Budokan cdr 2 a- Rainbow Title: Epilogue Dates: February 03, 1978 Venue: Budokan Hall, Tokyo, Japan. Source: Ex- Audience Recording Lineage: Rising Arrow-047 Boot 2CD > EAC > FLAC * Mr. Peach Original Masters, No EQ'd Version. ------------------------------------------------------- Disc.1 01: Opening 02: Over The Rainbow 03: Kill The King 04: Mistreated 05: 16th Century Greensleeves 06: MC 07: Catch The Rainbow 08: Long Live Rock'n Roll Disc.2 01: Lazy Intro 02: Man On The Silver Mountain 03: Blues / Vocal Improvisation 04: Starstruck / Night People 05: Man On The Silver Mountain (reprise) 06: Guitar Intro 07: Still I'm Sad 08: Beethoven 9th 09: Keyboard Solo 10: Cozy Powell Solo feat. 1812 Overture 11: Still I'm Sad (reprise) 12: Over The Rainbow
06/24/78 Fox Theater cdr 1 A FM Plus 2 tracks from Don Kirschner, Long Live Rock and Roll and Gates of Babylon
10/10/79 Dane County Memorial Coliseum cdr 1 AUD
10/12/79 International Ampitheatre cdr 1 a- Band - Rainbow Date - 1979-10-12 Venue - Interbational Amphithater City - Chicago, Il Country - USA Source - FM 1 Intro ~ Eyes Of The World 2 Love's No Friend 3 All Night Long 4 Lost In Hollywood ~ Difficult To Cure ~ Drum Solo 5 Long Live Rock'n Roll 6 Kill The King ~ long Live Rock 'N' Roll Bonus tracks from Grenoble, France - 1980-02-09 7 Man On The Silver Mountain ~ Blues ~ Makin' Love 8 Will You Still Love Me ~ Long Live Rock'n Roll Silver CD - EAC - TLH (FLAC lvl8) - Dime -You Its a good recording, according to some sources this is a FM broadcast. This is one of the best recordings from the era. Other broadcasts exist from Denver and New York if Im not misstaken. Judge for yourself which one you think sound better but this is clearly one of the best! The two bonus tracks are from a decent audience recording.
10/12/79 International Ampitheatre cdr 1 Rainbow 1979-10-12 Chicago USA (Down To Frontier) Darker Than Blue 110 CD1 International Amphitheatre Chicago Illinois USA 12th October 1979 SBD (Upgrade)CD1 (61:01) International Amphitheatre Chicago Illinois USA 12th October 1979 1. Introduction 2. Eyes Of The World 3. Love's No Friend 4. Bach Brandenburg Concerto/Over The Rainbow 5. All Night Long 6. Keyboards Intro 7. Lost In Hollywood 8. Guitar Solo 9. Beethoven 9th 10. Keyboards Solo 11. Drums Solo incl. 1812 Overture 1 2. Long Live Rock 'N' Roll 13. Kill The King incl. Guitar Crash 14. Long Live Rock 'N' Roll (reprise)
10/12/79 International Ampitheatre cdr 1 RAINBOW INTERNATIONAL AMPITHEATER CHICAGO ILLINOIS(USA) OCTOBER-12-1979 WLUP 97.9 FM BROADCAST ANALOG 1ST GEN KRW_CO TRANSFER REPOST BY REQUEST NOT A RESEED CONTRAST CLAUSE THIS TORRENT IS DIFFERENT THEN http://www.dimeadozen.org/torrents-details.php?id=393627 bootleg cd BECAUSE IT HAS KNOWN LINEAGE ANALOG FIRST GENERATION TO CDR LINEAGE WLUP FM BROADCAST ANALOG FIRST GENERATION TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 no eq or any other tampering THE BAND Ritchie Blackmore guitar Cozy Powell drums Graham Bonnet lead vocals Roger Glover bass backing vocals Don Airey keyboards backing vocals Set list: 1 Intro/Eyes of the World 2 Love's no friend of mine 3 Somewhere over the rainbow 4 All Night Long 5 keyboard intro/Lost in Hollywood/Guitar Solo/Keyboard Solo(46:45 tape flip) tape flip in keyboard solo begin side 2 6 Cozy Drum Solo 7 Long live Rock and Roll/Guitar Destruction Jam this is a different copy then the last one we put up. new track marks and the tape flip in the keyboard solo has been put together
11/11/79 Civic Center cdr 1 AUD
11/13/79 Selland Arena cdr 2 a- AUD
11/16/79 Rainbow Music Hall cdr 1 a+ FM
11/16/79 Rainbow Music Hall cdr 1 Rainbow 1979-10-12 Chicago USA (Down To Frontier) Darker Than Blue 111 CD2 Rainbow Music Hall Denver Colorado USA 16th November 1979 Stereo SBD (Upgrade) CD2 (64:06) Rainbow Music Hall Denver Colorado USA 16th November 1979 1. Introduction 2. Eyes Of The World 3. Love's No Friend 4. Since You Been Gone 5. Guitar Solo/Brandenburg Concerto/Over The Rainbow 6. All Night Long 7. Keyboards Intro. 8. Lost In Hollywood 9. Beethoven 9th 10. Keyboards Solo 11. Drums Solo incl. 1812 Overture 12. Lost In Hollywood (reprise) 13. Guitar Solo 14. Man On The Silver Mountain 15. Blues 16. Long Live Rock 'N' Roll 17. Over The Rainbow
11/23/79 Beacon Theater cdr 1 AUD. Tape flip ending All Night Long, and there's another cut between track 8-9.
11/30/79 Calderone Hall cdr 1 a- AUD "Roger's Birthday Party"
11/30/79 Calderone Hall cdr 1 Rainbow 1979-10-12 Chicago USA (Down To Frontier) Darker Than Blue 112 CD3 Hempstead Calderone Concert Hall Long Island New York USA 30th November 1979 SBD (Upgrade) CD3 (76:21) Hempstead Calderone Concert Hall Long Island New York USA 30th November 1979 1. Introduction 2. Eyes Of The World 3. Love's No Friend 4. Since You Been Gone 5. Guitar Solo/Brandenburg Concerto/Over The Rainbow 6. All Night Long incl. Happy Birthday Roger 7. Keyboards Intro. 8. Lost In Hollywood 9. Guitar Solo/Beethoven 9th 10. Keyboards Solo 11. Drums Solo incl. 1812 Overture 12. Lost In Hollywood (reprise) 13. Guitar Solo 14. Lazy 15. Man On The Silver Mountain 16. Blues 17. Long Live Rock 'N' Roll 18. Over The Rainbow
??/??/79 Down To Earth demos cdr 1 A SBD Demos
01/17/80 Scandinavium (Soundcheck) cdr 1 a- AUD
01/17/80 Scandinavium cdr 2 a- AUD
01/18/80 Isstadion cdr 2 AUD. Tape flip Disc 2, track 1
01/20/80 Falkoner Teatret cdr 2 AUD. One of the better ones from the tour.
01/22/80 Eilenriedhalle cdr 2 AUD. Really nice recording. Really quick drop out at 339 during Will You Love Me Tomorrow/Long Live Rock and Roll.
01/23/80 Festhalle cdr 2 aud Tape flip at 1:40 into Long Live Rock and Roll.
01/25/80 Saarlandhalle cdr 2 AUD. Not the best sound. All Night Long is cut short on the first disc, but the second disc starts with it and is complete.
01/26/80 Le Rhenus Hall cdr 2 AUD. Someone has tacked some Deep Purple covers to the end of the show as filler.
01/29/80 Gruga Halle cdr 2 AUD
02/03/80 Kerkrade cdr 1 b+ AUD "No Encore In Kerkrade"
02/09/80 Alexpo 2000 cdr 2 b AUD
05/15/80 Koseinenkin Kaikan cdr 2 b AUD "Heavy Rock Spectacular"
08/08/80 Velbyviskovhallen cdr 2 b+ AUD "Astrologist" Probably the same source as "On Line," but from a lower gen tape or remastered.
08/09/80 Folkets Park cdr 1 b SBD...but not a good one
05/07/81 Orpheum Theatre cdr 1 A FM
07/03/81 Plaza De Toros De La Monumental cdr 2 RAINBOW "DIFFICULT TO CURE TOUR" PLAZA DE TOROS DE LA MONUMENTAL DE BARCELONA BARCELONA JULY 3RD 1981 CATALONIA SPAIN VENUE: sold out 10.000 people SUPPORT ACT: UFO & DEFF LEPPARD RECORDING: AUDIENCE ANALOG REC. LINAGE: MASTER AUDIO TAPES SONY CHF 60 EQUIPEMENT: UNKNOW TRANSFERED WITH AIWA WX 220 >AUDACITY>CD WAVE ED.>TLH> FLAC COMENTS: The show was recorded in Barcelona by "Zappa" and Richie Blackmore refused to play after midnight, so he changed the set order and he plays before UFO and the end of the night was for Deff Leppard. There's a bootleg of this show called Bullfighter but I'm not sure that was the same source. I edited and upload this show from a old tapes ( master tapes) I've got some months ago from Zappa who recorded some old concerts in Barcelona.Hope you enjoy the show. BAND: Joe Lynn Turner,vocals Ritchie Blackmore,guitars Roger Glover,bass Don Airey, keyboards Bob Rondinelli,drums SET LIST: 1. Intro: Pomp and Circunstances Marches (Edward Elgar)/Over the Rainbow (Wizard of Oz) 2. Spotlight Kid 3. Love's No Friend 4. I Surrender 5. Can't Happen Here 6. Catch The Rainbow 7. Man On The Silver Mountain 8. Lost In Hollywood 9. Difficult To Cure Drum Solo 10. Long Live Rock'n'Roll 11. Lazy 12. Woman From Tokyo 13.Smoke On The Water There is a little crackling during the second half of the show.
07/26/81 Hammersmith Odeon cdr 2 a- AUD
07/27/81 Hammersmith Odeon cdr 1 a- FM
07/27/81 Hammersmith Odeon 1 a+ Released pressed CD -> EAC -> Flac. Excellent sound quality. Rainbow Outrage (Darker Than Blue 090) contains an upgraded soundboard recording of the Hammersmith Odeon show in London on July 27th, 1981. This is same source as bootleg called "Fire" (Darker Than Blue Version)" but this is taken from master tape directly
08/23/81 Nagoya-shi Kokaido cdr 2 AUD. Nice "Mr Peach" tape from master. "Smoke On the Water" on Tarantula label.
09/14/83 St. David's Hall cdr 2 A SBD
03/14/84 Budokan cdr 2 a+ SBD
11/12/95 Yoyogi Olympic Pool cdr 2 Really nice AUD. A little static on the second disc.
03/13/97 Electric Ballroom cdr 2 AUD

Randy Jackson (from ZEBRA) --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/03/06 Legends Music Cafe cdr 1 A AUD. Great stuff!

The Rat Pack --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/20/65 Kiel Opera House cdr 1 a+ SBD. Johnny Carson is with them.

Ray Charles --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
03/06/62 Sportpalast cdr 1 SBD

Robert Cray --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/21/87 Redux Club cdr 1 A FM. Very cool team up with SRV on a few tracks.
04/26/87 The Tower Theatre cdr 1 a+ Robert Cray Tower Theater, Philadelphia 4-26-87 This is an outstanding FM Broadcast of Robert Cray during the Strong Persuader release. This torrent comes from the bootleg "Black Heart White Hand". I do not have the original artwork but posted some that I have. If anyone has the original artwork, please post it. Lineage: Bootleg silver > CDR copy > Wav > Flac
10/23/88 Hammersmith Odeon cdr 1 FM
12/02/95 The Warfield cdr 2 a+ Great FM. "Frisco Blues"
07/??/08 BBC Maida Vale Studios cdr 1 Great FM
04/26/09 New Orleans Jazz & Heritage Festival cdr 1 a+ FM great sound

Rock & Roll All Stars --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
04/22/12 Teatro Vorterix cdr 1 ROCK AND ROLL ALL STARS Teatro Vorterix (ex El Teatro Colegiales) 22 April 2012 Buenos Aires - Argentina Lineage: FM airwave type >encore enltv-fm >Roxio sound editor >dime Microsoft WAV Files PCM 44,100 KHz, 16 bit, Estéreo Setlist and band members: (Matt Sorum drums in all songs) Sebastian Bach, Steve Stevens, Gilby Clarke, Duff McKeagan 1. Welcome To The Jungle (GUNS N' ROSES cover) 2. Youth Gone Wild (SKID ROW cover) Glenn Hughes, Billy Duffy, Mike Inez, Duff McKeagan 3. Highway Star (DEEP PURPLE cover) 4. Wildflower (THE CULT cover) Ed Roland, Steve Stevens, Billy Duffy, Duff McKeagan 5. Rebel Yell (BILLY IDOL cover) 6. Shine (COLLECTIVE SOUL cover) Joe Elliot, Steve Stevens, Gilby Clarke, Duff McKeagan + Glenn Hughes (chorus) 7. Tie Your Mother Down (QUEEN cover) 8. Pour Some Sugar On Me (DEF LEPPARD cover) Gene Simmons, Steve Stevens, Gilby Clarke, Sebastian Bach (chorus) 9. I Love It Loud (KISS cover) 10. Rock And Roll All Nite (KISS cover) 11. Interview at the Faena Hotel (21 Abril 2012

Rock And Roll Hall Of Fame Induction Ceremony --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
03/14/11 The Waldorf Astoria cdr 2 a+ Sourced from mp3 320

Roger Taylor --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
09/30/94 Club Quattro cdr 2 A- AUD
12/04/94 Civic Hall cdr 2 b+ AUD
04/02/99 Pyramid Center cdr 2 A AUD

Roxy Music --- Approximate Hours: 40
Show Date Venue Media Type Media Count Sound Quality Notes
12/01/73 Konzerthaus cdr 1 b- AUD
??/??/73 BBC 1972-1973 cdr 2 a+ FM
11/27/74 Palais des Congrès de Paris cdr 1 a PARTIAL SHOW! ROXY MUSIC Paris, Olympia November 1974 Master Reel to reel 01.Out of the Blue 02.A Song For Europe 03.Three and Nine 04.If It Takes All Night 05.In Every Dream Home A Heartache 06.If There is Something (incl. Violin Solo Eddie Jobson) 07.All I Want Is You TT 47:27 Lineage: Europe 1 original reels > Teac A3340S > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) LDB Master Series #300
02/20/75 Orpheum Theater cdr 2 b- roxy music orpheum theatre boston massachusetts(usa) feburary-20-1975 a joe maloney analog master repost not a reseed lineage audience analog master to cdr krw transfer to eac to tlh flac level 8 the band Bryan Ferry vocals keyboards Andy Mackay saxophone oboe Paul Thompson drums Phil Manzanera lead guitar Eddie Jobson synthesiser violin John Gustafson bass setlist cd 1 tape 1 side a 1 PRAIRIE ROSE 2 MOTHER OF PEARL 3 OUT OF THE BLUE 4 SONG FOR EUROPE 5 THREE AND NINE 6 IF IT TAKES ALL NIGHT 7 BITTER SWEET tape flip tape 1 side b 8 BITTERS END 9 A REALLY GOOD TIME 10 CASSANOVA 11 ALL I WANT IS YOU 12 VIRGINIA PLANE 13 ADDITIONS OF YOU cd 2 tape 2 side a 1 THE THRILL OF IT ALL 2 DO THE STRAND 3 OUTRO MUSIC (THE IN CROWD)
01/27/76 Konserthuset cdr 2 A- FM
02/15/76 Orpheum Theatre cdr 2 A FM
03/06/79 Congresgebouw cdr 1 a+ Taken from a Dutch KRO FM radio broadcast in (probably) 1979. Source and lineage (taped by JK and transferred by Magnix): FM > Tape > WAV > CD-R > WAV > FLAC level 8 Used software: Cool Edit Pro > Adaptec Easy CD Creator > EAC v0.95b4 > Cool Edit Pro v2.00 > CDWave v1.94.5 > FLAC v1.1.2 as build in Traders Little Helper v1.1.1 (build 90). Another tape from the Magnix Live Archive. The original transfer of this tape was done more than 7 years ago (March 2000) when I had just started transferring (mostly older) tapes to CD-R. At this point I was not yet familiar with sector boundary errors and such. I used to record, edit, and split WAV-files with Cool Edit Pro before burning to CD-R. Later on I learned that Cool Edit Pro does not split exactly on sectory boundaries, which results in those annoying 0.2 seconds gaps (heard as pops when listening back). So, the CD-R of this tape-to-WAV transfer had these little gaps. Also, FLAC, SHN, and the likes didn't exist yet (I think), and storage was not so easy as nowadays (with affordable external harddrives, recordable DVD's, etc.), so this was only burned as audio, and not as a lossless data backup file as well. Now time has moved on, I'm going back to these older transfers to rip them for back up. When the rip is OK, EAC-wise and soundwise, it will be transferred to FLAC for backup purposes right away. If there's a problem, the old tape will be dug out again, and a fresh transfer is made when the tape hasn't gone down any further. And when I haven't come across the same or an upgraded version on a BitTorrent site or elsewhere, it will be shared for others to enjoy. In this particular case the EAC-rip is error-free (see the log), and a re-transfer isn't possible, because I do not have the tape anmymore. Therefore I have chosen to load all files in Cool Edit Pro (for editing and such it's an amazing piece of software) and edit out those mentioned mini-gaps by hand. The result is one large WAV-file, which is then split to separate tracks again, using CD Wave this time. Disclaimer. Please note that this is a real FM capture, no cable, but straight from the airwaves. Also, this comes from a tape that was probably 21 years old at the time of transferring. This means that some FM and/or tape anomalies or degeneration may be present. Most has been fixed to the best of my abilities and most of this stuff is of very good quality. Actually this recording is really great! MP3 samples will be provided upon request.
03/30/79 Tower Theater cdr 1 a+ Roxy Music Bryan Ferry: vocals and keyboards Phil Manzanera: guitar David Skinner: piano Andy Mackay: sax and oboe Gary Tibbs: bass Paul Thompson: drums Tower Theater Upper Darby, Pa. U.S.A. March 27, 1979 incomplete FM broadcast, missing the encores, most likely "Virginia Plain" and "strand" runtime: 75:25 setlist: 1: manifesto 5:37 2: trash 2:43 3: a song for Europe 6:37 4: still falls the rain 4:36 5: mother of pearl 6:46 6: ain't that so 6:09 7: out of the blue 5:11 8: stronger through the years (end cuts, tape flip) > 8:05 9: ladytron (cuts in) 5:14 10: in every dream home a heartache 8:04 11: Casanova 4:26 12: love is the drug 3:02 13: editions of you 3:59 14: remake, remodel 4:03 lineage: live FM broadcast > ? > trade cassette (maxell XLII 90 min) > played on Nak. 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours. A this and that production.
03/31/79 Orpheum Theater cdr 2 A- AUD. Dan Lampinski recording, not the radio broadcast
04/20/79 Oakland Auditorium cdr 2 A FM
04/21/79 Pasadena Civic Auditorium cdr 2 A FM A very good quality recording although a little bass heavy, this is one of the best bootlegs of the 1979 tour. 1 hour 21 minutes 22 seconds
06/01/80 Theatre de L'Empire cdr 1 A FM 25 mins
08/02/80 Wembley Arena 1 a+ I have a single disc version, I'd love an upgrade!!!!
08/02/80 Wembley Arena cdr 2 Roxy Music Wembley Arena August 2, 1980 Last Night Of The UK Tour "from the mixing desk" JEMS Retransfer Remaster Lineage: 3rd Gen Cassette > Nakamichi CR-7A transfer (December 2007) > Gentle JEMS mastering via TC Finalizer > Peak 5.2 > FLAC Set List: CD1 01. South Downs 02. The Bogus Man 03. Trash 04. Both Ends Burning 05. Rain Rain Rain 06. Flesh And Blood 07. Oh Yeah 08. A Song For Europe 09. Dance Away CD2 10. The Same Old Scene 11. My Only Love 12. Over You 13. Eight Miles High 14. Love Is The Drug 15. The Thrill Of It All 16. Do The Strand 17. Editions Of You JEMS REMASTER NOTES: As a Roxy fan of both their early and later days, Wilky_Way's post a few months ago of this heretofore uncirculated soundboard from the last night of the Flesh & Blood tour was a real treat. The recording sounded very good as is, but there was something about the sound that led me to wonder if azimuth-adujusted playback on my Nak might yield more from the original cassette. I wrote Wilky_Way who was kind enough to send me his source tape (a TDK AD-90). I did a fresh transfer last month and there's a marked improvement in the high-end, imaging and overall punch. I did a tiny bit of work with the finalizer to raise levels and apply just a touch of mastering. A-B comparison MP3s are included. ORIGINAL NOTES: Splitting the set after Dance Away gives a good balance of songs on each disc, but it's up to you if you prefer to fill up one disc and put the remaining tracks on disc two. I got this from a record company PR guy many years ago. I have seen a vinyl boot of this show but only an audience recording. What I got on the tape is what you get. I have made no cuts or fades and haven't applied any hiss reduction etc.
08/26/82 Les Arènes cdr 2 A- AUD
05/26/83 Radio City Music Hall cdr 2 a+ SBD,fantastic. "Out of the Blue" on Swinging Pig
06/11/01 SECC cdr 1 a+ FM. Mine ends at Do the Strand.
08/08/10 Lokerse Festivasl cdr 1 b+ AUD
02/25/11 Sydney Entertainment Centre cdr 2 A- AUD
02/26/11 Newcastle Entertainment Centre cdr 2 A- AUD Tapers notes: "Despite the identical set lists - most people who saw Sydney and Newcastle agreed, that Newcastle was a notch up in intensity and enthusiasm of the performance.

Roy Orbison --- Approximate Hours: 7.5
Show Date Venue Media Type Media Count Sound Quality Notes
01/26/67 Festival Hall cdr 1 a Source:(SBD)Reel>WAV>Sound Forge (clean up)>FLAC
01/27/67 Festival Hall cdr 1 a Source:(SBD)Reel>WAV>Sound Forge (clean up)>FLAC
07/13/80 Jefferson Civic Center Concert Hall cdr 1 SBD
01/01/87 Unknown cdr 1 a+ SILVER BOOT CD > EAC > WAV > FLAC ROY ORBISON AND HIS BAND HOUSTON TEXAS 01/01/1987 USA TOUR SOUNDBOARD!
09/06/87 Bumbershoot Festival-Seattle Center 0 AUD. Pretty rare.
07/27/88 Pier 84 cdr 1 b+ Roy Orbison July 27th 1988 Pier 84 New York City, New York USA I am a Pier 84 Junkie Series # 028 I pick this up from across the pond in a snail mail trade. Linage :  Aud > unknown equipment  > CD-R > me > EAC > retract with CDwave > TLH level 8, flac 16 Great show, his voice was in great shape!
08/10/88 Aquafest cdr 1 a- SBD

Roy Wood --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/74 promo reel cdr 1 a+ Artist: Roy Wood's Wizzard Date: 1974-xx-xx Location: unknown Venue: unknown Source: Pre-FM Lineage: Pre-FM Promo Reel (WRNO-FM)>cassette (freezer)>JVC XL-R5010 stand alone cd burner>1cdr(0)>1cdr(1)>eac>wav>flac Transferred By: Mister Freezer tracking and volume corrections applied to recording
12/16/11 MetroRadio Arena cdr 1 b+ The Roy Wood Rock & Roll Band MetroRadio Arena Newcastle-upon-Tyne UK Thursday 16th December 2011 Main support band for Status Quo. Kim Wilde opened. Audience recording Taper - Soreballs SP-CMC-2>Edirol R-09HR(low cut 100Hz)>Adobe Audition 3/GoldWave>TLH_8 Roy Wood - vocals, guitar & bagpipes Michelle Naylor - backing vocals Neil Simpson - bass Danny McCormack - keyboards Roy Adams - drums Paul Corry - saxophone Jim Corry - saxophone James Russell - saxophone John "Boysey" Battrum - saxophone

Skid Row --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/05/70 Whiskey cdr 1 c AUD...Source : Bootleg CD (factory pressed) Label : Gypsy Eye No. : 100 Title : Whole Lotta Love. For Moore or Bonham completists.

Slash --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/28/10 Palace Theatre cdr 1 a+ SBD...I think it is from a TV broadcast.
09/27/10 Calgary Stampede Corral cdr 2 a+ SBD. Mp3 sourced, but sounds great!

Split Enz --- Approximate Hours: 12.5
Show Date Venue Media Type Media Count Sound Quality Notes
12/31/75 Ormond Hall cdr 1 A SBD/AUD mix. Cool early stuff
10/09/80 Riv Rock Room cdr 1 A FM
10/11/80 The Paradise Theatre cdr 1 A FM
10/31/80 Rainbow Theater cdr 1 A FM
11/23/80 Pinkpop Binnen, Eurohal cdr 1 A FM. I have the longer version of the two versions listed
??/??/80 Peel Sessions cdr 1 A FM
03/25/08 TSB Bank Arena cdr 2 b AUD
03/28/08 Vector Arena cdr 2 A AUD

Spock's Beard --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
05/24/97 The Variety Arts Theater cdr 1 a unknown - traded cds in 2001 - EAC secure mode - pc - flac8 - md5 - you - (no artwork, cdr sourced - taper unknown) Beware Of Darkness Walking On The Wind # Go The Way You Go # Thoughts In The Mouth Of Madness The Doorway The Light On The Edge removed : nothing faded : no cut in/out : no # officially released on a compilation set enjoy.
04/14/98 The Roxy cdr 2 b AUD
10/02/98 Transmission Theater cdr 2 a- Artist: Spock's Beard Title: Untitled Date: 1998-10-02 City/State: San Francisco, CA Country: United States Venue: Transmission Theater Taped By: Paul Humm Lineage: Sony WM-D3 Professional Walkman w/ Included Microphone Format: FLAC Discs: 2CD Setlist: Disc One ~Enchant~ 1. Below Zero (Partial) (4:37) 2. Break (5:04) 3. Oasis (8:55) ~Spock's Beard~ 4. The Good Don't Last (7:53) 5. Chatauqua (4:23) 6. The Good Don't Last (Con't) (3:36) 7. In the Mouth of Madness (4:44) 8. Thoughts (8:15) 9. Strange World (4:54) 10. Go the Way You Go (Partial) (12:31) 11. June (6:06) Disc Two 1. Harm's Way (12:35) 2. Ryo Okumoto on the Keyboards (8:54) 3. The Light (w/ Drum Solo) (21:22) ~Encore~ 4. Squonk (7:25) 5. Waste Away (7:09) ~2nd Encore~ 6. The Doorway (15:36) Notes: Firstly some technical notes. This show was recorded in 1998 by Paul Humm and includes the last 2.5 songs from Enchant as a bonus. Years later, in 2002 Mr. Humm transfered the recording from the master cassette to CD using the Echo Gina sound card. From there he used the BBE sonic maximizer to clean up the recording a bit. I have made no additional sound adjustments and so sonically the show is presented exactly as I received it. Neal announces during the show that Strange World and Harm's Way are being played live for the first time! Neal and Nick switch places for the Genesis cover Squonk. During the opening Spock's Beard song they have some technical troubles which causes Neal Morse to play Chatauqua on the acoustic guitar while things are worked out, and finally the band finishes The Good Don't Last. Go the Way You Go is partial due to a tape flip.
09/29/99 Metropool cdr 2 a SPOCK'S BEARD Hengelo, Metropool September 29, 1999 01.Intro / Waste Away 02.In the Mouth of Madness 03.Skin 04.Gibberish 05.The Gypsy 06.June 07.The Doorway / Acoustic Jamming 08.Ryo Okumoto solo keyboards 09.The Light / Mike Portnoy solo drums* 10.All My Friends Call Me Bird 11.Go the Way You Go / Mike Portnoy solo drums* 12.Squonk* Lineage: Unknown recording device > 1st generation copy > Aiwa Tape Deck AD-WX828 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave >FLAC Frontend (level 6) Neal Morse - vocals, keyboards, acoustic guitar Alan Morse - guitar, vocals Ryo Okumoto - keyboards Nick D'Virgilio - drums, vocals Dave Meros - bass * Mike Portnoy - drums, backing vocals LDB Special Series #81
07/02/08 The Point cdr 2 a- SPOCKS BEARD_THE POINT CARDIFF UK 2008_07_02 (AUD_FLAC) ORIGINAL TAPERS LINEAGE - SONY MIC/EDIROL R09 > SOUNDFORGE (Fade In/ Out) > CD WAVE EDITOR (TRACK SPLITTING) > CDR MY LINEAGE CDR > EAC to WAV Image (Secure Mode) > CD WAVE EDITOR (re-set some track splits and convert to FLAC Level 8) Show length 122 minutes
07/04/08 Academy 3 cdr 2 a- SPOCKS BEARD_ACADEMY 3, MANCHESTER UK 2008_07_04 (AUD_FLAC) LINEAGE - SONY MZ-NH1 (HI-MD Mode) /STEREO CARDOID LAPEL MICS/BATTERY BOX>USB TO PC/CONVERT TO WAV IN SONY SOUNDSTAGE v4.2>VOLUME BOOST & RAISE MIDDLE AND HIGHS IN MAGIX Audio Cleaning Lab>SPLIT INTO TRACKS/CONVERT TO FLAC (level 8) IN CD WAVE EDITOR. Show length 113 minutes Great show from the guys-took a couple of songs for them to settle- and not without the odd 'blooper' or two, but great all the same-especially the full 30 mins + version of 'TGN'!! FOH sound was pretty good- a bit quiet, but clear. recorded from dead centre slightly in front of the mixing desk so about 30 feet from the stage. I did record FROST* too, though because they opened the doors only 15 minutes before the gig started- and there were three gigs on in the building - most people were still outside when Frost* started.... TRACKLISTING Intro On A Perfect Day On the Edge Cakewalk on Easy Street Surfing Down the Avalanche She Is Everything Thoughts Part II Drum Solo Skeletons At the Feast June Ryo Solo The Great Nothing Onomatopoeia Go the Way You Go
07/07/08 The Robin 2 cdr 2 a Band: Spock's Beard Date: 07/07/2008 Venue: The Robin 2 City/Location: Bilston, Wolverhampton, England - UK Recording Type: Audience Taper: Simon_LDT Location: Left-side PA Stack (about 1 metre away) Source: AT933/C > CA-9100 (80hz Roll-off) > Edirol R-09 (Line-in, 16/44.1) Transfer: R-09 > PC (via USB) > Adobe Audition v1.5 > CDWave > Traders Little Helper > Flac (Level 6) Mastering: Simon_LDT Mastering Notes: Parametric EQ applied, Hard Limiting and Normalize to -0.1db. Disc 1:- (Total: 76:10) 1. Intro.......... (2:49) 2. On A Perfect Day.......... (8:18) 3. On The Edge.......... (6:02) 4. Cakewalk On Easy Street.......... (5:01) 5. Surfing Down The Avalanche.......... (4:07) 6. She Is Everything.......... (8:40) 7. Thoughts (Part II).......... (4:51) 8. Drum Solo.......... (7:11) 9. Skeletons At The Feast.......... (8:45) 10. The Bottom Line.......... (9:07) 11. June.......... (6:07) 12. Ryo's Solo.......... (5:09) Disc 2:- (Total: 47:58) 1. The Great Nothing.......... (30:39) 2. Nick Speaks.......... (2:50) 3. Onomatopoeia.......... (4:09) 4. Go The Way You Go.......... (10:18)

Steve Hackett --- Approximate Hours: 100
Show Date Venue Media Type Media Count Sound Quality Notes
10/04/78 Chateau Neuf cdr 2 b+ LDB Special Series #204 STEVE HACKETT Oslo, Chateau Neuf October 4, 1978 01.Land Of The Thousand Autumns / Please Don't Touch 02.Racing In A 03.Carry On Up The Vicarage 04.Ace Of Wands 05.Hands Of The Priestess 06.Icarus Ascending 07.Horizons (fades in) / Kim 08.The Optigan / A Tower Struck Down (tape flip) 09.Spectral Mornings 10.Star Of Sirius 11.The Lovers / Shadow Of The Hierophant 12.Clocks 13.I Know What I Like TT 90:30 Lineage: Unknown recording device > n generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Steve Hackett - Guitars, Vocals Dik Cadbury - Bass, Vocals Peter Hicks - Vocals Nick Magnus - Keyboards John Hackett - Flute, Bass pedals, Guitar John Shearer - Drums, Percussion Further in my mammouth-work to digitalize all my tapes, here I come to Steve Hackett. My collection is gigantic so it will take a while to have them all in my hard disk. So to have one good go I have decided to upload the first tape of the collection, which is the first show of the first tour Steve did as a solo artist, which happened to be in Oslo around the time of the release of his second solo album "Please Don't Touch". Steve had left Genesis some 12 months earlier and was very busy putting together the album and the band for this tour. The band would not change untill 1981. The setlist is simply amazing, with tracks we would be dying to see today in Steve's live set, such as Racing in A, Star Of Sirius (sung by Dick Cadbury), The Lovers and Shadow Of the Hierophant. And the performance is powerful as well although this is the very first show. The tape itself shows its age and is hissy but still enjoyable. the sound is quite clear and the audience not intrusive.
10/16/78 Olympia Theatre cdr 2 b+ I have the entire show....but it's aud. SETLIST: Land of 1000 Autumns/Please DOn't Touch/Racing IN A/Ace Of Wands(latter part)/Carry On Up the Vicarage/Ace Of Wands/Hands of the Priestess/Icarus Acending/Narnia/Acoustic solo/Kim/A Tower Struck Down/Spectral Mornings/Star of Sirius/Shadow of the Hierophant/Clocks
06/17/79 Vredenburg cdr 1 a+ UTRECHT '79 Jun 17, 1979 (Vredenburg - Utrecht, Holland) 1cdr Recording - FM/Excellent Label - tape to cd transfer Comment - Radio broadcast of the first show on the "Voyages" boot. 1. Tigermoth 3:39 2. Everyday 7:50 3. Ace Of Wands 6:25 4. Racing In A (end interrupted by announcer) 4:09 5. Black Light/Horizons 3:03 6. Kim 2:33 7. Spectral Mornings 6:48
10/23/79 Apollo Theater cdr 2 b AUD
06/17/80 Sheffield City Hall cdr 2 a+ Seeder's notes:Group: Steve Hackett Date: 17th Jun, 1980 Location: City hall, Sheffield, England Source: Ex (FM - Hallem FM) SW 30 version Tape[1]>PC>wav>Flac(level 6) SBE's checked with TLH Recorded to pc and tracks split with EAC I've had this tape for ages - probably a couple of months after the broadcast. If I remember correctly the tape came from the master of a trader who taped the Hallem FM broadcast. There are other versions of this show - eg Hallem Steppes from Highland. Great sound, a touch of static in places, but not too distracting.
06/20/80 Guildhall cdr 2 a+ Generously donated by "licwidnel" of the Genesis Movement torrent site, this is a soundboard from the Defector tour. His notes state the following: ---------------------------------------------------------------- "i have recorded this from my original tape that a friend of mine sent me. he used to operate the house lights at the guild hall, so he used to have a reel to reel tape recorder, plugged into the sound board. i got quite a few good recordings from him. this tape has been burried in a box of old junk that i left with my aunt, she recently died, so after 15 years or so, ive got the box back and i had forgotten all about this." ---------------------------------------------------------------- The source sounds more like a clean audience than a true soundboard, but I believe him when he asserts that this definitely came out of a direct feed. While the source is exactly the same as that provided by lidwidnel, I took the liberty of making some transitions a bit smoother (fading things in/out, rather than abrupt "cut" sounds), and also put the soundcheck material at the front of disc one, rather than the end of disc two. Enjoy, and many thanks again to licwidnel for sharing his "box of old junk with us!!" by the way, the idiot with the air horn at the end of clocks and hercules unchained, is me. my friend didn't know, and the bugger faded me out.
09/24/80 Paradise Rock Club cdr 2 b+ comments: A very good complete recording of the Defector (from Genesis) on his "Defector" tour. this is a first time ever master seed from this source. not a word or note of anything in this show is missing. Both flips were between songs, and after some rather intensive ICPVR (individual clap peak volume reduction) this (2007) Easter weekend, this sounds better than ever and has not been very widely circulated, never before in lossless form from the master. I have not edited anything out of this, from Steve's walkon to last walkoff is all on tape and there are no fadeins or fadeouts or overlaps (as I usually do with shows of over 80 min.) There are a few places you can break this up if burning to disc, if burning to DAT you get full continuity on this one. the crowd was enthusiastic, and also polite, not too much heard from them in the recording except between the songs. I've seen Steve 3X, the first with Genesis in 1976. Always seen a fine show from him, this one included. I thought about cutting out the encore breaks to try and fit it on 1 disc. I notice several 1980 Hackett shows are on a single disc, but this wouldn't quite make it. there's nothing edited out of here. you get the whole story, encore breaks and everything else, no interruptions in the recording except 2 tape flips between songs, spliced seamlessly. You may not even be able to notice where they are.
09/29/80 The Bottom Line cdr 2 A- STEVE HACKETT: NYC October 29, 1980 The Bottom Line 1-Slogans 2-Every Day 3-The Red Flower Of Tai Chi Blooms Everywhere 4-Tigermoth 5-Time To Get Out 6-The Steppes 7-Rooftops Excerpt/Horizons 8-Kim 9-Narnia 10-Jacuzzi 11-Sentimental Institution 12-Spectral Mornings 13-Clocks 14-Band Intro 15-The Show 16-It's Now Or Never 17-Land Of A Thousand Autumns 18-Please Don't Touch FM (unknown lineage) > cassette > CDR > FLAC
09/30/80 The Bottom Line cdr 2 b Steve Hackett : The Lostbrook Tape Series - Volume 5 I believe this was Steve Hackett’s first tour of the US since his departure from Genesis. I know I hadn’t seen him since the Wind and Wuthering tour in 1977. To have the opportunity to see him at The Bottom Line – one of my favorite venues – was extraordinary. I realize that there are already excellent sources available for this performance, including a Pro-Shot DVD, but I have to recommend my tape if you want to hear what the room really sounded like that night. I do like the DVD for another reason – there’s a bonus feature called “Waiting in Line,” and I’m in it! I’m the guy who proudly displays his ticket for the camera as if to say, “I’m seeing HACKETT!” For those of you who don’t have the DVD, I’ll try to attach a screen shot so you can see a young Lost Brook in action. Turn this one up loud, order a drink from the waitress, and feel the walls vibrate as Hackett dismantles this small club. September 30, 1980 The Bottom Line New York, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ
10/05/80 The Bayou cdr 2 A Steve Hackett The Bayou Washington, D.C. 1980-10-05 Delayed broadcast recorded from WLIR-FM, Garden City, Long Island, NY, USA Lineage: 1st gen cassette tape Technics Receiver > BIC tapedeck > Maxell UDXLII C90 tape > Sony TC-WE835S Cassette Deck > PC Crystal Audio Card > Soundforge > pitch correction > EAC > FLAC level 6 Setlist: 01 - Slogans 02 - Everyday 03 - The Red Flower of Tachai Blooms Everywhere > 04 - Tigermoth 05 - It's Time to Get Out > 06 - The Steppes 07 - Blood On The Rooftops > Horizons 08 - Kim 09 - Narnia 10 - Jacuzzi fade out/in (tape flip) 11 - Spectral Mornings 12 - A Tower Struck Down Blues > 13 - Clocks - The Angel of Mons Encore: (Band Introductions) 14 - The Show > It's Now or Never 15 - Please Don't Touch Note: The song "Sentimental Institution" may be missing at the tape flip mark - judging from Hackett's comment "That's the end of th 1930's interlude" at the fade in; but the song also may have been cut from the delayed broadcast. If anyone knows for sure, or has a more complete version, please post.
10/10/80 Park West cdr 1 a+ FM
10/14/80 Dooley's cdr 2 b+ AUD
10/17/80 Old Waldorf cdr 1 a+ SAN FRANCISCO '80 Oct 17, 1980 (Old Waldorf - San Fransisco, California) 1cdr Recording - Soundboard/Excellent 1. Slogans 5:02 2. Every Day 7:52 3. The Red Flower Tachai Blooms Everywhere/Tigermoth 6:37 4. Time To Get Out/The Steppes 10:41 5. Acoustic Set (Horizons/Kim) 5:12 6. Narnia 4:14 7. Jacuzzi 5:26 8. Sentimental Institution 2:54 9. Spectral Mornings 6:12 10. The Show/It's Now Or Never 8:17 11. Please Don't Touch 7:07
11/29/80 Palasport Pianella cdr 2 a- LDB Special Series #209 STEVE HACKETT Cucciago (Cantù), Palasport Pianella November 29, 1980 01.Slogans 02.Everyday 03.The Red Flower Of Tai Chi Blooms Everywhere / Tigermoth 04.Time To Get Out 05.The Steppes 06.Acoustic Set / Kim 07.Ace Of Wands 08.The Air-Conditioned Nightmare 09.Jacuzzi 10.Narnia 11.Spectral Mornings 12.A Tower Struck Down 13.Clocks 14.The Show / 15.I Know What I Like 16.Hercules Unchained TT 89:08 Lineage: Unknown recording device > low generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) I acquired the whole bunch of the Hackett tour in Italy 1980 within a few months in the late 80's, all from low generation tapes. On an average, they all sound good to very good, no disappointment here! This was the first tour in Italy in Steve's solo career, only two months after Gabriel's first appearence in the country. By that time, Genesis hadn't played in my country for five long years, with two more to come before thwy would hit the stage in the peninsula. So these tapes hold a lot of memories because they were the bulk of my Hackett live collection. I did not see that particular tour but it sounds great, probably the best Hackett tour ever, promoting 'Defector' album. Also, being the very last dates of the tour, the band was in very good shape, even attempting to play new numbers such as Air-conditioning Nightmare. As you will see the setlist is quite stable. Sometimes an extra encore would be added (Please Don't Touch), sometimes not. After Roma Steve decided - after much pressure from the audience - to perform I Know What I Like while removing both Sentimental Institution and It's Now Or Never (how can one possibly play a cover of a crappy italian popular song translated into english for an italian audience? Mystery to me...) which got booed massively by the audience.
08/31/81 Carre Theatre cdr 1 a+ FM Great sound
09/07/81 Polygram Offices cdr 1 b
09/08/81 Rolling Stone cdr 2 b+ LDB Special Series #73 AUD..
09/09/81 Rolling Stone cdr 1 b+ LDB Special Series #73 AUD
10/20/81 The Agora cdr 2 a+ SBD.
12/07/81 Commodore Ballroom cdr 2 a+ FM (SHRP 04)
01/28/83 Town Hall cdr 2 b+ Steve Hackett - Highly Strung Tour 1983 28th Jan 1983 Guildford Civic Hall, England Guests: Peter Gabriel, Mike Rutherford Band: Steve Hackett - Guitars, voice Nick Magnus - Keyboards John Hackett - Flute Ian Mosley - Drums (from Marillion) Chas Cronk - Bass (from The Strawbs) Track # Track Name Track Length 1.1 The Steppes 06:11 1.2 Funny Feeling 06:18 1.3 Jacuzzi 05:04 1.4 Hackett To Pieces 03:21 1.5 Everyday 07:01 1.6 Tower Struck Down 03:21 1.7 Spectral Mornings 05:44 1.8 Classical Interlude 00:22 1.9 Horizons 01:52 1.10 Kim 01:59 2.1 Overnight Sleeper 04:26 2.2 Slogans 05:49 2.3 The Show 04:53 2.4 Clocks 04:57 2.5 Here Comes The Flood 04:43 2.6 Solsbury Hill 05:23 2.7 Reach Out (I'll Be There) 03:53 2.8 I Know What I Like 05:55 PG guests on HCTF and SH, and MR guests on Solsbury Hill.
04/30/83 Hammersmith Odeon cdr 2 A- STEVE HACKETT - THE ETERNAL DANGLED CARROT (CRAPSH01) April 30, 1983 (Hammersmith Odeon - London, England) Audience Recording Captain Ransid's (Tony Ryan) transfer from his low gen tapes. CD 1 - 56:03 1-1. The Steppes 7:08 1-2. Camino Royale 6:30 1-3. Funny Feeling/Can't Let Go/Funny Feeling 6:09 1-4. Weightless/Always Somewhere Else/Hackett To Pieces 10:45 1-5. Slogans 5:58 1-6. Give It Away 4:28 1-7. Spectral Mornings 5:52 1-8. Time Lapse At Milton Keynes/ 0:32 1-9. Horizons 1:49 1-10. Kim 2:30 1-11. Overnight Sleeper 4:18 CD 2 - 42:08 2-1. Cell 151 7:30 2-2. Please Don't Touch 8:51 2-3. Everyday 7:29 2-4. Walking Through Walls 3:29 2-5. The Show 3:58 2-6. Clocks 7:32 2-7. Hackett's Bogey 3:17
05/01/83 Hammersmith Odeon cdr 2 A- Steve Hackett 1983-05-01, Hammersmith I BELIEVE THIS IS A NEW (AUDIENCE) SOURCE. THE TAPER DOES NOT TRADE OR UPLOAD (TO MY KNOWLEDGE). TO MY EARS, IT SOUNDS SUBSTANTIALLY BETTER/BRIGHTER THAN THE CRAP SH02 RELEASE. IT DOES HAVE TYPICAL AUDIENCE RECORDING FLAWS, BUT ALSO INCLUDES A LOT MORE STAGE BANTER THAN CRAP SH02. I got this from the taper's master in 1983. I have done nothing to the sound as it came off my tape deck in 2009. Source Details Unknown > Chrome Bias No Dolby > Audacity > FLAC This source is incomplete. I have what fit on a 90 minute tape - so this is missing the last two tracks from CRAP SH02.
11/02/83 University cdr 1 KEELE '83 Nov 2, 1983 (University - Keele, Uk) 1cdr Recording - Audience/Fair/Good Track 1 to 6 are from a radiobroadcast from that same day. Distorted sound. Last 2 songs of the concert are missing. 1. Interview 3:08 2. Journey 4:11 3. Interview 5:34 4. Second Chance 2:02 5. Interview 2:07 6. Horizons 1:49 7. Blood On The Rooftops (Intro) / Time Lapse At Milton Keynes 4:51 8. Bay Of Kings 5:44 9. Calmaria 4:05 10. Hands Of The Priestess 4:18 11. Jacuzzi 3:37 12. Hairless Heart (Intro) / The Barren Land 2:29 13. Two Vamps As Guests (Intro) / Tales Of The Riverbank 3:12 14. Second Chance 2:52 15. The Arrival And Lost Time In Cordoba (Intro) / Koto Improvisation 4:26 16. Petropolis 3:31 17. Kim 2:33 18. Pierrot 1:55 19. Concert For Munich 3:43 20. Journey 3:11 21. Ace Of Wands 3:32
05/20/88 Teatro Orfeo cdr 2 BAND : Steve Hackett DATE : May 20th - 1988 VENUE : Teatro Orfeo CITY : Milano COUNTRY: Italy Taper : Hawklords Lineage: AUD > 2x Sony ECM-150T mic. + Sony WM-D6C Walkman Pro + metal tape (tracks 1-17) & low noise tape (tracks 17-20) > Nakamichi BX300 > Terratec DMX6Fire 24/96 > WAV > SoundForge 7 > dBpowerAMP > FLAC 01 - The Journey/Blood On The Rooftops/Horizons 02 - Bay Of Kings 03 - A Bed, A Chair And A Guitar 04 - Time Lapse At Milton Keynes 05 - Tales Of The Riverbank 06 - Ace Of Wands 07 - Hands Of The Priestess 08 - Jacuzzi/Overnight Sleeper 09 - Cavalcanti 10 - Portrait Of A Brazilian Lady 11 - Still Life 12 - Jazz On A Summer's Night 13 - Concert For Munich 14 - Notre Dame Des Fleurs 15 - Momentum 16 - Gibson Les Paul & Synth Improvisation 17 - Cuckoo Cocoon (*) 18 - Kim (*) 19 - The Carrot That Killed My Sister (*) 20 - Blood On The Rooftops/Horizons (*) Band Line-Up Steve Hackett - Guitars John Hackett - Flute Master tape, audience recording, excellent quality. acoustic concert (except for track 16). (*) = always master but different tape (normal type = more tape noise and lower quality) Complete performance. This tape was never shared before. MD5 checksum in torrent file. ---------------------------------------------------- TRADE FOR FREE ONLY - DO NOT CONVERT TO LOSSY FORMAT Play It Loud & Have fun! 1st time seeded by Hawklords on DIME 27th Sep, 2006 01:00 GMT
09/08/92 The Strand Supper Club cdr 2 AUD
05/31/93 Lead Mill cdr 2 31-May-1993 Lead Mill, Sheffield Audience A- Media 2CD-R 1.1 Myopia / Los Endos / Ace Of Wands / Hackett To Bits 05:07 1.2 Camino Royale 07:50 1.3 Vampire With A Healthy Appetite 06:40 1.4 Sierra Quemada 05:06 1.5 Take These Pearls 05:14 1.6 In The Heart Of The City 05:28 1.7 Walking Away From Rainbows 03:38 1.8 There Are Many Sides To The Night 05:58 1.9 Dark As The Grave 05:29 1.10 Always Somewhere Else 06:00 1.11 Lost In Your Eyes 04:34 2.1 Every Day 07:52 2.2 Spectral Mornings / 02:08 2.3 Firth Of Fifth 01:50 2.4 Clocks / Angel Of Mons 05:16 2.5 Black Light / Horizons 02:42 2.6 Nuevo Cinema Paradiso 04:22 2.7 Depth Charge 05:50 2.8 In That Quiet Earth 05:13 Total Running Time : 1:36:17 Continuing the Hackett theme of the week I found this Guitar Noir show to upload. I’ve only recently discovered the Guitar Noir period and it is a delight. Steve finally learns how to sing his own songs on record. He also develops his own style, where the acoustic guitar finds a home in a rock setting: Take these pearls, There are many sides to the night and Dark as the Grave. Try them. This show was given to me in a trade. I’ve only just listened to it. It’s an audience recording but very clear and enjoyable. The main thing to listen to is the band. They rock! I thought Steve’s current band was good but this one is a grade better. Fantastic performance this! Hope you enjoy. Steve Ll
11/12/93 The Caberet cdr 2 TEVE HACKETT THE CABARET - SAN JOSE Friday, November 12, 1993 Recording: Audience Lineage: low generation vhs tape > cool edit (basic remastering) > CDwav > flac frontend (level6) Quality: for a 12 year old audience recording I rate this one at least four out of five stars. Very nice, full and loud. Some minor shortcomings: a static background noise is audible at some points. This is also present on the source tape. Taper is fumbling with his recording-gear during the encores. Recording stops after a minute into 'In That Quiet Earth'. Artwork included in torrent. Track times taken with Windows CD Player. Taper: anonymous. Transferring + artwork: Peter (http://home.planet.nl/~halja) CD1 - 53:33 1-1. Myopia / Los Endos / Ace Of Wands / Imagining / Hackett To Bits 6:42 1-2. Camino Royale 6:36 1-3. Vampyre With A Healthy Appetite 6:57 1.4. Shadow Of The Hierophant 3:19 1-5. Take These Pearls 5:36 1-6. Sierra Quemada 5:13 1-7. Depth Charge 4:22 1-8. In The Heart Of The City 5:30 1-9. Walking Away From Rainbows 3:42 1-10. There Are Many Sides To The Night 5:36 CD2 - 45:51 2-1. Dark As The Grave Intro / Black Light 1:59 2-2. Bass And Drum Jam 3:50 2-3. The Air Conditioned Nightmare 4:04 2-4. Lost In Your Eyes 5:20 2-5. Every Day 8:11 2-6. Spectral Mornings 2:53 2-7. Firth Of Fifth 1:48 2-8. Clocks 5:38 2-9. Applause 2:02 2-10. Blood On The Rooftops / Cuckoo Cocoon / Unquiet Slumbers / Horizons 3:47 2-11. Cinema Paradiso 3:20 2-12. Applause 1:58 2-13. In That Quiet Earth (Cut) 1:01
11/26/94 Teatro Aurora cdr 2 Master Series #99 Hello, this is a collection of masters I would like to seed here. I've been taping shows for more than 20 years and have an awful lot of masters. Most of them are in the old cassette format, some others are on MiniDisc and others are on CD. I've taped many shows of many artists over the years, so don't be surprised if you will find many different artists taped! Some shows are already circulating, some others have not circulated through collectors yet. But most of all, enjoy! They all come from my masters! We're now close to the end of my Master Series, which will end on #100 (although I have many more masters) with a special three-releases covering rock, progressive and jazz. These three releases will be very special: at least two of them have never seen the light in trading and the third one is an upgrade of an existing show. So, just be patient and follow my master series till release 100 and you won't be disappointed! My next series won't cover masters, but shows that have something special in it. Could be a special guest (as the recent Black Crowes gig with Jimmy Page), a special occasion or maybe a show where an accident happened. It'll be lots of fun for you guys! STEVE HACKETT Olgiate Comasco, Teatro Aurora 26 November 1994 --- Interview by LDB Cernobbio, Hotel Regina Olga 27 November 1994 at 12 AM 01. Intro / Horizons 02. Black light / Blood on the rooftops / Cuckoo cocoon 03. Time lapse at Milton Keynes 04. Beja flor 05. Kim 06. Second chance 07. Oh, how I love you 08. The Journey 09. Baroque 10. Walking away from rainbows 11. Cavalcanti / Tales of the riverbank 12. Concerto in D (largo) 13. A blue part of town 14. There are many sides of the night 15. Ace of wands 16. Nuovo Cinema Paradiso 17. Blues improvisation 18. Jazz on a summer's night 19. Acoustic medley Interview (39 minutes) 20. Part 1 21. Part 2 22. Part 3 23. Part 4 Steve Hackett - acoustic guitars, harmonica, vocals Julian Colbeck - keyboards Lineage: Aiwa microphone CM-30a > Sony Professional WM-D3 > Tape > Aiwa cassette Deck AD-WX 828 > Audigy Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) As a final release before the celebration of #100, allow me a bit of self-indulgency. When I used to go and see lots of concerts (and tape them!) I was also writing on a rock magazine and so I happen to make lots of interviews. I've spoken with lots of artists, but to stay in the prog rock field I spoke to Peter Gabriel, IQ, Asia, Pendragon, Jon Anderson, Bill Bruford, Dream Theater, Marillion, PFM, Porcupine Tree and many more. One of the artists I spoke to most frequently is Steve Hackett, one of the kindest person I've ever met. I must have interviewed him 6 or 7 times over the years! All my interviews are well stored in my private collection because I don't see any value in sharing this material, but this time I want to make an exception and share this interview, as a bonus of this very nice show from the 1994 tour. What happened was that I was supposed to interview Steve before the show the day before, then Steve got stuck with a longer-than-expected soundcheck. Then I was proposed to talk to him after the gig but Steve was quite tired, so we agreed to do that the day after at around midday in a nice hotel in Cernobbio, nearby the lake of Como. I've chosen this interview because Steve was in good mood and willing to talk about everything, from blues to Genesis. For example, it is curious to hear that Steve would have liked to play harmonica on Genesis albums, but he wasn't allowed to! Or that Genesis rehearsed in studio a track that would later on appear on Steve's Voyage on the Acolyte album, called Shadows of a Hierophant. Also, because the Woluwé 1971 tape had just been unearthed, I asked him if he recalled having played a track called The Light in the early days. The interview is preceded by a very nice acoustic show with John and Julian Colbeck and it sounds very nice. I had to balance the overall sound with the applauses. When you have acoustic shows the level of the applauses could be very high, so I had to work a little bit on this one. The result is really enjoyable! Enjoy this one and wait for the 3-shows of the forthcoming #100 release! ldb
12/19/96 Osaka Kouseinenkin Hall cdr 2 a PRRP 042 A Steve Hackett & Friends December 19, 1996 Osaka, Japan Osaka Kouseinenkin Hall DISC 1: 01 Watcher Of The Skies 9:26 02 Depth Charge 4:48 03 Firth Of Fifth 10:10 04 Battle Lines 6:56 05 Camino Royale 9:11 06 In The Court Of The Crimson King 7:51 07 Horizons 2:13 08 Walking Away From Rainbows 3:35 Total Time 54:10 DISC 2: 01 Heat Of The Moment 4:46 02 In That Quiet Earth 4:37 03 A Vampire (With A Healthy Appetite) 7:44 04 I Talk To The Wind 5:44 05 Shadow Of The Hierophant 4:21 06 Drum Solo 4:54 07 Los Endos 8:24 08 Blood On The Rooftops - Black Light 2:11 09 The Steppes 7:21 10 I Know What I Like 8:33 Total Time 58:35 LINEAGE: AUD > Sonic Mics > Sony DAT TDC-D8 @44 > RMR D100 > WAV > CDWav > FLAC FrontEnd LOCATION: Center FOB Remaster: 1) Adjustment of Dynamics. 2) Balancing. 3) Re-Tracking. 4) Segmental Tone Adjustment. Wetton forgets words to Watcher and Heat of the Moment, He also stops playing bass for a few seconds during Watcher.
12/20/96 Nagoya Kouseinenkin Hall cdr 2 a DISC 1: 01 Watcher Of The Skies 9:07 02 Depth Charge 4:47 03 Firth Of Fifth 10:23 04 Battle Lines 7:18 05 Camino Royale 8:45 06 In The Court Of The Crimson King 8:27 07 Horizons 1:53 08 Walking Away From Rainbows 3:52 Total Time: 54:32 DISC 2: 01 Heat Of The Moment 4:56 02 ....In That Quiet Earth 4:48 03 A Vampire (with A Healthy Appetite) 8:06 04 I Talk To The Wind 6:00 05 Shadow Of The Hierophant 3:59 06 Drum Solo 4:52 07 Los Endos 8:45 08 Cuckoo Cocoon - Black Light - Puck 3:38 09 The Steppes 7:58 10 I Know What I Like 10:40 Total Time: 63:42 LINEAGE: AUD > Sonic Mics > Sony DAT TDC-D8 @44 > RMR D100 > WAV > CDWav > FLAC FrontEnd LOCATION: Center FOB Remaster: 1. Significant tonality adjustment, cutting sub-bass and enhancing the mid-treble range. 2. Noise reduction using multiple techniques. 3. Dynamics adjustment. 4. Dynamic filtering to improve clarity of dialogue sections. 5. Re-tracking.
07/03/01 Gimnasio Santa Rosa de Las Condes cdr 2 a+ SBD
05/25/03 Bruce Dickinson's Freak Show BBC Radio 6 cdr 1
10/11/03 Oakwood Centre cdr 2 ROTHERHAM '03 Oct 11, 2003 (Oakwood Centre - Rotherham, England) 2cdr Recording - Audience/Very Good/Excellent Label - dat to cd transfer Comment - From master. Some reverb during Jacuzzi. 1-1. Intro 1:22 1-2. Mechanical Bride 7:51 1-3. Serpentine Song 7:12 1-4. Watcher Of The Skies 5:50 1-5. Hairless Heart 2:44 1-6. Darktown 5:02 1-7. Camino Royale 8:32 1-8. Pollution 2:23 1-9. Steppes 6:50 1-10. Acoustic Set 5:39 1-11. Jacuzzi (unplugged) 4:10 1-12. Overnight Sleeper (prt 2) 1:37 2-1. Slogans 5:47 2-2. Everyday 7:26 2-3. Please Don't Touch 4:23 2-4. Firth Of Fifth 3:09 2-5. Wall Of Knives/Vampire With A Healthy Appetite 7:48 2-6. Spectral Mornings 7:10 2-7. Brand New 5:52 2-8. Myopia/Los Endos 9:10 2-9. Clocks 4:46 2-10. Intro To In That Quiet Earth 2:22 2-11. In That Quiet Earth 7:30
11/09/03 Villa Berg cdr 1 STEVE HACKETT: November 9, 2003 Stuttgart, Germany: Villa Berg Radio Broadcast 1-Radio Intro 2-Every Day 3-Watcher Of The Skies 4-Pollution B 5-The Steppes 6-Please Don't Touch 7-Firth Of Fifth 8-Vampyre With A Healthy Appetite 9-Spectral Mornings 10-In Memoriam
02/17/04 BBC 2 Radio Studio cdr 1 Title Bob Harris Show Date 17-Feb-2004 Venue BBC Radio 2, London Country England Type FM Quality * A+ Media 1CD-R Track # Track Name Track 1.1 Strutton Ground (album version) 1.2 Interview 1.3 Horizons (Live) 1.4 Interview 1.5 Classical Gas / Black Light (Live) 1.6 Interview
03/14/09 Desposito Giordani cdr 2 a+ AUD. Fantastic sound
10/29/09 Boerderij cdr 2 a- AUD
11/07/09 Alhambra cdr 2 A AUD
11/14/09 Shepherds Bush Empire cdr 2 A AUD
11/19/09 The Ferry cdr 2 A AUD
05/25/10 De Boerderij cdr 2 A AUD
12/16/10 The Farnham Maltings cdr 2 A Steve Hackett `Emeralds in the Snow` (EagleDog Productions cd-10) Live at the Farnham Maltings, Farnham, England December 16th, 2010 audience audio recording lineage: Church Audio Stealth mics--> Microtrack II (24bit/48hz)--> Wavelab 5.1 (16bit conversion)--> TLH Taper's note:normalization, nothing else. I had to cut out some audience noise after Ace of Wands and the first 2 mins of Sierra Quemada sounds a bit muffled.
11/12/11 Royal Northern College of Music cdr 2 a Title Steve Hackett 2011-11-12 Royal Northern College of Music, Manchester, UK (Aud) (SPAR015) Date Saturday 12th November 2011 Venue Royal Northern College of Music, Manchester, UK Country England Type Audience Quality A (Exc Aud.) Media 2CD-R Billed as Steve Hackett Recording location: Centre Row P 11 Recorded and transferred by: Sparci2000 Lineage: Recorded on Pocketrax CX @48k > SD Card -> Down Sampled to 44khz >Tracked on Adobe Audition > TLH > Flac 8. Sound as recorded, no editing or noise reduction to music. This is an accurate recording of how it sounded to the audience on the night. Featuring songs from the new CD "Beyond The Shrouded Horizon" (which by the way is brilliant) Artwork Included For Trade Only, Do Not Buy or Sell, Do Not Encode to a Lossy Format. Steve Hackett - guitars, vocals Amanda Lehmann - guitar, vocals Phil Mulford - bass, vocals Rob Townsend - clarinet, saxophone, flute, reeds Roger King - keyboards Gary O' Toole - drums, vocals Set List Disc 1 - 68:26 01.Loch Lomond/The Phoenix Flown - 10:44 02.Prairie Angel - 02:59 03.A Place Called Freedom - 06:13 04.The Golden Age Of Steam - 05:07 05.Fire On The Moon - 06:38 06.Everyday - 07:44 07.Waking Into Life - 05:16 08.Carpet Crawlers - 05:18 09.Firth Of Fifth - 10:45 10.Serpentine Song - 07:37 Disc 2 - 67:32 11.Shadow Of The Heirophant - 11:28 12.Band Introductions - 01:21 13.Into The Light - 04:43 14.Walking Away From Rainbows - 05:14 15.Blood On The Rooftops - 06:31 16.Fly On The Windshield - 04:22 17.Sleepers - 07:54 18.Los Endos - 09:30 19.Watcher Of The Skies - 09:03 20.Spectral Mornings - 07:19 Total Running Time :02:15:58
02/20/12 Floral Pavilion cdr 2 Steve Hackett Floral Pavilion New Brighton 20th February 2012 Zoom H2 16/44 > Internal mics rear 120 > CD wave > Trader's little helper > Flac Loch Lomond The phoenix flown Prairie angels A place called freedom The golden age of steam Fire on the moon Every day Waking to life The carpet crawlers Firth of fifth Serpentine song Shadow of the hierophant Til these eyes Enter the night Walking away from rainbows Blood on the rooftops Fly on a windshield Sleepers Los Endos ......... Watcher of the skies Spectral mornings Steve Hackett: Guitar & vocals Amanda Lehmann: Guitar and vocals Lee Pomeroy: Bass guitar Roger King: Keyboards Rob Townsend: Blown things Gary O'Toole: Drums and vocals

Steve Hackett Acoustic Trio --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
10/01/06 Quasimodo cdr 2 AUD. Very nice acoustic show.

Steve Howe --- Approximate Hours: 16.25
Show Date Venue Media Type Media Count Sound Quality Notes
11/23/93 Rocking Horse Country Saloon cdr 2 b+ STEVE HOWE (YES) ROCKING HORSE COUNTRY SALOON SCOTTSDALE, AZ (USA) NOVEMBER 23, 1993 AUDIENCE DAT MASTER>CDR>EAC>FLAC
12/08/93 The Shank Club cdr 2 AUD
10/16/94 Bayou cdr 2 a- Steve Howe : The Lostbrook Tape Series - Volume 36 I wasn't about to miss Steve Howe's appearance in a small club - the now-defunct Bayou in Georgetown, Washington DC. Even though I was operating analog in a digital world, I brought along my recorder and got good results by sitting directly above the soundboard at the first table in the small upper level. October 16, 1994 Bayou Washinton, DC USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ 01 Luck Of The Draw 02 Meadow Rag 03 Cactus Boogie 04 Dorothy 05 Sensitive Chaos 06 Misty 07 Bareback 08 Sweet Thunder 09 Glory Of Love 10 Country Mix 11 Turn Of The Century 12 Diary Of A Man 13 Every Time You 14 Sketches In The Sun 15 Mood For A Day 16 Heritage Review 17 Beginnings 18 Corkscrew 19 All's A Chord 20 Australia-Concerto In D 21 Classical Gas 22 Vultures In The City 23 Running The Human Race 24 Gates-Soon 25 Ram 26 Masquerade 27 Second Initial 28 Clap 29 Valley Of Rocks 30 Close To The Edge 31 Blinded By Science 32 Heat Of The Moment
01/28/98 Carmichael Auditorium, Smithsonian Institute cdr 1 a- Steve Howe and Martin Taylor January 28, 1998 Blue Guitar Concert Washington, DC Smithsonian Institute National Museum Of American History Carmichael Auditorium Tracks 01 thru 14 = Steve Howe Tracks 15 thru 20 = Steve Howe and Martin Taylor LINEAGE: from MASTER DAT AUD > Sonic Mics > Sony DAT TDC-D8 @44 > RMR D100 > WAV > CDWav > FLAC FrontEnd LOCATION: FOB (centre 20th row) Good sound, but edits inbetween tracks
03/03/04 Corn Exchange cdr 2 AUD
04/14/06 BB King's Blues Club 2 a- Steve Howe B. B. King's New York, NY April 14, 2006 Master: DSM6S > Panasonic PVGS120 miniDV camcorder Transfer: MiniDV > FireWire > iMovie > 16-bit stereo, 48kHz audio extraction > Sound Converter (aiff to wav) > CDWave (track splits only) > xACT > FLAC (level 8) Taping location: Directly behind soundboard Taper: TT Here is the legendary Yes guitarist in a solo live performance. The crowd was fairly well-behaved. There are occasional shouts from the audience and some bar-type noises but overall a pretty clean recording. Kohno Spanish classical guitar: d1t01 Surface Tension d1t02 The Ancient excerpt d1t03 Little Galliard d1t04 Corkscrew d1t05 Classical Gas d1t06 J's Theme d1t07 Vivaldi Concerto In D (Second Movement) d1t08 Mood For A Day Scharpach custom 12-string: d1t09 Vivaldi Four Seasons (Winter) d1t10 Masquerade d1t11 And You And I intro/Turn Of The Century outro d1t12 Sketches In The Sun Portuguese 12-string: d1t13 Nine Voices Martin 6-string steel cutaway: d2t01 In The Course Of The Day d2t02 To Be Over d2t03 Ram d2t04 Goin' Down That Road (?) d2t05 Intersection Blues d2t06 Second Initial Line 6 Variax electric: d2t07 A Drop In The Ocean d2t08 Chet Atkins piece d2t09 Whispering/Dorothy/Meadow Rag Fender lap steel: d2t10 Soon d2t11 Your Move Martin 6-string steel cutaway: d2t12 Clap Note: The guitar information was kindly provided by someone who knows a lot more about guitars than I do.
04/18/06 The Paradise cdr 1 A AUD First Set Only....Show Only Half Complete
10/02/08 Glen Gould Studio cdr 1 a Notes: All I have here of an acoustic solo set by Steve is the first set and final encore. I had various recording problems this night. About the editing: I tried all I know to adjust the volume between the crowd (loud) and Steve's playing (quiet. After many hours I decided to edit the crowd out completely and keep only the music. Slight noise reduction was used to dampen the hiss created by low recording levels with adobe audition 2. Steve Howe 2008-10-02 Glen Gould Studio, Toronto Source: Core Sound H.E.B > Church Pre Amp - Line In > Edirol R-09 > PC > Soundforge 7 & CDwave (edit & Split) > TLH > Flac 5. Recorded & Edited by BurnBoy

The Storm --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
06/06/92 Central Park cdr 1 AUD. Sounds pretty good by the end of the show. My copy has Anytime at the end.
08/14/92 Santa Clara County FairGrounds cdr 1 Not sure of the source. There's a few skips in the first track, and one during track 8. the end of "I've Got a Lot to Learn About Love" is cut, and "Anytime" is drastically cut.

Styx --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
01/13/82 Budokan Hall cdr 1 SBD
04/09/83 Saenger Theater cdr 2 Great SBD
06/06/99 Disney Institute/CMN Champions cdr 1 SBD. Not a great one. No interview on my copy.

The Syn --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
01/08/06 Joe's Pub (early show) cdr 1 a- AUD

Tangerine Dream --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
08/18/74 Festival Theatre cdr 1 a+ SBD
06/27/76 Philharmonic cdr 1 a+ FM 31 mins
10/19/82 Sports Hall cdr 1 a+ FM
06/19/86 Place Des Arts cdr 2 A AUD
06/12/99 Stadthalle cdr 2 A AUD

Tenacious D --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
09/08/01 Town Hall cdr 1 a+ SBD
10/07/01 American Theater cdr 1 a+ SBD
01/22/02 Roseland Ballroom cdr 1 A AUD

Thin Lizzy --- Approximate Hours: 55
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/67 Trend Studios cdr 1 A DEMOS
10/08/72 Jahrhunderthalle cdr 1 b- AUD
06/09/73 Waldbuhne cdr 1 AUD
09/18/73 Funkaustellung cdr 1 SBD ?
10/08/73 Quaintways cdr 1 b- AUD
??/??/73 Funky Junction Plays Tribute To Deep Purple cdr 1 A
04/14/74 Locarno cdr 1 b+ AUD
??/??/74 Unknown cdr 1 A- SBD____Its Only Money/Little Darlin/Slow Blues/Little Girl In Bloom/Gonna Creep Up On You/Rock and Roll WIth You/Whiskey In The Jar/The Rocker/Sitamoia-drum solo/Hard Driving Man/Little Darlin/Talk To Your Daughter---- Andy Gee and John Cann on guitar
04/16/76 Riviera Theater cdr 1 A SBD
05/05/76 Agora Theater 1 A
05/14/76 Ford Auditorium cdr 1 Thin Lizzy .... May 14, 1976 Ford Auditorium, Detroit, Michigan, U.S.A. (SBD or FM) (Liberated bootleg "Live In Rock City") Phil Lynott (R.I.P.) - bass, lead vocals Brian Downey - drums Scott Gorham - guitar, vocals Brian Robertson - guitar, vocals Taper: Unknown Taping Gear: Unknown Lineage: Liberated Boot CD> Sony CDP-XA20ES CD playback> TASCAM CDRW-700> Trade CD-R (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) Quality: ex- Length: 62:09 minutes
11/15/76 Hammersmith Odeon cdr 1 a+ dime > trader's den 11.15.76 - London, England Source: Hammersmith Odeon, London, England. November 15th 1976 Sound Quality: A+ Time: 74:07 Notes: Soundboard. 1. Jailbreak (5:51) 2. Massacre (3:01) 3. Still In Love With You (9:31) 4. Johnny The Fox Meets Jimmy The Weed (4:03) 5. The Boys Are Back In Town (5:15) 6. Rosalie (5:18) 7. Suicide (5:23) 8. Warriors (4:18) 9. Sha-La-La (7:28) 10. Baby Drives Me Crazy (9:40) 11. Me And The Boys (10:02) 12. The Rocker (4:18)
03/13/77 Seattle Center Arena cdr 1 A AUD
10/21/77 Tower Theatre cdr 1 A SBD
10/23/77 Orpheum Theater cdr 2 b+ AUD, fresh from the master. Vocals are a little low.
01/21/78 Various Studios cdr 1 A Must have!
09/05/78 Paradise Rock Club cdr 1 A SBD
04/17/79 Guild Hall cdr 2 b+ Lockley Grand Hall, Guild Hall, Preston, England, UK, 17th April 1979 note on date: art has April 27th for date, correct date is April 17th, please look at: http://www.thinlizzyguide.com/tours/tour_ram.htm (many thanks again to Rob for the link) -> HANX to the great LIZZY fans for sharing their ticket stubs CD1: (41:08min) 01) Are You Ready 02) Bad Reputation 03) Get Out Of Here 04) Do Anything You Want To 05) Don't Believe A Word 06) Waiting For An Alibi 07) Jailbreak 08) Still In Love With You 09) Warriors CD2: (65:34min) 01) Roisin Dubh (Black Rose) A Rock Legend 02) Cowboy Song 03) The Boys Are Back In Town 04) Suicide 05) Me And The Boys 06) Rosalie 07) Emerald Length: 81:15min Personal: Phil Lynott: Vocals, Bass Gary Moore: Guitar, Vocals Scott Gorham: Guitar Brian Downey: Drums bonus tracks: note: none of these tracks has been officially released, I've compared these tracks to officially released material BBC '74 08) She Knows 09) It's Only Money 10) Still In Love With You 11) Showdown 12) Rock And Roll With You 13) Baby Drives Me Crazy Length: 25:27min Personal: Phil Lynott: Vocals, Bass Scott Gorham: Guitar Brian Robertson: Guitar Brian Downey: Drums
07/25/79 Municipal Auditorium cdr 1 AUD
09/24/79 Festival Hall cdr 1 AUD
04/26/80 Isstadion cdr 2 AUD.
06/07/80 RDS Hall cdr 1 FM Are You Ready, Chinatown, Got to Give it Up, Dear Miss Lonely Hearts, Sugar Blues
09/25/80 Nakano Sunplaza cdr 2 a+ SBD. no audible audience and the vocals are very high in the mix. The silver was released in Japan in 2006
01/27/81 Neue Welt cdr 2 THIN LIZZY NEUE WELT BERLIN GERMANY JANUARY-27-1981 2ND GEN ANALOG TO DAT KRW_CO TRANSFER LINEAGE ANALOG SECOND GENERATION TO DAT TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 no eq or any other tampering just the tape the way we got it
11/26/81 Hammersmith Odeon cdr 2 b+ THIN LIZZY 1981-11-26 Hammersmith Odeon, London, UK (AKA "Drugs & Booze") AUD Lineage: received in trade (unknown generation) - EAC - flac level 8 - you I definitely saw this one on Dime before, it was requested by tonsofsobs recently so here it is again. The second disc is filled with 1978-03-29 Rainbow show but I ommited that because it is commercially available on "Live and Dangerous" dvd. Quality: great audience recording. Sound sample will be provided in comments Artwork is included Setlist: Disc 1: 01. Angel Of Death 02. Renegade 03. Hollywood 04. Waiting For An Alibi 05. Jailbreak 06. Got To Give It Up 07. Don´t Believe A Word 08. The Pressure Will Blow 09. Cowboy Song 10. The Boys Are Back In Town 11. Suicude 12. Bad Reputation 13. Are You Ready /Baby Drives Me Crazy (cut) Disc 2: 01. Baby Drives Me Crazy (continued) 02. Emerald 03. Rosalie
11/27/81 Hammersmith Odeon cdr 1 a+ FM
03/02/82 Palais D'hiver cdr 2 A- FM. Fist song starts about 2/3rds in, and a dropout during "Boys"
01/26/83 BBC Regal Theatre cdr 1 FM
02/25/83 Centre cdr 2 A- AUD
03/19/83 Apollo Theatre cdr 1 a+ Thin Lizzy 1983-03-19 Glasgow Scotland (FM) Title: Thunder And Lightning In Glasgow Venue: Apollo Theatre Location: Glasgow Scotland Date: 19th March 1983 Source: FM Recording Duration: 49:24 Min Artwork: Yes 01 Waiting For An Alibi 02 Jailbreak 03 Angel Of Death 04 Are You Ready 05 Holy War 06 The Sun Goes Down 07 Cowboy Song 08 The Boys Are Back In Town 09 Emerald 10 Rosalie (Inc Whiskey In The Jar and Dancing In The Moonlight) Brian Robertson guests on guitar from "Emerald" till the end of the show Phil Lynott - Bass & Vocals John Sykes - Guitar Scott Gorham - Guitar Brian Downey - Drums) Darren Wharton - Keyboards Note to Mods: I uploaded this more than 3 years ago and it got banned due to being broadcast on Mojo Rafio. After some discussion it was allowed on the tracker and stayed there for some months. As far as I know nothing has changed here so there is no reason for it ot be banned now. Special Thanks to Blacksabfan for the speed corrected 2 CD audience recording of this Glasgow show which is still on the tracker here. http://www.dimeadozen.org/torrents-details.php?id=326065 Notes - This is an upgrade of this show known as "Alibi" Same show but better quality. It was broadcast on Mojo radio sometime in 2006. Thanks to Rob for getting it to me. Rob if you are reading this I hope your trip for Phil's 25th is going well. Thin Lizzy at the Apollo Theatre in Glasgow on their farewell Thunder And Lightning tour. This still rates as one of the finest concerts I have been to and it really is a superb show. This is the incomplete Radio show. Great quality FM recording. CDR (Trade) > EAC > WAV > Flac Level 8.
04/30/83 Johannehovs Isstadion cdr 2 b AUD
05/20/83 Shi-Kaoukaido cdr 2 B+ AUD Taken from liberated bootleg : 'Farewell Lightning' Label Xipang
05/21/83 Banpaku Hall cdr 1 B+ AUD Taken from liberated bootleg : 'Osaka Sundown' Label Nightlife
05/23/83 Kosei-Nenkin cdr 0 AUD. My version is loner than this..... but there's a gap beteween Cowboy Song and Boys. DISK 1 Thunder N Lightning Waiting for an Alibi Jailbreak Baby Please Don't Go This Is The One Angel Of Death Are You Ready? Holy War The Sun Goes Down Cold Sweat The Cowboy Song The Boys Are Back In Town Suicide DISK 2 Sha La La Drum Solo Intro To Band Still In Love With You Rosalie
??/??/83 Thunder & Lightning Demos 1 A

Thom Yorke & Jonny Greenwood --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/25/10 Worthy Farm 1 b+ AUD

Tim Finn --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/14/92 Apollo Theatre cdr 1 A AUD. My copy has 2 live Crowded House tunes tacked on to the end, I have no idea what they are from
??/??/92 Still Life in the studio. Aborted B/A sessions cdr 1 A Cool demo stuff!
06/16/93 Borderline cdr 1 A SBD. Great show
06/23/00 Bimbo's cdr 2 A AUD
03/14/01 Basement Club cdr 1 a- Webcast. Sadly, TAO. I'd love an upgrade!
05/12/07 Joe's Pub cdr 1 A AUD. Beginning of Couldn't Be DOne is missing.
02/07/08 The Courthouse cdr 1 A AUD
11/05/08 The Espy cdr 1 A AUD. Nice sounding show

Tin Machine --- Approximate Hours: 26.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/16/89 Roxy Theatre cdr 1 b+ AUD. Disc 2 of On the Rox. the late show.
06/17/89 Roxy Theatre cdr 1 b AUD Disc 2 of "On the ROx"
06/21/89 Saga Rockteater cdr 1 b+ AUD
06/25/89 La Cigale cdr 1 a+ Tin Machine high, live and dirty Paris, "La Cigale" 25.06.89 Silver disc > EAC > Flac 1 - Amazing 2 - Heaven's In Here 3 - Sacrice yourself 4 - Working Class Hero 5 - Baby Can Dance 6 - Maggie's Farm 7 - I Can't Read 8 - Under The God This CD is recorded off an Westwood One radio disc, so the sound quality is excellent. A nice release. It's a vinyl rip, so there are crakles here and there.
10/19/91 Falconer Salen cdr 2 b+ AUD
11/20/91 Orpheum Theatre cdr 2 a+ Tin Machine David Bowie: vocals, guitar, saxophone Reeves Gabrels: guitar, vocals Hunt Sales: drums, vocals Tony Sales: bass, vocals Eric Schemmerhorn: guitar Orpheum Theater Boston, Mass. Nov. 20, 1991 (opening act was the Neighborhoods, they were not broadcasted.) runtime: 95:07 1: stage introduction > bus stop 2:47 2: a big hurt 3:03 3: goodbye Mr. Ed 4:18 4: I can't read 6:35 5: stateside 8:47 6: under the god 4:15 7: Betty Wrong 10:33 8: sacrifice yourself 2:28 9: I've been waiting for you 3:27 10: you belong in rock 'n roll 5:44 11: baby universal 3:14 12: if there is something 3:37 13: heaven's in here 12:10 14: first encore break :39 15: sorry 5:20 16: you can't talk 4:32 17: second encore break 2:26 18: one shot 4:36 19: crack city 5:16 20: announcer closing credits 1:09 lineage: WBCN 104.1 FM radio > Yamaha 500 reciever with digital FM tuner and wire antenna > Teac 1230 reel deck > Maxell UDXL-I reel tape > played on Teac 3300 reel deck into soundforge 4.5 (WAV) > FLAC 6 (sb's aligned) > torrentially yours. Do not sell this recording. Share freely, losslessly and gaplessly. if tin could talk it would say... listen to this. this post includes the entire show of Tin Machine in Boston. the reel's only been played maybe 3 times through and held up well. in the words of Carter Alan, the host DJ for this regional broadcast, David Bowie and the band looked and sounded like they were doing what they wanted to be doing, not trying to make a hit record. that's when David Bowie is his best, when he's not trying to fit a style or a label. the band sounds very tight and rockin' and David sounds like he's really glad to be in Boston. this was one of the best shows Boston saw/heard in 1991 and the crowd reaction was very enthusiastic (so was the performance).
11/27/91 The Academy cdr 2 A FM
12/07/91 Riviera Theatre cdr 2 a Tin Machine Riviera Theatre, Chicago December 7th, 1991 Heaven's in Here The Swingin' Pig Rcds. Quality: Excelent CD > dBPowerAmp (Flac 8)
12/15/91 Spreckles Theater cdr 2 b+ SBD, but pretty faint.
12/17/91 Warfield Theatre cdr 2 A FM. A little static and hum at times, and the vocals are a little low in the mix. Has a radio interview at the end
??/??/91 "Tin Machine II" outtakes cdr 3 A Demos
01/30/92 Festival Hall cdr 2 The sound quality of this is exceptional and very clean - better than most soundboards. I obtained this from a band member's friend so it's never been circulated until now. Let us all bask in the beauty of its' rarity. Track listing: 01-intro 02-Debaser (Pixies) 03-If There Is Something (Roxy Music) 04-I've Been Waiting For You (Neil Young) w/Reeves Gabrels on vox - very rare. TM played this rarely, once released on the Oy Vey, Baby video, filmed in Germany 05-I Can't Read 06-Baby Can Dance 07-Betty Wrong 08-Stateside 09-Go Now 10-Shopping For Girls 11-Sacrifice Yourself 12-You Can't Talk 13-Baby Universal 14-Bus Stop 15-You Belong In Rock And Roll 16-Heaven's In Here 17-Sorry 18-Under The God Personnel: David Bowie: Vocals, Sax, Guitar Reeves Gabrels: Guitar, Vocals Hunt Sales: Drums, Vocals Tony Sales: Bass, Vocals Eric Schemmerhorn: Guitar

Todd Rundgren --- Approximate Hours: 11.25
Show Date Venue Media Type Media Count Sound Quality Notes
08/03/89 The Living Room cdr 2 a+ Todd Rundgren The Living Room, Providence August 3, 1989 soundboard recording remastered by Paul R April 2005 sbd--->cassette--->ProTools--->CD-R--->FLAC8 1.1 Real Man 4:50---> 1.2 Unloved Children 4:22 1.3 Parallel Lines 4:41 1.4 Can't Stop Running 5:51 1.5 Compassion 5:17 1.6 Secret Society 4:31---> 1.7 Something To Fall Back On 3:57 1.8 Can We Still Be Friends 3:41---> 1.9 Mated 7:14 1.10 Love In Action 4:27 2.1 Lost Horizon medley 10:27---> 1.2 Feel It 7:39 2.3 Rock Love 6:18 2.4 Hawking 10:01 2.5 Hello It's Me 5:35 2.6 I Love My Life (fades out) 11:44
07/12/90 Palace Of Fine Arts cdr 2 SBD, great stuff. Buzz from 4:20-4:55 track 2, disc 1
04/18/91 Citi cdr 2 FM great sound.
06/01/91 Shinsalbasi-Quattro cdr 2 A- SBD "Quattro 1991"
02/04/99 International Place cdr 1 a+ FM

Tom Waits --- Approximate Hours: 92.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/19/74 San Diego Folk Festival cdr 1 SBD
01/09/75 Tales From the Underground, Vol. 5 cdr 2 a+
02/19/75 Ebbets Field cdr 1 SBD
12/16/75 ASI Studios cdr 1 a+ FM
??/??/75 Tales From The Underground Vol. 1 cdr 1 a+ Excellent collection of rarities.
??/??/75 Tales From The Underground Vol. 4 cdr 1 a+
??/??/75 Drunk On The Moon cdr 1 Tom Waits 1975-78 "Drunk On The Moon" Studio(?) outtakes A bootleg from the Frontline label, FLCD 11. This is a interesting piece I found on Planet Rock. Thank You Luckymudster. No lineage, but this have been here in 2005 upped by northjersey. Artwork included. FL CD 11 CD Length: (78:20) "Foreign Affairs" Sessions July + August 1977 1. Just Another Dime Store Novel (6:07) 2. Scarecrow (1:26) 3. A Nickel's Worth Of Dreams (0:54) 4. Tie Undone (3:00) 5. Playin' Hooky (4:47) 6. Saving All My Love For You (3.33) "Soundstage" Sessions in Chicago 1975 7. Eggs and Sausage (2.08) 8. Semi-Suite (5:33) 9. Diamonds on my Windshield (5:00) 10. Drunk on the Moon (5:17) 11. Better Off Without a Wife (3:55) 12. Nighthawk Postcard (5:14) 13. The Heart of Saturday Night (6:03) 14. San Diego Serenade (6:12) "Small Change" Sessions July 15 1976 15. Straydog (3:10) 16. What Else is New? (2:53) "Paradise Alley" Sessions Sept 7 1978 17. With a Suitcase (3:35) 18. Paradise Alley (4:19) 19. Annie's Back in Town (3:22) 20. Bad Liver & Broken Heart (4:39)
05/26/76 Hotel L'American cdr 1 TOM WAITS Hotel L’American Amsterdam, The Netherlands May 26th 1976 Lineage: FM > CDr(x) > Eac > Wav > Flac(8) Setlist ~~~~~~~ 01.Fumblin’ With The Blues 02.Drunk On The Moon 03.Virginia Avenue 04.talking > Heart Of Saturday Night intro 05.Heart Of Saturday Night 06.Spare Parts I NOTE: According to the DutchDogs database, their is another version of this show which includes a further 3 tracks > San Diego Serenade Better Off Without A Wife Eggs And Sausage
10/24/76 The Faces Club cdr 1 A A few cuts, but a GREAT show. FM
11/09/76 Shaboo Inn cdr 2 a+ Tom Waits 1976-11-09 Shaboo Inn Willimantic, CT (liberated bootleg: "Main Street" Lobster CD 010/2) Soundboard > (?) > silver CD's > EAC to wav > wav's combined in Wavelab > flac > wav > wav's split w/ cd wave editor > flac
11/21/76 Ivanhoe Theatre cdr 1 a+ FM. WXRT radio broadcast
12/13/76 Agora Ballroom cdr 1 a+ PRE-FM
12/14/76 Media Sound Studios cdr 1 a+ FM Remastered
12/31/76 Agora Theatre cdr 1 SBD "Last Call"
03/26/77 Post Aula cdr 1 a+ I've seen this listed as 4/26/77. SBD
10/25/77 Agora Ballroom cdr 1 a+ Tom Waits Agora, Cleveland Ohio October 25th, 1977 Pre-FM reel FANTASTIC!!!
05/02/79 State Theatre cdr 1 a+ SBD
10/10/87 The Eugene O'Neil Theater cdr 1 a- audience > vinyl LP boot "I'll Take New York" > cassette (I taped the LP and sold the vinyl years ago) > playback on Nakamichi BX-2 playback with azimuth adjustment done > digitize (and click removal) via Audacity > FLAC 8 via xAct A raw transfer. No noise reduction or eq was applied.
10/12/92 KCRW "Morning Becomes Eclectic" cdr 1 a+ FM. Interviews and STUDIO tracks.
??/??/92 The Black Rider Demos cdr 1 a+ "The Black Rider" Demos: These are the tracks recorded by Waits and given to Germany's Thalia Theatre for their production of The Black Rider. Wonderfully raw and spirited, with many tracks that were never released on his cleaned-up album 'The Black Rider', this is a must-have for Waits fans. Note: vinyl source.
04/01/99 Burbank Airport cdr 2 a+ Great stuff!
10/18/99 5th Avenue Theatre cdr 2 A- AUD
12/31/00 Okay, You'll Like This One cdr 1 a Tom Waits - Okay You'll Like This One - Monologues and Tour Rarities 1999-2000 Source: Audience & Soundboard Lineage: Trade CDR - WAV - FLAC Mixture of storytelling and rarely performed songs. This is especially wonderful if you like Waits chat....but who doesn't? 1 Intro (Cirkus 07 14 99) 2 Black Wings (VH1 Storytellers 04 01 99) 3 Yerthebest 4 Such A Scream (Oakland 06 09 99) 5 Angry Flowers 6 Leavin' On The 219 (Oakland 06 10 99) 7 The Most Marvellous View Of Buffalo 8 On The Nickel (Los Angeles 06 14 99) 9 Cows 10 Muriel (Chicago 08 26 99) 11 Cologne 12 Swordfishtrombone (Boston 09 19 99) 13 Leeches And Vultures 14 Eggs And Sausage > Invitation To The Blues (New York 09 24 99) 15 Canadian Microphone 16 A Sight For Sore Eyes (Denver 10 13 99) 17 It's Gone Too Far 18 Broken Bicycles (Denver 10 13 99) 19 Rats 20 Jesus' Blood Never Failed Me Yet (Denver Radio 10 13 99) 21 Small Town Cigarette Lighters 22 Blind Love (Seattle 10 19 99) 23 Spider Ad Weasel 24 Tom Trauberts Blues (Mountainview 10 30 99) 25 The Three Ages Of Man 26 Warsaw At 5am (Warsaw 05 26 00) 27 I Know I've Been Changed (Warsaw 05 26 00) 28 Testamints 29 Ain't Going Down To The Well No More (Warsaw 05 26 00) 30 Underwear Search 31 Yerthebest reprise
05/21/02 WHYY NPR Studio cdr 1 a+ A little static at first. A GREAT interview!
11/17/04 Theater des Westens cdr 2 TOM WAITS Theater des Westens, Berlin, GER 17. Nov. 2004 Disc 1: 01. Intro 02. Make It Rain 03. Don't Go Into That Barn 04. Hoist That Rag 05. Sins Of The Father 06. Earth Died Screaming 07. Reeperbahn 08. The Part You Throw Away 09. Alice 10. God's Away On Business 11. Diamond In Your Mind 12. Metropolitan Glide Disc 2: 13. Heartattack And Vine 14. Walk Away 15. Day After Tomorrow 16. Shake It encores: 17. Come On Up To The House 18. Trampled Rose 19. November 20. Get Behind The Mule 21. Lucky Day approx. 139 mins seamless recording, disc change is a suggestion Recording Info: recorded by Vortex242 OKM IIr > A3 > SONY D 100 MDAT new 2011 transfer: MDAT > SONY 670 > Edirol R-09HR (24/48)> USB > Adobe Audition 3 (16/44.1)> CDwave > TLH (level 6) > flac
11/23/04 Hammersmith Apollo cdr 2 b AUD "Invitation to the Blues"
08/09/06 Auditorium Theater cdr 2 b+ AUD
08/13/06 House of Blues cdr 2 A- AUD. Nice recordeing....yes there were 2 shows performed on this date...this one started at midnight.
06/17/08 Orpheum Theatre cdr 2 A- AUD
06/20/08 Plaza Theatre cdr 2 A- AUD> Taper hits pause button during Tom Traubert.
06/20/08 Plaza Theatre cdr 2 A AUD
06/23/08 The Palladium cdr 2 A AUD
06/25/08 Brady Theatre cdr 2 A- AUD
06/28/08 Ohio Theatre cdr 2 A AUD
07/03/08 Alabama Theatre cdr 2 A AUD
07/05/08 Fox Theater 2 A AUD
07/14/08 L'Auditori del Forum cdr 2 b+ AUD
07/15/08 L'Auditori del Forum cdr 2 A- AUD
07/17/08 Teatro Degli Arcimboldi cdr 2 b+ AUD
07/18/08 Teatro degli Arcimboldi cdr 2 A- AUD
07/21/08 Kongresové Centrum Praha cdr 2 b AUD
07/22/08 Kongresové Centrum Praha cdr 2 a- AUD. Great show!
07/24/08 Le Grand Rex cdr 2 A- AUD
07/25/08 Le Grand Rex cdr 2 A AUD
07/27/08 Edinburgh Playhouse cdr 2 A AUD
07/28/08 Edinburgh Playhouse cdr 2 A AUD
08/01/08 The Ratcellar cdr 2 A AUD

Tool --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
02/04/93 The Loft cdr 1 A SBD disc 1 - 8 tracks - 45:52
06/07/93 Le Zénith cdr 1 A SBD. A little over 30 mins
07/10/10 Key Arena cdr 2 A- AUD

The Tragically Hip --- Approximate Hours: 26.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/19/89 The Spectrum cdr 1 a+ FM. Plays as one track
05/24/91 The Metropool cdr 1 a+ SBD. PLays as one track....and several songs are missing endings...Blow cuts off halfway into it.
04/26/93 The Roxy cdr 1 a+ FM
07/26/93 Landsdowne Park cdr 1 b+ AUD
12/07/94 Gino cdr 1 a+ SBD.....plays as one track
??/??/94 Day For Night Demos cdr 1 a+ Tragically Hip--Running Master #1-"Day for Night" demos So here's a nice rarity for the Hip fans out there! Many years ago, someone I barely new approached me and said, "I have something you may be interested in." According to his story, his best friend's parents owned a recording studio in Hamilton, and the Tragically Hip were recording their new album there. The band had run a few cassette copies of works in progress for themselves, and accidentally left one behind. His friend then "borrowed" it, and made him a copy. I did get this before "Day for Night" was released, and was sworn to not share it with anyone because of that. The album is 16 years old now though, and in poking around the internet a bit, I notice this does seem to be in circulation now. I have no idea what quality is out there, but this one sounds pretty good. It's a bit hissy, obviously been dubbed a few times. I figure the lineage could be master>cassette dub>friend of friend>friend>me, so about 4th gen. Could be more in there I'm not aware of, of course. I call it Running Master #1, because that was what was written on the tape he loaned me. Oh, and there's an unreleased track on it, too! Lineage: possibly master>cassette>cassette>cassette>cassette>M audio sound card>wav>flac editing with CDWav Track Listing: 01. Grace, Too 02. Titanic Terrarium 03. Nautical Disaster 04. Thugs 05. Dante 06. Daredevil 07. Emergency 08. Scared
05/11/97 Tivoli cdr 2 A AUD
06/29/98 Plant Studios cdr 1 a+ The Tragically Hip Plant Studios Sausalito, CA 1998-07-30 1. Membership 2. Something On 3. Ahead By A Century 4. Bobcaygeon 5. Fireworks 6. Scared 7. Escape Is At Hand For The Travellin' Man Source: FM Broadcast (KFOG) Lineage: FM Broadcast DAT Master>DAT Digital Clone>My DAT Digital Clone>WAV>SHN>WAV>FLAC8
07/07/98 Centennial Hall cdr 1 "Nothing But Bone Crushing Hockey SOngs for the Laggards of London"
04/02/99 KAEP-FM - 105.7 The Peak cdr 1 a+ FM
04/03/99 The Opera House 2 b
05/08/99 IC Light Tent cdr 1 a+ SBD
07/06/99 Woodstock '99 cdr 1
12/05/04 Metro Centre cdr 2 SBD Great sounding show, but lots of trouble with my copy. Missing the last two songs. A few are cut off. Two or three start, then end abruptly, then start again fromt he beginning. Good show, but this copy is a headache. I'd love an upgrade.
06/16/06 Three Rivers Arts Festival - Point State Park cdr 2 A AUD
10/25/06 Phoenix Concert Theater cdr 2 A- AUD

Transatlantic --- Approximate Hours: 40
Show Date Venue Media Type Media Count Sound Quality Notes
06/18/00 Lehigh University cdr 2 a- Transatlantic The Zoellner Arts Center (Baker Hall Le-High University) Bethlehem, Philadelphia June 18, 2000 "Nearfest 2000" Disc 1: 1. Intro 2. All Of The Above 3. Magical Mystery Train ~Magical Mystery Tour ~Strawberry Fields Forever 4. We All Need Some Light Disc 2: 1. Band Medley ~There Is More To This World (Flower Kings) ~Go The Way You Go (Spock's Beard ~The Great Escape (Marillion) ~Finally Free (Dream Theater) 2. My New World 3. Genesis Medley ~Watcher Of The Skies ~Firth Of Fifth ~The Return Of The Giant Hogweed Notes: This performance was recorded from the audience with Core Sound High End Binaural mics and a Sony PCM-M1 desk. It was then transferred from a Sony PCM-R500 professional DAT deck through an Opcode SonicPort to a PC running Cool Edit Pro. Indexing was done with CDWav. The original sound of the recording has not been altered.
01/20/01 NAMM, Anaheim Convention Center cdr 1 a- Transatlantic "Live at NAMM" 2001-01-20 OR January 20, 2001 NAMM Trade Show Anaheim, California, USA Media: 1CDR Total Time: 43.19 Type: AUDIENCE Quality: A- Setlist: 01. All of the Above (13:12) 02. Shine On You Crazy Diamond (13:43) 03. My New World (16:23)
11/09/01 The Zodiac cdr 2 a Nice aud
11/10/01 Astoria cdr 2 b+ Band: Transatlantic Venue : Astoria City/State/Country : London , England Date : 2001-11-10 Source: Audience : EX- Lineage: CDr > Nero 6 > WAV > FLAC frontend ( level 8 ) Taped by: Unknown Transfered by: Unknown Bootleg Title: Untitled File Size: 623MB (FLAC) Disc 1 Duel with the Devil My New World We All Need Some Light Disc 2 Beatles Medley Stranger in Your Soul Missing "All of the Above "
11/11/01 Elysse Montmatre cdr 2 b+ Transatlantic Bridge Across Montmartre Date : November 11, 2001 Location : Elysee Montmartre, Paris, France Label : - Media : 2 CDR Total Time : 74.16 / 63.55 Setlist : Disc 1 : 1. Duel with the Devil 2. My New World 3. We All Need Some Light 4. Suite Charlotte Pike / Abbey Road Part 1 Disc 2 : 1. Suite Charlotte Pike / Abbey Road Part 2 2. Stranger in Your Soul 3. All of the Above Notes : There is a fade in at the beginning of Duel with the Devil so few seconds are lost.
11/13/01 Live Music Hall cdr 3 a "Bridge To Cross Cologne." Nice AUD
11/16/01 Grosse Freiheit cdr 2 b+ AUD. Suite Charlotte Pike is split in half..pt one on disc one, pt 2 on disc 2.
11/18/01 Festhalle Durlach cdr 3 b+ Date: 18-Nov-2001 Venue: Germany Karlsrue Festhalle Source: Audience Recording Lineage: Dat>trade cdr>flac level6>you! Rating: A-/B+ Total Time 176' Setlist Disc 1 (56:30) 1- Duel With The Devil 2- My New World 3- We All Need Some Light Disc 2 (64:18) tracks 1-2-3-4: Suite Charlotte Pike Medley tracks 5-6: Stranger In Your Soul Disc 3 (55:43) 1- All Of Above 2- Shine On Crazy Diamond OK...big problem with this one....digital noise on the last part of Stranger in your Soul. If you have a better copy...I'd love a trade!
11/19/01 Elserhalle cdr 3 b+ AUD
04/17/10 Downey Civic Theater cdr 3 b+ Oade Bros. micro-mics>Sony TCD D-100 DAT>CD Spin Doctor>CD-R>FLAC\ \ Night 1 of the 2010 Whirled Tour - the premiere of The Whirlwind!! There's a little bit of Jeff Beck's "Freeway Jam" in "On the Prowl" in honor of the fact that he was playing in town the same night at the Nokia Theatre.
04/23/10 Gramercy Theater cdr 3 a- A Kitty Lickin' Discs Production Disc One ~~THE WHIRLWIND~~ 1. Overture/Whirlwind 2. The Wind Blew Them All Away 3. On The Prowl 4. A Man Can Feel 5. Out Of The Night 6. Rose Colored Glasses 7. Evermore 8. Set Us Free 9. Lay Down Your Life 10. Pieces Of Heaven 11. Is It Really Happening Disc Two 12. Dancing With Eternal Glory/Whirlwind (reprise) 13. All Of The Above 14. We All Need Some Light 15. Duel With The Devil Disc Three 16. Bridge Across Forever 17. Stranger In Your Soul Lineage: SP-CMC-2 > SP-SPSB-8 > Sony MZ-NH1 (Hi-SP mode) > USB > Sony SonicStage 4.3> Wavelab 6.1 > CDWAV > FLAC Front End. Recorded by: Relayer35 Comments: I didn't get a chance to see Transatlantic the last time they came around ten years ago, so I jumped at the chance this time around. Unfortunately, I was unable to get tickets for the seated section, so this was recorded from the floor. Sound is pretty good, but there are some woos and crowd chatter in places, but not too bad. At one point, a very drunk girl spilled her beer on me. The performance was great, despite a few technical mishaps. Neal's microphone headset went out during the second track of "The Whirlwind" and the song kind of came to a halt. The roadies hooked him up with Roine's mic to finish the song, but evidently had problems finding an extra mic for Neal, which led to an extended jam during "On The Prowl". This also caused "The Whirlwind" to go about three minutes over the standard 80 minutes that fits on a disc, so that is why I have the last track of the epic as the first song on disc two. Luckily the only break in "The Whirlwind" is before the last part, so it can be split on to two discs without having to break it up in the middle of the music. I wonder how long before nobody uses the audio-cd any more, and we won't be limited to the 80 minute barrier. As for the rest of the show, at one point, Neal seemed to get really emotional during "Rose Colored Glasses". It was evident that he was really moved by performing that song. I noticed that Neal and Roine switched up the vocal parts on "We All Need Some Light". Roine threw in a line from "Soon" on that one. The highlight had to be the last track, "Stranger In Your Soul". At one point, Neal left the keyboard rack and went over to play drums with Mike. Neal took over the drum kit completely while Mike went stage diving! I'm amazed at Neal's versatility, being able to play the keyboards, guitar and drums as well as he does. The show clocks in over three hours in total, but they were definitely three memorable hours! -- MP April 2010
05/04/10 Batschkapp cdr 3 a- Source: Audience Zoom H2 Recording Taped by: SF Transferred by: SF Track Splitting: CT Zoom H2 > 16/44 > Internal Mics Rear 120 > CD Wave > dbpoweramp > Flac Level 8 Mike Portnoy - Drums, Vocals Neal Morse - Keyboards, Guitars, Vocals Roine Stolt - Guitars, Vocals Pete Trewavas - Bass, Bass Pedals, Vocals Daniel Gildenlow - Guitars, Keyboards, Percussion, Vocals Disc 1: 01 Overture / The Whirlwind 02 The Wind Blew Them All Away 03 On The Prowl 04 A Man Can Feel 05 Out Of The Night 06 Rose Colored Glasses 07 Evermore 08 Set Us Free 09 Lay Down Your Life 10 Pieces Of Heaven 11 Is It Really Happening? 12 Dancing With Eternal Glory / The Whirlwind (Reprise) Disc 2: 01 All Of The Above 02 We All Need Some Light 03 Duel With The Devil 04 Encore Break Disc 3: 01 Bridge Across Forever 02 Stranger In Your Soul
05/22/10 Manchester Academy cdr 3 b+ TECHNICAL NOTES Recorded live at Manchester Academy, England, UK Date: 22nd May 2010. Recorded on Zoom H2 - FW 1.80 Recording format: 44.1 Khz WAV Microphones: Zoom Builtin Sound enhancement with Soundforge 6.0 Flacs created with Foobar2000: Flac level 6 / Traders Little Helper Tags added with MP3Tag ========================= THE BAND Neal Morse - vocals, keyboards, guitar, drums Roine Stolt - guitar, vocals Pete Trewavas - bass, vocals, keyboard Mike Portnoy - drums, vocals, bass Daniel Gildenlow - guitar, keyboards, vocals, percussion ========================= ABOUT THE RECORDING I recorded this about 10 metres from the stage, right in the centre beside the sound/lights desk.

Traveling Wilburys --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
04/??/90 Complete Collection cdr 2 a Traveling Wilburys "Complete Collection" Wilbury Record TW001/TW002 Studio Recordings 1988-1990 Source: Liberated Bootleg > EAC (secure) > FLA

Trevor Rabin --- Approximate Hours: 10
Show Date Venue Media Type Media Count Sound Quality Notes
11/29/89 Diamond Club cdr 2 b+ AUD
12/05/89 Paradise Rock Club cdr 2 A Speed corrected
12/05/89 Paradise Rock Club cdr 2 A FM
12/12/89 The Bacchanal cdr 2 b+ AUD

Triumph --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
12/29/86 Cobo Hall cdr 1 FM

U.K. --- Approximate Hours: 45
Show Date Venue Media Type Media Count Sound Quality Notes
06/27/78 El Mocambo cdr 1 A PRRP 016 disc 1 FM
07/02/78 Calderone Concert Hall cdr 1 a UK : The Lostbrook Tape Series - Volume 15 I consider myself lucky to have been in the fifth row for the final performance by Fripp, Wetton, Bruford and Cross in Central Park on July 1, 1974, but that made the break-up even harder to handle. Fans everywhere were suffering from the withdrawal of these amazing musicians. It seemed like an eternity until Bruford finally appeared with Genesis in 1976. Then Fripp surfaced with Peter Gabriel in 1977. These were incredible moments and provided some relief, but now, with Bruford and Wetton together in concert again, we were another step closer to what everyone wanted to see. Holdswoth and Jobson completed this quartet and made U.K. an event that was not to be missed. This tape was recorded from the 14th row at the Calderone Concert Hall, another of my all-time favorite venues. July 02, 1978 Calderone Hempstead, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ
07/04/78 Morris Stage cdr 1 A- AUD
07/08/78 Painter's Mill Music Fair cdr 1 A AUD. Lineage: Maxell UD master cassette> Teac A-550RX cassette playback> TASCAM CDRW-700> Trade CD-R> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries)
07/18/78 Punch And Judy Theatre cdr 1 A PRRP O55 disc 1. AUD. Remaster 1. Enhance stereo field. 2. Adjust tonal balance. 3. Patch missing sections to complete show. 4. Repair large bumps and pops in Left channel. 5. Speed corrected. 6. Re-track.
07/19/78 Punch and Judy's cdr 1 a AUD
07/19/78 Punch and Judy's cdr 1 A AUD PRRP 005 disc 2 Remaster 1. Create stereo image from Mono recording. 2. Patch and repair missing section at tape flip. 3. Adjust dynamics. 4. Many bumps and clicks repaired. 5. Re-track Wetton's bass sounds very strange during Time to Kill, gets fixed by the next song. Wetton comes in too early with second vocals of Carry No Cross. Compared to previous night, this show has better mix with vocals higher in mix.
07/20/78 Riviera Theatre cdr 1 a+ FM. Great sound.
08/08/78 Penn's Landing cdr 1 A AUD PRRP016
08/08/78 Penn's Landing cdr 1 a+ This is perhaps the best sounding U.K. show that has been moving around the trading scene over the years with the quartet lineup. Originally broadcast on WIOQ - FM radio back in '78, this is one of the great progressive rock bands ever. Eddie Jobson on keyboards & violin, John Wetton on bass & vocal, Allan Holdsworth on guitar and the always superb Bill Bruford on percussives! This particular version that I have is not from the FM broadcast, but is a 1st generation DAT direct off of the open reel soundboard master tape that was used for the broadcast! The sound quality is superb. DAT transfer to CDR was done with loving care by yours truly! This is the complete show at 65 minutes on 1 CD and features an incredible set - U.K. from Penns Landing - Philadelphia, PA on August 8th, 1978. Originally broadcast on WIOQ - FM radio.
09/18/78 Agora Ballroom cdr 1 A SBD
09/18/78 Agora Ballroom cdr 1 a+ UK Cleveland, Ohio Agora Ballroom December 9th, 1978 Source: BBC Rock Hour Pre-FM reel Lineage: PRE-FM Reel>CDRW>WAV>CDWAV>MASTER CDR>WAV>FLAC / Original information: Cleveland Agora 9 Nov 78 Broadcast on 4 Feb 79 / Set LIst 01 Introduction 0:27 02 Alaska-Time to Kill 10:01 03 The Only Thing She Needs 7:37 04 Carrying No Cross 10:56 05 Forever Until Sunday 5:51 06 Thirty Years 10:13 07 In the Dead of the Night 8:33 08 Caesar's Palace 4:48 09 Final Announcement 0:22 Total Time 58:48 Remaster 1. Multiple sources show UK played Cleveland on December 9th, 1978 2. Correct Speed and pitch. 3. Reduce Hiss, clicks and pops. 4. Repair dropouts. 5. Adjust segmental channel imbalances. 6. Adjust amplitude and dynamics. 7. Dynamic filters where needed. 8. Repair gap in middle of recording to make seamless. 9. Re-track.
09/18/78 Agora Ballroom cdr 1 a- Most of the sources for this show indicate the 11th of November, however there's a Utube video that claims to be from September 14th... so I'll leave it up to you. This show was dug up by request, and is presented as/is. What a great group! Setlist (Please provide corrections) Alaska/Time To Kill The Only Thing She Needs Carrying No Cross Forever Till Sunday Thirty Years In The Dead Of Night Runtime: 53:27 Lineage: Trade tape unknown generation ->Sound Forge 6.0 ->WAV ->FLAC via FLAC frontend, level 6, sectors aligned and verified. Enjoy! A DoinkerTape I HEAR THERE IS A COMPLETE PRE FM OUT THERE.....IF YOU HAVE IT, I'D LOVE A COPY!
09/27/78 Ole Man River's cdr 1 A AUD PRRP remaster
10/07/78 Orpheum Theater cdr 1 A AUD Another great Lampinski recording
03/03/79 Le Pavilion cdr 1 b+ SBD..but an odd one..a bit of echo on the vocals.
03/24/79 The Spectrum cdr 1 A- Artist: UK Location: The Spectrum, Philadelphia Date: March 24th 1979 Recording: SB/FM* Artwork: None Lineage: Silver>cdex151>wav>TLH>Flac8>You *This certainly sounds like a SB/FM recording, judging by the 'distant' crowd noise. Can anyone from the US confirm a broadcast from this date? It is taken from the old Japanese boot 'Lost UK Tape' on the 'Highland' label. I have referred to 'Time To Kill' as 'Reprise' partly as it is only 1:30 or so in length and this distinguishes it from the full version, but mainly because 'Alaska' and 'Time To Kill' should have appeared between 'Carrying No Cross' and the Eddie Jobson solo. I guess these were either not played or have been edited from the 'broadcast'.
10/11/79 Madison Square Garden cdr 2 b+ lineage: AKG D-190E microphones > Sony 158 cassette deck > master tape (Maxell XL-I) > Maxell UD 7" reel > my copy (Maxell XL-I) > soundforge 4.5 > FLAC 6 > torrentially yours. (both as opener for the Jethro Tull Stormwatch tour) setlist: New York City 1: Caesar's Palace blues (fades in) 2: as long as you want me here 3: Alaska > presto vivace > in the dead of night 4: rendezvous 602 5: night after night 6: the only thing she needs 7: waiting for you (end cuts) Here are 2 very similar, good shows and recordings from the "Night After Night" U.K. tour. Each show runs about 45 minutes. Pretty good opening act, so good for Eddie Jobson that Ian Anderson invited Eddie to play in 1980 Jethro Tull tour (which he did well). I think the Boston one is a little bit better recording, and I helped record it from the 17th row on the floor. This is the opening end of the "My deck's sitting in a puddle of Pepsi" Jethro Tull show (upped from dramas recently, coming soon from my master), and it was almost a puddle for this set too, but the whole thing still came out well, the Pepsi never reached the tape or tape heads, me and a buddy held the AKG D-190-E microphones (bright silver) in the air for the whole show, and came home with very sore arms, but it was worth it. Hockey Arena UK! I'd rather have seen Holdsworth U.K. but never did. The Boston set sounds more like their poppy style. New York was a better performance I thought, especially by Wetton. (I'm a lifelong Boston Red Sox fan so no NY bias is involved in that judgement) Both are quite good though in sound and music quality. Both sound pretty clean with good fidelity. The Those AKG's aren't quite Sennheisers, but they did all right here. Since Terry Bozzio is one of my favorite drummers, the absence of Bruford (another of my favorites) doesn't exactly hurt here, but the absence of Holdsworth always hurts. They're still enjoyable shows to hear. the NY Rendevous is unusually long, maybe another song goes into it? There seems to be a UK thing going on here at dime, so I'm contributing 1 from the originasl version (Orpheum, Boston Oct. 78) and these 2 from the trio era, cuz even a trio UK is better than no UK at all. Both these recordings aren't quite complete, but only about one minute is missing of each show. So if you're OK with a three piece UK, you should find these enjoyable listening. It's hard to say ANYONE sounds better than Bill Bruford in UK, but Terry is just as good, I'd say, in both these shows, and Jobson is solid too. Do not sell these recordings.
10/21/79 Boston Garden cdr 1 b+ and Boston Garden Boston, Mass. 10/21/79 performance quality: B+ recording quality: B+ lineage: AKG D-190E microphones > Sony 158 cassette deck > master tape (Maxell XL-I) > Maxell UD 7" reel > my copy (Maxell XL-I) > soundforge 4.5 > FLAC 6 > torrentially yours. (both as opener for the Jethro Tull Stormwatch tour) 1: Caesar's Palace blues (cut in middle, deck momentarily shut off) 2: as long as you want me here 3: Alaska > presto vivace > in the dead of night 4: rendezvous 602 5: night after night 6: the only thing she needs 7: waiting for you comments: Here are 2 very similar, good shows and recordings from the "Night After Night" U.K. tour. Each show runs about 45 minutes. Pretty good opening act, so good for Eddie Jobson that Ian Anderson invited Eddie to play in 1980 Jethro Tull tour (which he did well). I think the Boston one is a little bit better recording, and I helped record it from the 17th row on the floor. This is the opening end of the "My deck's sitting in a puddle of Pepsi" Jethro Tull show (upped from dramas recently, coming soon from my master), and it was almost a puddle for this set too, but the whole thing still came out well, the Pepsi never reached the tape or tape heads, me and a buddy held the AKG D-190-E microphones (bright silver) in the air for the whole show, and came home with very sore arms, but it was worth it. Hockey Arena UK! I'd rather have seen Holdsworth U.K. but never did. The Boston set sounds more like their poppy style. New York was a better performance I thought, especially by Wetton. (I'm a lifelong Boston Red Sox fan so no NY bias is involved in that judgement) Both are quite good though in sound and music quality. Both sound pretty clean with good fidelity. The Those AKG's aren't quite Sennheisers, but they did all right here. Since Terry Bozzio is one of my favorite drummers, the absence of Bruford (another of my favorites) doesn't exactly hurt here, but the absence of Holdsworth always hurts. They're still enjoyable shows to hear. the NY Rendevous is unusually long, maybe another song goes into it? There seems to be a UK thing going on here at dime, so I'm contributing 1 from the originasl version (Orpheum, Boston Oct. 78) and these 2 from the trio era, cuz even a trio UK is better than no UK at all. Both these recordings aren't quite complete, but only about one minute is missing of each show. So if you're OK with a three piece UK, you should find these enjoyable listening. It's hard to say ANYONE sounds better than Bill Bruford in UK, but Terry is just as good, I'd say, in both these shows, and Jobson is solid too
11/14/79 Long Beach Arena cdr 1 b+ Linage: store bought CD, Highland This one is a bit short, but aparently UK was opening for Jethro Tull so perhaps this one is complete. There is a tape cut between Night after night and The only thing she needs is cut at start.
12/06/79 Gota Leon cdr 2 a SBD. With interview at end.Stockholm Göta Lejon 1979 december 6 CD 1 1. Intro 2. Caesar´s palas blues 3. Danger money 4. As long as you want me here 5. Thirty years 6. Terry Bozzio solo 7. Night after night 8. Alaska 9. Nothing to lose CD 2 1. John Wetton solo 2. Rendez vous 6:02 3. Unknown track 4. Eddie Jobson solo 5. Presto vivace 6. In the dead of night 7. The only thing she needs 8. Waiting for you Bonus 9. Shit for brains aftershow interview Tape-flip between Nothing to lose and John Wetton solo No music is missing! The intro and the unknown track are....(if i remember correctly) are later released on Eddie Jobsons Zinc Album Linage: Store bought pressed CD (highland)
12/09/79 Audimax cdr 2 a- Band: UK Title: Waiting For You Date: December 09, 1979 Venue: Audimax, Hamburg, Germany Label: Complex Dreams Number: UK-3002 Sound Quality: 7+ ~ 8 Artwork: Include Recording: Audience Source: Press CD > EAC(ver. 0.95 beta 4) > WAV > FLAC frontend(ver. 1.7.1 Level:8) > FLAC > Trader's Little Helper(ver. 1.1.1) > DIME disc one (42:46) 1. Caesar's Palace Blues 2. Danger Money 3. As Long As You Want Me Here 4. Thirty Years 5. Drum Solo 6. Night@After Night 7. Alaska 8. Nothing To Lose disc two (44:17) 1. Improvisation 2. Rendezvous 6:02 3. Violin Solo 4. Instrumental 5. Presto Vivace 6. In The Dead Of Night 7. The Only Thing She Needs 8. Waiting For You Total Length: 1:27:03 Line Up: John Wetton: Vocal, Bass Eddie Jobson: Keyboards, Electric Violin Terry Bozzio: Drums This is my first seeding. Therefore it is worry whether I was able to prepare all of you do not have any problem, and to be able to download this file smoothly. By eight songs enter each this CDs. But "disk one" was parted to six tracks, and "disk two" was parted to seven tracks too. So I uploaded this without any editing. This sound have a joint on 0:44 of "d2-04-Instrumental". The phenomenon comes from the original CD, and it is not a wound of the disk by any means.
12/17/79 Vereeniging cdr 1 b+ It's a SBD, but not a good one.
04/08/11 Regent Theater cdr 2 A- AUD....CQ version, last 2 numbers not recorded.
04/08/11 Regent Theater cdr 2 A Taper: Farve4 Mastering: Bob S. rtist: UK Venue: Regent Theater Location: Arlington, MA Date: April 8 2011 SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-M10 (Line In)===SDHC SanDisk 8GB Micro Memory Card @ 48/24 The better of the 2 versions I have. Great show!
05/01/12 Vic Theater cdr 2 UK Vic Theatre Chicago, IL May 1, 2012 **1st Night of Tour** **1st public performance in 33 years as this trio** Eddie Jobson John Wetton Terry Bozzio CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC Alaska Night After Night Thirty Years Rendezvous 6:02 Carrying No Cross Keyboard Solo Violin Solo Drum Solo Fallen Angel (King Crimson) Danger Money In The Dead of Night By The Light Of Day Presto Vivace/In The Dead of Night (Reprise) Caesar's Palace Blues The Only Thing She Need
05/02/12 Showcase Live cdr 2 UK Showcase Live Foxboro, MA May 2, 2012 Eddie Jobson John Wetton Terry Bozzio 2omni mics (binaural) > sharp minidisc > Protools > CDWAV > FLAC 01 Alaska 02 Night After Night 03 Thirty Years 04 Rendezvous 6:02 05 Carrying No Cross 06 Jobson Solo 07 Bozzio Solo 08 Fallen Angel (King Crimson) 09 Danger Money 10 In The Dead of Night 11 Caesar's Palace Blues 12 The Only Thing She Needs
05/08/12 World Cafe' Live cdr 2 UK May 8, 2012 Philadelphia, PA, USA World Cafe' Live AUDIENCE RECORDING Digitally Mastered from the MASTER DAT DISC ONE: 01 - ..excerpt: Alaska --> 02 - Night After Night 03 - Thirty Years 04 - Rendezvous 6:02 05 - Carrying No Cross 06 - KEYBOARD & VIOLIN SOLOS: Eddie Jobson 07 - DRUM SOLO: Terry Bozzio DISC TWO: 01 - Danger Money 02 - Presto Vivace --> 03 - In The Dead Of Night 04 - Caesar's Palace Blues 05 - Fallen Angel 06 - The Only Thing She Needs SOURCE / LINEAGE: Digitally Mastered from MASTER DAT AUDIENCE > SONIC MICS > SONY PCM-M1 DAT @44khz > SONY RMR-D100 > ROLAND VS1680 > CD-R > EAC > WAV > FLAC Frontend

Van Morrison --- Approximate Hours: 2.5
Show Date Venue Media Type Media Count Sound Quality Notes
05/09/71 Pacific High Recording Studio cdr 2 a+ FM Great sound, great show!

Vandenburg --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/11/83 Anna's Hoeve cdr 1 A FM
06/21/84 Shibuya Kokaido cdr 2 A SBD

Vinnie Vincent Invasion --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
11/26/86 L'Amour East cdr 1 b AUD
??/??/87 Jeff Scott Soto Demos cdr 1 A
??/??/89 Vinnie Vincent Guitars From Hell Demo cdr 1 A

Virgos --- Approximate Hours: 3.75
Show Date Venue Media Type Media Count Sound Quality Notes
04/15/00 Brevard Community College (Brevard County Fair) cdr 2 A SBD
10/31/00 House of Blues (Halloween Bash) cdr 1 A SBD A little distortion during Disregarding

Warren Zevon --- Approximate Hours: 15
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/70 The Covers Project cdr 3 b AUD
06/20/76 The Main Point cdr 1 A FM. Tape hiss....
07/27/78 The Record Plant cdr 1 A FM A few of the track splits are dodgy
09/29/82 The Metro cdr 2 a+ FM AWESOME!
10/01/82 Capitol Theater cdr 1 A SBD
01/05/92 Empire Concert Club cdr 2 a+ FM
06/08/95 KSCA-FM Studios cdr 1 a+ FM 27 mins
12/03/99 Austin City Limits Soundstage cdr 1 a+ SBD

Whitesnake --- Approximate Hours: 31.25
Show Date Venue Media Type Media Count Sound Quality Notes
06/17/78 AZ 67 Stadion cdr 1 A SBD
07/05/78 Paris Theatre cdr 1 A FM
11/07/78 Victoria Hall cdr 1 A- I think this was at Victoria Hall SBD
11/21/78 Rafters Club cdr 1 b AUD
04/12/80 Castle Hall cdr 2 a+ SBD...mine does not have We Wish You Well
04/20/81 Volkhaus cdr 2 a- Whitesnake 1981-04-20 Zurich, Switzerland BOOTLEG TITLE : Hot Stuff ( Shades ) Volkhaus, Zurich, Switzerland Released CD-R -> EAC -> Flac Sound Quality : Very Good sound quality This is a different source from "Hot Stuff In Zurich" or "No Hot Stuff In Zurich".
??/??/81 Come An Get It Demos cdr 1 A
01/19/83 Friedrich Ebert Halle cdr 1 A FM. "Reptile Kiss."
01/22/83 Palais De Beauliue cdr 2 A- AUD
02/22/83 Budokan cdr 3 a I have 2 versions of this show...the one cd "Cozy mix, and the 2 cd "Snake Mix" Disc 1 (Cozy Mix) 01. Walking In The Shadow Of The Blues 02. Rough An' Ready 03. Ready An' Willing 04. Don't Break My Heart Again 05. Here I Go Again 06. Love Hunter incl. Micky Moody Guitar Solo & Colin Hodgkinson Bass Solo 07. Crying In The Rain incl. Mel Galley Guitar Solo (Cut Out) 08. (Cut In)Soldier Of Fortune 09. Cozy Powell Drums Solo feat. 633 Squadron & 1812 Overture 10. (Ain't No Love)In The Heart Of The City 11. Fool For Your Loving Disc 2 (Snake Mix) 01. Walking In The Shadow Of The Blues 02. Rough An' Ready 03. Ready An' Willing 04. Don't Break My Heart Again 05. Here I Go Again 06. Love Hunter incl. Micky Moody Guitar Solo & Colin Hodgkinson Bass Solo Disc 3 01. Crying In The Rain incl. Mel Galley Guitar Solo (Cut Out) 02. (Cut In)Soldier Of Fortune 03. Jon Lord Keyboard Solo 04. Cozy Powell Drums Solo feat. 633 Squadron & 1812 Overture 05. (Ain't No Love)In The Heart Of The City 06. Fool For Your Loving 07. Thank You Audience 08. Wine,Women An' Song 09. We Wish You Well
03/01/84 Apollo cdr 1 a+ FM
04/04/84 Royal Centre Concert Hall cdr 2 B+ AUD Good quality master audience recording, slightly longer and IMO better quality than "Last Days For Jon & Mel".
07/24/84 Spokane Coliseum cdr 1 A- SBD Hiss during the first 4 tracks
??/??/84 Mel Galley's Slide It In Demos cdr 1 A
08/18/90 "Monsters of Rock", Donnington Park cdr 2 a+ SBD. A little bit of fuzz and crackle here and there, but a great sounding, high energy show.
05/15/11 Penns Peak cdr 2 A- Whitesnake Penns Peak Jim Thorpe, Pa. May 15, 2011 Recorded by bcironmaiden Recorded w/ SP-CMC-2 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module > Olympus LS-10 Linear PCM Recorder 44.1khz/16bit HD > CD Wave Editor > TLH > You Recording came out very good I think all will enjoy . No opening act , it was all Whitesnake and they killed it !!! Wow !!! Great GREAT show, start to finish everyone sounded great, Doug was off the wall his playing is out of this world. Coverdale sounded fantastic, if anybody has any doubts about his voice , DON'T , he was spot on. The whole band was really tight, Reb played great, Devins bass- hard driving, and Brians drums were solid, his solo was kick ass. Great time, Great band , Great venue. Now go see them and buy all the merch you can so they stay around for a long LONG time !!!!!!!!!!!!
09/11/11 Citibank Hall cdr 1 b- Band....: Whitesnake Date....: September 11th, 2011 Venue...: Citibank Hall City....: Rio de Janeiro, RJ Country.: Brasil Taper...: Alex_D Recorder: Edirol R-09 Mic.....: SoundPro SP-CMC-2 Source..: Audience Code....: Alex_D 003 Time....: 01:19:01 Taper's Notes: I wasn't at the best place for recording the gig. Far away from the stage, near the entrance, so, you can hear some people talking near to me, I didn't realize what I've done until I listen the recording.

Willie Dixon --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
07/08/83 Montreux Jazz Festival cdr 1 SBD

XYZ --- Approximate Hours: 1.25
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/80 Unknown cdr 1 A Jimmy Page/Alan White/Chris Squire

Yes --- Approximate Hours: 830
Show Date Venue Media Type Media Count Sound Quality Notes
??/??/39 Lost YesYears 2 b
??/??/39 MTV Interviews 1981-1984 cdr 1 a Since there appears to be some interest in Yes interviews I am going to make an effort to convert all my interview tapes that I collected over the past 35 years and put them up on DIME. I intended to convert them to CD for my own use and so far only have 1 CD done (that was 2 years ago!). Here is CD 1 edited to remove the obligatory official album tracks that so many radio stations put in. Yes Interviews CD 1 1971 - 1973-03-26 lineage: cassette tapes of various generations > CD
10/27/69 Actuel Festival cdr 1 b AUD.....at the end there are a few snippets of Zappa's set.
??/??/69 In the Beginning, 1969 cdr 1 c AUD. Peter Banks era stuff.
04/03/70 Sporthalle 1 c CDR Trade > EAC (wav) > FLAC Frontend encode level 8 "A Pair From 1970" AUD....not good either...but one of the last Peter Banks shows.
08/09/70 Plumpton Racecourse cdr 1 b- CDR Trade > EAC (wav) > FLAC Frontend encode level 8 "A Pair From 1970" AUD.
01/24/71 Göteborgs Concerthall cdr 1 a+ FM
02/27/71 Roundhouse cdr 1 b+ AUD 7 from 71 version
03/27/71 Deutschlandhalle (Berlin Arts Festival) 1 b+ YES 1971-03-27 Deutschlandhalle Berlin, West Germany Incomplete Excellent Audience Recording Analog 2nd Gen Cassette>DAT>CDR>EAC>WAV>TLH>FLAC>DIME Originally from the collection of;Per-Erik "my swedish connection" Uploaded by;"Lucifer Burns" This is YES on tour in support of their 3rd release "The YES Album". According to the YES website "Forgotten Yesterdays", this show is missing the last 2 songs; EVERYDAYS & AMERICA
05/10/71 Teatro Lirico cdr 1 b AUD Milano stage 71
05/11/71 Brancaccio cdr 1 b AUD Tooleman remaster. Everydays and America have some bad tape stretching.
07/23/71 Gaelic Park cdr 1 b+ AUD Relayerman Speed corrected. Better than Highland version.
07/24/71 Yale Bowl, Yale University cdr 1 a+ SBD! TOOLEMAN REMIX! Of all the unofficial Yes recordings of all eras of the band that I've ever heard, this is my absolute hands-down favorite. It captures Yes on the verge of tremendous world-wide success, playing in front of a big audience that they needed to reach. Their excitement is tangible, and it comes through in their performance. For you who may recall the surround-sound fantasy I created in 2005, this is the mix for the front channels of that little project. There is a bit of pseudo-stereo in this mix. You will also note that the first few notes of "Yours Is No Disgrace," which were lost when the recording starting a few seconds late, have been reconstructed through a little clever splicing, using the same bars when they were repeated later in the performance. This is my personal mix. I'm sharing it with you just 'cause I feel like it. I hope you enjoy it. Peace, love, and turtle happiness TheTooleMan February, 2010
07/24/71 Yale Bowl, Yale University cdr 1 a+ SBD. 1st Tooleman remaster.
10/02/71 St Georges Hall cdr 1 c- AUD Relayerman version Terrible recording.
10/11/71 Civic Hall cdr 2 b Tooleman...7 from 71 version AUD
10/16/71 Newcastle City Hall cdr 1 b+ AUD. Tooleman remaster 2002. "20 min. Tap Dance."
11/14/71 Amphitheatre cdr 1 b Tooleman 7 from 76 vol. 6
11/24/71 Academy Of Music cdr 1 b+ AUD Tooleman remaster. Clean sounding show. One of the best Fragile shows.
01/21/72 Concertgebouw cdr 1 a es - Mega-rare restored LP "The White Yes Album" Amsterdam 1972-01-21 speed corrected and rejoined - an incredible experience It is my contention that even if you own this LP... you've never really heard it before. This Dutch album on Offshore Records is the definitive recording of this show. Forget the CD reissue - I have it, it stinks. Upon listening to this record, I found it to be running noticeably slow. It was pitched by ear on the turntable, resulting in an improvement in the sound quality. This is one of the best Yes performances around, don't miss it! Setlist: Your Move I've Seen All Good People Heart Of The Sunrise Rick Wakeman Solo Long Distance Runaround The Fish (Schindleria Praematurus) Yours Is No Disgrace Lineage: Original LP ->Speed Correction ->Sound Forge->Click and Crackle Removal-> Flac via Flac Frontend, level 6, sectors aligned and verified Enjoy! A DoinkerTape
03/10/72 Winterland Ballroom cdr 2 b AUD
03/16/72 Tucson Community Center cdr 1 b Tooleman remaster. 2003 AUD Perpetual Change fades out before the end.
03/17/72 Swing Auditorium cdr 1 b+ AUD Tooleman remaster.
07/30/72 Dallas Memorial Auditorium cdr 1 b AUD Relayerman version. 1st Alan White gig.
08/11/72 Rubber Bowl, University of Akron cdr 1 b AUD
08/13/72 Merriweather Post Pavilion cdr 1 a- AUD "Yesstorm" 35th anniversary Tooleman remaster.
09/02/72 Crystal Palace cdr 2 b+ AUD Relayerman version.
09/10/72 Kings Hall, Belle Vue Zoo cdr 2 b+ Yes Kings Hall Belle Vue Zoo Manchester, England September 10, 1972 ***PREVIOUSLY UNCIRCULATED*** This is an authentic, previously uncirculated recording of Yes. Thanks to Chris Gregory for providing the high-quality transfer of his tape. Chris did not use the automatic level control in his tape recorder during the making of this recording. As a result, the dynamics of the recording represent the actual loud and quiet passages of the performance. There is a fair amount of tape hiss in the quiet passages, including many of Jon's remarks between songs and during Steve's and Rick's solos. I employed Sony Vegas Pro and Sound Forge Pro to master the tape, with a minimal amount of noise reduction to enhance the quiet passages without marring the music hiding under the hiss. A bit of pitch correction was required, and some EQ brought out the highs and lows. We owe Chris a big "thank you" for sharing this historic document. TheTooleMan (still waiting patiently for a tape of Yes 1972-09-30 Atlanta to surface) February 2011 Notes from the taper: I provided the raw 24 bit WAV files direct from the tape to ‘TheTooleMan’. The Lineage of this recording is as follows: The source was a BASF C120 LH Cassette Tape recorded on a Bush TP-60 cassette tape recorder in mono with its purpose built hand held microphone, without AGC, and at a fixed manual recording level. The tape was played back with azimuth correction on a Sony Stereo WM-DD33 Walkman and then digitised on a ZOOM H2 recorder @ 48 KHz to 24bit WAVs. No Dolby NR or EQ was used during this transfer. There was one tape flip after ‘Heart of the Sunrise’ and before ‘Close to the Edge’. I wasn’t able to record all of the extended ‘Yours is No Disgrace’ encore as the tape ran out. As I recall I don’t think I missed much, maybe a couple of minutes or so. On the original tape it is difficult to hear what Jon is saying but from what I have heard of ‘TheToolemans’ remaster I can definitely make out more of what Jon is saying in between tracks. I also noted that Jon’s accent back then sounds to be more typical of Manchester, Northern England (in that he grew up in Accrington, near Manchester). But over the years he lost that accent, gradually, as he spent more time in the States. This was recorded in the Kings Hall at Belle Vue Zoo in Manchester, England. (See ‘Kings Hall’ here http://en.wikipedia.org/wiki/Belle_Vue_Zoological_Gardens). I was about 17 or 18 at the time and I remember going along in my Afghan coat with two girlfriends, called Jill and Sarah. If you listen carefully you can probably hear them, especially during the opening (excerpt from the Firebird Suite - Stravinsky). We were sat near the back of the hall to the right and as I recall there was only one level of seats. Chris Gregory 19-Feb-2011, England.
09/25/72 Dillon Stadium cdr 2 b+ you're all hart Yes Jon Anderson- vocals Steve Howe- guitar Rick Wakeman- keyboards Chris Squire- bass Bill Bruford- drums Dillon Stadium Hartford, Ct. U.S.A. September 25, 1972 originally was supposed to be on August 14 and is incorrectly listed as such in etree.) performance quality: A- nice show recording quality: B quite good for this era source: 1st gen. audience tape runtime: 94:20 setlist: disc 1 43:29 1: Siberian khatru 10:39 2: all good people 7:17 3: close to the edge 18:39 (spliced, tape flip) 4: mood for a day 3:19 5: the clap 3:32 disc 2 50:51 6: heart of the sunrise 11:34 7: and you and I 10:35 8: keyboard solo (excerpts from 6 wives) 6:45 9: roundabout 8:12 10: yours is no disgrace 13:43 comments: I was told by basscase2, who was the taper of this recording, that this show was postponed because it rained heavily on the August date, and Dillon Stadium is a football arena without a roof of any kind. (just another reason I don't like big outdoor shows). Fortunately this show did get made up, much to the delight of Yesheads in Connecticut (they do have a few). this was one of my 1st digital transfers, first done from the master tapes. Like most of my earliest transfers it wound up on a glitchy CD, and that wound up in the trash because I can't find it. So I had to do a new transfer from the 1st gen. tape I have of it which I got before I had a computer. I was not happy about that, having to add a gen. but I don't think the difference is very noticable, since it is a 1st gen. tape copied Nak. to Nak. onto a Maxell XLII (no dolby on the master or the copy.) that hasn't been played much so it sounds good. I've been trying to get BC to post it, he's still trying to figure out uploading. (it took me awhile). someone else told me this was to be the first live performance of CTTE, had this show happened when planned, but the postponement of the show made that not the case. This was a nice concert, about as long as 72 Yes shows get with several of my favorite songs. there is some between song editing, and a tape flip cut in CTTE, but just missing a few seconds. I spliced it, you'll notice it (during the keyboard part in the middle) but it's not too abrupt. Otherwise it seems to be complete except the 1st second or 2 of a couple of songs. I only edited out some recorder shutoff and turn-on noises. this is all that was recorded and the sound is pretty listenable for this era, especially for a stadium gig. Not that much crowd noise at all in here. this one is for the Toole Man and Relayerman and probably alot of folks since there are many who like Yes music, and just as many who like Bruford in any capacity. (like me). this is one of the better 72 auds I've heard.
09/25/72 Dillon Stadium cdr 2 a- Tooleman version-not remastered. AUD Cuts in Jon's announcements and plenty of tape hiss.
10/30/72 Waterloo University cdr 2 b+ Total running time 1:22:53 (in WinAmp) I got this source in a trade with "RevealingYes" (fellow Dime user, and allround good guy ;-)) years ago (Thanks Huub!). It was an LP recorded on tape (no info on equipment used, long time ago). I offered it some time ago (last year) on another torrent site too, just the way it was, but there were a lot of things wrong with it, such as speed, pitch, trackorder and worst of all, the constant crackling of the vynil! I did to do the best i could, within my powers, with the source provided, but the crackling sound was impossible to remove without touching the rest of the recording, so i left that the way it was. I did do some tweaking on the pitch and speed (it`s better, but i`m sure it is still way off) and mixed the 2 channels to 2 channel mono. I also corrected the trackorder, and this is now in the order of the setlist as stated on Forgotten Yesterdays. Forgotten Yesterdays is ofcourse our very valuable source for information on Yes shows (thank you Pete Whipple). I`m not saying it`s perfect, far from it, and someone with more knowledge of speed correction and pitch control etc. can do a much better job, i`m sure, but with what i did to it, it`s does sound better than it was! I left the cuts as they were on the LP, i didn`t do any crossfading or anything, as this too would not do the recording any good, considering that some tracks fade out prematurely.
11/11/72 Cameron Indoor Stadium, Duke U cdr 2 b+ AUD Alternate Yessongs. Highland
11/20/72 Nassau Coliseum cdr 2 b+ AUD Relayerman remaster.
03/08/73 Koseinenkin Kaikan cdr 2 b AUD "Eve of Autobiography" on Highland Label
03/09/73 Shibuya Koukaidou cdr 2 b AUD "Heart of Yes"
03/10/73 Kanda Kyoritsu Koudou cdr 2 b AUD Sourced from Sirene label bootEnd of Trooper is missing as is the very beginning of Siberian Khatru. Remastered Kittly Lickin' Discs version.
03/19/73 Festival Hall cdr 2 A AUD. A nice audience recording given its age.
03/21/73 Apollo Stadium cdr 1 b+ AUD Relayerman version...not Highland. No crowd noise between songs...incomplete show. Siberian Khatru/ISAGP/Heart of the SUnrise/AYAI/CTTE(incomplete)/Wakeman solo/Roundabout/Starship Trooper
03/26/73 Hordern Pavillion cdr 1 b+ AUD> Lineage unknown. CDR Box Boot > Wav > Flac 01 Firebird Suite 02 Siberian Khatru 03 Heart of the Sunrise 04 I've Seen All Good People 05 Mood for a Day/Clap/Tie Me Kangaroo Down Sport 06 And You and I
04/21/73 Tampa Stadium cdr 1 b+ AUD Relayerman version. Incomplete. CTTE/Roundabout/Starship Trooper
11/18/73 Hippodrome (Early) cdr 2 b AUD Relayerman version. Taper turns recorder off between songs.
11/27/73 City Hall cdr 2 b AUD Relayerman version
12/06/73 Apollo Theatre cdr 2 b+ AUD Relayerman remaster. tape flip during the Ancient.
12/10/73 Empire cdr 2 b- AUD Relayerman version::: I've thought about uploading this show for a long time, but my problem was I had two sources and both had problems to overcome. I bit the bullet and redid the audio for both sources and then combined them to make the most complete version of this show. Source 1 had all the songs, but the Revealing and Ritual were incomplete and the sound is about a C-. Source 2 was about a B- in quality, but Close To The Edge and the Ancient were incomplete and Ritual and Roundabout were missing. In the end this is not a bad show, but I would caution the casual listener that this might not be their cup of tea. This was the final show of the UK portion from the Tales From Topographic Oceans tour.
02/08/74 Miami Baseball Stadium cdr 2 b AUD
02/09/74 Tampa Stadium cdr 2 b- AUD Relayerman version. Missing the Remembering, but has a different Wakeman solo than the other shows of the tour. For completists.
02/13/74 Baltimore Civic Center cdr 1 c AUD for completists. Little gaps in each tune. CTTE jumps from 2 minutes to the 13 minute mark. and there's only a few minutes of RSOG.
02/14/74 Nassau Coliseum (2nd Show) cdr 2 b AUD...tape flips during RSOG and The Ancient.
02/15/74 New Haven Coliseum cdr 2 b- AUD
02/16/74 The Spectrum (1st Show) cdr 2 a- AUD 35th ann. Tooleman remaster.
02/18/74 Madison Square Garden cdr 2 a- AUD 35th ann. Tooleman remaster. "Yessongs 2.1" Just the 4 TFTO songs.
02/20/74 Madison Square Garden cdr 2 b+ AUD 35th ann. Tooleman remaster. Just the 4 TFTO songs.
02/22/74 Maple Leaf Gardens cdr 2 b+ AUD Relayerman version. Stereo...pans back and forth noticably during the show. Cuts out on the last few bars of Ritual.
02/26/74 Boston Garden cdr 2 b+ AUD Tooleman Tea-FTO Party version. One of the best (and last) recordings of The Remembering. This master surfaced in 2003.
02/26/74 Boston Garden cdr 2 b+ AUD....new transfer from master. Tape flips during RSOG and Ritual.
02/26/74 Boston Garden cdr 2 b Yes Boston Garden Boston, MA 26 February 1974 Master audience recording taped by Dan Lampinski CD1 01 Firebird Suite 02 Siberian Khatru 03 And You And I 04 Close to the Edge (spliced) 05 The Revealing Science of God (spliced) CD2 01 The Remembering 02 The Ancient (spliced) 03 Ritual (spliced) 04 Roundabout unknown model dictation style Tape Recorder External Mono Microphone Scotch cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. A 24-bit/96-KHz flac24 version of this recording is also available. Warning/Disclaimer: This recording should not be confused with the series labelled "The Dan Lampinski Tapes Volume XX". This recording represents part of Dan's earliest efforts to capture the live concert experience for posterity, hence the series name "Dan Lampinski - The Early Years Volume XX". Given the very consistent high quality of Dan's later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things. Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording. Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely. The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution. Always remember - the more generous you are with your music, the more it comes back to you. Kev & Carl November 2010
02/27/74 Cobo Hall cdr 1 b AUD....only 2 songs...The Ancient and Ritual
02/28/74 Cobo Hall cdr 2 a- AUD Highland Relase "Topographic" Just the TFTO songs, plus RSOG from the BBC 11/1/73
02/28/74 Cobo Hall cdr 2 a AUD Tooleman 35th ann. remaster.
03/03/74 Riverfront Arena cdr 2 b- AUD incomplete....Missing RSOG and the Remembering.
03/18/74 The Forum cdr 2 b+ AUD Mike Millard master. From "The Word is Live" Tarantula box set.
03/19/74 Long Beach Arena cdr 2 b+ AUD Mike Millard master. From Tarantula box "The Word is LIve"
04/11/74 Messegelande Halle 1 cdr 2 c+ AUD
04/14/74 Friedrich-Ebert-Halle cdr 2 b AUD Tape flip in RSOG.
04/19/74 Palais Des Sports cdr 2 b AUD Tooleman remaster
04/21/74 Hallenstadion cdr 2 c+ AUD
04/23/74 Brancaccio cdr 2 b- AUD
11/20/74 Madison Square Garden cdr 2 b AUD "New York Delirium"
11/24/74 Greensboro Coliseum cdr 1 a- AUD...Relayerman version. Sadly incomplete.
11/28/74 Jai Alai Fronton cdr 2 b Yes Jai Alai Fronton (or The Sportatorium) Miami, FL 1974-11-28 TheTooleMan edition, 2008 This recording is most notable for being the only capture of Yes playing "Siberian Khatru" on the 1974 Relayer tour. It's Patrick Moraz's first outing with the song, as far as I know, and he doesn't fuck it up too badly. This torrent is a combination of two copies of the show from my collection. One is Highland's "Full of Nightmarish." The other copy is a set of SHN files of just the five tracks on disk one. The SHN files sound better than the two-disk audio set, which is recorded too loud and has a very dull sounding right channel. Sound quality is definitely in the "OK" category, with a lot muddy bass. Most of the chatter by Jon was cut either during the taping or in the process of copying it for trading. I don't think any of the music is cut, though. I didn't do any EQ work on the sound, but leveled out the volume between the left and right tracks and between the two sources so you can listen to the whole thing without destroying your speakers. So it's not what I'd call a "remaster," just a "tweaking." Cha cha cha! TheTooleMan
11/30/74 The Omni cdr 2 b+ AUD Tooleman remaster 2004
12/01/74 Louisiana State University cdr 2 b+ AUD....Yes Decemeber 01, 1974 Baton Rouge Taper: freezer Lineage: Freezer's master cassettes > (?) > cd-r (x) > EAC (secure mode) > wav > xACT > flac Disc 1: 1. Intro music 2. Sound Chaser 3. Close to the Edge 4. To Be Over 5. The Gates Of Delirium 6. And You and I Disc 2: 1. Ritual - Nous Sommes Du Soleil (several seconds of empty space, then the next track is much louder) 2. Roundabout
12/01/74 Louisiana State University cdr 2 b+ "Freezer" aud recording. Nice!
12/05/74 Tulsa Civic Center cdr 2 b AUD Lots of distortion...but it has SSOTS!
12/11/74 Boston Garden cdr 2 a+ CD1 1 Firebird Suite 2 Sound Chaser 3 Close To The Edge CD2 1 To Be Over 2 Gates Of Delirium 3 And You And I 4 Roundabout
12/11/74 Boston Garden cdr 2 A AUD. Dan Lampinski recording, 35th ann. Tooleman remaster. Full show, fantastic aud! Remastered by TheTooleMan, June 2009 - Equalization - pitch correction - editing (2 gaps in original tapes)
12/11/74 Boston Garden cdr 2 a+ Pre fm. Tooleman remaster. From King Biscuit. No Ritual.
05/10/75 Loftus Road Stadium 2 a SBD
06/23/75 Long Beach Arena cdr 2 a AUD Tooleman 30th anniversary remaster of a Mike Millard recording. Fantastic sound.
06/28/75 Seattle Center Coliseum cdr 2 a- AUD Incomplete show, but pretty good sound. SHow ends at AYAI
07/06/75 Midsouth Hudson Coliseum cdr 2 b+ AUD relayerman remaster. Lots of fireworks going off...Jon asks them to stop at one point.
07/18/75 Montreal Forum cdr 2 b AUD Relayerman version. Some big dropouts during the first 2 songs, but the rest of the show sounds OK.
07/23/75 Providence Civic Center cdr 2 a AUD Dan Lampinski master.
08/23/75 Reading Festival cdr 2 b- AUD The 15th NJF Festival At Reading On 8/23/75 (2 CD Set) (Highland HL048/49#Y10) Firebird Suite Sound Chaser Close To The Edge And You And I High Vibration Gates Of Delirium Leaves Of Green Your Move Ritual Roundabout
11/??/75 Ed Sciaky interviews Chris and Steve cdr 1 a Here is a 3-part interview with Steve Howe and Chris Squire. These were recorded in November of 1975 and broadcast on WMMR in March of 1976. Ed Sciaky conducts the interviews. Steve's segment, in particular, is quite interesting. I think the last segment is incomplete, but can't really tell. All officially released music tracks have been removed as usual. One interesting note is that during Steve's segment Ed Sciaky pulls out an earlier interview segment with Jon Anderson and Steve performing parts of what they called, at the time, 'High Vibrations'. Of course it is Awaken, but its interesting to hear the very early stages on the song from 1975. CD set (approx. 1 hour) 1. Steve Howe (38 mins) 2. Chris Squire (17 mins) 3. Steve & Chris (5 mins) lineage: tapes from trades > SoundForge > WAV > FLAC > you Enjoy! Relayerman
05/28/76 Roanoke Civic Center cdr 2 b+
05/??/76 Rehearsals, Tait Towers cdr 1 c AUD Solo rehearsals on Higland. Not as long as version listed here.
06/12/76 J.F.K. Stadium cdr 2 b Since there is some interest in the Patrick Moraz era of Yes I thought I'd dust off some old tapes and see what I could come up with that hasn't seen the light of day in awhile. This show was a bit of a milestone for Yes as it was their biggest audience ever with an estimated 100,000-150,000 people. Peter Frampton and Gary Wright opened the show and a huge fireworks display was also on tap. It was, afterall, the Bicentennial year in the US. The recording here is just an 'ok' recording which I tweaked some. I have a suspicion the show was taped on one 90 minute cassette, but when I bought this bootleg way back in the early 80's it came to me as two tapes. There are some obvious tape flips and the show ends in the middle of Ritual. Yes JFK Stadium Phila., PA USA June 12, 1976 lineage: cassettes (maybe 2nd gen or more) > PC > SoundForge > CD > FLAC > you lineup: Jon Anderson, Chris Squire, Steve Howe, Patrick Moraz, Alan White Disc 1 1. Intro / Apocalypse 2. Siberian Khatru 3. Soundchaser 4. I've Seen All Good People 5. Gates Of Delirium Disc 2 1. Clap 2. Long Distance Runaround 3. Moraz solo 4. Olias excerpts 5. Heart Of The Sunrise 6. Ritual (incomplete) Enjoy! Relayerman
06/17/76 Roosevelt Stadium cdr 1 a Quasi Mystical Vision 01 Siberian khatru 02 Sound chaser 03 I've seen all good people 04 Gates of delirium 05 Long distance runaround 06 The clap 07 Sunhillow 08 Heart of the sunrise sound: pretty good my cd (bought in the 90's)>wave>Flac8
06/18/76 Boston Garden 0 Lineage: Original master tapes of the highest caliber for 1976 > possibly a very high quality first generation tape copy > CDR [transfer equipment and protocol unknown but obviously professional] > EAC > CEP 2.0 > Ray Gun 3.0 > FLAC Frontend > Bit Torrent to Dime Setlist Vol. 1: 01Siberian Khatru, 02Sound Chaser, 03All Good People, 04The Gates of Delirium, 05Long Distance Runaround, 06Patrick Moraz Solo, 07Steve Howe Solo, 08Jon Anderson Solo [harp, accompanied], Heart of the Sunrise Setlist Vol. 2: 01Ritual-First Movement, 02Ritual-Second Movement* [includes Chris Squire and Alan White Solos], 03Roundabout, 04I'm Down [Beatles cover] *Suffers the entire AR's only break - roughly 15 seconds and likely due to a cassette change by taper. High frequencies in all their many layers were already in the raw master, but needed extensive 'polishing' to sound more completely as the audience heard them. My approach to EQ work involves many hours of very small, compounded passes of settings designed to avoid distortion and any change in the frequencies' natural sound or balance. A cymbal, guitar, voice or a Moog tone should sound like one, not like something else. This is especially true in Yes' case, whose concert sound was as detailed as their studio sound. All too often such things become nearly unrecognizable in remastered ARs no matter what their source quality. In B76 we can distinguish each sound from every other, and it even comes closer than most 1970s Yes ARs to delivering undistorted detail from things like crash cymbals we most often hear in ARs made after 1990."Thicker" crash cymbal sounds are actually very distinguishable in this AR now, and they keep ringing just as they would right in front of us. Other high frequency sounds enjoy similar detail. Tape hiss - the strongest evidence for a first generation source - did become quite fierce after high frequency work completed. In fact, together with a miscalculation in the EQ work itself hiss actually forced a scratch restart of the whole project at one point [it was really worth it:]. Even in the complete new remaster hiss volume exceeded that of the very highs so painstakingly revealed. Thankfully it was possible to reduce hiss to tolerable levels using some experimental noise reduction settings without ANY perceptible damage to signal and without ANY perceptible digital artifact insertion where signal occurs. In the isolated samples used for nr profiling hiss was largely replaced by artifact, but it has not been detected anywhere in the desired recording. To achieve this kind of side effect-free noise reduction work the settings had to be extremely subtle, thus more than 500 passes of them were ultimately needed. Weirdnesses: Vol. 1 and Vol. 2 had and still have some very interesting sound property differences. Vol. 1 had more bass but less high end going in. Vol. 2 at the start had poorer low frequency distribution but much brighter highs. Weaknesses: ARs all have them, and despite its overall superior nature so does B76. Some are irreversible. Among them in B76' case counts a certain degree of high frequency oscillation. One of the last year's remastering challenges has been getting the most out of what was good without making oscillation worse. It's most audible in very high frequency sounds like percussive metals, and slightly more noticeable in Vol. 1. Hypotheses: tape wear/ageing in masters, single generation master tapes and/or ageing/wearing in them, or [least likely] the original sound capture. Other weaknesses include some dropout but it's miraculously infrequent for such an old AR. In Vol. 2 certain midrange percussion may not be quite as defined as in Vol. 1 due to the as-yet unidentified differences in source files. Tape hiss remains noticeable despite hard nr work. Its volume is now well below that of highs it had been obscuring at one time, but it's still there. A few final attempts to get more of it out without damaging desired sound were unsuccessful - they both attacked signal and inserted artifact over signal. Hopefully some new technology I don't have yet will effect further success later on. If it does I'll be reuploading it forthwith. For now I had to go with the option of giving everyone an undiluted sound capture, and remaining hiss seems quite tolerable. Vol. 2 has slightly stronger hiss - there were no isolated hiss samples long enough in it to dehiss its material as effectively. Hum appeared in Vol. 2 after low frequencies treated to match venue levels and Vol. 1's better original low frequency capture. I was able to get rid of most of it using a setting in Ray Gun Pro 3.0, but a trace remains. It's only noticeable in a few short, quiet passages thankfully. Miscellaneous sound quality issues include a bit of sibilance in Vol. 1 at high playback volume
06/19/76 Colt Park cdr 2 b PRRP040- YES GET DOWN! June 19, 1976 (Colt Park - Hartford, Connecticut) Disc 1 1.1. Announcer Introduction 1:48 1.2. Apocalypse 1:58 1.3. Siberian Khatru 9:19 1.4. Sound Chaser 10:11 1.5. I've Seen All Good People 7:25 1.6. Gates Of Delirium 23:01 Total Time 53:42 Disc 2 2.1. Long Distance Runaround 1:39 2.2. Moraz Solo 3:44 2.3. Clap 3:49 2.4. Harp Solo 3:59 2.5. Heart Of The Sunrise 11:31 2.6. Ritual 26:15 Total Time 50:57 PRRP Staff Notes from the Re-Master             The master tape for this show was digitized and sent to PRRP as data WAV files. The show is incomplete –as listed above- but no significant gaps occurred. On first listen, it is clear that the sound is a bit distant. This could only be corrected partially given the nature of distant sound. Tape noise was also an issue and needed reduction using multiple techniques. Other sources of noise such as claps, yells and microphone bumps were minimized as much as possible. Tonality was adjusted after frequency analysis revealed an imbalance. Some clicks and crackle required manual removal. Dynamics which are often dampened by a distant recording site were readjusted and partially restored. Finally, a consistent speed error was found and corrected. Disc 2 material also had a Right channel drop that required repair over a 2 minute segment and a different speed correction factor.
07/??/77 Unknown cdr 2 b Yes Pre-tour Rehearsals Expanded and More Complete Lititz, PA 1977 Lineage: audience tape recording (unknown gear) -> Maxell XLII C-90 -> Sound Forge -> FLAC This recording is more complete than the Highland CD version, which was seeded on Dimeadozen not long ago. Highland probably decided to maximize profits by cutting costs and restricting the material to a single CD. Some run-throughs of Colours of the Rainbow which were not on the Highland CD are included here. Great little story behind this one: Zombiwoof got this tape from someone who claimed to have been the janitor working at the Lilitz facility during the time Yes was hanging out in the Pennsylvania countryside, rehearsing for their soon-to-start 1977 world tour. The janitor claims he got more than 16 hours of tapes of the rehearsals from the garbage can! Zombiwoof has gone back to see if he can find this person and the other 14.5 hours. Keep your fingers crossed, but don't hold your breath... except for the 30-year-old garbage smell! Overall quality of this recording is better than Highland's CD, which was probably taken from a higher generation copy of the source. Bass distortion is still evident in loud passages, and the automatic volume control kicks in at a few strange places, like the bells in Colours of the Rainbow. I tracked the recording in the order found on the cassette. The tape was in good shape when I made the digital transfer, using my less-than-perfect cassette deck and a Xitel Inport connection. The 24 bit/48 khz transfer was equalized to cut hiss and remove a nasty hum in the first part of Disk 2. Side one of the tape ran a little slow, and the pitch has been corrected. Those pops and clicks when the tape was stopped and restarted have been removed. Otherwise, this is pretty much the unaltered transfer of the recording, recoded to 16 bit/44.1 kHz for CD compatibility. Personally, I think the two sides of the tape may be reversed. Listen to disk two first, which ends with a rough version of And You And I, then go to the run-through on disk one, which is more refined. Yes plays Parallels better on disk one, and it has a more "finished" ending, which might mean it's the second run-through, too. Of course, the entire tape could be in no particular order of performance, so set your player on "shuffle" and have at it! TheTooleMan October, 2007 Jon Anderson Chris Squire Steve Howe Alan White Rick Wakeman Tracks Disk 1 (Tape side one) And You And I #1 (warm-up) And You And I #1 The Boys, Jamming Parallels #1 (warm-up) Parallels #1 (complete) Colours of the Rainbow #1 Colours of the Rainbow #2 Turn of the Century #1 (breakdown) Turn of the Century (warm-up) Turn of the Century (complete performance, last seconds cut when tape ran out) Disk 2 (Tape side two) Awaken (warm-up) Awaken (breakdown) Awaken (restarted) Parallels #2 (warm-up) Parallels #2 (breakdown) Parallels #2 (post-breakdown ambience) And You And I #2
08/03/77 The Spectrum cdr 2 b+ Yes : The Lostbrook Tape Series - Volume 40 On our second and final night in Philadelphia, John, Jody, and I once again visited the scalpers outside the Spectrum to upgrade our seats. I don’t recall where my friends ended up, but I traded my ticket and $15 for a third row center seat. The previous night, I was distraught when Tape 1 ran out 10 seconds before the end of “Awaken” - little did I know then that one day I would let someone borrow that tape and it would vanish forever! Fortunately, I still have this tape as a souvenir of my Philadelphia experience. I also learned how to capture “Awaken” without interruption. This tape is for you Philadelphia – except for those Flyers fans that surrounded my car in the Spectrum parking lot after a playoff loss to my NY Rangers. August 3, 1977 Spectrum Philadelphia, PA USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ
08/05/77 Madison Square Garden cdr 2 b Yes : The Lostbrook Tape Series - Volume 1 It was the opening night of Yes’ three-night-stand at Madison Square Garden, and the crowd was ready. Rick Wakeman was back, and two weeks before the concert, the band had released Going for the One. I had already traveled to see Yes in Philadelphia on August 2 and 3 with two of my friends, and was now back on home ground, every bit as excited as if I hadn’t seen them yet. I had perfect seats – third row, between Anderson and Howe. I had friends all over the arena, and my Sanyo tape deck was ready for action. It had already produced two nice tapes from Philadelphia, and I knew how to time the tape-flips. The set list was more than we could have asked for. The older songs were celebrations, and the new material was stunning, especially Turn of the Century and Awaken. The only distracting chatter was during Close to the Edge, when we squeezed an extra person in our row. When you’re 19 and a pretty girl asks to share your seat, it’s hard to say no. It sure annoyed the photographer behind us though! My only friend to appear on this tape is Laurie. For her assistance with the tapes that night, and for her friendship those crazy years, I dedicate this tape to her, wherever she may be. August 5, 1977 Madison Square Garden New York, NY USA Recording Equipment: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ cd1 01 Cheers 02 Firebird Suite 03 Parallels 04 All Good People 05 Close To The Edge 06 Wonderous Stories 07 The Colors Of The Rainbow cd2 08 Turn Of The Century 09 And You And I 10 Flight Jam 11 Awaken 12 Starship Trooper 13 Roundabout 14 Yours Is No Disgrace
08/06/77 Madison Square Garden cdr 2 b+ Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ Yes : The Lostbrook Tape Series - Volume 7
08/07/77 Madison Square Garden cdr 2 Yes: The Lostbrook Tape Series Volume 121 The Yes party continued on our third and final night at Madison Square Garden. After "Parallels," you'll hear Jody say, "Nice Howe seats!" - a reference to our fourth row location directly in front of Steve Howe. This was our fifth Yes concert in six days in two different cities. Reasonable people might have called it quits after this, but Reason took a vacation during the Summer of '77. In the end, we were punished for our gluttony. See Volume 122 for details. August 7, 1977 Madison Square Garden New York, NY USA Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>(2)TDK SD C90>Alesis TapeLinkUSB> Audacity>WAV Taper: Lostbrook Mastering: CQ Artwork: ethiessen1
08/10/77 Springfield Civic Center cdr 2 A- Nice AUD
08/12/77 Boston Garden cdr 2 A AUD Master audience recording taped by Dan Lampinski
08/12/77 Boston Garden cdr 2 a AUD Rogoff/Lestat remaster. Great stuff!
08/12/77 Boston Garden cdr 2 PRRP 065 2 source remaster...."Going For the Best" Going for the Best Here we present the rock group YES, on stage in Boston in 1977 during one of their most successful tours. In the audience that day were two expert concert tapers: Barry Rogoff and Dan Lampinski. Both used outstanding equipment and captured the concert audio for all of us to enjoy today. Sound characteristics would suggest that Rogoff was further back in the venue than Lampinski who was seated in section 2 row 11. Rogoff remembers being "dead center" but has no documentation of his exact seat. Through the wonders of the Internet and advances in computer audio mastering software, these two recordings can now be merged to produce an enhanced stereo recording of this event. The remastered recording begins with 90 seconds of the Rogoff source. The Lampinski source then comes in to produce the stereo image. Sound quality suggests that the Rogoff mics were hidden at the beginning. Sound is a bit muffled until 45 seconds into Parallels when it becomes more clear and the full quality of the stereo recording can be appreciated. When asked about this, Barry Rogoff recently stated: "It was probably the point at which enough of the people in front of us sat down to get an unobstructed, on-axis view of the PA. I was using a mike stand made from one leg of a lightweight tripod. It was held in place by a photographer's clamp on the arm of the seat. The stand was connected to the clamp with a wing nut acting as a set screw." At the end of Close To The Edge and just before the next song (Wonderous Stories) begins, both tapers changed/flipped tapes so there is a brief fade-out/fade-in. Given the need to patch a 16 second tape flip segment of the Lampinski source with the Rogoff source, at this point in the song Awaken, the stereo field converts to single-source and then reverts back to full stereo. Careful listening allows identification of this segment. This powerful performance is even better with the enhanced stereo image produced by combining these two recordings. The characteristics are best appreciated by listening to the show on a good car or living room sound system. PRRP Staff Notes from the Re-Master Each recording was separately remastered. During the process, non-destructive repairs were made to clicks, pops and other tape imperfections. Pitch and frequency response/EQ were then compared and matched as close as possible. The dynamics of the two recordings were similar and calculations were made to match average and total power for each. The two recordings were then synchronized to the exact same run time. A stereo field was then created by blending the two sources together. By combining the recordings, the overall stereo field was expanded to better reproduce the experience that must have existed in the venue that night. Phasing was corrected and routines were used to center the sound in the stereo field. The final recording was then tracked using traditional tracking points.
08/15/77 Providence Civic Center cdr 2 a- AUD Dan Lampinksi master recording.
08/15/77 Providence Civic Center cdr 2 a- PRRPSAE 008a Yes Providence Civic Center Providence, RI 15 August 1977 Master audience recording taped by Barry Rogoff Nakamichi 550 cassette deck and Nakamichi CM-100/CP-1 microphones Disc 1 01 Firebird Suite 2:51 02 Parallels 6:26 03 All Good People 7:18 04 Close To The Edge 19:39 05 Wondrous Stories 4:43 06 Colours of the Rainbow 1:23 07 Turn Of The Century 8:31 08 And You And I 10:26 Total Time 61:17 Disc 2 01 Flight Jam 4:14 02 Awaken 18:42 03 Starship Trooper (with intro drumming) 14:06 04 Roundabout 8:18 05 Never Ending Applause 5:40 06 Yours Is No Disgrace (with extended intro) 14:33 Total Time 65:33 Remaster 1. More advanced noise reduction for clicks, pops and hiss than previous remaster. 2. Patch tape flips using Lampinski source. 3. Speed correct and match runtimes of both sources using commercial references as a guide. 4. Adjust dynamics, as with previous remaster. 5. Repair clipping. 6. Tonality/EQ adjustments made. 7. No end disc 1 fadeout. 8. Tracking matched to Lampinski recording.
08/15/77 Providence Civic Center cdr 2 Yes Providence Civic Center Providence, RI 15 August 1977 Master audience recording taped by Dan Lampinski Nakamichi 550 Tape Recorder Two Nakamichi CM-300 Microphones Maxell cassettes Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End Disc 1 01 Firebird Suite 1:33 02 Parallels 6:26 03 All Good People 7:18 04 Close To The Edge 19:39 05 Wondrous Stories 4:43 06 Colours of the Rainbow 1:23 07 Turn Of The Century 8:31 08 And You And I 10:26 Total Time 59:59 Disc 2 01 Flight Jam 4:14 02 Awaken 18:42 03 Starship Trooper (with intro drumming) 14:06 04 Roundabout 8:18 05 Never Ending Applause 5:40 06 Yours Is No Disgrace (with extended intro) 14:33 Total Time 65:33 Remaster 1. Click and pop repair 2. Minimize and repair claps during music segments 3. Gentle Hiss reduction 4. Repair tape flips and cuts in recording using Rogoff source, restoring missing segments. 5. Dynamic adjustments to correct for peak suppressions, particularly due to loud claps 6. Adjust tonality/EQ. Taper location caused excess bass and other tonal imbalances that needed correcting 7. Reduce whistles, claps and yells by audience members 8. Speed correct and match to recording by Rogoff 9. Tracking set to be consistent with Rogoff recording with no fadeout at end of disc 1 Notes: "sit down, sit down" much less noticable than Rogoff version. Bass distortion during And You and I loud clapper to the left of taper.
08/23/77 Cobo Hall cdr 2 a- Yes Going for the One Tour Cobo Hall Detroit, MI 1977-08-23 The date 7-7-7 marked the 30th anniversary of the release of Going For The One, reuniting the "Classic Yes Line-up," so I thought it would be fun to seed the shows I have in my collection on or near the dates of their 30th anniversaries. This is the second of two nights Yes performed at Detroit's Cobo Hall. It features the first tour performance of their new album's title track, "Going For The One." High-quality audience recording Remastered August, 2007 by TheTooleMan Lineage: unknown 1st gen tape (http://www.dimeadozen.org/torrents-details.php?id=135963) Sound Forge -> FLAC Thanks to Mesquite for the original seed! This is a high-quality recording , much better than that of the first night in Detroit, but Yes sounded like they needed a laxative. Turned out the tape ran about 40 cents too slow. There were a couple of tiny gaps that I cut out, as well as an odd "bumping" sound in several places, usually during applause. The tape also had some auto-level artifacts - loud bass would pull down the level of all the other instruments. This was reversed by painstaking manual edits in Sound Forge. A gap in "Wondrous Stories" was removed by quickly cross-fading between the two ragged ends, which smooths out the transition that was probably caused by a tape flip. An abrupt cut in the applause following this song was smoothed out with some transplanted applause from another spot in the tape. The result is one of the best recordings of Yes on the GFTO tour. TheTooleMan August, 2007
08/25/77 The Omni cdr 2 b AUD Tooleman remaster...Steve's pedal steel wasn't working, which started the "Tour song," which would last through the tour.
09/01/77 Mecca Arena cdr 2 a- AUD Tooleman remaster
09/17/77 Coliseum cdr 2 a- AUD Tour song and AYAI are missing.
09/18/77 Center Coliseum cdr 2 a- AUD Tooleman remaster.
09/21/77 Oakland Coliseum cdr 2 a- AUD relayerman version
09/22/77 Oakland Coliseum cdr 2 a- AUD TOoleman remaster.
09/22/77 Oakland Coliseum cdr 2 b AUD. from master.
09/23/77 Los Angeles Forum cdr 2 a- AUD. Mike Millard master, Tooleman remaster
09/24/77 Los Angeles Forum cdr 2 a AUD relayerman version
09/26/77 Long Beach Arena cdr 2 a AUD Tooleman remaster.
10/07/77 Midsouth Hudson Coliseum cdr 2 b AUD Relayerman version
10/24/77 Wembley Arena cdr 1 a- AUD Tooleman remaster. Only the encores from this date, but the sound is very good.
10/25/77 Wembley Arena cdr 1 b AUD Relayerman version. Incomplete show.....CTTE (ending only)/Wonderous Stories/Colours of the Rainbow/Turn of the Century/And You and I/Going For the One (cut near end)/Awake(without intro)/Starship Trooper(cut at end)
10/26/77 Wembley Arena cdr 2 a AUD Tooleman remaster.
10/27/77 Wembley Arena cdr 2 a- AUD Tooleman remaster.
10/28/77 Wembley Arena cdr 2 a- AUD TOoleman remaster.
10/29/77 Wembley Arena cdr 2 a- AUD Tooleman remaster.
11/03/77 Bingley Hall cdr 2 b AUD Relayerman version. CTTE is cut in the middle, and there is a cut at the end of ROundabout. Added on is a interview with Steve after the show.
11/08/77 Apollo Theatre cdr 2 b+ SBD> Tooleman version. From vid source. There are better aud recordings of this tour, like the Paris and Long Beach shows. Awaken is cut, and there is no YISD or Roundabout.
11/12/77 Göteborgs Concerthall cdr 2 a- AUD. PRRP 017
11/12/77 Göteborgs Concerthall cdr 2 a- AUD Tooleman version. Going From Gothenberg, 7 from 77 vol 5
11/13/77 Falkoner Teater cdr 2
11/15/77 Westfalenhalle cdr 2 b AUD From master. Tape flips in CTTE and Awaken
11/21/77 Rhein-Neckar-Halle cdr 2 b AUD TOoleman version. Awaken is cut, and so is Starship Trooper.
11/26/77 Sportpaleis cdr 2 b AUD
11/29/77 Sporthalle cdr 2 a- AUD. "WOnderous Show" Tape flip between Colors of the Rainbow and TOTC.
12/01/77 Eberhard-Bauer-Halle cdr 2 b+ AUD. Tooleman remaster. a little hiss, missing firebird suite and Parallels, and about 30 seconds of AYAI
12/02/77 Parc Des Expositions cdr 2 b+ AUD TOoleman remaster. Good, but incomplete show.
12/05/77 Pavillon de Paris cdr 2 a- AUD Relayerman version.
12/06/77 Pavillon de Paris cdr 2 a- AUD. Tooleman version, nice recording.
12/06/77 Pavillon de Paris cdr 2 a- AUD LEstat remaster.
??/??/77 Mountain Studios cdr 2 a- Demos...."Making For the One" Higland label. Might be more complete than the version listed here.
08/29/78 Community War Memorial Auditorium cdr 2 b AUD. remastered from 2nd gen tape. Speed problems during Heart of the SUnrise and Circus of Heaven.
08/30/78 Boston Garden cdr 2 a AUD Rogoff/Lestat version. Great sound.
08/31/78 Boston Garden cdr 2 b AUD Tape flip at the beginning of Awaken
09/01/78 Providence Civic Center cdr 2 a- AUD Relayerman tweaked remaster.
09/02/78 Springfield Civic Center 2 b runtime: 93:49 setlist: 6 songs are missing from this recording. 1: madrigal (cuts in) > 1:58 2: heart of the sunrise 11:09 3: future times (rejoice) 7:18 4: circus of heaven 5:12 5: time and a word > 4:41 6: long distance runaround > 3:13 7: the fish > 4:49 8: perpetual change > soon (cuts, very soon into it) 6:18 9: tour song (just a few seconds) > clap 4:41 10: parallels 6:07 11: keyboard solo medley 4:40 12: awaken 16:50 13: all good people 8:08 14: roundabout 8:38
09/06/78 Madison Square Garden cdr 1 b+ AUD....35 mins....Starship Trooper, Madrigal, On the Silent Wings, Wakeman Solo, Awaken (cut)
09/07/78 Madison Square Garden cdr 2 b+ AUD tapehead 2 version, full show.
09/19/78 Richfield Coliseum cdr 2 a+ FM...eggplant 2 remaster. COmplete show.
09/19/78 Richfield Coliseum cdr 2 a FM "Madrigal Mystery Tour" Highland Label...bonus 3 tracks from Inglewood Forum 78
09/??/78 Alison Steele-Backstage at MSG cdr 1 a Yes and Alison Steele Backstage at Madison Square Garden New York City 1978 Lineage: FM broadcast -> possibly an open-mic recording from FM radio -> unknown -> audio CD -> Sound Forge -> Noise Reduction -> Audio CD -> EAC -> FLAC What a cool tape this is! I can't emphasize that enough. Alison Steele was possibly Yes Fan #1, but may be #2 if Ed Sciaky holds the top position. Here we have her presenting her interviews of four of the five members of the band backstage before one of their 1978 shows at Madison Square Garden, which one of the band members describes as the "highest" venue of the tour. As I played back these recordings today, Ms. Steele's soothing voice put me in a very tranquil mood. Sadly, her short life was plagued for many years by cancer, and her career was interrupted by her galant fight to survive. I imagine that Yes music is one of the things that sustained her during that awful time. The recording we have here may have been made by holding a microphone in front of an FM radio while the broadcast originated live from New York's WNEW-FM on an unknown date in 1978. The audio quality is fair, in that it sounds like it was recorded through a telephone. (Perhaps it was!) But every word is clear. The recordings contain no music, and the audio files contain no MP3 artifacts. This recording came to me in a trade with no additional lineage that I recorded. While I did not document who sent it do me, and have now forgotten who it was, I'm very grateful to the person who sent it to me. (I suspect they may be reading this now. If so, drop me a line!) Several years ago, I used Sonic Foundry Noise Reduction 2.0 to remove a lot of background noise and bring out the voices. This process introduced some artifacts into the sound. But Noise Reduction ultimately helps the clarity of the audio. NOTE: the only music that appears in this recording comes from Yes "Tormato." In these cases, there are only a few seconds of instrumental music mixed low under Ms. Steele's voice. This was done during the original broadcast. The music is cut immediately after Ms. Steele stops talking. More on Alison Steele: http://en.wikipedia.org/wiki/Alison_Steele TheTooleMan September 2008
10/01/78 Tarrant County Convention Center cdr 2 b AUD
10/06/78 The Forum cdr 2 a- AUD . Tape flip in Perpetual change.
10/26/78 Wembley Arena cdr 2 b AUD Tooleman remaster (from master tape)
10/28/78 Wembley Arena cdr 2 a+ SBD Pre FM!
10/28/78 Wembley Arena (Afternoon show) cdr 2 a- AUD Tooleman remaster
??/??/78 Studio - On Digital reels - Bootleg cdr 1 a "Digital Reels and Master Reels" Highland release. Doesn't have Drama sessions.
04/09/79 Wings Stadium cdr 2 b Yes Wings Stadium Kalamazoo, MI April 9, 1979 ** Low-circulation recording ** FIRST SHOW OF THE 1979 TOUR Lineage: first-gen or master tape -> CD audio -> EAC -> FLAC This recording has not been altered or remastered. It is a straight rip from the CD's provided by Alec B. and Paulie. Sounds good overall. The band sounds a little rusty, like they didn't rehearse much between the last show of the 1978 tour and the first show of 1979. And there are some mix problems, like synths and guitars that aren't amplified. Just makes it more interesting, as it's not one of Yes's typically perfect shows. Forgotten Yesterdays shows "Tour Song" in the set, between "Awaken" and "All Good People." It's not on this recording and I suspect Yes didn't play it on this occasion. After all, what rhymes with "Kalamazoo?" Enjoy! TheTooleMan July, 2011
04/10/79 Assembly Hall, Indiana U cdr 1 a+ Yes - 1979-04-10 - Bloomington, IN (FLAC - Rare) Venue: Indiana University Assembly Hall Very Good Broadcast Lineage: Unknown gen cassette > CD> EAC> WAV> FLAC Yes Line up: Jon Anderson Steve Howe Chris Squire Rick Wakeman Alan White Tormato Tour (c) 01. Close Encounters of the Third Kind/Siberian Khatru [10:40] 02. Heart of the Sunrise (part 1)[03:55] 03. Heart of the Sunrise [06:59](split into 2 tracks) 04. Time and a Word [04:26] 05. Long Distance Runaround medley* [17:43] 06. Don't Kill the Whale[04:10] 07. Starship Trooper [11:14]
04/12/79 Dayton University Arena cdr 2 b **Low-circulation recording** Lineage: first-gen or master tape -> audio CD -> EAC -> FLAC This recording has not been altered or remastered. It is a straight rip of the audio CD's I received from Alec B. and Paulie. Tracks are as they were found on the CD. This one's dedicated to the hard-core completist and people who were at the show. There's some noticable speed warble and the overall sound is distant. TheTooleMan July, 2011 Tracks Disk 1: Close Encounters Of The Third Kind Siberian Khatru Heart Of The Sunrise Future Times Rejoice Circus Of Heaven Time And A Word Long Distance Runaround Survival/The Fish (Schindleria Praematurus) Perpetual Change The Gates of Delirium (Soon) Disk 2: Don't Kill The Whale Clap Starship Trooper On The Silent Wings Of Freedom (no Madrigal) Wakeman Solo Awaken Tour Song All Good People Roundabout
04/13/79 Freedom Hall cdr 2 a- Yes 1979-04-13 Louisville, KY Radio station master! (I think) **Low-circulation recording** ** A TooleMan Remaster ** Lineage: radio station master reel (probably) -> audio CD's -> EAC -> TheTooleMan's tricks of the trade -> FLAC Don't let the ragged beginning of this recording fool you. Although it is missing the first two songs of the concert, the quality improves dramatically after several minutes, and starting with the long medley it sounds really great. This seems to be a professional recording, with open mics mounted on stands -- that's my best guess. Sounds like a lot of the monitor mix was picked up by the mics, as it was very heavy on the midrange frequencies. I took care of that in the master. I wonder if this recording was made by the radio station that promoted the concert, WLRS. If so, maybe there's a better copy in their archives, or one that can be transferred more cleanly to the digital domain. Enjoy! TheTooleMan July, 2011
04/18/79 Colisee de Quebec cdr 2 a+ SBD "Circus of HEaven"
04/18/79 Colisee de Quebec cdr 2 a+ ** Remastered and pitch-corrected by TheTooleMan, July 2011 ** The review by Bill Glahn, posted on Forgotten Yesterdays and copied below, tells you most of what you want to know about this recording, though he makes a few incorrect assertions. Here's the rest of the story: The performance is as good as the sound quality, which makes for a real treat. I discovered I have two versions of this recording, one of which has small cuts during the ambience and some lead-in notes between songs. I used the most complete version to create this edition. Bill Glahn may have been referring to the other version in some of his comments. Contrary to the review, I never found a cut or edit in Starship Trooper, but there was a fade-out and fade-in which disguised a tape flip during "The Fish" in the long medley. I cross-faded the two parts on the beat so the music never stops. This is a big improvement. The front cover album art looks more like YesShows than Relayer. Prof. Goody and I were in agreement about the pitch correction factor required for disk one of the set, but disk two was not as fast as disk one. Goody later agreed with my assessment: 49 cents lower for disk one, and 36 cents lower for disk two. You'll find the drums and bass pack a bit more wallop in this version, and there's a little more ambience, too. You can't go wrong with this one.
04/20/79 Maple Leaf Gardens cdr 2 b+ AUD
04/23/79 Assembly Hall, University of Illinois cdr 1 a Artist: Yes Title album: Anniversary of Decade Date: April 23rd, 1979 Live At University of Illinois, Champaign, IL. Source: SBD CDR Trade > EAC (wav) > FLAC Frontend encode level 8 > You. Lineup: Jon Anderson Vocals Steve Howe Guitars Chris Squire Bass Rick Wakeman Keyboards Alan White Drums Setlist: Length: 33:43 1. Opening 2. Siberian Khatru 3. Future Times/Rejoice 4. Circus Of Heaven 5. Birthday song 6. Time And A Word 7. Long Distance Runaround
04/24/79 Omaha Civic Auditorium cdr 2 a- AUD
04/26/79 Milwaukee Arena cdr 2 a Yes Mecca Arena Milwaukee, WI April 26, 1979 **Low-circulation alternate recording** **Mastered by TheTooleMan, 4/2003** Lineage: first-gen source -> TheTooleMan (Sound Forge, etc) -> audio CD -> EAC -> FLAC One of the best performances and recordings of the 1979 tour. The source tape of this excellent recording is superior to the one usually circulating, but it doesn't see the light of day as often. It was made with shotgun mics and has a very up-close sound. A small gap in "And You And I" is patched with the more common tape. Play it loud and come on down! TheTooleMan July, 2011
05/05/79 Pacific Coliseum cdr 2
05/06/79 Spokane Coliseum cdr 2 b Spokane, WA May 6, 1979 **Low-circulation recording** Lineage: master or first-gen tape -> audio CD -> EAC -> FLAC These files are a straight rip of the audio CD with no mastering. Good-sounding tape, great performance. Some cuts in the applause between songs. I detected some tape drive problems that mess things up at a few points along the line, but they come and go. "It's living up to my expectations." -- anonymous voice in the crowd TheTooleMan July, 2011 Big drop out during Perpetual Change. The big sound troubles come on the second disc, sound bleeding through from the other side of the tape...a little distracting.
05/26/79 Long Beach Arena cdr 2 Excellent Sounding Complete Audience Recording Analog Master>DAT>CDR>EAC>WAV>TLH>FLAC>DIME From the collection of;"MVH" Uploaded by; "Lucifer Burns"
06/01/79 Frank C. Erwin Jr. Special Events Ctr, Univ. Of TX cdr 2 b Yes 1979-06-01 Austin, TX Frank C. Erwin Special Events Center **Low-circulation recording** Lineage: master or first-generation tape (my best guess) -> audio CD -> EAC -> TheTooleMan -> FLAC I discovered I had this recording in my archive after receiving several other 1979 recordings from Alec B. and Paulie. Turns out this one came to me years ago from Alec B. It's not a great tape, but I thought it should be shared for the sake of completeness. The recording is marred by several drop-outs or partial erasures lasting less than one second each. While I couldn't do anything about these drop-outs, I did reduce the 60 Hz hum and normalized the audio level to a fairly standard setting. The CD's I received are untracked copies of the sides of cassette tapes, so I tracked the songs as seen below. I also noted where a couple of tracks are missing from the tape. Have fun! TheTooleMan June, 2011 Date : Friday, June 01, 1979 City : Austin, Texas, United States Of America Venue : Frank C. Erwin Jr., Special Events Center , The Capacity : 9,000 Lineup : Jon Anderson (Vocals) Steve Howe (Guitars) Chris Squire (Bass) Rick Wakeman (Keyboards) Alan White (Drums) Forgotten Yesterdays lists tracks that were either not recorded or not included in the CD's I received. Missing tracks are noted. Track01: Close Encounters Of The Third Kind Track02: Siberian Khatru Track03: Heart Of The Sunrise Track04: Future Times/Rejoice Track05: Circus Of Heaven Track06: Time And A Word/Long Distance Runaround/Survival/The Fish (Schindleria Praematurus)/Perpetual Change/Soon Track07: Clap Pt. 1 (probably tape flip) Track08: Clap Pt. 2 (cd 1 can end here) (not recorded: And You And I) Track09: Starship Trooper Track10: Wakeman Solo Track11: Awaken (not recorded: Tour Song) Track12: I've Seen All Good People (not recorded: Roundabout)
06/03/79 Sam Houston Coliseum cdr 2 b Yes 1979-06-03 Houston TX Sam Houston Coliseum Half-decent but rare recording stereo audience recording of Yes as they neared the end of their 1978-79 anniversary tour. Many stage announcements were cut, and one or two songs from the long medley were not captured during the original taping at the show. My best guess at lineage: First-generation tape, engineered with crossfades, fade-outs, and volume adjustments during the dubbing process. Minor level adjustments made by TheTooleMan, June 2011 to eliminate clipping. No other EQ or mastering techniques were applied. Tracks are as they appeared on the CD's I received from PR. Enjoy! TheTooleMan June, 2011 Tracks Disk 1 01: Close Encounters 02: Siberian Khatru 03: Heart of the Sunrise 04: Future Times 05: Rejoice 06: Circus of Heaven 07: Time and a Word 08: The Fish (featuring discussion about cutting "Long Distance Runaround") 09: Perpetual Change 10: The Gates of Delirium/Soon Disk 2 01: Clap 02: And You And I 03: Starship Trooper 04: Rick Wakeman 05: Awaken 06: Tour Song 07: All Good People 08: Roundabout
06/09/79 International Amphitheatre cdr 2 a+ PRRP 006 FM.
06/15/79 Madison Square Garden cdr 1 b+ YES 1979-06-15 Nassau Coliseum Uniondale, New York Incomplete Audience Recording "Unknown Low Gen" cassette>CDR>EAC>WAV>TLH>FLAC>DIME Originally from the collection of;Marc Sloane(NY) ALL extracting, editing & track marking by; "tonsofsobs" Uploaded by; "Lucifer Burns" Setlist 1. SOON(Excerpt from "The Gates Of Delirium") 2. CLAP 3. AND YOU AND I 4. STARSHIP TROOPER 5. Keyboard Solo 6. AWAKEN 7. Tour Song 8. I'VE SEEN ALL GOOD PEOPLE 9. ROUNDABOUT Total Time 79:34
06/16/79 Civic Center cdr 2 a- Yes New Haven, CT New Haven Veterans Memorial Coliseum 1979-06-16 ** Low-circulation recording ** ** A TooleMan Remaster ** Lineage: unknown gear & tape -> mastering process of some sort -> first-generation tape? -> audio CD -> EAC -> TheTooleMan remaster (2011) -> FLAC Anyone who can identify the taper of this show should let us know so we can give full credit for a good job. This is a very good recording of a fine Saturday night performance. It's a nearly-complete show, the first of two Yes gave in New Haven in 1979. I think the finale of Steve Howe's solo set is missing and was patched with applause where it ends prematurely, and there's a cut in "And You And I" that I've mixed to make it a bit less jarring. The recording sounds great after some careful TooleMan tweaking. There were a few cuts in applause and some fades applied by a previous basement engineer. I cleaned those up, adjusted the track boundaries, balanced the levels of the left and right channels, and equalized the whole shootin' match. No noise reduction was used; there's a slight high-frequency hiss throughout the tape. Jon seems to think he is in Hartford at first, but gets it straight pretty fast. And an explosive sound gets a big reaction just before Jon sings the opening lines of "Heart of the Sunrise." Thanks again to Alec B. and Paulie for another great, rare recording. TheTooleMan June, 2011 Lineup : Jon Anderson (Vocals) Steve Howe (Guitars) Chris Squire (Bass) Rick Wakeman (Keyboards) Alan White (Drums) Tracks Disk 1: Close Encounters Of The Third Kind Siberian Khatru Heart Of The Sunrise Future Times/Rejoice Circus Of Heaven Time And A Word/Long Distance Runaround/Survival/The Fish (Schindleria Praematurus)/Perpetual Change/Soon Clap (incomplete) Disk 2: And You And I (first verse of lyrics missing) Starship Trooper Wakeman Solo Awaken Tour Song I've Seen All Good People Roundabout
06/19/79 Boston Garden cdr 2 Source and Mastering Effort – As most will know right off, very different remaster of this same recording has been in wide circulation for some time. Both come from the exact same source - the same professional transfer of the original master tapes. Respective goals and results however differ enormously. The source is a top shelf 1970s AR unlike any other both for unbelievable sound capture and for almost insurmountable remastering challenges presented by Yes concert sound so powerful and detailed it overwhelmed even the best contemporary recording equipment at times. For B79 two primary areas of focus were front and center - 1] The very same brilliant natural detail in the original master recognized by all going in, yet like most from before 1990 or so in need of liberation from analog tape 'encrustations'. 2] Pitch and tempo, which in the original tapes are way, way off due to the common practice of so-setting high end decks at the time theoretically for a better sound capture. Based on my experience with such tapes I’d call the theory highly viable, but would be ashamed to death if I ever left out the needed post-capture correction. Pitch-tempo has been addressed carefully and now matches period studio recordings as well as other original AR masters without similar needs. Many audience recordings are remastered to sound as much like industry ‘live’ releases as possible. That’s fine and a value I share when limited to clarity of detail, but in an AR detail comprises much more than just instruments and vocals. Audience sound, p.a. system output nuances and venue ambience among many other things are paramount and should be conserved as carefully as performance sound unless something enjoys artificially high volume in the recording, as in an obnoxious, constant yeller right next to mikes. While audience volume in B79’s source is prominent, it suffers no such imbalance constant or otherwise, is accurate, proportionate and part of the event’s reality. Taper's section is relatively quiet, and in any case if we hate audience noise so much in an AR we should stick to sbds or heavily mixed industry releases. Therefore I both left it intact and revealed it, along with Yessound. No spot mixing to suppress audience sound was either needed or attempted, and would have resulted in terrible artificial effects transitions throughout the recording anyhow. Band and crowd detail alike are now MUCH more visible. Not to mention much closer to and in some areas beyond that of its 'sister' recording "B78" [Yes, Boston, 30 August 1978]. Both B78 and B79 were unique achievements in audience taping, having detail across the spectrum rivaling many of the best from 1990 and beyond. Even in their case it was largely hidden under many layers of tape noise and related issues. Both required many months of experimental EQ work and testing of results by multiple listeners in a wide variety of playback systems to get their existing detail as fully revealed as it could be without rendering analog noise or distortion intolerable. While B79 oddly does not have quite the degree of high frequency richness and warmth B78 offers it does come within a hair of it, and more importantly enjoys richer midrange presence as well as noticeably lower hiss volume. So rich are B79's mids that together with its excellent enough highs they led more than one 'beta' listener to initially accuse me of trying to pass a sbd off as an AR ;} What you have here is the original capture, unaltered except for EQ work to reveal as much of what the original audience really heard as the recording possibly can. It may even come as a serious shock to many. The entire dynamic range now comes through vastly better than I had hoped it ever would even from such an exceptional source [and because of some problems in it described below]. High frequencies, while still not quite as smooth as B78's, are actually more detailed in some ways. Mids, which had been overwhelming and harsh in raw master and worse in remaster sequences prior to this one, are now as warm as B78's not to mention more 'present'. Lows from kick drum to the entire range of bass guitar frequencies can be both felt and heard in all their complexity, much as the audience experienced them. The listener is cautioned to start with relatively flat tuner/amp settings - the proper AR goal of signal and signal detail as close as possible to the real thing has been achieved and cheaper speakers in particular can be vulnerable. WEAKNESSES: Performance - Not my absolute favorite of the tour, but up there. I thought Yes' Madison Square Garden [NYC] performance just a night or two earlier was more vital, especially Starship Trooper and Awaken, but it didn't include "Arriving UFO" and my old 1st generation tape of it has been played at least 100 times too many for a Dime-worthy remaster to be possible. That's made even sadder by its source having also been a Nak 550 original, almost certainly rivaling this one for brilliant SQ and for all I know lost completely to three decades of entropy. If anyone who likes what they hear in B79 ever turns up the original master of "MSG79" please get in touch! The Yes PA mix was also better at times in New York - in this one certain of Wakeman's keyboard channels especially are much lower, most noticeably at different points in "Big Medley" ["Perpetual Change"] and "Awaken". Most of the time though keyboards in B79 come through more clearly than in B78 and but for tape distortion could easily be called studio or sbd quality. Source and overall sound - Tape noise. It could be a lot worse and actually isn’t as bad as some of what ended up in the officially released THE WORD IS LIVE, but it's noticeable. We are dealing with a 1970s analog AR albeit an excellent one, not a high end DAT from the 1990s or 2000s. The recording and remaster are also so detailed they reveal Yes sound system noise almost never detectable otherwise and frequently confused with tape noise when it is. Concert sound system output flaws are most noticeable during the Howe and Wakeman solos [see taper’s notes below], and during “Gates”’ transition into its “Soon” movement. Tape age and/or wear seem likely factors as well, and this master is reported to have been played more frequently than B78 over the years before quality digital transfer became possible. It probably contributes to both noise and other shortcomings, including some high hat and other metal percussion sounding a bit 'warbled' or 'swirly' throughout [just possibly also a property of sound system output, examined in more detail further below]. Not long into this project I had taken to calling it, jokingly, "Bull Rodeo '79". Anyone familiar with North American bull riding events should quickly understand why. Quite often the very best analog AR sound captures are the most difficult to remaster if goal and approach are getting their natural spectral detail as completely visible as possible without rendering inevitable analog noise or distortion too aggravating. B79 underwent nearly a hundred experimental remaster sequences before the current one was settled on, each suggestive of a bull ridden slightly longer than the one before it, before the rider finally thrown and bull had to be shot [files deleted]. Each one at least did achieve enough for the next one to be built upon. This all resulted largely from midrange so strong in the Yes sound mix it generated several categories of distortion effecting the entire spectrum, especially the high frequencies - not a problem at all in B78 despite its higher tape noise level. Every time detail began to sound like something approaching what the audience heard, high frequencies in particular would become 'dirty' sounding, with a sort of 'ringy', 'ghost' image in the lower parts of certain extreme highs like metal percussion. Sibilant distortion was also bad during many full band at full throttle moments, effecting both vocals ["S"s] and high frequency instruments. All of these are properties of the original analog capture and can be heard in it, but naturally came right out front along with desired detail. The challenge was finding the right EQ sequence for getting that joyous signal detail revealed while keeping the different distortion types at tolerable levels. Between at last achieving the right balance and some limited post-EQ compression, what you have here is the final, most successful effort. Some of this distortion can still be heard, especially the sibilance, but after many a 'dead bull' it's at last no worse than in the master source while signal detail vastly better than anything heard before. The previously circulated effort may remain preferable to some listeners, and while I would never begrudge anyone preferring lower noise/distortion levels to better spectral detail the pitch/tempo correction alone helped make possible getting more signal spectrum revealed without aggravating the distortion problems as much. As always, digital noise reduction technology - from dehissing to sibilant reduction - remains so primitive and counterproductive I refuse to use it unless it's absolutely unavoidable [as in the case of "B76"]. It was not used here, except for some anti-hum/rumble measures in very quiet sections like Steve's solo and parts of "Awaken" - which attack signal too but had to be done. All undesirable noise remains to some degree, but again intact, fully revealed signal was the goal and it couldn't have been achieved without putting up with a higher noise/distortion level. Undesirables remain most noticeable in Steve Howe’s solo – Yes’ engineer really had that acoustic guitar jacked up [see also taper’s notes below] - "Future Times", "Circus of Heaven", "Starship Trooper", "Awaken" and "Roundabout". In them things get rather fuzzy sounding at times, but they still offer far greater detail than EVER before. A scattering of sibilant distortion will still be noticeable throughout, including segments where other distortion problems are least annoying or altogether absent. In consolation I can offer all are 100% better than they had been at several points, and again no worse now than in the raw master. Most importantly, detail even I didn’t think existed is fully revealed. Other source weaknesses include a number of widely scattered of mechanics-generated dropouts, usually microphone cables being jerked around. In one such case the taper and his entourage were desperately trying to get valuable equipment out of harm's way as a drunk was staggering toward it just before "Arriving UFO". The day was saved and the moment is preserved here as a part of the overall event history, not to mention in such crisp detail it almost puts us right there in its midst. Part of what makes an AR an AR. Time constraints and my rather purist nature with ARs dictated my leaving them alone. Most occur only during audience noise anyhow. Last off, beginning about the point of "All Good People" a very strange property of the master recording becomes evident - at best poorly described as a "rushing", "watery" sound most obvious in heavy crash cymbals. It resembles some deliberate effects used in psychedelic recordings from the 1960s and beyond, but here intended by no one, except just maybe Yes' own soundman. A bit of it can be heard in the official LIVE IN PHILADELPHIA video release - also and interestingly during "All Good People". I've also detected it in the opening bars of "Yours is No Disgrace" from YESSONGS, itself at least in part quite likely an 'official AR'. It's most weirdly common in ARs from the 1977 GFTO tour [99% of them including the best ones]. Causation hypotheses range from venue air movement to contemporary cassette technology, but I most strongly suspect phase shifters in the Yes PA system output. No digital or analog remastering protocol or device will remove it, and it could also be a factor in the ‘swirly’ property effecting metal percussion throughout the entire recording as mentioned above.
06/20/79 The Spectrum cdr 2 b Yes 1979-06-20 The Spectrum Arena Philadelphia, PA **Low-circulation recording** Lineage: master or first-gen tapes (my best guess) -> audio CD -> EAC -> TheTooleMan (remaster) -> FLAC The tape starts out a bit rough but gets better. Something happened during "Siberian Khatru" that caused only the first four minutes of the song to be recorded. Sound quality improves with "Heart of the Sunrise," but a bigger improvement comes with the second half of "And You And I," where (I suspect) a better tape was inserted into the recording deck. Sound quality in this remaster is improved over the raw recording. Completists and other Yes-fiends will find the tape enjoyable. Jon mentions Ed Sciaky in his remarks before "And You And I," which had been dropped from most sets at this late date in the tour, and the band seems excited and happy to be in Philly throughout the show. Thanks again to Alec B. and Paulie for the source recording. TheTooleMan June, 2011 Date : Wednesday, June 20, 1979 City : Philadelphia, Pennsylvania, United States Of America Venue : Spectrum Arena Capacity : 19,000 Lineup : Jon Anderson (Vocals) Steve Howe (Guitars) Chris Squire (Bass) Rick Wakeman (Keyboards) Alan White (Drums) Setlist/Tracks: Track01: Close Encounters Of The Third Kind Track02: Siberian Khatru (only the first four minutes) Track03: Heart Of The Sunrise Track04: Future Times/Rejoice Track05: Circus Of Heaven Track06: Time And A Word/Long Distance Runaround/Survival/The Fish (Schindleria Praematurus)/Perpetual Change/Soon Track07: Clap Track08: Arriving UFO (end CD 1) Track09: And You And I (part 1) Track10: And You And I (part 2) Track11: Starship Trooper Track12: Wakeman Solo Track13: Awaken Track14: Leaves Of Green Track15: Tour Song Track16: I've Seen All Good People Track17: Roundabout
06/27/79 Assembly Center, Lousiana State U cdr 2 a AUD "Red Stick" Tooleman 30th ann. remaster
06/29/79 Lakeland Civic Center cdr 2 b Yes 1979-06-29 Lakeland, FL Lakeland Civic Center Arena Next-to-last show of the 1979 tour! **Low-Circulation Recording** ** TheTooleMan Remaster ** Best guess at lineage: first generation -> audio CD -> EAC -> TheTooleMan (pitch and levels) -> FLAC Overall audio isn't too bad. It's your typical built-in mic cassette deck recording of 1979. The recording ran too fast and was way off-pitch by one semitone. Pitch has been corrected here. The songs have been re-tracked to conform with the usual 1979 show tracking. Volume levels have been normalized. Sounds like someone sits in on keyboards for Roundabout, but I can't make out the name. Enjoy! TheTooleMan June, 2011
04/18/80 The Town House studios-Drama Sessions cdr 1 a+ "Clever Trevor" refix. GREAT sound.
08/18/80 Drama rehearsals cdr 1 c+ Clevor Trevor Refix For diehard fans only. Lineage Trade>EAC>WAV>Audacity>Flac>Dime. 1 And You And I 2 We Can Fly From Here 3 Starship Trooper 4 Parallels 5 Yes Medley Machine Messiah Heart Of The Sunrise Close To The Edge Siberian Khatru Wurm. Dream Theater with Steve Howe London 31/1/95. Clevor Trevors notes................ This is the Drama rehearsals for the then upcoming 1980 tour. Quality isn't too good and thats being kind. It was a tone slower (that's two frets on the guitar) Did a quick speed correction in Audacity. It's a bit hissy. No noise reduction was used. For die hard or completists only.
09/02/80 Civic Center cdr 2 b+ AUD
09/06/80 Madison Square Garden cdr 1 b
09/09/80 Boston Garden cdr 2 a- AUD. Lestat remaster. "The Singular Eyes." Really nice sound.
09/22/80 International Amphitheater cdr 2 b AUD
10/03/80 Sports Arena cdr 2 b AUD
10/17/80 The Spectrum cdr 2 b AUD
11/30/80 Playhouse Theatre cdr 2 Yes McDrama Edinburgh Playhouse Theatre Edinburgh Scotland November 30th 1980 Drama Tour Audience recording Clever Trevor Refix Quality B Artwork included in shocking tartan. Geoff Downes Trevor Horn Steve Howe Chris Squire Alan White lineage: Trade>EAC>WAV>Audacity>FLAC>Dime Disc 1 (46:54) 01 intro 02 Does It Really Happen 03 Yours is No Disgrace 04 Into the Lens 05 Clap 06 And You and I (Slight Cut) Disc 2 (45:21) 01 Go Through This 02 Man in the White Car suite 03 We Can Fly From Here 04 Tempus Fugit 05 The Fish 06 Machine Messiah (cuts out at 4:24) Clever Trevors Notes Raised the volume slightly and brought up the left channel as it was about nearly 10% quieter,except on Machine Messiah where the right channel was nearly 10% lower (work that one out) took out the odd harsh noise and clicks. Trevor Horn clearly struggles on this one.
12/04/80 Newcastle City Hall cdr 2 b AUD Clever Trevor refix. Needed a pitch correction and slight EQ. A couple of fades
12/06/80 Apollo cdr 2 b- AUD. Roundabout is cut at the end, White Car is missing. Clever Trevor refix....of a relayerman version.Clever Trevors notes........ Did a speed/pitch change of 2.464% and a fade here and there so the hiss wasn't so noticeable,reduced the hiss slightly on the first two tracks cut out a couple of gaps and the odd pop and click. stick with it as its a nice recording. Geoff seems to be having a problem with his Fairlight on his solo spot,he does the start and finish on his piano. Comedy moment just before We Can Fly From Here,someone shouts for Awaken. We all ate Shepherds Pie and cheap Champaign while doing this. Relayermans Notes........ By request here is another 1980 Yes show from the Drama tour. The tour is almost over and it has taken its toll on Trevor Horn's voice. Quite evident in this recording. I got this in a trade some time ago on tape. The first 2 tracks are a bit muffled probably due to the taper's mics being hidden, but I'm guessing. I might have been able to brighten them up a bit, but there is already some hiss so brightening may have introduced even more. Hence, I chose not to try.
12/16/80 Hammersmith Odeon cdr 2 b Yes Time Flies at Hammersmith Hammersmith Odeon London UK December 16th 1980 Quality B Clever Trevor refix Clever Trevors notes........ Not a bad sounding show,a lot of hiss on the quiet bits,so just did a slight tonal adjustment,and a couple of fades. Go Through This was really quiet compared to the other songs (patched from another show?) so adjusted the volume. Trevor seems to be enjoying himself "I'm going to get Hollywood taken off my jacket and Hammersmith put on" he tells the crowd. Is it me or does anyone else hear the Duck call?
12/17/80 Rainbow Theatre cdr 2 b- AUD "Clever Trevor Refix" Clever Trevors notes......... Our tapers sound an excitable bunch,shouting out the the song titles. Funny moment during White Car someone asks "Can i be out please" Not a bad sounding show,did a pitch correction and a slight adjustment of Bass and Treble, got rid of a couple of loud cracks, some of the tracks faded in and out,so just left them as they were.
??/??/80 The Alternate Drama cdr 1 Yes The Alternate Drama Remixes,Live Versions and Demos 1980 Quality A/B 44 Minutes Artwork Included Trevor Horn-Vocals Geoff Downes-Keyboards Steve Howe-Guitars Chris Squire-Bass,Vocals Alan White-Drums Lineage>Trade>EAC>WAV>FLAC>Demonoid 1. Machine Messiah. Live from Madison Square Garden NY 6th Sept.1980. Relayerman Version. 2. White Car. Clever Trevor Refix. Full Lyrics Version. Live Matrix U.S./U.K. Tour. 3. Does It Really Happen? Instrumental Demo Version Gtr/Bass/Drums. 4. Into The Lens. Live From Boston 9th Sept.1980 Lestat. 5. Run Through The Light (Early Radio Mix From Drama Album Radio Preview) 6. Tempus Fugit. The Verge Remix. For all Drama fans everywhere.Sources have been listed if known. Thanks to all involved.
??/??/82 Owner Of A Lonely Heart Multitracks cdr 1 Yes Owner Of A Lonely Heart Multitracks 1983 Artwork Included Quality A Jon Anderson Chris Squire Trevor Rabin Tony Kaye Alan White Trevor Horn Tracks 1. Drums 2. Bass 3. Guitars 4. Vocals 5. Keyboards 6. Additional Instruments Fascinating to listen to various instruments in isolation,and also how much of Trevor Horn's singing is on the chorus. You can now do your own remixes. Or just listen to more of your favourite parts.
12/09/83 WNEW-FM cdr 1 FM
02/16/84 90125 Tour Rehearsals, Tait Towers cdr 1 b- AUD
02/28/84 Millersville University cdr 2 b AUD
03/06/84 Five Seasons Center cdr 2 b- AUD Some crackles on ISAGP and ST....sound is really low on Soon and Cinema.
03/14/84 The Myriad cdr 2 b AUD
03/22/84 Veterans Memorial Coliseum cdr 2 a FM
04/11/84 Dane County Memorial Coliseum cdr 2 a AUD
04/21/84 Sportatorium cdr 2 b+ AUD
04/29/84 Erie Civic Center cdr 2 b AUD
05/07/84 Brendan Byrne Arena cdr 2 b+ AUD there is a very slight cut-in to long distance runaround after a tape flip (just a few seconds into it)
05/07/84 Brendan Byrne Arena cdr 2 b Yes : The Lostbrook Tape Series - Volume 28 Sometimes these introductions write themselves. I was struggling to describe how I felt at the time - that this wasn’t my ideal Yes lineup, that I was probably just there because Andy, my Ticketron connection, had offered me fourth row seats. I was listening to the tape on headphones and had reached the beginning of Track 8, when the 1984 Lost Brook summed it up perfectly. Trevor Rabin was holding an acoustic guitar and Jon Anderson was getting ready to introduce him when I leaned over to my companion and said, “If he does ‘The Clap’ I’m leaving.” May 7, 1984 Brendan Byrne East Rutherford, NJ USA Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ 01 Introduction 02 Cinema 03 Leave It 04 Yours Is No Disgrace 05 Hold On 06 Hearts 07 All Good People 08 Kaye Solo - Solly's Beard 09 Changes 10 And You And I 11 Soon 12 Make It Easy - Owner Of A Lonely Heart 13 It Can Happen 14 Long Distance Runaround 15 Whitefish 16 City Of Love 17 Starship Trooper 18 Roundabout
05/12/84 The Centrum cdr 2 b+ AUD. CQ remaster. Good sound, the mic seems to have a little trouble handling the sound at the beginning of the show. The very end of Roundabout is cut.
06/24/84 Westfalenhalle 2 a+ SBD. I have "They" CD 1 : Cinema, Leave it, Yours is no disgrace, Si/Solly's beard, Make it easy/Owner of a lonely heart, It can happen, Drum solo/Hold on CD 2 : Changes, Soon, City of love, Whitefish (The fish, Tempus fugit, Soundchaser, The fish reprise), Starship trooper (Dortmund, 6/24/1984), Make it easy/Owner of a lonely heart (Montréal, 8/22/1984)
07/11/84 Wembley Arena cdr 2 a AUD. Gaps between Hearts and ISAGP...and a big gap before Starship Trooper
07/18/84 Palasport San Siro cdr 2 a- Very nice aud recording.
08/11/84 Alpine Valley Music Theatre cdr 2 b+ AUD. Very cool "Master of Images.." at the beginning of disc 2.
09/01/84 Hershey Park Stadium cdr 2 a+ 01.Leave It (fragment) 02.Our Song 03.Hold On 04.Hearts 05.I've Seen All Good People 06.Tony Kaye Keyboards Solo 07.Solly's Beard 08.Changes (fades out) 09.Owner Of A Lonely Heart (fades in) 10.It Can Happen 11.The Fish (Schindleria Praematurus) / Whitefish / Amazing Grace 12.Intro / City Of Love 13.Starship Trooper TT 93:05 This is the most complete version I've seen.
09/01/84 Hershey Park Stadium cdr 2 a+ SBD. Less complete, does not have the fragments of Leave IT, Changes, and Owner.
09/04/84 Garden State Arts Center cdr 2 a SBD "Evolution Continues Into 80's."
09/07/84 Boston Garden cdr 2 b AUD CQ remaster.
02/09/85 Estadio José Amalfitani cdr 2 a- FM Lots of dropouts the first two songs, but clears up and sounds good after that.
??/??/86 The Alternate Generator Demos cdr 1 a+ Comments: Track 1 through 9 are demo and alternate tracks from "Big Generator". Rumor has it that these are the Trevor Horn produced songs, who left the project before it was completed. Track 10,11,12 and 13 are Jon & Vangelis demos, and stated on the cover art to be recorded in 1986. Research suggests that they were recorded somewhere between the "Private Collection" album (1983) and "Page Of Live" (1991). Track 10 "Let's Pretend" is the original JON & VANGELIS version (demo). In 1989 this song was recorded and included on the release, Anderson Bruford Wakeman Howe.
11/14/87 Omaha Civic Auditorium cdr 2 b+ AUD
11/21/87 Joe Louis Arena cdr 2 b AUD
11/22/87 Freedom Hall cdr 2 b AUD. Sound is pretty garbled at the end of Roundabout
11/24/87 Mecca Arena cdr 2 b AUD
11/27/87 Civic Arena cdr 2 a- AUD
11/30/87 The Spectrum cdr 2 a- SBD "Big Philly"
12/09/87 Maple Leaf Gardens cdr 2 b+ AUD
12/17/87 Providence Civic Center cdr 2 b+ AUD CQ remaster Tape flip during "And You And I."
02/19/88 The Summit cdr 1 a FM. Highland release
02/22/88 Frank Erwin Center - University of Texas cdr 2 a SBD
02/26/88 Arco Arena cdr 2 a- AUD. A radio annoucement is spliced at the beginning of the show,
??/??/90 Master of Dream cdr 2 a+ Highland release
04/12/91 Taj Majal cdr 2 Yes April 12, 1991 Atlantic City, New Jersey, USA The Trump Taj Mahal Mark G. Estess Arena from 1st GEN Cassette DISC ONE: 01 - INTRO: Firebird Suite - V. Finale --> 02 - Yours Is No Disgrace 03 - Rhythm Of Love 04 - Shock To The System 05 - Heart Of The Sunrise 06 - Clap 07 - Mood For A Day 08 - Make It Easy --> 09 - Owner Of A Lonely Heart 10 - And You And I 11 - DRUM DUET: Bill Bruford & Alan White --> 12 - Hold On DISC TWO: 01 - KEYBOARD SOLO: Tony Kaye --> 02 - Changes 03 - Solly's Beard 04 - Long Distance Runaround --> 05 - The Fish --> Whitefish --> 06 - Amazing Grace 07 - Lift Me Up 08 - KEYBOARD SOLO: Rick Wakeman 09 - .Awaken 10 - Roundabout LINEAGE: (from 1st Gen cassette) AUD Tape > Sony Deck (no dolby) > PC > Wav > CD > EAC > FLAC FrontEnd LOCATION: SECTION: S / ROW: B / SEAT: 13
04/13/91 Mark Etess Arena - Trump Taj Majal Hotel & Cas cdr 2 b+ Yes Mark Estess Arena Trump Taj Mahal Atlantic City Nj. April 13 1991 Jon Anderson Steve Howe Trevor Rabin Chris Squire Rick Wakeman Tony Kaye Alan White Bill Bruford Disc 1: 72:69 01. intro:firebird suite 1:40 02. yours is no disgrace 13:38 03. rhythm of love 5:47 04. shock to the system 5:34 05. heart of the sunrise 11:13 06. clap>surface tension>clap 6:28 07. make it easy>owner of a lonely heart 6:48 08. and you and i 11:41 09. (drum duet) 5:53 10. hold on 6:27 Disc 2: 77:47 01. (tony kaye intro) 1:42 02. changes 7:11 03. sollys beard 7:08 04. (long distance intro) 1:25 05. long distance runaround>fish 9:22 06. amazing grace 2:55 07. lift me up 7:52 08. (wakeman solo) 4:57 09. awaken 16:48 10. roundabout 8:20 11. starship trooper 12:07 Audience Master.Sony d6c/909 mic>maxell xl2s>sony hx pro/ audio source eq one>philips cdr770>EAC>FLAC8
04/17/91 The Centrum cdr 3 b+ AUD CQ remaster
04/24/91 Montreal cdr 2 a- "Union of Dreams" Highland. with 10 different takes of "Holding On" from the Union sessions.
05/14/91 San Diego Sports Arena cdr 3 b+ AUD...Master recording by Brian Emery..... This recording has been circulating since '91 however this version is a new master cassette transfer from my original analog master tape (Feb 2010).
05/17/91 Oakland-Alameda County Coliseum Arena cdr 3 RECORDING TYPE: Audience ["AR"] TORRENT SOURCE: Original master tapes - Neumann KM54's>custom Preamp>Casio DA-7 14th Row Floor TAPER: Danny L. [as reported by Flying Gonz] LINEAGE: 1994:DAT MASTER played back in Sony DTC-A7>via Sony D10PRO Coaxial Digital SP/DIF Cable>Sony TCD-D10PROII(Clone1) 2007: Clone1 played back in Sony TCD-D10PROII>Edirol R-4>WL5 (Fades & Resample to 44.1khz)>CDWAV>FLAC > To mastering computer from Dime and FLAC > EQ work to reveal - not mix - existing high frequency detail in CEP 2.0 [no noise reduction needed or attempted] > FLAC > Bit Torrent to Dime and You [as reported by Flying Gonz] INDEPENDENT SOURCE ANALYSIS: Roughly 160 happy Dimesters, including yours truly LINEUP: Jon Anderson, Bill Bruford, Steve Howe, Tony Kaye, Trevor Rabin, Chris Squire, Rick Wakeman, Alan White SETLIST [for standard 80-minute CDR] - There's no ideal way to get a UNION show spread evenly between the three discs usually required, and too much of the document would've had to be cut out to get this one on two. Beginning and ending tracks are faded to fit this configuration, but shouldn't interfere with any different approach as they effect only audience sound. I use 74 minute gold archival discs for shows of this quality anyway, which make for a better spread, less blank disc space on 2 and 3: [Vol. 1] 01V1 - Opening/Yours Is No Disgrace; 02V1 - Rhythm Of Love; 03V1 - Shock To The System; 04V1 - Heart Of The Sunrise; 05V1 - Howe Solo [MoodClap #10,921 give or take]; 06V1 - Make It Easy/Owner Of A Lonely Heart; 07V1 - And You And I; 08V1 - Percussion Duet; 09V1 - Hold On [Vol. 2] 01V2 - I've Seen All Good People; 02V2 - Kaye Solo/Changes; 03V2 - Rabin Solo; 04V2 - Long Distance Runaround/Squire solo; 05V2 - Lift Me Up; 06V2 - Wakeman Solo; [Vol. 3] 01V3 - Awaken; 02V3 - Roundabout WEAKNESSES: Just a tiny scattering of dropouts, inevitable in any AR. Most seem likely related to the occasional needed mic concealment operation. In some segments left channel amplitude is slightly lower than right, probably due to mic position changes and not serious enough to need correction. Only one segment was lost - some tens of seconds of the beginning of the percussion duet and it's unfortunate, but it came after an intermission, even supertapers have to pee, and most of it's there. Other than the above, I can't think of any worth mentioning.
05/30/91 Rudi-Sedlmayer-Halle cdr 2 A Yes 1991-05-30 Olympiahalle, Muenchen, WG analog audience master Sennheiser KD 2002 -> Sony TCD 5M -> Maxell MX cassettes -> Fiostex CDR Burner -> EAC -> Flac Recorded by mossa Notes: a great sounding show! the Olympiahalle usually is a bad place for taping, lots of hall sound due to the size of the venue. Enjoy!
06/03/91 The Zenith cdr 3 A- PRRP 061 Yes Paris, France Palais des Omnisports de Paris Bercy June 3, 1991 Source: LDB Master Series #267 Torrent Lineage: Philips stereo microphone > Sony Professional > master tape > Aiwa Tape Deck AD-WX828 > Creative Audigy SE > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) Remaster 1. Speed correct. 2. Adjust tonality/EQ. 3. Reduce Hiss, clicks and pops. 4. Attenuate extraneous peaks. 5. Adjust dynamics. 6. Correct channel imbalance. 7. Repair dropouts. 8. Repair tape flips/changes. 9. Track. Notes: Rare distortion present and unrepairable. All tape flips/changes repaired for continuous listening experience. Suggested CD Burn: Disc 1: Track 1 - 8 Disc 2: Track 9 - 18 Disc 3: Track 19 - 22 ll One Big Happy Family The Union tour was a difficult time for the band YES. 1970's YES members Anderson, Bruford, Wakeman and Howe had just finished a successful tour as ABWH despite a threatened law suit from 1980's YES members, Rabin, Kaye, White and Squire. With the second ABWH album stalling and the record executives grappling with the idea of two bands out on tour playing YES music, the suggestion was made, or forced upon the musicians depending on whom you talk to, that all eight players should come together as the band YES. As Steve Howe has said, "(Union) was more in control of the producers than the players and that required a lot of compromise from everybody". For the new album, appropriately called Union, material from the ABWH camp was merged with songs written by Trevor Rabin and then topped off by material written by members of the group once they were together. According to Chris Squire the production of this album was hardly a real union of the two musical camps involved, "I think it's important to note that on the album there was no point where the eight of us were playing together on any one song. It was really like Jon was going back and forth between the ABWH band and us like a loose cannon." Despite all the talent that was brought together for this endeavor, no one seemed very pleased with the end result. Rick Wakeman famously has said, "I call it the Onion album because every time I hear it, it brings tears to my eyes". Trevor Rabin referred to it as a "black mark" on the band's history. On tour, an interesting setlist was devised. In an attempt to satisfy everyone's concept of what was YES music. There were six songs from the early 1970's Bruford-era of YES. These included: Yours Is No Disgrace, Heart of the Sunrise, Clap, And You And I, I've Seen All Good People and Roundabout. For the 1980's YES camp represented by Rabin and Kaye the following 80's material was chosen: Rhythm of Love, Make It Easy, Owner Of A Lonely Heart, Changes, Solly's Beard and Whitefish; six in all. Three Union album songs were added: Shock the System, Saving My Heart and Lift Me Up and the show was rounded out by the inclusion of a perennial favorite, Awaken. The setlist did not change much during the tour. After many gigs the band worked out all the kinks with individual songs performed well; even the drum duet of Bruford and White was polished. Interestingly, during one show in Lake Placid the band decided to cut out the solos and play Close To The Edge. Accounts from those who were there were mixed. Anderson, Howe, Bruford, Squire and Wakeman were the only members on stage for that song and it was performed imprecisely, in the opinion of some. By the time the band arrived in New York City for the next show, the decision was made to return to the standard setlist and Close To The Edge was dropped. Despite the uncomfortable beginning of the Union project and the lack of union during the album's creation, it appears that some actually enjoyed the tour. Rick Wakeman said, "The Union tour was a wonderful tour....it was undoubtedly the most enjoyable YES tour I ever did". The performance was presented on a circular stage, with the two musical camps forced together. Jon Anderson noted, "I felt like a bee buzzing around and pollinating everyone". During this tour, Bruford was still using the unusual drum kit introduced during the ABWH tour. Squire was described by one fan as looking, “tremendously over weight and ridiculous in that Tormato tour jacket”. Despite the uncomfortable, forced union of these musicians at the start of the tour, another fan said, “It is known that some current and former members are really not very friendly with each other but on this night you would think they all loved each other as brothers”. The tour began with 33 shows in North America, starting in Florida and ending in Seattle, Washington. With only one week of rest, they resumed in Europe with another 22 performances; finishing with three shows at the Wembley arena. As if that wasn't enough, it was back to the United States, again after only one week off. The tour finished in August and was followed by a long break. Five shows were played in Japan in March of the following year but that would be the end of the Union rendition of YES. After that brief tour the band split apart. Steve Howe, Bill Bruford and Rick Wakeman were no longer part of the band and the rest went on to the next project, Talk. PRRP Staff
06/29/91 Wembley Arena cdr 2 a+ This is the other soundboard show I got from the Union tour. I was told it was London so I compared it to an audience tape I had of the 6-29-1991 show and its the same. I didn't tweak this one at all other than disc fades and few small smooth-overs. I believe a version of this soundboard is floating around already as I had it. That version is not quite as good in quality and it is songs only with no in-between song chatter. This version has a lot of it, but like the Burgettstown, PA show it is missing solo spots for Rabin and Wakeman. Awaken is here, though! As before, the sound engineer supposedly taped certain songs on a 90 min tape so thats all you get. This is better quality than the Burgettstown, PA show. Yes Wembley Arena Wembley, UK 1991-06-29 Disc 1 1. Rhythm Of Love 2. Shock To The System 3. Heart Of The Sunrise 4. Owner Of A Lonley Heart 5. And You & I 6. Changes Disc 2 1. I've Seen All Good People 2. Lift Me Up 3. Awaken 4. Roundabout Relayerman
07/21/91 Jones Beach cdr 2 a- Highland Release "Ultimate Reunion"
07/24/91 Star Lake Amphitheatre cdr 2 a+ SBD Relayerman version. Incomplete, but good sound.
08/02/91 Woodlands cdr 3 A YES: August 2, 1991-Cynthia Mitchell Pavillion-Woodlands, TX-Master Tape Here is the audience master that WJ recorded from YesÕ Union Tour in Texas. Please note that this audio does not come from the audience VHS video made of this show but from another source, WJÕs little-circulated audience master made on metal audio cassettes. Sound sample provided. Lineage: WJ Maxell MX 90 master audio cassettes>Tascam 122MKIII (playback head azimuth-adjusted for each tape)>Wire Tap Studio (44.1Hz, 16-bit AIFF)>Peak>xACT >flac. Lineup: Bruford-Wakeman-Rabin-Kaye-Anderson-Howe-White-Squire CD One: 1) Yours is No Disgrace 2) Rhythm of Love 3) Shock to the System 4) Heart of the Sunrise 5) The Clap 6) Owner of a Lonely Heart (volume level adjust/cut at beginning) 7) And You And I 8) Drum Duet 9) Changes (end cut-tape flip) 10) I've Seen All Good People CD Two: 11) Solly's Beard 12) Saving My Heart-Whitefish-Amazing Grace 13) Lift Me Up 14) Wakeman Solo Pt.1 (cut-tape flip) 15) Wakeman Solo Pt.2 16) Awaken 17) Roundabout
08/08/91 Shoreline Amphitheatre cdr 2 a+ SBD
??/??/91 Perfect Union cdr 2 a
06/18/94 Broome County Arena cdr 2 a- FM Static during Perpetual Change, Cinema, and AYAI.
06/19/94 Finger Lakes Performing Arts Center cdr 2 a "Endless Dream." The beginning of "The Calling is missing, and no Perpetual Change intro.
06/23/94 Nutter Center cdr 2 a- FM Lots of static, starting with Real Love, then popping up through the rest of the show. Real Love is missing the ending. Where Will You Be is missing the beginning, and ROundabout is missing the ending.
06/29/94 Riverport Amphitheatre cdr 3 a FM
06/29/94 Riverport Amphitheatre cdr 2 a+ Yes Riverport Amphitheater Maryland Heights Missouri U.S. 6/29/94 Talk Tour Concertronics FM Broadcast Clever Trevor Refix Artwork Included Quality A Jon Anderson (Vocals) Tony Kaye (Keyboards) Trevor Rabin (Guitars) Chris Squire (Bass) Alan White (Drums) Billy Sherwood (Guitars) Lineage>TradeDataDisc>HD>Audacity>Dime For Mia Happy Birthday. Clever Trevors notes............. Originally on three discs,edited to fit on two by removing some bits of applause and dead air. Joined a couple of tracks,boosted the volume,fixed a volume drop out in Endless Dream and did a couple of fades. Original notes had Yes-1994-06-29-St. Louis,MO No.3 if you're wondering which version this came from. The recording is also known as Endless Road (Highland) and Darker Than Ebony (The Tooleman mix)
06/30/94 Marcus Amphitheater cdr 2 b+ AUD "Hold On" And "City of Love" were rare on this tour
07/02/94 World Amphitheater cdr 1 A- Fm. Not a good one.
07/10/94 The Gorge Ampitheatre cdr 3 b+ AUD
07/13/94 Concord Pavillion cdr 3 b AUD
07/26/94 Open Air Theatre - San Diego State University 2 A- AUD
07/27/94 Thomas & Mack Center cdr 3 a FM A bit of static on the first disc, but it's better on the second and third
08/11/94 Orlando Arena cdr 3 a+ SBD Highland "Endless Road"
08/17/94 Julius Breckling Riverfront Park cdr 2 b+ Lots of channel dropouts, some noticable static in parts. Not one of the better sounding SBD shows from this tour.
08/18/94 Amsouth Amphitheater cdr 2 a SBD A little hiss, and some full fuzz outs during Endless Dream. SOme static during ROundabout.
08/24/94 Starlake Amphitheatre cdr 2 a+ SBD. Just a touch of static during Rabin's piano solo before AYAI. Lineage:maxwell cassette tapes > harman kardon burner tracks> express rip wav> tlh flac level 8>tlh checksum> tlh torrent>
08/26/94 The Spectrum cdr 2 A- AUD
09/07/94 PNC Bank Arts Center cdr 2 A- AUD. Slight channel drop out towards the end of the show
09/09/94 New Haven Coliseum cdr 2 a- AUD. The end of Owner is cut. Some pretty nice screwups by Rabin at the beginning of Endless Dream.
09/10/94 Madison Square Garden cdr 2 a+ SBD
09/20/94 Centro Cultural Estación Mapocho cdr 2 A SBD
09/22/94 Teatro Gran Rex cdr 2 A FM Several songs are cut at the beginning or end, and a little tape hiss.
10/04/94 Budokan cdr 2 A- AUD...very good one. "Budokan 1994 Supersound"
10/11/94 Kosei Nenkin Hall cdr 2 A- FM Vocals, keyboards, and drums low in the mix.
??/??/94 Yes Talk Album Release Party cdr 1 a+ FM
??/??/94 Talk Demos cdr 1 b 38 minutes. 4 full run throughs, the rest id fiddling about in the studio
10/28/96 Howard Stern Show (Radio) cdr 1 a+ FM They have tons of trouble with sound...right around 40 mins
11/20/96 Tower Records cdr 1 a+ FM
12/07/97 Universal Amphitheater cdr 2 a+ FM Keys To Los Angeles
12/09/97 Civic Theatre cdr 2 A Master Audience Recording by Brian Emery
03/20/98 Liederhalle cdr 3 b+ Yes - Open Your Eyes Tour (European leg) Kultur Und Kongresszentrum Liederhalle, Stuttgart, Germany March 20 - 1998 Great audience recording lineage:Silver discs->flac From Open The Show (Highland HL165/66/67)
03/26/98 Sala Kongresowej, Palace of Culture cdr 2 A- FM. Highland vertsion, missing last 2 songs. "Yes stage 98"
05/16/98 Estadio Obras Sanitarias cdr 2 a+ Fantastic sounding TV broadcast.
05/21/98 Teatro Monumental cdr 2 a+ SBD Might be the best sounding show of the tour,
06/24/98 IC Light Ampitheatre cdr 2 b AUD Highland "Lonely Runaround" HL 369/370
07/22/98 Open Air Theatre - San Diego State University cdr 2 A- Master aud recording by Brian Emery. This recording has been circulating since '98 however this version is a new master cassette transfer from my original analog master tape (Jan. 2010). Great show from the second leg of the Open Your Eyes tour. This show was presented in DTS Surround sound so the sound was awesome. Alan Parsons Project was the opening act who i also did tape and will seed as well. Recorded from Section D Row F. This is upload #18 from my "Master tape Collection". I'm going to start uploading shows from my 600+ masters which includes uncirculated recordings from 2003 thru the present. I've taped just about every show i've gone too since 1986 so you can imagine i have a lot of masters to share. Most of my recordings from 1986-2002 have been circulating as i used to do a lot of trading back in the day. All uploads however will be new master tape transfers directly from the master tape to CD.
10/08/98 Shibuya Koukaidou cdr 2 b SBD Highland "Evening Sunburst" disc 3 and 4
10/09/98 Shibuya Koukaidou cdr 2 b AUD Highland "Evening Sunburst"
09/12/99 Estadio Luna Park cdr 2 a+ SBD "Luna Park 1999" Highland HL458/459
10/31/99 House Of Blues cdr 3 a+ SBD Highland HL454/455/456 "Ladders On the Strip"
11/04/99 House Of Blues cdr 2 b AUD. Not a bad recording, but some chatty ladies close to the taper.Master Audience Recording by Brian Emery
12/07/99 Beacon Theater cdr 2 A AUD CQ remaster.
12/09/99 Beacon Theatre cdr 2 a- AUD. CQ remaster. Lots of talking early on. The very end of Hearts is cut.
12/11/99 Orpheum Theatre cdr 2 A SBD
02/19/00 Royal Albert Hall cdr 2 A- LDB Special Series #212...... I received this one on trade from a good friend who actually had taped the show with his MiniDisc (best-in-class technology back then), then transferring his master to a double cd set. The sound is quite good actually. Only an issue between tracks 8 & 9 on cd 1 due to a disk change. Some seconds of music from both tracks are missing but nothing big.
06/20/00 Reno Hilton Ampitheater cdr 2 Venue: Reno Amphitheater, Reno, NV. USA Date: 2000/06/20 Source: Silver CD Bootleg Label: HIGHLAND HL494/495 Title: THE MASTERWORKS SONG Sound Quality: Vg+ Audience Recording.
06/21/00 Chronicle Pavilion cdr 2 a+ SBD "Legendary Works" Highland
07/02/00 Starplex Amphitheatre cdr 2 b- AUD. Levels too high....for completists.....taper's notes: Unfortunately, I seem to be the only person who taped this magnificent gig. While the second disc sounds quite good, the first disc is a bit muffled and is missing the first minute or so of Close to The Edge. I got the best sound of this tape by correcting the azumith on the tape and simply transferring it to cdr. In the past, I have tried lots of EQ and tampering but that just resulted in the show sounding processed. So here it is clean, raw, and natural ten years later. I recommend downloading for the performance alone, it is excellent. That said, the balance of instruments is perfect and there is little audience interference. The only drawback is that disc one lacks the clarity and highs of disc two. Reason being that the recorder was hidden under a shirt for the first half due to the muscular security staff making me (15 at the time) paranoid. 10th Anniversary Remastered Edition
07/15/00 Jones Beach cdr 2 b+ AUD CQ remaster
07/18/00 Sony E-Center cdr 2 A AUD
07/19/00 PNC Center cdr 2 a+ SBD Highland label "Real Masterworks" Bonus tracks from 11/1/99 KLOS broadcast
07/21/00 FleetBoston Pavilion cdr 2 B+ AUD CQ Remaster Tape flip during Heart of the Sunrise.
08/03/00 Deer Creek Music Center cdr 2 b AUD
07/25/01 Navy Pier cdr 2 a- Symphonic Tour San Diego 25 July 2001 Date : Wednesday, July 25, 2001 (4 years, 11 months and 4 days ago) City : San Diego, California, United States Of America Venue : Navy Pier Capacity : 2,800 Lineup : Jon Anderson (Vocals) Steve Howe (Guitars) Chris Squire (Bass) Alan White (Drums) Tom Brislin (Keyboards) Lineage: Long forgotten trade - sorry, no lineage of this recording Setlist CD1 Give Love Each Day (not recorded) Close To The Edge And You And I Don't Go Spoken Intro In The Presence Of Spoken Intro Gates Of Delirium Wonderous Stories CD2 Perpetual Change Spoken Intro Listen To Your Heart/Long Distance Runaround Spoken Intro(and beginning of Ritual-small gap, and then- Ritual I've Seen All Good People Applause Spoken Intro Starship Trooper Roundabout Applause With : San Diego Symphony
08/02/01 Queen Elizabeth Theater cdr 3 b AUD Higland HL584/585/586 "Symphonic Concert 2001" Has bonus track from 7/30/01 Gates Of Delirium.
08/05/01 Fiddler's Green Amphitheatre cdr 2 A AUD CQ remaster
08/11/01 The Palace Theater cdr 3 A Nice AUD recording.
08/14/01 Interlochen Center For The Arts cdr 3 B+ AUD. Missing the very beginning of CTTE. SOund starts out rough, but gets better after CTTE
08/19/01 Harbor Center cdr 2 b+ YES August 19, 2001 (Sunday) The Harbor Center Portsmouth, Virginia, USA The 19th show of the US leg of the YesSymphonic Tour. with William Straumburg conducting the The Virginia Symphony Orchestra DAT(1) > CDR(2) Sourced from CDR trade. CDR > xACT (secure extraction) > Sound Studio (inspection & tracking) > xACT (fix SBE, tags, flac level5) ___________________________________________________________ This is a mono capture of a really good show where you can laugh along with the guys taking their friends and talking throughout saying over and over "told you they were going to do it!" There is quite a bit of chatter from the crowd, but that's what these shows were like. When the music is loud, it sure is LOUD, and when it is quiet, you get to hear the people talking.
08/22/01 Artpark Repetory Theatre cdr 2 A 2 source aud/sbd mix.
08/22/01 Artpark Repetory Theatre cdr 2 A SBD. Tooleman Feb 2005 remaster.
09/08/01 Radio City Music Hall cdr 3 a AUD
12/12/01 Newcastle City Hall cdr 2 A AUD
07/25/02 UMB Bank Pavilion cdr 3 a- AUD
08/08/02 Tweeter Center cdr 2 A SBD. "In the Presence of America" silver.
08/10/02 XM Radio Studios cdr 1 A FM. Could be better....Higland release, HL662 TOgether Again Unplugged
08/16/02 The Backyard cdr 3 A AUD. Nice recording
08/25/02 Las Vegas Hilton Showroom cdr 2 YES Live in Las Vegas on August 25, 2002. This is a superb quality soundboard. Probably a leak from the Westwood One archives, as WWO aired a 60 minutes edit of this show. So this is not your typical stereo soundboard feed, but a multi track mix. Better than most official live CDs. Yes fans should not miss this one!
11/26/02 Star Theatre cdr 2 A- AUD. Straight from master. CTTE is cut in 3 tracks.
11/26/02 Star Theatre cdr 2 b+ Yes Full Circle Tour Star Theatre Spokane Washington US November 26th 2002 Jon Anderson (Vocals) Steve Howe (Guitars) Chris Squire (Bass) Rick Wakeman (Keyboards) Alan White (Drums) Disc One Firebird Suite Siberian Khatru Magnification Don't Kill The Whale In The Presence Of We Have Heaven South Side Of The Sky Close To The Edge In The Course Of The Day/Clap Disc Two Show Me Wakeman Solo Heart Of The Sunrise Long Distance Runaround/Whitefish/On The Silent Wings Of Freedom Awaken Starship Trooper Roundabout Lineage Trade>EAC>WAV>Audacity>FLAC>Dime I got this in a trade and thought i would pass it on. Did a couple of fades on Audacity and joined a couple of tracks.
06/11/03 Tempodrom cdr 2 A- AUD. PRRP 024.
05/07/04 Air Canada Centre cdr 3 A AUD
06/13/04 Arrow Festival cdr 2 A- AUD....This recording differs from the remaster that CosmicQuake posted a while ago, here on Dime. This is the non-remastered version of it, for those who would like to compare the two versions side by side. I have no idea what source was used by CosmicQuake for his remaster, it could very well be a completely different one. But after looking at some of the track times, i think it`s the same source. I hope you enjoy the show! Re-seeded on Dime by Gromek 24-12-2009 All the best; Gromek (2009)
07/08/04 Piazza della Riforma cdr 2 a+ SBD
07/11/04 New Theatre cdr 2 b+ Aud. Acoustic benefit show.
08/22/04 Meadows Music Theatre cdr 2 A AUD. CQ remaster. Good sounding show.
09/10/04 Red Rocks Amphitheatre cdr 2 a Remastered: CQ - Steve breaks a guitar string during 'America' - Storm and thunder during 'AYAI' Very nice recording.
11/07/08 Hampton Beach Casino Ballroom cdr 3 A AUD. Benoit goes off key during Parallels, but is really good through the rest.
11/09/08 Mohegan Sun Arena cdr 2 A AUD.
11/15/08 Paramount Theater cdr 2 A AUD
11/21/08 Borgata Casino Hotel cdr 2 A AUD, good recording!
11/25/08 House Of Blues cdr 2 A- AUD
11/26/08 Fillmore Detroit (formerly the State Theater) cdr 2 A AUD
11/29/08 Riverside Theater cdr 2 A AUD
11/30/08 US Cellular Coliseum cdr 2 A- AUD
12/03/08 Chicago Theatre cdr 2 A AUD. Steve's really sharp.
12/06/08 House Of Blues cdr 2 A- AUD. Some annoying crowd noise during CTTE, and chatting through Aliens.
12/07/08 The Tabernacle cdr 2 A AUD
12/12/08 Beau Rivage Casino Theatre cdr 2 A Relayerman version. AUD. One of the better sounding shows of the tour, but sadly one of the shortest, too.
12/15/08 Ruth Eckerd Hall cdr 2 A- AUD. Bass is really loud, often drowning out the other instruments.
07/07/09 Universal Amphitheatre cdr 2 A- AUD.
07/22/09 Innsbook Pavillion cdr 2 A- AUD. Drop outs are pretty noticable early in the show, but sound is much better halfway through the first disc.
07/31/09 Capital One Theater cdr 2 A AUD. Source: Sony Minidisc MZ-R55 w/ Core Sound Binaural Microphones> My hard drive > Cool Edit Pro > WAV > FLAC Frontend level 8 > FLAC
08/01/09 Jamestown Savings Bank Ice Arena cdr 2 A AUD. Not a bad recording, but there's a guy close to the taper yelling "Steve!"
08/02/09 Riverplace cdr 2 A AUD Taped By: N. Andreas Catalog: Nickeh Productions 095 Format: FLAC Discs: 2CD Lineage: Tascam DR-07
12/08/09 Philipshalle cdr 2 A AUD. ineage: OKM II Rock > A3-Adapter > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with Maketorrent
02/04/10 Capitol Center for the Arts cdr 2 a AUD. Location: Audience - Balcony Source: CSB Mics -> BB w/BRF On -> Edirol R-09 [WAV 24bit/48kHz] Conversion: SDHC Flash -> WAVs -> PC - Editing/Tracking - FLAC Editing: Cool Edit Pro 2.1 (iZotope Ozone 4) > WAV (dithering 16/44.1) > CD Wave > FLAC level 8 Checksums: TLH ~ FLAC fingerprints & MD5 Tagging: Fubar 2000
02/08/10 Calvin Theater cdr 2 A Kitty Lickin Discs version. Songs are played a touch slow, like it 2002.
02/21/10 House of Blues cdr 2 A- AUD
07/04/11 Susquehanna Bank Center cdr 2 A- AUD Tapehead 2 version. Benoit struggles during Heart of the Sunrise and Owner of a Lonely Heart. GEoff struggles during Heart and Starship Trooper.
07/08/11 MGM Grand Theater at Foxwoods cdr 1 A- AUD. Sound at the venue was obviously not very good during the 1st 2 tracks, but gets better.
07/14/11 Verizon Wireless Amphitheater cdr 2 b+ Tapers notes: This show was recorded with my Iphone 4 using Recorded Pro. Recorded at 44.1 K in Wav format. It was converted to Flac via Audacity 1.3 Beta. There are 2 spots in the recordiing that have breaks, on Tempus Fugit and And you and I. I switched apps to take some pictures and the damn thing stopped recording. It was only for a few seconds. Also missing hte very end of ROundabout.
07/15/11 The Wharf cdr 2 A Yes - 2011-07-15- Orange Beach, AL Venue: The Wharf Ampitheatre Orange Beach, AL July 15, 2011 (Trevor Horn's borthday) approx. 93 minutes Taper: Relayerman Lineage: Edirol R-09HR (internal mics) > PC > SoundForge > CD > FLAC > you Taper Notes: "Hot off the presses! I recorded this from 10th row center so the recording is excellent. Here are a few points of interest. Benoit David's vocals are still on the shaky side. Its a paradox really because he can hit a lot of those high notes, but on others he just sounds like his voice is going to fall apart. Geoff's keys were up and down. Some were loud enough, some were not. Chris's bass was just right for me. Steve's guitar was very good in the mix as well, even the acoustic stuff. Alan's drums? Where were they?? They were weak a lot of the time volume-wise, but not for lack of playing. Compared to Styx's drums it sounded like Alan was playing on an oatmeal canister. Setlist is the same as all the other shows they closed except that they played the long version of Roundabout which was nice. Geoff's reverse piano intro to Roundabout was not working so he signaled to Steve to carry on without him. The set musically was not as tight as it could have been, but at this venue the show was to start at 8pm instead of 7pm like most of the other venues. Styx didn't come on until 8:20 which meant Yes didn't start until around 10pm. They acted a little tired. I've included my ticket and 5 shots of the band members my buddy shot in this torrent."
07/18/11 Starlight Theatre cdr 2 b Edirol R09 > CD Wave > Flac Pictures included Audience approx 6000
07/20/11 DTE Energy Music Theatre cdr 2 a- AUD
07/22/11 Winstar Casino cdr 1 A- Yes - 2011-07-22 - Thackerville, OK Venue: Winstar Casino July 22, 2011 5th row center section Lineage: SP Core Mics> Battery box with Bass Rolloff at 16Hz> Zoom H4n 24 bit 48 htz >HDD>Goldwave to split the file and convert to 16 bit> traders little helper flac level 7 Taper Notes: "Rather short show from Yes as well as the Styx show being short. This show does not have Heart of the Sunrise or And You And I like other of the Yes sets I have seen. The show was still really good. I think Steve Howe was probably the most impressive of the bunch. Some of the shows I have heard on dime he was somehat buried in the mix but he was right up front here most of the time. It had been since the 90125 tour since I had seen Yes. There was nothing flashy about the show. Just some good enjoyable music on a Friday night".
08/02/11 Greek Theater cdr 2 a- Lineage: Fourth row in front of Benoit -> Blue Mikey -> iPhone 3GS using Blue FiRe -> Audacity for trim, track cuts and EQ -> xACT for FLAC conversion and checksum -> to You and I. Note: Not quite a complete concert. Missing end of Yours Is No Disgrace and beginning of Heart Of The Sunrise. Recording notes: "Shane Alexander opened, followed by Styx, then Yes. This seat location had a good mix of stage monitors and PA so the recording has more depth compared to the San Diego show. No nearby talkers in this show, just a few whoopers, but there is plenty of crowd noise audible in the quieter passages. Several times during the show Steve gave the evil eye to some talkers right in front of him, and at one point he mentions "so some of your *are* listening!". Enjoy, vin2010.
08/04/11 Shelter Island cdr 2 a- Humphreys Concerts By the Bay Shelter Island, San Diego CA This was the end of the Progressive Tour (July - August) across the US. The previous night in Mountain View was the last shared bill with Styx; this night was Yes-only. The band filled out the setlist by adding Steve's acoustic solo, debuting Into The Storm, and adding Machine Messiah. Tempus Fugit began with Steve energetically jumping up and down to count out the start. The crowd was completely engaged throughout the show, which fed the band to give a great performance. Humphreys is a high stage with the speaker cabinets placed under the front of the stage rather than stacked on the sides. Sound levels in the third row were pretty high so there is not much in way of dynamics or stereo separation in this recording. This was my first night using the Mikey/iPhone combination that I was able to capture a full concert. A little capsule handling noise is present here and there. This is definitely an audience recording. The audience was really into this show, a few times to the point of distraction as your can hear. For some reason Californians seem to have an urge to blurt out their feelings to complete strangers. When Benoit is introducing AYAI and mentions it is from 1972, the woman in front shouts "Class of '72!". I was afraid that she was going to describe her whole high school career in finite detail to everyone within six rows. As the majesty of the song unfolds, however, she quietens. All in all, the crowd was either up on their feet clapping along and whooping, or sitting and listening intently. They responded with sustained cheers for the encore. As the band mentions, a nice way to wrap the tour.
11/05/11 Sant Jordi Club cdr 2 Yes Sant Jordi Club, Barcelona, November 5th. 2011 Complete show. 3rd. Show of the European Tour 2011 Line: Zoom H2 (16/44) --> Cool Edit fades in/out, normalize and equalization --> CD Wave for tracks splitting --> Trader's Little Helper flac (8) --> YOU Recording notes: Right side, close to the left speaker Very good-excellent audience recording Total time: [2:10:49] Setlist: 01 Intro 02 Yours Is No Disgrace 03 Tempus Fugit (false start) 04 Tempus Fugit 05 I've Seen All Good People 06 Life On A Film Set 07 And You And I 08 Steve Solo: Solitaire 09 Fly From Here: the whole suite 10 Wonderous Stories 11 Machine Messiah 12 Owner Of A Lonely Heart 13 Encore break 14 Roundabout Line-up: Benoit David, vocals, acoustic guitar and bongos Geoff Downes, keyboards Steve Howe, guitars Chris Squire, bass and pedals, vocal Alan White, drums and electronic percussion
11/11/11 Symphony Hall cdr 2 a- AUD Total time: 2:12:31 Source: Zoom H2 (medium gane) Lineage: Zoom H2 > Goldwave (boost volume and track splits) > FLAC 4 Notes by the taper Very happy with the quality on this one - all I've done is boost the volume a tad. Bloke with a bit of a cough behind and someone sneezed a bit in front, but nothing too fatal. Benoit accurate throughout, but completely lost it at the end of Heart Of The Sunrise. Got the impression that Geoff had some minor technical problems (perhaps one of his keyboards set to the wrong level). Generally an excellent performance however, and the crowd were very appreciative.
11/21/11 De Vereeniging cdr 2 b+ 2011-11-21 Yes De Vereeniging, Nijmegen The Netherlands Taper: dorenberg Lineage: TASCAM DR-2d --> 24bit/96khz --> PC --> Adobe Audition 3.0 (splitting and little Eq-ing) --> Converting 16bit/44.1khz --> Flac level 8 --> You
11/24/11 Teatro Smeraldo cdr 2 a- Source: Tascam DR1 > Audio normalize with Peak \ taper : loveandsoul\ Audience 01 Yours Is No Disgrace\ 02 Tempus Fugit\ 03 I've Seen All Good People\ 04 Life On A Film Set\ 05 And You And I\ 06 Solitaire.\ 07 Steve Howe solo \ 08 Fly From Here\ 09 Wonderous Stories\ 10 Into The Storm\ 11 Heart Of The Sunrise\ 12 Starship Trooper\ 13 Roundabout\ uploaded by loveandsoul november 2011}
11/27/11 Konzerthaus cdr 2 b+ YES _ Nov-27-2011 Konzerthaus - Vienna, Austria Source: SP-CMC-u4 >SP-SPSB-10 >iRiver_H120 (rockbox)...one Beer. Transfer: H120 >USB >PC >CDwave >FLAC Taped&Transfer: Die/Wal
04/01/12 Vector Arena cdr 3 We Finally Made It Vector Arena Auckland, New Zealand Sunday, April 1, 2012 Lower Bowl, Row S, Seat 215, to the right side and back. Only a half Arena show so this was still quite close. Lineage: Zoom H1 (24/48) > Nero Wave-Editor (split tracks) > foobar2000 > flac L8 I have not done anything to the audio other than track splits. This is the first ever NZ show for Yes (We Finally Made It) and the first with Jon Davison on vocals - and it was very good. I first started listening to Yes over 20 years ago when I got Close to The Edge. My 10 year old son (who went to the concert also, and who you may hear talking) first started listening to them 3 weeks ago, he enjoyed it but it was a long day so he had a "wee snooze" during Heart of The Sunrise - he woke for the last few songs. Set list: Set 1: Yours Is No Disgrace Tempus Fugit Your Move/I See All Good People Life on a film set Steve solo - Solitaire/Clap And You And I Set 2: Fly From Here Wonderous Stories Into the storm Heart Of The Sunrise Owner of a Lonely Heart Starship Trooper
04/19/12 Shibuya Kokaido cdr 2 YES Fly From Here Japan Tour 2012 April 19, 2012 at Shibuya Kokaido - Tokyo, Japan taper: fab1 sound professionals sp-cmc-8 > sony pcm-m10 > wav(24bit/48kHz) > sound forge(edit, convert to 16bit/44.1kHz) > flac Recorded from front row. Chris Squire - Bass Steve Howe - Guitars Alan White - Drums Geoff Downes - Keyboards Jon Davison - Vocals

Yngwie J. Malmsteen --- Approximate Hours: 8.75
Show Date Venue Media Type Media Count Sound Quality Notes
01/01/85 Fan Club Album cdr 1 A SBD
05/24/85 Göta Lejon cdr 1 b+ AUD
07/06/85 Summerfest cdr 2 A FM
11/21/85 Nassau Coliseum 0 YNGWIE MALMSTEEN NASSAU COLISEUM UNIONDALE, NEW YORK (USA) NOVEMBER 21, 1985 A JOE MALONEY ANALOG MASTER REPOST NOT A RESEED LINEAGE AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 the band YNGWIE J. MALMSTEEN guitar JEFF SCOTT SOTO Vocals JENS JOHANSSON Keyboards MARCEL JACOB Bass ANDERS JOHANSSON Drums
01/11/87 R.P.I. Fieldhouse cdr 1 b AUD Opening for Iron Maiden
06/17/88 Foellinger Theatre cdr 2 Yngwie Malmsteen 1988-06-17 Foellinger Theatre Ft Wayne IN Sony D-3 Pro Walkman > Realistic 33-1065 Electret Stereo Microphone > Maxell XLII-S 90 > Onkyo TA-RW313 > Sony STR-DE945 > PC > Wavepad > Trader's Little Helper > FLAC Taped by Jerry B. aka "The Govner" Please share in the original format it was uploaded in!! 01 Radio Promo 02 Rising Force 03 Liar 04 Queen In Love 05 Deja Vu 06 You Don't Remember, I'll Never Forget 07 Jens Johansson Keyboard Solo 08 Crystal Ball 09 Icarus' Dream Suite Op. 4 (Tape Flip) 10 Heaven Tonight 11 Now Is The Time 12 Anders Johansson Drum Solo 13 Fury 14 Dreaming (Tell Me) 15 Krakatau 16 Band Introductions 17 Faster Than The Speed Of Light(Tape Flip) 18 Purple Haze Total Time 88:36

Zebra --- Approximate Hours: 5
Show Date Venue Media Type Media Count Sound Quality Notes
10/22/88 L'Amour cdr 2 b AUD
04/01/06 The Patchouge Theatre For The Performing Arts cdr 2 b+ AUD