Etree - Marc Deardorff - 365 shows
Last Update: Wednesday May 06, 2026

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Grateful Dead http://www.dead.net
  Date Venue - City, State Comments Media  
1. 01/21/71 Freeborn Hall, University of California - Davis, CA flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller 1 flac16  
2. 01/21/71 Freeborn Hall, University of California - Davis, CA flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 flac16/48  
3. 01/21/71 Freeborn Hall, University of California - Davis, CA flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 flac24  
4. 01/21/71 Freeborn Hall, University of California - Davis, CA flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin  
5. 01/21/71 Freeborn Hall, University of California - Davis, CA flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller flac24  
6. 01/21/71 Freeborn Hall, University of California - Davis, CA DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin dts audio 5.1  
7. 01/21/71 Freeborn Hall, University of California - Davis, CA flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin 5.1 LPCM  
8. 01/22/71 Lane Community College - Eugene, OR SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman 1 shn notes
9. 01/24/71 Seattle Center Arena - Seattle, WA SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. 1 shn notes
10. 01/24/71 Seattle Center Arena - Seattle, WA flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC flac16  
11. 02/18/71 Capitol Theater - Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) 2 shn notes
12. 02/18/71 Capitol Theater - Port Chester, NY direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson 2 shn notes
13. 02/18/71 Capitol Theater - Port Chester, NY flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
14. 02/18/71 Capitol Theater - Port Chester, NY flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented flac16  
15. 02/18/71 Capitol Theater - Port Chester, NY flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show flac16  
16. 02/18/71 Capitol Theater - Port Chester, NY flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8 flac16/48  
17. 02/18/71 Capitol Theater - Port Chester, NY flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC flac16  
18. 02/18/71 Capitol Theater - Port Chester, NY flac16/48kHz; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp flac16/48  
19. 02/18/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. flac16  
20. 02/18/71 Capitol Theater - Port Chester, NY flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496 flac24/96  
21. 02/18/71 Capitol Theater - Port Chester, NY flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger flac16  
22. 02/18/71 Capitol Theater - Port Chester, NY flac1648 Source: Original transfer Betty Cantor Jackson's Soundboard Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (48k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/48 Lineage: wav 16/48 > iZotope RX 9 Advanced > CD Wave > flac 1648 edited and mastered SIRMick July 2022 flac16/48  
23. 02/19/71 Capitol Theatre - Port Chester, NY 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) 2 shn notes
24. 02/19/71 Capitol Theatre - Port Chester, NY flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell. 2 flac notes
25. 02/19/71 Capitol Theatre - Port Chester, NY flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com) 1 flac notes
26. 02/19/71 Capitol Theatre - Port Chester, NY DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video 5 DVD-VA notes
27. 02/19/71 Capitol Theatre - Port Chester, NY flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16 flac16  
28. 02/19/71 Capitol Theatre - Port Chester, NY flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented flac16  
29. 02/20/71 Capitol Theater - Port Chester, NY 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs 2 shn notes
30. 02/20/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. 2 flac notes
31. 02/20/71 Capitol Theater - Port Chester, NY likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) 2 shn notes
32. 02/20/71 Capitol Theater - Port Chester, NY flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
33. 02/21/71 Capitol Theater - Port Chester, NY SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different 2 shn notes
34. 02/21/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. 2 flac notes
35. 02/21/71 Capitol Theater - Port Chester, NY flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) 2 flac notes
36. 02/21/71 Capitol Theater - Port Chester, NY flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
37. 02/21/71 Capitol Theater - Port Chester, NY flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation flac16  
38. 02/21/71 Capitol Theater - Port Chester, NY flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013 flac16  
39. 02/23/71 Capitol Theater - Port Chester, NY SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) 2 shn notes
40. 02/23/71 Capitol Theater - Port Chester, NY flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell 2 flac notes
41. 02/23/71 Capitol Theater - Port Chester, NY flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac 1 flac notes
42. 02/23/71 Capitol Theater - Port Chester, NY flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
43. 02/23/71 Capitol Theater - Port Chester, NY flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 flac16/44  
44. 02/23/71 Capitol Theater - Port Chester, NY flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 flac24/96  
45. 02/24/71 Capitol Theater - Port Chester, NY retracked version of previous shn set, by Bob Clevenger 2 shn notes
46. 02/24/71 Capitol Theater - Port Chester, NY via Leigh Orf; WBOTB source > distortion removed digitally (see notes) 2 shn notes
47. 02/24/71 Capitol Theater - Port Chester, NY flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. 2 flac notes
48. 02/24/71 Capitol Theater - Port Chester, NY flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16 0 flac16  
49. 02/24/71 Capitol Theater - Port Chester, NY flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
50. 02/24/71 Capitol Theater - Port Chester, NY flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger flac16  
51. 02/24/71 Capitol Theater - Port Chester, NY seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation shn  
52. 02/24/71 Capitol Theater - Port Chester, NY flac1644 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick Flac16/44  
53. 02/24/71 Capitol Theater - Port Chester, NY flac2496 Source: akg d190e > Uher 4000 5" reel > cassette (unknown gens) from the collection of Doug Lamarre. Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24 edited and mastered SIRMick Flac24/96  
54. 02/??/71 Unknown - Unknown, Unknown flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH) flac16  
55. 03/03/71 Fillmore West - San Francisco, CA SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. 2 shn notes
56. 03/03/71 Fillmore West - San Francisco, CA flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496 flac24  
57. 03/03/71 Fillmore West - San Francisco, CA flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014 flac16  
58. 03/03/71 Fillmore West - San Francisco, CA flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain flac16  
59. 03/03/71 Fillmore West - San Francisco, CA flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp flac16  
60. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 2 shn notes
61. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B. 1 shn notes
62. 03/14/71 Camp Randall Field House, University of Wisconsin - Madison, WI flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC 1 flac16  
63. 03/18/71 Fox Theatre - St. Louis, MO SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke 2 shn notes
64. 03/18/71 Fox Theatre - St. Louis, MO flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC 2 flac16  
65. 03/18/71 Fox Theatre - St. Louis, MO flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) 1 flac16  
66. 03/20/71 University of Iowa - Iowa City, IA SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella 2 shn notes
67. 03/21/71 Exposition Center - Milwaukee, WI AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman 1 shn notes
68. 03/24/71 Winterland Arena - San Francisco, CA Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 1 shn notes
69. 03/24/71 Winterland Arena - San Francisco, CA Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller 1 flac notes
70. 03/24/71 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller 1 flac notes
71. 03/24/71 Winterland Arena - San Francisco, CA flac16; Source: unknown aud > cdr > eac > wav > flac 1 flac notes
72. 04/04/71 Manhattan Center - New York, NY AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman 2 shn notes
73. 04/04/71 Manhattan Center - New York, NY flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac 2 flac notes
74. 04/04/71 Manhattan Center - New York, NY flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order) 2 flac notes
75. 04/04/71 Manhattan Center - New York, NY flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller flac16  
76. 04/05/71 Manhattan Center - New York, NY remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3 2 shn notes
77. 04/05/71 Manhattan Center - New York, NY 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens 2 shn notes
78. 04/05/71 Manhattan Center - New York, NY shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner 2 shn notes
79. 04/05/71 Manhattan Center - New York, NY flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. 2 flac notes
80. 04/05/71 Manhattan Center - New York, NY flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
81. 04/05/71 Manhattan Center - New York, NY flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller flac16  
82. 04/05/71 Manhattan Center - New York, NY flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09 flac16  
83. 04/06/71 Manhattan Center - New York, NY 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens 2 shn notes
84. 04/06/71 Manhattan Center - New York, NY SBD; via M. Lai 2 shn notes
85. 04/06/71 Manhattan Center - New York, NY flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros. 2 flac notes
86. 04/06/71 Manhattan Center - New York, NY flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
flac16  
87. 04/06/71 Manhattan Center - New York, NY Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k)
Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
flac16  
88. 04/06/71 Manhattan Center - New York, NY flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 flac24  
89. 04/06/71 Manhattan Center - New York, NY flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09 flac16  
90. 04/06/71 Manhattan Center - New York, NY flac1648 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXLII 90 (70 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source Taped By: Unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by: Andrew F flac16/48  
91. 04/06/71 Manhattan Center - New York, NY flac2496 Analog Audience Source: Unknown mic/deck/generation Medium Stock Brands: Maxell UDXLII 90 (70 uS EQ) Dolby On Analog Sound Preservation: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) AUD Source Taped By: Unknown Tape provided by Doug Lamarre Transfer By: Matt Vernon Mastering by: Andrew F flac24/96  
92. 04/07/71 Music Hall - Boston, MA Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix 2 shn notes
93. 04/07/71 Music Hall - Boston, MA flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project 1 flac notes
94. 04/07/71 Music Hall - Boston, MA flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. 1 flac notes
95. 04/07/71 Music Hall - Boston, MA flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 1 flac16  
96. 04/07/71 Music Hall - Boston, MA flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 0 flac16  
97. 04/08/71 Music Hall - Boston, MA SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com 2 shn notes
98. 04/08/71 Music Hall - Boston, MA SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck 2 shn notes
99. 04/08/71 Music Hall - Boston, MA flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB 2 flac notes
100. 04/08/71 Music Hall - Boston, MA sbd; same as /shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool. 2 shn notes
101. 04/08/71 Music Hall - Boston, MA flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. 2 flac notes
102. 04/08/71 Music Hall - Boston, MA flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
103. 04/10/71 East Hall, Franklin & Marshall College - Lancaster, PA SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy 2 shn notes
104. 04/12/71 Civic Arena - Pittsburgh, PA flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller 2 flac notes
105. 04/13/71 Catholic Youth Center - Scranton, PA set 2 partial; Master Soundboard Reel > DAT> CDR 1 shn notes
106. 04/13/71 Catholic Youth Center - Scranton, PA flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 2 flac notes
107. 04/13/71 Catholic Youth Center - Scranton, PA flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6) 1 flac notes
108. 04/13/71 Catholic Youth Center - Scranton, PA DVD VA; (Video Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha remaster of the Master Reel source (shn id 32015); audio only - no video 3 DVD-Audio notes
109. 04/14/71 Davis Gymnasium - Lewisburg, PA SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 2 shn notes
110. 04/14/71 Davis Gymnasium - Lewisburg, PA flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald 2 flac16  
111. 04/14/71 Davis Gymnasium - Lewisburg, PA flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014 2 flac16  
112. 04/14/71 Davis Gymnasium - Lewisburg, PA flac16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name) flac16/48  
113. 04/15/71 Allegheny College - Meadville, PA SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) 1 shn notes
114. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield 1 shn notes
115. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield 1 shn notes
116. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav 2 flac notes
117. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate 1 flac24 notes
118. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017 0 flac16/48  
119. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith flac16  
120. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin dts audio 5.1  
121. 04/17/71 Dillon Gym, Princeton University - Princeton, NJ flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin flac16  
122. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes 2 shn notes
123. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B. 2 shn notes
124. 04/18/71 Lusk Field House, S.U.C.N.Y - Cortland, NY flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 1 flac16  
125. 04/21/71 Rhode Island Auditorium - Providence, RI sdb> MR> PCM> CD; via Mike Lai 2 shn notes
126. 04/21/71 Rhode Island Auditorium - Providence, RI MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan 2 shn notes
127. 04/21/71 Rhode Island Auditorium - Providence, RI Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227 2 flac16  
128. 04/21/71 Rhode Island Auditorium - Providence, RI flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
129. 04/22/71 Bangor Municipal Auditorium - Bangor, ME Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree 2 shn notes
130. 04/22/71 Bangor Municipal Auditorium - Bangor, ME flac1644; Recording info: Master soundboard reel > first generation reel > PCM > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel Flac16/44  
131. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file 2 shn notes
132. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp flac16/48  
133. 04/24/71 Wallace Wade Stadium, Duke University - Durham, NC flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496 flac24/96  
134. 04/25/71 Fillmore East - New York, NY Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote 1 shn notes
135. 04/25/71 Fillmore East - New York, NY flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon 1 flac notes
136. 04/25/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
137. 04/25/71 Fillmore East - New York, NY DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video DVD-VA  
138. 04/25/71 Fillmore East - New York, NY flac16; This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000. flac16  
139. 04/26/71 Fillmore East - New York, NY MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead 3 shn notes
140. 04/26/71 Fillmore East - New York, NY GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers 2 shn notes
141. 04/26/71 Fillmore East - New York, NY flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller 2 flac notes
142. 04/26/71 Fillmore East - New York, NY flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller 5 flac24 notes
143. 04/26/71 Fillmore East - New York, NY flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1 flac16  
144. 04/26/71 Fillmore East - New York, NY flac24; Source: Master Soundboard Reel 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018 flac24  
145. 04/26/71 Fillmore East - New York, NY flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013 flac16  
146. 04/26/71 Fillmore East - New York, NY Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11 flac16  
147. 04/26/71 Fillmore East - New York, NY source not specified; includes (wrong) NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? shn  
148. 04/27/71 Fillmore East - New York, NY MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead 3 shn notes
149. 04/27/71 Fillmore East - New York, NY mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) 3 shn notes
150. 04/27/71 Fillmore East - New York, NY mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) 3 flac notes
151. 04/27/71 Fillmore East - New York, NY SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead 2 shn notes
152. 04/27/71 Fillmore East - New York, NY flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 0 flac16  
153. 04/27/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
154. 04/27/71 Fillmore East - New York, NY flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller flac16  
155. 04/27/71 Fillmore East - New York, NY flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith flac16  
156. 04/27/71 Fillmore East - New York, NY flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller flac24  
157. 04/27/71 Fillmore East - New York, NY MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? shn  
158. 04/28/71 Fillmore East - New York, NY MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead 3 shn notes
159. 04/28/71 Fillmore East - New York, NY Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink 3 shn notes
160. 04/28/71 Fillmore East - New York, NY MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. 2 shn notes
161. 04/28/71 Fillmore East - New York, NY flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName 6 flac24 notes
162. 04/28/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller flac16  
163. 04/28/71 Fillmore East - New York, NY flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller flac24  
164. 04/28/71 Fillmore East - New York, NY flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11 flac24  
165. 04/28/71 Fillmore East - New York, NY flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith flac16  
166. 04/28/71 Fillmore East - New York, NY flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith flac16  
167. 04/28/71 Fillmore East - New York, NY MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? shn  
168. 04/29/71 Fillmore East - New York, NY complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead 3 shn notes
169. 04/29/71 Fillmore East - New York, NY Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set 3 shn notes
170. 04/29/71 Fillmore East - New York, NY SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified) 2 shn notes
171. 04/29/71 Fillmore East - New York, NY flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner 2 flac notes
172. 04/29/71 Fillmore East - New York, NY fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info) 2 flac notes
173. 04/29/71 Fillmore East - New York, NY flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools 2 flac notes
174. 04/29/71 Fillmore East - New York, NY MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead 2 shn notes
175. 04/29/71 Fillmore East - New York, NY flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
176. 04/29/71 Fillmore East - New York, NY flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller flac24  
177. 04/29/71 Fillmore East - New York, NY flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller flac16  
178. 04/29/71 Fillmore East - New York, NY flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC flac16  
179. 04/29/71 Fillmore East - New York, NY SBD>MR>CDR; includes NRPS; see info file for listening notes and detailed source info; tracked out and with same background info as previous shn set, but md5s differ; via vine? shn  
180. 05/29/71 Winterland Arena - San Francisco, CA source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others 2 shn notes
181. 05/29/71 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC (1 Disc Audio / 1 Disc FLAC) flac16  
182. 05/30/71 Winterland Arena - San Francisco, CA flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller 1 flac notes
183. 05/30/71 Winterland Arena - San Francisco, CA flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
184. 06/21/71 Chateau D'Herouville - Herouville, France SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree 2 shn notes
185. 06/21/71 Chateau D'Herouville - Herouville, France flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
186. 07/02/71 Fillmore West - San Francisco, CA FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file 2 shn notes
187. 07/02/71 Fillmore West - San Francisco, CA sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus 2 shn notes
188. 07/02/71 Fillmore West - San Francisco, CA Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs 2 flac notes
189. 07/02/71 Fillmore West - San Francisco, CA Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)
2 flac notes
190. 07/02/71 Fillmore West - San Francisco, CA flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH 2 flac16  
191. 07/02/71 Fillmore West - San Francisco, CA flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC flac16  
192. 07/31/71 Yale Bowl, Yale University - New Haven, CT AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree 2 shn notes
193. 07/31/71 Yale Bowl, Yale University - New Haven, CT flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
194. 07/31/71 Yale Bowl, Yale University - New Haven, CT flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization. flac16  
195. 08/04/71 Terminal Island Correctional Fac. - San Pedro, CA flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
196. 08/05/71 Hollywood Palladium - Hollywood, CA AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman 1 shn notes
197. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
198. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) 2 flac notes
199. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 1 flac  
200. 08/05/71 Hollywood Palladium - Hollywood, CA flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell. 1 flac notes
201. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller 2 flac16  
202. 08/05/71 Hollywood Palladium - Hollywood, CA flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller 1 flac24  
203. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1 flac16  
204. 08/05/71 Hollywood Palladium - Hollywood, CA flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick  
205. 08/05/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009) flac16  
206. 08/06/71 Hollywood Palladium - Hollywood, CA updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys 2 shn notes
207. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected 2 flac notes
208. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
209. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) 2 flac notes
210. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
211. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009 2 flac notes
212. 08/06/71 Hollywood Palladium - Hollywood, CA flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. 2 flac notes
213. 08/06/71 Hollywood Palladium - Hollywood, CA flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC flac24  
214. 08/06/71 Hollywood Palladium - Hollywood, CA source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick flac16  
215. 08/06/71 Hollywood Palladium - Hollywood, CA DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin dts audio 5.1  
216. 08/06/71 Hollywood Palladium - Hollywood, CA flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC flac24  
217. 08/06/71 Hollywood Palladium - Hollywood, CA flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11 flac24  
218. 08/06/71 Hollywood Palladium - Hollywood, CA flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin flac16  
219. 08/06/71 Hollywood Palladium - Hollywood, CA DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video) DVD-VA  
220. 08/14/71 Berkeley Community Theater - Berkeley, CA SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 2 shn notes
221. 08/14/71 Berkeley Community Theater - Berkeley, CA Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. 2 shn notes
222. 08/14/71 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014 1 flac16  
223. 08/15/71 Berkeley Community Theater - Berkeley, CA mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing." 2 shn notes
224. 08/15/71 Berkeley Community Theater - Berkeley, CA Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner 2 shn notes
225. 08/15/71 Berkeley Community Theater - Berkeley, CA flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014 1 flac16  
226. 08/15/71 Berkeley Community Theater - Berkeley, CA flac1644 Recording Info: SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller Flac16/44  
227. 08/15/71 Berkeley Community Theater - Berkeley, CA flac1648 Recording Info: Sony TC-D40 (Built-In Mic) > Cassette Master (TDK 120SD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Recording and Transfer by Bob Menke Mastering by Charlie Miller Flac16/48  
228. 08/15/71 Berkeley Community Theater - Berkeley, CA flac2496 Recording Info: Sony TC-D40 (Built-In Mic) > Cassette Master (TDK 120SD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24 Recording and Transfer by Bob Menke Mastering by Charlie Miller Flac24/96  
229. 08/15/71 Berkeley Community Theater - Berkeley, CA flac1644 FIXED Version 2 SBD > Master Reel > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/16 All Transfers and Mastering by Charlie Miller Flac16/44  
230. 08/21/71 Mickey's Barn - Novato, CA AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam" 1 shn notes
231. 08/21/71 Mickey's Barn - Novato, CA flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) 1 flac notes
232. 08/23/71 Auditorium Theatre - Chicago, IL AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 2 shn notes
233. 08/23/71 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
234. 08/23/71 Auditorium Theatre - Chicago, IL flac1644 Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick September 2023 Flac16  
235. 08/23/71 Auditorium Theatre - Chicago, IL flac2496 Source: Audio Cassette (3rd gen) from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 11 Advanced > iZotope Neutron 3 > CD Wave > Flac 24 edited and mastered SIRMick September 2023 Flac24/96  
236. 08/26/71 Gaelic Park - Bronx, NY SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 2 shn notes
237. 08/26/71 Gaelic Park - Bronx, NY flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller 2 flac notes
238. 08/26/71 Gaelic Park - Bronx, NY Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. 2 flac notes
239. 08/26/71 Gaelic Park - Bronx, NY flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick 2 flac notes
240. 08/26/71 Gaelic Park - Bronx, NY flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09 flac16  
241. 08/26/71 Gaelic Park - Bronx, NY flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013 flac16  
242. 08/26/71 Gaelic Park - Bronx, NY flac16; 3 Source Matrix by dusborne; Soundboard (shnid32521):SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k).Transfer:Dat (Sony R500)-> SEK'D Prodif Plus-> Samplitude Professional 8.01->Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC).Transferred and Edited By Charlie Miller.Audience (shnid:100292):Jerry Moore's copy taped by Marty Weinberg:akg d190e mic > Uher 4000L,aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger. Audience (shnid126297):taped by Jim & Laurie Cooper,source: aud cassette master 2 unknown mics > hitachi trq-222,nak dragon > benchmark adc1 24/96 >adobe audition cs6 16/44.1 > flac transfer & seed - Rob Berger. flac16/44  
243. 08/26/71 Gaelic Park - Bronx, NY flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2 Track) > Cassette (Tascam 122mkII) > DAT (48k); Transfer Info: DAT (Sony PCM-R500) > Samplitude Pro V8.01 > Cool Edit Pro v2.0 > FLAC/16; Remastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16 flac16  
244. 09/29/71 Studio Rehearsals with Keith Godchaux - Santa Venetia, CA MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt 1 shn notes
245. 09/29/71 Studio Rehearsals with Keith Godchaux - Santa Venetia, CA flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC flac16  
246. 09/30/71 Studio Rehearsals with Keith Godchaux - Santa Venetia, CA Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit 1 shn notes
247. 09/??/71 Keith rehearsals - Santa Venetia, CA Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp 1 shn notes
248. 09/??/71 Keith rehearsals - Santa Venetia, CA flac24 Complied From Multiple Sources Including Analog Tapes (from The Jeff Knudsen Archive, Curated By Tom Markson, And Blackwood Archives) As Well As Existing Shn And Bootleg Cd Sources. Cassette Source Transfers (nakamichi Cr-7a) > Tascam Da-3000 > Samplitude Pro X5 > Flac2496 Transfers And Mastering By Jim Blackwood Speed Corrections By Jason Chastain Project Assistance From Jamison Waddell flac24  
249. 09/??/71 Keith rehearsals - Santa Venetia, CA flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell flac16/48  
250. 10/01/71 Studio - Santa Venetia, CA MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. 1 shn notes
251. 10/19/71 Northrop Auditorium, U. of Minn. - Minneapolis, MN PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston 2 shn notes
252. 10/19/71 Northrop Auditorium, U. of Minn. - Minneapolis, MN flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
253. 10/21/71 Auditorium Theatre - Chicago, IL Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA 2 shn notes
254. 10/21/71 Auditorium Theatre - Chicago, IL SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file 2 shn notes
255. 10/21/71 Auditorium Theatre - Chicago, IL Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston 2 shn notes
256. 10/21/71 Auditorium Theatre - Chicago, IL flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
257. 10/21/71 Auditorium Theatre - Chicago, IL flac1648 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496 Flac16/48  
258. 10/21/71 Auditorium Theatre - Chicago, IL flac2496 FM Broadcast (WGLD 102.7 FM - Oak Park, IL) > ?? > Don Wolfe's Reels Transfer Info: Don Wolfe's reels (Revox A77 MK4) > Tascam DA-3000 (DSF 1-bit-5.6 MHz) > dBpoweramp 24-96 .wav > Adobe Audition 2024 > TLH2496 Flac24/96  
259. 10/22/71 Auditorium Theatre - Chicago, IL flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
260. 10/22/71 Auditorium Theatre - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
261. 10/23/71 Eastown Theater - Detroit, MI SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman 2 shn notes
262. 10/23/71 Eastown Theater - Detroit, MI SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD 2 shn notes
263. 10/23/71 Eastown Theater - Detroit, MI FM C/3; via Uli Teute and Hanno Bunjes 2 shn notes
264. 10/23/71 Eastown Theater - Detroit, MI flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller flac16  
265. 10/24/71 Eastown Theater - Detroit, MI Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston 2 shn notes
266. 10/24/71 Eastown Theater - Detroit, MI flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
267. 10/26/71 The Palestra, U. of Rochester - Rochester, NY Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman 2 shn notes
268. 10/26/71 The Palestra, U. of Rochester - Rochester, NY flac1644; Source: WCMF-FM > Reels > ? > Beta HiFi. Transfer: Beta HiFi (Sony L-750 ES, dubbed by David Bernis) > Sony SL-HF400 Super Beta HiFi VCR > Komplete-6 interface > Audacity 2496 capture > Izotope-RX (De-hum) > Wavelab 2496 (gain & speed adjustments, edits) > R8Brain > Wavelab 1644 (adding patches) > CD-Wave > TLH > FLAC 1644 tagged. flac16/44  
269. 10/27/71 Onondaga County War Memorial - Syracuse, NY Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman 1 shn notes
270. 10/27/71 Onondaga County War Memorial - Syracuse, NY flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC 2 flac notes
271. 10/27/71 Onondaga County War Memorial - Syracuse, NY flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668 2 flac notes
272. 10/29/71 Allen Theatre - Cleveland, OH Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman 2 shn notes
273. 10/29/71 Allen Theatre - Cleveland, OH Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller 2 shn notes
274. 10/29/71 Allen Theatre - Cleveland, OH set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD 1 shn notes
275. 10/30/71 Taft Auditorium - Cincinnati, OH FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole 2 shn notes
276. 10/30/71 Taft Auditorium - Cincinnati, OH mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) 2 shn notes
277. 10/30/71 Taft Auditorium - Cincinnati, OH flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014 1 flac16  
278. 10/30/71 Taft Auditorium - Cincinnati, OH flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm 2 flac16  
279. 10/31/71 Ohio Theatre - Columbus, OH partial SBD pre-fm GDH Dick Pick's leftovers 1 shn notes
280. 10/31/71 Ohio Theatre - Columbus, OH flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC 1 flac notes
281. 10/31/71 Ohio Theatre - Columbus, OH flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller flac16  
282. 11/06/71 Harding Theater - San Francisco, CA SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. 2 shn notes
283. 11/07/71 Harding Theater - San Francisco, CA updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai 2 shn notes
284. 11/07/71 Harding Theater - San Francisco, CA SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan 2 shn notes
285. 11/07/71 Harding Theater - San Francisco, CA flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell 2 flac16  
286. 11/07/71 Harding Theater - San Francisco, CA FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
This is 155687 2496 > 1644
flac16  
287. 11/07/71 Harding Theater - San Francisco, CA flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
flac24  
288. 11/07/71 Harding Theater - San Francisco, CA flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC flac24  
289. 11/07/71 Harding Theater - San Francisco, CA flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC flac16  
290. 11/07/71 Harding Theater - San Francisco, CA flac1648: Recording Info: FM (KSFX-FM) > Master Reels (3.75ips Quarter track) Transfer Info: Master Reel (Technics RS-1506) > Korg (DSF 1-bit-5.6MHz) > Korg Audio Gate (FLAC 24-bit-96k) Mastering Info: FLAC (24-bit-96k) > Adobe Audition 2023 > iZotope RX8 Advanced > Samplitude Pro X6 Suite (WAV 16-bit-48k) > flac16 Patch Info: Pre-FM > Master Reels > DAT (44.1k) Ramble On Rose (0:00 - 0:18) Recording and Transfer by Bob Menke. Mastering by Charlie Miller.June 11, 2024 Notes: -- There are mix issues at the start of Ramble On Rose (on all sources) -- Brokedown Palace has an extra reel gen -- Thanks to Bob Menke for sharing his recording -- Thanks to Jim Blackwood for his help with this project Flac16/48  
291. 11/07/71 Harding Theater - San Francisco, CA flac1644 Pre-FM > Master Reels > DAT (44.1k) Transfer Info: DAT > FLAC > Samplitude Pro X6 Suite > FLAC/16 flac16/44  
292. 11/11/71 Atlanta Municipal Auditorium - Atlanta, GA Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd 1 shn notes
293. 11/11/71 Atlanta Municipal Auditorium - Atlanta, GA flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel flac16  
294. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX sdb> master reel> pcm> cdr; via Mike Lai 2 shn notes
295. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX Master Soundboard Reel > Cassette > DAT > CDR 1 shn notes
296. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX 2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink; 1 shn notes
297. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick 1 flac16  
298. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX flac16; Partial aud 1st gen reel Jerry Moore's copy; lineage: aud > AKG d190e > Marty Weinberg's Uher reel master > JM's 1st gen reel @ 3.75 ips/dolby b > dat; sony tc-765 reel > teac an-180/b > sbm1 > sony d8 reel transferred to dat in 1999 by Rob Berger, seeded June 2012 flac16  
299. 11/12/71 San Antonio Civic Auditorium - San Antonio, TX flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018 flac16  
300. 11/14/71 Texas Christian University - Fort Worth, TX SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B. 2 shn notes
301. 11/14/71 Texas Christian University - Fort Worth, TX SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller 2 shn notes
302. 11/14/71 Texas Christian University - Fort Worth, TX Charles Weir fix of original SBD source; including a written txt file 2 shn notes
303. 11/14/71 Texas Christian University - Fort Worth, TX flac1648 Analog Audience Source: Unknown mic/deck/2nd generation AUD Source Taped By: Unknown Tape provided by Ann Saltmarsh to Doug Lamarre Medium Stock Brands: Sony LNX 90 (120 uS EQ) Dolby On Analog Sound Preservation by Matt Vernon: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) Mastering by AndrewF: - Caveat Auditor: bass-heavy lo-fi mono recording, barely any audio info in the high-end. - Wavelab (24/96) used for; reconstituting original mono, gain & speed adjustments, and attenuating close-claps and mic-bumps. flac16/48  
304. 11/14/71 Texas Christian University - Fort Worth, TX flac2496 Analog Audience Source: Unknown mic/deck/2nd generation AUD Source Taped By: Unknown Tape provided by Ann Saltmarsh to Doug Lamarre Medium Stock Brands: Sony LNX 90 (120 uS EQ) Dolby On Analog Sound Preservation by Matt Vernon: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) Mastering by AndrewF: - Caveat Auditor: bass-heavy lo-fi mono recording, barely any audio info in the high-end. - Wavelab (24/96) used for; reconstituting original mono, gain & speed adjustments, and attenuating close-claps and mic-bumps. flac24/96  
305. 11/15/71 Austin Municipal Auditorium - Austin, TX SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman 2 shn notes
306. 11/15/71 Austin Municipal Auditorium - Austin, TX flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) 2 flac notes
307. 11/15/71 Austin Municipal Auditorium - Austin, TX partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille 1 shn notes
308. 11/15/71 Austin Municipal Auditorium - Austin, TX flac16; Recording Info: SBD > Master Reel > DAT > WAV (16-bit/44.1k); Transfer Info: WAV > Samplitude Pro v10.2.1 > Izotope RX8 Advanced > Adobe Audition CC2022 > FLAC/16 Flac16  
309. 11/15/71 Austin Municipal Auditorium - Austin, TX flac1644 Fixed: Recording Info: SBD > Master Reel > DAT > CD > WAV (16-bit/44.1k) Transfer Info: WAV > Samplitude Pro X6 Suite > Adobe Audition CC2022 > FLAC/16 Flac16/44  
310. 11/15/71 Austin Municipal Auditorium - Austin, TX flac1644 Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16 Flac16/44  
311. 11/15/71 Austin Municipal Auditorium - Austin, TX flac1644 Fixed version. Source Info: FM Broadcast > Unknown gear > ?? > DAT (16/44.1) Transfer Info: DAT (Sony PCM R-500)(16.44.1) > Tascam DA-3000 > 16./44.1 .wav > Adobe Audition 2023 > TLH flac16 Flac16/44  
312. 11/17/71 Albuquerque Civic Auditorium - Albuquerque, NM SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman 2 shn notes
313. 11/20/71 Pauley Pavilion, UCLA - Los Angeles, CA SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy 2 shn notes
314. 11/20/71 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
315. 12/01/71 Music Hall - Boston, MA set 2; sbd; via Mike Lai 1 shn notes
316. 12/01/71 Music Hall - Boston, MA Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon 1 shn notes
317. 12/01/71 Music Hall - Boston, MA flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation 1 flac notes
318. 12/01/71 Music Hall - Boston, MA flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.) 1 flac notes
319. 12/01/71 Music Hall - Boston, MA flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon 1 flac notes
320. 12/02/71 Music Hall - Boston, MA SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) 2 shn notes
321. 12/02/71 Music Hall - Boston, MA flac16; Source Info: FM Broadcast; Unknown Analog Master > 2 cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
322. 12/02/71 Music Hall - Boston, MA flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp flac16  
323. 12/02/71 Music Hall - Boston, MA flac16/48kHz; Set 2 Source Info: Master Soundboard Reels > Cassette > Dat (16/48); Transfer Info: Dat (Sony PCM-R500)(16/48)> Apogee aes/ebu cable > Tascam DA-3000 (16/48)> Adobe Audition 3.0 (16/48) > TLH flac1648 flac16/48  
324. 12/02/71 Music Hall - Boston, MA flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 flac24  
325. 12/02/71 Music Hall - Boston, MA flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424 flac16  
326. 12/02/71 Music Hall - Boston, MA flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; pitch corrected version of shnid 141425 flac24  
327. 12/04/71 Felt Forum, Madison Square Garden - New York, NY SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here 2 shn notes
328. 12/04/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
329. 12/04/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
330. 12/04/71 Felt Forum, Madison Square Garden - New York, NY flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger flac16  
331. 12/05/71 Felt Forum, Madison Square Garden - New York, NY Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes 2 shn notes
332. 12/05/71 Felt Forum, Madison Square Garden - New York, NY Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM) 2 shn notes
333. 12/05/71 Felt Forum, Madison Square Garden - New York, NY flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM. 2 flac notes
334. 12/05/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
335. 12/05/71 Felt Forum, Madison Square Garden - New York, NY flac16; SOURCE: Pre-FM>MR>DAT>CD>SHN; converted original files (gd1971-12-05.sbd.unknown.18665.sbeok.shnf) to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and fixed every track transitions; All done with crossfades (minus the tracks that naturally segue into each other) and did numerous volume adjustments and little edits flac16  
336. 12/06/71 Felt Forum, Madison Square Garden - New York, NY MSR> DAT> CD; via Seth Kaplan 2 shn notes
337. 12/06/71 Felt Forum, Madison Square Garden - New York, NY flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
338. 12/07/71 Felt Forum, Madison Square Garden - New York, NY SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones 2 shn notes
339. 12/09/71 Fox Theatre - St. Louis, MO MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks 2 shn notes
340. 12/10/71 Fox Theatre - St. Louis, MO MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkoff 2 shn notes
341. 12/10/71 Fox Theatre - St. Louis, MO Source: MSR>C>DAT>CD; with FM patch 2 shn notes
342. 12/10/71 Fox Theatre - St. Louis, MO flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
343. 12/14/71 Hill Auditorium - Ann Arbor, MI 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs 2 shn notes
344. 12/14/71 Hill Auditorium - Ann Arbor, MI 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as /shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool. 2 shn notes
345. 12/14/71 Hill Auditorium - Ann Arbor, MI SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion 2 shn notes
346. 12/14/71 Hill Auditorium - Ann Arbor, MI flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 0 flac16  
347. 12/15/71 Hill Auditorium - Ann Arbor, MI set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws 1 shn notes
348. 12/15/71 Hill Auditorium - Ann Arbor, MI both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman 2 shn notes
349. 12/15/71 Hill Auditorium - Ann Arbor, MI set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann 1 shn notes
350. 12/15/71 Hill Auditorium - Ann Arbor, MI flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
351. 12/15/71 Hill Auditorium - Ann Arbor, MI flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 flac16  
352. 12/15/71 Hill Auditorium - Ann Arbor, MI flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 flac24  
353. 12/31/71 Winterland Arena - San Francisco, CA FM > Reel > Dat > CDR; via G. Lanum 2 shn notes
354. 12/31/71 Winterland Arena - San Francisco, CA flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681 flac16/48  
355. 12/31/71 Winterland Arena - San Francisco, CA flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018 flac16  
356. 12/31/71 Winterland Arena - San Francisco, CA flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick flac16  
357. 12/31/71 Winterland Arena - San Francisco, CA flac16/48 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller; fixed version in circulation flac16/48  
358. 12/31/71 Winterland Arena - San Francisco, CA flac1648 Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 Flac16/48  
359. 12/31/71 Winterland Arena - San Francisco, CA flac2496 Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC) Recording and Transfer by Bob Menke Mastering by Charlie Miller Flac24/96  
360. 12/31/71 Winterland Arena - San Francisco, CA flac1648 FIXED Version Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16 (3 Discs Audio / 1 DVD FLAC) Recording and Transfer by Bob Menke Mastering by Charlie Miller Flac16/48  
361. 12/31/71 Winterland Arena - San Francisco, CA flac2496 Recording Info: FM (KSAN-FM) > Master Reel (Teac/3.75ips) Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 (1 DVD FLAC) Recording and Transfer by Bob Menke Mastering by Charlie Miller Flac24/96  
362. ??/??/71 Unknown Studio - Unknown, Unknown flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC flac16  
363. 06/19/76 Capitol Theater - Passaic, NJ flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 flac24  
364. 06/19/76 Capitol Theater - Passaic, NJ flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1 flac16  
365. 06/19/76 Capitol Theater - Passaic, NJ flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018 flac16  

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