Derek & The Dominos 10/16/1970
Set I
Ramblin' On My Mind
Why Does Love Got To Be So Sad
Blues Power >
Have You Ever Loved A Woman
Mean Old World
Motherless Children
Let It Rain
Why Does Love Got To Be So Sad
Blues Power >
Have You Ever Loved A Woman
Mean Old World
Motherless Children
Let It Rain
Set II
Set III
Comment
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Joe | FLAC / 0 | View | Silvers > CD-R > Liteon IHap 322 > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC | |||
| wes meyette | / | View | ||||
| xghs | FLAC16/44.1 / 0 | View | unknown "1st Gen Aud Source" > CDR> EAC from Geetarz | |||
| Notes: | "1st Gen Aud Source" is questionable, perhaps it is, but recorded with inferior equipment | |||||
| Slick2007 | FLAC / 1 | B+ | View | |||
| Rick Martin | Flac / 1 | A- | View | Silver CD > EAC > WAV > FLAC | ||
| Notes: | Complete? | |||||
| michael kass | cdr / 1 | View | ||||
| BLG | FLAC / 1 | View | bootleg cd | |||
| Baden | / 0 | View | ||||
| David Bennett | cd / 1 | A | A | View | ||
| Gary K | cdr / 1 | B+ | View | |||
| Marty | CDR / 1 | View | ||||
| Notes: | flac | |||||
| Lester's Soundroom | CDR / 1 | View | ||||
| sean hite | / 0 | View | ||||
| Notes: | Silver CD > EAC > WAV > FLAC | |||||
| karl banach | cdr / 1 | A | A | View | ||
| Russell | FLAC / 1 | View | ||||
| Notes: | "The Majestic Stand" | |||||
| joebeacon | cdr / 1 | View | ||||
| Wiserphil | / 1 | B+ | View | |||
| Jeff S | cd-r / 1 | A- | View | aud (remaster/upgrade. From DIME torrent) | ||
| sonny gable | / 1 | View | ||||
| Jordan Jacobs | FLac / 0 | View | AUD | |||
| Notes: | from 1st Gen Audience Source - Aud 3 | |||||
| Jordan Jacobs | Flac / 0 | View | xx | |||
| Notes: | The Majestic Stand (Mid Valley 2006) 10/16/1970, 11/20/1970, | |||||
| Srron | CDR / 2 | View | ||||
| Joe | CD / 1 | View | ||||
| Steve Blanchard | FLAC / 1 | View | Liberated Deep Six bootleg | |||
| dann | flac / 0 | View | ||||
| Will | / 0 | View | ||||
| BILL SCARNATI | CDR / 1 | View | ||||
| clay pelland | / 1 | View | ||||
| Jeff Schlingbaum | CDR / 1 | A- | View | SBD | ||
| barry bryson 2 | CD / 1 | View | ||||
| John | / 1 | View | ||||
| Notes: | book 3 | |||||
| Paul Conlon | cdr / 1 | View | ||||
| mike rowley | cdr / 1 | View | ||||
| Joe | CD-R / 1 | B- | View | Aud. | ||
| Joey Browning | cdr / 1 | B | View | |||
| Ryan Stewart | / 1 | A | A | View | ||
| Robert Freemer | / 2 | View | ||||
| Robert Freemer | / 1 | View | ||||
| paul ross | cdr / 1 | View | ||||
| SkyDog1980 | CDR / 1 | View | ||||
| Lee Leff | CDR / 1 | A | A- | View | ||
| Freebird 63 | CDR / 1 | B+ | View | aud | ||
| Steve K | FLAC / 1 | B | View | |||
| Notes: | Part of "The Majestic Stand." | |||||
| Michael Shilling | CDR/Flac / 1 | A- | View | |||
| Notes: | CD 2 from Feast Away box set. Zigzag Records; 2000 Press. My Favorite show from the Collection, largely due to an Outstanding 17 min. rendition of "Why Does Love Got To Be So Sad". Audience Recording; AUD 5-/6 | |||||
| Brad Foster | FLAC / 1 | View | AUD | |||
| Edgar H | / 1 | View | disc 1 of "The Majestic Stand" (Mid Valley) | |||
| Notes: | SHOW HAS A VERY RICH AND FULL SOUND THAT ONLY A SMALL CLUB CAN PROVIDE. LONG JAMS EVERYWHERE, AND AN EXCELLENT VERSION OF "WHY DOES LOVE GOT TO BE SO SAD." IF YOU WANT TO HEAR CLAPTON PLAY AT ALL LIKE JIMI HENDRIX, THIS IS THE CLOSEST THING I HAVE COME ACROSS. ERIC'S GUITAR IS VERY WILD, BUT NOT DRIVEN BY MANY EFFECTS LIKE HENDRIX. A MUST HAVE FOR COLLECTORS. | |||||
| Edgar H | / 1 | View | "1st Gen Aud Source" > CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure Mode,... | |||
| Notes: | Geetarz Comments: This is a legendary Dominos show, and a personal favorite. Some older reference guides inexplicably refer to this as a soundboard, but it's clearly a marginal to average recording. Luckily a fantastic performance makes for any drawbacks of the source material. "Ramblin" features some of EC's best ever slide playing. EC can at times play slide a little too precisely - but in this performance, he exhibits loopy, "out of the box" playing that clearly shows Duane Allman's influence as he dances around all the notes. I don't recall EC performing "Ramblin'" in this arrangement again, which alone makes it unique. This performance is also notable for an incredible, mind bending, tour-de-force performance of "Why does Love...", which is in my Not-So-Humble opinion, not only the finest performance of this song of all time, but has to be one of EC's top performances of any song, ever. If I were making a list of the "Top 25 songs EC ever played" or something like that, this song would be on that list. And it's not just EC here. If you listen to some of the very early gigs, the band were a little loose, but here they play as a single organism, rising and falling, playing off each other for all they are worth. "Why Does..." has always had a demanding and unusual bass line, and Gordon holds it down, driving the song in the same way that Entwhistle would actually drive the rhythm of The Who as Moon, or in this case Jim Gordon, lays out some 15+ minutes of drum madness, and Bobby Whitlock holding it all together with a shimmering B3 and his incredible vocals. This performance of this song is indeed "epic", and unforgettable. This show also features the first-ever live performance of "Motherless Children", albeit in raw form, which in a way adds to its charm. Up until 2000, the best extant version was the one best identified by its length, 73:08. In mid-2000, a new version was discovered, which was labeled "1st Generation Audience Source". One way to identify this source, is that it clocks in at 72:54, whereas the inferior source clocks in at 73:08, with the additonal time on the inferior source being extra space on the tape where it was copied along the way. Sonically, this is a vast improvement over the 73:08 version, I'd say at least 2, perhaps as many as 4 generations' improvement. It goes without saying that this is also a real improvement over the commercial RoIO "Electric Factory" CD (Deep-6, Deep6-5). In the years since 2000, this low gen recording has been traded a bit, first among a circle of the pretty serious collectors and then likely used as the source for some of the tweaked and remastered versions later released on various ROIO labels. | |||||
| Warren Childers | CD / 1 | A | B | View | ||
| Notes: | Audience recording. | |||||
| Scott Albrecht | Cdr / 1 | A | B- | View | Aud | |
| Notes: | Audience recording w/o crowd noise, vocals very low. First 'Motherless Children' | |||||
| Gringo | CD / 1 | A | B | View | ||
| Rene Mikkelsen | CDR / 1 | A- | View | AUD | ||
| Michael Hughey | flac / 1 | View | ||||
| Notes: | Source: Audience Recording Lineage: Mid Vally Bootleg CD > WAV > FLAC | |||||
| Jan Bohan | / 1 | B+ | View | AUD | ||
| Notes: | 73 mins; Deep Six boot | |||||
| Blue R Ted | CD-R / 0 | View | ||||
| Ryan Polansky | cdr / 1 | A | A | View | ||
| Notes: | Vocals are very low. | |||||
| Chris Arnold | CDR / 1 | A | A | View | SHN | |
| Woody | CDR / 1 | View | ||||
| zowie | cd / 1 | a- | View | aud | ||
| Notes: | early show | |||||
| joe m | FLAC / 1 | View | Philadelphia, October 16, 1970, early show Liberated Deep Six bootleg Stereo audience recording... | |||
| Jeff Hyman | cdr / 1 | B+ | View | aud | ||
| Alex Bushe | CD-R / 1 | View | ||||
| Alan | CD / 1 | A | B+ | View | Feast Away set / Majestic Stand. | |
| Notes: | from Feast Away set, see also 'Majestic Stand' - EVR 4CD. | |||||
| Chuck | / 1 | View | ||||
| Dan Stone | CDR / 1 | View | ||||
| Notes: | Liberated Deep Six bootleg | |||||
| Bill d'Angelo | CDR / 1 | View | ||||
| Fred | CDR / 1 | View | ||||
| Jimmy | cdr / 1 | View | ||||
| Jimmy | cdr / 1 | View | ||||
| hugh | cd / 1 | B+ | View | |||
| Ron Laxton | cdr / 1 | View | ||||
| DiamondDave | CDR / 1 | A | View | SBD>??>CD | ||
| Chevy Lover | / 1 | View | ||||
| Corey | Shn / 1 | View | AUD -> ? -> CD -> EAC -> SHN | |||
| marc geanoules | CD / 1 | B- | View | aud | ||
| Rich Willis | CDR / 1 | View | ||||
| Notes: | Unknown source | |||||
| MtnJammer | CDR / 1 | A- | View | |||
| Notes: | 1st Motherless Children | |||||
| Tom Owens | FLAC / 1 | View | ||||
| Chinacat | CDR / 1 | B | View | |||
| RichB | Cdr / 1 | B++ | View | |||
| Notes: | Slight tape hiss | |||||
| Jim Decker | CDR / 1 | A | A- | View | ||
| Notes: | Tracklisting: Rambling On My Mind Why Does Love Got To Be So Sad Blues Power Have You Ever Loved A Woman Mean Old World Motherless Children Let It Rain | |||||
| Graig Kreindler | cd / 2 | B | View | Aud | ||
| Notes: | Doesn't sound too hot, but a nice show! | |||||
| Richard Stein | CDR / 1 | A | A | View | ||
| sandman | cd / 1 | View | ||||
| Soop | shn / 1 | View | ||||
| KDW | CDR / 1 | View | ||||
| Mikel Norris | CDR / 1 | A | B+ | View | ||
| Notes: | Decent audience recording. First time they play Motherless Children. | |||||
| Brian Mayes | CDR / 1 | View | ||||
| RM's Giant Live Music Archive | FLAC / 0 | View | audience source (RS040) | |||
| Notes: | Silver CD > EAC > WAV > FLAC; Sorry, no checksum or fingerprints or artwork | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | Electric Factory (AC047) | |||
| Notes: | liberated Deep Six bootleg | |||||
| RM's Giant Live Music Archive | FLAC / 0 | View | early show, 1st gen audience source (P031) | |||
| Notes: | Lineage: "1st Gen Aud Source" > CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5 (Secure Mode, Offset Correct +6, 0, 24 bytes) > FLAC | |||||
| Eric H. | CDR / 1 | B | View | |||
| Mike Langen | cdr / 1 | A/B | View | Aud | ||
| Notes: | Original infofile fro the upload by japrainbow - thanks to him! Derek & The Dominos Title: Noiseless Factory Dates: October 16, 1970 Venue: Electric Factory Theatre, Philadelphia, PA, US. Source: Aud 4 Stereo Recording Lineage: ECDR 7012 Boot CD-R > WAV > EAC > FLAC ------------------------------------------------------- Disc 01: Ramblin' On My Mind 02: Why Does Love Got To Be So Sad 03: Blues Power 04: Have You Ever Loved A Woman 05: Mean Old World 06: Motherless Children 07: Let It Rain ------------------------------------------------------ Band Lineup: Eric Clapton: Guitar, Vocals Bobby Whitlock: Keyboards, Vocals Carl Radle: Bass Jim Gordon: Drums My notes: Currently I am working on my project of reviewing the 70 best Clapton shows from all eras for my future blog. I will eventually upload all the shows getting the highest ratings (9 and 10) on Dime, unless they are on the tracker. This is the first of them. Also, I would like anyone upload good sounding shows (from aud4/sbd4 up) of the following 1989 and 1990 4 piece shows 1990 USA tour 1991 4 piece and orchestra 1992 any shows My review: Derek & The Dominos 10 16 1970 Electric Factory Frisco Sound: 7-8 Performance: 10 HP: everything LP: none The second performance we have from October (none from September survived, it seems) and the first one in The US. Rather short 7 track set, but probably the best live performance of the band in existence, and also the rarest set list of the existing recordings. It opens with a rousing electric version of Ramblin’ on my mind, done in the Dust my broom vein, with fabulous slide work from Eric – subtlety and finesse in the phrases never shown before and rarely since (influence of Duane shines through). Why does love got to be so sad is the best version ever recorded, with strong enough vocals, tight backing, a mesmerizingly fluid fast lead and the slow part, punctuated by Whitlock’s organ features some of Eric’s most lyrical playing. Blues power is also one of the best versions ever, as not only the rhytm section sets a perfect groove and Eric plays two great long solos (first one using the wah wah), but Whitlock unleashes catchy and powerful organ swirls throughout the track, that elevate it to another level. The intensity is present until the track segues into a relaxed intro solo of Have you ever loved a woman. Clapton’s guitar has an unusual echoey overdrive to it and he plays long, sustained lines that show his unique style of playing developed of the relaxed vibe of B.B. King and muscular attack of his namesake Freddy. His leads are punctuated by the boogiesque, bouncy bass of Carl Radle, steady drumming by Jim Gordon and propulsive piano by Whitlock. Clapton’s vocals leave a lot to be desired, though, even if they are secondary to other elements here. An electrified version of his duet with Duane, Mean old world follows. The band is in a steady shuffle mode, while Clapton alternates between high slide notes a la Duane and his own lower bassy ones he did in the studio. His solos are positively soaring and his ragged, somewhat strained vocals fit the song perfectly. Next comes another slide guitar number, a raw version of Motherless children, done in a very similar arrangement to the 1974 studio and live version. The vocals are low in the mix, especially with respect to Clapton’s chords and the bass. As was the case with Ramblin’, this is the only known version done by the band. Even the “Tulsa Band”, Eric recorded it with in 1974 has performed it only scarcely, for some of the 1975 shows. The concert concludes with a long, 17 minute version of Let it rain. Clapton’s vocals sound low in the mix and distorted, with Whitlock’s organ playing (he’s great on this one) too upfront. Clapton performs a great, six minute long guitar solo featuring even the famous Duane trills from the slow part of Why does love got to be sad studio version, while Carl Radle plays some great basslines. An obligatory Jim Gordon solo is followed by the chorus and a short Clapton break, concluding the great concert. Easily in my top 10 of Clapton shows ever. | |||||
| Erick | FLAC / 1 | View | ||||
| zosa | FLAC / 0 | View | AUD?>??>FLAC | |||
| Greg Peters | cdr / 1 | View | ||||
| Private Stock | / 1 | View | ||||
| Notes: | Average quality AUD recording. This show is 'different' than most Domino shows, unfortunately the sound quality won't let you fully enjoy it. | |||||
| Supratik Chaudhuri | / 0 | View | ||||
| Lello | Cd Flac / 1 | View | ||||
| Judd Yeager | cdr / 1 | View | ||||
| AAA Audio | flac / 1 | View | ||||
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