Rolling Stones 07/11/1975
Set I
Honky Tonk Woman
All Down The Line
If You Can't Rock Me->
Get Off My Cloud
Star Star
Gimme Shelter
Ain't To Proud To Beg
You Gotta Move
You Can't Always Get What You Want
Happy
Tumbling Dice
It's Only Rock'n Roll (But I Like It)
Band Introduction
Doo Doo Doo Doo Doo (Heartbreaker)
Fingerprint File
Angie
Wild Horses
That's Life
Outta Space
Brown Sugar
Midnight Rambler
Rip This Joint
Street Fighting Man
Jumpin' Jack Flash
Sympathy For The Devil
All Down The Line
If You Can't Rock Me->
Get Off My Cloud
Star Star
Gimme Shelter
Ain't To Proud To Beg
You Gotta Move
You Can't Always Get What You Want
Happy
Tumbling Dice
It's Only Rock'n Roll (But I Like It)
Band Introduction
Doo Doo Doo Doo Doo (Heartbreaker)
Fingerprint File
Angie
Wild Horses
That's Life
Outta Space
Brown Sugar
Midnight Rambler
Rip This Joint
Street Fighting Man
Jumpin' Jack Flash
Sympathy For The Devil
Set II
Set III
Comment
Bootlegs:
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Shearing | FLAC / 1 | A- | View | The Lost and Found Mike the MICrophone Tapes Volume 117 | AKG 451E Microphones (CK-1 cardioid... | ||
| Shearing | FLAC / 2 | B+ | View | Radio Shack microphone > Unknown Portable Cassette Recorder (likely Panasonic) > Memorex master... | ||
| OldNeumanntapr | FLAC / | A- | View | Soundboard | ||
| Notes: | ******************************************************************* FLAC Tags Via xACT 2.53 By OldNeumanntapr ******************************************************************* | |||||
| OldNeumanntapr | FLAC / | A- | View | AKG 451E's w/CK-1 Cardioid Capsules >Nakamichi 550 Cass (Mike Millard) | ||
| Notes: | (Partial Show Recording. Ends With 'Heartbreaker') ************************************************************* FLAC Tags Via xACT 2.50 By OldNeumanntapr ************************************************************* Why did Mike stop taping? We've put that question to some of the friends he was there with that night and the answer seems to be that he was both unhappy with the sound and the people around him who wouldn't calm down and were attracting unwanted attention. With those two factors working against him, he decided shut things down. As you can hear in the portion of the show he did record, Millard's recording picks up a lot of Keith Richards' guitar amp directly off the stage. The unbalanced sound also leaves Mick's vocals low in the mix. While it is not Mike's best 1975 Stones capture, hearing Keith's guitar so clearly certainly makes for an interesting listen. Through mastering, we did have some luck pulling Mick's vocals a little more forward. | |||||
| Armogi | / | View | SBDxAUD | |||
| Notes: | Falo Matrix & CaptainAcid 2020 Remaster | |||||
| John H | flac / 2 | a- | a- | View | AUDIENCE | |
| Notes: | Mike Millards masters | |||||
| wes meyette | / | View | ||||
| Slick2007 | FLAC / 2 | A | View | SB | ||
| michael kass | cdr / 2 | View | ||||
| michael kass | / 3 | View | ||||
| MyLibbyDog | / 0 | A | B+ | View | Soundboard | |
| Notes: | Mono Soundboard from Video Shoot. Some mixing problems, but pretty good sound and concert. | |||||
| BLG | FLAC / 1 | View | Radio Shack mic > anaM | |||
| David Bennett | cd / 2 | A | A | View | ||
| gwendibbley | Digital / | View | ||||
| Jack Warner | NTSC DVD9 / 1 | View | Proshot video > ? > DVD | |||
| Jack Warner | FLAC / 0 | View | MAT>?>CD | |||
| Notes: | "Whores, Cocaine, & a Bottle Of Jack" boot | |||||
| Denis Charette | CDR / 2 | View | ||||
| Notes: | "Live At L.A. Forum 1975" | |||||
| Denis Charette | DVDR / 1 | B+ | View | Pro shot | ||
| Notes: | "LA Blues" VG Pro Shot | |||||
| cotaper | flac / 2 | A- | View | |||
| Notes: | 157 minutes Millard | |||||
| cotaper | dvd-dl / 1 | B+ | View | |||
| sean hite | / 0 | View | ||||
| Notes: | "Whores, Cocaine, & a Bottle Of Jack" LA Forum, Los Angeles, CA. 1975 July 11 Empress Valley Supreme Disc [EVSD 43~50] Technical: trade CDR > EAC% > mkwACT > SHN > FLAC Here are CD3 & CD4: this is the continuation of the Empress Valley Box Set (8CD). Infos: http://www.rollingstonesnet.com/LA1975.htm L.A. Forum, July 11, 1975 (Sleeve says July 12th & 9th) | |||||
| richard | dvd / 1 | View | ||||
| Gary | CDR / 2 | View | ||||
| Notes: | AUD [Millard] | |||||
| Gary | DVD / 4 | View | ||||
| Notes: | Audio Only 4 different mixes | |||||
| Brandon Moeller | / 2 | View | ||||
| Notes: | Part of six-disc set of Millard recordings in LA | |||||
| Adam | CDR / 2 | C+ | View | SBD | ||
| Shin | CDR / 2 | B | View | AUD | ||
| ToolMobb | DVD / 1 | View | ||||
| infected_by_sound | DVD / 1 | View | ||||
| Notes: | TV | |||||
| shadow121603 | Flac / 2 | View | " The Lost Millard Masters (6CD) " | |||
| Notes: | " The Lost Millard Masters (6CD) " | |||||
| shadow121603 | Flac / 2 | View | soundboard source (taken from a pro shot-video) | |||
| Notes: | soundboard source (taken from a pro shot-video) | |||||
| mr_thomas | DVD / 1 | View | ||||
| Notes: | 162 min | |||||
| Phil Shrout | DVD / 1 | A | A | View | ||
| Notes: | LA Blues Full menus and chapters | |||||
| Russell | FLAC / 1 | View | "Whores, Cocaine, & a Bottle Of Jack" | |||
| Hopper's DVD List | DVD / 1 | View | ||||
| Mike D's | DVD / 1 | View | PRO | |||
| Billywantsshows | DVD / 1 | A | A | View | ||
| Hopper | DVD / 1 | View | ||||
| NANU | DVD / 1 | PRO | View | |||
| stephen | SHN / 2 | AUD | View | |||
| Jordan Jacobs | Flac/1 / 0 | View | AUD | |||
| Notes: | Original silver CD >> WAV (Lilith) >> flac (Lilith) | |||||
| Jordan Jacobs | FLac / 0 | View | xx | |||
| Notes: | Trade Cassettes>Soundblaster X-Fi Soundcard>WAV>FLAC | |||||
| Jordan Jacobs | Flac / 0 | View | AUD | |||
| Notes: | Trade Cassettes>Soundblaster X-Fi Soundcard>WAV>FLAC | |||||
| wedsong1 | DVD / 1 | A | View | PRO SHOT | ||
| surfer1478 | CDR / 0 | View | ||||
| Notes: | BU DISC 225 | |||||
| John R | / 1 | A- | View | AUD | ||
| Notes: | For Details see my webpage at http://www.Jambands1.homestead.com/Jambands.html | |||||
| Johnny K | CDR / 2 | A | View | Soundboard | ||
| Ed S.F. | shn / 1 | B+ | View | |||
| Eric Ortiz | DVD+R / 1 | a | View | |||
| Notes: | La Blues Proshot | |||||
| Dan Nelson | CDR / 2 | Yes | B+ | View | AUD | |
| Notes: | The Romantic Part Of The Rolling Stones | |||||
| Jeff | DVDR / 1 | View | NTSC - DTS Ganga 63 | |||
| Notes: | "LA Blues" | |||||
| Rob Foster | DVD / 1 | A | View | |||
| Notes: | Pro-shot_PC Authored_Format NTSC | |||||
| Toto | DVD / 1 | View | Video: Pro Shot > Unknown Gen VHS > ? > DVD / Audio: SBD | |||
| Notes: | "LA Blues" | |||||
| Jacob | DVD / 1 | B+ | View | |||
| Notes: | Pro-Shot (Video shows its age but still very good) | |||||
| Jeff Hunt | / 0 | View | ||||
| Notes: | My copy may be incomplete | |||||
| PsillyT | DVD / 1 | A- | A- | View | Proshot | |
| Notes: | LA Blues | |||||
| jezzie | DVD / 1 | View | ||||
| Notes: | Pro Shot B+ quality Rolling Stones - LA Blues Opening Honky Tonk Women All Down the Line If You Can't Rock Me Get Off My Cloud Starfucker Gimme Shelter Ain't Too Proud to Beg | |||||
| johnbutler | CD-R / 2 | A | A- | View | AUD | |
| Notes: | "Rockin' at the Forum" | |||||
| John Sherwood | CD-R / 2 | View | AUD | |||
| Anto | shn / 2 | View | ||||
| Jake | cdr / 2 | View | ||||
| Daniel | / | View | Mono Recording Gear: Radio Shack microphone > Unknown Portable Cassette Recorder (likely... | |||
| Notes: | JEMS is happy to release two recordings of the Stones' July 11, 1975 show at The Forum, Mike Millard's incomplete capture along with this, Ed F's master tapes of the full performance. Ed recorded all five of the Stones' LA shows in 1975 and got remarkably consistent results. To be sure he wasn't recording with Millard-quality gear, but his tapes capture the atmosphere of the occasion appealingly and offer good, perhaps even very good sound for the era and equipment. His recorder was an inexpensive portable (believed to be a Panasonic) that Ed recalls ran on six AA batteries, likely giving it long battery life and perhaps even improved performance compared to most cheap decks. He paired the recorder with what he calls a cheap Radio Shack microphone that he would stick to the armrest of his seat with tape. The results have little immediate-vicinity audience noise, relatively up-close sound, and while not as sharp or clear as Millard's efforts, are potent just the same. Ed was also good about his tape flips and didn't miss much of the show. On July 11, Millard only recorded the first 50 or so minutes of the set. Ed's master tapes cover the entire performance. Better still, we believe Ed's recording of the show is uncirculated, so it should be a new, superior source for the middle night of the run. Samples provided. There has been historic confusion about the dating of the July 11 and 12 performances, but both Mike and Ed marked this performance as July 11 at the time and it is not the same as the shows released in the official Stones vault series on CD or DVD. Stones expert LetItBleed finds the July 11 performance vastly superior to the sloppy set captured on video the next night. His notes on the show and the dating controversy can be found in Vol. 117 of the Lost and Found series. Massive thanks to Ed F for lending us his master tapes. He told us he is fairly confident he hadn't played them since 1975 and they had been sitting in a tape case ever since until he gave them to us last year. Old Memorex cassettes are glued into their cases and most squeak like a mofo on playback today, but their oxide has held up and with careful restoration, good transfers are possible. LetItBleed provided enormous assistance in comparing Ed's recordings to existing official and unofficial sources, which we greatly appreciate. It has been a pleasure collaborating with him. Professor Goody was of course on hand as well to adjust the pitch. Last but not least, our esteemed colleague mjk5510 handled post-production as he does each and every week. We hope you enjoy this new recording of the Stones in Los Angeles, July 11, 1975. There's more where this came from. BK for JEMS | |||||
| Daniel | 16/44.1 / | View | Mike Millard Master Tapes via JEMS Patches from Ed F Master The Lost and Found Mike the... | |||
| Notes: | olling Stones, The Forum, Inglewood, CA, July 11, 1975 We finally arrive at the one of the most famous stands Mike The Mike recorded: the Rolling Stones 1975 performances at The Forum. Mike taped the first, third, fourth and fifth nights of the five-show stand, though as outlined below, there is long-standing confusion about which circulating recordings by all tapers come from which performance. Some of you have written asking why we hadn't done any of the 1975 Stones tapes. The simple answer is that only one of them is fully unreleased and therefore DIME friendly. Night one on July 9 contains "Sympathy For The Devil," later issued on Love You Live. The fourth and fifth nights are part of the band's official vault release series, though again, collectors have questioned the dates credited on the Eagle Rock DVD. With Mike skipping July 10, that leaves July 11 as the only unencumbered recording, and as fate would have it, that's the night Mike recorded only 45 or so minutes of the concert. Why did Mike stop taping? We've put that question to some of the friends he was there with that night and the answer seems to be that he was both unhappy with the sound and the people around him who wouldn't calm down and were attracting unwanted attention. With those two factors working against him, he decided shut things down. As you can hear in the portion of the show he did record, Millard's recording picks up a lot of Keith Richards' guitar amp directly off the stage. The unbalanced sound also leaves Mick's vocals low in the mix. While it is not Mike's best 1975 Stones capture, hearing Keith's guitar so clearly certainly makes for an interesting listen. Through mastering, we did have some luck pulling Mick's vocals a little more forward. Regardless, I found the overall quality to be excellent, which is how Mike rated the recording hmself. Samples provided. While JEMS considers ourselves relatively Stones savvy, the confusion about these dates and recordings is above our paygrade. For help, we turned to LetItBleed who wrote this in an attempt to explain the July 11/July 12 fuzziness: "The date of the performance captured on this recording has long been presumed to be July 12, 1975. We now strongly believe it is July 11 and here is why: Until the official release of the Eagle Rock “LA Friday” companion DVD (an upgrade of the only widely circulating videotaped performance from the 1975 tour),it had always been assumed in collectors’ circles that this particular concert occurred on July 11. The “video concert” has gained questionable fame because it displays some of the worst playing of the entire tour and shows the band on an obvious off night with missed cues, out of tune guitars, sloppy vocals (not the good kind) and a general carelessness by the players (not the cool kind). The Eagle Rock release credits state that the videotaped concert occurred on July 12. At the time Eagle Rock's LA Friday came out, some believed the credited date to be an error/mislabel for what should have been the "known" July 11 performance. Mike Millard's friend Ed F recorded all five LA Forum 1975 shows including the “video concert." His cassettes clearly identify that respective recording as July 12 and there is no reason to believe that he was wrong. Nor is it likely Mike Millard got it wrong, too. The previous assumption of July 11 date for the "video concert," at least to my knowledge, was verified or proven. With that in mind and two completely independent sources attributing the “video concert” to July 12, we now strongly believe that what was always believed to be the July 11 concert is actually July 12 and vice-versa. This is not the video concert, but night three, recorded on July 11. Unfortunately, during both concerts, there are no comments from the stage which can definitively corroborate the date. However, we feel confident identifying these source recordings as July 11 based on the above evidence." Or in other words: Eagle Rock was right all along. ### This release is from Millard's master cassette, transferred to DAT by Rob S in the early 2000s. Rob's contemporaneous notes also credit the recording to July 11. Mike records his first side of tape, from the show start through "You Gotta Move." On the tape flip, he misses the start of "You Can't Always Get What You Want," which have patched in from our fresh transfer of Ed F's master cassettes. "Happy" follows and Mike gets the first minute or so of the song before rustling around and eventually shutting down his recorder mid-song. We've patched the rest of "Happy" from Ed F's tape, along with what would have been the remainder of side B of the tape through "Doo Doo Doo Doo Doo (Heartbreaker)." Our thinking in presenting it this way is because we are also releasing Ed F's full master recording concurrently with Millard's, completing the first two sides of their composite recording makes it easy to pick up the rest of the show from Ed's master, side three of which begins with "Fingerprint File." One part all Millard; a second Millard and Ed composite. LetItBleed also had this to say about caliber of the show itself: "Another strong band performance, maybe a notch below the night before during the first part, but things really pick up during the "Happy"/"Tumbling Dice"/"IORR" triplet. It sounds like Mick is giving Keith a few wake-up calls during the first couple of numbers, the latter apparently takes notice and then delivers with gusto." Here's what Jim R recalled about the third night of the Rolling Stones' LA Forum residency on July 11: I went with Mike to four out of the five nights of the Rolling Stones at The Forum on July 9-13, 1975. I missed the Thursday July 10th date. I remember that Mike went but did not record for reasons lost to history. As this is the first Lost and Found series release of the Stones Forum '75 stand, there is a lot to cover. I'll try to be concise. The Stones implemented a star-shaped stage for LA and NY shows only. The points of the stars could be raised and lowered using hydraulics. This has been well documented. There were three star tips across the front, a middle, left and right. The show opened with the points folded up concealing the band members. With the opening chords of "Honky Tonk Women," Mick was on the top of the middle tip as they were lowered, revealing the stage. Given this unique stage design, unfortunately there was no seating chart with row and seat numbers ahead of time. It was our practice to carefully scout our seat locations using row and seat positions to acquire the best seats to record from and not get caught. As a side note, we camped out for tickets for several days to buy tickets, and as luck would have it, we got a pair of seats in the first row in front of the middle tip of the star i.e. Front Row Dead Center!!! Holy Crap. That would have been an extremely high-risk location recording wise. so it is just as well we sold them to a couple of Mike's friends. Ticket demand for the five shows was very high, leading to this Stones LA Forum stand commanding the first $50 scalped ticket price, a new high-water mark for the secondary market. On July 11, we sat in what turned out to be Section B, Row E, Seat 14. This translated to row 5, almost dead center. We sat on Keith’s side every night of the stand, including this one, as the tape makes abundantly clear. These should have been killer seats to record from. Too bad Mike didn't get the entire show. Keep in mind this was 46 years ago, so as far as why the recording was cut short, I cannot confirm nor deny any of the stories out there, other than we did not sit in the front row, we sat in the fifth, somewhat concealed, being in Seats 13 and 14 of a row 20 seats across. This does mean we were only six seats from security sitting in the center aisle of the floor. Regardless, I am sure Mike had a valid reason for stopping the recording on July 11. Back to the show itself, it was a party scene every night. From our seats it was like the band was playing in a living room, a really big living room. The Forum ceiling was decorated with colorful tapestries and they even removed the scoreboard to accommodate the decorations. The show was a blast. I hope you enjoy Mike's audio tidbit. Cheers to my buddy Mike. RIP. ### | |||||
| CousinEddie | / | View | ||||
| Michael Shilling | CDR / 2 | B+ | View | |||
| Notes: | "Rockin at the Forum" - Liberated Bootleg AUD | |||||
| John Cook | SHN / 2 | View | ||||
| Edgar H | DL-DVD / 1 | View | 4Reel/Top Of The Line | |||
| Notes: | Proshot. | |||||
| Ray D | dvdr / 1 | View | ||||
| groundhog | DVD / 1 | View | ||||
| Notes: | 4.32gb | |||||
| Enrico | DVD / 1 | View | ||||
| Enrico | CDr / 2 | View | ||||
| terryfunku | FLAC / 2 | A | B | View | ||
| terryfunku | DVD / 1 | A | A | View | ||
| Chad R | DVD / 0 | View | ||||
| Mike McCann | FLAC / 2 | A | View | ´CDr / EAC / flac | ||
| Notes: | Weird mix. Seems like first couple of songs are an audience, but then seemingly switches to a soundboard. L.A. Connection | |||||
| Greg Cappa | DVD / 1 | View | ||||
| Mike | DVD / 1 | View | ||||
| Notes: | Pro | |||||
| Liquidscream | DVD / 1 | View | ||||
| fudiesel | DVD / 1 | A | A | View | ||
| Notes: | A- Proshot video. | |||||
| Derek Morrison | DVD / 1 | A | A- | View | Video: Pro-shot footage > VHS/x > DVD Audio: From original footage, possibly SBD | |
| Notes: | "L.A. Blues" : Includes menus, chapters, and song selection. Pretty good DVD. | |||||
| harris moreida | SHN / 2 | View | Liberated Boot | |||
| Notes: | Ae | |||||
| harris moreida | SHN / 2 | A- | B+ | View | Sdbd | |
| Notes: | E | |||||
| zowie | cd / 2 | a- | View | mtx | ||
| Jeff Hyman | dvd / 1 | A | View | proshot | ||
| Notes: | "LA Blues"; video A- | |||||
| ivan | DVDR / 1 | View | PRO SHOT | |||
| Notes: | "L.A. BLUES" | |||||
| ivan | CDR / 2 | View | AUD | |||
| Notes: | "WHORES, COCAINE AND A BOTTLE OF JACK" | |||||
| Travis Autrey | DVD / 1 | A+ | View | |||
| Travis Autrey | CDR / 1 | A | View | |||
| Travis Autrey | CDR / 2 | A | View | |||
| Matt Frawley | / 2 | View | ||||
| Notes: | 'Rockin at the Forum' | |||||
| Joe | DVD / 1 | View | ||||
| Notes: | Pro Shot. LA Blues!! | |||||
| Joe | CD / 2 | A- | View | |||
| Mike | dvd / 1 | B | View | |||
| Scott | DVD / 1 | View | ||||
| Notes: | DVD9-Pro shot | |||||
| weedwacker | dvdr / 1 | View | video | |||
| Notes: | NTSC dvdr | |||||
| Will Rice | / 0 | View | soundboard source (taken from a pro shot-video) | |||
| Notes: | "L.A. Connection" - VGP 085 | |||||
| JSW | DVD / 1 | A- | View | Pro shot video | ||
| Notes: | Pro Shot NTSC Video. "LA Blues". With menu and chapters. Also includes 3 bonus chapters: Tongue gallery, Rolling Stone covers, and photopgraphs. Honky Tonk Woman All Down The Line If You Can't Rock Me-> Get Off My Cloud Star Star Gimme Shelter Ain't To Proud To Beg You Gotta Move You Can't Always Get What You Want Happy Tumbling Dice It's Only Rock'n Roll (But I Like It) Band Introduction Doo Doo Doo Doo Doo (Heartbreaker) Fingerprint File Angie Wild Horses That's Life Outta Space Brown Sugar Midnight Rambler Rip This Joint Street Fighting Man Jumpin' Jack Flash Sympathy For The Devil | |||||
| marc geanoules | CD / 2 | A | View | SBD | ||
| Crowster2 | CDR / 2 | View | ||||
| Antero | DVD-DL / 1 | A | A | View | ||
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