Etree - Marc Deardorff - 547 shows
Last Update: Wednesday May 06, 2026

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Grateful Dead http://www.dead.net
  Date Venue - City, State Comments Media  
1. 01/06/78 Swing Auditorium - San Bernardino, CA Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation 2 shn notes
2. 01/06/78 Swing Auditorium - San Bernardino, CA SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. 2 shn notes
3. 01/06/78 Swing Auditorium - San Bernardino, CA flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021 flac16/44  
4. 01/06/78 Swing Auditorium - San Bernardino, CA flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021 Flac16  
5. 01/06/78 Swing Auditorium - San Bernardino, CA flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021 Flac24/96  
6. 01/06/78 Swing Auditorium - San Bernardino, CA flac1648 Reinhart Hohlwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD Transfer Info: Master Cassettes (Nakamichi CR7-A)> Korg MR-1000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 Flac16/48  
7. 01/06/78 Swing Auditorium - San Bernardino, CA flac2496 Source Info: Reinhart Hohlwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD Transfer Info: Master Cassettes (Nakamichi CR7-A)> Korg MR-1000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 Flac24/96  
8. 01/06/78 Swing Auditorium - San Bernardino, CA flac1648 Master Soundboard Cassettes > Bob Menke's first generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR7-A)> Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 flac16/48  
9. 01/06/78 Swing Auditorium - San Bernardino, CA flac2496 Master Soundboard Cassettes > Bob Menke's first generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR7-A)> Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 flac24/96  
10. 01/07/78 Golden Hall, Community Concourse - San Diego, CA Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation 2 shn notes
11. 01/07/78 Golden Hall, Community Concourse - San Diego, CA SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman 2 shn notes
12. 01/07/78 Golden Hall, Community Concourse - San Diego, CA Recording Info: SBD > Cassette Master > DAT > CD
Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
flac16  
13. 01/07/78 Golden Hall, Community Concourse - San Diego, CA flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel Flac16  
14. 01/07/78 Golden Hall, Community Concourse - San Diego, CA flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Flac16  
15. 01/08/78 Golden Hall, Community Concourse - San Diego, CA SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002 2 shn notes
16. 01/08/78 Golden Hall, Community Concourse - San Diego, CA Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer 2 shn notes
17. 01/08/78 Golden Hall, Community Concourse - San Diego, CA Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation 2 shn notes
18. 01/08/78 Golden Hall, Community Concourse - San Diego, CA flac16/44 Recording Info: SBD -> Cassette Master -> AIFF
Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
flac16  
19. 01/08/78 Golden Hall, Community Concourse - San Diego, CA flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109 flac16  
20. 01/08/78 Golden Hall, Community Concourse - San Diego, CA flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.) Flac24  
21. 01/10/78 Shrine Auditorium - Los Angeles, CA SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman 2 shn notes
22. 01/10/78 Shrine Auditorium - Los Angeles, CA flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] 2 flac notes
23. 01/10/78 Shrine Auditorium - Los Angeles, CA flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] 4 flac24 notes
24. 01/10/78 Shrine Auditorium - Los Angeles, CA flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523) 2 flac notes
25. 01/10/78 Shrine Auditorium - Los Angeles, CA flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) 3 flac24  
26. 01/10/78 Shrine Auditorium - Los Angeles, CA flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) 2 flac16  
27. 01/11/78 Shrine Auditorium - Los Angeles, CA SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman 2 shn notes
28. 01/11/78 Shrine Auditorium - Los Angeles, CA SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation 2 shn notes
29. 01/11/78 Shrine Auditorium - Los Angeles, CA flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac 2 flac notes
30. 01/11/78 Shrine Auditorium - Los Angeles, CA flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick 2 flac notes
31. 01/11/78 Shrine Auditorium - Los Angeles, CA flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version 2 flac16  
32. 01/11/78 Shrine Auditorium - Los Angeles, CA flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller 1 flac24  
33. 01/11/78 Shrine Auditorium - Los Angeles, CA flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD  >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16 flac16  
34. 01/13/78 Arlington Theater - Santa Barbara, CA Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN 2 shn notes
35. 01/13/78 Arlington Theater - Santa Barbara, CA flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller 0 flac16  
36. 01/13/78 Arlington Theater - Santa Barbara, CA flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller 1 flac24  
37. 01/13/78 Arlington Theater - Santa Barbara, CA flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe Flac16  
38. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon 2 shn notes
39. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; source: aud > ??? > cdr > eac > wav > flac 2 flac notes
40. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16 2 flac notes
41. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller 2 flac16  
42. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller 1 flac24  
43. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf flac16  
44. 01/14/78 Bakersfield Memorial Auditorium - Bakersfield, CA flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Flac16  
45. 01/15/78 Selland Arena - Fresno, CA mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here. 2 shn notes
46. 01/15/78 Selland Arena - Fresno, CA flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud. 1 flac notes
47. 01/15/78 Selland Arena - Fresno, CA flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Flac16  
48. 01/15/78 Selland Arena - Fresno, CA flac1644 Soundboard Cassette (4th gen) - from the collection of Doug Lamarre Transfer: Cassette > Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > iZotope RX 11 Advanced > iZotope Neutron 4 > iZotope RX 11 Advanced > wav 16/44.1 > CD Wav > Flac 1 edited and mastered SIRMick June 2024 Flac16/44  
49. 01/15/78 Selland Arena - Fresno, CA flac2496 Soundboard Cassette (4th gen) - from the collection of Doug Lamarre Transfer: Cassette > Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: wav 24/96 > iZotope RX 11 Advanced > iZotope Neutron 4 > CD Wav > Flac 24 edited and mastered SIRMick June 2024 Flac24/96  
50. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman 2 shn notes
51. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman 0 flac16  
52. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 Flac24  
53. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp Flac16  
54. 01/17/78 Sacramento Memorial Auditorium - Sacramento, CA flac16; Source Info: Master Soundboard Cassettes > 1st generation cassettes > DAT (16/44); Transfer Info: 1st generation cassettes (Nakamichi BX-300) > Panasonic SV-3700 (possibly Panasonic SV-3800) > .wav 1644 > Adobe Audition 2025 > TLH flac16 Flac16  
55. 01/18/78 Stockton Civic Auditorium - Stockton, CA SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman 2 shn notes
56. 01/18/78 Stockton Civic Auditorium - Stockton, CA Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon 1 shn notes
57. 01/18/78 Stockton Civic Auditorium - Stockton, CA flac1644 Master Soundboard Cassettes > 1st generation cassettes > DAT (16/44) Transfer Info: 1st generation cassettes (Nakamichi BX-300) > Panasonic SV-3700 (possibly SV-3800) DAT > .wav 16/44 > Adobe Audition CC 2025 > TLH flac16 Flac16/44  
58. 01/18/78 Stockton Civic Auditorium - Stockton, CA flac1648 Bob Menke's Master Audience Cassettes; Sony ECM270 mics > Sony TC-158SD Transfer Info: Master Cassettes (Nakamichi CR7-A)> Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 Flac16/48  
59. 01/18/78 Stockton Civic Auditorium - Stockton, CA flac2496 Bob Menke's Master Audience Cassettes; Sony ECM270 mics > Sony TC-158SD Transfer Info: Master Cassettes (Nakamichi CR7-A)> Korg MR-2000 (DSF 1-bit/5.6 MHz) > AudioGate 24/96 .wav > Adobe Audition CC 2025 > TLH flac2496 Flac24/96  
60. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria 2 shn notes
61. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi 2 shn notes
62. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell 2 flac notes
63. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD 2 shn notes
64. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac16; SBD, 1st 4 songs in 2nd set AUD 2 flac notes
65. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
66. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert Flac16  
67. 01/22/78 McArthur Court, University Of Oregon - Eugene, OR flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert Flac24  
68. 01/30/78 Uptown Theatre - Chicago, IL Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke. 2 shn notes
69. 01/30/78 Uptown Theatre - Chicago, IL flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller 2 flac notes
70. 01/30/78 Uptown Theatre - Chicago, IL flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16 flac16  
71. 01/30/78 Uptown Theatre - Chicago, IL flac1648 Tim Powell's Master Audience Cassettes; Sony ECM 99 mics > Sony TC-152 cassette deck > 1st Generation Reels > DAT (16/48) Transfer Info: DAT (Sony PCM-R500)(16/48) > Tascam DA-3000 > 16/48 .wav > Adobe Audition CC 2023 > TLH flac1648 Flac16/48  
72. 01/30/78 Uptown Theatre - Chicago, IL flac2496 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496 Flac24/96  
73. 01/30/78 Uptown Theatre - Chicago, IL flac1648 Low Gen audience recording; AKG mics, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496 Flac16/48  
74. 01/31/78 Uptown Theater - Chicago, IL set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation 1 shn notes
75. 01/31/78 Uptown Theater - Chicago, IL set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation 2 shn notes
76. 01/31/78 Uptown Theater - Chicago, IL AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ 2 shn notes
77. 01/31/78 Uptown Theater - Chicago, IL flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller 2 flac notes
78. 01/31/78 Uptown Theater - Chicago, IL flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807) 2 flac notes
79. 01/31/78 Uptown Theater - Chicago, IL flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller flac16  
80. 01/31/78 Uptown Theater - Chicago, IL flac1644 fixed version of shnid158700 . Master FOB Audience Cassettes (possibly Tim Powell); Sony ECM-99 mics > (most likely) Sony TC-152 > Reel to Reel > Tim McKenzie's DAT 16 bit/44.1 kHz (KAO Gold 460m) > CDR Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O > Hosa DRA-501 coax cable > Tascam CD-RW750 > CDR CDR (Tascam SS-CDR200) > Tascam DA-3000 > .wav(16bit/44.1 kHz) > Adobe Audition 2023 > TLH flac16 Flac16/44  
81. 02/01/78 Uptown Theater - Chicago, IL MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks 2 shn notes
82. 02/01/78 Uptown Theater - Chicago, IL flac16; MAC>R>C>WAV>FLAC 2 flac notes
83. 02/01/78 Uptown Theater - Chicago, IL flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 flac16  
84. 02/03/78 Dane County Coliseum - Madison, WI Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2 shn notes
85. 02/03/78 Dane County Coliseum - Madison, WI Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. 1 shn notes
86. 02/03/78 Dane County Coliseum - Madison, WI flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise 1 flac16  
87. 02/03/78 Dane County Coliseum - Madison, WI flac1648 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496 flac16/48  
88. 02/03/78 Dane County Coliseum - Madison, WI flac2496 Source Info: Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496 flac24/96  
89. 02/03/78 Dane County Coliseum - Madison, WI flac1644 Master Audience Cassettes (unknown equipment) > PCM > Tim McKenzie's DAT (16/44.1) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > .wav 16/44.1 > Adobe Audition 2023 > TLH flac16 flac16/44  
90. 02/03/78 Dane County Coliseum - Madison, WI flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced Flac16  
91. 02/04/78 Milwaukee Auditorium - Milwaukee, WI AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon 2 shn notes
92. 02/04/78 Milwaukee Auditorium - Milwaukee, WI flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise 1 flac16  
93. 02/04/78 Milwaukee Auditorium - Milwaukee, WI flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke Flac16  
94. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. 1 shn notes
95. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 1 shn notes
96. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 0 flac16  
97. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac16/44khz; Sick Bits Vol. 34
Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches
Matrixed (edited, mixed and converted) by Chris Chappell
flac16  
98. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) flac16  
99. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick flac24/96  
100. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021 flac16  
101. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 flac16  
102. 02/05/78 Uni Dome, University Of Northern Iowa - Cedar Falls, IA flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 Flac24  
103. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation 2 shn notes
104. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation 2 shn notes
105. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
106. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494 2 flac notes
107. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin 2 flac notes
108. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin 2 flac notes
109. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL DVD-VA: (Video Audio) 2 audio tracks; 1) SBD + AUD Matrix 2 Source Mix (shnid=81508) & 2) DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158 (shnid=81767); audio only - no video 1 DVD-Audio notes
110. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 0 flac16  
111. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019 Flac16  
112. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
113. 04/06/78 Curtis Hixon Convention Hall - Tampa, FL flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 Flac24  
114. 04/07/78 The Sportatorium - Pembroke Pines, FL 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor 2 shn notes
115. 04/07/78 The Sportatorium - Pembroke Pines, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
116. 04/07/78 The Sportatorium - Pembroke Pines, FL flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 0 flac16  
117. 04/07/78 The Sportatorium - Pembroke Pines, FL flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 flac16  
118. 04/07/78 The Sportatorium - Pembroke Pines, FL flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019 flac16  
119. 04/07/78 The Sportatorium - Pembroke Pines, FL flac1644 SBD > Master Reel (7in 7.5ips 1/2trk) > PCM > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 flac16/44  
120. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation 2 shn notes
121. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation 2 shn notes
122. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02 2 flac notes
123. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
124. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 flac16  
125. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Source: Betty Cantor’s Master SBD Reel > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 flac16  
126. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick flac24  
127. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787. flac16  
128. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick flac16  
129. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
130. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
131. 04/08/78 Veterans Memorial Coliseum - Jacksonville, FL Source: Shure Sm57 Mics > Sony-tc158 (dolby On)
Transfer: Master Cassettes (2x Udxli 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
132. 04/10/78 Fox Theater - Atlanta, GA SBD -> Rm -> PCM -> Dat via Charlie Miller 2 shn notes
133. 04/10/78 Fox Theater - Atlanta, GA flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07) 2 flac notes
134. 04/10/78 Fox Theater - Atlanta, GA Betty Board>?>CD; Unknown seeder; upgrade in circulation 2 shn notes
135. 04/10/78 Fox Theater - Atlanta, GA Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation 2 shn notes
136. 04/10/78 Fox Theater - Atlanta, GA flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018 flac16  
137. 04/10/78 Fox Theater - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
138. 04/10/78 Fox Theater - Atlanta, GA flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019 flac16  
139. 04/10/78 Fox Theater - Atlanta, GA flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020 flac16  
140. 04/11/78 Fox Theater - Atlanta, GA SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation 2 shn notes
141. 04/11/78 Fox Theater - Atlanta, GA SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation 1 shn notes
142. 04/11/78 Fox Theater - Atlanta, GA flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli 2 flac notes
143. 04/11/78 Fox Theater - Atlanta, GA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
144. 04/11/78 Fox Theater - Atlanta, GA flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020 flac16  
145. 04/11/78 Fox Theater - Atlanta, GA flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 flac16  
146. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry 2 shn notes
147. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ 2 shn notes
148. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) 2 shn notes
149. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN 2 shn notes
150. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339 flac16  
151. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
152. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 flac16  
153. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin flac16  
154. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller Flac16  
155. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
156. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 Flac24  
157. 04/12/78 Cameron Indoor Stadium, Duke University - Durham, NC flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 107156 & 148070. Flac16  
158. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28 2 shn notes
159. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
160. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019 flac16  
161. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel flac16  
162. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
163. 04/14/78 Cassell Coliseum, Virginia Polytechnic - Blacksburg, VA flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
164. 04/15/78 William & Mary Hall - Williamsburg, VA SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation 2 shn notes
165. 04/15/78 William & Mary Hall - Williamsburg, VA Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches 2 shn notes
166. 04/15/78 William & Mary Hall - Williamsburg, VA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC 2 flac notes
167. 04/15/78 William & Mary Hall - Williamsburg, VA flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell. 2 flac notes
168. 04/15/78 William & Mary Hall - Williamsburg, VA flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33683 2 flac notes
169. 04/15/78 William & Mary Hall - Williamsburg, VA flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke 2 flac notes
170. 04/15/78 William & Mary Hall - Williamsburg, VA flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6] flac24  
171. 04/15/78 William & Mary Hall - Williamsburg, VA flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE flac16  
172. 04/15/78 William & Mary Hall - Williamsburg, VA flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel flac16  
173. 04/15/78 William & Mary Hall - Williamsburg, VA flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019 flac16  
174. 04/15/78 William & Mary Hall - Williamsburg, VA flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
175. 04/15/78 William & Mary Hall - Williamsburg, VA flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
176. 04/15/78 William & Mary Hall - Williamsburg, VA flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
177. 04/15/78 William & Mary Hall - Williamsburg, VA flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
178. 04/15/78 William & Mary Hall - Williamsburg, VA flac1644 Shure SM57s > Sony TC-153SD > Master Cassettes . Taped by Kenn Renninger dec'd, from the collection of Ted Mattes. Transfer: Master Cassettes > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > iZotope Neutron 5 > iZotope RX11 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick April 2026 flac16/44  
179. 04/15/78 William & Mary Hall - Williamsburg, VA flac2496 Shure SM57s > Sony TC-153SD > Master Cassettes . Taped by Kenn Renninger dec'd, from the collection of Ted Mattes. Transfer: Master Cassettes > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - transferred by Nick Carbonetta Lineage: DSF 1-bit/5.6MHz > Tascam Hi Res Editor > wav 24/96 > Adobe Audition 3 > iZotope RX11 Advanced > CD Wave > flac24 edited and mastered SIRMick April 2026 flac24/96  
180. 04/16/78 Huntington Civic Center - Huntington, WV SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation 2 shn notes
181. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman 2 flac notes
182. 04/16/78 Huntington Civic Center - Huntington, WV Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation 1 shn notes
183. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller 2 flac notes
184. 04/16/78 Huntington Civic Center - Huntington, WV Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation 2 shn notes
185. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
186. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 flac16  
187. 04/16/78 Huntington Civic Center - Huntington, WV flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader flac16/44  
188. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel flac16  
189. 04/16/78 Huntington Civic Center - Huntington, WV flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger Flac16  
190. 04/16/78 Huntington Civic Center - Huntington, WV flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version Flac16  
191. 04/16/78 Huntington Civic Center - Huntington, WV flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger Flac24  
192. 04/16/78 Huntington Civic Center - Huntington, WV flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
193. 04/16/78 Huntington Civic Center - Huntington, WV flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
194. 04/16/78 Huntington Civic Center - Huntington, WV flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
195. 04/16/78 Huntington Civic Center - Huntington, WV flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 Flac24  
196. 04/16/78 Huntington Civic Center - Huntington, WV another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation shn  
197. 04/18/78 Civic Arena - Pittsburgh, PA Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon 2 shn notes
198. 04/18/78 Civic Arena - Pittsburgh, PA SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman 2 shn notes
199. 04/18/78 Civic Arena - Pittsburgh, PA flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158 2 flac notes
200. 04/18/78 Civic Arena - Pittsburgh, PA flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged Flac16  
201. 04/18/78 Civic Arena - Pittsburgh, PA Source: Shure Sm57 Mics > Sony-tc158 (dolby Off) > Master Cassettes
Transfer: Master Cassettes (set I Udxl-ii 90; Set Ii Udxl-i 90) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496 Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
202. 04/19/78 Veterans Memorial Hall - Columbus, OH SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks 2 shn notes
203. 04/19/78 Veterans Memorial Hall - Columbus, OH SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle 2 shn notes
204. 04/19/78 Veterans Memorial Hall - Columbus, OH flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
205. 04/19/78 Veterans Memorial Hall - Columbus, OH flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller 2 flac notes
206. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman 2 shn notes
207. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
208. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
209. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac16/48  
210. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
211. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac1648 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496 Flac16/48  
212. 04/21/78 Rupp Arena, University Of Kentucky - Lexington, KY flac2496 Low Gen audience recording; Unknown equipment, from the Dan Gale collection Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 > .wav 24-bit/96k) > Adobe Audition 2023 > TLH 2496 Flac24  
213. 04/22/78 Nashville Municipal Auditorium - Nashville, TN Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon 2 shn notes
214. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller 2 flac notes
215. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller 1 flac notes
216. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller 0 flac16  
217. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation flac16  
218. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac1648 Bob Wagner's Master FOB (10th row) Audience Cassettes; Sony 54p (x3) mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496 Flac16/48  
219. 04/22/78 Nashville Municipal Auditorium - Nashville, TN flac2496 Bob Wagner's Master FOB (10th row) Audience Cassettes; Sony 54p (x3) mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496 Flac24/96  
220. 04/24/78 Horton Field House, Illinois State University - Normal, IL MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation 2 shn notes
221. 04/24/78 Horton Field House, Illinois State University - Normal, IL SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation 2 shn notes
222. 04/24/78 Horton Field House, Illinois State University - Normal, IL flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller 2 flac notes
223. 04/24/78 Horton Field House, Illinois State University - Normal, IL sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation 2 shn notes
224. 04/24/78 Horton Field House, Illinois State University - Normal, IL flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
225. 04/24/78 Horton Field House, Illinois State University - Normal, IL flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac Flac16  
226. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes 2 shn notes
227. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation 2 shn notes
228. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe 2 flac notes
229. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
230. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller flac16  
231. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac16; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel Flac16/44  
232. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac1648 Steve Rolfe's Master Audience Cassettes; Sony ECM-99A mics > Sony TC-152SD (Maxell UD-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496 flac16/48  
233. 05/05/78 Thompson Arena, Dartmouth College - Hanover, NH flac2496 Steve Rolfe's Master Audience Cassettes; Sony ECM-99A mics > Sony TC-152SD (Maxell UD-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496 flac24/96  
234. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon 2 shn notes
235. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation 2 shn notes
236. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman 2 shn notes
237. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe 2 flac notes
238. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename 1 flac notes
239. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac 3 flac24 notes
240. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac 2 flac notes
241. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd) 1 flac notes
242. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac 1 flac notes
243. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac1648 Steve Rolfe's Master Audience Cassettes; Sony ECM-99A mics > Sony TC-152SD (Maxell UD-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496 flac16/48  
244. 05/06/78 Patrick Gymnasium, University Of Vermont - Burlington, VT flac2496 Steve Rolfe's Master Audience Cassettes; Sony ECM-99A mics > Sony TC-152SD (Maxell UD-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496 flac24/96  
245. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation 2 shn notes
246. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon 2 shn notes
247. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon 2 shn notes
248. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763) 2 shn notes
249. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe 2 flac notes
250. 05/07/78 Field House, Rensselaer Polytechnic Institute - Troy, NY flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347 2 flac16  
251. 05/09/78 Onongada County War Memorial - Syracuse, NY AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon 2 shn notes
252. 05/09/78 Onongada County War Memorial - Syracuse, NY flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise flac16/48  
253. 05/09/78 Onongada County War Memorial - Syracuse, NY flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
254. 05/09/78 Onongada County War Memorial - Syracuse, NY flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
255. 05/10/78 Veterans Memorial Coliseum - New Haven, CT SBD; via Mike Lai 2 shn notes
256. 05/10/78 Veterans Memorial Coliseum - New Haven, CT Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman 2 shn notes
257. 05/10/78 Veterans Memorial Coliseum - New Haven, CT flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2 flac16  
258. 05/10/78 Veterans Memorial Coliseum - New Haven, CT flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman 2 flac16  
259. 05/10/78 Veterans Memorial Coliseum - New Haven, CT flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger flac24  
260. 05/11/78 Springfield Civic Center - Springfield, MA sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation 2 shn notes
261. 05/11/78 Springfield Civic Center - Springfield, MA SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller 2 shn notes
262. 05/11/78 Springfield Civic Center - Springfield, MA Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches 2 shn notes
263. 05/11/78 Springfield Civic Center - Springfield, MA FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs 2 shn notes
264. 05/11/78 Springfield Civic Center - Springfield, MA flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT flac16  
265. 05/11/78 Springfield Civic Center - Springfield, MA flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
266. 05/11/78 Springfield Civic Center - Springfield, MA flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 Flac24  
267. 05/13/78 The Spectrum - Philadelphia, PA Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation 2 shn notes
268. 05/13/78 The Spectrum - Philadelphia, PA AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner. 2 shn notes
269. 05/14/78 Providence Civic Center - Providence, RI Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd 2 shn notes
270. 05/14/78 Providence Civic Center - Providence, RI flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd 2 flac16  
271. 05/14/78 Providence Civic Center - Providence, RI flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
272. 05/16/78 Uptown Theater - Chicago, IL AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner 2 shn notes
273. 05/16/78 Uptown Theater - Chicago, IL flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
274. 05/16/78 Uptown Theater - Chicago, IL flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones flac16  
275. 05/16/78 Uptown Theater - Chicago, IL flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones flac16  
276. 05/16/78 Uptown Theater - Chicago, IL flac2496 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496 flac24/96  
277. 05/16/78 Uptown Theater - Chicago, IL flac1648 2 different sources combine to provide the complete show. Neither source appears to be in general circulation. The primary source containing the first set and Scarlet > Fire are of lesser quality than the secondary source which comprises El Paso thru the end of the show 1st Set & Scarlet Begonias > Fire On The Mountain: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette El Paso thru the end of the show: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassette Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496 flac16/48  
278. 05/17/78 Uptown Theater - Chicago, IL AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner 2 shn notes
279. 05/17/78 Uptown Theater - Chicago, IL flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) flac16  
280. 05/17/78 Uptown Theater - Chicago, IL flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
281. 05/17/78 Uptown Theater - Chicago, IL flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones flac16  
282. 05/17/78 Uptown Theater - Chicago, IL flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones flac16  
283. 05/17/78 Uptown Theater - Chicago, IL flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334. flac16  
284. 05/17/78 Uptown Theater - Chicago, IL flac1648 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496 Flac16/48  
285. 05/17/78 Uptown Theater - Chicago, IL flac2496 Source Info: Master Audience Cassettes (unknown mics/deck) > Tim McKenzie's 2nd generation cassettes Transfer Info: 2nd generation cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k .wav) > Adobe Audition 2022 > TLH flac2496 Flac24/96  
286. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman 2 shn notes
287. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz) 2 flac notes
288. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
289. 06/04/78 Campus Stadium, UC Santa Barbara - Goleta, CA flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 flac16  
290. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min 2 shn notes
291. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048. 1 flac16  
292. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
flac24  
293. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
flac16/48  
294. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp flac16/48  
295. 06/25/78 Autzen Stadium, University Of Oregon - Eugene, OR flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
296. 07/01/78 Arrowhead Stadium - Kansas City, MO Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr 2 shn notes
297. 07/01/78 Arrowhead Stadium - Kansas City, MO flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 2 flac notes
298. 07/03/78 St. Paul Civic Center - St. Paul, MN Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr 2 shn notes
299. 07/03/78 St. Paul Civic Center - St. Paul, MN flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 2 flac notes
300. 07/03/78 St. Paul Civic Center - St. Paul, MN flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012 flac16  
301. 07/05/78 Omaha Civic Auditorium - Omaha, NE AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley 2 shn notes
302. 07/05/78 Omaha Civic Auditorium - Omaha, NE flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe 2 flac notes
303. 07/05/78 Omaha Civic Auditorium - Omaha, NE flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe 6 flac24 notes
304. 07/05/78 Omaha Civic Auditorium - Omaha, NE flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 2 flac  
305. 07/07/78 Red Rocks Amphitheatre - Morrison, CO SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation 2 shn notes
306. 07/07/78 Red Rocks Amphitheatre - Morrison, CO Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit 2 shn notes
307. 07/07/78 Red Rocks Amphitheatre - Morrison, CO Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli 2 shn notes
308. 07/07/78 Red Rocks Amphitheatre - Morrison, CO flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007 2 flac notes
309. 07/07/78 Red Rocks Amphitheatre - Morrison, CO flac16; MOTB Release: 0071 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe 2 flac notes
310. 07/07/78 Red Rocks Amphitheatre - Morrison, CO flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider 3 flac notes
311. 07/07/78 Red Rocks Amphitheatre - Morrison, CO flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817 2 flac16  
312. 07/08/78 Red Rocks Amphitheatre - Morrison, CO SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation 3 shn notes
313. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks". Transfer: EAC (in secure mode w/proper offsets) -> FLAC. Seeded by Matt Carney on 11-17-07. Fixed version of shn id 88551. 2 flac notes
314. 07/08/78 Red Rocks Amphitheatre - Morrison, CO Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli 2 shn notes
315. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight 2 flac notes
316. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Matrix 2 Source Mix - SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - matrix mixing by Kevin Tobin 2 flac notes
317. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin 2 flac notes
318. 07/08/78 Red Rocks Amphitheatre - Morrison, CO DTS-Audio-CD 5.1 Mix; SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - dts mixing by Kevin Tobin 3 flac notes
319. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; 2 Source Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UD XL II C90; Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight 2 flac16  
320. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
321. 07/08/78 Red Rocks Amphitheatre - Morrison, CO flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks" Transfer: EAC (in secure mode w/proper offsets) -> FLAC Seeded by Matt Carney on 11-17-07 ; upgrade in circulation Flac16  
322. 08/18/78 Club Front - San Rafael, CA SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs 1 shn notes
323. 08/18/78 Club Front - San Rafael, CA Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel 1 shn notes
324. 08/30/78 Red Rocks Amphitheatre - Morrison, CO set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella 1 shn notes
325. 08/30/78 Red Rocks Amphitheatre - Morrison, CO AUD>MC>DAT>CD; Seeded to Etree by T. Wiley 2 shn notes
326. 08/30/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
327. 08/30/78 Red Rocks Amphitheatre - Morrison, CO flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
328. 08/30/78 Red Rocks Amphitheatre - Morrison, CO flac24 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
329. 08/31/78 Red Rocks Amphitheatre - Morrison, CO AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley 2 shn notes
330. 08/31/78 Red Rocks Amphitheatre - Morrison, CO Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation 1 shn notes
331. 08/31/78 Red Rocks Amphitheatre - Morrison, CO Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03 2 shn notes
332. 08/31/78 Red Rocks Amphitheatre - Morrison, CO flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller 2 flac16  
333. 08/31/78 Red Rocks Amphitheatre - Morrison, CO flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
334. 08/31/78 Red Rocks Amphitheatre - Morrison, CO flac24; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24/96  
335. 09/02/78 Giants Stadium - East Rutherford, NJ mixed source: set 1 et al: Master Audience Cassette; Shure SM-57 mics> Sony TC-158; bulk of set 2: Master Soundboard Cassette > Cassette > DAT; CD Mastering, EAC'ed / SHN'ed by Scott Clugston 2 shn notes
336. 09/02/78 Giants Stadium - East Rutherford, NJ AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner 2 shn notes
337. 09/02/78 Giants Stadium - East Rutherford, NJ 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools 2 shn notes
338. 09/02/78 Giants Stadium - East Rutherford, NJ flac16; Set 2 Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Bob Wagner; All Transfers and Mastering By Charlie Miller 1 flac16  
339. 09/02/78 Giants Stadium - East Rutherford, NJ flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
340. 09/02/78 Giants Stadium - East Rutherford, NJ flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage Flac16  
341. 09/02/78 Giants Stadium - East Rutherford, NJ flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.01 > TLH flac1648 Flac16/48  
342. 09/02/78 Giants Stadium - East Rutherford, NJ flac16; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 Flac16  
343. 09/02/78 Giants Stadium - East Rutherford, NJ flac1644 Keith Gatto's Master (FOB) Audience Cassettes; Shure SM57 mics> Sony TC-158 > Tim McKenzies' DAT (x3)(Maxell HS-4/90s) @48kHz Transfer Info: DAT (Sony PCM-M1) > Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 CD Flac16  
344. 09/02/78 Giants Stadium - East Rutherford, NJ flac24; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 Flac24  
345. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley 1 shn notes
346. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett 1 shn notes
347. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Soundcheck - Recording Info: Unknown Mics -> Cassette Master -> ? -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 1 flac notes
348. 09/13/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall Flac16  
349. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version 3 shn notes
350. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation 2 shn notes
351. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller 2 flac notes
352. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh) 3 flac notes
353. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green Flac16  
354. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac1644 remaster of shn #103626 by acetboy Flac16  
355. 09/14/78 Gizah Sound and Light Theater - Cairo, Egypt flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green Flac24  
356. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt set 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation 1 shn notes
357. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes 2 shn notes
358. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation 2 shn notes
359. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt DTS Audio 5.1; SBD (shn id 87782) Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - dts mixing by Kevin Tobin 3 flac notes
360. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Matrix 2 Source Mix - SBD (shn id 87782) Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - matrix mixing by Kevin Tobin 2 flac notes
361. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
362. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt set 2; Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN; tracked for 2x74, will fit 1x80; via M. Lai, B. Walker; Known flaws: Jack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily;Occasional low level "crackling" throughout; upgrade in circulation 1 shn notes
363. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray Flac16  
364. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac1644 This is a remaster of shn #107304 by acetboy of the MOTB Release: 0138 16-44.1 Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Bill Koucky, Derek McCabe Flac16  
365. 09/15/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH Flac16  
366. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation 3 shn notes
367. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
368. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) 3 flac notes
369. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Original Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (source id 94548) - Patched and Speed Corrected by Kevin Tobin 2 flac notes
370. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt DTS-Audio-CD 5.1 Mix; SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin 3 DTS Audio notes
371. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin 2 flac notes
372. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON; Maxell UDXLII from Nagra Dolby CRo2 NI-356; Transfer and Masterig By Jim Blackwood; fixed version of source ID 140477 0 flac16  
373. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac24; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted; fixed version of source ID 108845 0 flac24  
374. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac24;Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; fixed version in circulation flac24  
375. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray Flac16  
376. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac16; Matrix 3 Source Mix - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - matrix mixing by Kevin Tobin Flac16  
377. 09/16/78 Gizah Sound and Light Theater - Cairo, Egypt flac1644 This is a remaster of source 107305 by acetboy MOTB Release: 0139 16-44.1 Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Bill Koucky, Derek McCabe Flac16  
378. 10/17/78 Winterland Arena - San Francisco, CA SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation 2 shn notes
379. 10/17/78 Winterland Arena - San Francisco, CA SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation 2 shn notes
380. 10/17/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
381. 10/17/78 Winterland Arena - San Francisco, CA Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
2 flac notes
382. 10/17/78 Winterland Arena - San Francisco, CA flac16; Matrix: Aud 55% Sbd 45%; see info file for details 2 flac notes
383. 10/17/78 Winterland Arena - San Francisco, CA flac24; Matrix: Aud 55% Sbd 45%; see info file for details 4 flac24 notes
384. 10/17/78 Winterland Arena - San Francisco, CA flac16; Source: Soundboard > Master Reel > PCM > Dat (44k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 0 flac16  
385. 10/17/78 Winterland Arena - San Francisco, CA flac1644 This is a remaster of shn #100692 by acetboy Flac16/44  
386. 10/17/78 Winterland Arena - San Francisco, CA flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89257), Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100692),Analog Audience Source: AUD Master Cassettes, Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]Taped By: Reinhart Holwein,Transfer By: Bob Menke, Mastering By: Derek McCabe Flac16  
387. 10/17/78 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe Flac16  
388. 10/17/78 Winterland Arena - San Francisco, CA flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe Flac24  
389. 10/18/78 Winterland Arena - San Francisco, CA SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation 2 shn notes
390. 10/18/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
391. 10/18/78 Winterland Arena - San Francisco, CA Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
2 flac notes
392. 10/18/78 Winterland Arena - San Francisco, CA flac1644 This is a remaster of shn #100701 by acetboy Flac16/44  
393. 10/18/78 Winterland Arena - San Francisco, CA flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert Flac16  
394. 10/18/78 Winterland Arena - San Francisco, CA flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert Flac24  
395. 10/18/78 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert Flac16  
396. 10/20/78 Winterland Arena - San Francisco, CA SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT 2 shn notes
397. 10/20/78 Winterland Arena - San Francisco, CA Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
2 flac notes
398. 10/20/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
399. 10/20/78 Winterland Arena - San Francisco, CA flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe Flac16  
400. 10/20/78 Winterland Arena - San Francisco, CA flac1644 This is a remaster of shn #100700 by acetboy Flac16/44  
401. 10/20/78 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe Flac16  
402. 10/20/78 Winterland Arena - San Francisco, CA flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe Flac24  
403. 10/20/78 Winterland Arena - San Francisco, CA flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
404. 10/20/78 Winterland Arena - San Francisco, CA flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
405. 10/21/78 Winterland Arena - San Francisco, CA sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation 2 shn notes
406. 10/21/78 Winterland Arena - San Francisco, CA flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation 2 flac notes
407. 10/21/78 Winterland Arena - San Francisco, CA flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
408. 10/21/78 Winterland Arena - San Francisco, CA flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 3 flac24 notes
409. 10/21/78 Winterland Arena - San Francisco, CA flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 2 flac notes
410. 10/21/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
411. 10/21/78 Winterland Arena - San Francisco, CA flac1644 This is a remaster of shn #94600 by acetboy Flac16/44  
412. 10/22/78 Winterland Arena - San Francisco, CA Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 2 shn notes
413. 10/22/78 Winterland Arena - San Francisco, CA flac16;Recording Info:SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac notes
414. 10/22/78 Winterland Arena - San Francisco, CA flac24; MOTB0018 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG s224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 6 flac24 notes
415. 10/22/78 Winterland Arena - San Francisco, CA Source: audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Recorded by: a friend of a friend Transfer by: Pantagruel 2 flac notes
416. 10/22/78 Winterland Arena - San Francisco, CA Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
2 flac notes
417. 10/22/78 Winterland Arena - San Francisco, CA flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 2 flac notes
418. 10/22/78 Winterland Arena - San Francisco, CA flac16; MOTB0018 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastered By: Derek McCabe Tagged By: Jeff Thomas Flac16  
419. 10/22/78 Winterland Arena - San Francisco, CA flac1644 This is a remaster of shn #94604. by acetboy Flac16/44  
420. 11/13/78 Music Hall - Boston, MA AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley 2 shn notes
421. 11/13/78 Music Hall - Boston, MA flac16; Low-generation Audience Cassette (C2?) (Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits (patched via Soundforge 9.0) by Bob Morris, April 2012. Flac16  
422. 11/14/78 Music Hall - Boston, MA AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley 2 shn notes
423. 11/16/78 Uptown Theater - Chicago, IL AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley 2 shn notes
424. 11/16/78 Uptown Theater - Chicago, IL Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley 1 shn notes
425. 11/16/78 Uptown Theater - Chicago, IL flac16; Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016 1 flac16  
426. 11/16/78 Uptown Theater - Chicago, IL flac16; Partial 2nd Set; Source: SBD (mono) unknown lineage > Cassette rescued from ebay. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2020 flac16  
427. 11/16/78 Uptown Theater - Chicago, IL flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones Flac16  
428. 11/17/78 Rambler Room, Loyola College - Chicago, IL sbd > ?? > shn; via Ernie Dodd; upgrade in circulation 1 shn notes
429. 11/17/78 Rambler Room, Loyola College - Chicago, IL 2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley 1 shn notes
430. 11/17/78 Rambler Room, Loyola College - Chicago, IL Bob Weir & Friends: MSC > DAT > Sonic Solutions > CD > CD > extraction using adobe audition 1.5 > flac level 8, via David Gans. 1 flac notes
431. 11/17/78 Rambler Room, Loyola College - Chicago, IL Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano 1 flac notes
432. 11/17/78 Rambler Room, Loyola College - Chicago, IL flac16; sbd > ?? > shn > Wav > remaster > Flac; All editing done on Cool Edit Pro 2.1 by Audiohead22 1 flac notes
433. 11/17/78 Uptown Theater - Chicago, IL flac16; Partial Source: SBD > ? > Cassette, from the Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 1 flac16  
434. 11/17/78 Rambler Room, Loyola College - Chicago, IL flac1644 Source: unknown audience recording (unk gens) - from the collection of Doug Lamarre Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick August 2022 flac16/44  
435. 11/17/78 Rambler Room, Loyola College - Chicago, IL flac2496 Source: unknown audience recording (unk gens) - from the collection of Doug Lamarre Transfer: Nakamichi CR-7A #1 (azimuth adjusted, Dolby) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate} > wav 24/96 Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 3 > CD Wave > Flac24 edited and mastered SIRMick August 2022 flac24/96  
436. 11/18/78 Uptown Theater - Chicago, IL SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley; upgrade in circulation 2 shn notes
437. 11/18/78 Uptown Theater - Chicago, IL SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation 2 shn notes
438. 11/18/78 Uptown Theater - Chicago, IL AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR; Seeded to etree by T. Wiley 2 shn notes
439. 11/18/78 Uptown Theater - Chicago, IL flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
440. 11/20/78 Cleveland Music Hall - Cleveland, OH complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation 1 shn notes
441. 11/20/78 Cleveland Music Hall - Cleveland, OH partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation 1 shn notes
442. 11/20/78 Cleveland Music Hall - Cleveland, OH Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws. 2 shn notes
443. 11/20/78 Cleveland Music Hall - Cleveland, OH complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks 1 shn notes
444. 11/20/78 Cleveland Music Hall - Cleveland, OH flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell 1 shn notes
445. 11/20/78 Cleveland Music Hall - Cleveland, OH flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation) 2 flac notes
446. 11/20/78 Cleveland Music Hall - Cleveland, OH flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244) 2 flac notes
447. 11/20/78 Cleveland Music Hall - Cleveland, OH flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
448. 11/20/78 Cleveland Music Hall - Cleveland, OH flac24; 2nd Set Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496 Flac24  
449. 11/20/78 Cleveland Music Hall - Cleveland, OH flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 Flac16  
450. 11/21/78 Community War Memorial Auditorium - Rochester, NY AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley 2 shnf notes
451. 11/21/78 Community War Memorial Auditorium - Rochester, NY flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation 2 flac notes
452. 11/21/78 Community War Memorial Auditorium - Rochester, NY flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC 2 flac notes
453. 11/21/78 Community War Memorial Auditorium - Rochester, NY flac16; Partial Set 2 Source: Low-generation (C2?) Audience Cassette (Maxell UDXL-I C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9.0 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits by Bob Morris, April 2012. Flac16  
454. 11/21/78 Community War Memorial Auditorium - Rochester, NY flac1648; Source: AUD (unknown gear & lineage) via the Lee Maddex collection. Transfer: Maxell XLII's > (unknown A>D) > WAV 2496 > Wavelab (edits, speed & gain adjustments) > R8Brain > CD-Wave > TLH > FLAC 1648 tagged. flac16/48  
455. 11/23/78 Capital Centre - Landover, MD Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation 2 shn notes
456. 11/23/78 Capital Centre - Landover, MD SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources 2 shn notes
457. 11/23/78 Capital Centre - Landover, MD AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley 2 shn notes
458. 11/23/78 Capital Centre - Landover, MD flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller 2 flac notes
459. 11/23/78 Capital Centre - Landover, MD flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (circa 1984) Transfer/Flac Conversion Brian Mandel gdplusmore@aol.com 02-23-21 Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac Flac16  
460. 11/23/78 Capital Centre - Landover, MD Source: Shure Sm57 Mics > Sony-tc158 (dolby ??) > Master Cassettes
Transfer: Master Cassettes (ud-c 120) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
461. 11/24/78 Capitol Theatre - Passaic, NJ FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation 2 shn notes
462. 11/24/78 Capitol Theatre - Passaic, NJ Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation 2 shn notes
463. 11/24/78 Capitol Theatre - Passaic, NJ flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 2 flac notes
464. 11/24/78 Capitol Theatre - Passaic, NJ flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). 2 flac notes
465. 11/24/78 Capitol Theatre - Passaic, NJ flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller 2 flac notes
466. 11/24/78 Capitol Theatre - Passaic, NJ SBD (2- or more?- songs from FM source)> MR> DAT> CDA; reportedly has been in abgd, 5/21 to etree; upgrade in circulation 2 shn notes
467. 11/24/78 Capitol Theatre - Passaic, NJ flac24; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 2 flac24 notes
468. 11/24/78 Capitol Theatre - Passaic, NJ SBD-> FM-> ?; via Doug Horning; Note- md5s and updated txt submitted by user Chris Jones 12/02/02; upgrade in circulation 2 shn notes
469. 11/24/78 Capitol Theatre - Passaic, NJ flac24; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) 1 flac24  
470. 11/24/78 Capitol Theatre - Passaic, NJ flac16; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) 1 flac16  
471. 11/24/78 Capitol Theatre - Passaic, NJ flac24; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) 1 flac24  
472. 11/24/78 Capitol Theatre - Passaic, NJ flac16; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) 2 flac16  
473. 11/24/78 Capitol Theatre - Passaic, NJ flac16; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 0 flac16  
474. 11/24/78 Capitol Theatre - Passaic, NJ flac16/44khz , Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell - 150970 24 -> 16 @ 48 flac16  
475. 11/24/78 Capitol Theatre - Passaic, NJ Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell flac24/96  
476. 11/24/78 Capitol Theatre - Passaic, NJ flac16:; Live FM broadcast > Sony receiver > Sony cassette deck > Maxell 110 XLII, FM Master cassette > CDR's > EAC > wav > Wavelab > CD-Wave > TLH > FLAC 1644, Recorded by Joey Browning. flac16  
477. 11/24/78 Capitol Theatre - Passaic, NJ Source: Fm > Sony-tc158 (dolby ??) > Master Cassette
Transfer: Master Cassette (ud-c 120) > Nak Cr-7a > Tascam Da-3000 (dsf 1-bit Mhz) > Dbpoweramp > Adobe Audition > Flac @ 2496
Master Audience Recording By Kathy Sublette
Dsf Transfer By Mark Goldey
Edited & Mastered By Joe Noel
Flac24/96  
478. 11/25/78 Veterans Memorial Coliseum - New Haven, CT flac16; source: aud 1st gen cassette (mastered: akg d200e's> Sony TC-158) taped by Jim Anderson lineage: aud c.m.>cassette>cdr>eac>flac transfer by Rob Berger 1 flac notes
479. 12/12/78 Jai-Alai Fronton - Miami, FL Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation 2 shn notes
480. 12/12/78 Jai-Alai Fronton - Miami, FL SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected 2 shn notes
481. 12/12/78 Jai-Alai Fronton - Miami, FL Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches 2 shn notes
482. 12/12/78 Jai-Alai Fronton - Miami, FL flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller 2 flac16  
483. 12/13/78 Curtis Hixon Convention Hall - Tampa, FL AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley 2 shn notes
484. 12/13/78 Curtis Hixon Convention Hall - Tampa, FL SBD > MC > C > Reel > DAT > CD > EAC > SHN; Patched with: AUD>MC>DAT>CDR; Hiss Reduction applied; EAC/SHN by Darryl Hinko; upgrade in circulation 1 shn notes
485. 12/13/78 Curtis Hixon Convention Hall - Tampa, FL Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller 2 shn notes
486. 12/15/78 Boutwell Auditorium - Birmingham, AL AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W 2 shn notes
487. 12/15/78 Boutwell Auditorium - Birmingham, AL flac16; Source: unknown aud Master Cassette > 10” Reels > PCM; Transfer: PCM > Sony SL-HF360 >Modified Sony 601 > Marantz PMD 661 > wav 16/44.1 - Transferred by the late Kris Westcott; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 Flac16  
488. 12/16/78 Nashville Municipal Auditorium - Nashville, TN Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens 2 shn notes
489. 12/16/78 Nashville Municipal Auditorium - Nashville, TN Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W 2 shn notes
490. 12/16/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) 2 flac notes
491. 12/16/78 Nashville Municipal Auditorium - Nashville, TN flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) 2 flac notes
492. 12/17/78 Fox Theater - Atlanta, GA SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman 2 shn notes
493. 12/17/78 Fox Theater - Atlanta, GA ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W 2 shn notes
494. 12/17/78 Fox Theater - Atlanta, GA flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller 2 flac notes
495. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick 2 shn notes
496. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments 2 flac notes
497. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac16; Set 1 Only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller 1 flac notes
498. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac16; Rob Bertrando remaster of source ID 121941 (Bob Wagner's Sony 54P -> Cassette Master) 2 flac notes
499. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac2496 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 flac24/96  
500. 12/19/78 Memorial Coliseum, Mississippi State Fairgrounds - Jackson, MS flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 This is 156949 2496 -> 1644 flac16  
501. 12/21/78 The Summit - Houston, TX AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman 2 shn notes
502. 12/21/78 The Summit - Houston, TX flac24/96 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick July 2021 flac24/96  
503. 12/21/78 The Summit - Houston, TX flac16/44 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2021 flac16/44  
504. 12/21/78 The Summit - Houston, TX flac2496 Recording Info: SBD > Cassette Master (Uher Deck/Maxell UDXL-I) > FLAC (24-bit/96k)
Mastering Info: FLAC > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
flac24/96  
505. 12/21/78 The Summit - Houston, TX flac1648 Recording Info: Sbd > Cassette Master (uher Deck Maxell Udxl-i) > Flac (24-bit 96k) Mastering Info: Flac > Adobe Audition Cc 2015 > Samplitude Pro X4 Suite > Flac 24 (1 Dvd Flac) Mastered By Charlie Miller Charliemiller87@earthlink.net April 25, 2020 Converted And Downsampled From 24bit 96khz To 16bit 48khz In Foobar2000 W Dbpoweramp Ssrc Plugin By Tyler Mrcompletely Patch Info: Aud > Cassette Master > ? > Dat > Cd (shnid=15209) Supplies: Friend Of The Devil- U.s. Blues flac16/48  
506. 12/22/78 Dallas County Convention Center Arena - Dallas, TX AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman 1 shn notes
507. 12/22/78 Dallas County Convention Center Arena - Dallas, TX Source: AUD > MC > ? > D > CD > EAC > SHN > wav
Lineage: wav > Adobe Audition 3 > iZotope RX 10 Advanced > Celemony Capstan > iZotope RX 10 Advanced > CD Wave > Flac 16 Edited and remastered SIRMick
flac16  
508. 12/27/78 Golden Hall, Community Concourse - San Diego, CA Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W 1 shn notes
509. 12/27/78 Golden Hall, Community Concourse - San Diego, CA MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2 shn notes
510. 12/27/78 Golden Hall, Community Concourse - San Diego, CA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
511. 12/27/78 Golden Hall, Community Concourse - San Diego, CA flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480) Flac16  
512. 12/27/78 Golden Hall, Community Concourse - San Diego, CA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
513. 12/28/78 Golden Hall, Community Concourse - San Diego, CA Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston 2 shn notes
514. 12/28/78 Golden Hall, Community Concourse - San Diego, CA MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2 shn notes
515. 12/28/78 Golden Hall, Community Concourse - San Diego, CA flac16; Fix of shn id 7487 - Cassette to CDR transfer by Dave Cohen via a LynxOne 24 bit A/D card > Wave Lab3 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details 2 flac notes
516. 12/28/78 Golden Hall, Community Concourse - San Diego, CA flac16/44.1kHz & 48kHz; Source Info: 1st Set: Master Soundboard Cassettes > Cassette > Dat (16-bit/44.1k); 2nd Set: Master Soundboard Cassettes > Dat (16-bit/48k); Transfer Info: 1st Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16; 2nd Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 0 flac16/44  
517. 12/28/78 Golden Hall, Community Concourse - San Diego, CA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
518. 12/28/78 Golden Hall, Community Concourse - San Diego, CA flac16/48kHz Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
519. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA SBD> MR> PCM> DAT> CDR; Seeded to etree by Tony G; upgrade in circulation 2 shn notes
520. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller 2 shn notes
521. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2 shn notes
522. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; SBD>Rm>Reel>Cass>Dat - Fix of shn id 18092 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details 2 flac notes
523. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) flac16  
524. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller flac16  
525. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Set 1 Source Info: Master Soundboard Cassette (dbx) > Dat (Panasonic SV-3700) (16-bit/48k) > Dat (Panasonic SV-3800) (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 flac16  
526. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick Flac16  
527. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
528. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
529. 12/30/78 Pauley Pavilion, UCLA - Los Angeles, CA flac24; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick Flac24  
530. 12/31/78 Winterland Arena - San Francisco, CA SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation 3 shn notes
531. 12/31/78 Winterland Arena - San Francisco, CA via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets 3 shn notes
532. 12/31/78 Winterland Arena - San Francisco, CA flac24; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith 8 flac24  
533. 12/31/78 Winterland Arena - San Francisco, CA flac16; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith 3 flac16  
534. 12/31/78 Winterland Arena - San Francisco, CA flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick 0 flac16  
535. 12/31/78 Winterland Arena - San Francisco, CA flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM. Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644. Recording by Betty Cantor Jackson. PCM source & transfer by anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020. flac16  
536. 12/31/78 Winterland Arena - San Francisco, CA flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 - This is 154899 2496 > 1644 flac16  
537. 12/31/78 Winterland Arena - San Francisco, CA flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and SBD>>MR>>PCM>>DAT>>CDA; First Three Tracks and Patches Are: FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700) Note: This source was originally seeded with errors, a fixed version now circulates. flac16  
538. 12/31/78 Winterland Arena - San Francisco, CA DTS-Audio-CD 5.1 Mix; SBD (shn id 1791) SBD> MR> PCM> DAT> CDA via Jay Ashley + AUD1 (shn id 106102) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein - dts mixing by Kevin Tobin DTS-Audio-CD5.1  
539. 12/31/78 Winterland Arena - San Francisco, CA flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Flac16  
540. 12/31/78 Winterland Arena - San Francisco, CA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp Flac16/48  
541. 12/31/78 Winterland Arena - San Francisco, CA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 Flac24  
542. 12/31/78 Winterland Arena - San Francisco, CA flac24 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Recorded front row center balcony by Dennis Koda Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. All Transfers and Mastering by Charlie Miller Flac24  
543. 12/31/78 Winterland Arena - San Francisco, CA flac16/44.1khz Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI). Recorded front row center balcony by Dennis Koda. Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. All Transfers and Mastering by Charlie Miller Flac16/44  
544. 12/31/78 Winterland Arena - San Francisco, CA flac24/96 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 Flac24  
545. 12/31/78 Winterland Arena - San Francisco, CA flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 Flac16  
546. ??/??/78 unknown - unknown, unknown flac16 Studio Recording-> ?-> Cassette Maxell UDXL1 C-60 with Dolby B (playback on Nakamichi )-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac Flac16  

Grateful Dead Interviews  
  Date Venue - City, State Comments Media  
1. ??/??/78 Various - Various, Various from cassette master flac16  

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