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Led Zeppelin 07/20/1973

SHOWID 3897

Set I

Rock And Roll->Celebration Day->Bring It On Home->Black Dog, Over The Hills And Far Away, Misty Mountain Hop->Since I've Been Loving You, No Quarter, The Song Remains The Same, The Rain Song, Dazed And Confused (Medley), Stairway To Heaven, Heartbreaker->Whole Lotta Love (Medley),~

Set II


Set III


Comment


Collectors With This Show

User (active/rating) Media / # Show Sound Details DB Source User Source
wes meyette (5/0) / View  
Slick2007 (5/5) FLAC / 2 B+ View  
Rick Martin (5/5) SHN / 2 B+ View   Aud > MR > DAW > SDII > WAV > SHN
Notes: Complete
Molly (5/0) FLAC / 1 5 View  
Doug (5/0) FLAC / 0 B+ View  
Notes: analog master to cdr krw transfer to eac to tlh flac level 8
Metal Trader (5/5) CD / 2 8 View   AUD [1:49:05]
George Rue (5/5) CD / 2 B+B View   Wrecks Havoc>Flac>Wav>CD (Joe Maloney)
Notes: 117:26 min (Source 2) Plays a bit slower.
George Rue (5/5) CD / 2 B+B View   Master Tape>Flac>Wav>CD (Joe Maloney)
Notes: 115:04 min (Source 2) Correct Speed
David Bennett (5/5) cd / 2 A A View  
gwendibbley (5/0) Digital / View  
Jack Warner (5/5) FLAC / 1 View   MAC>CD
Jack Warner (5/5) FLAC / 0 View   MAT>?>CD
Notes: "Wreckage In Boston" bootleg
sean hite (5/0) / 0 View  
Notes: Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 06/09/2005 The two discs can be joined, creating an uninterrupted flow of music. Remove d01t09 & d02t01 and the two will splice together w/o a loss of continuity. Also included are Toast/Jam files & a printout for the CDs (so you can either use the Jam file to create the disc or use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Notes: Tape flip during last verse of d01t07; flip cuts off sustained bass note ending d02t02. No noise reduction or expansion. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through a SAE 2800 parametric equalizer to bump the highs slightly. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues.
John (5/5) CDR / 2 View  
John (5/5) CDR/FLAC / 2 View  
Notes: A JOE MALONEY MASTER KRW_CO TRANSFER TAPE FLIP EDIT COPY LINEAGE AUDIENCE ANALOG MASTER TO CDR KRW TRANSFER TO AUDIO CLEANING LAB FOR TAPE FLIP EDITS AND TRACK MARKS TO CDR TO EAC TO TLH FLAC LEVEL 8 NO EQ OR OTHER TAMPERING
Dwayne (5/5) FLAC / 0 View   Audience Recording Joe Maloney Analog Master
shadow121603 (5/0) Flac / 2 View   Source 2 Analog Master > CDR > FLAC
Notes: Source 2 Analog Master > CDR > FLAC
Jon Pavuk (5/4.3) FLAC / 2 A A- View   Audience>" Wrecks Havoc">Silver CDs > CD-R > EAC > WAV > FLAC > DVD-R >...
BH (5/5) flac / 2 View  
brad stevens (5/3.7) cdr / 2 B+ View  
Notes: audience
Jeff (5/5) CDR / 2 C+ View   Silvers>EAC>WAV>FLAC
Notes: "Zep Vs Boston" Image Quality
Joe (5/5) CD-R / 2 B+ View   Aud.
Notes: Maloney Master
ctg (5/0) / 0 View  
Steve K (4/5) FLAC / 2 B- View   Aud
Jeff Hagen (4/5) CDRs / 2 View  
Notes: LZ Collection #6
Brad Foster (4/4.9) FLAC / 2 View   AUD > Cass/M > CD > EAC > FLAC
Edgar H (4/5) / 2 View   "Boston Gardens, July 20, 1973"
Notes: Tape flip during last verse of d01t07; flip cuts off sustained bass note ending d02t02. No noise reduction or expansion. Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480.The analog signal was first run through a SAE 2800 parametric equalizer to bump the highs slightly. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. Winston's improvements: - Splicing in an alternate source during the cuts mentioned above
Ray D (4/4.9) cdr / 2 View  
Notes: "Zep vs. Boston"
dcbullet (4/5) Flac / 0 View   Audience
Notes: MR > DAW > SDII > WAV > shn
Kevin P (4/5) CDR / 2 View  
Mike (4/5) cdr / 2 B B View  
Bill (4/5) CDR / 2 B+ View   AUD
Notes: "Boston Cream Pie"
Jimmy Mac (4/0) cdr / 2 View  
Notes: Zeppelin vs Boston
massu2 (3/0) / 0 View  
J (3/0) / 0 View  
Chris Larson (3/5) / 0 View   Silver CDs > CD-R > EAC > WAV > FLAC > DVD-R > HD > Torrent
Notes: Wreckage In Boston
Ledhed (3/5) CDR / 2 View   AUD
Notes: Wrecks Havoc- (Tarantura)
Robbie Kellman (3/5) flac / 0 View  
Notes: dvd Zep Who #
Fred (3/5) CDR / 2 View  
weedwacker (3/0) .shn / 0 View   aud
Notes: Original CDs > EAC > SHN Image Quality (IQ078/IQ079)
dr (3/5) shn / 0 View  
Notes: Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. * Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes)
carmen (3/0) cdr / 2 View  
Notes: Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 06/09/2005
JMB (3/5) shn / 2 b+ View   Aud > MR > DAW > SDII > WAV > shn
Notes: Recorded on a Hitachi 290, using the microphone from the RCA YLS 15B portable reel to reel recorder. Original cassettes were transferred to a Mac DAW using a Nakamichi 480. The analog signal was first run through a SAE 2800 parametric equalizer to bump the highs slightly. Lo Cut filter on Mackie 1402-VLZ used to remove grunge below 75 Hz (-18 db/octive). Transferred to the Mac using a MOTU 896/Bias Peak. Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs.
Walter George (3/5) CD-R / 2 B View  
cosmiczoso (3/0) / 0 View  
Notes: AUD
Simon C (3/0) CDr / 2 View  
Notes: "War Cry"
RM's Giant Live Music Archive (2/5) FLAC / 0 View   Audience Recording Source 1 (L036)
Notes: Sony TC-110 w/external condenser mics > Cass M (2 x Capitol C-60s) (HS's) (1st time digital transfer, done in October 2003:) playback + recording w/Tascam CC-222 CD-RW Cass combo > 2CDR4 > EAC > Wav (appended) > CD Wave (re-tracking) > TLH > Flac 8
RM's Giant Live Music Archive (2/5) FLAC / 0 View   Joe Maloney master (AE020 & RS045 & Z132)
Notes: AM>CDR>EAC>FLAC *CORRECTED TRACK NUMBERING"
RM's Giant Live Music Archive (2/5) FLAC / 0 View   Wreckage In Boston (AC099)
Notes: liberated Tarantura 2000 bootleg; Lineage: Silver CDs > CD-R > EAC > WAV > FLAC > DVD-R > HD > Torrent ( All Tracks Tested With TLH, SBE's Aligned)
RM's Giant Live Music Archive (2/5) FLAC / 0 View   Joe Maloney source, 2018 Transfer, 16-bit version (LL370)
Notes: Incredible story in the info file about the audience going nuts and crowding the main floor during the performance. It seems the band had to cut the show short. When tickets for their 1975 tour went on sale in January, the box office opened the Garden to allow the line of fans to stay warm inside while waiting for tickets . Once inside, they went nuts, causing $25K in damage & the promoters cancelled the show. This 1973 concert would be the last time Zeppelin played Boston. A Joe Maloney Master Recording Transferred and Presented By Krw_co NEW 2018 TRANSFER LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8)
Karst de Jong (2/5) / 0 View  
King of the Gypsies (2/5) / View  
OBIE (2/5) FLAC / 2 View  
luke (2/4) CDR / 2 View  
Erick (2/3) FLAC / 2 View  
Notes: Missing MMH, SIBLY
Ed (2/4.2) cdr/flac / 2 View   AUD
Tim (2/0) CDR / 1 View  
Notes: master SPC audience source2 1:57:20
Tim (2/0) CDR / 2 View   Empress Valley
Notes: Boston Cream Pie CD audience 1:51:48
Tim (2/0) CDR / 2 View   Joe Maloney Master Recording
Notes: audience 1:55:22
Tim (2/0) CDR / 2 View   Tarantura
Notes: Wreckage In Boston - Wrecks Havoc CD audience 1:58:20
Tim (2/0) CDR / 2 View   Trade Mark Of Quality
Notes: War Cry CD audience 1:46:08
Tim (2/0) CDR / 2 View   Image Quality
Notes: Zep Vs Boston CD audience 1:49:19
Tim (2/0) CDR / 2 View  
Notes: audience source1 1:49:05
Tim (2/0) CDR / 2 View  
Notes: Boston Gardens, July 20, 1973 CD audience source1 with source2 patch 1:51:58
ZIP007 (2/5) FLAC / 0 View   AUD
Notes: "Wrecks Havoc"--silvers > to EAC > .Wav > . FLAC
ZIP007 (2/5) FLAC / 0 View   AUD
Notes: audience analog master to cdr krw transfer to eac to tlh flac level 8
Scott J (2/0) / 2 View  
Scott Brown (2/5) cdr / 2 View   Aud>MR>DAW>SDII>WAV>SHN
Notes: Aud>MR>DAW>SDII>WAV>SHN
Joel Means (2/5) SHN / 1 View   Silvers>EAC>WAV>FLAC
Notes: Zep vs. Boston - Image Quality
Pete (2/0) Analog / 0 View  
John Peters (1/0) FLAC / 1 View   AUD: Analog Master > CD > Audio Cleaning Lab > CD > EAC > TLH > FLAC8
Notes: KRW_CO
Boedi-taper (1/4.8) CDR / 2 A B+ View   Audience Recording
Carter (1/5) CDR / 2 View  
Preston Klingler (1/4.9) FLAC / 1 View   Unknown Rec. Equipment Gen: Silver Wreckage In Boston > CDR(?) > EAC > FLAC
Notes: Second Audience source.
Preston Klingler (1/4.9) FLAC / 1 View   Unknown Rec. Equipment Gen: Silver Boston Cream Pie > EAC > FLAC
Notes: Audience source 2.
Preston Klingler (1/4.9) FLAC / 1 View   Unknown Rec. Equipment Gen: Silver Boston Cream Pie > EAC > FLAC
Notes: Audience source 1.
Pete (1/5) cd-r / 2 View  
Stuart Ferguson (1/4.7) CDR / 2 View   Audience
Notes: DVD 168; lineage: Audience recording. "Zep vs Boston" (Image Quality) TC 1973 Vine
Stuart Ferguson (1/4.7) CDR / 2 View   Audience
Notes: DVD 997; lineage: Audience recording Remastered. MR -> DAW -> SDII -> WAV -> shn -> mkw (V0.97 beta 1) -> wav (adding patched tracks, fixing resulting SBEs using shntool V2.0.3) -> mkw -> shn. alternate source used during cuts is master tape -> CD-R(3). Taped by: Joe Maloney (maloneyjoe68_at_aol.com). Transfered by: Jamie Salerno (jjs4_at_po.cwru.edu)
SpiralLightofVenus (1/5) FLAC / 0 AUD View  
Notes: AUD TB11
SpiralLightofVenus (1/5) FLAC / 0 AUD View  
Notes: AUD TB13
Maria Reine (1/5) CD-R / 2 View  
Notes: Part of the "Wreckage In Boston" [Tarantura 2000] 5 CD set. FLAC[sg1000b]
bluibootleg (1/0) FLAC / 2 View   Audience 2
bluibootleg (1/0) FLAC / 2 View   Audience 1
steve (1/0) / 0 View  
Paul Russell (1/4.6) cdr / 2 A- View  
Mike (1/0) CD / 2 View  
David Shapiro (1/0) CD-R / 2 View  
Greg Evans (1/0) SHN x / 2 AUD View   MR > DAW > SDII > WAV > shn (see Notes)
Notes: This recording is one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community.
tarkus22 (1/5) FLAC / 2 View  
Notes: Zep vs Boston (Image Quality)
tarkus22 (1/5) SHN / 2 View  
Notes: Taper: Joe Maloney, Lineage: MR > DAW > SDII > WAV > shn
tarkus22 (1/5) FLAC / 2 View  
Notes: Joe Maloney Recording
Jon Black (1/0) SHN / 2 View  
Alex (1/4.5) cdr / 2 A b- View   CD-R > EAC, Secure Mode, Accurate Stream, No Disable Cache, C2 > WAV > Flac Frontend,...
Notes: 'Boston Cream Pie' EVSD. fair audience recording
Page (1/5) CDR / 2 C View   AUD > Condenser Mics > TC-110 > MCass (Capitol 60min tapes) > Analog/1 > CDR/1
Notes: More bass (yep, its in Boston) then really needed. After EQing the stereo, the recording comes up to a C. Jaded, echoes, and other characteristics are present (minor, but together they become promenent). Recomended for collectors only IMHO.
Brian (0/0) / 0 View   aud.maloney.krw_co.flac8
Dave H. (0/0) / View  
Bill Tripp (0/5) SHN / 1 View   Silvers > EAC > SHN
Notes: 1 SHN / 2 CDR - "Zep vs. Boston"
Bill Tripp (0/5) FLAC / 1 View   AUD > MR > DAW > SDII > WAV > shn
Notes: 1 FLAC / 2 CDR - "Maloney Joe" source Disc 1 1. Rock And Roll -> 2. Celebraton Day -> 3. Black Dog 4. Over The Hill And ar Away 5. No Quarter 6. The Song Remains the Same -> 7. Rain // Song 8. Dazed And Confused 9. Fade Out Disc 2 1. Fade In 2. Stairway To Heaven / 3. Heartbreaker -> 4. Whole Lotta Love Medley The two discs can be joined, creating an uninterrupted flow of music. Remove d01t09 & d02t01 and the two will splice together w/o a loss of continuity. Tape flip during last verse of d01t07; flip cuts off sustained bass note ending d02t02. No noise reduction or expansion.
steve (0/0) flac / 2 View   " Boston Cream Pie"